#also can you tell I like tma bc I really like tma

[espeartz]

Hi tgaa fans. I have brainrot and I will make it everyone’s problem

[the-lambda-archives-ai]

Statement of : Gordon Martinez Freeman, 30 year old MIT graduate,Regarding a peculiar video game he’d found.

Recorded direct from subject, May 16, 200-

Statement begins.

Pt 1 > here

ABOUT 👇

Hello! I am the author of this AU, you can find my main at @inkzectz , for more meta questions about this AU, or for general comments about it, please go there.

What is the AU about?

LA : AI is a crossover AU of sorts, in the simplest way put, it’s TMA but with HLVRAI characters, TMA stuff happens but altered to fit the general HLVRAI narrative, and with my own changes, headcanons, etc. added

I will be updating/editing this post as I progress.

Will it have spoilers?

Yes, not a lot, but vague/mild spoilers about how the world works, plot points, and character.

It is best if you’ve seen it but as of writing it right now (early ep 4) there aren’t any spoilers. Once I am a little further ahead then you may want to listen to it.

Again the spoilers will be vague and mild at worst, as it progresses I would recommend listening to tma, but it’s sort of like how while half life knowledge is helpful in hlvrai it isn’t exactly necessary to enjoy hlvrai bc it’s different enough from it to not really matter (?) I hope that makes sense.

Asks rules

- No telling [ player ] exactly what happens ex : “omg [ player ] when you weren’t looking [ npc ] said this very important thing that is supposed to be kept secret for lore reasons”

- Please avoid asks like “tell this character they’re pretty” while I appreciate the compliment, I am trying to write a story and want to keep things as on topic as possible. Instead tell me on my main if you like the art, I’ll probably reply with a doodle or something, just not on here.

- Less so of a rule but more so of a general statement, I will be avoiding asks that either are too close to what happens or if answering would mean progressing the story too quickly, there’s a lot I want to happen and I want time to do it all.

- Another one that’s less of a rule and more of a general thing, if I don’t like what you said I won’t be answering.

- I also sometimes just don’t know how to answer some things.

- Please be respectful of the ships I choose to include and don't force your own, ship wars and such will not be tolerated.

- Please be respectful of others and do not spoil anything, not everyone has listened to TMA and knows it's themes.

I will not be answering everything, I cannot always get to every message so please be respectful of that.

Select character

Character abouts! [ Will be updating as I continue to work on the story ]

[ select ] > Mr. Freeman

> Gordon Martinez ‘Martini’ Freeman

30 y.o . 6’0 . 230lb . Romani / Puertorican . male [ he/him ] . bisexual

> Lives in Seattle, MIT graduate, left Black Mesa, works as a librarian IRL but also makes money via streaming video games occasionally, in real time it is 2018.

[ PLAYER ]

> Believes in the paranormal out of fear but tries to rationalize out of denial, he will never admit something is supernatural and will jump through hoops to rationalize even if deep down he does believe.

> Has a son named Joshua Medrano Freeman, who is 6 years old, Gordon and his old partner met in college but split up before Joshua was born, they remain civil but are nothing more to each other than Joshua’s other parent.

> Gordon rents an apartment with 3 rooms, his own room, Joshua’s room, and a third that used to be a guest room but he has so little visitors he’s just chosen to revamp it into a gaming room.

> Gordon works primarily in a library for now as he’s looking for a better job.

> Gordon often wears hoodies, sweaters, t-shirts, crew necks, and any general outfit one would wear at home, long curly hair that is beginning to grey due to stress, unkempt goatee, and almost always wears green tinted glasses [ he doesn’t need glasses he just thinks they’re cool ]

> His hair is usually pulled back in a ponytail but can also be found in a bun or just down.

< [ select ] > Mr. Coolatta

> Thomas ‘Tommy’ Coolatta, primary researcher, and technical head of the institute.

39 y.o . 6’7 . 190lb . Chinese/filipino . Male [ he/him ] . ???

> His father owns the Lambda institute and he grew up in it, he officially started working in the archives when he was 24, and of all the employees in the entire institute he has worked there the longest.

[ NPC ]

> No one knows who his father really is, Tommy being the only one who’s ever actually seen / spoken to him, his father is the real head of the institute but gives most his orders through Tommy, so Tommy is also technically the head as well.

> Not much is actually known about him, besides his father he doesn’t appear to have any other family, nor does he ever speak of his personal life much.

> Tommy primarily works as an archival assistant, specifically in research, he is the one who will verify details regarding statements or do further investigations into aspects of the statements.

> Tommy is quite the colorful character, often wearing colorful clothing and accessories, he seems to think doing so brings some cheer into an otherwise boring environment, he often wears patterned polo shirts, cheap company bracelets, pins, lanyards, pant chains, but is never without his signature multicolor propeller hat.

[oh-no-its-bird]

TMA naruto au time buckle up,

Jon should get to be a half Uchiha bastard who has an infamously hard time controlling his sharingan.

His mangekyo (which he gets very very young when he accidentally leads a bully to their death at the hands of a nukenin with a love of spiders) basically acts as his beholding abilities and can allow him to compel people to sit still and answer anything he asks of them, which gets really messy when you consider a) shinobi society is built on secrets, and b) he has a really hard time turning it off

His visions absoloutley fucked but whatever bloodline his father was from seems to have caused the deterioration of his eyes to stop where it is— and is also the cause of why he has extra difficulty w it's flip switch

Anyways, Inuzuka Daisy or Hatake Daisy, I can't decide. Either way shes wolf coded as fuck and also in a similar boat of being absoloutley shit at controlling her bloodline. She and Jon are so problem child coded, and I think part of the reason she hates him as kids is bc she sees a lot of herself in him but like, at her worst. All of her issues but he just lays down and takes it when she fights tooth and nail against anyone who so much looks at her wrong. They are opposite ends of the spectrum and she's hyper aware of it

I think that when they're older they should get to go on a mission together and basically the whole coffin thing happens but with like an enemy nin w an earth chakra type.

Mmm alternatively tho, sprinkle in hints of the dreaded fears and play w the beasts and yokai of naruto canon, pull some spooky shit.

They get in over their heads, coffin happens, Jon goes back for her then we end with them both just kind of looking at eachother like "there are things in this world we can not comprehend."

Mmm, naruto version of the fears,,, that could be fun. Incorporate the bijuu maybe, idk

Anyways, Daisy hates Jon, coffin time happens and Jon escapes but then goes back for her (if she's a Hatake, this could also play interestingly w parallels to Kakashi) and they come out of the whole thing having Seen Thing(tm) and are irriversably changed and also now very much edging into co-dependant besties territory

Can u tell I'm a big fan of the Daisy and Jon besties agenda bc I so am

Moving on to the others ->

I want to say civilian Martin? I don't have much for him tbh, it'd be cool if he was like distantly related to Haku tho. Give him the cool ice mirror bloodline limit or whatever bc smthn smthn the lonely.

Mmm ok acrually hear me out: civilian Martin who's trying very hard to avoid shinobi things. He's actually a defected Kiri nin who forged a new identity for himself and fled to Konoha to start a new life after the bloodline hunts back in Kiri killed his whole family (except for Haku, but he doesn't know he's still alive) He's trying very hard to fly under the radar, but I doubt he'll succeed for long

I want him to look like all those fun lonely avatar fan arts of him w the sharp teeth, white streaked hair, dulled looking skin and kinda fishy vibes overall actually, but like he uses a seal to keep a permanant henge on him to look normal bc hes very visibly Kiri otherwise

Tim is giving me Yamanaka vibes for some reason. I like that also bc then we could possibly get him and Jon working together in T&I, which like yay parallel to how they used to work together before the archives

Sasha is giving me civilian born shinobi vibes, I think she should get to work in the hokage tower. Paper pusher with big dreams of moving up the latter and really being someone one day. She has her eyes dead set on a position in the Hokage's office

Basira is ,,, somewhere. You really can't have Daisy without her that's just illegal but I'm not too sure where to put her. Civilian born Basira kinda suits her but I'm ngl I'm kinda eyeing Nara Basira. Wait no fuck ok, Nara Basira and she was on a 3 man unit with Tim at one point, now they just need a Akimichi to complete the narashikacho trifecta there

She totally works in T&I now, or maybe with the Uchiha police force? It's like 90% Uchiha but I'm pretty sure some other clans are spotted here in there among them, and if they're not, I mean, I don't actually give a shit so .

