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#also just. lots of brainstorming
yasmeensh · 1 year
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Zelda 2 Link my beloved
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a-tale-of-legends · 2 years
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I like how, regardless of how I plan it, chapters 3 and 4 are The Big Ones for the early section of TBWS lol.
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ihatebrainstorm · 7 months
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ITS SO COOL YOU LIKE TF2 AND TRANSFORMERS!!! It’s so rare to meet someone else who likes both fandoms :3
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YEA OFC!! I mean another group of people with questionable morals getting into goofy antics in a franchise that also happens to be abbreviated with the letters "TF"? How could I not? (I'm sure there's more of us out here)
(Technically I've liked TF2 longer than TF, but I've been on a little Valve game resurgence kick recently lmao)
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verflares · 6 months
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new guy just dropped
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partysnake · 10 days
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okay i developed 'give everyone fursonas disease' which is mingling with my epic disease. have penelope shes a raven :)
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bookishdaze · 4 months
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I just really wanna talk about eggs in Kingdom of the Planet of the Apes
SPOILERS for Kingdom of the Planet of the Apes below.
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Ok, so ya know how in the beginning Noa has to find an egg of his own for his hunting ceremony the next day?
But unfortunately, as Mae tries to escape, she shoves against him and she breaks his egg?
Spoiler images below. You have been warned!
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Eggs have a lot of symbolic meanings. They often represent life, fertility, and rebirth.
Broken eggs can also have different meanings, both good and bad. It can be considered a bad omen. A loss of life.
But they can also mean a sign of change and new beginnings. Noa's broken egg is the reason why he goes out in the middle of the night, which leads to him finding Proximus' apes, which leads to them finding his horse, which then leads the apes to Noa's village.
A broken egg can also symbolize a transformation and breaking out of one's shell. Think of a baby chick breaking out of its egg for the first time and transforming into something new.
Oh, and do you guys know what Lightning calls Noa?
"Welcome home, baby bird."
And I think it's interesting that it's Mae who breaks his egg. She is the start of his change. She shattered the protective shell around him and his world, and yeah, it sucks and it brings a lot of pain, but this breaking of his shell means the ending of one chapter of his life and the start of a new one. Their paths are intertwined and they will be each other's catalysts.
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Lmao Frank would absolutely keep a list of everything they tried to do to fix this situation. He has his work cut out for him with poor wally as well. Does he know what happened to Sally?
Frank does know what happened to Sally! ofc he caught his first glimpse of her when he sorta woke up, then after he Actually woke up, Wally made sure to sit him down and be like "she will kill you if you go near her <3"
still, Frank didn't really believe Wally. so Wally showed him proof:
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and Frank quickly changed his tune.
and honestly, it's more like Wally has his work cut out for him with Frank lmao. cause by the time Frank fully wakes, Wally's pretty much given up. and rightfully so, there's... not really anything he can do except protect his sleeping friends.
so Frank's initial attempts to make a plan kinda went like:
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Wally is very earnest about saying "that's nice". it is nice. it's refreshing to have someone around that still believes something can be done, however futile that hope is. Frank will catch on eventually.
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liquidstar · 7 months
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wait speaking of getting isekia'd via truck, a couple weeks back me and a friend on were talking abt portal fantasy/isekai tropes (mostly bc i was infodumping abt rz again), and it made me think abt a fun concept for an ocverse. tho its possible similar things have been done obvs with just how inflated the genre is, just hear me out OK
story starts in the normal world, with a typical Nerdy Guy going about his daily life, expositing about how he feels bored and longs for adventure and magic, just like in all of his favorite media. as he's crossing the street, distracted by his mobile game, he doesn't notice The Truck(tm) coming straight towards him. except he's not hit by it- he's pushed out of the way in the last second, saved by a passing girl who gets hit in his place. this is who the story is about now.
mc gets sent to that sort of intermediary dimension that some isekai have, where she meets the Goddess Lady or whatever that was in charge of the whole isekai situation. goddess lady proceeds to freak out, because she nabbed the wrong person, and she's going to be in SO MUCH TROUBLE. she starts questioning the mc, only to find out that this kid has a good social life, does well in school, is in sports, and has barely ever played a video game. basically the opposite of the socially introverted, underachieving, repressed, genre-aware guy she was supposed to have reincarnated. for the sake of fulfilling somekinda hero prophesy or whatever. and the mc kinda bargains to be sent to the fantasy world anyway bc, well, its that or death i guess. so the two of them kinda have to team up to course-correct this mix-up.
