#also that not universal true obviously a headcanon still i basically take as canon

[brazilian-whalien52]

Kawi is not just shy he has social anxiety disorder (SAD).

A Quick summary of social anxiety: "A person with social anxiety disorder feels symptoms of anxiety or fear in situations where they may be scrutinized, evaluated, or judged by others" 

You can see through the drama how he cares about the opinion of others. He builds his whole life over what other people think about him and, in the same way, pushes other people way and keeps a distance. 

He also, in many moments, freezes in front of others. For example, when he has to sing as a first-year student in front of his classmates. Besides avoiding places or situations where he feels other people may judge him, which causes him to not have any meaningful connections in the future and regretting all the opportunity he lost. Even the work he ends up at is basically another form of isolation (he does subtitles in his home office and the contact with his boss seems to be mostly through his cellphone).  

After a social situation, he tries to over analyse his "performance", looking for flaws in his interactions, blaming himself and regretting the things he said/did. Also, he tends to expect the worst possible consequences from a social interaction or negative experience, believing that any mistakes he makes will turn people against him. Basically, he doesn't allow himself to make mistakes, especially during social interactions. You can see him expressing this a lot in the firsts episodes. 

Another thing that shows is that he doesn't feel comfortable eating in front of others, a usual trait in people with social anxiety disorder (observational social fears). It is also pretty common for people with SAD to develop drinking problems. Normally, they have alcohol because it's a way they can be "fun and spontaneous" around other people. However, how he was before, also shows his social anxiety. He was too afraid of drinking and getting loose around other people. That's probably why he never drank. Basically, he went to two different extremes in that matter.  

Plus, people that are part of a minority group (in this case queer) are more likely to have social anxiety disorder. 

[elizacinnamon]

There has been this “missing scene” that I think about from time to time and it is when the girls are waiting outside of I guess it would have been the mines with Heather after Cheryl goes in and gets everyone who was in there (Toni, Fangs, Nana, Jughead, Dagwood, Archie) and they are waiting to see what happens. I imagine that there is in some slight unspoken tension given the situation on both sides of Veronica going in to get him initially and then Betty being the one he is happily spending eternity with. Then when everyone comes out of the mines… as I imagine people coming out in stages like probably Toni and Fangs first, along with Cheryl helping her Nana and Dagwood… leaving Archie and Jughead til last. Which not only brings up some dramatic tension but then creates a slightly more bonding moment for Betty and Tabitha. To thus have them be reunited with jughead and Archie at the end.

The other part of this that still makes me wonder about is when Veronica asks Tabitha basically if Barchie break up and Varchie gets back together… we obviously in 6x18 didn’t get the answer. Even though we know that BA is endgame in all universes canon to the show hehehe. BUT ONLY for Tabitha in 6x19 to tell her that basically if she wants Archie she has to fight for him to have him. To me, that is VERY unlike Tabitha to encourage her one friend to effectively cause drama in which breaks up another relationship. It was too much of a writer forcing the comic element too much of the “choice”. It bothers me because it shows Tabitha truly picks Veronica’s self esteem over her true friendships with Betty and Archie for that matter. Archie opened up his business to support her so she could continue to run hers, Betty as been a true friend to Tabitha but SHE WAS SEEN AS ONE OF TABITHA’S GUARDIAN ANGELS. I can just imagine what Betty’s reaction would have been when she was to find out her friends were gossiping basically about her relationship and whether it is strong. As well as Archie would have been livid about this situation and want to know the reason why… confronting Veronica. Since the writers REALLY didn’t put Veronica in her place as she slowly started to lust after Archie again when he was dating Betty besides the scene where he asks for the ring.

What do you think?

I love the headcanon about the girls waiting outside the mine, and Tabitha and Betty waiting the longest. I can only imagine the way Betty feels betrayed by Archie, but also overwhelmed by the knowledge she is in his sweet hereafter. I certainly find it interesting that we know Veronica tells Betty this information (because she brings it up to Archie later) and it’s interesting to imagine how Betty would’ve initially reacted. I don’t think she would’ve automatically found it romantic, because Betty thinks Archie must be out of his mind to not come home like she mentions to the whole group.

The sweet part is Archie *did* decide to come home to her, but gets brought back by Cheryl before he does so.

For my personal take, I always had the headcanon that Betty gets overwhelmed and terrified that Cheryl’s last ditch effort won’t work so she goes home because she cannot bear to unravel in front of everyone if Archie is truly gone. She goes to Archie’s house and curls up in a ball and just hopes and prays. Meanwhile, Archie comes back out of the mines and runs past Veronica/everyone looking for Betty but she’s not there. He runs home and “comes home to her” and they reunite privately.

As for Tabitha, that scene is confusing and frustrating to me as well. I rationalize it as Tabitha needing Veronica to stay in Riverdale and unfortunately knows she’ll only stay for Archie lol. I love Veronica but girl needs to stand up . . . I’m glad Archie asked for the ring and sent her spiraling.

I have always wanted to write a missing scene about this episode and perhaps will one day but all of this will alternatively be explored in my new Season 6 fic “closer to you!”

[carmensbroom]

I've once again had 6 hours to process everything I saw in season 4 so I'm just gonna say my thoughts on it (hold onto your fedoras again folks)

first off, WE FOUND OUT GRAY'S LAST NAME?? I was so shocked and happy at the same time I love how everyone asked for player's real name and we ended up with gray's surname for some reason shsjsj. NOBODY ASKED FOR THAT BUT THEY DELIVERED ANYWAY

ALSO GRAHAM IS AN ORPHAN?? my precious boy *throws mommy's boy headcanon out the window*

the second episode really had me shipping carmivy they're so cute we got a girl's trip and I'm all for it

I think I may now be a dash haber stan but let's not make a big thing of it

also ivy eating the chocolate in the middle of a mission deserves an honorable mention because of her cute little tongue (I'm weird okay djsjsjs)

zack trying to bond with shadowsan and him having none of it was delightful

that fucking robot god damn bellum really thought of everything didn't she every time I thought it was gone it made a come back I literally said out loud "carmen is so fucked"

I SWEAR TO GOD EVERY TIME GRAY TALKED ABOUT CARMEN I KEPT THINKING HE WAS GONNA SAY "BECAUSE I LOVE HER" IN WHICH CASE I WOULD HAVE DIED AND NOT IN A GOOD WAY

yall have no idea how relieved I was when I found out that photo of julia was her and her (presumably) mother and NOT a boyfriend sjsjsjs

catch me making a headcanon that julia has a single mom because her father disowned her for coming out as gay based on that picture alone 😭

I'M SORRY BUT THE AMOUNT OF FLIRTING BETWEEN CARMEN AND JULES?? PLEASE THEY'RE SECRET GIRLFRIENDS JUST ADMIT YOU CENSORED THEM AND GO

OKAY BUT WHEN THEY WERE IN JULIA'S OFFICE AND CARMEN SAID "WAY TO FOLLOW YOUR HEART JULES" AND SHE WAS LIKE "YOU REMEMBERED" I LOST IT WHAT DID CARMEN REMEMBER JULES?? DID THEY HAVE A CONVERSATION OFF SCREEN? MAYBE I'M JUST A BIG HUGE LESBIAN BUT THAT'S A BIT GAY LADIES

carmen getting all worried when julia wasn't answering her phone was the blessed gay content I signed up for PLEASE THEY CARE ABOUT EACH OTHER SO MUCH

never thought I'd say this but I loved devineaux this season he was funny, he improved his treatment towards julia (I don't recall him officially apologising I must have missed something djsjsjs)

the only thing I didn't like was it kinda seemed like they were trying to hint that chase and jules were into each other and I didn't really vibe with that

all that shit with dr bellum and the crown for cleo really had me thinking cleobellum was gonna be canon what a clown I am (seriously tho the way she lost it when the crown got stolen GIVE IT BACK IT BELONGS TO HER WIFE)

look all I'm saying is: tigress new outfit in the egypt episode was hot

HER FACE AT THE END AFTER SHE GOT TRAPPED WITH ALL THOSE BUGS

I wish julia and gray could have met there's so much friendship potential there 😭

is player... is he a bit 💅 I SEE THAT PRIDE STICKER ON YOUR LAPTOP YOUNG MAN YOU'RE NOT SUBTLE

ngl I nearly teared up when player finally met carmen in person

I'M SORRY BUT JULIA'S BLUSH IN EPISODE 7 PLEASE SHE'S SO SMITTEN WITH CARMEN IT'S BRILLIANT

EVIL CARMEN WAS REALLY SOMETHING ELSE I WAS SO SCARED SHE'D BE STUCK LIKE THAT FOREVER

I mentioned this in another post but when julia was like "don't you remember me? I'm your girlfriend friend, jules" I NEARLY FUCKING CRIED THEY WERE GETTING KINDA CLOSE AND THEN CARMEN GOT MIND WIPED

JULIA TOPS JULIA TOPS I SAID IT ALL ALONG AND IT'S TRUE SHE REALLY PINNED VILE CARMEN THAT'S TOP BEHAVIOR (also this now makes carmen a bottom I don't make the rules)

kinda shocked that paper star was hardly here I don't stan her so it didn't bother me much but still it was just strange they didn't use her this season

when shadowsan whipped out the last doll and carmen had all those flashbacks to when she was at vile I nearly started crying AGAIN

I LEGIT THOUGHT CARMEN HAD KILLED GRAY DJSJSJS AN ELECTRICIAN GETTING ELECTROCUTED THAT'S SOME IRONY RIGHT THERE

gray really confused me towards the end he kept switching sides every five minutes for the whole season I wasn't sure whether to trust him half the time dhshsjs

THE LOOK ON CARMEN'S FACE WHEN SHE THOUGHT SHE'D KILLED GRAY WAS SO HEARTBREAKING AND THEN SHE STARTED CRYING OH MY GOD I'M SORRY BABY

the way she's always been against hurting people/taking lives and then she ended up hurting all the people she loves (she nearly killed zack for god sake) really hit me hard

gray's ending was... kinda weird I understood the parallel of him not wanting to complicate carmen's life like she said about him in season 2 but it was still kinda strange that they didn't have one more conversation or get any closure

I'm obviously kinda upset that carulia wasn't canon they had so much potential imo and the show isn't about romance anyway BUT I'm happy with the content we got and THEY FLIRTED SO MUCH THEY'RE CANON IN MY HEART

THE TEAM RED GROUP HUG KILLED ME IT WAS SO CUTE

kinda annoyed that carmen just straight up left zack and ivy she really just left a note and said YEET

ivy's voice crack when she read the note got me all choked up

ngl I'm still not entirely sure how it ended I had to rewatch it a few times to understand what they were trying to imply sjsjsj

would have loved to know carmen's given name but at the same time she's literally THE carmen sandiego that's who she is, it would be silly to go by a name that she doesn't connect with just because her parents gave her it

her mom being a regular citizen was kinda bittersweet I mean a plot twist would have been good but at the same time it would make the story even more complicated

*dreams of a spinoff movie where we get better closure on everything*

ACME IVY ACME IVY I'M NOT AN IVY STAN BUT DAMN IF I AIN'T SIMPING FOR ACME IVY

I know carmen didn't want revenge but I feel like chief got let off with killing her father way too quickly if I'm honest sjsjsj

JULIA BEING IN CHARGE OF FINDING CARMEN'S MOM OH MY GOSH

I feel so bad for laughing when julia got knocked out the way the cloth fell on her head sent me but when the pole hit her head I was like "OKAY I TAKE IT BACK THIS ISN'T FUNNY ANYMORE"

was not expecting julia to physically fight anyone I mean she's always been so calm and collected and then this season she was like fuck it might as well hit a few people before we finish forever

wishing carmen and jules could have hugged or had a scene together where they talked about stockholm but I won't complain it wouldn't have really made sense anyway considering they were cool with each other at the university

so glad the trailer was misleading about the coach brunt situation I really didn't want her to get a last minute redemption

another honorable mention: cleo snapping at julia "DON'T YOU DARE IMPLY THAT I AM COMMON" sent me djdjs she was just stood there like "I am but a humble history lesbian leave me be"

I think that's everything I'll probably add to it later if I think of anything or I might make a part 2 djsjsjs (I've been writing this for almost an hour now 😭)

overall I enjoyed it from start to finish. I haven't really cried about it ending yet I'm still processing everything but I'll probably have a little sob when it finally hits me djsjsjs

CARULIA NATION WE BASICALLY WON NOW EXCUSE ME WHILE I REWATCH ALL THEIR SCENES TOGETHER AND MAKE IT MY ENTIRE PERSONALITY

[simmonsized]

It’s okay, rambles are fun to read. Anything that talks about a character I like is inherently entertaining by default.

I just realized how much I’ve been sending you asks, I apologize. This is way more than I planned but it’s just really fun.

That’s true too, about like the older guardians. I recognized that they’re harder to talk about like we do with the strilonde Guardians, so general thoughts about them are cool too!

It’s very sweet how much Alpha Rose cares for her brother :)

Mom and Bro are my favorite subjects, mainly because their history is so unavailable. It’s just pure speculation. We get hints of it with Mom because she works for Skaianet but Bro? What the fuck is his deal?

We can say the same thing for Alpha Dave and Rose and we can just assume they had a similar upbringing in some ways, but that just brings us back to “what was up with you guys??”

Okay, it’s Mom and Bro time because ofc I have to ask about them again. Still pretty interested in that traveling stuff that’s been hinted in your fic.

Also, I just reread some of the Bro POV chapters and I love when they hug. This one person I was talking to jokingly described them as the unstoppable force and immovable object. I thought it was the cutest shit ever. I just wanted to share that.

Hello sorry I put off answering this because I've been busy BUT

yes, alpha rose and dave are stupid codependent and it is tragic and silly but they'll be okay. one day.

but who cares about them (me) MOM AND BRO AM I RIGHT OR AM I RIGHT?????????????????????????

(RNG canon stuff obviously) I feel like it would be spoiling what i call the (well i call it by my name but for simplicity we'll say my url) deserts cinematic fic universe where i just. have connecting plot points between all my works for no goddamn reason BUT

Basically the little headcanon is that Mom and Bro were on their own in their respective Places (New York, Houston) for the first thirteen years of their lives. Canon to the Skaianet logs (once again, cringe and bad but like, works for me thematically), Harley set them both up with financials, but we'll assume they didn't have real access to them. I like to think it was Nanna who eventually couldn't fucking take how badly these two little punks were doing anymore and insisted on intervening. Bro was up to some. Not good shit lol it involved swords. Mom was just being a brat somewhere

ANYWAY due to the obligations of the session and timeline they couldn't KEEP them (nanna had a husband and son and a job to do after all and harley is. well. harley) but they did a lot of VISITING, mostly flying to washington to stay with nanna for the summers, and sometimes bro would even get flown to new york if harley was in town. grandpa let roxy visit the island (once) but never bro. go fucking figure (though if hiveswap is to be believed he did have a creepy old house in the woods too LOL). it came to a head when they were 16, and nanna and grandpa decided they were old enough to be sat down and told about The Stuff (though in my world guardians always kind of Know though whether that comes with age or not, who is to say, but like, u know, basically laying out the feeling for them into a concrete idea.

Bro already knew that all, ofc

grandpa tells mom that she's gonna be getting the house and stuff and then she and bro get into a fight abt it bc he loves her but he's so horribly bitter and jealous and already knows he's going to die yes i guess this is spoillies but whatever, and anyway that is how they like, friend breakup. Bro goes back to doing his fucked up sword thing, Mom waits for the house to be built.

once the house is built she invites bro back to new york but he's Different Now in a way she can't explain and it's so obvious his heart is all closed off and he just. sucks!!! god that guy sucks but i love him

ANYWAY YES they used to spend summers in different places but always houston, wa, or new york and stuff together! and they'd share a suitcase bc mom would constantly lose hers, so bro would always underpack so he conveniently had room for her.

anyway they love each other but have deeply hurt each other

razzle dazzle

[castielcommunism]

Out and out John hater here. John was raised in the 50's and early 60's. Things like casual misogyny, racism and homophobia were just starting to be seen as "unpopular opinions" during John's formative years. And John in the 70's while mostly a sweet guy (ignoring the fact he was in Vietnam) he really doesn't seem like the "radical new ideas" type. I think at BEST John conformed his opinion to his (Step?) Father the way Dean would after him. (But really, if John's Dad was in WWII he might feel compelled by family loyalty even if it's not something he would agree with), and in the early 2000's that kind of behaviour (misogyny, homophobia, etc) was common and normalized to the point that I myself (a bi woman) said those things!

Obviously none of that makes the way he treated Dean okay. But with John as Dean's only major connection to other people (not including Sam because he wasn't his connection yet) I don't blame him for having a lot of outdated beliefs he needed to unlearn. Sammy is MUCH more progressive after only a few years away, but John had less to do with Sammy.

not sure what prompted this but uh. well a couple things:

I’m not interested in figuring out John’s exact political beliefs because they largely don’t matter. Even if John had been an outspoken anti-war communist, he was still an abusive person. Reactionary politics don’t have a monopoly on abuse. Like, I’m not sure why there’s a push to make John this ultimate boogieman who was a horrible bigot and evil person. You don’t need to infuse his character with any additional bile to justify disliking him. He was abusive and neglectful towards his children, so that should be the focus of the discussion, not the quality of his character. “Abusive” is not an intrinsic part of a person’s like, essence or whatever, it’s a behaviour that you can identify, talk about, and in some cases, stop people from engaging in going forward.

Building from that, I think Dean’s interpersonal problems have a lot more to do with the fact that John was the only durable relationship in his life aside from Sam, the little brother he was forced to take care of. Again, it doesn’t matter what John talked about at the dinner table, the fact that Dean grew up basically friendless with very few nurturing relationships is a much bigger factor in how ill-adjusted he is as an adult. You are going to have a very skewed perception of the world no matter how much (or how little) your father talked politics with you.

Anti-racist, feminist, lgbt, and anti-war movements were alive and well during the time periods you mentioned, so “product of his time” arguments don’t really land for me. I think it’s perfectly fine to admit that you outgrew certain biases and bigotries that were normalised in your environment (I certainly did!), but it’s also true that movements against those bigotries have very long histories that don’t originate on 2015 twitter.

Again, I’m not sure what prompted this ask, and I’m not entirely sure what it’s trying to accomplish. This is also ignoring the non-diegetic reasons Dean says misogynistic or homophobic things on the show (the writers’ own biases, Dean being originally written as an intentionally sleazy guy to contrast with Sam, etc). So I guess I’m just not super concerned with trying to find in-universe explanations for why Dean called a woman a bitch or thinks being gay is bad, etc, especially if they rely on conjecture and headcanon. I think there’s enough canonical and metatextual explanations around already. You can also just like, acknowledge that some of the things he says and does are bad and fucked up without trying to rationalise or contextualise them. Not that context is irrelevant, but Dean’s origins don’t cancel out culpability.

[bsd-elle]

Thoughts on the SK8 The Infinity Episode 12

So the final episode just aired. And I’m having majoorrr mixed feelings.

This show was truly something that kept me going, with it’s story, animation and the whole found family thing. I have loved this show from the beginning and I will till the end.

But as a lot of people in the fandom I do have some strong opinions on the finale

First off, I just want to say that everyone is allowed to have their own opinion but please do not send hate or any negative energy to studio Bones and Hiroko Utsumi. They have worked incredibly hard on this series. In fact I put them on a pedestal for giving us something so poignant and wonderful during such trying times. I looked forward every Saturday to watch the new episode and that feeling, that rush while watching it, never changed throughout the show’s run!!

Now on to my thoughts on the finale.

1. Shipping

I saw many people in the fandom criticizing the studio for queerbaiting. Now I can definitely not give an accurate perspective on this, as I am not part of the LGBTQIA community, though I am a strong ally.

Let’s talk about the main ships: Renga and Matchablossom

Renga: In my opinion they’re pretty much canon. All the hints, the loving looks, Langa jumping to hug Reki, Langa basically saying Reki is his happiness, Reki wanting to skate beside Langa (Infinitely). In my eyes, they’re canon.

Of course it would’ve been amazing to have a canon queer relationship, but we have no idea what happens behind closed doors. The rules in Japan, unfortunately are totally different from other progressive countries. As someone who lives in a country where they just decriminalized gay marriage, seeing canon queer relationships is honestly rare.

I think they did whatever they could to show that Renga is canon.

I mean come on, Langa basically said he liked Reki in episode 8

I think it would be very very cool and progressive to have a them outwardly admit to it, but we know both these dumbasses never finish their sentences. lol

I’m happy with the way their relationship evolved.

Matchablossom: I honestly can’t give a clear reasoning to this, because personally I don’t ship them. But the thing is, they could be canon, who knows?

I mean everyone was talking about how Joe went out with 2 girls in the end sequence and because of that they aren’t canon. But by that logic we couldn’t ship them from the beginning, since Joe kissed girls in the first episode.

I mean I totally headcanon that Joe is a bisexual king, so that means he could be hanging out them girls while still majorly crushing on Cherry.

Who knows, maybe Joe brought the girls to Cherry’s signing on purpose to make him jealous. Lol

Let your imagination run wild, people. It’s up to your own perspective. I personally don’t ship them, but I don’t think it’s queerbaiting when you pretty much have several hints to them caring deeply (love) about each other.

2. Story

This is where the critiquing comes.

One of the main reasons why I loved and still love Sk8 was one, obviously because of Renga and two because I absolutely loved the story.

From eps 1-11 the story was so compelling and written in such a fantastic way. Every week I’d have some assumptions and every time it would completely blow my mind.

In particular ep 10. When I originally saw the title “Dap not needing words” I was so worried.

They need to talk, they have to communicate. But wow, that episode was just phenomenal, if you guys want me to make a review on each episode I would be happy to, I have so much to say.

Sure, ep 10,11 was wayyy too rushed, but I just know it’s because they had to fit a lot of story in such a little time period. If they had maybe 24 episodes, they would’ve knocked it out of the park.

Either way I had no complaints.

My issue with ep 12 is the beef: Adam Vs Snow

I thought animation wise and as a beef it was really impactful (similar to Reki Vs Adam)

But why God, why did they give Adam a redemption

I’m sorry but he doesn’t deserve it.

I knew for a fact that as much as I wanted Adam to go to jail (so badly), I knew it wouldn’t happen. That was just not possible (in my eyes). I thought they would take a page from Fugou Keiji: Balance Unlimited, where his family (those evil ass aunts) and send them to jail (for clear mental, physical abuse and who knows what else), and Adam would go in isolation somewhere.

There he could properly heal from his trauma and abuse, work through it, heal his relationship with Tadashi and just work to be better.

There was a part of me that expected the show to end with a typical “oh we’re all friends and everything is forgiven” bullshit and I prayyedd that wouldn’t happen

But boy was I wrong

Why did they try to sympathize with him?!?

I get it, he’s clearly had severe trauma and abuse, and he uses skateboarding and entering the “zone” to get away from his terrible reality.

But why did they have Langa say this to him??

“Skating is fun because you can do it with your friends!”

It’s sweet that he’s trying to teach Adam what Reki taught him, but this implies that Adam is his friend. Or atleast that’s what he wants

“hey, you’re a crazy monster and you assaulted my friends (boyfriend), but I still wanna skate with you, cause it’s fun with friends”

I’m sorry, in what universe is this.. your friend?