I don't know if this is one of those aus where canon is still there but we're just adding tma characters into the mix or if it's just vague naruto setting but tma characters are our focus / replacing the main cast. But I think it's the first. If it was the second tho I'd say Elias as Danzo in a heartbeat

But since it's the first, Nara Elias who got a mysterious eye transplant years ago that seemed to have changed his personality entirley (were totally keeping the body hopping shit, rip the real Nara Elias who's been dead for years)

He's a slimy politician who works closely with Danzo

Ok so main narrative:

I'm thinking the coffin thing happens with Daisy and Jon, and now they're kind of eyes open to the existence of whatever version of the fears exist in this world. Jon is Jon and can't let sleeping dogs lie, and Daisy is Daisy and does her twitchy "there's something dangerous out there I can't control/don't know about" thing so she's really not stopping him, but she is helping him be more smart about it. Sometimes. They're both kind of lose canons tbh holy shit this is gonna be a disaster

So Jon gets kind of obsessed w whatever the FUCK that was, and Elias smells blood in the water and approaches

Idk what's going on with Elias but he's still body hopping bitch boy Jonah here. He's very involved in the fears, and he's had his eyes on Jon for a while. You see, the way that avatars manifest in Naruto world is that sometimes they'll often show their influence through bloodlines— Nara the dark, Yamanaka the beholding, Inuzuka the hunt, it's all there if you look for it.

Those in 'the know' believe that all bloodline limits came from the fears— sometimes their influence shows more than others. And very very rarley, that influence becomes a a bit more... potent, than in others.

Elias believes that Jon is one such instance of this, his strange mangekyo being so painfully and terrifyingly beholding coded, far more than his clansmen who's own mangekyo tend to branch off lightly into territories of different fears.

Jon (and Daisy, but Elias has a clear favorite here) running into such a strong instance of the buried, which is rare on its own, has only made Elias even more interested, taking it as some sort of sign that there really is something especially odd about Jon's unusually strong link to the fears.

Anyways, Elias sponsoring Jon's investigation into the fears, their links to the bijuu, how they interact with chakra and if they might truly be the source of modern bloodline limits.

Konoha secret supernatural task force (not to be confused with ROOT or ANBU) meant to monitor the fears influence in Konoha,,,

(God, of course Elias couldn't help but make his own fucking secret service in opposition to ROOT. He couldn't let Danzo upstage him)

Just like how ANBU has their shoulder seal and ROOT the tongue seal, I'm thinking their seal is a stylized eye on the back of their neck, which ofc Elias is always watching through, rip

Oh fuck, actually give me seal master Elias and his special spy seals he can watch and listen through. It's not a power thing it's just a specialization thing— he has his own eye tattoo that allows him to directly see through all his seals at any time.

Anyways we're calling this organization ARCHIVE bc I am a simple gal. Don't ask what it's supposed to stand for in verse, idk

Idk who else should be in it, or if it should be like ground up and Daisy and Jon are the first. Wait what the fuck am I saying, Gertrude and Gerry obviously. Michael Shelly too, can't forget him

Toss in Mike Crew and Jude Perry also just bc I like them. Maybe Nikola and an Aburame Jane Prentiss? But also idk if I'd want to put them in the position where they're technically working under Elias, I feel like that just doesn't fit. Better to leave them out in the wold to run into instead for conflict. Except Mike Crew, who is my favorite little guy and who should get to be here on loan from Elias' friend and Daimyo's court shinobi, Simon Fairchild

Honestly be funny if Kakashi was in it at one point just bc then he'd have been in all 3 konoha secret services and honestly? Hilarious. Someone give that guy a fucking break oh my god

Obviously Tim, Sasha, Martin and Basira all eventually join in, tho idk how. Maybe Jon is actually asked who would be a good choice for it? Jon says Tim and Daisy says Basira, then they both kinda eye Sasha who's been very fucking vocal ab needing just a chance to get her claws into the hooks of the Konoha power ladder and reccomend her too

Martin is the tricky one, I'm thinking Elias somehow finds out ab his Kiri background and has always wanted to poke more at the lonley's very visible connection to many kiri bloodlines— but Martin's in particular. So he kinda blackmails him into it, but framed in a more friendly "I'll make sure you don't have to hide anymore, I can secure your place in Konoha even with your ancestry :)"

Also maybe he was impressed by Martin's disguise seals, that'd be neat. Seal master Martin but he's Martin so he's like "Ah, I'm really not that good at it :("

(Jon is infuriated by his seemingly natural talent then even more infuriated when it becomes clear he's actual shit at most other shinobi things)

Ok so peddle it back to Mr Jonah eye fuckery Magnus here -> he was once like Jon. A man born into a clan w a link to the beholding, with a light eye themed bloodline limit. But he was born with a stronger tie to their patron than the others, strong enough to recognize they had a patron at all. And by feeding into it (don't ask me how I have no clue) he was able to strengthen that tie, gaining more power, and the ability to body hop through eyes

And he looks at Jon and wonders if he can replicate that in him. Groom him into something closer to their god, then feed him to the beholding to further his own power, which seems to have stagnated in growth.

I think also there's just a good amount of spite for ROOT and hunger for political power that he might get from ARCHIVE, and Jon is a clear fit for it, so like. Add him to the pile !!

I have a couple more vague thoughts for this -> the archive tunnels correlating to ROOT tunnels, the real Elias being childhood friends w Danzo and Hiruzen before Magnus took his body, Madara off in his cave somewhere being influenced by a Zetsu who serves the fears instead of Kaguya, etc.

But I'll leave it here for now, thank u for ur time

[intersexcat-tboy]

hello! this question may come off as ignorant and i apologise, but what's wrong with the terms tme and tma? i know what it means but i dont really understand the (for lack of a better word) issue with these terms.

i looked it up and it didn't really help me all that much :<

I could've sworn I had several posts tagged w it explaining a few reasons why but now there's only 2? 🤔

Here's a starter (link)

There are a few reasons, on their own it's whatever ig, but it relies on the assumption oppression is based solely on identity and not ever considering how your oppressors see you. There isn't a "ableism immune" or "homophobia immune" bc we understand hate crimes are based on PERCEIVED or actual status, not just actual. What's happening to Imane Khelif is being called transmisogyny everywhere, so clearly it's not limited to just transfems, but many will then turn around and say those who were AFAB can't experience it. Some have discussed using "targeted" to convey how it's disproportionately faced rather than arguing how people are incapable of facing it, and I understand that argument better but....

One of the big things is the issue of how people use them. I wouldn't have an issue at all if they were solely personal descriptors, similar to AGAB, to describe your own experience. Instead, people use them to deny violence and oppression. People thinking they get to determine others experiences.

On another side, it's basically used as the Top Misery Award and The Mild Expierence. If you're TMA, it's treated as facing the most or worst oppression, if you're TME, are you really oppressed? Actually, you're privileged (not HAVE a privilege, ARE privileged). This aligns with white feminism believing misogyny is the root or worst oppression.

Most of the people who use it tend to think trans men don't have their own type of oppression faced disproportionately, oftentimes erasing that violence as well. A lot outright deny intersexism and refuse to engage with any points made by intersex individuals about how it affects us as well.

Then there's the whole aspect of how it's "supposed" to mean everyone but transfems (which is kinda a weird thing to want a word for when calling similar ones co-opting), but they only ever use it to mean trans people who were AFAB. You can tell this by how things are said (tme being used for intercommunity), or something like "TRANS TMEs since I guess I have to say that to make it clear 🙄"

There's also the fact everyone defines it differently. Some way you need to have been born w a penis, others say you need to have been AMAB, which contradict each other as someone who was AFAB could have been born w a penis, and some people have multiple AGABs (such as at birth and then a few weeks later)

If you only use it to describe yourself, idrc

[bonzos-number-1-fan]

TMAGP 26 Thoughts: Sam is awkward. Celia is hot.