mc is kinda given a list of tasks to do that basically mirror how a typical story like this Would Go, expected to fall in line with the tropes in order to achieve the ultimate goal, but kinda ends up failing at all of them... or not? failing backwards, maybe. doing it in a way different from how its meant to go- using the wrong formula, but somehow getting the right solution. while sort of continuing to question the insanity of the whole situation, and the nature of this whole fantasy world. just fucking up all the tropes.
but a layer i'd wanna add on top of all that is the fact that the hero prophesy (or whatever) called for a man. so upon arriving to this new world, the mc is basically put into a "gender swapped" body and... doesnt seem to mind. this isnt an uncommon isekai trope either, but i hardly see it tackled with much care to really explore whole Gender Thing beyond gags about the "mismatch" (which can be in poor taste) or the conclusion that "well because their Body is now this gender, their gender identity changes to match" which i feel is a pretty shallow and binary take-away to draw abt bodies and identity.
but i think there can be more to explore w the prospect if you actually wanna get into gender stuff. in this case, i'd particularly wanna get into the idea of imposter syndrome. the main character was not MEANT to be... the main character. seen as a phony fighting tooth and nail to meet expectations, and constantly fumbling. not a real hero, or a real man. but its meant to be an act anyway, so why does that bother her? it was like that back on earth too, trying as hard as possible to be the perfect girl. a good social life, does well in school, is in sports.... but that good girl thing always felt fake too. or desperate. what was she trying to prove? how long as this BEEN bothering her, actually? why does it feel easier to breathe in this body, despite everything? the way this whole act makes her happy is scary, because its fake isn't it? but wait, which part was fake? the before or after? is it all fake? isn't this all just a mistake?
was it really a mistake? who is more heroic; a guy too focused on a mobile game to pay attention to those around him, or the person who risked their life to save a stranger? but the hero prophesy was for a "man," right? what does that even mean?
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soosoosoup · 4 months
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Haaayy can you tell us more about your au where branch finds cooper's egg?
Hiiii!! Thanks for asking! And of course :)
lol turns out I had a lot more thought out. Fair warning, none of this is concrete, this was thought up a while ago and uhhhhh… writing is not my strong suit lol
In this au I had debated whether to make copper a little bit younger, I already hc him as the youngest of the snack pack so idk if its needed lol.
While in the beginning of making his bunker, branch (who’s maybe 7??) would travel farther out into the forest and gather supplies to build when he stumbles on what looks like an egg? Just in time too, ‘cause Coops pops out like in twt, does his little groove, & then proceeds to flop over to nap (being baby is tiring work).
Branch is just ??? cause like what?? Baby? Way out here in the woods?? Why does the baby have 4 legs??? Why is said baby all alone? And that last part makes b pause for a sec bc where’s his family? Did he lose them? Or is it even worse…was he left behind? (He might be projecting a lil).
Cooper and Branch proceed to live where other kids w/o families go. Caretakers try to care for cooper & he is not having it. After all, branch is the first person he’d ever seen, was the first person who’d carried him. He’s imprinted on branch and whole heartedly believes and he is his family. So if C needs to be taken care of B has to be there. It goes on long enough that the caretaker decides it'll just easier if branch helped take care of him; and who knows maybe he'll regain his color being around such a happy little goober.
At first, branch doesn’t realize how much he means to C and assumes his attachment will fade. After all why wouldn’t it when he’s being doted on by warm and cheerful trolls. But nope! Whenever the caretakers aren't taking cooper around the village, Cooper is always following Branch. Around the pod, and through the woods. Branch looks out for him, talks to him, teaches him what he can, and even plays games! I think the fact that branch has been a part of Coopers whole life gives him a sense of obligation perhaps like a big brother?. It's easy to be open to him.
All attempts to foster Cooper are unsuccessful. It's not that Cooper doesn't match the family, it's that he just doesn't want to live with them. Imagine a foster family having the time of their lives singing & playing around & when the time comes Cooper's like 'I had a lot of fun today! Time to go! what?? Stay here? be a part of your family? ...Nope :D
When the time comes that the bunker can feasibly house him, (preteen?) Branch packs up what little he owns, and prepares to leave that night. It's not like the anyone at the orphanage would chase after him. Well, except for one trolling.