Your actual friend, Langa, who taught you everything you know, who’s been with you from the start, he has been attacked and traumatized multiple times by Adam. Not to mention several other people.

I could’ve accepted it if they used the line

“Don’t ever end up on your own”

That makes more sense in this context, it’s like saying “hey you evil monster, you’re crazy but don’t end up alone, treasure the people in your life”

I think that implies more on the sense that Adam has to figure shit out on his own, by himself. Not with Langa and the people he’s assaulted.

Then it would make atleast a bit more sense to heal Tadashi and Adam’s relationship.

You just cannot build up a character like Adam, for 12 episodes and then completely forgo that for the sake of “friendship”, that just makes no sense

Not to mention, Kirako the detective, the fact that she worked so hard and got absolutely nothing, is preposterous.

That whole thing put a really bad taste in my mouth.

Also, during the beef, like I mentioned, Langa basically implies that they should have fun because they’re skating with friends.

This basically just throws out Langa’s friendship with Reki.

I mean Reki was so badly hurt and injured after their beef, both the times.

Yes, he did have a lot of fun and that was the point of ep 10, 11 to show Reki that he didn’t have to skate to be the best (like no one ever wass.. dun dun dun. If you know that reference, here’s a chocolate) he skated to have fun(even though in my eyes, he’s the best)

Ep 12 was that arc for Langa, for him to realize he also skated to have fun.

But when you’re condoning and encouraging Adam, idkk.. it just rubbed me the wrong way.

I didn’t like it at all. They made him into a gag character in the end scene, which is literally the opposite of what he’s been pictured for the past 11 episodes.

3. Side characters

Shadow did not deserve that in any way whatsover.

He was completely glossed over. I thought his injury would be a pivotal plot point for improving his relationship with the manager, but they just used it as a way to remove him from the tournament

Tadashi, babyy, that’s Stockholm syndrome

When I saw that dog comment:

Godd... he deserves so muchhh moree..

So, overall the finale, honestly disappointed me. But my love for sk8 is everlasting and the finale will never change that

4. Future

Hopefully, and I pray for this

A season 2, movie, OVA or anything tbh.

There’s so much potential

Reki and Langa go to Canada, they visit Oliver’s grave, Langa teaches Reki snowboarding

Kirako finally arresting Adam

Tadashi becoming true friends with Langa, Reki and the gang

Shadow getting the love he deserves

Matchablossom canon

Renga canon

Miya getting the apology he deserves

But whatever it is, Sk8 the Infinity owns my heart and I don’t know what I’m going to do with my life.

Other than reading Renga fanfiction

[ironxkid]

why don't you like endgame or civil war

((hoo buddy, idk what brought this up but salt under the cut!! Like... a lot of salt - specifically regarding Endgame lmao

I’m gonna start off with CACW because it’s a short response lol

I don’t like it simply because I was done with the infighting between the Avengers. The found family crumbs we were given in Endgame was something I really wanted to see, and them just... ripping them apart frustrated me lol

honestly, the movie was... fine? Idk, I found it to be a lil slow for my taste (it felt like it just dragged on when I watched it in theaters), and I just don’t care for it in general  ¯\_(ツ)_/¯ Also, ngl, I’m really bummed that Captain America: Serpent Society was a joke announcement because that sounds dope as hell and I really wanted to see that before I realized it’d been a joke dfgjhdsfhj

but, yeah, literally just because CACW is specifically an infighting movie annoys me to no end so I just won’t watch it again dgsfjhsfdhj

now, Endgame?

fuck Endgame

I. have a lot of issues with it, all of which are major grievances throughout the fandom. I’m pissed they killed Natasha and didn’t even bother giving her a fucking funeral because, I quote from Joe Russo, “Well, Tony does not have another movie. Tony is done. And Natasha has another film. And Marvel Universe obviously does not have to move forward linearly anymore. But that character still has more screen time coming.” (see here) and that annoys the hell out of me. She’s getting another movie - great! So you killed one of the few characters doing her fucking best to keep everything together at the compound, the one who was taking charge, give her a big role, and then murk her and... give her nothing but a brief mention at the end. Like... what the fuck? Natasha deserved so much better than what she was given. Tony’s funeral could’ve (and, frankly, should’ve) been a funeral for him, Natasha, and Vision because god forbid we see anyone mourn Vision other than Wanda

(actually this post covers how Endgame fucked over the MCU women perfectly, though Wanda’s not mentioned :c )

plus... Tony’s not done lol - he’s still a massive figure in the films/shows despite RDJ not acting in them, so his character has left shockwaves that aren’t dying any time soon. Natasha... basically disappeared, and I believe she would’ve been dropped completely if it wasn’t for the fact she does have a film coming out soon. Which, frankly, seems awesome and all, but it’s a film that goes back to post-CACW pre-IW and... frankly doesn’t give me any reason to understand why that means she didn’t get a funeral. She’s not coming back in future movies/shows that are in present MCU timeline - her movie is set in the past. She could’ve gotten a decent sendoff 

now, Clint’s arc as Ronin rubs me the wrong way. I know it’s a huge thing in the comics, and it’s not him taking a different mantle that I have an issue with. It’s the fact he, a white man, went around murdering people and got off scot-free. Yes, he was targeting genuinely bad people, but... to show that, they specifically singled out Mexican cartels and the yakuza (Japanese mafia, essentially) - so, in other words, the bad guys were people of color! I feel like I don’t need to explain how fucked up that is. And, to clarify, I love Clint! Clint is honestly one of my favorite characters, and the whole thing was just handled... poorly in the film

Tony’s arc genuinely hurts. This is a man who has suffered for years and has tried to make things right, and finally got a chance to settle down. He finally retired from the Avengers, finally settled down, and had a fucking life he could enjoy despite his ghosts, and yet... His arc ends with a message of “tortured soul finally gets rest by dying”. Because, y’know, it’s great seeing yet another long-suffering character only reaching peace through death, because god forbid they let characters heal! He could’ve still caused the second Snap, and he could’ve survived. He could’ve finally been able to step away for good and focus on his family, focus on recovering, and be truly happy. What’s so wrong with letting him stay alive so he can rest and be with his family? What’s so wrong with letting a long-suffering character finally find peace after one last bang? 

plus it pisses me off that they’re now using him as a reasoning as to why bad things are still happening. Why is this person the bad guy? Because Tony Stark somehow may or may not have done something that hurt them! Even though most of that really stems from Howard or Obadiah. Tony just ends up getting the blame in their place. He’s just an easy target to use, much like the tesseract seems to be the go-to answer for why things go wrong. But this is a different train of thought

Steve’s ending pisses me off just as much as the next person lmao. You take a character who has acknowledged he no longer belongs in the past (which, funnily enough, was written by the Russos), aaaaaaand have him go back to the past while ignoring two important people in his life that were still right there. He got Bucky and Sam back, and he leaves them. His arc is ruined within a matter of minutes, and it paints a hella bad picture of him in the process. He goes back in time to stay with Peggy (which ultimately destroys her own arc, and the fact she’s a person outside of her relationship (or lack thereof) with him because, y’know, why have her be able to move on and be her own person?), and we’re supposed to believe he’s fine with everything he knows from the future? Fine with knowing Bucky’s trapped with HYDRA and is suffering as the Winter Soldier? Fine with knowing HYDRA has infested SHIELD from day one? Fine with knowing Howard and Maria are going to die? Fine with royally fucking up the timelines? We’re supposed to believe he sat back and did nothing with all of that? They could’ve had him still hand the shield over to Sam - they could’ve let Steve stay an Avenger without the mantle

also the fact the Russos said he didn’t recognize Red Skull when he returned to Vormir to return the soul stone? Like... what the fuck?? Not to mention he literally returns the stone to Vormir, which “soul for a soul”, and they didn’t bring Nat back that way??

and now onto Thor. Thor... holy fuck is this hitting something personal for me. Thor was ridden with guilt - he was furious with himself, hated himself, and blamed himself for failing to stop the Snap. He fell into a massive depression, and... was promptly danced around as laughing stock. Like, “oh! look at Thor! he’s fat and drunk because he’s depressed haha!” - like fuck off. It’s not funny in any form. His suffering was made into a joke and it pisses me off because I suffer from depression. A lot of people suffer from depression. It’s not funny. It’s fucking terrifying at times. I wasted a shit ton of money on a stupid online sim game because it was a distraction - it gave me... god, I wouldn’t even say temporary happiness, but it gave me something to temporarily help, and I still hate myself for doing it. It was a poor decision on my part, and I wish I could change it. And, during that time, I was scared because I couldn’t see myself pulling out of it. I thought I was gonna feel that way forever. I called out of work multiple times because there were days I couldn’t stop crying (something I still feel horrible for doing), I couldn’t get myself to contact any of my friends for months, and it was all because the medication I was on at the time... stopped working. Thankfully, my depression doesn’t work in a way that makes me a danger to myself, so that wasn’t an issue, but it still fucking sucked. And to see a character that I could relate to on such a personal level treated as laughing stock fucking hurt. I’m not sharing this for sympathy - I’m sharing this because it Thor’s arc hit home and it’s literally the main reason why I will not watch Endgame again

this is more of a nitpick than anything else, but... I didn’t really care for Carol in it tbh? Which is unfortunately because Captain Marvel is one of my absolute favorite movies! And I’m well aware she was introduced in Endgame while CM was being drafted, but that in itself is annoying?? Because Carol was originally going to be introduced in AoU, but was cut because it wasn’t going to introduce her character properly. And yet they decide to introduce her character in a clusterfuck of a movie before her movie is in the final stages, and proceed to release her movie first and then give a complete different characterization in her following appearance

honestly I just wanna cover this now to clarify some things regarding Carter and her backstory: the only reason I keep Endgame as is is because it felt easier for me to do so for the purpose of bending canon for specific threads. I wanted to stay as true to the given plots as possible to help with fudging of both the movies and her background, and also because I didn’t want anyone to feel like I was trying to force my own headcanons onto them, y’know? 

I’m just gonna plug this here because fuck it lol, but I did start a fix-it fic regarding Endgame that you can read here! I... probably won’t finish it tbh, and I haven’t gone over it in a hot minute so it might be riddled with errors ahah - plus I’m not sure about how I wrote the characters! I get nervous when writing canon characters because I feel like I’ll miss their characterization completely, which is actually why I,,, rarely rp canon characters dgfjhgsfdhj

also the image in the doc was created by @/archervale!! 

[roccinan]

1/? simply because you have the most galaxy brain thoughts ever,,, what do you think would've happened if they waited until s5 to reveal sergio and andrés were (half)brothers?

i do know that when my fam started watching lcdp at first i was so put off. like i watched ep 1 and the prof creeped me out. ""berlin"" creeped me out. e v e r y o n e creeped me out. and i was cringing so hard becz of the short lived romance angle with alison parker. i literally did not watch s1 at all xcept for like sneak peeks. highlights being the scene where berlin discovers monica is alive and does his dramatic door by door thing? that was so SUSPENSEFUL even tho i had no idea what was going on. DOMINGO DE RESURECCION remains forever iconic.

2/? And OF COURSE the group bella ciao dance when they hit earth (hahah i thought the banda were actually like a "found family where they all love each other LOL") i am a SUCKER for found family. but anyhoo when i properly got intrigued was s2 when tokyo was kicked out (the music from that scene is still my favourite) it's just so dramatic..!! why am i telling u all this again? right, i haven't slept a wink and it's nearly 7 am pls forgive me if these rambles make no sense. i have a point with this.. i'm going somewhere

RIGHT. so when the fam actually rewound the ep cz i wanted to know WHY berlin did that (didn't fully realise how batsht crazy he can be), the russian roulette scene played. and pedro's acting. MAN. and like just that ep they made a point of showing us these flashbacks where sergio and andrés hug....

Hi anon! Thanks for stopping by- sorry took me a while to get back to you, will do my best to answer this string of messages (got all 4 parts)! Glad you like my thoughts XD

Firstly, I believe Andres/Sergio would be the biggest LCDP ship if the writers were evil enough to wait until s5 to reveal that they’re brothers asdfasdf. They’re already the two most popular male characters anyway. 

It’d be especially crazy because it’s not like they tell the actors these things beforehand either. So that means there’d probably be a Serdres vs Berlermo vs Serquel fight every 5 minutes. I mean, even if not everyone agrees on everything in the lcdp fandom, it’s the most “peaceful” one I’ve ever been in because no character really gets in the way of any other ship (like even with helermo and berlermo there’s no true conflict since Andres is dead). But with Serdres in the mix?? CATASTROPHE. Everyone out here writing essays about how much of a bastard/bitch/homewrecker/motherfucker that Andres or Sergio or Martin or Raquel is. Never a moment’s peace!! so basically, a regular fandom lmao.

Then when we find out they’re brothers, it goes from catastrophe to Apocalypse. Suddenly serquel and berlermo have the upper hand. Everyone would double down and harass the crew/cast into whatever’s going on.  Plot-wise, everything is the same though, just without Andres calling Sergio “hermanito.” Fandom however, would be a minefield! And I’m glad that’s not the case because I’d probably be an unfortunate serdres shippers XD No joke, my mother and I thought they were a couple in S1. So bullet dodged!

Secondly: haha, everyone creeped me out in S1 too, especially Berlin, I hated him, but thinking back, I think I mostly hated the fact that I didn’t hate him as much as I should have. I’ve made peace with it now but oh boy, was he a controversial figure in my head. I actually like the professor on sight though! IDK why, maybe because I thought his plans were cool or because of Alvaro’s delivery. I was afraid of an Alison Parker romance thing too- like, I do feel like she had a storyline that got dropped, but that part was quite cringey and overall unnecessary to the plot. Same with Ariadna, which was even cringier and even Less necessary to the plot. 

Domingo de resurrecion was iconic though yes! And even with all that said, I genuinely enjoyed parts 1 and 2 because it was so different from anything else I’d seen. Not content wise, but maybe tonally? IDK, they were just really bold with a lot of things, like being objectively unafraid of having the protagonists (plural because all of them did LMAO) do objectively shitty things. Really kept me in suspense from beginning to end! 

I’m usually a big fan of found families too! The funny thing is, then banda never struck me as a “family” until season 3. In 1 and 2, I was wondering what felt different about this show; then it hit me that these people remained colleagues to the end. Like, they backstabbed each other (repeatedly) and everyone was quite selfish, and only the bonds that were already there stuck. They were the opposite of a found family LOL But I think by S3, they went down the found family route and I didn’t mind because it makes quite a lot of sense for them to feel that bond after the Mint heist and almost dying/living together (and having witnessed 3 deaths together on the team). But I still doubt Berlin and Palermo were ever really part of this found family, with good reason XD

LOL the scene where Tokyo got kicked out is also among my favorites!! It was so funny and dramatic, and it was like, wow we can go anywhere with this now! Don’t worry- your rambles and thoughts are always welcome :D

I’m rolling over how you watched the Tokyo expulsion scene before the Russian Roulette scene haha. Also yes, PEDRO. Berlin may have been “controversial” to me at first, but I became Pedro’s fan from day one! Also the Hug is probably what made me like Berlin (despite my determination to hate him rip) in the first place. 

3/? ... and like now that i think about it... tokyo had real guts huh. like she KNEW berlin was close enough to el prof to know his name (fhshshs imagine if she'd heard andrés saying 'hermanito' it's unrealistic that she didn't TBH. i mean obviously they decided to make them brothers only towards the end but like in canon universe. how tf did andrés de 'i raised my bby brother since he was 12 and i'd actually die for him and his stupidly brilliant plans' fonollosa go 5 months without slipping up once and calling sergio hermanito. or like,,, i like to imagine sergio kinda gave him lots of leeway(?) sergio's a lil oblivious too but like i'm sure half of it is.. that's my dumbass older bro shut up i'm not being partial you all have city names .. andr-berlin, pass the salt. like OOF. + sergio also knew his big bro was dYiNG so like. i'm sure they were sneaking in some quality time (i hope they did 😭 gosh imagine if sergio really did not ever consider the possibility of andrés dying in the heist so he'd tell himself he needs to perfect the plan now & anyway he'll have enough time to spend w/ his brother post heist in philippines. and then ... that happened :/

Tokyo has guts in place of braincells you bet that she’d do something like this, consequences be damned XD I also think it’s unrealistic for Andres not to slip up, but I have a feeling nobody besides Tokyo really tried to spy on them in private. I headcanon that Andres instead slips up and does things like ruffle Sergio’s hair or adjust his tie when other people are around. I also think Tokyo was convinced that they were a gay couple when she saw them hug XD And if Sergio never went on to tell the banda that Berlin was his brother, everyone would be giving Palermo such awkward looks after Nairobi accused him of being in love with Berlin LMAO. 

I agree! I also imagine Sergio giving Andres leeway because he’s just so used to interacting with his brother that way haha. So either he’d go out of his way to ignore Berlin in front of everyone else or IDK, borderline telepathically communicate with him. Not even “pass the salt” has to leave his mouth- Berlin just puts salt into his food and cuts it up for him, in front of everyone who’s just staring like O.O

I actually do think Sergio never considered the possibility of Andres dying in the heist because he was just that confident in his own plan. Plus, Andres was probably the one person he expected to survive. And a lot of it has to do with Sergio’s attachment to him + Andres’ own habit of downplaying any illness/injury over the years, which I think is safe to believe canon. He was really in no condition to be in the heist, let alone lead it. Just the fact that he needs to take those injections is a big sign that he shouldn’t be there, but Sergio didn’t catch it because he’s human and blinded by faith :’) So yeah, I think Sergio was planning to spend proper time with Andres in Palawan and at Toledo, they just settled for those little moments by the fireplace. 

4/? what always also just GETS me in the feels is that el prof was shown to be this in control creepily calm dude who is miles ahead of everyone. + in the 1st Toledo class itself we see how detached,, like how impersonal he is, how professional - choosing frickin CITY NAMES?! no 'personal relationships' ? (after recruiting his older brother, a father son pair, and war cousins... oh sergio 😂 he's such a frickin nerd and i love him) but like the earlier seasons really emphasised how robotic and down right COLD he can be. it still sometimes bothers me that he put the button in the car. he lead the police to his own damn brother, his blood, who took care of him and adopted him and was terminally ill and like - UGH i try to rationalise that sergio is that cold and unbothered. or that he has strict morals. but it still bothers me becz that button really sort of tipped andres' already unstable sanity. like andrés tells denver someth like you've robbed my future and after that he just seems so much more suicidal and accepting that he can't get out of the mint alive - WHY SERGIO WHY. I KNOW THAT AT THAT POINT YOU BASICALLY DIDN'T KNOW ANDRÉS WAS GOING TO BE YOUR BROTHER YET BECZ IT WASN'T WRITTEN IN THE SCRIPT BUT WHYYYYY

That’s so funny to me too LMAO No personal relationships, then he recruits these guys. Sergio, hello?? Also can’t forget how he just recruited his own girfrleind in the second heist too. Buddy! Love this nerd.

I don’t think that cold aspect of Sergio went away in later seasons either; he just had more opportunity to show a more open side of himself + without Andres, he had to metaphorically leave his comfort zone without a safety net. But in earlier seasons, he really did seem heartless at times XD Then again, we can argue that the same goes for Andres.

To be fair, I didn’t feel sorry for Andres over the button thing lol, but once the brothers reveal happened and all of Alvaro/Pedro’s headcanons came out and we know everything Andres did for Sergio, it makes what Sergio did REALLY harsh. We really just have to explain it through Sergio’s strict morals and him believing this to be the best non-fatal punishment for Andres, who at that point had convinced him he killed a hostage. And because he knew the television interview was coming up, maybe Sergio assumed Andres would use it to “clear” his name anyway. And empathy isn’t one of Sergio’s strong suits either, so through that lens, I can rationalize it.

Also it was lowkey funny to me how Andres was there like DENVER MUST DIE until he found out Sergio put the button there, then he was like “oh hermanito, you and your practical jokes <3″

Still, like you said, Andres and Sergio weren’t brothers yet at this point. They were probably supposed to be lovers lmao and had a dysfunctional Hannibal Lecter x Will thing going on. But because they made #hermanos canon, that button moment just feels very out of place now, especially given how much the two genuinely love each other.

Guess we could also say that Sergio’s just generally kinda bratty with Andres XD Like, he knows no matter what, Andres would forgive him anything. That’s how I see it anyway! 

[ramblings-of-a-mad-cat]

To the Tulula Anon

Once again, my anon fairy (as someone once called them) has blessed me with numerous asks about my OTP and I decided this would be the simplest method of addressing all of them without flooding the feed. It's so wonderful to hear from you again!

I love this whole concept and I hadn’t ever thought of it before, but you’re absolutely right. Come to think of it...man, why does it feel like it’s been years since I heard the word “Tarasu?” Because it’s a great ship name and I kind of remember it, but I swear I haven’t actually seen the Tulip/Tonks ship described that way in ages. Anyway, I think you’re right. Obviously, MC being friends with Tulip would be a much bigger deal and probably would overshadow any issues that Merula has with Tonks...but like, assuming that MC/Tulip isn’t canon in a particular ‘verse and everyone knows it, then Merula would be upset about both, but they would be very different types of anger.

Yeah, that is exactly what Merula would do and while I doubt Tonks would enjoy it, Merula is ultimately harmless and most people figure that out after a while. She’d be annoyed by the use of her first name and while she might take offense to the remarks about her looks, but honestly Tonks doesn’t seem like the type to be self-conscious about that. She obviously chooses to look the way she does and she chooses her look for a reason. I actually have many, many head-canons about her “true” appearance and why she doesn’t present it on a regular basis. (Psst, it’s Bellatrix. She looks like her mom and her mom is said to look like Bellatrix.) I feel like she’d know Merula was just being cruel and might even be able to guess why, assuming that Tulip could figure it out.

Oh don’t even worry about accidentally sending an Ask more than once. That happens more than you might think, it’s no trouble. I just delete the duplicates. And can I just say that you are absolutely correct and it’s one of my favorite things about their dynamic. I love how Merula tries so damn hard to look powerful and cool but it never works on Tulip because she just knows her better than anyone. There’s no fooling her. She sees right through it when Merula tries to pretend that her vulnerable moment was just a lie during the Frog Choir TLSQ. And I don’t even want to think about how it would feel for Tulip to realize that Merula doesn’t fancy her anymore, if that time ever came.

(Was there a part four? If so, it didn’t come through, I’m so sorry!) Oh, Tulip and her friendships. I feel like she’s a much better friend than she gives herself credit for, absolutely. But I also feel as though she would do exactly what you’re saying. This is such a heartbreaking and not unrealistic way to tackle the subtext that I’ve always felt is there, this kind of awkward and quasi-romantic undertone in the relationships between these three characters. Admittedly, Tulip and MC haven’t had much shiptease since Year 3 (Though I still think that was quite something) but MC and Merula are hinted again and again to this day. The game’s canon suggests that perhaps Tulip has moved onto Tonks by now, but if we suppose she hadn’t, I can truly believe that she would try to assist MC in wooing Merula even if it killed her inside, because she wants both her beloved and her friend to be happy.