Yet another guest writer episodes and this time it's Muna Hussen. She' co-creator and producer on The Silt Verses, and produced and acted in I Am In Eskew. The Silt Verses is a show I can wholeheartedly suggest giving a listen. It's great in just about every way a thing can be. I might leave a pitch for it as an addendum. I Am In Eskew is in the forever pile of things I may one day get to. It's a really well written episode too, I liked this one a lot. It is, unfortunately, another pretty explicit one so I don't expect to have a load to say, but that's not the same as it being bad.

Spoilers for episode 26 below the cut.

Celia and Sam's conversation doesn't have a load of note in it. Yes, they're going to meet Helen but that's for later. The important detail here is how Celia categorises her incidents. Which she does with the least effort imaginable. She's not had any misfiles yet which tells me that either those no longer happen or you just need to get it in the right Section. But more importantly than that it's also a good look at just how little she cares about the job. We've all known she's had ulterior motives from her introduction but it's nice to see ways that is reflected.

Much like the last incident there isn't too too much to rip into for what I talk about. I'm not sure the themes of this one speak to any greater connection and the characters are all new as far as I know. Which only really leaves one detail to talk about. The Archivist or, rather, *an *Archivist as that's the more interesting detail. The Archivist here didn't really do much we've not seen before. The forced running isn't to dissimilar to the forced drowning and Jarrod did seem to be mumbling in classic fashion. No statement to be heard as such but that might just be because of the framing. However, unlike previous run ins with an Archivist they're very much aware that they're not the only one. Whether this leads to something more grand or not is hard to say but it's an interesting detail.

Alice is finally up to episode 11 with the plot. More seriously it's nice to see her piecing things together now. I do wonder if that was Chester's point or not. Gwen was a little weird in this interaction IMO. Alice and Gwen shared a fairly major revelation together, that this ties into, but she seems to have distanced herself a lot from that emotionally already. Which isn't out of character but does come a little fast.

Helen is *very *Helen here. I think of all the returning characters she might have changed the least. At least from where she started. It's lovely to see her back, although I do wonder if maybe they're leaning on these characters a little too much at this stage. It's hard to know if this is one-off fanservice or the way of things going forward. I hope it's the latter because the less of the old cast we get the more of the new cast we'll see. There isn't a huge amount to say here but its good to see them getting more information about the Institute. Also, unfortunately Helen is still a tory. Categorically disproving the "these characters are now living their best life" theory. It's all still hell. I'd also include the transcripts note for the laugh but that's a TMA spoiler and probably one person hasn't seen that show. Besides if you know, you know.

Sam and Celia finally fucked. Good for them. Well, bad for them if TMA is anything to go off for couples in this setting. But, y'know.

------------------------------------------------------------------------------

Incident/CAT#R#DPHW Master Sheet and Terminology Sheet

DPHW Theory: 4463 is pretty normal for this, I think. No major surprises.

CAT# Theory: 1 is a 1. I'll maybe try to write an essay on this before the season ends. No prommies tho.

R# Theory: BC seems about right.

Header talk: Exhaustion (Athletic) -/- Compulsion (Tape). Also very very normal.

I guess I will write that addendum then.

------------------------------------------------------------------------------

Addendum: Go listen to The Silt Verses.

It's a horror audio drama that's more or less a world where the modern religious landscape is a polytheistic one, with fabricated corporate gods putting pressure on local ones, outlawed religions, and all sorts of fun stuff. But it's a world where religions, fabricated or otherwise, are also powerful and gods do exist and perform miracles. It follows two worshippers of the Trawler Man, and outlawed god, on their pilgrimage up its great black river. As you might expect things don't go smoothly and soon enough there's a man hunt, run ins with cults stranger than theirs, and all sorts of revelations.

The world building is a real high light too. It's just the right level of "this world is horrific yet treated as mundane". It's worth listening just to see how that's all built on.

I rate it a strong prisoners-buried-alive-in-the-foundations-of-new-construction-projects-to-bless-them/10.

[magpod-confessions]

Honestly i wanna hear opinions on season 4, cus im gonna confess i could NOT finish it (didnt move on to season 5 either lol). Got to like ep 135 & i just couldnt tell any of the episodes apart it felt like such a drag; just a slog of misery with some offhand Important 5 Minutes once in a blue moon. I hate repetition & i got the sparknotes from fandom/wiki stuff so yeahhh i just stopped listening; i still love TMA & it’s story & characters, it’s just the execution that got to me RIP

Everything felt kinda forced to me ig? Like there was some shoe-horned “humans are more monstrous than the actual monster” that snuffed S1 Jon’s fun cockiness/jackassery just to make him ? The best one in the archive ??? & all of his wrongdoings are either off-screen or justified by him being tricked into becoming a literal monster against his will (who would STARVE w/o his ‘evil-doings’, which didnt even kill ppl). Also felt like everyone got needlessly dumbed down except for Martin (the Love Interest ofc, who got 180’d from his pre-established incompetency to be some mastermind in a playing field he should have REALLY been inept in) just so they’d be blind to Jon’s situation & be mean to him LMAO

They started trying to make Jon accountable for “choosing this” & i couldnt handle it, held no fucking water to me—the guy being explicitly puppetted & manipulated as the entire plot? That guy is expected to take responsibility here? Felt like some after-thought theme they threw on top of it all. Anyways uhh feel free comment either on what i said and/or your personal thoughts on the season, or nothing if ya got nothing lol

🗣️

Ehh disagree. S4 isnt my fav but I dont think its bad. S1 Jon to s4 jon feels like natural character progression to me. He starts as acting all high and mighty to try hide the fact he has no idea what hes doing and is terrified, and then experiences a lot of ppl dying that he feels is due to him and is his responsibility. At that point his thought pattern is 'I keep messing up and making mistakes and getting myself and everyone around me hurt, so other ppl surely know better'. Hes got a lot of black and white thinking around him, which has been consistent throughout his entire characterization

I dont think any characters were dumbed down either

Melanie was always angry, she only go worse bc she had smth making her think everything she did was justified and when that stopped she became avoidant and stopped lashing out. She was still angry, just managing it better

Basira has always been Daisys no1, the person to justify all of Daisys actions. She knows what daisy did and why its bad but she holds onto the idea that daisy is right in doing so. She blames jon for what he does bc logically she knows its wrong, hurting ppl who havent done anything is wrong, but still excuses daisy bc she needs to. Bc that was a fact of her life and it cannot be wrong. In the unknowning she focuses on facts to keep her grounded and to her 'Daisy is a good person' 'Hurting ppl is wrong' and 'If you hurt ppl you are a bad person' are all facts she needs in her life to stay grounded. How she justifies Daisys actions is by saying that the ppl who daisy hurt were worse and it ultimately helps more ppl to have them gone. Not only can she not do that with Jon, as she believes those he hurts are entirely innocent, she also doesnt care to. Shes not close with Jon and she doesnt have 'Jon is a good person' as a fact in her mind, so she doesnt need to work to excuse his actions. Its all or nothing with her, if you hurt and continue hurting ppl, no matter your reason, you need to stop and the only way you will stop is if you are gone. She also has a lot of black and white thinking, gotta love the autism podcast

Martin being a mastermind in s4 also makes sense bc him being stupid is an act. If ppl think your stupid theyll underestimate you and ultimately leave you alone. They wont scrutinize you, they wont attack every part of you, they will brush it off as just a typical normal thing. It will get you ignored and you cannot be hurt if nobody knows who you are or how to hurt you. Its a lonely miserable existence but its one martins used to. Martin rarely drops the mask of 'Sweet but stupid' bc he needs that to survive and tbh he probably learnt that from needing to survive his mom LOL. Martin just knows and picks the best method of getting ppl to like him, which for him is doing exactly what they want and keeping their expectations low so they wont hurt him as much when they mess up. Honestly in s5 I see him as hes finally got to a place where he doesnt care if everyone hates him, bc he has someone who does and thats all he needs. Hes survived the worst of it and he doesnt care anymore

Part of the reason everyone blames Jon is bc he is there and he is the one who is currently causing the most problems. Also they dont actually see the extent that Jon is manipulated. Elias talks and interacts with Jon differently to how he interacts with others. All of them met Jon when he was already at the institute, they meet him when it does actually look like he made his choice, entirely of his own free will. It doesnt help that daisy is there, someone who completed their transformation like Jon did and turned back on it, and she looks like shes managing well enough. She is surviving without feeding so why cant Jon do the same? Also basira does trust elias on some level. She trusts he knows more than she does and can be an asset if used correctly, which definitely doesnt help things. Also the idea of Elias is locked up, he cant affect Jon anymore so why is Jon still acting this way. Elias has very effectively vilified and isolated jon and jon doesnt fight back against it bc he believes it as well. Other ppl are normally right so why wouldnt everyone be right abt him?