It's been years, long enough that their bond is strong, they're brothers in all but name. At least unnamed on branch's side, he kind of refuses to acknowledge it.
Anyway- Branch waits until everyone falls asleep and sneaks out. He doesn't even make it out of the room lol. One foot out the door and a sleepy voice is asking him where he's going. Branch just says he's going to the bunker, that he'll see him soon, it won't be forever you see what im trying to parallel? and it's true. It's not like he's leaving to who knows where. Cooper just nods & yawns out a "bye, see you later". Love me a parallel
Branch lasts an hour or two in the bunker. He's on edge the whole time, racked w/ guilt. Has a little mental spiral until there is just one loud thought of 'what am i doing? there's someone waiting for me' and runs back.
In the joined room, Cooper fell asleep on branch's bed waiting for him. So making sure not to wake him, Branch rests coopers head on his lap. Leaning against the headboard Branch just stares at his vest left at the end of the bed & has a moment of clarity. Like oh, that's why i felt terrible, i left my little brother behind. (Keep in mind that no, he didn’t really do that, but he’s a kid and that whole ‘see you later’ really shook him so he’s making some jumps in logic)(there some projecting happening as well)
So yeah, gained a brother!! yay!!! Cooper beat you to that revelation yeeaarrrss ago lol.
One thing I like about branch being a big bro is this idea that the more he learns about what it means to be one, the less he can understand his brothers. And are they his brothers?? Over the years it’s not looking like it.
#asks#wow didn't think i had that much to say lol#i bet this premise had been thought about before#but it’s still nice to think about :)#make no mistake branch still pretty much lives in the bunker. He only stays in the pod when it’s relatively quiet enough.#there are a lot of bunker sleepovers whenever there’s an overnight party#he officially move out when he’s considered old enough to be coopers carer. Until then he studies up & prepares the bunker#branch has a blue hue to him. it happens gradually so no one really notices#imagine when branch carried bby coops back to the villlage C reaches up and puts his face in hair cause y’know he’s baby#and this baby has a long enough neck to reach#thinking Cooper is 17/18 during first trolls events??#branch is the tiniest bit more integrated into the village#he stays around the outskirts for cooper some days#coopers hangs out in the village if his friends are there. he also likes to join in on some singing and dancing as long it isn’t too loud#he's still part of the snack pack i think?#cooper would not like creek in this au.#lol cooper just straight up tells creek something like ‘wow you sure are full of yourself huh'#lol coopers blunt honesty would probs be more prevalent.#also important point that this all happens while B is a kid#he’s more receptive than if he was older; he hasn’t built thst high of walls around him#rn he’s more sad and scared rather than being at odds w/ the village#first time writing out a… plot summary?? au synopsis??#Thanks for asking!!! uh hopefully you guys liked the ramble :)#any of this can change tbh :) its all been brainstorms for now#idk what i would call this au if i did make it.#i am cringe but i am free#b&c au ??
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scalierpepper · 4 months
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hi friends! i would love your thoughts and ideas abt something if you are willing:
imagine you are harrowhark nonagesimus and have abruptly remembered your cavalier was not ortus nigenad and was in fact gideon nav. all your memories of her come flooding back. what moments or details of gideon flash through your mind at this point?
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bearimba · 4 months
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Johto Culture/Worldbuilding Headcanons
Since the New Bark Town kids are out of the way, I figured I'd do some basic worldbuilding stuff before we start covering more characters. There's more I'll cover later on, but to start off with, let's go over the general culture of Johto!
As a whole, the people of Johto lean towards more "traditional" values such as putting family first, a sense of obligation towards their communities (national pride/patriotism is very strong in older populations), an emphasis on respect towards elders, etc.
That being said, Johtonians are also very private---typically, what happens behind closed doors stays behind there for better or for worse. That doesn't mean people aren't extremely nosy, just that they wouldn't actively disrupt the public peace with their gossip.
Joint families are the most common form of family unit, though nuclear families have become more prevalent in cities such as Goldenrod due to limited living space. Houses tend to consist of one main living space (usually living room/kitchen/dining room combined) with bedrooms and bathrooms accessed through either a side hallway or a second floor. Sometimes (usually in downtown areas), a family business may be on the first floor while living/private spaces will be located on the second floor.