Don’t even get me started. Because I agree with you about Tulip being the one to initiate their first kiss, it’s something she would totally do and Merula would be left red faced and spluttering. Mistletoe? Yeah I can totally see it, though based on the two Christmases that we spend time with Merula, she isn’t hanging out with Tulip over the holiday. Still, no reason they couldn’t be. I doubt Tulip actually wants to go home for Christmas, unless she was getting to spend it with her grandmothers. And in that case, I bet she’d invite Merula to come stay with them. Still, I could see a Mistletoe kiss happening. Or maybe the spontaneity of a New Year’s kiss? They’re both excuses to kiss someone and then play it off like it meant nothing if the feelings aren’t returned. As for the “back together” kiss, I like to imagine everything comes full circle and Merula is the one to initiate that and that it’s her turn to leave Tulip speechless.

You are so spot on about the difference between them and in their plans. It’s something that I don’t think people talk about enough. Unlike other chaotic types in this universe, unlike Jae, Tonks, and even Merula...Tulip isn’t impulsive. She’s a planner. Her pranks, her schemes, they’re all meticulously planned down to the last detail because she is a brilliant Ravenclaw and of course they are, she was brought up by strict, lawful parents. If there’s one thing she absorbed from them, it’s that. Compared to Tonks and yes, to Merula...who basically wing it. Merula strikes me as the kind of person who might make plans, but they would never pan out right, so she would eventually stop bothering and just coast on her confidence in the abilities of the Best Witch at Hogwarts.

If there’s one thing I love more than the implicit knowledge that Merula is one of the shortest characters in the entire game and the various headcanons about this, if there’s one thing that could make me even happier...it would have to be your description of Merula as a “gay disaster tomato” I can’t even begin to describe how fantastic that is. Bless her, it’s perfect, and she so is.One other thing I’m always up for is headcanons that make me like Diego more and this is most certainly one of them! He would absolutely be Merula’s wingman in all this. Seriously, their friendship is one I find to be underrated and you could even call it a bit of foreshadowing for how unpopular Diego actually is that he hangs around Merula of all people. Still! It’s a wholesome bond and I can just picture him bouncing around and demanding all the gossip for what happened, his instantly knowing that something did.

Continued in Part 2!

[epicspheal]

Hello! Just popping by to ask about Calla! I've reread your oc post for the hundredth time now, and she just so interesting! Like what's her relationship with everyone and such. Not to mention she reminds me of Kipo in a way.( She seems the optimistic sort, not to mention insanely smart)

Also if you haven't, pls watch Kipo and the Age of Wonderbeasts. It's animated, but it has a good story and music. Majority poc cast is a bonus.

Hi there ihopethisendswell!

I have definitely watched Kipo and the Age of the Wonderbeasts, although I need to finish it (after I get done with studying for the MCAT, that test is *shudders*). I can definitely see Calla reminding your of Kipo they do have some similarities (there’s also one other champion OC of mine that has similarities to another Kipo character) Definitely putting everything under the Keep Reading tag because this is long.

Her outgoing, friendly nature is also very much in part due to the fact that as child genius she didn’t really get a chance to spend time with children her age as she went to college at 8. So she’s been kind of lonely and thus always eager to make a new friend. She can be a little too blunt with her words, but she’s aware enough to know when she might have crossed a line and will apologize profusely afterwards

Obviously her closest relationship is with Hop. Calla actually lived in Wedgehurst and not Postwick but Hop spent a lot of time Wedgehurst (because that’s where the primary school). They became friends over the summer at the berry shop and pretty much became joined to the hip when Calla wasn’t away at Motostoke University doing her chemistry degree. Hop (being a budding science nerd himself) enjoyed hearing from her about what she was learning in college and he would share stuff about Pokemon that he learned from Leon’s college textbooks. The two also bonded from being lonely with Calla being isolated from people her age because of being a child genius and Hop was ostracized for being Leon’s brother (in the fact of the kids in Wedgehurst loved Leon, but they found Hop annoying and only pretended to care about Hop if he mentioned something about Leon coming home). Calla was the first kid he met to be interested in Hop as a person, and not as Leon’s little brother so their friendship means the absolute world to Hop. They balance each other out as Hop is known to be impulsive and patient whereas Calla is far more cautious and deliberate. You would think given those descriptions Hop is the Sword Hero and that Calla is Shield Hero but it’s actually the reverse. Throughout their journey Hop and Calla learned the value of the way the other acts. Hop learns to be a little less impulsive (as his impulsiveness combined with his tendency to get flustered cost him many battles). Calla learned that’s okay to make bold decisive moves without meticulously planning them out which helped her in the long run against tough opponents (such as Rose who has a steel type team that walled her poison types or Leon who has a team fast heavy hitters that even with poison set up could still absolutely maul her team given the chance to do so) Also I should note Calla is not a Victor/Gloria stand-in. Victor and Gloria very much exist in my “Pokemon canon” but they were some of the fake friends to Hop who secretly thought he was annoying. Basically Victor and Gloria in my universe are those Pokemon fans who hate Hop and find him annoying. :(

Speaking of Leon, Calla of course was a fan of him from the start. She did get a little upset with him constantly keeping her and Hop away from the berserk Dynamaxed Pokemon, thinking that he didn’t think they were capable of helping out. Which wasn’t the case it’s just and this going into some of my broader personal headcanons, Leon and his cohort (Piers, Sonia, Nessa, and Raihan) were at the mercy of a jerk Champion (my OC Jack, the last champion on that OC Post). He didn’t want to take away from their gym challenge like what to happen to his. Of course once the Darkest Day and Sordward/Shieldbert arcs are over Leon and Calla ended up working well together as fellow champions and friends. As I alluded to in my oneshot Midnight Snacks (shameless plug) Calla has a tendency to be a night owl and if she’s stressed she’ll call Leon over to one of the battle cafe’s to have pastries and chat. Leon loves listening to her science theories (and yes he actually understands her rants on chemistry and toxicology) and Calla loves having a cool older brother she never got (she’s an only child). They also end up as in-laws when Hop and Calla get married at 23. Leon is also very protective of her, giving her less responsibilities than Rose gave him and helped to warm the public to her as some of them didn’t take too kindly to her using Eternatus in her champion matches. 

But in terms of the adult she most looks up to, that’d be Sonia. Strong battler (unlike in canon, we get to see why Sonia used to be Leon’s rival in my personal Pokemon verse) and a smart scientist lady. Calla was immediately awestruck by Sonia and always enjoyed her time talking to Sonia helping her with her theory about the truth of the Darkest Day. Sonia, Hop and Calla end up being the science trio once the SwSh events come to a close. Sonia was the one to encourage Calla when she becomes 18 (and has now held the title of champion for 5 years) to go back and pursue her PhD in Toxicology giving the Galar region their first ever champion professor! If Leon is the big bro she always wanted, the Sonia is definitely the big sister she always wanted. 

As far as the league goes, Calla is pretty much on good terms with everyone not named Klara. Klara choosing the poison type as her go to because it wasn’t as  popular as other types and she thought she’d have no competition in that realm. As someone who is very much passionate about breaking the negative stereotypes of the poison typing, she found Klara’s reasoning to be absolutely insulting.

When it comes to the league, Calla in particular is close to Marnie and Bea. You can often find Calla, Marnie and Bea hanging out together shopping for clothes or eating pastries at a battle cafe. Gordie, Nessa and Calla frequently have competitions to see who can do the best backflips or the best splits. It did take Calla a bit to warm up to Bede at first given how he treated Hop and how he almost wrecked her the first two battles (if wasn’t for her Stunky she would’ve been wiped by psychic trainer Bede), but they are kind of like how the player is with Gladion in SM/USUM. Not friends but not enemies.

Calla has mixed feelings on Rose and Oleana. Rose actually gave her a scholarship to go to Motostoke University when she was 8 (her parents wouldn’t have been able to afford it otherwise) so she’s indebted to him (he saw her as he saw Bede, Oleana, Leon- talents that can help the future of Galar). And on a personal level Rose was never rude to her. Oleana also kind of took her under her wing because of them both being science gals. But seeing how badly they miscalculated everything really shook her to the core. 

As far as my other champion OCs go, Calla gets along with everyone but Jack (but then again no one gets along with Jack). Calla and Marsha have a particularly close bond as Marsha taught Calla how to cornrow her hair and play spades (Calla was not blessed with parents who knew how to cornrow...or play spades). Marsha is another big sis for her. Calla and Jabari bonded over being type specialists (Jabari is a water type specialist) and Jabari taught her how to rollerskate in exchange for Calla teaching him how to do cartwheels. Calla was of course very interested in meeting Valen (a talking robot who’s a skilled trainer? that’s a dream come true for her). They delight in battling each other and eating Alolan Pancakes. 

[luluwquidprocrow]

love was made for me and you (and you)

originally posted: february 15th, 2019

word count: 22,821 words

rated: teen

beatrice baudelaire/bertrand baudelaire/lemony snicket, beatrice baudelaire/lemony snicket, beatrice baudelaire/bertrand baudelaire

violet baudelaire, klaus baudelaire, beatrice baudelaire, lemony snicket, bertrand baudelaire, kit snicket, the duchess of winnipeg, dewey denouement, olivia caliban, beatrice snicket

alternate universe – modern setting, alternate universe – everybody lives/nobody dies, alternate universe – parent trap fusion, family, romantic comedy, humor, with occasional required sad undertones, screenplay/script format, less of a fic and more of an outline but one hell of an outline, with enthusiastic swearing by yours truly, referenced but very background kit/dewey and duchess/olivia

Summary:

[so beatrice is nicholas, lemony is elizabeth, violet is annie, klaus is hallie, bertrand is the absolute worst at being meredith because he is a Genuinely Nice Person so honestly he’s really not meredith at all, and those parallels are all a little loose anyway because i moved places and conversations and character roles and basically everything around, everyone is just a mess. where is vfd????? i sure don't know.]

Notes:

back in march 2018, the good the iconic the legendary the CLASSIC ace attorney parent trap au came back on my dash and I decided to rewatch the parent trap a few days later, and as I was watching it, I thought, ‘i wonder how that would work with asoue, and lemony and beatrice, and of course with them getting together with bertrand,’ because I will of course ship the three of them together in any fic I can, but I told myself ‘girl, you cannot write this fic. you have too many other fics to write, you canNOT write this fic.’

I then told myself, ‘well, yeah, okay, but that doesn’t mean I can’t outline it.’

and then the outline spun wildly out of control, to the point where i was never going to write it as a full actual fic because it wasn't going to work like that anymore, but also to the point where it had a life of its own and was in my opinion somehow still worth reading like an actual fic. this is over 20k of a lemonberry ice parent trap au half-fic/half-outline/half-weird-script/wonderful mess of conversations and headcanons, and I genuinely hope my weirdly detailed ramblings (and unapologetic swearing) bring people as much unbridled joy as they bring me. I wrote this with the intention to have fun, and I hope!! you have fun too!!!

I think you can get through this with a working knowledge of the parent trap movie (1998 version) but a thorough knowledge is also very good

title obviously corrupted from love by nat king cole

.

lemony and beatrice, young and definitely foolish and definitely in love but totally not thinking this through, marry (fairly soon after college) and beatrice has twins, violet and klaus (violet is two minutes older, their birthday in this splits the difference between (what I personally image to be) their canon birthdays, so that’s, what, january 8th or something???? first I had it as the 3rd but nick and liz marry in the movie on january 8th and I was like ‘well that’s not too big a change to make in the name of a good reference’).

not long after, their marriage dissolves (for, well, pretty much canon reasons???? I mean like with less accusations of arson and criminal activity. lemony has Radical Commitment Issues and beatrice is Impulsive and Angry and Not Taking Anyone’s Shit and honestly how they made it through marriage and having kids with all those problems completely in tact and never doing anything about them is anyone’s guess, love is Occasionally Not Cool), they divorce, and lemony takes violet and beatrice takes klaus.

they both leave The City which I have always imagined as new york even though i’ve never spent a second there in my life, but anyway, beatrice does go to california (she likes the weather, but she does not end up in sanfran (danhan’s hometown) – the part of me simultaneously obsessed with a different fandom is screaming santa barbara!!!! but no i’m going to stick with the movie and say although she’s not in a vineyard she is in napa), the idea of lemony just being in england as like, a concept, and especially with a broken heart, is hilarious to me

kit: do I have to confiscate your copy of keats?

kit: do I?

kit: do I, lemony??????

beatrice raises klaus with the help of the duchess of winnipeg (and ramona’s delightfully sentimental and frankly adorable wife, olivia caliban, I will sail this ship single-handedly I guess) (what is ramona doing in california????? OH MAN DO I FINALLY GET TO BUST OUT THIS LINE I TOOK OUT OF THE BAYBEA FIC

ramona: have you seen winnipeg lately???

ramona: there’s not much for me to duchess over.

actually it’s probably that ramona’s mother is still alive in this (otherwise what would be the POINT of everybody lives/nobody dies modern au???? fucking fight me) and she takes care of winnipeg and ramona was like ‘…...canada’s not doing it for me’ and her mother was like ‘canada doesn’t do it much for anyone, dear.’ and ramona skedaddled to california with olivia, which worked out because they have banging careers as artists out in california.) (ramona paints (she likes watercolors and pastels), olivia actually writes historical fiction lesbian romance novels (where everyone also lives!!! she writes an on point jazz age novel only everyone lives and it’s great) (why historical fiction??? olivia is a sucker for romance and loves big sweeping romance epics….and ramona) (are her books just. period piece self-inserts with her and ramona??? well why the FUCK not), they are both………..really too good for this world.) (anyway bea has zero (0) family with which to raise klaus so ramona and olivia offer to help her out. out of the goodness of their hearts and long-standing friendship, not because they have any experience raising a child. they do not. have any experience.)

and lemony raises violet with the help of his sister. kit and dewey get together earlier, and have their daughter earlier (violet’s….five or six when she’s born?), and name her (obvs not beatrice) bernadette (I have Specific Reasons for naming her bernadette, however that is in my giant list of bernadette headcanons, which is a whole other Thing). beatrice is an actress (klaus can’t act for shit, sorry), lemony is a writer (violet doesn’t have a poetic bone in her body, sorry). (but violet can act and klaus is pretty good at putting words together.)

ELEVEN YEARS AGO BY, or, well, eleven and a half, I guess, eleven and a half delightful years filled with the following –

-lemony and beatrice fervently denying they ever married each other and trying to forget the other even exists, what do you mean you have photographic evidence, we were definitely not married

-ramona’s mother briefly going to california to tell three grown women how to change a diaper

-klaus, age one and a half, crawling up the staircase in their house all by himself to get to the library, beatrice promptly dies out of sheer terror

(true event. I did that.)

-violet getting ahold of a wrench at the same age and fixing one of the loose bars in her crib

(not a true event. I did not do that.)

-dewey and jacques, trying to fix the curtains in violet’s room, immediately and silently agreeing to never tell lemony they were The Worst Uncles In Existence for five seconds for accidentally dropping the wrench in violet’s crib

-beatrice training herself not to do a double-take every time she sees klaus with a book because he looks fleetingly like lemony, just for that second

-lemony lulling violet to sleep with a variety of accordion songs, violet’s favorite is his rendition of what he says is ‘a song about spending a day on the beach’ but is actually why I cry by the magnetic fields (particularly danhan’s rendition of it with ben gibbard.)

-hey I never said they were successful at forgetting each other, especially when the kids were kids

-a truly harrowing number of children’s birthday parties

-kit snicket, who firmly kept her maiden name, going through what she called ‘The Chillest Pregnancy In Existence, Look At Me, I’m Completely Fucking Calm’ in the middle of labor

-klaus going through a period where he only read poetry, which caused bea and ramona and olivia to speak in rhyme for a week

-violet insisting she could fix the toaster and promptly not fixing the toaster because nothing was wrong with the toaster (it just wasn’t plugged in.)

-beatrice appearing in a number of plays, klaus being enchanted when she’s in les mis and reading the book but, in fact, only finding the outrageously long sewer chapter interesting

-violet trying to write a poem for lemony for father’s day and rhyming ‘orange’ with ‘mortgage’

that summer, they both wind up sending violet and klaus to the same summer camp excursion, because what sort of comedy would this be without the wildest coincidence ever, honestly

kit drops violet off at the camp a la martin – will lemony get on a plane?? that is a resounding No (also he would have just cried the whole time. the whole time. the. whole. time.)

however lemony is the one who does the ‘fruits, vegetables’ thing, only before violet leaves, and he gives her a million hugs and honestly doesn’t want her to go to camp oh my god, it’s only because violet tells him he’s sort of squishing her that he stops hugging her, lemony is???? like the most concerned parent of all time

kit, meanwhile….

kit: I was going to give you a new dart set but I was informed that they would not let you through customs.

violet: uncle dewey told you, didn’t he.

kit: I married a real killjoy, violet.

I honestly cannot think of a scene for klaus to parallel hallie meeting glasses and tie dye girl while getting her duffel bag. I thought of putting the quagmires in this but I think that’s…...pushing the identical envelope a little here (would’ve been worth it though for the brief note I used to have here that was just isadora shouting ‘HOW DID THEY TAKE SO LONG TO REALIZE THEY WERE RELATED THEY LOOK EXACTLY ALIKE’)

i’m sure they hang out with like-minded people before running into each other, it’s a good camp and they literally never talk to those other characters again anyway, which is, a real shame

we can all at least rest assured that klaus gets to camp in once piece regardless and doesn’t have a conversation about darts and airport customs, anyway beatrice, ramona, and olivia each smuggle a deck of cards into his suitcase as a surprise and he has three card decks and impresses all the other kids in his cabin with a giant architecturally sound house of cards made to resemble thoreau’s cabin at walden pond

hey annie and hallie are both allergic to strawberries and KLAUS AND VIOLET ARE ALLERGIC TO PEPPERMINTS

before they meet there’s probably a moment like with marva sr and the strawberries (I just had a horrifying thought that JEROME is the camp counselor (esme is nowhere in this. olaf is nowhere in this.) and that’s…………..awful, but, as I was writing the following scene, you know who I wrote him more like?????? arthur fucking poe, what did I just fucking do, honestly poe is a WORSE choice but…...well

mr. poe: we have peppermint brownies today!

[I just saw someone on the food network make peppermint cheesecake brownies and I want them so bad]

klaus: oh, i’m allergic

mr. poe: oh, well, please live

mr. poe: I cannot perform cpr

klaus: …………………………………………………………….shouldn’t you maybe –

mr. poe: for your own personal safety and especially my own i’m going to have to ask you to step away from the brownies

[violet shows up on mr poe’s other side]

violet: oh! peppermint, i’m allergic

mr. poe: another – didn’t I just see you? how did your hair get longer that fast? that’s not an allergic reaction, is it?

violet: ……………………………………………………………...i don’t think that’s –

mr. poe: i’m going to eat this entire brownie pan to save lives, but also because I want these brownies

he came out more like show!poe instead of book!poe but, I do not care, no one cares about mr. poe.

SO, violet and klaus eventually do meet and have practically zero immediate animosity, also through fencing!!! lemony and bea are both canonically badass fencers but I stand by what I said in fight me, that lemony is the better fencer, and violet wins. klaus concedes his loss to a talented fencer. they take off their masks and are like WHOA WE LOOK REASONABLY SIMILAR

violet: I don’t know, I think your eyes might be little farther apart than mine.

klaus: oh, don’t worry, i’ll probably grow into them. it can take some time before people really grow into their faces.

however this does get them talking and they find out they have so much in common! they’re like, ‘you like books and only have one super weird parent??? what a coincidence!’

then they find out they both play cards. (this stays, cause poker games are gold and I am reasonably sure watching the parent trap so much as a kid was what instilled this love of ‘hilarious poker games’ in me because I used to jam them into my fanfics all the time.) (also explains why I only know two poker hands….)

they hold an (amicable!) poker game that night with all the campers, and they do like a round robin tournament sort of thing and swap tips all night until it’s just the two of them facing each other, and klaus wins. (lemony is Pretty Good at cards and definitely taught violet BUT you’re damn right bea taught her kid how to count cards. not that klaus wins through cheating, he also has a natural talent and bea’s impeccable poker face. klaus also hangs out with ramona, who has repeatedly kicked lemony’s ass at cards as well.)

since they still have to wind up in the isolation cabin (because how else are they going to secretly plan swapping identities with NO GODDAMN COUNSELOR noticing???), CARMELITA is at camp and busts them for the poker game. she got eliminated pretty early in the game and camped out outside the cabin the rest of the kids were in waiting until someone won and then got mr. poe.

mr poe: gambling is not for children! unless of course you have a verified accountant or, perhaps, an established banker who wanted to embark on a personal journey and decided to run a camp for small children but has always wanted to go back and manage money again because, you know, even after the two scandals, I was good at – but we don’t have time for this, violet, klaus, it’s very irresponsible to try and get adults going on a tangent to avoid your responsibilities.

violet and klaus: but we didn’t –

mr poe: i’m afraid that I have no other choice but to send you to the isolation cabin.

carmelita: cakesniffers in the isolation cabin!!! CAKESNIFFERS IN THE ISOLATION CABIN!!!!

oh……..that was painful.

AT LEAST THE CABIN IS LIKE A NICE GOOD CABIN AND NOT the orphan shack, also like how far into the woods is the isolation cabin???? do the marvas really just leave kids out there?????? come on, marvas…..

and so our heroes get stuck in a windy lil cabin out in the woods.

what do they do when they hang out there, since they have Zero Animosity???? talk about books. read books. klaus does sketches of various local leaves. violet rewires the lamps so they don’t flicker and rigs up the windows so they don’t bang open in the middle of the night. the only thing they argue about is how to make toast, which isn’t even IN the cabin (unless violet makes something into a toaster), whatever

does klaus have a stuffed animal like cuppy???? damn straight he does. because why the hell not. (some boys play with dolls? SOME BOYS HAVE STUFFED ANIMALS)

i’m being really basic here but it’s a teddy bear BUT bea made lil wire glasses for it because klaus got glasses when he was real little so she thought he’d feel better if his favorite stuffed animal also had glasses (bea wears glasses but she HATES wearing them although I think after klaus gets glasses she tries to wear them more because bea is supportive as hell) (she needs new glasses though like they’re still these big thick black frames from her goth phase and she hates them but she hates the idea of an eye doctor appointment more) (bold of me to assume bea has ever honestly stopped having a goth phase, though…)

oh gosh what is the bear’s name

what’s something like super nerdy but cute for a small book-loving child to have named a bear

oh no, he names it kenneth. bea reads baby klaus the wind in the willows and he names his bear kenneth and this is so cute. I can’t fucking handle this, oh my god

honestly I am one of those people who thinks oreos w/ peanut butter would be pretty disgusting. (I mean, without the cream in the middle, sure, that probably tastes good, but like, with the cream and the peanut butter???? no) their snack of choice is………….hey isn’t there a snack in penultimate peril at the picnic it’s mentioned they like

or is just because I have that particular book within three feet of me, i’m gonna check

okay, it does mention that klaus likes custard eclairs, violet makes a smoked fish sandwich and wants to try the chocolate spread. maybe they just like oreos, sans peanut butter. I like oreos. (also, you can’t stash eclairs in a suitcase.

olivia, staring at a series of freshly-baked custard eclairs and a collection of tupperware containers: ….do you think I made too much??

ramona: olivia, he’s – he’s just going to summer camp.)