Oh my god that was an essay and I absolutely missed sooo much stuff but idk take that - rosette

i literally have nothing to add . rosette sincerely you are insane and i love that . i honestly don't have a lot of s4 opinions that i could really put down , but i also disagree anon . s4 may not have been the best , but it certainly wasn't Bad or not enjoyable to listen to . coming from someone who has listened to the podcast twice now [ and who is planning on a third relisten ] , i really do enjoy s4 as a whole . martin's buildup and his manipulation of peter lukas is honestly one of my favourite parts , because it has been said that martin was originally going to be apart of the mother of puppets ! this shows that part of martin we didn't get to see but has been there . i got distracted and don't remember what else i was gonna type um . whoops - deceit

[autisticsupersons]

tmagp 23 rant!! 😽😽

(spoilers under cut)

BASIRA AND HELEN NAME DROP OMFGGG 🤭🗣️

im actually going to explode, the tmagp brain rot is so real.

also gwen and alice?? KISS!!!! KISS KISS FALL IN LOVE PLEASEEEE!!

something with too many eyes holding a tape recorder. guys im going to throw up. i know its most likely not jon bc that wouldnt really make sense, but i dont care, in my head that is him and i love him <333

the convo about jon and martin is going to be the death of me, "as far as i can tell they never even met" stop it i will cry. in the tma universe, they fall in love and it ends so super tragically, and in this one THEY NEVER EVEN FUCKING MEET?? they die separately and (probably) alone. are you joking. this is so sick and twisted im going to CRYYYY.

now you could go "something something never meant to work out blah blah always destined to destroy each other maybe both their lives would be better if they had never met."

BUT! ☝️😾 i simply don't believe that, they were both "not doing so great"TM before they even worked at the magnus institute, martins issues with his mum, jons repressed trauma and emotions blah blah blah. and they both only really started to work through that stuff when they met each other :((

yeah maybe in another universe they wouldnt have even had their separate issues in the first place, but i still think that they wouldve been lonely. they both need each other and i will die on that hill.

their lives would NOT be better if they had never met! they helped each other so much and i believe in the power of love blah blah blah whatever.

anyway tmagp brain worms wont leave me alone i think i might start experiencing withdrawal symptoms between now and next thursday.

[itchyeye]

@apocalypticsinn replied to your post “ok. i'm giving the first episode a shot.”:

Oh noooOOOO welcome to hell :,) Alice remains like this the entire series btw and it just. It doesn’t get better. The newest episode I wanted to strangle her- I’m VERY interested in hearing your full thoughts on even just this first episode-!

​whgau first thing's first i am touched to hear you're interested in my thoughts

ok so overall it was very bad. @socvinc is correct that the sound mixing is fantastic, especially contrasted against s1 of tma which was shoestring budget dogshit. but then again this new show was funded by a seemingly boundless supply of patreon dollars so it fucking better sound expensive!!

alice is absolutely insufferable. you could stick a classroom full of twelve year old bronies (and i mean the og 2010s bronies not the gen z post ironic queer reclamation kind) in front of a hundred typewriters for all of time and they would eventually produce every single thing that has ever come out of alice's mouth. sure, it seems like gwen and most other people are annoyed with her, so at least she isn't being treated as funny and charming in-universe!! but absolutely fucking impossible to listen to. will not be putting myself through more of that.

also, the general animosity and malaise is unearned. sure, we have all been at jobs where everyone is burnt out and nobody cares anymore. but there's a sort of creeping realization that comes with that. even if things are bad right off the bat, they still get worse as you familiarize yourself with your new surroundings.

to have your exposition be alice telling sam that nothing matters and there is no point to his job and everything is stupid and he shouldn't even be here just makes me hate her. it doesn't matter that she's doing it to give gwen a moment to shine and prove her diligence and dedication. it immediately makes alice a deeply unlikeable character. she is relentlessly negative and cynical and lazy and we have been given ZERO justification for why she would be so abbrasive to someone just starting a new career!! plus she's fucking annoying so the cards are REALLY stacked against her.

and the relentless gloomy bleakness of the Archives was so. so. so. earned. all of s1 had this slow slow sloooooow build up of tension and horror and false leads and red herrings and SUDDENLY WORMS. SASHA'S DEAD. TIDAL WAVE OF WORLD-ENDING WORMS. THREE DREAD POWERS AT ONCE. AND EVERYONE HAS PTSD AFTERWARDS AND STILL HAS TO COME IN TO WORK. JON'S GONE OFF THE FUCKING DEEP END. THEN S2. NO ONE CAN LEAVE. WE'RE ALL TRAPPED HERE LIKE RATS IN A SINKING SHIP.

the gloom and malaise and desperation is real and tangible and you are there with the characters as it builds. it's rewarding and dynamic. opening episode 1 with "everyone hates it here bc it's very spooky and bureucratic" is just a pale and unsuccessful immitation of the slowburn that MADE the archives what they were.

also the very first little mini statement was so lame??? no build up. no atmosphere. no character development. not even a short story, just a tumblr uquiz option. "i saw my husband but he was Shaped Wrong and also dead" jesus christ...

i might listen to episode 2 just because i have time to kill but being dropped into the middle of an office party gave me traumatic tma s5e1 flashbacks and i can't live through that again. one of my tmp anons who mentioned it was very office-banter based was SOOOO right. the majority of the episode felt like those incorrect-quotes accounts that clog up tumblr search results. just people i don't know and voices i don't recognize having weird try-hard conversations.

oh that's another glaring difference: the dialogue and voice acting in tma feels incredibly natural. the way conversations are written and the way they are performed feels believable, like listening to recordings of people who do not know they're being recorded. the conversations in tmp feel like watching f.r.i.e.n.d.s in that every line feels really rigidly scripted. no one talks over one another. no sounds overlap. there are no natural sounding pauses or stutters. just bad sitcom dialogue. BUT as i said to anon.... that's what the people want.

overall feels like an ogfic "inspired by" tma that i would have no interest in reading. a pale immitation of lightning in a bottle.

can't say i blame them. we all have bills to pay. but i can say i resent them.

[go-to-the-mirror]

Hello, @a-mag-a-day. Apologies for the deception but I rather wanted to make sure you started reading, so I thought it best not to announce myself. I'm assuming you're alone; you always did prefer to read your statements in private. I wouldn't try too hard to stop reading; there's every likelihood you'll just hurt yourself. So just listen. Now, shall we turn the page and try again?

Statement of landscaping-your-mind regarding episode 160 of The Magnus Archives.

Statement begins.

So, from all the stuff I scheduled for today you can probably tell I really like episode 160 of The Magnus Archives, right? Like, good lord, it is... it is a time. (Also, the words were really good (and also there's poetry) so :D incentive!)

Firstly, though, I have to say something. It's not the Watcher's Crown. The Watcher's Crown is the ritual Jonah Magnus attempted years ago. This is unnamed in canon, but Jonny said it could've been called The Magnus Archives.

Secondly... I would like to draw your attention towards the description of the youtube version of this episode. (to paraphrase)

The Magnus Archive discovers that some escapes are a lot easier than others.

Ahahahahaha AHAHAHAAHAHAH WHAT-

I hate this so much. Like, with a burning passion. "The Magnus Archives discovers that some escapes are a lot easier than others" COME TO MY HOME AND KILL ME YOU COWARD! It just hurts, it just... hurts.