Similarly to Sinnoh, Johto's history is considered very important and conservation efforts are taken very seriously across the region. However, those efforts are mostly aimed towards preserving current knowledge instead of actively discovering the past, meaning there is still information that gets forgotten and lost to time.
Due to this (and also partially because of the burning of Brass Tower), Ho-Oh receives much more reverence than Lugia. Before, they were considered the twin guardians of the region and protected the balance between people and pokemon, but now, Ho-Oh has been deified while Lugia is sidelined and nearly forgotten.
Johtonians have a very distinct accent, mostly since they're a bit more secluded compared to other regions. Goldenrod and Saffron City have a stronger mix of Johtonian and Kantonian accents mostly due to tourists and commuting workers on the Magnet Train.
Johto exports a large amount of artisanal and handmade goods, especially woodcrafts such as cabinets or other large furniture (it's much more heavily wooded compared to other regions), but the region also has a very successful maritime industry that could almost rival Hoenn's.
Johtonians receive their ID card on their 13th birthday. At that point, they may opt in to take the gym challenge. If they do, they will receive a trainer card that contains information pertinent to the gym challenge on the back, which is then updated with every gym the trainer beats. They will keep the same ID their entire life regardless of whether they complete the challenge.
On a similar note, the age of majority is 20, which is a bit older than most other regions (Sinnoh/Kanto are 18, Hoenn is 17, etc etc.)
Children typically get their first pokemon (also referred to as their starter pokemon) at a very early age. This is to help teach them responsibility and respect for pokemon, and it provides them protection when they're unsupervised.
Public schooling is free up to 13 years age, at which point they can choose to pay to go to a private school, take a break to go on a pokémon journey and take on the gym challenge, or quit altogether.
Far more often than not, children will take about a year to go on their journey and then go back to school. Upon their return, they generally have the option to skip certain classes (both the ones they missed and future classes) if they're able to put together a decent report detailing their experiences and what they learned on their journey.
Nontraditional scenarios include students returning from their journey earlier or later than a year, students going on their journey and not returning to school, or going on their journey/dropping out of school at older than 13 years (there is technically no upper age limit at which the gym challenge can be started).
Crime rates are pretty low (especially major crimes such as assault, burglary, kidnapping etc.), which is part of the reason why children are allowed to roam the region unsupervised. This is mostly due to heavy restrictions on which/how many pokemon are legal to own, with and without certain permits. Additionally, the maximum number of occupied pokeballs a person is allowed to carry at once is six, although the average person will own at most three pokemon. Such laws are common in other regions, but Johto is more strict about their regulations.
Additionally, since taking care of children is often a community undertaking ("it takes a village to raise a child"), many adults will keep a close eye on nearby kids and keep them out of trouble regardless of whether they're related.
Since traveling trainers can’t hold down a steady job, a common way to earn money is just to pop into local businesses and ask if they need help. It’s not guaranteed to work, but most businesses will either find something small for them to do or recommend a different business to ask.
Pokemon centers will often allow trainers to sleep overnight in the lobby, though it's frowned upon to stick around for more than a day or two---camping outside or getting a room at an inn is better for longer stays.
Also, because pokemon centers are so widespread and well-recognized, they're often used as a meeting spot for social gatherings (though again, loitering inside isn't welcome. it's like meeting up with friends in a hospital lobby). As a result, many businesses---mainly third spaces such as restaurants and recreational spots---will compete to establish themselves as close to pokemon centers as they can.
Live performance tends to be the most popular form of entertainment across the region, including traditional/ceremonial productions, theater, and music. Historical enactments are also very popular during festivals. This is in part because oral storytelling used to be the region's main form of chronicling its history. (There are a few exceptions, such as the Dragon's Den containing extensive records of the Dragon Tamers and the local area, but unfortunately, access to those records is generally very limited.)
Slowpoke tails are somewhat of a local delicacy, but because Slowpoke farms are few and far between (there's strict laws on humane treatment such as how many Slowpoke can be kept on one farm, the space and amenities required to keep them, harvesting methods, etc.), they tend to be quite expensive and typically have to be sourced from the farms themselves. Trying to export them in large enough quantities is even more expensive, especially before the shipping methods are modernized, so for a long time the tails remain purely a Johtonian cuisine.
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undeadvinyls · 10 months
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havent made a comic in a looong while so i think theres no better way than to welcome a new hero with a comic! meet killing joke aka cedric, the medieval knight-jester cross hero 💕
under the cut theres his ref !!!