ANYWAY, how do they realize they’re siblings???? like???? how do

do they have half pictures in this??????? I think that’s honestly going to be the easiest way

like, of course lemony and beatrice would have a wedding picture, and they are both absolutely extra and dramatic enough to have each other’s half

it probably is still a ‘sitting at a table, staring lovingly at each other’ sort of thing, lemony in a white suit and beatrice in a suitably extravagant but actually still somehow very low-key for her wedding dress (there’s a lot of tulle though, like………..layers of tulle………………………..), their color scheme flower-wise was red and white roses because like, what fucking else would they pick at that time (they are only JUST convinced by like, jacques, probably, to do red/white instead of red/black, beatrice personally wanted purple/black)

kit gave violet the picture of beatrice, because while she hasn’t spoken to beatrice since her brother’s divorce, she does think lemony and bea could stand to talk to each other

(although I headcanon kit as the kind of person to firmly forget about past romances and put them behind her THROUGH ANY MEANS NECESSARY this is not strict asoue canon, and she always liked beatrice, anyway. lemony and bea breaking up isn’t like kit and olaf breaking up, which, i’m not even gonna try and touch in this)

klaus found the picture of lemony when he was reading through anna karenina (beatrice forgot she put it in there when she let klaus read it) and figured immediately that it had to be his father, and he kept it (maybe he showed it to ramona, who was like, ‘yep, that was your father. goodness, I forgot how awful his hair looked back then.’)

they’re probably reading some book about geography (klaus is into geography at the time)

klaus: my mother says that for my birthday next year, she’ll take me on a trip to see the famous hinterlands sunset.

violet: my father’s shown me pictures, but he agrees that it’s a lot prettier in person, but he’s also not one for planes.

klaus: well, I don’t believe hinterlands are technically confined to one geographical area, i’m sure there’s more than just in california – here, i’m sure there must be more information in the index.

violet: when’s your birthday, klaus?

klaus: january 8th.

violet: !!!! that’s my birthday!

klaus: !!! that is an extraordinary coincidence.

I never said these kids were smart.

klaus: violet, what’s your father like?

violet: he’s kind of quiet, but he’s very kind. oh, I have a picture of him – well, sort of –

she pulls out from one of her own books a picture of lemony, from behind, sitting at his desk at his typewriter, absolutely no recognizable features present whatsoever

violet: he didn’t know aunt kit was taking the picture, otherwise he would’ve turned around.

violet: actually, even then he probably wouldn’t have? he insists he’s not very photogenic.

violet: what about your father?

klaus: i’ve never met him. he’s – my mother doesn’t talk about him much, but I got the impression that they divorced shortly after I was born.

violet: oh, gosh. i’m sorry, klaus.

violet: ….sometimes I think I get that impression too, about my parents.

klaus: i’m sorry too, violet.

and if this were a snicket novel, insert soft, gentle explanation about divorce and commiseration and finding kindred spirits in your friends and how sometimes love does not work out and the affects we don’t realize it has on the children who watch it happen or see the aftermath and are left with the gnawing wonder of what went wrong and how violet and klaus each wonder, a little, what the cause was, and it can be very lonely, at the end of the day, to know that even if you have one parent who loves you very much, there is someone out there who may not love you at all, and never got the chance to know you to love you, and an even deeper part of you that wonders – no matter how young you were – were you the cause of it?

violet: oh, but I – I have a picture of my mother, my aunt kit gave it to me – I have it in my suitcase

violet: /gets up to get the picture

klaus: I, I have a picture of my father, too, in fact I think it’s stuck in this book somewhere in the back, I didn’t want to forget it

and

as violet goes to sit back down with the picture of her mother, the half-picture of beatrice from her wedding day, klaus pulls out from the index the half-picture of lemony from his wedding day

and they are

STUNNED

to realize

this is, of course, the exact same picture.

there’s a lot of hugging and crying.

so they realize they’re siblings!!! and then decide try to figure out what the hell even happened with their parents, because now that they know they’re fucking related and still somehow wound up meeting each other they realize that there has to be some incredibly detailed story behind the reasoning for their parents splitting up and now they have not just proof but an actual opportunity to find out and maybe, just maybe, get their parents back together in the process!!! it worked once!!! it could work again, why not!!!!!

AND SO THEY DECIDE TO SWAP PLACES. (contrary to hallie having the idea, it occurs to them at the same time.)

meanwhile

for the past, say, YEAR, or so, bea has been seeing bertrand, a friend from her childhood (just narrowly managing to keep it from klaus BECAUSE it will involve A Conversation About Lemony and Commitment and Marriage and Things Not Working Out and Falling In Love With Someone Else and look bea is good at a lot of things but it’s a really heavy subject for her that even after eleven years she hasn’t quite figured out how to parse, so she’s really been putting off trying to explain all of that to klaus, in a case of her vastly underestimating her son [bea you see all the books he reads…….talk to your son]), and things are going well between them and they love each other a lot and!!! they decide to get married.

how do they meet up again??? bertrand winds up going to one of her plays completely on accident. he’s been on the other side of the country for years and years and he happens to go to napa and hears about this play happening and he’s like ‘well that sounds really neat!’ because bertrand had a short-lived theater career in high school and doesn’t act all that much anymore but appreciates a good play! who doesn’t appreciate a good play??

(bertrand played lieutenant frank cioffi in his senior year production of curtains to rave local newspaper reviews. bea, meanwhile, gave a stunning performance as carmen bernstein [esme wanted to be carmen so fucking bad and she’s never forgotten that bea got the role instead, and that would not even factor into this au even if esme WAS in this au] [esme was, instead, jessica cranshaw (if it was a small school she maybe doubled as bambi), ramona was niki harris, olivia played johnny harmon, olaf was…...daryl grady……..which pains me to write cause the guy I had a crush on in high school played daryl, josephine and ike played georgia hendricks and aaron fox, jacquelyn and gustav were head of stage crew, lemony supported them all from the audience – unless lemony was sasha????!!!!!!!! okay lemony was totally sasha.]) (wow I got unnecessarily invested in their high school drama club.) (IS THEODORA THE DRAMA ADVISOR?????? oh my god. oh my god she’d be so bad at it but so good. i’m dying.

theodora: snicket you need to FLOURISH your baton with MUCH MORE GUSTO

lemony: I am going to flourish this baton right up your –

bertrand: HE’S DECIDED AGAINST IT THANK YOU MISS MARKSON)

(hey you ever write a parallel that’s so good you hate it????? olivia is johnny. olaf is daryl.)

(I usually headcanon bertrand as two years older than bea and lemony but for the purposes of this au they’re all the same age – however bertrand joined drama club first, and I picture lemony as more of a band kid than a drama kid, they probably just pull him in for curtains.

was lemony drum major???? I want to say ‘hell no’ but I also want to say ‘most cryptic drum major ever, lead the most bizarre championship performance in the school’s history, somehow still won’) (I wonder what song it was to???? that right there is where my secondhand band knowledge conks out.) (but if I HAD to supply ‘bizarre, cryptic song for championships’ I would probably pick like, david lynch’s dark night of the soul or something, idk.) (but like, listen to it and just imagine it with marching band instruments……….i kind of like it. i’m kind of digging it.)

ANYWAY BERTRAND LOVES SEEING PLAYS and he goes to see it and he has NO IDEA bea is even in it and he’s like SUPER THROWN to see her but also???? really excited! it’s been eleven years!!! he can talk to her!!!! he finds her after the play and bea immediately drops whatever she was holding and is just like???? absolutely breathless to see him again (it’s been ELEVEN YEARS, cats. oh god no it’s been more like FIFTEEN YEARS since bertrand has seen bea cause they haven’t spoken since high school oh no that hurts even MORE). a giantass hug is involved. bea spins bertrand around. they make plans to see each other later. then they start hanging out, and they like, reconcile from their weird high school fallout and have a really neat relationship)

(so

the high school fallout

lemony and bea and bertrand were all delightful friends since they were kids (well, lemony and bea were, bertrand moved to town and joined their class when they were freshman in high school). they all had stupid crushes on each other, uggg. there was. an incident. at the end of their school escapades that resulted in a falling out with bertrand (maybe they had an idea of how they all felt and just couldn’t or weren’t ready to figure it out and it sort of. drove a wedge between them. not on purpose, it was just the way it happened to work out, with teenage emotions and refusing to talk about things and uncertainty. lemony+bea and bertrand went their separate ways after graduation, lemony and bea married right out of college, bertrand does his own thing, life goes on.) (maybe there was like some prom drama about who was gonna take who and who asked who first or something (at my junior prom, I was ready to kill the guy I asked who turned me down for that very reason). I mean that’s legit???? prom drama is incredibly legit. why is there so much drama at prom??????)

(honestly after going back and writing the production of curtains and remembering the (specifically romance-related) drama I witnessed happening among the drama club at my high school (I wasn’t in drama but I had a startling number of friends who were) i’m surprised they had the drama at prom and not in the middle of drama club, but i’m still going to stand by ‘prom drama.’)

(and I feel like it was prom drama of the type that’s like, low-key there and A Thing people think about but no one talks about or addresses so the whole night is real awkward and you worry something is gonna break out at any second but nothing does but you’re still obsessively on your toes about it. like, that simultaneously high-strung just-there high school romance drama angst that’s just this ever-present layer coloring everything that people say and do, hyped up specifically because it’s PROM. they probably all danced with each other and the dances were all cut short because of Feelings and Awkwardness and no one knew what to do, the whole damn night.)

and like, bertrand, going off to college and a little heartbroken but unwilling to try and do anything about it, is upset, but bertrand is also bertrand ‘sweetest man alive’ baudelaire, and honestly he wants them to be happy (bertrand is……..very non-confrontational……….and it is honestly his downfall, he likes to have fun and be nice and kind, and to acknowledge scary things is to actually deal with them and that scares bertrand so much, he buries a lot of things – so do bea and lemony, and in fact all of vfd, but in very different ways. bertrand has achieved a sort of Chill™ that bea and lemony just do not have) so he just goes on with his life, he does date other people but nothing ends in marriage, he becomes a librarian in maine and is actually only in california originally for a few months to help manage some of the collections at local libraries. then he runs into bea and he doesn’t like INTEND for a romance to happen (and neither does bea, which I also firmly stand behind for their canon romance too), he still planned to leave at the end of the few months, but it happens and bertrand feels a lot more secure in himself and his feelings about people than he did in high school and they really do love each other, a lot

oh he went to college for library science!!!! obviously lemony majored in lit and bea majored in theater and music)

(OH NO WAS BERTRAND AT THE WEDDING?????? oh no bertrand was not at the wedding. I mean he’s certainly invited but bertrand ‘sweetest man alive’ baudelaire is also bertrand ‘vaguely heartbroken, does not want to interfere, can actually honestly only take so much’ baudelaire and he says that he’ll be unable to make it. sigh. I want to say he sends a sweet wedding gift or even just flowers but man that makes me so sad to think about lemony and bea getting that on/around their wedding day and THEM being sad and i’m too sad now, bertrand does not send a gift. (he’s torn up about not sending a gift for some time. years later, walking through an antique shop, he is struck with the ‘Years Later But Still Feels Like It Just Happened And Oh Shit Why Did I Do That’ brand of Lingering Awful Anxiety™ about all that.)

HE DOES NOT KNOW ABOUT THE DIVORCE until he meets up with bea and she tells him.

bertrand: so how’s lemony????

beatrice: ahahhahahhahahhahhahahhahhahhahhahhahahaaaa!!!!!!

beatrice: ahahaha

beatrice: ahaha.

beatrice: …….oh you genuinely do not know oh shit i’m sorry

(I wanted so badly to put in my ‘bertrand and olivia were good cute friends and actually are penpals and like lemony and ramona’s ongoing card game they have an ongoing checkers game’ headcanon but it just. won’t. fit. in. here. cause why wouldn’t olivia have told him about the divorce???? I mean it’s bea’s thing to tell, NOT olivia’s, but to occasionally write to bertrand for YEARS and never mention she and ramona live with bea?????? I think that’s a little much.)

(does bertrand ever try and convince bea to reconcile with lemony???? I feel like at this point in his life he WOULD but bea would have very early on and very firmly vetoed that. and bertrand wouldn’t necessarily be happy about it but respects her wishes. not because he wants bea all to himself. but because bertrand is also quite frankly still. a little nervous re: navigating relationships. like he’s for sure A LOT BETTER at it now but like!!!! especially with lemony like bertrand is TERRIFIED of seeing lemony again. he really is. I think he thinks lemony blames him for stuff even though lemony does not. and I don’t want it to seem like bertrand’s……….just sort of swooping in and taking bea and not letting her talk to lemony????? cause it’s not that, it’s not that at all

they do really love each other

and just because bertrand’s grown as a person doesn’t mean he’s PERFECT

and bea certainly Does Not want to talk to lemony

it’s just, nick never mentions to meredith that hallie’s a twin and meredith HATES hallie and annie anyway, but bertrand does not hate kids and I just wonder, has bea told him about violet???????? like why wouldn’t she????????

so I mean yeah they probably have talked about it, and probably still came to the same conclusion, bea Does Not want to talk to lemony either, just, not right now, and yeah bertrand isn’t delighted about it but he’s like ‘alright, okay.’ because he still understands her reasoning and for all his talk he really doesn’t want to talk to lemony either

but it’s, I think it’s a thing, in the back of their minds, a worry that hits them sometimes, have they done something wrong, trying to forget)

(and this is why planning takes so much time because I always have so many stupid questions about characters)

(when bea and lemony were young and in college and extraordinarily drunk they would come up with new titles for bertrand, because they forgot they were trying not to talk about him

beatrice: bertrand ‘best hair this side of the mississippi’ baudelaire

lemony: bertrand ‘smooth hands’ baudelaire

beatrice: bertrand –

beatrice: wait do you mean like, his legit hands or like what he DOES with his hands

lemony, trying very hard not to think about Doing Things with Hands: ……..both

lemony: I definitely mean both

beatrice: good, I agree

beatrice: bertrand ‘i WILL dance the charleston and no one will stop me and I do not care’ baudelaire

lemony: bertrand ‘softest reading voice’ baudelaire

lemony: no no, wait, bertrand ‘BEST reading voice’ baudelaire, remember when he read ee cummings

beatrice: bertrand ‘i read lord of the flies and cried at the end’ baudelaire

lemony: oh bea are you complimenting him or being mean

beatrice: lemony I read lord of the flies and threw it out the fucking window when that kid killed piggy

beatrice: that was a compliment)

(ee cummings is because I have a scene in another fic where bertrand reads ‘maggie and milly and molly and may’ to beatrice and lemony and gosh…..i hope I get to use it at some point, it was a beautiful scene)

(they probably stop talking about bertrand like, sophomore year of college, idk, it just gets too hard and they become really miserable drunk nineteen-year-olds about it, and that’s not cool) (AT LEAST THEY HAVE THE WHEREWITHAL TO DO THAT)

ANYWAY, back to violet and klaus, who are still at camp and have decided to switch places!

ultimately, violet (like hallie) is supposed to find out how bea and lemony got together, and klaus (like annie) is supposed to find out why they broke up

violet cuts her hair (she’s a little bummed because she likes her hair but at least it won’t get in her way when inventing) and pierces klaus’s ears (klaus is so UP FOR THIS he’s very excited, also he keeps himself calm during it by telling violet the history of ear piercing) (these kids are either canonically very good at rationalizing or it’s just me radically projecting again…..or both), klaus practices wandering around without glasses (he bumps into EVERYTHING), violet practices how to fucking wear glasses and not die (she falls over EVERYTHING), of course violet already has an appreciation for books but she has to get the definition thing down (and growing up with lemony ‘a phrase which here means’ snicket left her with a pretty unorthodox idea of word meanings sometimes

klaus: so an optimist is someone who sees a positive side in any situation, like –

violet: say, if their arm was bit off by an alligator, a pessimist would say, “ahh! my arm!” and an optimist would say, “well, this isn’t too bad, no one will wonder if i’m right or left handed now.”

klaus: ……….what sort of person is our father

violet: he’s very specific about words.)

klaus has to figure out?????? how to invent on the fly????? (he’s seen beatrice macgyver a million things together but he’s still not sure how she does it) and the two of them teach each other about their lives, beatrice and lemony, ramona and olivia and kit and dewey and bernadette

violet: bernadette is really delightful, but you need to watch out for her

klaus: well, she is six years old –

violet: no, I mean, she can appear at a moment’s notice, and I don’t know who taught her how to pick locks, because I certainly didn’t and father can’t pick locks, but she can do it in under seven seconds.

(jacques taught her how to pick locks (he also taught violet). I don’t know where vfd fits into all this or if it even does in this fanfic but like, just try and tell me these guys don’t still act like absurd spies in any universe anyway.) (also I think lockpicking is, in general, a handy life skill, even if you aren’t living the absurd spy life.)

klaus: mother is, um

klaus: a little embarrassing

violet: how so?

klaus: she once scaled a ten foot wall because I forgot my lunch.

(ramona: hey so why did becoming a parent rob you of your top-notch secrecy skills?

[not necessarily, though, I mean, she does a great job scaling the ten-foot wall in complete secrecy. bea just, has a lot of love for her son, and is VERY OBVIOUS ABOUT IT, is the thing]

beatrice: ramona have you SEEN my son

beatrice: I will take a BULLET for him

beatrice: preferably in a non-critical area so we can hang out afterwards.

beatrice: but if I have to embarrass the shit out of him to make sure he eats, I WILL)

violet: father is the same way, a little. he keeps crying on the first day of school and I don’t have the heart to break it to him that I might be too old for that.

klaus: mother calls encouraging phrases from the car, which I think she does to prevent me from walking into school too fast.

violet: you know, they really sound like they were made for each other.

(lemony and bea, like, separately, are such legit disaster parents and I love them, they love their kids so damn much.)

the last day of camp comes, and it is time for them to officially swap places – violet goes to beatrice, klaus goes to lemony!

klaus recites book themes to himself the whole plane ride to england to keep himself calm because he’s trying not to think about how worried and excited he is!!! he’s going to meet his father for the first time!! truth be told, he knows pretty much nothing about lemony, even after talking to violet!!! IT’S A LOT FOR ANY KID TO TAKE IN, to suddenly think ‘yeah this was a good plan – oh fuck’

anyway, he meets kit at the airport, because kit is there to pick up violet. (kit and violet do not have a secret handshake. they have, of course, dart-throwing contests. of course that doesn’t make sense in an airport, but whatever. that’s their thing.)

why does kit pick klaus up at the airport instead of lemony??? I mean kit is in martin’s role but she’s NOT martin, you know, she’s lemony’s sister and definitely does not wait on him, but she does drop violet off at camp anyway, although in the movie that’s to prevent elizabeth (and nick) from showing up until the kids switch for Maximum Emotional Impact, but like lemony is obviously not THAT fucking busy he can’t pick up his own daughter

I had the thought that like kit is maybe his manager (on the side, otherwise she has….god some other job)??? does that work for a writer???? i’m a writer and I don’t even know. whatever. and kit maybe scheduled a reading that day by accident months in advance and couldn’t change it, or it runs long, so she has to get violet (klaus) from the airport

(moxie is still his editor, only she lives way out of town and they send angry emails to each other all the time about his work)

also ties in with hallie’s scene where she looks at elizabeth’s vanity and says she’s super cool about the wedding dresses cause I love that scene a LOT and I want klaus to think his stupid dad’s cool!!!

kit: violet, I am all for the beginning of your teenage rebellion with this new hairstyle but I should inform you that your father may just die.

klaus: you think he won’t like it??

[read: YOU THINK HE WON’T LIKE ME]

kit: he’ll probably come around to it. he’s still at his reading, do you want to surprise him?

klaus: !!!!!!

klaus: yes!

the reading is huge. I have no damn idea what lemony writes in this au, definitely not danhan’s stuff cause it’s not his vibe, but he still writes the picture books (although there are YEARS between them irl he wrote the composer is dead and the dark for bernadette before she became, in her words, Too Old For That Sort of Thing although she still secretly really likes them and reads the dark every night before she goes to bed. bernadette, in contrast to babybea, is fucking terrified of the dark but tries to like rationalize it out by thinking through the science of light or something, and then by just rereading the dark), oh he probably like, okay so he can’t just write asoue but he probably writes some other great children’s book series with the same sort of writing style and moral discussion, and the picture books

and violet told klaus he wrote stuff and bea like…..knows he does and refuses to talk about it but reads ramona’s copies in the middle of the night (and then has to stop doing that cause it bums her out too much), but klaus has no idea about it or how good it is and he’s so impressed, sitting at the back of this giant giant theater, and klaus loves books, he loves them with all his heart, and to sit there and see his father, for the first time in his whole life, doing something that klaus thinks is so incredibly cool

klaus: wow.

okay, so, the damn relief and happiness on lemony’s face when he sees kit and klaus

has he been imagining terrible airplane accidents for the past week? weeks? MONTHS??? yes he has.

he sees them once he gets offstage and immediately runs at this child (or, at least, definitely fastwalks.) and sweeps klaus up into this giant giant hug

klaus is!!! overwhelmed by the amount of sheer unadulterated love in this hug oh no i’m crying

putting aside that he’s pretending to be violet, this is the first time he gets a hug from his father and even if lemony thinks he’s violet klaus is still the one getting the hug and it’s just, a lot, man, it’s a lot, that scene in the movie where elizabeth hugs hallie is exactly the vibe right here god it’s so fucking sweet

lemony: oh, goodness – what happened to your hair?

klaus: I – I cut it. do you –

lemony is in the process of remembering that scissors and haircuts exist, he’s a little blindsided here

lemony: no, no – haircuts are things that happen, at one time or another, to all of us.

lemony: i’m just so happy that you’re back.

he just. hugs klaus again. god I can’t handle how much lemony loves his kids. klaus is really emotional and I’M really emotional I have to move on

on the ride home (kit is still driving)

lemony: so how was it at camp?

klaus: /frantically thinking of how he’s going to pull off something violet would say now that he’s HERE and has to act like her and decides to just be honest and hope it comes out okay

klaus: I had a lot of fun; the outdoors are incredibly pulchritudinous.

lemony: /thoroughly convinced that the outdoors has finally instilled violet with a greater poetic sense

I NEVER SAID THEIR PARENTS WERE SMART EITHER

do you know how wild the plot of this movie really is, when you get down to it, parents not recognizing their kids wtf have I done

violet can act pretty passably as klaus, but klaus, even employing beatrice’s acting techniques, just can’t act. but the one who finds him out is bernadette, like half an hour after he gets home.

[you can tell what scenes originally started this outline because they’re actually written like scenes, this was one of them]

[bernadette stares at klaus with wide, curious eyes over the top of her book. “you’re not violet,” she says.

the bottom of klaus’s stomach drops clear out. “what?”

“violet doesn’t squint when she’s confused,” bernadette says. “she frowns and puts her hair up. and it’s something she’s used to doing, so even if her hair was cut, she’d still reach for a ribbon, out of habit. you’re klaus. shouldn’t you have glasses? mother says aunt beatrice wore glasses.”

“how – how did you know about me?”

bernadette rolls her eyes. “i know everything,” she says loftily, for a six year old. “i can read, after all.”]

bernadette is the best kid. so I love babybea so much but babybea in canon is like…..still very on point but very quiet about it, because she’s grown up with really so little interaction with people????? she’s like a really subdued kid because she’s had to be so independent and do so many things herself. and she’s got her firm, almost unshakable optimism. so bernadette is still very quick and clever but a LOT more precocious about it and pretty boisterous for six years old and just. even more like kit than babybea is. her optimism is a little more…..sharp in this. I don’t think she understands embarrassment, as a thing that people experience, because she sure doesn’t. she’s just like, ‘well why don’t you just try again??????’ and it’s so great to see that inherent commitment to existence in a six year old

(an important sidenote from my bernadette headcanon list, though, is that she really does just read everything. she reads cereal boxes and magazines and reports and all the papers on lemony’s desk and really just absolutely anything she can get her hands on, and she’s easily bored so she goes looking for stuff sometimes and she’s good at putting things together, so that’s how she knows about klaus.)