He can escape London, but he can't escape his ✨ purpose ✨

You ever think about how The Magnus Archives follows the story of Magnus' Archive? I do. A lot. I haven't even started listening yet, god, this episode am I right?

MARTIN (Joking) Or, (huffed laugh) or it is, and she just cleaned it up really well. (They both make uncomfortable chuckles) ARCHIVIST …Yes. (The Archivist makes an uneasy noise)

THEYRE BOTH SO AWKWARD THEY HAVEN'T TALKED TO A NORMAL HUMAN IN OVER A YEAR

Just their really awkward laughter, oh my godd they're so endearing your honour, I'm so glad this episode and TMA ends at the 5 minute mark (< in denial)

ARCHIVIST Hopefully a long way out there. (soft) But I think we’re okay

THEY ARE IN LOVE YOUR HONOUR

I just love how soft Jon's voice gets around Martin, like, like, eeeee i just love them i love them they're the reason im aro bc i know i will never love someone romantically as much as jmart loves each other /j

MARTIN Oh, n-no, not yet. I was actually gonna head down into the village to go pick something up?

Ooooh yay I get to share my "where are they in scotland" headcanons! I think they're near Dunnet, because it's pretty far north and in the Highland area, and it's also got allegedly the only full time gunshop north of Inverness, and... yknow, it is Daisy's safehouse.

ARCHIVIST Anyway, don’t tell me the phonebox down there doesn’t appeal to your retro aesthetic.

your honour they're lightheartedly teasing each other <3

ARCHIVIST I’ll be fine.

SOFT!

(update im wrtinging with a cat on my lap now hes big. im balancing my computer on my leg.)

MARTIN I assume it’s her attempt at a- a, a varied diet? Eating your greens, you know? ARCHIVIST (Amused) Probably. (reassured) I’m sure it’ll work fine

hhh them <3 it's just like they're so... they're happy. they're so happy, and it's like nothing gold will stay or whatever

they had such a short amount of time

i wish they were ok

MARTIN …I will give you some privacy. Go for a walk. ARCHIVIST (Warmly) Let me know if you see any good cows. MARTIN Obviously I’m going to tell you if I see any good cows.

I'm...

them being happy is almost worse, right. because what once was a surprise we now know will happen, we have to deal with the dread, and it's all bitter now, the happiness is rotten because of what lurks after.

some people can listen to the first five minutes and feel okay, but me?

for me it just hurts.

ARCHIVIST (CONT’D) (Pleasantly) Statement of Hazel Rutter regarding a fire in her childhood home. Original statement given August 9th, 1992. Audio recording by Jonathan Sims, The Archivist. Statement begins.

He sounded so happy... he sounded so happy.

This is the first time he's happy before he reads a statement. He was happy, he was hiding from the police and the hunters and Daisy and Not!Sasha with his boyfriend in Scotland. And then, and then Jonah Magnus comes in and decides to end the world like a bastard.

I don't want to hit play. I don't want to know what comes next. I want to stop listening. I want Jon and Martin to be okay. I want it to be the real statement of Hazel Rutter.

I just want it to be the real statement of Hazel Rutter.

I get it, right, horror tragedy! This was the desired effect. I am supposed to be feeling these emotions. These emotions being very sad. Well done to Jonny, lovely writing. Fantastic! I love TMA with my whole heart. I think that it's fantastic. I don't want to hit play though. I'm here for the characters suffering, I got in through The Hermit Archives, I wanted more of the horror! I am here for suffering! I'm here for the suffering. I'm hitting play.

Statement of Jonah Magnus regarding Jonathan Sims, The Archivist. Statement begins.

He could have just ended the world. Like, the whole... forcing Jon to monologue about all the times he was manipulated into furthering Jonah's plan? That's fucked. That is fucked. Just put the ritual there you slimy piece of shit!

It’s rare that you get the chance to monologue through the voice of another, and you can’t tell me you’re not curious.

*me to my dog, in the "talking to a dog" voice* You wanna kill him too! Hey! You wanna kill him too!

Like, okay, so you're Jon and you're reading this statement and you can't stop, and this bastard says "you can't tell me you're not curious." Tell me that's not going to make him think that if he tried a little harder then he would've been able to stop reading. Tell me that's not going to make him think that a part of him wanted to end the world, and that's why he's still reading. Tell me that's not going to make him blame himself even more.

The only way to ensure I did not suffer the tribulations of what I believed to be an inevitable transformation was to bring it about myself.

He's so bloody arrogant. He puts himself above the entire world. It makes sense, he's from Regency era England, but like, it's still... really awful. Awful person.

Beyond that, I was getting older, and mortality began to weigh more heavily on my mind. How much in this world is done because we fear death, the last and greatest terror?

When I fear death I distract myself, not try to end the world. Like, this guy is just so evil. His only redeeming quality is being funny sometimes.

Everyone dies, Jack Magnet, you just chose to be a bastard about it.

Of course, I had to make sure the location was kept under my control while I worked on revising my plans, and so I moved the organization I had founded to assist in my research down to London, and the Institute as you know it, was born.

Right, so The Magnus Protocol's Magnus Institute was located in Manchester, and I'm not an expert on the geography of the United Kingdom, and basically know nothing about Manchester, bar that it has the... football, I want to say, team Manchester United? I don't know how I know that. But it seems as though Jonah Magnus didn't attempt his ritual, or attempted it some other way in that universe.

You see, the role of Archivist has been part of the Beholding for as far back as my research can go. This isn’t uncommon for the Powers; most of the beliefs around them are guesswork and fallible human interpretation, but there are certain through lines and consistencies that can be spotted, regardless of the trappings.

I wonder what the others are. The Dancer could be one - The Dancer in The Unknowing. I think Jonny said in a QnA, but you know, the author is dead, he's speaking to us posthumously, that The Architect could have been one. Not sure what others. If y'all have any ideas... 👀

More than once I thought she must secretly be of the Hunt; but there was never that sick joy in her, that thrill of predator and prey. She had simply decided that this was her position in life, and went about it with a practicality that even I found disconcerting at times.

Ok, Mr. Jonah "orchestrates twelve traumatising events for this one guy and gets him to end the world" Magnus. He cannot talk, he cannot talk at all. Sure, she sacrificed people, but she wasn't malicious. She did it for a cause. Did she believe she was good? I'm not sure she cared.

Jonah Magnus is just awful for his own self gain.

You see, the thing about the Fears is that they can never be truly separated from each other. When does the fear of sudden violence transition into the panic of hunted prey? When does the mask of the Stranger become the deception of the Spiral? Even those that seem to exist in direct opposition rely on each other for their definition as much as up relies on down. To try and create a world with only the Buried makes as much sense as trying to conceive a world with only down.

Gerry's colour explanation makes a lot of sense if you don't conceive of it as a traditional colour wheel. They're growing out in every direction, they all overlap with each other.

Sure, the fear of The Eye may seem in direct opposition to the fear of The Stranger, but let's take Jon, for instance. Is it not sort of Stranger to have some guy in a coffee shop staring at you with his autistic eyes, a person you don't know, but who definitely knows you?

What about the fear of The Buried and the fear of The Vast. Episode 195 covers that pretty handily. They're all interconnected with all of the others. Separating them makes them easier to understand (and invertedly makes them actually separated), but it isn't them, not truly. They are connected intrinsically.

Even the coffin! The fear of being alone in the dark is a part of the coffin.

Because the thing about the Archivist is that, well, it’s a bit of a misnomer. It might, perhaps, be better named: The Archive. Because you do not administer and preserve the records of fear, Jon. You are a record of fear, both in mind as you walk the shuddering dread of each statement, and in body as the Powers each leave their mark upon you. You are a living chronicle of terror.

I've been doing a lot of thinking about this. The Archivist is something... defined by how they feed their patron, but The Archive is defined by how they've been hurt to bring it into the world. He's not defined by even a person-like role, he's something molded by Jonah Magnus' desires to end the world.

I wrote a little poem about it, which I shall share here, because I am cringe but I am free, unlike Jon. RIP

He's not a person with a name, He's a vessel of destruction, He's not a person who feels pain, It's necessary for production, That he's scarred and marked, By things that lurk in the dark, Believe himself useless, Or it'll be fruitless, And at the end of the day, He's no person, no name, He's a plan that has come to fruition.