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its actually a 2 month old doodle i digitalized, haha
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Hi hello I watched all of carmilla in a weekend when I was 17 because a student teacher who in retrospect I had a bit of a crush on mentioned that she knew one of the actresses. also I am pretty invested in all your recent vampire stuff because I watched iwtv in 2 days last week because your edit intrigued me
oh hiiii 🫶 thank you for indulging me. thats so cool that you watched iwtv! did it live up to the expectation?
i also watched carmilla at 17! or like, 17-19. i found it when s2 had just started and followed it to the end. did something permanent to my brain but i think it was a good thing. on rewatch now im like, i was right to like this. like it's a solid show, it's good. it has its flaws obviously but it's well written, the emotional moments still get me, i can see why i liked it and i still like it now even when it's not anymore, you know, meeting every need that baby gay me didnt even know they had
what it doesnt reaallyy do though - i dont remember if i posted abt this or if i left it in my drafts but - is explore vampirism as a concept. their subject matter is more lesbianism than vampirism. which is great! thats what they wanted to do and they did it and it's very good. but reading interview with the vampire the book rn im realising how much potential vampires have to be metaphors for like so many things and i started wondering like 'wait, did carmilla just not really engage with it or did it all go over my head'. but it just didnt really engage with it all that much. which again is fine bc that wasnt what they were doing. im glad they were more about the lesbianism than the vampirism
but there's this interesting difference in framing, because in iwtv they keep calling armand 'ancient' right? and emphasising how old he is. and he's like 500? and i was like 'wait isnt carmilla like 400?'. she isnt, shes 340, but still, thats getting there, you know? and we know quite a lot about her history, but kind of just the Big Events. when she was turned, the events of the novella, coffin of blood, silas. thats sort of what we know. but none of the long lonely slog of history day to day you know? with armand i feel like we can really feel how much time everything takes. how every one of those years is made up of single days. with carmilla i dont feel that as much. i keep kind of thinking about daniel, when louis calls him a boy in the first episode, saying "im an old man, with all the triggers that come with it"
because carmilla might look 18 (or mid twenties at this point) but she has lived all that time. shes also seen her native land be claimed by like a succession of ruling powers, right? like armand. shes been buried alive, like louis. when lestat is born, shes already 80 years old, shes lived a whole human lifetime, and the entire adult part of it shes been a vampire. shes lived through 1680-1870 being a lure. i compared her to abigail hobbs in some tags on a post, i dont know if youre familiar with hannibal the tv show, but i do also kinda keep thinking about that comparison
if youre not familiar, in the first episode of hannibal the murderer of the week is this guy garrett jacob hobbs who kills and cannibalises girls who resemble his daughter. and later on it turns out she was made to be his lure. like they'd go places and he'd sent her to the victims to make friends and maybe get them back to their home or smth. not sure if they specified all the details. but that's what carmilla did for mother. and in s2 we hear from mattie that while every couple of decades carmilla had to lure victims for the fish god, she also seemed to just enjoy humans between those times, right? like the doctor, gets lonely, gets a new companion. but we've only sort of got mattie's mocking word for it ("dont eat him, hes a poet! or her, shes got such a wonderful voice. or that one, shes just too pretty to ruin"), we don't know exactly from carmilla's point of view what she was doing or why. if mattie's talking about stuff that happened after the blood coffin, 1950-now, then i think it's a fair assumption based on what carmilla says in the s1 sock puppet show that after she'd figured out what the real situation was and what her role in it was, when she'd started trying to save girls from being sacrificed, that she mightve been doing the same trying to save people from becoming mattie's victims. it's probably more likely that she was just trying to find excuses to stop mattie from sucking someone dry rather than actually having like an aesthetic based morality. but it might be a bit of both. im still trying to figure out what her philosophy actually is, like i dont know what existentialism actually means ghkfjghkj but i will
i also found it pretty striking in the movie when shes turning back into a vampire she says like "this was supposed to be done, you know? the blood lust, the self-loathing, the sleeping tied to a chair in my own bedroom". thats what defines her vampirism, wanting blood and hating yourself for it (the third part is a joke/reference to s1 but also i think meaningful for how she sees her relationship with laura when she IS a vampire. little bit of that 'she will reject me for my monstrousness' shining through). and thats what defines vampirism for lots of vampires across the genre obviously, but i dont know, it struck me. we dont get a lot from carmilla's pov, we know a fair amount about her, but the story is always told through laura. we get laura's diaries, but just snippets here and there from carmilla, what shes thinking, how shes feeling
