#also love the actors

[hvenart]

Since Young Royals is over I wanted to take a look at some characters and kinda explain how I interpret them as people. (this is hella long but I’m mostly praising the show and how they handled things cus I’m an optimistic girl who loves life)

First of all you have the students of Hillerska. Hated them.

Genuinely cannot stand most of them and I gotta be honest, I was cheering for the school to close down. The toxicity and pure classism that radiates of that school is sickening but I’m afraid not unrealistic. As Willhelm said it’s in the walls of that place, it’s impossible to get it out. Everyone in Hillerska loves to pretend everything is fine. As Wilhelm said EVERYONE IS FAKE. Not just Hillerska but the monarchy and that entire system is too. While there are most likely very close friendships in the school it seems like nobody really knows or tries to understand each other. They refuse to acknowledge the fundamental problems of the school and instead party and just see the school closing as a sad thing.

Vincent is a perfect example of that. I love how they showed that queerness never was a problem for him. Vincent was fine with Nils being queer cus it doesn’t directly effect the system. Simon being a socialist who can possibly talk about the issues of the school was. I also think that he sees August purely as his role. He sees him as a party animal and having connections to the royal family. That’s the role he fulfills so he’s confused as to why he wants to be more than that because position wise he’s in a perfect situation. Him not knowing what August wants as a person and not knowing his best friend was queer just shows to me how little they know each other. How superficial their friendship is.

Nils is interesting. He’s queer and him being a person of Color all give him an interesting position in the whole system. He probably has a little more empathy and is a little less out of touch than his friends (ex. he is the first person to talk about how fucked up their initiation was) but he chooses to ignore it. I think that for him the pros outweigh the cons because at the end of the day he’s still rich and at the top of the foodchain at hillerska so it makes sense that he has no desire to change anything. Which brings me to why I LOVE felice.

Felice is by far my favourite character (Simon is a close second). She very much could turn a blind eye to everything and be like everyone else but she doesn’t want to anymore. I think being a black girl in Hillerska gave her more sympathy and understanding of the problems but I think even then she could’ve dealt with it like Nils because lets be honest racism is everywhere. But she realises if it’s already this bad for her she can’t imagine how it is for the people of the lower class. It made her see how fucked the hierarchy is and realise how deep it is engraved in the school. She realises that not even her best friends want to truly understand her struggles because it’s awkward for them (I said in another post her friends weren’t as bad as Vincent but honestly they’re just as bad). That realisation made her not wanna go to New York. She doesn’t wanna ignore her problems like everyone else but face them head on and goes to Sara. The one person who at the end wasn’t fake to her.

Im absolutely in love with Sara and Felice’s relationship. They kinda parallel Simon and Wilhelm in a way because Sara was the first truly honest person in Felice’s life just like Simon was to Willhelm although Felice and Sara are the platonic version of that (and while I loved that it portrayed the importance of friendship, my lesbian ass was really wishing they would’ve kissed like the TENSION but that’s just me). I also think that’s why the betrayal of her with August was so painful. She couldn’t care less about August, she cared about the fact that the one person she thought she always could rely on did that to her.

I also loved Sara this season. She’s a very flawed person yes but you could always tell her apologies were sincere. You could tell she had strong feelings for August but she was able to put Felice’s, Simon’s and most importantly her own feelings first. I was really scared they were gonna make her and August get back together in the end (especially with the conversation about giving people second chances in reference to her dad being also possibly about August) but they made sure to stick with her character development.

That brings me to August. He’s a really interesting character to me and I never know how to feel about him. He has done some horrible shit and at first I wanted him to suffer or do something big to try to make things right and I didn’t like how he never truly got his karma but I like how open they left his character. He obviously has some issues (eating disorder, trauma from his initiation,…) but he doesn’t ever delve deeper into them. He acknowledges the things he does and is obviously very sorry but just like the rest of the people in Hillerska and the Monarchy he ignores the causes of it. He never acknowledges his eating disorder. He’s probably aware that he has a problem (cus Simon pointed it out) but ignores it. He ignores the reasoning Sara gives for them not working out and gives her solutions that in the grand scheme will not change things. He still has huge respect for Eric despite what he did to him and the fact that it clearly left lasting traumas and just brushes it off. He longs for the Crown Prince role not even thinking about the harm that it can cause him. I said that he didn’t get karma but that’s not true. I think that the Crown Prince title is a curse and even if Wilhelm didn’t mean it that way, I think he got his final karma at the end by passing that curse down to him.