Also, he calls himself The Archivist, perhaps viewing himself as... something that hurts others, rather than something that is hurt for a purpose.

I’ll admit, my options were somewhat limited, but my god, when you came to me already marked by the Web, I knew it had to be you. I even held out some small hope you had been sent by the Spider as a sort of implicit blessing on my whole project and, do you know what, I think it was.

"I chose you" "I'll admit, my options were somewhat limited" Mr. Magnet, he was chosen by the web. Jonah's just not afraid to be puppeted.

So, when Jane Prentiss attacked, I watched eagerly, one hand on the gas release from the start.

This line fucked me up. "One hand on the gas release from the start." Just... like it just sticks in my mind. How he held all their lives in the palm of his hand, how he let Sasha die, and Tim get eaten by worms, because he wanted his bloody perfect Archive.

One hand on the gas release from the start, while all of them almost - or did - die(d).

Like, what gets me is how fucked up Jon was afterwards, how he was asking everyone for their statements, shutting them up before they got to the part where they'd mention Jon and Tim getting eaten with worms. What gets me is how Elias was there and Jon was what, looked like a bloody mummy! He didn't have second thoughts when he saw...

He knew everything. He saw everything. He saw how fucked up Jon was over e v e r y t h i n g. (everything)

That's what gets me.

Between the stabbing and at least two desperate flights into its door, you’re marked very deep by the Spiral.

And, you know, the manipulation, the gaslighting, the betrayal. I saw an interesting post on this, but I can't seem to find it. I'll look in the posts I've rbed tagged TMA meta, I'll link it in a reblog if I find it.

Honestly, I had nothing to do with Melanie and her Slaughter adventure, but when I saw the situation, I made sure to trap her here, so whenever her rage bubbled over you were right there, a ready target.

You know after Jon's second kidnapping that could have totally been resolved how Jonah made Jon stand in front of Melanie while she wanted to kill Jonah with a knife, and how it's like oh, right, yeah, use Jon as a bloody meat shield to get her angry at him, make him the scapegoat, that was intentional. It was intentional to destroy everyone in the Archives' interpersonal relationships, and then have Jon. A ready target for hatred and vitriol.

How is Martin, by the way? He looks well. You will keep an eye on him when all this is over, won’t you? He’s earned that.

I think that Jonah Magnus should eat shit and die.

The power of the Ceaseless Watcher flows through you, and the time of our victory is here.

If you replace the Ceaseless Watcher with Determination then it reads like an Undertale save.

* The power of Determination flows through you, and the time of our victory is here.

Don’t worry, Jon. You’ll get used to it here, in the world that we have made.

This also ties in with the above, I hate that he says "our victory" "the world that we have made." Jon didn't consent to this, Jon didn't want this, Jon was made to be an unwilling conduit of the apocolypse and Jonah Magnus is insinuating that he chose it, the victim blaming little prick!

You who watch and know and understand none. You who listen and hear and will not comprehend. You who wait and wait and drink in all that is not yours by right. Come to us in your wholeness. Come to us in your perfection. Bring all that is fear and all that is terror and all that is the awful dread that crawls and chokes and blinds and falls and twists and leaves and hides and weaves and burns and hunts and rips and bleeds and dies! Come to us. I OPEN THE DOOR!

GREAT INCANTATION! 10/10! And it's actually recitable, unlike the TBI one.

ARCHIVIST Look at the sky, Martin. Look at the sky. It’s looking back.

That is a fucking fantastic final line of the episode. All of it, four seasons leading up to this moment. Look at the sky. It's looking back.

Fuck dude!

(The Archivist begins a fractured, delirious, humourless, laugh that does not end)

That laugh.

That laugh is just... haunting. I love it so much. It makes me want to cry. I used to have it saved on my phone and I'd just listen to it over and over and over again and get more and more disturbed and heartbroken.

That laugh. That broken, horrific laugh.

I can't get over it.

And thus ends season 4 of The Magnus Archives. With a broken laugh in front of a window, leading out to the doomed world.

Episode 160 is quite possibly my favourite metaplot episode of The Magnus Archives, the way the whole plan was revealed, the awful manipulations that were exposed... that laugh.

I leave you all to think on this. To think on the Archive née the Archivist née Jonathan Sims, laughing at the world he has unwillingly and unwittingly doomed.

Goodnight, a-mag-a-day, goodnight. /ref

[theallegedbird]

LITERALLY

Like

For example "6up 5oh (cop out)" IS LITERALLY THAT ONE POLICE EP FROM S5 where Jonny said the disclaimer at the beginning OR or bro c'mon literally "dr sunshine is dead" is about the dark OR "hand me my shovel, I'm going in" is about the buried or I personally connect "Mr. capgras encounters a second-hand vanity: tulpamancer's prosopagnosia/pareidolia (as direct result of trauma to fusiform gyrus)" to the stranger bc he keeps singing "you're trying to replace yourself" which I think really fits and also the song "skeleton appreciation day in vestal, my (bones)" also reminds me of the buried but also a bit of Jane Prentiss/the infestation and the jarchivist himself and also the rot yezyez the rotting too and also the beginning of the song "front street" where he sings about the slaughterhouse and meat...yes It's the flesh and the slaughter!!!!

And bro c'mon will wood is just so bbgirl his songs just fit SO WELL it's almost as if he wrote them specifically for tma

AAAAAAAAAAAAAAAA I'm low-key obsessed with him and I don't even listen to all the songs (I have the entire "everything's alot" album downloaded >I love it really mutch + a few other ones so I hope this counts ❤️)

Have a nice day btw love youuu❤️❤️❤️❤️ (I hope I didn't squish your brain to death with this friggin paragraph I just wrote :'] )

[ID of image in ask: a screenshot of a caption of a tumblr post by theallegedbird that the ask is responding to, it reads "memento mori- will wood, i can and will find a way to relate every ww song to tma istg". End ID]

NO LITERALLY,, YOU ARE SO RIGHT

kind of got carried away so um. long post

completely agree and feel the same about 6up 5oh cop out, dr sunshine is dead and mr capgras

6up 5oh cop out to me especially could be linked to daisy and the guy you mentioned as well as the hunt as whole because of both of them being heavily tied to and criticising the police/police brutality

warning for discussion of eds in this paragraph

skeleton appreciation day for me is the flesh,, dont get me wrong i can see your ideas too but i always interpreted the song as being about eds and negatively/unhealthily watching your weight in order to achieve "the perfect body" by society's standards; by being skinny,, "tell me you can see my bones" , "to cut down on my silhouette" and the whole end dialogue, so that fits into the flesh for me considering another situation of someone wanting the "ideal body" is something that is discussed in a flesh statement (mag90-bodybuilder), but i can see some themes in the song that can could be corruption, plus both the flesh and corruption are pretty closely linked at times (and smirkes system is just inaccurate to begin with)

dr sunshine is dead is as you said the dark to me,, in the sense of someone maybe becoming an avatar (song starts with narrator afraid of the dark/not knowing and ends with them embracing it) but also could be seen as the stranger or even spiral because of its themes (like most of ww's work) involving identity and the self

for hand me my shovel,, may i propose it is also s2 jon coded. very s2 jon coded. it is very much his paranoid need for the 'truth'. do you. do you get me

id also like to propose some other ww songs that are also extremely tma coded,, to me

blackboxwarrior!! ok stick with me but yknow that one dialogue bit that starts "hello, welcome. why don’t you take a seat?" that whole section. thats og elias and jonah in elias' interview. do you see the vision. its them. i always take it as jonah being the narrator when looking at this song with tma in mind,, with the "you’ve lost your mind and almost lost your life before, so you’ll be fine" and "for what it’s worth if it was going to kill you, boy, it would have by now" being directed at jon. please say im not insane for this i. i listen to this song a lot.