and i love that shes a philosopher. i love that thats how she seems to try and find something to hold onto, in a world that kind of moves around her, having been murdered, kidnapped, turned and groomed to be a lure on the cusp of adulthood, never having been properly loved (the relationship with her father wasnt good she says in s3, and her mortal mother i dont think has ever been mentioned (like laura's)). the only good relationship she seems to have had for the better part of 3 centuries seems to have been mattie, and mattie seems to love being a vampire. i can imagine carmilla just sort of going along with anything mattie wants to do just because shes so desperate for that friendship. not like, against her will necessarily really. but more like, she hasnt even had the space to develop her own will, you know? and philosophy lets you do that. philosophy gives you frameworks to understand the world and to develop your own opinions on it. and by the 21st century she seems to have developed those opinions, she has a sense of her own values, but shes also still stuck in that same situation. shes jaded and cynical in the face of laura's optimism and strong moral code a lot of the time in s1 because she feels probably pretty powerless. like she does what she can to save some girls but at the end of the day shes scared of her mother and she has nowhere else to go really, right?
i like how she grapples with that over the course of the series, in tandem with laura grappling with her black and white morality. she sort of jumps ship from her mother to laura bc theyve fallen in love, but then laura still stuck in her hero thinking refuses to see her monstrous side. not literally bc i think the biological vampirism never seemed to be a problem for laura, but morally. the having murdered. carmilla needs laura to see that and love her while seeing it bc the last girl she loved rejected her for being a vampire.
but you see her kind of swing back and forth in s2. she softens first with laura but then they break up and she leans back hard into the sarcastic cynic defense mechanisms, leans hard into "im a monster, dont expect heroism from me". but thats like, it's sort of learned helplessness i think. it's powerlessness, resignation. bc morally shes not a monster. maybe she doesnt have as strong a drive to help other people as laura does and is a little more selfishly hedonistic in that she just wants to enjoy her/their life, but she doesnt hurt people for fun, she never has. she just sort of didnt have another option for a Really long time. so she pretends she doesnt care. "im a vampire, this is what i do, this is who i am". but clearly from the way she talks about it when she turns back into one, she doesnt enjoy it
and i like how she goes even further in s3, where she starts swinging even more to the heroic side, bc she sees hope. shes like "wow if we kill my mother, i'd be free". theres hope and she becomes like a lot more active. and shes like that at the start of the movie too, a lot happier, a lot more relaxed, and then vampirism is back and bam depression gfhgkjh like shes immediately more gloomy, ashamed of her past and her self, retreats into herself
sorry i just took this as an opportunity to dump all the carmilla thoughts floating in my head on you. you didnt ask fhkghgjh consider this an open invitation to you or anyone else to come talk to me about carmilla
#just finished watching the movie and i had actually forgotten but at the end shes a vampire again!#they totally gave us a super great opening for more conflict to explore hollstein's relationship#bc carmilla sort of puts closure to her past by taking responsibility for her part in it and it makes her a vampire again#and laura is like 'dont give up on our life together' and shes like 'im not giving up on anything!'#and laura is like 'we're supposed to live and get old and have grandkids how are we gonna do that if you dont age'#so thats a great set up#im putting the fic im writing i think another 5 years in the future#bc the movie is 5 years from the end of the series and im doing another 5 years so it's 2024#but theres so much opportunity to play there. theres conflict. tehres problems to solve. but theyre in a good place#i dont think they ever specify how vampires are made in this universe#therees some posts on carmillas blog where she responds to asks abt why she doesnt turn laura or if she would#and she just says 'you have no idea how this works'#but that was still during the series and the writers obviously wanted to keep their options open and their writing cards a bit closer to#the chest#but at this point you could make laura a vampire#you could explore that. see how they both feel abt that. would bea difficult decision#theyre also not married yet in the movie#they celebrate carmilla's 'rebirthday' where she turned human again#you could do a thing where they turn laura on that same day. sort of make that their wedding#not an easy decision i think. i think it would take a lot of discussion to get them there but not impossible#and would be fun to explore. both their feelings abt all that. and like anotehr 5 years in the future where they are in their lives#idk idk. brainstorming#thanks for giving me an opportunity to infodump a little :)#carmillaposting
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strawberrywindow · 6 months
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I couldn't stop thinking about an AU where Daniel resorts to gathering vitae again, this time to 'cure' Hazel, after his Brennenburg adventure💫, thoughts all mainly derived from this loadscreen text that tells us that Hazel is still in hospice care by the time the game's story began.
