Today I forced myself to go through my comic trade paperback in an effort to thin it out so I don't have to move all these heavy fucking books in the near future. I was ruthless going through my old DC stuff. Got rid of prolly half of my DC books, majority of which is Batman related. I held onto my favorite books, mostly revolving around Batfam stuff and things like the Killing Joke and Death in the Family. Also I love the trashy Jason Todd comes back from the death era. I know it's shit, I know it's overhyped but I still love it. It's like peak trashy comics.
Then I got to my Flash comics and ahahahahahahahah I lost steam. I kept most of them. I love the Rogues and have all the major Rogues stories so those weren't going anywhere. I kept Flashpoint and stuff like that. And then I got to my Outsiders books and I was doomed. No one is going to read these books anyway. I think I'm the only person who loves the Dick and Roy lead the Outsiders 2.0 stuff. Or it feels that way. So I got through my DC stuff and prolly have half left. I was feeling good and like I could do this.
I ended up keeping all of my Transformers comics because...nostalgia. I prolly won't read them, I SHOULD get rid of them but I can't because it was such a huge part of my fandom background. And honestly? Early IDW Transformers kinda slaps.
Then I got to fucking Marvel. BRUH. I have an entire shelf of Avengers/Captain America/Excalibur/Daken/Dark Wolverine.
I got rid of 4 books, all of them random Civil War shit. I pulled the Avengers and saw Children's Crusade INVADERS/AVENGERS which is one of my ALL TIME FAVORITE SERIES. Because I LOVE the Invaders. They are my blorbos and that series plus Torch miniseries is just...ruins me for life. I'm about to go pull both of those and read them right now actually.
SO YEAH I failed hardcore. You expect me to get rid of the Brubaker Captain America run? Do you WANT me to cut off my arm and beat you with it?
The last shelf I haven't touched yet and I'm debating why even bother. It's got my old World of Darkness core books, my Halo comics and Star Wars comics. I'm not getting rid of ANY of those. SO what's the point? I think I might have some old Iron Mana and Thor stuff I have zero emotional connection to so I might be able to pulla handful of them.
So yeah, abject failure on my part but as a bonus, I want to go read my Invaders comics and then I'm going to pull out some of my old Rogues comics I think.
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free online james baldwin stories, essays, videos, and other resources
**edit
James baldwin online archive with his articles and photo archives.
---NOVELS---
Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."
Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."
+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)
Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."
Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."
If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."
also has a film adaptation by moonlight's barry jenkins
Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty.
---ESSAYS---
Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film
--DOCUMENTARIES--
Take this hammer, a tour of san Francisco.
Meeting the man
--DEBATES:--
Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )
Debate with William Buckley, 1965. ( historic debate in america. )
Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)
----
apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.
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I've seen a lot of people writing Danny as a space ancient and Dan and Dani as ghosts with moon and sun cores, being sort of parts, versions of Danny and therefore weaker. Now, consider: Dan and Dani are both powerful ghosts with really cool cores and stuff but Danny is just some guy™
Dan, who came from an alternate timeline and is kind of from the future but also not, is Clockwork's apprentice and will eventually become an ancient of time. He probably only agreed to have some lessons with Clockwork to understand better what happened to him, but he enjoys his apprenticeship now.
Dani, with her love of travelling, loves seeing all the different places the world offers to her, and that includes space and different planets and maybe even parallel universes, and she accidentally ends up being an apprentice of the space ancient. For now she's probably a baby ancient of freedom or something like that, but she might become an ancient of space in the future.
We can also have something like Dan having a core of destruction or Dani being the Speed Force if you want it to be dcxdp, or any headcanon of yours about their cool powers.
And then there's Danny. And yeah, everyone knows that he's super powerful, but also he's just some guy.
It can go different routes. Does everyone know that Danny is just Danny? Or do they think that with siblings (well, technically a clone and an alternate version, but whatever) so powerful, he must be even stronger? Is Danny actually something terrifyingly eldritch and ancient and strong, almost a god, but he just doesn't know himself? Or is he just really some guy?