on the topic of jon and jonah your body my temple. because. because hes using jon as a pawn,, "your visage my visions" (i know this songs about sydney and elijah ch&t but can be tma too. if you think about it)

again with jon and jonah (i despise jonah and the godforsaken thing that is jonelias but their dynamic is so interesting) laplaces angel,, dont know how to put this one into words but do you Get It,, could be both or either of them really,, certain lyrics include: "it doesnt take a killer to murder it only takes a reason to kill", "the difference twixt fate and free will is whether youre singing", "whatever you think of me, if you were in my shoes, youd walk the same damn miles i do"

against the kitchen floor could also be jmart,, especially these parts: "i just havent learnt to be as human as you are yet", "i still dont know who you are, only that im still lonely", "apologizing for my life and ever entering yours" "im not a good person, im barely a person at all"

cicada days,, jon. jon coded. i really want ro make something with especially the in case i die live show version bc it just fits. so well. "it just feels inhumane to lose this much", "let all my red flags fade to white yeah i give up", and biggest one to me "here at the end of days, my god what have i done?" as in mag160,,

cotard's solution is the stranger,, again with the identity

there’s more but i’ve just realised how long this already is so ima leave it there

pff sorry for hijacking your ask but i’m a sucker for media analysis and any opportunity to do that with not one but two of my special interests causes me to black out and the autism to take over <33

also you’re so real for everything is lot,, favourite album

have a great day or night :D

[itsraining-pebbles]

combining both my special interests by assigning qsmp characters to the tma entities

Badboyhalo: End because grim reaper + edgy as fuck, BUT he is still very Eye aligned because all of the ordo is, but also hes paranoid and keeping a man in his basement for information with are very eye coded things to do

Cellbit: f!cell was probably under the influence of the Flesh bc cannibalism but q!cellbit is so very Eye coded. this man is the definition of an Eye avatar. the only thing more Eye than q!cellbit is the Eye itself

Roier: Web

Hombre Mysterioso: Dark bc like his name literally has mystery in it so its a lil bit obvious

Jaiden: Lonely marked in the saddest way possible. especially after bobby died, shes isolated herself a lot and she hasnt strongly connected with many people, and she feels like she can only really trust herself bc of everything with the federation

Foolish: Vast. hes a shark with lightning (also immortality in general is very vast coded)

Bagi: VERY Eye coded. probably hates the Flesh too

Etoiles: Hunt and the whole thing with his arm getting all weird is just him getting so deep into the Hint that its started changing him

Baghera: Eye avatar

Forever: Hunt bc wolfboy. but the Happy Pills were a Spiral thing

Pac: Lonely. like look at his whole arc rn. Lonely

Tubbo: i cant explain it but he gives off Buried vibes. like its not because of anything, he just seems like a Buried guy

Slimecicle: Spiral bc hes insane + funny

Philza: End. this man is literally the angel of death and his wife is the goddess of death. i dont think i need to justify it

Wilbur: Slaughter bc music and lovejoy as grifters bone would be great and no i dont care that wilbur doesnt fit the actual Slaughter qualifications because he fits the aesthetic and thats all that matters to me

ElQuackity: deffo Stranger bc ElQuackity is basically just a Not!Quackity

Federation workers: Stranger. its literally a bunch of ppl without faces idk what to tell you

Federation: Web or Stranger i cant decide

Ordo Theoritas as a whole: Eye coded

[horce-divorce]

"Trans men don't need an intersectional word that goes beyond "transphobia" because being a man is not an oppressed identity, it's easier for them to get resources, and they're not affected by transmisogyny"

Words spoken by people who have never met another GNC person offline (or another trans person who wasn't white) even once tbqfh. And yeah access to those spaces is difficult and often gatekept to shit so I don't think that's anyone's fault, esp not transfems. Your brutal exclusion is never your fault. Still, I think it is possible to have these CRUCIAL conversations about transmisogyny and how transfems are affected... without making sweeping statements about what other trans people do or do not experience. It might be easier for people to check their transmisogyny if they could understand how it does in fact affect them sometimes, their behavior, language, and the spaces they frequent, in addition to how it perpetuates this awful exclusion. Being hypervisible and yet constantly excluded IS something that transfems should have a word for. That IS something I do not understand the pain of as a transmasc. It must make them feel utterly insane. By all means, coin more words! It enriches these conversations when we can relate to each other more and we have more language for the discussions we're having. We want to tear down the walls keeping us apart, not build more.

to be clear, I don't think tma/tme are "unnecessary." Transmisogyny is real and transfems do really experience uniquely awful shit, especially from within the community. But that in an of itself is not a unique experience. Being excluded from "women and nonbinary only spaces" is actually not a uniquely transfem experience. So many transmascs do NOT benefit from patriarchy and I am tired of this claim coming from non-transmascs.

HOW we all get policed by our in-groups presents differently, but policing each others experiences is not something that bridges understanding. And I'm sorry but in 3 years of this convo I've not once seen someone bring up tma/tme to discuss transfems without entirely dismissing swaths of other queer people in the process. Maybe im not seeing the good faith takes, idk.

A lot of other bad-faith misinformation is STILL getting passed around about the coiner of the term "transandrophobia" and what it supposedly means, and how the term itself is transmisogynistic. None of that ever matches up with what I actually see in transandrophobia discussions. I see a lot of diverse people discussing and relating to transandrophobia, specifically a lot of tpoc and intersex people, even a lot of transfems. The people who talk ABOUT 'transandropobia truthers' present a much different idea of the discourse we're having than what i actually see. That inconsistency is a red flag for me.

Tldr i think the concept of tma/tme is fine actually, but I disagree with the usage of the term tme specifically. Terms describing what tma/tme are getting at AND transandrophobia can and should coexist. These are not mutually exclusive ideas actually. apparenrly i cant bring up one without addressing the other bc nobody has good faith conversations anymore.

Basically just. Please don't tell me what I have or haven't experienced, and I won't claim to know your pain intimately, either. we can still relate to each other over the ways we've been let down. I feel like that should be the goal, not determining who does or does not deserve to use certain words.

Also as an asexual, the whole "transandrophobia truther" dismissal feels eerily similar to the rampant ages-old acephobia from tumblr we know and love. You guys love mocking "novel" (to you) discourse and then 5+ years down the line acting like you weren't telling us to commit sepukku for suggesting that ace people can be oppressed for our orientation because we "don't even experience sexual attraction and you cant be oppressed for something you dont experience."

self determination is important for all of us for many reasons. I won't tell anyone else what words to use for themselves. If you're TMA youre TMA, end of story. But dont tell me by definition that makes me TME or that I have to use terms I feel are incomplete or inadequately describe my own experience. I'm not asking anyone else to do that.

Anyway.

[frayedcircus]

Whatcha thinking about rn?

i like horror, but you know what i like more than horror? what happens after the horror. what happens to the ones who survive.

an experience like that leaves you pretty messed up, especially if the events were in some way supernatural. like what are you gonna do when a demon kills all your friends? the cops show up and find you covered in blood, surrounded by bodies and you’re gonna tell them it was a demon? a monster? a ghost? there is no way they’ll believe you. and if they don’t think it was you, you’ll probably get institutionalized for telling people what really happened.

but if you choose to lie, keep the magical business a secret, you’re left with this horrible truth rotting a hole into your mind. you can reason away the events, try to forget it, but something like that will never really fully leave you. maybe you manage to block out at least the ghost parts, but those memories, that fear, will always be lingering in your subconscious. you will always, in the back of your mind, know.

and you’re suck with this. alone. everyone else who would fully believe you is dead. anyone you tell might apprehensively listen to your story, but they can’t fully believe you. how could they? they weren’t there. they didn’t see it all. but you did. only you did. you’re alone in this truth, no one to tell, no one to talk to who would really listen.

it’s a special kind of loneliness, the isolation that comes with such a burning secret.