[“i’m not gonna tell anybody,” she says. “i wanna see what happens. uncle lemony’s kind of lonely, you know? and aunt beatrice – when they talk about her – always sounded really nice.”]

bernadette makes it her MISSION to help klaus act more like violet and cover for him as much as she can

bernadette: you need to walk different

bernadette: and hold yourself a little taller

bernadette: here, keep this wrench in your pocket, violet likes wrenches

bernadette: and this ribbon!!! she didn’t give you any????

bernadette: oh, make sure you stare off into the distance while eating and think about machines or something

klaus: how do you notice all these things???

bernadette: ?????? doesn’t everybody?????? she’s your sister, you two didn’t follow each other around to try and pin down how you act????

klaus: …..do you do that, bernadette

bernadette: regularly. I can impersonate anyone’s footsteps. except my mother’s, because I think she keeps wearing different shoes on purpose. i’ll show you sometime.

so, armed with This Random Wrench and a lot of acting details that he can’t process very well, klaus HANGS OUT WITH LEMONY

so klaus spends a lot of time in the library in lemony’s house (which also doubles as lemony’s office, it’s big enough that he and violet can take separate corners and know each other’s there but not run into each other if they don’t want to (especially good for klaus pretending to be violet because no one has to see him TOTALLY FAIL AT INVENTING)), and it has so many books and klaus is so thrilled

klaus has to try and bring up bea and find out how they met, only, DISCREETLY

[gosh this one is a lot harder without “so doesn’t designing all those wedding dresses make you think about getting married again?”, especially because the truly spectacular “f word” line doesn’t make sense with lemony but what can you do]

he probably goes up to lemony while lemony’s at his desk because klaus figures, the easiest way could be to relate to something on the desk

AS purposeful narrative coincidence LUCK WOULD HAVE IT lemony is looking for something in his desk and you know lemony keeps the most inconsequential things and has accidentally dug out his plaque for ‘one semester of cheerleader participation’

klaus, immediately thrown by this news: you were a cheerleader?

lemony: mm? oh, my, I forgot about that.

he smiles at the plaque and dusts it off and my heart is m e l t i n g

lemony: yes, in high school. I wasn’t the only boy on the team, as a matter of fact. a – a friend of mine did it with me.

klaus: why were you on the cheerleading squad?

lemony, trapped in this conversation now: well – your mother was on the soccer team. I was not what you would call athletically inclined at the time, so I joined to support her.

klaus: !!!!!!!

klaus: my – my mother?

this was a fact he did not know about beatrice, as a matter of fact

lemony, realizing that children are going to be curious about their parents and, well, okay, it’s been eleven years, I probably won’t see beatrice again (ahahahahaha.), and my child deserves to know: yes. she was very good at soccer, among other talents, although she didn’t last very long in her soccer career.

klaus: why not?

[if this man was PAYING ATTENTION he would have noticed for sure that klaus is much more straightforward than violet.]

lemony, remembering that time beatrice launched herself across the soccer field and accidentally tackled the assistant coach and dragged him through the mud: she and the coach disagreed on some of the physical aspects of the game.

klaus, dying to hear what lemony’s going to say: what was she like?

lemony, immediately remembering the details of their divorce but also a series of Shenanigans from their school days that he should never repeat to anyone, then resolving to be kind about it: very charming and resourceful.

lemony: she had a great deal of verve.

lemony: I see a lot of it in you.

klaus is touched, I’M touched, god fucking dammit

klaus resolves to leave it there and decides to dig around lemony’s desk later for other things about bea and lemony when lemony isn’t looking

which he promptly does, that night.

klaus sees his typewriter and pictures of kit and jacques and there’s probably one of ramona (in a drawer) (sorry, ramona.) and in a secret compartment in the desk is a pic of bea (maybe one of bertrand too?) (definitely one of bertrand too) and some letters from bea (klaus recognizes her handwriting)

(watch it be something like, some stupid candygram she sent him for valentine’s day that says dear lemony, [the content of this candygram has been censored by the school administration] love bea!!!!!) (bea gets detention for a week for the content of the candygram.) (the second candygram gets through but it’s only because bea writes it so thoroughly in code that the school administration, at a passing glance, cannot see how raunchy it is. but also very heartfelt. it is genuinely heartfelt.) (so of course he has some from bertrand too. because bertrand sent everyone a candygram. they’re all so friendly but so sweet and so cute and bertrand’s just breaking my heart in this whole fic I love him so much) (they’re stuff like, i’m so happy we’re friends! happy valentine’s day! i made sure this candygram doesn’t have anything that will conflict with your peanut allergy! like some fucking NERD and i’m SOBBING) (because you know bertrand was on student council and helped with the candygrams, bea and lemony were definitely not on student council)

(bea: what gets me is that they still sent it!! they censored my loving sonnet about your ass but they still sent it!!!!!!

bertrand: I guess nothing stops true love?

lemony: or, nothing stops beatrice mariner. [you’d have to kill me before I conceded to ‘beatrice kornbluth.’ anyway one of kornbluth’s pen names was mariner so that’s my compromise.])

klaus thinks the candygrams are so fucking embarrassing and also had no idea his mother was capable of such language but then again, no, she is, but he also thinks they’re charming and evidence that lemony still has feelings for beatrice, if he kept them!!

he’s, intrigued, a little concerned, but not very worried about this mysterious picture of a strange man and his own candygrams, although klaus concedes they too are very sweet.

MEANWHILE, back in california

bea is so so so so so excited to pick up klaus (not knowing it’s violet) from the airport, like she manages to sit still for most of the wait but in the last half hour she just sort of bounces around the airport and buys a series of irritating, tasteless teas (“fuck this tea is so bland yes i’m ordering another one, ramona, don’t judge me”) and reads the same newspaper over and over again and when the flight comes in she’s ECSTATIC, MY GIRL IS BOUNCING ALL OVER THE PLACE

she’s the kind of like……...vaguely silly but a little (a lot) overprotective (?) parent

like beatrice is the one SHOUTING AT THE TOP OF HER LUNGS WHEN SHE SEES HER KID CAUSE SHE’S SO THRILLED, she’s just very vocal about how much she loves….

[I actually rewrote some of bea in this (or, changed the amount of capitals I had her using) because, like, bea is delightful and charming and very smooth but she’s also got such passion for life, she loves to be delighted and she loves to laugh, and she’s so smooth and sarcastic but like!!!! I love beatrice when she’s having a good time, but I got worried that she was leaning too silly in this which. irritated me.

like, in canon I feel like she is incredibly mischievous but once she gets married and has kids, she’s still very on point and loves her kids very openly but she becomes a lot more straight-laced because she’s so intent to protect them, so much so that I think she loses a little of that mischievousness. but considering the fluctuating capacity of vfd vibes in this au, I think she is a little more…….loose in this. the other thing about bea is that her veneer of perfection is her best acting job of all time, and divorcing lemony and being a single mother and raising klaus puts a big dent in that and makes her even more determined to try and wring as much joy out of life as she can without letting people know how much she has to deal with]

violet, upon getting off the plane and seeing beatrice: oh.

beatrice: look at youuuuuuuuuu LOOK AT YOU!!! you’ve got everything??? all your limbs???? nothing broken????

she says all this while like running straight at violet and patting her down and then giving her the biggest hug of all time. violet is engulfed in this hug and!!! she thought her father gave tight hugs but this is something else

I think lemony puts a lot of warmth in his hugs but beatrice puts this endless amount of joy, along with love, into her hugs, and violet’s life up until this point has been very low-key and surrounded by adults who excel at deadpanning their dialogue so this is!!! very strange but very exciting!!! because violet herself also has this very bright enthusiasm that other people in her family don’t have the same way she does so as much as it’s so different to meet beatrice it’s really cool!!!!!

[for the record, bertrand’s hugs exude safety]

re: pierced ears

beatrice: oh, ramona and olivia are gonna be real upset.

beatrice: they definitely wanted to be involved in your first rebellious teenager act.

beatrice: then again, so did I??

violet: doesn’t that defeat the purpose of a rebellious act?

beatrice, going in for a side-hug: …...i missed that snark so much

does beatrice have a dog???? she’s really not a dog person. neither are ramona and olivia (dogs scare olivia. in fact, most things scare olivia. the toaster scares olivia. she’s so nervous and I love her.) (it’s less of a josephine fear and more of a ‘please leave me alone!!!’ sort of startled fear, is how I see it)

if there is a pet, ramona and olivia have a cat that olivia named annabelle, and she’s a sweet, all-white cat who loves cuddles. she does not even care that violet isn’t klaus. she’s just like, ‘this person has arms!! this person can cuddle.’ annabelle is the best, most chill cat. (although I headcanon that bea is allergic to cats – but that was just cause I was allergic to cats, and now that i’m not allergic to cats????? GUESS IT’S FREE REIN NOW) (anyway the cat is still ramona and olivia’s.)

so bea has to introduce klaus (violet!) to bertrand, and, oh, bea

she really has been putting this conversation off for quite some time, and she decides to just, go for it, as she’s driving violet home

beatrice: klaus, there’s, there’s someone i’d like you to meet

violet: who?

beatrice: an old friend of mine. we’ve been talking recently, and he means a great deal to me, and if you don’t like him, then that’ll be it, but – I really want him to be a part of our lives, klaus. I know it’s a big change, but I’d like you to give him a chance.

violet is REALLY, REALLY THROWN HERE because she and klaus are supposed to get their parents back together!!! this isn’t supposed to happen!!! this is supposed to be a happy ending without this NEW CHALLENGER (UNACCEPTED!!!!), how is she supposed to ask about lemony now???????

violet: oh, um

violet: well, I would like to meet him

she resolves to be HARD AND UNCOMPROMISING when she meets bertrand, but, well, then she meets bertrand fucking baudelaire. bertrand ‘sweetest man alive’ baudelaire. bertrand ‘just desperately wants to make a good impression on his fiance’s son’ baudelaire. god I love him. what a guy.

especially because bertrand really does just want to make a good impression, and he knows klaus is into geography right now so he brings this absolutely impressive atlas as a gift

not as an attempt to bribe klaus into liking him, but to show that he’s supportive of his interests!!!!

bertrand, sweetest man alive, shaking violet’s hand: i’m so excited to finally meet you!!

violet, blindsided by the sweetest man alive: oh, thank – thank you. it’s very nice to meet you too.

bertrand: I heard you were into geography, so I brought this atlas for you! I hope it’s alright.

violet, holding the biggest, heaviest atlas she’s ever seen in her life: oh. that’s very kind of you.

they spend some time looking through it because it has so many cool details

he stays for a while and then bows out gracefully because he cares so much, hello i’m dying, and then beatrice asks violet what she thought

violet: I –

violet: I liked him a lot.

beatrice: are you sure? because I swear, it’s fine, klaus, if you’re uncomfortable, it’s absolutely okay, it’s –

violet: no no! it’s fine!

[read: IT’S NOT FINE]

violet: I have this….atlas, now.

beatrice: you could kill a man with that.

violet: probably! I probably could.

beatrice: ….so it’s okay?

violet: ….it’s okay, mother.

[read: IT’S NOT OKAY BUT WHAT ELSE CAN SHE SAY HERE] [hey you know when you take out how much of an awful person meredith is you are left with a lot less humor in this situation.]

beatrice: I don’t know what I did to deserve a child like you, klaus.

cue good, squishy hug.

[personally I cannot fathom marrying someone else and having twins and raising one of them and not trying to have a relationship with your other child because you didn’t want to work things out with first spouse, but I never said I myself was smart either, in what I chose to write (I NEVER SAID I TOOK THE EASY WAY OUT)

anyway, I do think when bea says that, she thinks about it for a second

that (as far as she knows) this is klaus, she’s known him his whole life, and she had so little time with violet and maybe she would be sweet and clever too and she doesn’t know

she doesn’t know!!!!!!!

and it tears her apart for a split second that she doesn’t have everything and before she can let it eat her alive she shoves it down and forgets about it like she does with everything else and just, moves on] [time is a scary thing – if this much time has passed, what can you do? do they care? is it easier to do nothing or does that hurt more? does it even matter when both parents know their kids don’t know about their sibling or their other parent (or as far as they know at this moment)??? does that possibly make it even a little easier????] [anyway.]

because of bertrand – or, not necessarily bertrand, but more, ‘wedding shenanigans,’ but also, yeah, bertrand – violet also spends comparatively little time with beatrice

she wants to dislike him on principle, but can’t because he’s just???? so nice!!!! he talks seriously to her about her parents and about her (well, klaus) and really wants to get to know her (well, klaus) violet is begrudgingly impressed. violet thinks klaus would be really impressed too. but she’s real worried about what means for lemony and beatrice

especially since they did this not only to get their parents back together but to spend time with the opposite parent, like!!! violet has spent practically zero (0) time with bea to get to know her!!!!

so she holds off for a little bit and just genuinely hopes bertrand will somehow be less nice

this is hard, when bertrand helps bea make dinner ever night (klaus was VERY EXPLICIT that beatrice allows NO ONE in the kitchen when she’s cooking so there’s that) and he talks so damn OPENLY to violet about being a presence in her life

bertrand: klaus, I hope you don’t think i’m intruding in your life.

violet: I understand where you’re coming from when you say that but remarriage is in fact a part of life that occurs with some frequency.

[not only death and taxes, but haircuts and remarriage….]

violet: mother said you were an old friend, though?

bertrand: yes, we went to school together.

violet: if you don’t think it’s too rude of a question

violet: you strike me as the type of person who would have had a high school sweetheart and I am perhaps a little concerned that you didn’t marry my mother earlier.

inside, violet is cringing but it’s a very klaus line.

bertrand: !

bertrand: oh, well, we didn’t date each other in high school.

violet: ! you didn’t?

bertrand: no, there was –

bertrand has been. avoiding these feelings for some time. but he’s so struck by them that he has NO poker face in this situation

bertrand: – it just didn’t work out at the time, that’s all.

but fuck violet is absolutely stunned by that look on his face

she’s never seen someone look so heartbroken before and she is, concerned, but that’s mostly ignored in favor of the sheer stress of the situation

and violet does actually get kind of angry!! about bertrand being such a good person!! she starts to get really frustrated!!! like I picture this happening over, maybe a week

she hates that she can’t tie her hair back and her thoughts are all jumbled and that she has to wear glasses and she misses her dad and she loves beatrice a lot but NOTHING IS WORKING OUT LIKE SHE WANTED IT TO

and she has to wear klaus’s glasses and keeps taking them off when she’s sure no one’s looking to rub her eyes man I want to give this kid a hug

but she also wants to make her mom happy!!! fuck this is a mess

violet: he’s been – a lot kinder than I thought he would be.

beatrice: yeah, he has that effect on people.

beatrice: when we were in high school, we called him “bertrand ‘sweetest man alive’ baudelaire.”

beatrice is viscerally reminded of Being Drunk In College and tries to shrug it off

however, violet, growing up with two detail-oriented snickets, does not miss a single thing

violet: we?

beatrice: oh, you know – nicknames, nicknames stick, klaus, everybody calls everybody things!!

violet: it just sounded as if you were….

violet: /casts around for the correct grammatical term, she’s committed, but comes up with nothing because hell even I don’t know, apologies to my grammar professor from college

violet: ….using ‘we’ to mean just you and someone else and not necessarily lots of people.

beatrice is actually vaguely suspicious to hear Less Technical Grammar but chalks it up to the situation

beatrice: well, I mean, we had friends, of course – ramona and olivia!! that’s!! that’s who i’m talking about!! that’s all!!

violet remembers that ramona gave klaus his half of the wedding picture, and klaus told her what ramona said, that ramona didn’t like lemony’s hair at the time, and violet’s done the math, she knows how old lemony and bea are and that she and klaus were born not long after they left college, and with this sudden but persistent reluctance to talk about An Additional Person from high school from both bea and bertrand, violet is terribly suspicious that there could, in fact, be much more to this than she initially thought

beatrice: don’t forget, we start looking at hotels for wedding reception venues this week, okay?

violet: okay.

so, that night, violet, now alerted to the possibility that there could be a connection between bertrand and her father, and also DESPERATELY HOPING THERE IS ANYWAY BECAUSE THAT WOULD CAUSE HER SO MUCH LESS STRESS, goes digging

she grew up with bernadette for the past six years (and has also seen lemony create giant information webs to map out books), VIOLET KNOWS HOW TO GET INFORMATION AND PUT IT TOGETHER

she starts looking for yearbooks – they all went to the same school, for years, they have to be somewhere, but violet can’t find anything in the library, or ramona’s studio, or olivia’s office, or beatrice’s hiding place (the kitchen), and then looks through their desks for papers or plaques or photographs or anything that could give her a hint (nope)

if there is one thing she’s learned from bernadette, but also her father, it’s that the best place to hide something is usually in plain sight, which leads violet back to the library, pulling out boring-looking books to see if anything is stored behind them or in them (still nope)

this leads to violet CLIMBING THE BOOKCASES to reach the top shelf because adults are taller than her and put things on high shelves

and lo and behold, there it is, the senior year yearbook.

violet has a HEART-STOPPING MOMENT in the downward climb (which she’s doing one-handed anyway) where she almost steps on annabelle who she hadn’t realized was sleeping on a shelf and violet is TERRIFIED but annabelle, chillest cat in the world™, just yawns at her and picks a different shelf

annabelle is no sammy.

so, curled up in a library chair, violet finds not only pictures of beatrice and bertrand and lemony in the yearbook, but also a giant section of papers that fold out from the back cover where apparently lemony had more than the average length of a yearbook comment to say to her

violet, vaguely skimming this hardcore romantic comment, incredibly used to her father’s verbosity: yes that sounds about right.

and she finds a (significantly smaller but still lengthy and painfully heartfelt) signature from bertrand nearby, that definitely reads as a guy in love

but she’s still not sure how they feel about each other now, like a few yearbook signatures are no indication of how a person feels over eleven years later, so she’s still nervous about this and decides to sleep on it

this takes the whole night, violet is exhausted in the morning

now re: chessy unpacking hallie’s (annie’s) suitcase in the movie, it’s not that ramona did the same, but when doing the laundry earlier she did notice this weird amount of ribbons stuck in the lint filter/in pockets/pant legs/sleeves

and she barely even thinks anything of it at first and asks olivia and olivia has no clue and she’s not asking beatrice because beatrice has so much on her mind and ramona’s like ‘….hmmm,’ and goes to talk to klaus (violet)

ramona: hey klaus, I keep finding ribbons everywhere and I just wondered –

violet, in the process of running her hand through her hair cause she’s tired and processing a lot and misses being able to tie it: /JUMPS

violet: oh

violet: bookmarks, i’ve been using them as bookmarks

[actually violet has a million ribbons because lemony never wanted her to be without one, and it was so natural for violet to bring them with her she just legit forgot she wasn’t supposed to have them, like hallie with cuppy]

ramona, vaguely concerned: ….yeah, your mother used to do that

ramona: anything wrong with your hair?

violet: oh, no, not at all!

ramona: everything….going okay?

violet: yes, absolutely!

[the thing about violet acting as klaus though is that she can get like his speech patterns down but her own natural cheeriness still shows through in the places where klaus is in general quieter]

this is gonna get discussed right after this but ramona knows violet ties her hair up to focus because lemony told her in a letter, years ago

so ramona frowns and walks over to her and ties her bangs back with one of the ribbons, and violet just so visibly relaxes

ramona, incredibly emotional: oh

ramona: violet?

violet: ….yes.

ramona: so I can’t necessarily abide by breaking up a marriage but HECK YEAH i’m down for helping you reunite them. beatrice got me in the divorce and it’s very irritating just writing to lemony, which he actually hasn’t done for a while, now that I think about it.

violet: why don’t you just visit him? i’m sure he’d love to see you.

ramona: he makes me send the letters to a post office box. I do not know that man’s address.

violet: ……...that sounds about right.

(bea still does not find out until the hotel shenanigans, though.)

(I love ‘beatrice got me in the divorce’ like that’s fucking hilarious, cause I picture ramona as lemony and bea’s best friend so when they aren’t together it’s like…...well, what happens to ramona???? WHO DOES RAMONA HANG OUT WITH?? WHO GETS CUSTODY OF RAMONA)

(but also like, wtf lemony and ramona write to each other and bea never finds out???? I mean ramona was their best friend so like yes I think they do keep in contact but then does ramona never tell lemony about klaus????? and for them to write to each other and ramona to get these letters and BEA IS IN THE SAME HOUSE??????? I can’t tell if this is just angsty or poor thinking through on my part

but like ramona has to know for the reveal scene here to work out right, otherwise she’d never guess specifically violet

unless I rewrite the scene, but? nope. i’m committed to this ribbon reveal. I like it a lot. fuck it.

THIS WAS WHY I TOOK OUT BERTRAND AND OLIVIA AS CUTE PEN PALS auuuuuggggggg

I don’t know I mean. it is weird and stretching this (already shenanigans-filled) fic a little but. I don’t think it’s the WORST illogical thing I can stick in here. and they are friends, they can write to each other, just, yeah, probably not a lot and they actually probably don’t talk about the kids a lot, cause then lemony would know about both kids and since r wouldn’t tell bea she was writing to lemony bea wouldn’t know anything at all about violet and THAT’S what’s not good (although r telling lemony about klaus is cute i’m gonna have to nix it here. no can do.), so yeah r probs never brings up klaus and lemony rarely brings up violet, he probably only mentions the ribbon thing back when she was really really young because of how much it reminded him of bea and lemony was One Sad Man in his twenties trying to cope with the emotional reality of raising a child that reminded him of his wife and needed to tell someone

that is a lot of weight on ramona though and she doesn’t say anything but lemony apologizes for bringing it up in the next letter anyway and actually after that they probably talk a lot less cause it’s hard on both of them)

(writing is hard! writing is hard.)

ramona: so what’s your plan now?

violet: first, I have to make a phone call.

VIOLET CALLS KLAUS, keeping in mind the concept of time zones a little bit better than hallie and annie

violet: so, it turns out that mother is engaged????

klaus: engaged????? to who?????

violet: this man named bertrand, and, honestly, klaus, he’s such a nice person, he brought me, well he brought you, an atlas –

klaus: oh. that is very nice.

violet: it’s the sort of atlas you could probably use to incapacitate a reasonably-sized adult.

klaus: wow.

violet: and mother said that apparently she knew him when she was younger, and they get along so well, but –

klaus, remembering the picture he found with the extra candygrams: wait

klaus: is he sort of tall, and thin, and blonde

klaus: and sort of, idly optimistic

violet: yes! although I would say more….calmly steadfast

klaus: hmmm

klaus, trying to describe bertrand’s facial expression in this picture: disarmingly kind?

violet: humorously honest?

klaus: I think father has a picture of him in his desk!

violet: !!!!