Now, because it's obvious that I have a dcxdp brainrot, have a regular "JL summons/meets a powerful ghost" but its Dan and Dani, and they keep mentioning their original/brother who won a fight against them at some point. The JL is very concerned about Dan and Dani's godlike powers, and they can't imagine what Danny is like. And then they meet him (in his human form), and it's just a young adult in casual clothes, very friendly and helpful, with no evident powers. Imagine the confusion. Imagine Dan and Dani, radiating power, in their eldritch ghost forms, admitting that fighting Danny for real is the dumbest thing to do and not even they would succeed... And then there's Danny is jeans and silly t-shirt, waving shyly.
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If you want some story behind this comic, it’s just below this lil comic <3
Oh.
His quiet reverie shatters when pieces of odd moments he’s had with the fallen are forming together like a jigsaw puzzle fitting on each other perfectly.
His reckless actions to gain favor of the fallen’s emotion and attention, his unusual chattiness whenever a squabble with the king begins. Disagreeing and debating such nonsensical topics that he wouldn’t even dare to try and win over but becomes possible if it’s against the king.
Such mundane things became a thrill of joy whenever it was with the king.
The fallen has been slowly becoming a reason for his enjoyment, his everything that makes living in hell all the more fun.
He can never get over the expressions the king shows only at him, his fake smiles will always disappear when it comes to him.
It’s truly a joy.
And that brings him down to a revelation he wished he should’ve not known.
He likes Lucifer.
Terrifyingly, maybe even more so than he’d like to admit.
This revelation might change his view on Lucifer, in a lot of ways if he’s being honest.
But he throws this knowledge out of his mind. He’ll get over it someday. He’s sure of it.
Months went on and slowly, he realized he and the king had some similarities— or something they both have in agreement at least.
Lucifer likes his jokes. It was surprising, really. He simply remarked an off-handed pun towards his colleagues with expectations of none showing such enthusiasm on his jokes— except one did.
He hears the fallen snicker and laughs quietly. A sound he’d unexpectedly find lovely to his ears. A music that he can never get rid of even until today.
It became his purpose to make jokes and make the king laugh— and he didn’t regret doing so.
He tells a silly joke and the king laughs loud, his head falling back and smiling brightly at him, a golden blush spreading across his porcelain face.
It’s a beautiful sight.
“You’re not so bad for yourself, Alastor.” It was a first for the fallen to call his name properly. It’s a lovely ring he’d like to hear again.
“Likewise, sire.”
More months went on and— oh. How stupid he was.
He didn’t mean to utter such a silly thing— towards a being powerful than him no less.
“I like your dumb smile.” He didn’t mean to blurt out his thoughts loud for the king to hear. But he simply laughs at it.
“You do? Stop joking bambi.” A joke. He thought of it as a joke.
“Apologies, the mood was slowly going sour and I couldn’t help but jest a bit.”
“Oh shut up.”
‘Would you believe me if I say I like you?’
• • • •
“Lucifer.” He couldn’t help it. He can’t help but be a fool towards the fallen.
“Al? What is it?” He asks, now smiling at him. He wished for more out of this relationship he cultivated for years now.
“I’d like to confess something.” There was an odd trepidation gripping on his chest. He hates this feeling.
“Confess? Wow that’s a pretty deep word,” an awkward chuckle comes out of him, “whaddya want to say?”
“I like you, Lucifer.” A beat of silence.
“.. what?” He watches him back away slightly, an awkward laugh, “You’re joking, right?”
..
“I’m afraid not, sire.”
“Al, I— uh, I’m sorry. I don’t feel the same way.”
“.. I understand.”
“I’m sorry.” And he runs off.
..
Hah..
So this is a feeling that Vox felt when he rejected him?
Did he also think that he’d wish he died at the very moment when he realized that the friendship they’ve had for years were gone in a blink all for a stupid selfish act such as he is right now?
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