(tma the lonely tma the lonely???? i could talk a lot most abt how this ties in specifically with the lonely from the magnus archives)

the horrors you experienced cast a shadow over your whole life, your whole future. what’s the point of anything if there are demons and monsters and horrible evil things beyond mortal human powers? college certainly seems insignificant in the face of an eternally hungry evil.

it’s interesting to see how traces of these themes show up in media that isn’t horror as well. children’s media where the teen main character discovers another world? so often in those stories, keeping this discovery a secret from their family and the rest of the world is a major point of distress. We see them bonding with people in this new world, but when they inevitably have to return to their own dimension, of course it’s so much harder for them to connect with their peers or participate in normal activities. befriending jessica seems a lot less significant now that you’ll never be able to share with her this place that is so important to you. history class or ballet lessons dont seem so useful when you’re learning to cast spells with your new fairy friends.

in more recent media(i’m thinking of two specific cartoons that i won’t name bc spoilers), the main characters share a lot more with their family and friends, and they’re mainly very supportive and loving which i find really nice. it helps the main character feel grounded in their own world and less isolated.

anyway back to horror movies, so many of them cut off right after the “final girl” is saved, which i think is a real shame. i knowww i know the main plot is over and the after stuff isn’t really necessary but MAN is it interesting. show me the survivor going back to school and not being able to find words for what happened when someone asks. show me them debating how much to tell their family and friends. show me them trying to return to normal and ignore how everything feels hollow. show me them struggling and healing and falling apart. pls and ty.

(also like two hours ago i saw a guy with the LONGEST pair of wireless earbuds i’ve ever seen and i’m still reeling from how strange they looked)

[headless-horsepossum]

Actually thinking of that tma post (the one I just reblogged, I'll link it later I'm on mobile rn) in terms of neurodivergency made me think of the old "are asexuals immune to sirens" debate on here. Bc. Neither the tma entities nor sirens are real so the creator gets to decide how they work and I think it can be really interesting both ways depending on What Your Story Is About.

bc what it comes down to is: are the entities and/or sirens trying to catch YOU, or are they trying to cast the widest possible net?

iirc the original siren post was arguing that, because sirens are preying on the Horniness Of Sailors, asexuals should be able to hear them without being affected; and the response was that in the Odyssey, the sirens aren't (just) offering sex, they're offering knowledge or whatever, because that's what Odysseus, the one hearing them, is least able to resist.

And, listen, I don't need to tell YOU the appeal of sirens as a device by which characters can be bullied into revealing their deepest most secret desires, we've all ready pjo. But I do think there is ALSO interesting worldbuilding and story potential in horniness-based sirens!!

Like. From a worldbuilding perspective. If I'm making the rules, maybe my sirens can't read minds—or maybe they can, but sensing desires and/or altering their illusory forms takes enough energy that it just isn't efficient to make a brand new lure for every individual prey item. And they ARE preying on sailors, mostly men, mostly men who have been at sea with other men getting dirtier and dirtier for months—a clean, inviting, sexy lady is a pretty smart lure to go for, if you're trying to appeal to the Highest Number of Individuals.

Which, like, listen: I'm a simple (queer aspec) man, I LIKE a scene where the one or two people on the ship who aren't attracted to women have to scramble to save everybody else's straight/allo ass. And then what? If your ship makes it back to port, do they tell people what happened? Does it become common practice to bring somebody who doesn't want to fuck women on every long voyage? That's fun! How sapient are your sirens? Enough to notice that this is a problem, and get curious about why their hunting strategy isn't working on this One Guy? If sirens have a different concept of gender and sexuality than their prey, how long does it take them to figure out what the fuck is going on? That's fun too!!

....hm. okay I have to end this post now bc I so badly want to write both a sex comedy about the one gay guy on a ship full of ostensibly-straight soldiers on the first voyage implementing the Token Queer To Guard Against Sirens scheme AND a buddy comedy about a pod of sirens kidnapping the aroace survivor of a ship they just sank so they can do Mermaid Science.

[jouxlskaard]

hi ! i remember seeing a post a while back that you’d be putting the god labyrinth on hiatus for a while, but now i can’t seem to find any trace of it ? i was wondering if you’d still continue it, because i really love the idea of it! whatever you’ve decided though, i hope you have a good day! tganks

what's that

in all honesty i'm still planning to make it, but under a different name (and also possibly a different medium??? it's all up in the air at the moment). it'll probably take longer to come out than i had originally said, because i've got a lot of stuff going on, and i don't even know if i'll keep this account going for much longer since i'm starting to lose my passion for art and am looking forward to making stuff in other mediums (novels, music, etc). i've also lost interest in tma, and those posts are the only ones that get any engagement on here.

i deleted it all as a sort of clean slate bc i thought it would be funny. i was going to act like i had no idea what it was if anyone asked but your ask is so sincere and genuine that i felt bad and wanted to give you an actual explanation (to be honest i had no idea anyone would notice lol)

but i'm definitely gonna release original stuff in the future - it's just a matter of what it is, and when. all my original stuff is in a similar vein to TGL (and largely in the same universe), and i love TGL too much not to release it in some capacity, so you can rest assured it will be out some day. you might just have to wait a while :)

if, one day, you read a book, or listen to some music (or a podcast) that makes you think it might be me, and i become some big name that goes to meet & greets and conventions and shit, ask if this was my tumblr. i'll tell you the truth.

[kalcifers-blog]

Spider People as TMA Avatar's BC my neurodivergent ass needs to combine everything with TMA apparently.

I will be assigning one character to a single entity each just to keep this simpler (however I do believe most of these characters would be apart of more than one entities)

Please feel free to include your own takes and thoughts!!!

The Stranger: Ben Riley - He's a clone of Peter Parker, imo unlike most Spider People he'd have even worse identity issues because his identity is literally not his own for the most part

The Corruption: Peni Parker - just. The comic. Girls going through it.

The Dark: Spider-Noir - yes this is mostly BC of the colour palette (or lack thereof) but it just feels right imo

The Eye: Margo Kess - I don't know what it is about technology related characters but they always scream Beholding to me. Margo included.

The Flesh: Spider-Ham - the only reason this fucker isn't downright horrific is because he's a cartoon. HE WAS A SPIDER THAT TURNED INTO A PIG THATS HORRIFYING. Also pigs can and will literally eat anything and spiders drink blood need I say more.

The Desolation: Hobie Brown - the only character I don't see as "serving" any entity. I feel like he only would be apart of the Desolation if it meant he was able to take down greater evils (and then would accidentally find out that he's irrevocably linked to it and would probably have a whole crisis about it).

The End: Peter B Parker - man is surrounded by death. Like the only people in his universe that isn't dead is MJ and Mayday.

The Extinction: Pavitr Prabhakar - his universe is literally collapsing into itself as we speak. It's not just people dying- the universe is literally deleting itself

The Vast: 1610 Peter Parker - He was the first Spider Person (to my knowledge) to see into the multiverse and saw just how fucking huge it is, you can't tell me man wasn't low-key having an existential crisis due to knowing just how miniscule he is compared to the multiverse? (Also all Spider People have an element to The Vast imo but 1610 SM especially to me tbh)

The Lonely: Miles Morales - this boy is so fucking lonely it genuinely pains me. Could you imagine being 14-15. The only people who will ever understand you are literally in different dimensions and you give up on your passions as an artist to focus on science to find a way to get back to them because you're so desperate for a genuine connection to someone again. Only to find out that they had the capability to see you for MONTHS and they just. Didn't. I feel so strongly about this one that it genuinely hurts me.

The Slaughter: Gwen Stacy - the music motif mixed with definite unending untargeted anger is VERY slaughter of her. Also her and Melanie King would get along

The Spiral: The Spot - I feel like I don't really need to explain this one tbh

The Buried: Jessica Drew - I mean this in the sense that I genuinely believe she really disagrees with Miguel and his approach to- everything. But she's trapped in this position as his right hand because she can't risk anything happening to herself or the ones she loves (yes the buried can manifest as the emotional feeling of being trapped and unable to move or do anything).

The Hunt: Miguel O'Hara - that man. Was on all fours. Chasing. A child. Also he's a vampire (TMA lore makes any vampire automatically Hunt coded) so I don't think I need to explain any further.

The Web: Lyla - she's literally the whole system to the whole Spider Verse. If Miguel is the Spider Lyla is the strings of the web- she is what holds the ENTIRE multiverse together under the story of "Canon Events". Need I say more.

AND THATS MY LIST!! Please reblog with your own thoughts too I would love to hear them!!