[myth: confirmed!]

klaus: and some notes from high school from mother and him!

violet: !!! klaus, based on some other things i’ve found, I think all of them might have had feelings for each other.

klaus: !! that makes a considerable amount of sense here. if they all still do, that could make this much easier.

violet: but we won’t know for sure unless –

bernadette: who are you two talking about???

klaus: BERNADETTE

violet: bernadette, are you on the extension again

bernadette: well why wouldn’t I be?

bernadette: it sounds like you guys are talking about bertrand.

violet: how do you know who bertrand is?

bernadette: dad talks about him all the time???

bernadette: well, not when uncle lemony’s around

bernadette: he sent dad that book of poetry that mom immediately burned

bernadette: the elephant guy?

violet: …….oh, now that you mention it! that’s right!

klaus: wait why did your mother burn the book

violet: aunt kit has very little patience for certain poetry.

klaus: she doesn’t like john godfrey saxe??

violet: it’s a big deal, it’s best not to get into it.

violet: look, I think what we need to do is get everyone together and sort this all out.

violet: we’re scouting hotels this week for the reception, you can come here and meet up with us at one of them!

MEANWHILE, kit finds bernadette on the extension, for an honestly longer than usual length of time (bernadette does eavesdrop regularly), and also klaus on the phone in general (and violet rarely uses the phone, like, as a phone. usually she’s taking the phone apart), and really, nothing gets past kit fucking snicket. (you know kit denouement does have a great fucking ring to it, but as I said before, just try and tell me she didn’t insist on keeping her maiden name when she got married.)

so she goes and finds klaus and hears the end of the above conversation and is like ‘oh shit, they totally switched on lemony and bea, what badass kids’

[what if she tries to corner bernadette first

kit: bernadette, I didn’t know you knew anyone to call on the phone.

bernadette, without missing a fucking beat: I called the international operator to ask about time zones, but she caught me up in a conversation about soap operas and whether or not their use of sudden death is considered theatrically cathartic or not.

bernadette: I told her it happens way too often for it to be cathartic.

kit is too impressed to counter her. kit loves her daughter so fucking much.]

so then she sort of shows up in klaus’s doorway when he goes to leave the room after the phone call, arms crossed over her chest

kit: is there something you’d like to talk about?

kit can be outrageously intimidating but kit is also, actually, a pretty good parent

kit, significantly more gently: just between you and me, klaus.

klaus: …..maybe.

kit: come on, let’s go for a walk. you can tell me all about it.

klaus: it’s a long story.

kit: well, good, I like long stories.

klaus: are you going to tell father?

kit: don’t you think you should tell him?

klaus: do you think he’ll be upset?

kit: oh, not at all. more with himself than you, anyway. once, violet was responsible for wiping out the electricity of the whole city, and he gave her two slices of cake for dessert and said he should’ve bought more books on electrical wiring.

lemony is appropriately concerned and horrified and thrilled to see his son, like, oh my god, but the moment is taken over by the urgency of the situation because klaus says he has something to tell all of them that cannot wait

[forgive me for not writing that one out.]

klaus: so it seems like mother is getting married

lemony: oh

lemony: well

lemony: like haircuts, marriage – marriage comes to all of us, at some point –

klaus: to bertrand?

kit, lemony, and dewey: /STUNNED, DEAD SILENCE

kit: oh my.

dewey: what are the odds?

lemony: I think I can die now. I believe i’m ready.

bernadette: why don’t you just go see them and work this all out???

lemony: bernadette, I don’t know if life works like that.

bernadette: uncle lemony, you’re going to ruin all my bright-eyed optimism.

dewey: sometimes I think I didn’t have anything to do with you at all, bernadette. I think you just sprang, fully-formed, from your mother’s head.

kit: don’t be vulgar, dewey. ….thank you, though.

kit: but really I don’t see any other way to sort this out than by going to see beatrice and bertrand.

[this was one of the very first conversations I wrote for this and I am still very attached to it, even though I find dewey so hard to write, I haven’t yet figured out how I think he functions with these guys, especially kit, which I should maybe have done sooner but, what can you do.]

[also I feel like it just makes more sense in this for them to KNOW bea is engaged]

[I’m putting this in here because honestly……….in the movie once elizabeth realizes the switch she does not spend nearly enough time hugging hallie constantly or getting to know her, I get that seeing your ex-husband for the first time in eleven years is A Lot but YOUR DAUGHTER WHO YOU HAVEN’T SEEN IN ELEVEN YEARS AS WELL IS RIGHT FUCKING THERE] [also makes up for not writing klaus revealing himself as klaus, i’m so sorry.]

lemony: klaus?

klaus: ?

lemony: I – please don’t think that I didn’t love you. because I do, and I have thought about you every second of every day, I promise you. and there are many things that I should have done as your father, and many things that I cannot make up to you, but I want you to know that whatever happens with this, I have always loved you. and I am sorry.

so i’ve always pictured that klaus (besides looking reasonably like bea anyway, in any universe) gets angry like she does, and bea gets that sort of like, quiet cool hatred that turns into full-blown shouting really quickly and she will pull no punches and just fucking give it to you!!!!! and klaus has some sort of version of that and like look I put a lot of thought into ‘adult problems fucking over small children as those adults fervently avoid those problems’ when I wrote babybea so like

man, of course klaus can be angry at his parents for like???? never trying to work things out???? this is the first time in almost ten years he’s seen his father and his sister and he has an aunt and an uncle (and another uncle he hasn’t even seen!) and a cousin he never knew about because of lemony and bea being stubborn and stupid and recklessly young!!!!! I think violet is honestly less mad about it (well, she gets a little mad about it later on, but like, being raised by lemony, she has this weird way of trying to rationalize things while feeling really guilty about it, but that’s scenes away from right here – or she just? maybe internalizes it more.) but klaus is like, he’s not totally angry but like, as himself, face to face with lemony, lemony talking to him like a parent and about klaus and not about bea or violet or shenanigans or anything, like, yeah, he’s a little angry that it’s just….taken this long and that lemony and bea are so stupid

klaus is an angry crier. and an angry hugger. so that’s what he does.

like it’s hard to suddenly have a relationship with a family member whose never….been that to you before or made themselves available like that or just generally been there at all, and as much as I want them all having a good time, bea and lemony have some shit to work out with their kids

THEY HAVE A GOOD HUG, IS THE POINT

and I want to say that like they spend some time together after this and…….yeah they probs do it’s just gonna be weird re: the previous paragraph so…….maybe they just sit around and read and occasionally point things out to each other, that sounds chill and legit, doesn’t ask a lot of either of them

SO, that brings us to, later that night, when lemony can Officially Panic

kit: so

kit: you seem a little tense, brother mine.

lemony: I am NOT going to break up a marriage between two loving people who care about each other and happen to have incredibly pleasant facial features and are two people I myself still care about a great deal despite not having seen either of them for a lengthy amount of time

lemony: we’re only going to switch the children back, and I will talk to beatrice, about something, and I don’t have to say anything at all to bertrand, and that’s going to be it. that’s all. nothing beyond that.

kit: that would be a more powerful statement if you weren’t packing every single fancy tie you own.

lemony: really.

lemony: we’re not going to think any more into this.

lemony: that’s all we’re going to do.

lemony: which tie should I wear?

kit: well, definitely don’t pick one of the ones you’re strangling in a death grip.

(hey, where is jacques in this??????????? wish I knew)

(he’s probably regularly out of town, maybe he happens to call home and bernadette is the one to pick up the phone and she’s like “we’re going to see aunt beatrice, I think we’ll be back in a week or something?” and then immediately hangs up because dewey calls her for something, and jacques is left, miles and miles away, standing in a phone booth and wondering if, perhaps, he should maybe visit his siblings more often so they don’t go tearing off to california

jacques: kit what the hell is going on

kit: what, didn’t bernadette tell you?

lemony: ask him what tie I should wear

kit: we’re embarking on the adventure of a lifetime, jacques, it’s your own fault that you decided to go out of town this weekend, I really don’t know what to tell you

lemony: ask him what tie I should wear

kit: /sighs

kit: what tie should your brother wear

jacques: the one with the single blue stripe, it brings out his eyes, what are you two doing

kit: really, jacques, you need to pay more attention

kit: lemony, he says the one with the blue stripe

lemony: oh, good. tell him he’s a lifesaver.

kit: lemony says you’re a lifesaver, although I have yet to see real proof of this, however I will consider changing my mind if you happen to bring me a souvenir. please remember that I could use a new set of nice, engraved fountain pens. also our plane is leaving soon and we need to pack, so bye, loser

jacques: ………………….

jacques: what did I do to deserve this)

(jacques, in any universe, is eternally pained by his siblings)

this being a rehearsal dinner brings it very close to, you know, an actual wedding date, and the thing is, I have planned a completely different wedding-related fic, weddings are EXPENSIVE AND, YOU KNOW, TIME-CONSUMING, PLANNED IN ADVANCE, ALL THAT SHIT

but the whole reason there’s a wedding in the parent trap in general is because, if meredith and nick are just dating, there’s no commitment, marriage means COMMITMENT and A TIME CONSTRAINT and meredith wants his fucking money

so yeah bea and bertrand ARE engaged and planning to get married and plans have happened but the idea of this being so close to the rehearsal dinner makes me sad about all those ‘yeah i’m gonna have to cancel’ phone calls someone is gonna have to make, which is, well, pretty silly, but still, I Hate feeling uncomfortable esp when reading things like that (or even just, thinking of them in advance)

and that is why they are scouting hotels for the reception. (don’t ask me where the denouement is. I do not know.)

so bea + co get to the hotel first, and the only people who know lemony + co will be there are violet and ramona

ramona, hanging back to talk to violet while bea and bertrand and olivia (she has a good eye for decorating.) go ahead: do you know what you’re going to do?

violet: well, I thought maybe we would just

violet: all bump into each other?

violet: and go from there??

ramona thinks that’s an exceptionally courageous take on this and that, yep that girl sure is bea’s daughter

[yeah bea still has NO IDEA ANY OF THIS IS HAPPENING ramona is A+ at keeping secrets

meanwhile, sometime later-

olivia: you didn’t tell me?????

ramona: olivia, I love you dearly but you can’t keep a secret to save your life

[oh, yikes, re: legit asoue canon]

olivia: ……..okay, you have a point.]

it is at this moment that lemony + co arrive, and bertrand, who had backtracked for a moment because he realized he dropped a pen, immediately runs into dewey, who had stopped near the door to examine the hotel brochures and ambiance in more detail (you can take the boy out of the hotel but you can’t take the hotel out of the boy)

[based on penultimate peril, I always thought bertrand and dewey were very good friends and had bonded over absurd poetry, and, of course, based on kit burning the poetry book, are still in contact – there’s much less of a sense of forced distance between bertrand and dewey, because dewey’s just lemony’s brother-in-law and bertrand was friends with dewey first so they’re still good friends but like most adults they have a hard time committing to keeping in contact regularly especially with the distance and haven’t physically seen each other for some time]

so they bump into each other –

bertrand: dewey!!

bertrand: it’s been ages, what are you doing here, how are you!!!

[dewey denouement, much in the way that olivia caliban can’t keep a fucking secret, cannot fucking lie.]

dewey: oh, um

dewey: you know

dewey: hotel conference!!

dewey: kit wanted to travel!!!!

dewey: we’re traveling FOR a hotel conference!!!

dewey: WHAT DO YOU THINK OF THESE CURTAINS, BERTRAND

bertrand: ……..dewey, you’ve never been very good at lying.

dewey: no, no I really haven’t.

dewey: forgive me for everything, bertrand.

bertrand: you might have to be a little more specific.

beatrice: bertrand, have you – dewey??

dewey: oh no

beatrice, remembering dewey and kit are married, suddenly battling sheer terror the likes of which she has never experienced: how….how are you

dewey: I could be better. I could definitely be better.

beatrice: is kit here?

bertrand: I believe they’re here to look at the curtains.

dewey: we’re definitely here to look at curtains.

beatrice: ….they don’t have curtains in england

dewey, grasping at straws: not….like these….?

MEANWHILE back at the ranch, lemony backtracks outside because he dropped a pen, narrowly missing three adults awkwardly talking about curtains

olivia: beatrice, we’ll be late for the wine tasting if we don’t go soon.

beatrice: oh – well, dewey, it was….nice to see you

dewey: please, go enjoy your wine.

bertrand: /waves good-bye!!!!

klaus and bernadette, hiding behind a nearby ficus, because bernadette thinks fast and has her own specific idea about how this should go and it doesn’t involve her relatives meeting again because of her father talking about curtains: wow.

violet: /narrowly avoids getting swept up into the wine tasting, darts for the elevator to try and locate klaus + co

MEANWHILE back at the ranch, upstairs, in their hotel room

lemony: why did I think I could do this

lemony: how do I approach a couple here to scout locations for a wedding reception?

kit: ….you approach them

dewey: don’t talk about curtains, maybe.

lemony: i’m not – dewey, what do curtains have to do with this?

dewey: trust me, just don’t talk about them.

there is a knock at the door. lemony has seen death. this is it, for him.

anyway, it’s violet.

klaus: violet!

violet: klaus!

awkward sibling hug sincere sibling hug!!

violet: klaus, please take your glasses back.

klaus: oh, thank you. my spare pair just doesn’t feel the same as these.

lemony: violet!

now, seeing the two of them together, he can absolutely tell the difference between them. ain’t that just the way.

lemony hugs his daughter like she’s going to disappear right out of his arms and then hugs klaus for good measure and he has to try and ignore the true roller coaster of emotions that puts him through and then tries to look very stern.

lemony: i’m not disappointed in the two of you but I cannot believe you switched on your mother and me. that was very….

lemony is not good at being angry at his children, he has no real concept of it.

lemony: ….clever. it was very clever.

violet and klaus are very proud but find it in themselves to try and look a little chagrined. they don’t do it very well.

violet: father, you really need to talk to mother.

klaus: and bertrand.

lemony: both of you know about bertrand??

klaus: you and mother are very transparent about him.

MEANWHILE back at the ranch, at the wine tasting

ramona: what do you think?

beatrice and bertrand, equally lost in thought about the presence of dewey, the implied presence of kit, and the possibility of the presence of lemony: hm??

bertrand: oh, yes

beatrice: wine

beatrice: /downs entire glass

beatrice: /sets down glass

beatrice: not that one.

bertrand, who has been holding the same glass for the past twenty minutes and has no idea which wine that even was: definitely not.

MEANWHILE back. at. the. ranch.

lemony’s children have such boundless courage (I have hurt myself so many times while writing this fanfic with the occasional too-on-point line and this in particular wounds me these kids are so strong and so important and won’t take no for an answer compared to their parents and get the chance to get their parents to FIX THINGS and oh no i’m gonna cry) and have dragged him downstairs to the lobby, with the INTENTION of having him run into bea and bertrand

lemony: this is not going to work out –

violet: nonsense!

klaus: it’s going to work perfectly.

meanwhile, bea and bertrand leave the wine tasting

bertrand: ….did we come to a conclusion, about the wine?

beatrice: no, I don’t think so.

bertrand stops by the bathroom to wash his hands for something to do as he’s consumed with thoughts (not about wine), beatrice is in a daze as she goes through the lobby, violet notices her but sees she’s not with bertrand and decides she has to stall

violet, rushing over, purposely trying to block beatrice’s view with varying success: mother, how was the wine tasting?

beatrice: oh, it was –

did you remember violet gave klaus his glasses back?

beatrice: klaus, what happened to your –

and, well.

beatrice looks at her so hard and processes kit and dewey being here and then it fucking hits her like (forgive me. forgive me so hard.) a harpoon to the chest

beatrice: ….violet?

violet: yes.

beatrice: but – how –

klaus, appearing next to her: it’s a truly fascinating chain of events we’d like to tell you, but –

hey! beatrice is stunned and horrified! and grabs her daughter into a hug, knowing now that it’s her daughter and has been this whole time and!!!! she feels so awful with herself for not noticing but is also trying to not make a big deal out of it and startle violet by sobbing uncontrollably on her shoulder but beatrice is simultaneously devastated and filled with so much love and she’s for sure going to break apart now

beatrice: and klaus –

she’s hugging them both now, it’s very good.

beatrice, in tears: you two are lucky you’re so cute

violet: mother, there’s someone we’d very much like you to talk to.

beatrice knows somewhere in the back of her mind that it’s lemony but is also not even thinking of lemony because, her children

klaus: /tries to wave lemony over

lemony: /trying and failing to hide behind a ficus, have you seen a ficus, have you seen lemony

violet: /ALSO WAVING

beatrice can’t miss that for the world.

beatrice, while turning around: what are you two –

imagine, if you will, lemony snicket trying to hide behind a potted ficus that hits about mid-chest.

also imagine, if you will, two people who divorced over eleven years ago, still have too many feelings about each other, split up their children for their stupidity, have been trying to avoid the knowledge that both of them are there for the past hour, and are now confronted with the reality of their lives right in front of them

…….besides the ficus.

lemony, stepping out from behind the ficus: hello, bea.

this is a headcanon i’ve long held, since I first started writing asoue fanfic, but, bertrand and lemony say ‘bea’ differently, especially in canon, like particularly in canon, so it’s like less so here but lemony still says her name with so much love, and bertrand says it with love too but lemony has known beatrice for so so long and here they are after years apart and here he is saying her name again, and he never ever ever expected to say it like that again, he never even DREAMED of saying it to her again, but it’s real

beatrice: lemony snicket.

violet: as nice as this is for us –

klaus: – we’re going to allow you three the time you need to discuss assorted events.

at this moment (of course), bertrand reemerges.

bertrand: bea, I –

he sees violet and klaus rushing off, looking delighted, and bea and lemony standing there still trying to process words, and then there’s bertrand, frantically thinking ‘abort mission, ABORT MISSION’

because. the way they turn and look at him, in tandem, like they did all the time in high school, immediately makes bertrand feel like they’re there, back in high school, back at prom, here’s the two absolute loves of his life standing in front of him and bertrand is filled with delight but also fear because, here it is, they all have to deal with it now

(all of them are thinking that, the three of them, standing there, there is not a single trace of jealously but instead there is so much love and regret and it’s, heart-wrenching)

and here is where he loses all his Chill™.

bertrand: you know what, i’m gonna – go –

bertrand: /trips over a chair

lemony: oh –

beatrice: bertrand!

bertrand: totally fine, still alive, i’m – they have such a nice gift shop, you know, i’m – i’ll be there

bertrand: /high-tails it practically out of existence

beatrice and lemony: ….

lemony: he – he still has a very nice running form.

beatrice: yeah, I think so.

lemony: well, bea

lemony: or does everyone call you beatrice now?

beatrice: no, no, bea – bea is fine. bertrand still calls me bea.

[beatrice starts to laugh. “it’s – man, it’s funny, isn’t it?”

lemony smiles at her. “what is?”

“i’m going to marry your high school crush,” beatrice giggles, “who’s still – still in love with you.” she stops. “you know, that’s actually really not as funny as it sounded in my head,” she says, frowning.]

they have dinner!!! and talk. about. stuff. do violet and klaus recreate the night lemony and bea met or the wedding or something????? idk honestly. like at least they didn’t get married UPON MEETING I MEAN LIKE COME ON (although somehow that is very them, but, come on, this backstory is good and solid and I love characters that grow)

maybe they just pool their allowances and give their parents a banging night out (which is pretty much just. dinner.)

beatrice: I see that cut on your forehead healed up nice

lemony: yes, anna karenina left very little lasting damage –

both: – except to anna karenina.

they pause, and then just, fucking burst out laughing, this is a horrible old joke for them that they made up when they were in school because anna karenina was the biggest book either of them owned (neither of them were particularly interested in war and peace) but was somehow sort of light and if you dropped it it really didn’t do much damage, which they thought was funny re: the size of the book and the subject matter

beatrice throws it at lemony during the fight that ends with their divorce and it’s the first time it actually hurts something

lemony: so, how is bertrand

lemony: I don’t think i’ve seen him since – well, since before the twins were born.

beatrice: oh, he’s – he’s doing really, really well. he’s a librarian, and – we keep joking about how many more books klaus and I will be able to read. lemony, he’s got the magazine editions of hammett –

lemony: w h a t

lemony: does he even have the –

beatrice: yep. he has the unfinished story. i’ve seen it.

lemony: I knew I liked that man for a reason

THERE IS SUCH A WEIGHTY PAUSE.

lemony: that is, hammett, obviously. I mean, the continental op is one of the quintessential fictional detectives, and hammett’s novels –

beatrice: you did like him, didn’t you

beatrice: when we were in school, you looked at him the same way you looked at me.

lemony: oh, no

lemony: I looked at you with a rapt adoration and I looked at bertrand like he was a puzzle I couldn’t solve. I have that on good authority from my sister.

beatrice: oh, right, right.

lemony: ….but I did, didn’t I. I did like him very much.

lemony: I don’t think anyone disliked him.

beatrice: that wasn’t quite what I asked, lemony.

lemony: ….what do you want me to say, bea? that I saw him there, with you, and couldn’t even find it in me to be jealous because the sight of you two together made me so unbelievably happy that I forgot how to breathe? that I – that I wondered, for a moment, if, twelve years later, we could – if I –

lemony: ….i don’t believe this conversation is supposed to be about bertrand.

beatrice: …….no, I – I suppose not.

lemony: that day, when you asked me to leave –

beatrice: you mean when I shouted at you to leave.

lemony: I was trying to be kind.

beatrice: lemony, I for sure shouted at you.

lemony: no, bea, I – I thought things would be better if I left. if you didn’t have to put up with me, because you clearly didn’t want to. and I didn’t make it easy for you, back then. there were many things I overlooked about both of us, things I hid from both of us, things I should have talked about with you. and I didn’t.

beatrice: ….oh.

lemony: I thought that loving the person that I wanted you to be was enough for the person that I wanted to be. obviously, it wasn’t, because you asked me to leave and I left. I never even looked back.

beatrice: ….lemony, I don’t think anything would’ve been enough for either of us. I asked a lot of you, too. I didn’t want you to see anything bad about me, and you didn’t, but the longer we were like that, the more I just – the more I really hated you for it. you just saw what you wanted to. and, well, what I wanted you to. I think I kind of hated me, too.

beatrice: sometimes, I think, what would’ve happened if we’d stayed together and I don’t know if I like that either. not that it was – okay, what we did. because it wasn’t. and we might’ve changed or we might’ve fucked up even worse, I don’t know, and i’ll never know.

beatrice: but lemony, seeing her now, I regret every single second I haven’t spent with her because of it.

lemony: I know.

beatrice, who’s a little angry cause she hates when lemony says that to her and her temper gets away from her: do you?

lemony, who’s just regretting all his life choices and knows he fully deserves beatrice’s ire: ….i’ve missed so much of his life.

beatrice, voice breaking: ….yeah.

man, these are some really miserable parents.

beatrice: we should – I don’t know, you know, what we’re gonna do, with – us – but we should – they, they should see each other. we can’t do that to them again.

lemony: I agree.

beatrice: you know, we have some pretty clever kids. I would never – okay, maybe, but I don’t know – have had the balls to switch places with someone on the other side of the world.

lemony: we do, don’t we?

lemony: I know we didn’t do a great deal right, but, maybe we did, with them.

beatrice: ….yeah, maybe we did.

beatrice: not every day two people have kids like ours.

lemony: …….can I be honest with you, bea?

beatrice: …okay.

lemony: i’m glad they switched places. i’m – i’m glad I got to see you. and bertrand. and you.

beatrice: i’m glad you came, lemony.

