#also how do they exist in the same world

[bet-on-me-13]

The one where Bruce is the asshole (again)

So! We have a typical story where the JLA finds out about the Situation in Amity.

Whichever way they find out doesn't matter, but either way they end up sending Batman to do a threat analysis and review of whether this requires their attention.

And while there, he runs into a Kid who obviously needs to be saved from his Abusive Home. Look at him, he's far too thin, his grades are horrible, he has many unexcused absences, and he has bruises hidden under his clothes.

Even after figuring out that Danny is Phantom the local Hero, he thinks Danny needs to be saved from his Parents.

I mean, it's plain to see! They Hates Ghosts with a Passion, negelct their son very often, shoot at him nearly every day, and are probably the ones who killed him in the first place!

So, with no input from Danny himself, Bruce calls CPS on the Fentons and uses his Wealth to expedite the process and avoid the actual Investigation. (I mean, why would you even need one? It's so obviously a bad home!)

The Fenton's are arrested, and Bruce reveals that Danny is Phantom to convince the Courts that they are horrible people for shooting at their own son, and that they should be locked up (ignoring the horrified looks on their faces, probably cause they were living with a Ghost for so long, thats probably why).

He immediately offers to adopt Danny, even when Danny vehemently refuses his offer. He knows that Danny will come around to it, he's doing this for his own good. He still thinks his Parents were good people, and not thr Villains they really were.

Meanwhile Danny's life has been completely uprooted thanks to the self-righteous machinations of an Adoption Crazed Fruitloop! And not even the usual one!

Sure his parents were often busy with their work, but they Always set aside time to hang out with their kids and make sure they were okay. They never abused him, the neglect was only for like a month or two when the portal before they got their act together and apologized for it, and (most importantly) THEY DIDN'T KNOW he was a Halfa when they shot at him! They only found out when the ASSHOLE revealed his Identity in Court!

And Danny is Extra enraged by that part. The Adoption Crazed Fruitloop had revealed his secret identity for the ENTIRE WORLD TO HEAR!

He would never be able to live a normal life anymore, even if he managed to get away from the Moron who caused all this!

Bruce Wayne was a Villain in his eyes.

He ripped him from his home and from his family (basically kidnapped), revealed his identity to the world so he was forced to stay with him for fear of the GIW, and spun the whole story so that it looked like he was the Good Guy in this!?

It was official. Danny Hates Bruce Wayne, possibly more than anyone else in the World.

And that's a High Bar.

[brw]

"but hamas is getting funded by extremist islamic hate groups!" do you think the U.S. government and military giving funding for israeli's war efforts against palestinians is a morally neutral and inherently righteous body that had no influence in the politics of southwest asia as a global colonial superpower. do you really think anything you can say about the people resisting oppression can't be said about the oppressors.

[pseudophan]

i'm so extremely irrationally annoyed by people not knowing what various terms mean and using them incorrectly like i feel like that's such an asshole thing to care about but oh my god stop

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[lesbianshadowheart]

the lack of fandom insanity about aloy hzd is crazy to me.....she was literally born of immaculate conception to be the saviour of a world that doesnt want her. she was the loneliest girl in the world the first and last of her kind. while gay

[wonder-worker]

“Studies of Elizabeth Woodville […] have been hampered by the continuing fascination with her brother-in-law, Richard III. The Ricardian [and Yorkist] apologetic is now largely dependent upon the argument that the Woodville family posed such a threat to Richard of Gloucester, and the kingdom as a whole, that Gloucester had little option but to take the throne from his Woodville-dominated nephew. Although this argument has [irregularly] been contested, a reassessment of the queen's role in 1483 has not yet been attempted. Michael Bennett, in his 1987 account [...] still dismissed her as `an inveterate intriguer, capable in her vanity and fecklessness of some remarkable shifts and turns'. But more often she is scarcely mentioned in general histories of the period.”

-J.L. Laynesmith, “English Queenship 1445-1503” (thesis for the degree of DPhil in Medieval Studies, University of York, Centre for Medieval Studies, April 1999)

[anxiousdreamcore]

Spider fan-artists after creating a yet another heartbreaking piece that explores his numerous traumas, relationships and tough upbringing (they also draw other Sullies fairly often):

Neteyam fan-artists after making an art or a comic where Neteyam A. Is dead or 2. Cries a little bit and is comforted by Aonung for the bazillionth time (their biggest fear is diving into another complex character because “ew Tarzan”):

[carnivalcarriondiscarded]

the high prices of fucking Everything is so exhausting i stg

[jrueships]

Paul George on Stephen A. Smith’s Kawhi Leonard jab: “I didn’t like that moment… Kawhi wants to play… We exhausted a lot out of Kawhi this season. So at some point your body breaks you down… I didn’t appreciate that moment. I know I laughed because the situation was lighthearted, but deep down it was like you gotta let that go, Stephen A.”

Paul George, knight in shining armor

[musical-chick-13]

Regarding the whole "Fandom Is An Escape, so why should I have to care this much about misogyny/racism/ableism/transphobia/etc." thing. Idk about the rest of you, but it gets kind of hard for me to "escape" when I keep seeing people say the same vile things about characters who share aspects of my identity that I hear all the time in real life.

[rotzaprachim]

meta incoming but one of the most fascinating themes of rogue one and andor to me is the idea that a parent’s (individualist) love of their child might not be enough to save them from the (structural) violence of the world, so it’s fascinating how fandom managed to sail right past that in a bunch of places

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[codacheetah]

I keep thinking of how I want to taxonomize Siffrin and Loop bc it feels significant to me that Loop and Siffrin both have inherently diverged from the same Traveler Mold they came from. But because I am like a 7 year old I keep sagely nodding to myself going "ah yes... just like mega mewtwo"

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[darabeatha]

/ I've noticed that at this point I'm not even writing on any blog anymore, I just come and yell about some blorbo and leave. Rinse and repeat my lieges

[rxttenfish]

i absolutely cannot let myself get started on another fic until im at least onto chapter 5 of caecilian but the temptation to write something of aaravi taking miranda monster hunting and describing the entire EVERYTHING there is real