I love how they handled Wilhelm and Simon. Wilhelm had just like the rest of Hillerska and the monarchy the tendency to ignore things. Simon was the one who had to give him a wake up call and break things off. Simon forced him to face reality. He didn’t understand why Simon saw the title of Crown Prince as such a curse. Everyone ( ex. His mother) around him kept saying how much of a privilege it was that he never took a step back to question if it really was such an honour. His mothers words were so deeply engraved into him that it took him a while to finally be able to hear Simon. Simon wasn’t the reason why he didn’t want to be the Crown Prince, he just made him realise he never wanted any of this in the first place. It was never about Simon it was the fact that Wilhelm as a person was never really for the Monarchy. He loves his mother and the connection to his brother but he finally was able to let it go. He knows his brother still would’ve loved him but the perfect image of his brother the Crown Prince is gone. I don’t think he’s ever gonna forgive August but he has let it go and given him the title he so desperately wanted. His hatred towards him is not strong enough to keep the title of Crown Prince. In the relationship he was the one who needed to change. Sure Simon also went through growth and had to have a lot of understanding but it was Wilhelm who had to realise his core teachings and the way he thought of life were very flawed. He had to be his own person outside of the system that held him down so desperately. And even the mother understands that. She will always be part of the monarchy but she acknowledges that it nearly destroyed her and realises that she doesn’t want that to happen to her son and lets him go.

Hillerska, the monarchy and the classist hierarchy is not gonna change. But some people can. That’s why I think in the end there was no song about revolution. They didn’t have one. Sara, Felice, Wilhelm and Simon were the ones who truly got away from everything. They were able to get away from the schackles of the system and leave it behind. Even if Hillerska did reopen I doubt they would go back. They didn’t revolutionise anything other then themselves. There wasn’t a revolution but an evolution of themselves.

I think that’s a beautiful message. You can’t always change the bad things around you but you can change the things about yourself that were caused by the bad things around you. You can do and be better even when the world isn’t.

[autumn-may]

Mostly spoiler free summary of my viewing experience

[cthulhum]

does anyone realize how crazy it is to have the actor of a mostly headcanoned queer ship say the fans were never crazy and they were right all along after 10+ years of everyone just absolutely going nuts over the said queerbaited ship

[yamineftis-art]

Grogu likes Din’s mustache.

So I’m hella excited over the third season coming I just pray we get some more of Din’s feelings about his past, so I finally drew this little thing I’ve been thinking about for a while ;v;

I firmly believe wearing a helmet for your whole life is no reason to not style yourself like you want, so let Din have a mustache if he wants™!, but also I like to think he looks at himself on the mirror and can’t help but think of his dad :’) so he keeps the mustache.

Also pls let Din adopt Grogu and show him his face when they’re alone!!!!

[acekindaneat]

man loves his takoyaki

[cremanata]

chris pratt really said “...........let’s-a-go....” in the most generic, boring voice ever help

[towards-toramunda]

Caduceus Clay is fully aware that he is a character in a game of dnd and that dnd is based on generally predetermined storylines made up by the DM aka “destiny” or “fate”, but I think if Ashton Greymoore realized they were a character in a dnd game they’d try to punch both Matt Mercer and Taliesin Jaffe in the face

[machonnes]

THE WALKING DEAD: THE ONES WHO LIVE (2024) 1.04 | What We

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[davidtennantgenderenvy]

truly we are in the midst of a Tennaisance

[greenmantle]

The Righteous Gemstones ✞ 3.08 I Will Take You by the Hand and Keep You

[galedekarios]

minthara's dating profile 🩸🗡️

[x]

[gwenpendragns]

JESPER FAHEY and WYLAN VAN ECK Shadow and Bone, ‘Yuyeh Sesh (Despise Your Heart)’

[sneez]

pathologic but it's a lost 1920s german expressionist film [id under cut]

[id:

image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.

images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity

image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).

image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.

end id.]

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[poopyboiman]

the VAs are at it again