[all these conversations starring two people steadfastly trying to avoid that they are still in love with each other but also trying to really acknowledging they have Real Problems, brought to you by one (1) woman struggling to get two characters to talk about their problems but also the idea of introducing a third person into their already rocky relationship, don’t mind me just casually dying over here, this was harder than I thought]

beatrice, feeling the weight of this conversation and knowing they done fucked up in the past but also desperately wishing she and lemony could go back to where they were before only better and just trying to figure out where they’re gonna go from here, girl’s doing her best here, and you know what, so am i: so, um

beatrice: fuck, marry, kill

beatrice: continental op, nick charles, sam spade.

lemony, going through incredibly similar emotions: ….

lemony: do you want me to give my virtue to one man and then marry another

beatrice: why do you always take this game so literally

beatrie: I am banging nick charles, but I am marrying the continental op for job stability, and I am killing sam spade where he stands

lemony: bea, no, you can’t just kill sam spade like that

lemony: how about, I take the continental op to dinner, I have a pleasant night with nick charles –

beatrice: I like that we’d both fuck william powell.

lemony: we’ve both seen william powell. no one wouldn’t.

lemony: but sam spade, though, I don’t think it’s so clear cut as all that –

they’ve really!! grown a lot!! they’re really trying to talk this out!!! a little, at least!!! be adults!!!! talk like they didn’t eleven years ago!!!!!! they’re so stupid and they’re trying so hard!!!! my kids………….

this is definitely not the only conversation they’re gonna have about this, like it’s Good that they’ve said this but there’s. a lot more they need to talk about and will probably talk about, just not right now

anyway, LATER –

the continuing saga of two people Not Talking and then Talking About Certain Things and then Inadvertently Talking About The Things They Didn’t Want To And Not Quite Realizing It

lemony: at the hotel

lemony: you, ah, said something about bertrand

beatrice: !!!!

beatrice: ooo, we are talking about him, hmm?

lemony: bea.

beatrice: fine, fine. yes, that he’s still in love with you.

lemony: is he really?

beatrice: I think he is.

beatrice: you still didn’t really answer me before, when I asked if you still felt the same about him.

lemony: ….does it matter, if you’re going to marry him?

beatrice: of course it matters! i’m not – i’m not marrying bertrand to, prove a point or anything, or – say I like him better than you, I – i’m marrying him because I, I love him, but I don’t – that’s not all there is to this.

beatrice: I mean, we didn’t get divorced because of bertrand, that was all on us, but – seeing both of you, sometimes I feel like – maybe – we – maybe we could’ve made it work. not if we had bertrand, but with him. now.

beatrice: and, and that’s a lot, to ask you – I know – it’s a lot to ask both of us, especially after everything, but – do you?

lemony: ….bea.

beatrice: lemony.

lemony: ….i feel that, in the interest of the past eleven years, we should perhaps talk to him before I make a concrete decision about that personal feeling.

beatrice: well, that’s – that’s a wise choice.

they are, quiet, for a while

it’s a lot to think about, you know?? there’s a lot to this

lemony: …….but I think I do.

beatrice: you think you do?

lemony: I think I do.

beatrice: I think I do, too.

there is a little more silence because they’re like ‘!!!!! well that’s SOMETHING REALLY BIG TO THINK ABOUT’ especially because they haven’t like totally committed back to a relationship with each other and there is!! still!!! so!! much!!!! but, they’re thinking about it now, and they’re, sort of floaty-happy because it’s like, wow, wow, this is a possibility, they can

maybe

push it, a little, and see what happens, maybe maybe

lemony: well, you should, you are marrying him.

beatrice: shhh, you are ruining the rhythm.

lemony: I think –

beatrice: you think?

lemony: it’s been known to happen.

beatrice: mmm, I don’t think so

[it’s hard to tell because there’s generally very little concept of outside action/feelings when getting down scenes this way but these few lines are supposed to be v cute and soft and just the tiniest bit flirty]

lemony: trust me, I have had many a thought.

beatrice: well, I think –

lemony: you think, now, do you

beatrice: I do indeed, lemony snicket.

[god. lemony wants to kiss her so fucking bad. beatrice wants to keep teasing him until he does kiss her. they’re very close. he just. smooths her hair behind her ear and takes a step back.]

lemony: I think we should talk to bertrand.

beatrice: yeah. we should. we should probably do that.

MEANWHILE.

I want bertrand to bond with these kids with all my heart so that’s what fucking happens while bea and lemony are dealing with their problems

they play a rousing game of scrabble. it’s usually a game I give the snicket siblings because of their vicious playing styles (which is just based on me and my brother playing scrabble) BUT I love scrabble a lot and I think it’s super cute if bertrand hangs out with violet and klaus and they play board games, it’s distressingly endearing to me, violet trying to sneak in names of inventors on the board and klaus being insistent on following the rules of the game and bertrand trying to come up with a sufficient compromise

bertrand: okay, so, last names are allowed, but only if you can also include the first initial, initialisms by themselves are not allowed, and foreign words and phrases are on a case-by-case basis, providing I can translate it and you’re not trying to put down something inappropriate.

klaus: what about scientific names?? can I put down binomial nomenclature

violet: hey how do you spell binomial

klaus: b-i-n-o-m-i-a-l

violet: oh, how neat.

violet: /puts it down on the scrabble board

klaus: ….

violet: :)

bertrand: it looks like you can put down binomial nomenclature.

bertrand: but yes, I will allow actual nomenclature, klaus.

klaus is deathly quiet for the next few turns until he manages to put down nomenclature. (which I think is achievable, with enough luck.)

klaus: actual. nomenclature.

violet: so that’s how it’s gonna be, huh

bertrand: okay, references to previous conversations are no longer allowed, let’s try this again

eventually they stop playing the damn game and come up with their own wildly specific set of rules for playing scrabble, and bea and lemony come back to a lot of paper and a lot of scrabble tiles and violet and klaus sitting on either side of bertrand on the couch, helping him write this rule list

and bea and lemony want to comment about how they’re not even playing scrabble, but watching bertrand interact with their kids and be so soft and patient with them is the most distressingly heartwarming thing they’ve seen in a long time

they both have the immediate thought of ‘holy fuck I wanna kiss that man,’ which is followed by ‘holy f u c k maybe a relationship between all of us could work’

lemony: bertrand.

bertrand: ?

lemony: could we talk?

there is no camping trip! instead we got NEARBY HOTEL SHENANIGANS and THREE PEOPLE ON A DATE AT A LOCAL FAIR, TRYING TO FEEL THINGS OUT

imagine your average carnival-fair sort of thing with Rides and Games and Absurd Amounts of Cotton Candy and That Super Salty But Still Real Good Popcorn

bertrand and lemony arrive first and bea specifically gets there late so bertrand and lemony can actually talk, because honestly this is the only time I can see in all this that these two would be able to talk to each other uninterrupted

and they all know they’re there for the weirdest date ever but bertrand still feels the need to clear the air

bertrand: lemony, I don’t want you to think that I was waiting your marriage out or anything, I didn’t even know you two weren’t together until last year, and I didn’t even intend to see bea, it just happened on accident –

lemony: bertrand, it’s fine.

lemony: beatrice and I aren’t married anymore, you don’t have to explain anything.

bertrand: ….sometimes I feel like i’ve wanted to explain everything to you, for the past fifteen years.

[bertrand ‘breaking my fucking heart again’ baudelaire…….]

bertrand: that’s – silly, isn’t it.

lemony: no. I don’t think so.

bertrand: I never got the chance to say it. well, actually I don’t think I ever let myself say it, because I had plenty of chances! especially at prom, I could’ve changed everything! but you and bea were so – I wanted you two more than anything else in the whole entire world, but I didn’t want to hurt you two or what we had. I think I did, though.

bertrand: and, and I really shouldn’t blame myself or anyone for these stupid mistakes that happened when we were just kids, because we were just kids!

bertrand: I mean, we’re right here, right now, and i’m – i’m really looking forward to this, lemony.

[lemony, much like me, is momentarily dazzled by how fucking genuine bertrand is]

lemony: so am I.

lemony: ….i kept those candygrams you sent me when we were all in high school because they were remarkably sweet and I treasure them dearly

bertrand: !!

lemony is so nervous and I love him and you know when you get nervous and you just sort of spill weird secrets to people, especially when it’s the person you like???? that’s that

they look at each other for a moment and then start laughing and it’s the kind that starts kind of soft and then they’re just rampantly giggling and being dorks and I love them both so damn much okay

and because they haven’t regularly seen each other in you know fifteen years they spend some time. talking about their lives. there’s a lot of things they don’t know about each other!

lemony and bertrand like make a vague show of trying to win bea some prize and they suck and they stand to the side and talk while bea wins herself a prize and she runs back over to them and just looks so proud of herself, winning this…….thing (it’s very much “i don’t know if it’s a duck or a panda, but I want one.”)

lemony: is it a…….hmmm

bertrand: ….those are cat ears, right

beatrice: what, no, they’re wolf ears

lemony: it has webbed feet, though

bertrand: it’s a platypus! oh, no, not with all those feathers.

lemony: it could easily be a duck, I suppose

beatrice: BUT THE EARS

bertrand: a penguin!

lemony: a grackle

bertrand: a goose!

beatrice: THE E A R S

lemony and bertrand share an obnoxious amount of cotton candy, and honestly it’s the date they all should’ve had in high school, a date that would’ve changed everything, and man, they’re having so much fun and maybe they could do this, lemony has never been so happy and bertrand is just this ball of delight and, it’s really beautiful, and beatrice is for sure thinking that and she’s having such a good time and she’s so happy

but then

she thinks, what if it DIDN’T change everything, what if they all got together in high school and tried to make it work and really fucked each other over, would they have been able to do it?? what really would’ve happened??? and they’re adults now, they’re better people but they have so much more to think about, there is so much more at stake now and beatrice is fucking terrified about what could happen, all of a sudden

and she’s been terrified for years about all the terrible things that could happen to klaus or her or ramona and olivia and even their stupid cat and she’s still trying to hide it so well and she does, she’s happy and creates such a good life for her son but she is so scared and she can’t keep running from it anymore by being impulsive or silly or shouting all the time, she has to face the reality of the situation that she really has to think this one through, what all three of them are going to do about this

she and lemony still have so many problems, and they both know that, they all know that!!! they aren’t going to solve them right away!!! and with bertrand there, maybe it’ll be harder!! maybe it won’t be easier!!! not that bertrand immediately makes things easier, in any universe!!! but especially here!!! you know!!! what if they don’t talk about anything because he’s there??? what if they avoid talking about everything so much in trying to be happy that they irreparably fuck them all over??? it’s been so long since all three of them were together, what if they can’t do this!! what if their kids don’t like them together, what if none of them can get along??? suddenly there are a lot more variables to this, and seeing it happen, bea is struck by everything they’re going to have to fix and all the ways it could go wrong and it’s not good

beatrice: …..what are we doing?

beatrice: and – and what if it doesn’t work out, this time?? what if we all try this and we can’t do it??

bertrand: do you think that little of yourself?

beatrice: no.

beatrice: i’m thinking about, what if I break my kid’s hearts, even worse than I already have? I can’t do that, not to them.

and, they get it. they love each other so much but this story isn’t about just the three of them anymore.

bertrand and bea decide not to get married. and even though they all know they still love each other, lemony and bea have violet and klaus to think of, so they all decide it would be for the best to go their separate ways.

violet and klaus are not happy, by any means. they are not happy to pack up all their stuff and know that nothing is going to work out, and it hurts, a lot, man

klaus, picking up his books: I really respect our parents and their chosen additional life partner but don’t you think they can be a little…..

violet, jamming her toolkit into a suitcase: stupid?

klaus: I was going to say stubborn

klaus: but stupid works too.

so they all say good-bye :( lemony, violet, kit and dewey and bernadette go home. (bernadette’s real upset no one got back together. she hides it well but she just sort of crams herself into her seat on the plane on the trip home and is just super bummed. I love this lil kid.) (I fondly remember when this outline was nowhere near over 20k and was just a short little thing and bernadette’s scenes just monopolized it….)

the thing I love about bea raising klaus is that, and I also feel this for canon too, klaus gets so so much of bea’s anger and short temper

like violet is a lot more calmer in the take no shit category but klaus will, like his mother, flip a table

klaus: mother, that was the most foolish thing you’ve ever done and you know it

beatrice: !

beatrice: don’t you – don’t you use that tone with me, klaus

beatrice: I am your mother

klaus: and you’re just going to let my father and my sister walk away from us???

beatrice: I – it’s more complicated than that!

klaus: how??

beatrice: klaus, would you want me to risk this, everything we have, on the off chance that your father and I could maybe sort out our differences?

klaus: you didn’t seem to have that many differences!

beatrice: there’s a lot of things you don’t know, klaus!

klaus: then tell me! you’re the one who’s always telling me I can do anything, and I just think it seems pretty rich of you to decide that that doesn’t apply to you, or that I don’t get to know everything about the people who are supposed to be my family!

klaus has a point, here, and beatrice realizes that, so she decides IN THAT INSTANT that, okay. fine. it’s time to do something about this and she can do something about this.

SO SHE GOES TO BERTRAND

bertrand: bea, what –

beatrice: I can’t – look, I can’t do this to my kids either, okay, I can’t keep them apart anymore, what – why did I think that was such a good idea in the first place??? so I wouldn’t see lemony?? so I wouldn’t work things out between us, because we were fucking kids when we were together and, and I sacrificed my relationship with my daughter because I was so petty and selfish, and i’m doing it again, bertrand!! i’m letting myself do it again after everything we all talked about because i’m so fucking scared but I – I can’t do this to myself, you know? I want – I want things to work out this time. with all of us. I want to make it work and i’m going to make it work and i’m going to go get my daughter and lemony, and I want you to come with us, if you want to come with us.

klaus, leaning out of the car window and shouting at beatrice and bertrand, who are standing on the steps of bertrand’s place: if I may interject, the plane we intend to catch does leave in half an hour, so you two should maybe hurry up a little

klaus: not to ruin your moment or anything!

bertrand, desperately: I want things to work out, bea, I do. but what if you were right and we can’t –

beatrice: i’m right about a lot of things, bertrand baudelaire, and i’m right about this.

bertrand, nodding and trying not to smile too much: ….okay. okay.

MEANWHILE

violet: ….are you mad at me?

lemony: what – violet, I could never be mad at you.

violet: but I – I went behind your back, and I tricked both of you, and I wasn’t even thinking about what you wanted, it – it was just what I wanted, and that wasn’t okay, I shouldn’t have interfered with you and mother at all, I feel so awful –

lemony: none of what happened was your fault, violet. not at all. it was mine. i’m sorry that I kept so much from you. it was incredibly unfair to you, and to klaus. I should have told you a long time ago.

violet: I never got to ask before, but why did you and mother get divorced?

lemony: ….we were very young, and very impulsive. and, also, incredibly scared. that’s not a good combination when you’re trying to make a life with someone.

violet: you two seemed to get along a little better, now.

lemony: well, eleven years is a lot of time. you get older, and you realize the mistakes you made in your youth could’ve been dealt with a lot more easily than you previously thought. you realize you were….

violet: stubborn?

lemony: stupid.

violet: what made it not work out, this time?

lemony: you also realize there are more important things to think about than yourself and what you want.

violet: !

violet: father, I didn’t want you to –

lemony: it wasn’t your call to make, violet.

violet: but it was yours about whether or not I get to see my brother? you were only thinking about what you wanted, too!

lemony: ….

violet: ….that was rude of me, i’m sorry.

lemony: no – don’t apologize, violet. please.

violet, still very angry but also just sad and concerned about how lemony has, in the intervening time between these two conversations, said very little: I thought bertrand was nice.

lemony: bertrand – bertrand is very nice.

so they get back home.

lemony: what would you like for dinner?

violet: I don’t think i’m all that hungry, father.

lemony: no, neither am I.

and lemony just sort of, wanders into the library with his hands in his pockets, because he’s somehow more miserable than he’s been in quite some time, and he’s expecting to just sit around and stare at his typewriter and not get anything done for the rest of the night or really for the foreseeable future, and the library is filled with so many books and so much stuff but it feels so empty to him now, and lemony himself feels empty and horrible about everything and he just stares at the floor without really seeing anything at all

AND THEN

klaus, sitting in one of the library chairs: father, did you know that the concorde gets you here in half the time?

[I just kept the line. I thought long and hard and could not for the life of me think of any other jazzy lil line.] [although yes sadly the concorde no longer exists]

[hey, if lemony and violet are here, and kit and dewey and bernadette were with them on the plane, who’s driving the bus who let bea and bertrand in the house???? cause in the movie it’s gotta be the grandfather

jacques, who had stopped at lemony’s house hoping that he could catch them before the flight but obviously not catching them, who stayed to water the plants: /exiting the house

beatrice, careening out of a taxi: JACQUES HOLD THE DOOR

jacques: !!!! beatrice?? what are you –

bertrand: we’ll have to tell you later, there’s no time!

jacques: bertrand????

klaus really only has time to wave.

all three of them: /BOLT PAST JACQUES INTO THE HOUSE AND SLAM THE DOOR SHUT, leaving jacques out there in the street

jacques: ……….]

anyway

lemony, STUNNED: klaus?

violet, dashing into the room because she heard her brother: klaus!

klaus: ideally we would’ve figured this out before you left, but when you did, we were not completely happy about it.

lemony, still trying to collect himself: you –

and there’s bea and bertrand, standing there, real as anything! really there!! in his library!!

and lemony walks towards them, because this isn’t a matter of, chasing anyone, it’s all of them coming together like this

beatrice: this is gonna work. the three of us, this is gonna work.

beatrice: what do you think?

and the thing. about lemony. is that what he wants more than anything else in this whole fucking world. is a family. particularly in canon, being separated from (reasonably dead) parents and growing apart from his siblings and losing those connections to people, he so desperately wants something that’s his and his own and that he can keep stable by himself

and I think he still feels that way even in whatever fucking world of an au this is, and of course he wants to be with bea and bertrand and to have klaus and violet because he loves them but he is also massively craving that stability of having his own family and like really having it this time, not fucking it up because he’s young and stupid and just as impulsive as bea

THE POINT IS THIS IS A LOT FOR HIM, OKAY, THIS MEANS SO MUCH, to get this!! second chance at all the things he totally fucked up before, PLUS the loves of his life!!!!

and like!!! there’s bertrand. there’s bertrand!!! standing there and reaching out to take lemony’s hand and lemony takes bea’s and bea takes bertrand’s other one and. the road they had to take to get here wasn’t. the best. all the time. they all made mistakes. some. worse than others. and this isn’t the end, right here, there’s still gonna be things they have to work out. and it’s gonna be okay because there’s beatrice and bertrand and lemony. they’re in the same room and no one’s scared.

lemony: yes.

beatrice: yes???

bertrand: yes?

lemony: yes.

there’s a lot of good hugging, people are kissed, comments are made about chapstick flavors, lots of laughter, violet and klaus are tearing up and thrilled beyond belief, everything is beautiful!!!!!

klaus: I can’t believe –

violet: – we actually did it!

and, of course, beatrice was right. about everything.

the following amount of time is filled with –

-lots of arguments.

-mostly between bea and lemony.

-although bertrand has his fair share of arguments with both of them.

-violet and klaus don’t speak to each other for two weeks under the pretense of disagreeing about a book’s theme but really because they’re not sure how to act around each other now that they’re both there, they’ve lived their whole lives as only children and this is what they wanted but it’s also something they didn’t think about having to adjust to

-there’s also this immediate reluctance to listen to anything bea and lemony tell them because they have to get used to parents now, too

-parents who aren’t currently super functioning as parents

-there’s a lot of second-guessing people’s intentions

-why did you say that?? the hell does that eyebrow mean???? you picked that song for a REASON and fuck you for that!!!! you don’t trust me to drive, do you???? I KNOW HOW TO MAKE A SANDWICH FOR MY CHILD THANK YOU VERY MUCH

-that sort of thing.

-in varying shades of seriousness.

-i know it sounds mostly like just bea screaming there but trust me the sentiment is shared by all of them in various ways and actions

-they don’t do it in front of violet and klaus though

-NO ONE KNOWS WHERE THEY’RE SUPPOSED TO LIVE NOW, do they stay in england or all go to california??? do they go somewhere else???????? what even (I don’t even know)

-(they probably do stay in england though. that’s what I was picturing while writing this.)

-violet and klaus do adjust to no longer being only children and realizing they have someone their age to rely on now who understands them

-they make blanket forts where violet designs these stands that will hold books up and periodically turn the page so they can lay on their backs and read and not worry about moving

-klaus reads up on inventors so he and violet can talk about them

-they argue with bea and lemony a little about weird things because violet and klaus are trying to figure out where they are with their parents now and how they’re supposed to act and bea and lemony are trying to figure out how to coordinate parenting while wanting to kill each other

-they institute family game night and try to best each other in cards or scrabble because they can handle that

-bertrand, of course, is in a very awkward position at this time

-like he’s around but he can’t take sides because that’s Weird and he’s not that kind of person anyway, and he wants to be there but he doesn’t quite know as what

-like, he was gonna marry bea!! and now he’s not. and he loves lemony!!! but he can’t do anything about it because bea and lemony have problems to work out!!! and bertrand loves both of them!! and they love him!!! they know they do!! he knows they do!!!!! but everything is very uncomfortable!!!

-like, bertrand needs to be on equal footing in this relationship too!

-he hangs out with dewey a lot and they become Poetry Buds again

-he participates in family game night

-bea and lemony are worried that bertrand is only going to see himself as like a peacemaker between them when he isn’t because he never has been and realizing that bertrand is a huge official permanent part of their lives now is a big thing for them

-hi, my name’s lulu and writing the navigation of relationships is hard!!!! it’s so fucking hard

-the three of them watch movies wednesday nights – bertrand picks the movies and he picks these really sweet romantic ones (cause that’s just the kind of movies he likes!!!) and it’s unbearably great

-they mean to watch the thin man movies (the ones with nick charles aka william powell aka the guy lemony and bea would both fuck if they had had the opportunity) over a series of weeks but wind up marathoning all six of them one night (and it takes all night)

-none of them can function the next day

-bertrand: I get it. i’d do it with nick charles, too.

-beatrice sings herself hoarse during a play rehearsal and can’t talk for a week

-she can’t sleep one night and lemony finds her in the kitchen and makes them both tea and they salute each other with the mugs

-bertrand takes up writing limericks and leaves them around the house and lemony finds one in the shower and slips from laughing so hard

-bertrand, in the hospital: I could’ve killed you with poetry

lemony: I mean, all things considered, it’s not the worst way to go. it’s better than next to a pile of books I was meaning to read, which I always thought to be much more likely. slipping in the shower because of a charming limerick about shoes? it’s not all that bad.

bertrand: I don’t know whether to take the compliment or be worried about how you’ve considered how you’re likely to die. please don’t die.

-beatrice shows up at the hospital and throws the stuffed animal from carnival night at lemony

lemony: oh, you didn’t have to give me your….ah….

bertrand: ….moose? have we guessed moose?

beatrice: the ears……….

