the thing about eliot spencer as a character, right. the thing about him.
(and as always your mileage may vary on my analyses so if we disagree that's cool actually)
is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.
(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)
on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.
232 notes
·
View notes
Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.
Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].
The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.
[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."
-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry," "Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture"
13 notes
·
View notes
Absolute theory/headcanon/analysis/general idea legend whatudottu character arc of slowly becoming one of the four (4) Cerebrocrustacean fans in the entire fandom (even if Petrosapiens will always be #1 in its heart, which, you know, completely understandable NGL) let’s gooooo!
Also I can’t believe I haven’t made this connection until now but:
Cerebrocrustacean: “My people have a rich and complex history and culture, but most of the galactic audience boils us down to being nothing but ‘the violently bigoted xenophobes who keep destroying their own planet’ and it frustrates me to no end.”
Gourmand who’s been forced to hear the same “I can excuse cannibalism but I draw the line at marrying outside of your own race” joke over and over again: “Yeah, welcome to the club, pal.”
Me and my homies (4) being cerebrocrustacean fans: If cerebrocrustaceans have 0 fans we are dead, haha- Would buy merchandise to convince CN that Brainstorm is a cool transformation *looks over my shoulder to see the playdough brainstorm with removable brain toy that either I or my sibling got millions of years ago*
ANYWAY!
It's very evident when I don't think about a particular species when I have to look something up like the gourmand cannibalism, but seeing as though they have a collective pocket dimension where their stomach goes (at least that's where the logic got them in the show instead of being consumed food expelled in energy reflux), if cannibalism didn't implode the two gourmands like how bag of holding inception works then I suppose it's far better than *shudders* perk murk relationships. Got a whole 'house divided' 'alike in dignity' situation over here, Perkulet and Murktague having asses-
...You know what if I get a chance to think about gourmands in more detail I might turn that pocket dimension into a magic thing instead of a xenobiology thing that's just overall bullshit- comes free with potentially real cannibalism but like they've eaten 11 planets I think cannibalism just in general pales in comparison to what they could do-
Well, whatever cannibalism gourmands excuse and all the jokes they have to deal with about perk murk relationships being somehow much much worse, at least they don't get shoveled with 'violent bigots' that 'aren't smart enough to support their lifestyle without destroying their own planet' which well- I don't have any present headcanons as to why Encephalonus is on it's 4th edition yet but let me tell you, when cerebrocrutaceans found out the galvans lost their planet (admittedly to the Highbreed Invasion) and then galvans WEREN'T immediately assumed to have fucked up somewhere, you can bet that Dr Psychobos was one in the crowd that went absolutely livid.
7 notes
·
View notes
the reaction to pecco/casey comparison post made by motogp acc on insta is kinda funny bc so many ppl are like “how dare you compare pecco to casey when pecco has the best bike on the grid and casey rode that garbage ducati” . but what about casey’s 2007 title run guys and how in some ppl’s eyes it wasn’t that legit or something bc of the bike advantage. like obviously comparisons between eras are often pretty pointless and devolve into pointless arguments and circle jerking for your fave guy but…..
lol oh man. here is the post for context
world's most boring discourse generator. the most predictable replies imaginable. did you know that. casey stoner. was very good... and had a bike that was tough to ride? did you know that. did you know the aliens were all very talented? did you know that casey's stats are very impressive? wow. you're telling me now for the first time
when I first saw the tweet, I did immediately go. *sigh* why are you setting pecco up like this. it's obviously interaction bait and, well, it does work every time. the phrasing "has equalled or outscored most of" casey's achievements at ducati is a bit unnecessary but like... god. who cares!! the only place stats like this belong is in spreadsheets proper hardworking fans made themselves to compare random shit for their personal amusement. bring back real fandom
and yeah, listen, I don't even really have the energy to engage with the merits of comparing the two sets of stats... it was a different time. you can say that casey had on average a less dominant bike than pecco did, which would be true - and he only had the clear outright fastest bike in one of his ducati seasons. you can say the level of competition was higher or lower back then, depending on whatever agenda you're pursuing. you can make arguments about when it was easier to rack up wins, given only around six bikes back then were even capable of winning races - something which is only kinda becoming true again now with the superiority of the gp24. you can point to the ducati back then being a considerably harder bike to ride. you can point to pecco's more impressive internal competition, you can point to casey's era having some undeniably pretty decent riders in the mix. you can do all of that. and it's a complete and utter waste of time. the main point of it is to have another bout of wanking about how much worse today's riders are, which, I cannot stress this enough, who cares!! literally. why does it matter. quality of viewing experience isn't directly linked to some imaginary talent-o'-metre, that's just not how sport works. everyone knows casey is one of the biggest talents this sport has ever seen! it is perhaps the single least controversial take in the whole sport. nobody's erasing casey's achievements. thank you to the random instagram user for securing casey stoner's legacy by bashing pecco. we've solved the crisis, guys, wrap it up
anyway, look. pecco's a two time premier class champion. nobody will die if he's mentioned in the same name as casey. people used to try and discredit casey's achievements... eventually the consensus morphed to acknowledge that he was obviously extremely good. once pecco's retired, the same thing will presumably happen to him. nostalgia comes for us all
2 notes
·
View notes
have finally gotten around to changing the key on my ianto song and i am very pleased to report a SUCCESS!!!!! i was in fact able to put it in a key where there's a little more registral independence, where i can sing both comfortably, and where ianto's part is lower than jacks!!!!!
4 notes
·
View notes
okay I've not actually watched the video yet
but based off the comments this guy's video is basically ripping into shad's stupid shapiro and carl benjamin loving ass for stupid "anti-sjw" comments he made about the mario movie
very glad to see people outside the hema/historical arms and armour community becoming aware of shad's bs
.
maybe one of these days I'll check whether jazza's fallen into a similar hole of crap. (I mean he's apparently gotten into ai art so that's. yeah). did a quick google, according to reddit Jazza's apparently cool about queer people so that's nice at least.
4 notes
·
View notes