As much as I love Daniel, I don't think he really learned all that much from his experience even in the most charitable ending towards him in which he saves Agrippa. I can very, VERY easily see him slipping back into old ways if it meant saving Hazel. The most he seems to approach viewing torture as bad is when he realizes he himself no longer counts as an innocent so he can't justify killing others to save himself anymore. But killing no good, horrible, bad people to save HAZEL? Now, we're cooking with gas 😀 💀
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frenchy-and-the-sea · 11 days
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There is a very exquisite agony in playing a game you love so so so so so much, and realizing that one of the other players is trying to play a totally different game than you.
#hush frenchy#we went to the coffin shop today in vallaki#and our rogue triggered combat SIMPLY because he didn't want to leave the house without looting every single room#to clarify: WE HAD ACHIEVED OUR OBJECTIVE#we literally just needed to get out#but the rogue's player was like cmoooon its no fun to leave without looting everything we can get our hands on#now everything we're doing has gone to absolute shit#and to clarify: its going to be very interesting!!#and I feel like I would've been just fine with the result#IF it had been for any other reason besides that this one player seems to think that we're in a video game#like if there had been some kind of character motivation? or genuine concern that we were missing a piece of something we were looking for?#totally fine!! love that in fact!!#but just stealing shit because 'you're the rogue' feels... idk.#it just feels like it's a totally different game than the rest of us are playing#and now we ALL have to deal with the consequences#i just. urgh. i do not know what to do#i am gonna talk to the dm and see if she noticed the same thing as me#and try to brainstorm we the players can do to impart a sense of balance for people with different play styles#but i just feel like despite repeated efforts by the dm to be like hey this is a game for exploration and character engagement#the player is just ignoring that and doing Whatever He Feels Like#ANYWAY SORRY RANT OVER#I'm just really in love with this game and having one really thorny part is just HNG#positive note: the wizard whipped out alter self and thought he was the coolest guy in the whole world#despite repeatedly missing in combat#it was very cute and i wish Wyn wasn't absolutely certain that she was about to die#because she would absolutely stroke his ego about it simply to see him preen#the fighter was also very sweet and keeps working so hard to protect wyn#and since I'm a fighter in my other game i know where to put myself to make it easier for him so there's a lot of synergy#IT'S JUST VERY CUTE AND NICE AND GOOD. I LOVE THEM BOTH A LOT
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bright-and-burning · 5 months
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how do we feel about . listen hold on prefacing this w this is self indulgent self soothing bed time story style fic ideas. god why does this feel EMBARRASSING i gotta unpack THAT someday. but not today. like… ok also i can tell im having an Anxiety Moment bc instead of depth first searching my little day dreams (making plot choices until it’s settled and then backtracking by one choice and changing it and then backtracking etc etc) i am basically uncontrollably breadth first searching (honestly this one just google a diagram is gonna be easier to understand sorry) bc i can’t settle on a single thought rn. OK! anyways. nanny lando . teacher oscar . letting myself feel fluffy things abt them. except then i jumped over to nanny lando divorcé jenson and let myself think . decidedly less fluffy things abt them. but still some fluffy things. and then i was like BUT WHAT IF THEY WERE LESBIANS! really wish i had the ability to just bang out words bc there are so many things floating around in my brain. but i am not prolific and i am significantly better at the “just saying shit out loud” part of this process like i looooooove talking why can’t i just sit on the kitchen floor w u all and tell stories while waving around clementine slices. had a teachers au idea in the shower (extremely half baked believe me) where oscar has a one night stand bc he’s like . fuck it gotta live it up in my last weekend before real adult job ! and then shows up to his first job on monday and whoops one night guy is drum roll please the teacher in the classroom across the hall (if necessary pretend there’s some sort of convoluted reason why he wouldn’t have met lando during some kind of interview process. i don’t know how teaching works in the slightest im afraid. and certainly not how it works in any other country which is why this will never get written)
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