-things get, better

-they take turns picking up the kids from school

-some kid: gee violet how come your mom lets you have two dads

violet: just lucky, I guess

-lemony helps beatrice rehearse her lines and they straight-up make out for an hour instead

-lemony and bertrand make dessert once a week and routinely end up covered in flour

-there is a household debate on ‘what species is the stuffed animal’ and ‘what are we going to name it,’ moderated by kit

-violet puts on a one-woman play that she and klaus wrote about hedy lamarr for her school’s talent show and receives a standing ovation

-lemony and bea and bertrand are in the front row and beatrice is full-on sobbing during the standing ovation

-they get bertrand a new record player for his birthday and all three of them dance to his records the whole night

-yes they ARE all falling in love with each other all over again it is very important to me that they’re all on the same page when they do that

-violet and klaus make bertrand a ‘best additional parent’ mug because they don’t quite know what to call him (they haven’t figured it out yet), like violet makes him a fucking mug in her glassblowing class (you ever seen someone glassblow a mug??? it’s great.) and klaus does this beautiful calligraphy label for it

-bertrand cries immediately, for the next hour of his life, and just carries it around because he doesn’t know where to put it

-beatrice: aww, that was so sweet of you two, to make – does that say ‘additional parent’

lemony: I believe it says ‘additional parent.’

violet: we did also consider ‘greatest poet’ but that had less of the feeling we wanted.

klaus: we do realize that ‘best’ is truly an unquantifiable concept, because there’s no one out there ranking parents, but we thought it was the most fitting.

it’s after that that they all decide to get married.

later on, sunny is born!! and she’s very upset she missed out on all these shenanigans.

[jacques comes back to find so many people in his brother’s house.

kit: well jacques, you really should be home more

lemony: yes, find a nice person

lemony: …...or two

kit: settle down, stop looking so surprised.

lemony: kit your daughter just leapt off the bookshelf and tackled my husband

kit: and am I surprised? no.]

[also jacques does not buy his sister a nice new set of engraved fountain pens.

kit: so did you get me a souvenir or not, jacques

jacques: souvenir? I thought you said

kit: JACQUES WE ARE ADULTS DON’T YOU DARE BEETHOVEN ME

jacques: edward lear

jacques: here’s this book of delightful nonsense poetry.

kit: how could you]

[while bea is pregnant with sunny –

bertrand: what about sunny?

lemony: bertrand baudelaire.

lemony: you come into my house.

lemony: you marry my wife.

beatrice, across the room: I married both of you???

lemony: and you have the audacity.

lemony: to suggest we name our daughter after our high school drama teacher.

bertrand: okay but your reaction isn’t necessarily a no]

[elyvorg]

Still a Hero - author’s commentary (part ADHD)

Yep, it’s that fic of mine again, the one I still haven’t stopped thinking about even though I published it like half a year ago now. I’m finally getting around to doing a little bit more author’s commentary on it that I didn’t do back then, because these bits involve the idea that Kaito has ADHD, and at the time I hadn’t yet made my post explaining all the reasons why I’m sure of that and all the symptoms of ADHD that Kaito is definitely affected by. For the purposes of this post here, I’m going to assume you’ve read that. Heck, even if you’re not interested in my fic, if you enjoy my analyses of Kaito, please go read that post if you haven’t already! It’d mean a lot to me.

My headcanon of ADHD-Kaito in DRV3 itself may or may not have been something the writers actually meant to drop a million hints towards and therefore may or may not be the official canon “truth” about him. But, since I’m the writer of Kaito in this particular fic, and I did have it consciously in mind that he’s ADHD while writing it, Kaito being (unknowingly) ADHD is officially canon in the Still a Hero universe, because I say so.

(And yeah, I doubt anyone even noticed this. Imagining that he’s ADHD doesn’t change anything about who Kaito is; it only adds an extra interesting layer to why he is this way. All I did was use that to help inform the ways I wrote him reacting to some of the things he went through in the fic.)

Chapter 2 – emotional dysregulation

The second and significantly worse half of Kaito’s self-torturing session, once he snaps and gets uncontrollably, painfully angry, was something I deliberately wrote as being some very nasty emotional dysregulation.

For the first half of this ordeal, when he’s thinking about breaking out on behalf of the kids to prove it’s possible after all, Kaito’s still basically in control of himself. He’s being stubborn and short-sighted and self-destructive and definitely making the wrong choice, but it’s still him making a choice and consciously deciding of his own volition that this is a good idea, that this pain will be worth the end result that he can totally reach.

This stops being the case after long enough, though – and it’s no coincidence that it happens right when it begins to sink in for Kaito on a deep, visceral level just how horribly helpless he is.

At that point, Kaito pretty much just snaps and loses control entirely, getting overwhelmed by a disproportionately-amplified rage that’s really just a defence mechanism for those other feelings that he simply can’t cope with. He drops any sense of the vaguely-rational mindset he had at the beginning that this is going to take a while and only gradually chip away at the frame’s integrity each time, and devolves into a completely irrational THIS NEXT SINGLE HIT WILL DEFINITELY BREAK IT. Which, of course, is incredibly counterproductive in that it only serves to make him feel even more weak and helpless furious when it repeatedly doesn’t.

Thankfully I don’t get the fly-into-a-rage kind of ADHD emotional dysregulation that often – but this also means that I can look at the very specific edge cases that do happen to trigger it for me and figure out that the root cause is almost certainly a completely immovable sense of helplessness. I’m not saying this is necessarily the case for every ADHDer who suffers from anger issues, but man does that make for some delightfully convenient personal experience for me to have drawn on when writing this particular scene.

I can also confirm from this experience that what sucks way more than the actual initial problem that the anger is triggered by (which doesn’t even have to be that big of a deal! ADHD loves to amplify stupid tiny things!) is the anger itself once it takes hold, how completely all-encompassing and uncontrollable it is. Nobody should ever want to feel that way. It’s different when you have a cause to be righteously angry about, like Kaito did at the beginning of this scene, but what I’m talking about doesn’t feel anything like that – it just feels ugly and painful and wrong.

Mind you, when this anger first takes control of him, Kaito does also choose to indulge in it rather than fight it, because he’s still stubbornly insisting to himself that any kind of pain is better than giving up. (Meanwhile, in other situations where Kaito’s gripped by this kind of too-strong anger, such as when he might end up hurting someone he cares about (oh hi trial 4), he’d probably be trying to fight it to some extent… but even when he does that, it doesn’t seem like it’s very successful.)

But even then, there’s some small, smothered, barely-acknowledged part of Kaito that really doesn’t want this at all. That part of him begins to feel more trapped by his own anger than by the contraption itself, hating the way he refuses to let up on hurting himself both physically and emotionally and really wishing he could control himself and just stop.

The problem is that the only real way to try and quell this kind of anger is to confront the true (and equally-amplified) painful emotions that the anger is just a cover for. Which in this case would, in theory, result in Kaito breaking down in a huge crying fit over how utterly trapped and helpless he feels. Yeah, no way he's doing that at this point in his arc, so furious self-destruction it is!

Chapter 4 – uncontrollable thoughts

Multiple times throughout the fic, but especially in chapter 4 when he’s attempting to sleep, Kaito tries to just think about nothing at all. He never truly manages it, because ADHD minds cannot ever think about nothing.

(…You know, even as I say that, there’s still a part of my brain going “but isn’t it actually because it’s not possible for anyone to think about nothing?”, despite that I’ve heard that actually that’s a perfectly reasonable thing for neurotypical people to be able to do. Sounds fake, but okay. My brain has never shut up even once in my life.)

The other problem here is the ADHD inability to properly control what we’re focusing on and thinking about. I’ve found that this gets even worse when I’m tired, dulling what little control I ever had in the first place. Instead of thinking about nothing, I just end up thinking about whatever random crap happens to be in the path of least resistance for my train of thought. This can be… not great when it comes to avoiding bad thoughts that it’s easy to spiral into focusing on when left unchecked.

I had this idea in mind a lot for this chapter as Kaito attempts to sleep. Usually, he’d be firmly trying to think about anything but what’s happening to him right now and how he’s feeling about it. When he’s this horribly exhausted, though, he has so much less control over that. So he keeps getting unwillingly bombarded by thoughts about the most immediate physical sensations he’s feeling – hungry, thirsty, hurting – and how much he wishes they’d just go away, even though that’s the last thing he wants to think about.

The whole “someone who thinks he’s strong” thing was meant to be this kind of idea, too. When Takehira says that to him at the beginning, it lodges somewhere deep in Kaito’s mind, because he subconsciously already feels like it’s the truth about him and is terrified of what it’d mean if it was. So naturally, on the surface, he stubbornly files it away as Not Worth Wasting Time Thinking About. But then it keeps popping into his head anyway, usually in moments where his mental defences are weakened, because an ADHD brain does not care what its owner doesn’t want to be thinking about and will nudge their train of thought down those paths whether they like it or not.

(Okay, so maybe all of this isn’t quite so specifically being caused by Kaito having ADHD. Probably anyone who’d been through what Kaito had would have lost a lot of their ability to control what they’re focusing on and thinking about by this point. …Unless the neurotypical equivalent here really would be to just naturally stop thinking about anything out of exhaustion, despite not being able to actually sleep? I wouldn’t know. But my point is that I had ADHD-related ideas in my mind to help me write this, either way.)

Chapter 6 – rejection sensitivity dysphoria

Kaito’s huge sobbing fit over believing he’s failing Shuichi and Maki was something I had very consciously in mind as the absolute worst kind of RSD-fuelled breakdown imaginable.

It might have seemed a bit excessive of me to have Kaito’s emotional pain completely eclipse the actual physical torture for so long – and he was sobbing uncontrollably for something like half an hour, maybe more, before it wore itself out – but, no, can confirm, RSD really is just that fucking awful. Imagine the already-very-legitimate pain of being convinced that his best friends are going to die because of him, but disproportionately multiplied by like a thousand. Next to that, the excruciating torture-poison is nothing.

(Well, maybe this would have made sense anyway, because the fact that the thought of getting his friends killed hurts even more than the torture is precisely why Kaito was obviously never going to break! But that wasn’t actually the main thing on my mind when I wrote it that way; I just realised that it fit that after the fact.)

I also drew off my own experiences of some of my worst RSD episodes (which were still not nearly as bad as what Kaito went through here, and which thankfully I haven’t had that many of) to help me write Kaito’s physical reactions to this kind of emotional agony. I hope I did a good job of getting across what it physically feels like to be crying that horrendously, uncontrollably hard – not just quiet sobbing, but straight-up loud, ugly, inconsolable bawling. In a way, writing it felt almost like yet another kind of torture I was putting him through.

[ckret2]

idk if someone actually finally sent this ask but i'mma do it since it seems people are dancing around it: if you're comfortable with it, may we have some radiosnake sexual headcanons (wherein alastor is not sexually repulsed or is demisexual/grey-ace ofc)?? love, a very happy demisexual who just finished a cold day in hell literally two minutes ago

You win the prize for "actually has the courage to directly ask for sexual headcanons" because no, nobody else has asked yet. Sorry for taking so long to answer it but like... the answer is over 2000 words. Have fun.

Now, anon, I've got something important you should know.

When I brainstorm radiosnake stuff, there's a little chatroom I do it in. What happens is, a lot of times, I'll come up with a scene or a scenario or a plot arc, and I'll describe it to that chat. And then, every once in a while, I'll say, "... and then here's how that same thing goes over in the parallel universe where Alastor Fucks." I have. A looot of little ideas set in the parallel universe where Alastor Fucks.

(He's still somewhere on the ace spectrum in all those ideas—either he's demi or else he's sex-neutral/sex-positive ace, depending on the idea—but he does Fuck.)

However, 1) a majority of these ideas are very clearly set specifically in CDIH's verse, and so I don't wanna share them as broad "radiosnake headcanons" when they're tied to one specific fanfic; and 2) a lot of them are angsty, and if you're asking for general headcanons then I'm assuming what you probably want is them actually having a good time rather than several decades of self-induced suffering over unrequited desire. So if you want CDIH-specific stuff and/or angsty stuff (or, more likely, CDIH-specific angsty stuff), hit me up again and I'll share some more stuff. For now, I'll talk about more general non-angsty headcanons.

Okay so most of this answer is geared toward Alastor's perspective since it's like, it's the more interesting one to me in this context, he's the one gradually figuring stuff out while Sir Pent's hanging out being allo with over a century of having his sexuality sorted out.

So that you know what kinda headcanons I'm rolling with here: there's, like, several ways I can conceptualize Alastor's orientation in my head, and they're sorta ranked by how "true" they are to me. Not "true" as in "how canon I think they are," but "true" as in, like, what Feels the Most Right to me.

The #1 Most True version of Alastor in my head is 100% ace/aro. He's not "repulsed" by sex (or romance, for that matter) in the sense of "disgusted/horrified/never ever wants to hear about it," but he, like, has absolutely zero interest in DOING it. He's not repulsed by the subject but he is by most touch, including the kind of touching necessary for sex. Might have some, like, academic curiosity about sex & romance, might enjoy it in a fictional context simply for the drama it adds to a story, but has no desire to be a participant. He can listen to a friend talk about their sexual escapades in graphic detail for an hour without an ounce of discomfort but if they offer him a quick peck on the lips he goes "I'm out." He might have sex Once just to see what it's like/just to say he has and that’s where his curiosity ends.

So that's my mental Most True Version Of Alastor.

The SECOND most true version of Alastor is like, the exact same as that, except he's just barely demiromantic enough that he might, once, fall in love. The odds of him falling in love are the same as someone's odds of winning the lottery. This is the version of Alastor I use in CDIH and other radiosnake fics, where Sir Pentious happens to have been lucky enough to win the lottery, but also, it took fifteen years before it happened. Alastor's feelings about touch & sex are the same, EXCEPT that whoever he loves is excluded from the Touch Is Unpleasant rule, which opens up a few more possibilities.

And I've got more mental versions of Alastor but that's as far as we need to go to be relevant to this post.

So given the above: Alastor's natural internal pool of Enjoyable Physical Activities that he would be autonomously inclined to want to try with Sir Pentious is broader than "nothing at all" but stops short of actual sex. More like sensual activities.

The not-necessarily-sexual sensual things that are obviously & immediately available on Alastor’s Selectable Menu Of Romantic Physical Activities are gonna be things like:

--Cuddles! We're starting as vanilla as possible, folks. Cuddling and sleeping in bed together. 95% naked cuddles are acceptable, although Alastor is inclined to keep his underpants on. Moving to "underpants" from "underpants AND undershirt" is a Notable Intimacy Milestone for him because like Back In His Day undershirts were part of the required underwear, so to him that's taking off 50% of his underwear. It's like switching from loose boxers to a thong. On the other hand Sir Pent is just, totally nude, because look at him he already isn't wearing any pants, he's got nothing to hide.

--Massage! Neither one of them is any sort of professional but tbh on a scale of 1 to 10 a massage can be as bad as a 3 and still be enjoyable y'know? Alastor tends to offer if he notices Sir Pent is sore and/or if Alastor has decided he's gonna be in Extreme Over-The-Top Performatively* Romantic Mode tonight. He always sort of forgets that the option of being massaged exists until Sir Pent offers it in return, because, like, he thinks of himself as a floating radio voice with an inconvenient meat puppet attached, sometimes he forgets that the meat puppet can be pampered too. And then he sits there in a blissed-out daze while Sir Pent goes holy crap your shoulders are like oak, how have you not snapped your own spine with tension yet.

(*Note here when I say Alastor can get "performatively" romantic I don't mean "going through the motions but isn't feeling the love"; I mean that, like, basically NO romantic gestures come naturally to him because he just isn't feeling the gestures even though he's definitely feeling the love. He's sort of figuring out How To Perform Romance As An Action by drawing on how he's seen it done in books/movies/etc. and picking & choosing the things that seem most fun to him to do. So in a sense he is performing a role that he's conscious of when he interacts with Sir Pent romantically, but that's because "performing a role" is how Mr. Perpetual Radio Host approaches all of life—and he's only performing this one because he genuinely wants to and because he's enjoying it.)

--Body worship! Alastor is really deeply squicked out by touching someone's skin/hair/fur but on the other hand (and maybe specifically because it avoids the squick) he is really deeply fascinated by Sir Pentious's scales, which feel Not At All Like Mammal Skin. He also still does the "??? oh right, I have a body too" thing when Sir Pent returns the attention—but Alastor's like, okay, I’m obviously more familiar with my own body than Sir Pent is, I don’t find my body that interesting but it must still be interesting to Sir Pent.

--Showering together! Sir Pent has figured out that if he starts singing in the shower there is a 99% chance that Alastor will trip over his own pants trying to simultaneously strip down and run to the bathroom so that he can join in on SHOWER DUET TIME. Frankly it's a lot safer to just go "hey I'm about to take a shower, wanna join?" but sometimes he doesn't just to see how fast Alastor shows up.

--Kissing! Making out is completely and always an option. Three of Alastor's most defining character traits are being a radio host (which kind of reduces a person to their voice), his perpetual smile, and his cannibalism. Like 80% of this dude's existence revolves around his mouth. He's absolutely got some kind of oral fixation. He gets into making out—as long as it's with the right person. There is exactly one right person. Sir Pent is okay with this.

Other enjoyable mouth activities:

- Kissing places other than the mouth

- Being kissed in places other than the mouth

- Biting

- Being bitten

And there's the overall list of non-sexual sensual activities that Alastor is into!

... And then eventually at some point Sir Pent is like "no pressure but hhhhypothetically sssspeaking are there possibly any sexual activities you might be interested in trying out" and Alastor is like "What? Oh! Right! Actually forgot sex existed for a bit. Yeah sure fine let’s try it." And that's the point at which they start experimenting with activities beyond Alastor's default activities!

Despite just about everything else with mouths being good, things Alastor is NOT into:

- Blowjobs

They did try. It seemed like a logical starting point. Alastor was like "I've liked putting my mouth everywhere else on this snake, it stands to reason I'll like putting it there too!" He got himself psyched up. He faced down The Dicks. He went, hmm. He stuck his tongue out and poked one.

He went "Yeah this isn't happening."

And Sir Pent went "Honestly you've already surpassed my wildest dreams just by getting that far."

They tried it the other way around too and Alastor went "Yyyye... hmmm... nnnnnooo no, no, don't think so. Not into that at all."

And it took him all of five seconds to reject the mere possibility of ever trying rimming, and the only reason it took that long to reject is because first Sir Pent had to explain what that is.

But everything else with mouths is great! Like. Everything. Sir Pent could go "can you lick my eyeball" and Alastor would go "which one? :)" (Sir Pent would probably not ask for this. But the point is he could.)

Figuring out Alastor's acceptable/enjoyable sex acts was a lot of experimentation like the above with BJs. And what they figured out is: he doesn't want his junk touched. Like. At all. In any context. Which, you know, understandably cuts down on nearly all the sexual options out there. But that’s the hard line: no touching his dick and no touching his butthole. Even if he, like, actively has a raging boner.

(Fun fact that I actually had to do research on, because despite being ace I did not know this due to the fact that I don't have a dick: if you are ace and have a dick there's good odds you'll still pop a boner in sexual situations, even if you have zero interest in what you’re looking at or participating in it. It's like something in your crotch goes "oh! Oh! A naked butt! I know what to do here! We got training for this! Time to ready the cannon!" and something in your brain goes "why the hell are you readying the cannon, we are absolutely not going to use the cannon, the cannon is a major inconvenience here" and the something in your crotch goes "listen, pal, I'm just following my orders. I don't tell you how to do your job, don't tell me how to do mine." The tl;dr here is that when Alastor is experimenting with Sir Pent, he could be completely bored out of his mind and still get a boner because biology is funky like that.)

The first few times this happens Sir Pent goes "are you sure you don't want me to, y'know, give you a handjob or something?? I feel like an inconsiderate jerk not helping out" and Alastor goes "absolutely not" and Sir Pent goes well okay I've made a career out of being an inconsiderate jerk, I guess I can do it in the bedroom too.

What they do manage to gradually figure out is that Alastor is perfectly fine with touching Sir Pent's junk, as long as it's not with his own junk or with his mouth. So hand jobs? Totally fair game. Letting Sir Pent grind against his thigh or abdomen? No problems with that. (Alastor flopped on his stomach going "this really does it for you??" and Sir Pent rubbing in Alastor's tail fur going "... yes." and Alastor is like, "wow. wild.")

More than that, Alastor gradually starts to figure out he likes that. Not necessarily the sensation of having a couple of dicks rubbing on his thigh—that's just sorta weird and probably always will be—but the knowledge of what it's doing to Sir Pent. He likes knowing he's giving Sir Pentious pleasure. He likes hearing him gasp and seeing him writhe and knowing that it's because Sir Pent wants Alastor and that Alastor has the power to give him exactly what he wants. He likes hearing Sir Pent hissing his name and little praises and one-word requests. ("Alastor’s existence revolves around mouths” includes sounds coming out of mouths, he gets more out of words and little noises than he does out of sight & touch combined.)

They figure out that what Alastor enjoys doing best is spooning Sir Pent from behind, wrapped around him to jerk him off. In bed or in the shower or even sitting with Sir Pent in his lap or between his legs. Alastor can put his chin on Sir Pentious's shoulder to listen to the sounds he makes and watch how his long long body moves, he can wrap his free arm around his waist and feel how he tenses and relaxes and squirms, they can kiss (and/or bite, biting is nice) with a little bit of careful positioning...

Also it's easier for Alastor to quietly sing to him from there.

... Alastor sings during sex. For the record. The first time he does it it's a nervous "I don't know what I'm supposed to be saying and it seems too quiet—oh I've got a solution" but soon it's just. A thing he does. Sir Pent gradually goes from "what? seriously? this is what you're doing?" to "lmao you dork" to "well I guess I now have a new kink I will never be able to get rid of, thanks." Sometimes he'll shakily sing along and Alastor's guts will melt into warm goo.

So there's a general overview of the more, like, normal stuff they get up to. Considering that their shared hobbies include things like "murder" and "being better than everyone else" and one of them is a cannibal, I'm sure that once they get down the basics they just get weirder. Copious amounts of blood get involved! Not their own blood. Other people's. 

[ambarto]

This is going to be a kind of serious post, basically what I want to do is explain why in my headcanons about Elves, and Valinorean Elves in particular, I often end putting various types of -phobia in their societies, mainly because I only now realized myself exactly why I do it. I’m gonna put this all under the cut in case people don’t want to deal with it, also there’s gonna be some discussion of bigotry (including real life one) of various kinds ahead, just to warn y’all.

I want to preface this by saying I don’t have any kind of issue with taking fantasy universes and making them a utopia where prejudice doesn’t exist. It’s a a great form of escapism, and I also have my hcs about certain settings from various fandoms being free of homophobia and all other forms of discrimination. I do tend to include a certain degree of general queerphobia in my works, at times, because I find it cathartic to have characters overcome problems I face in my own life, but overall I don’t have a problem if someone points at LotR and says “I think Middle Earth doesn’t have homophobes”. But I was a bit confused myself as to why when it comes to Elf society in particular I just found myself unable to believe that there would be no discrimination due to sexual orientation. I mean, it’s not like anything in canon indicates homophobic Elves are a thing, and yet, idk, I guess something just rubbed me the wrong way.

But then I got this like, sudden enlightenment and I get what the problem is now. It’s the fucking amatonormativity.

If anyone isn’t familiar with that term, amatonormativity is essentially the belief that all human beings should one day find an exclusive, monogamous, long term, romantic relationship, and that if you don’t you have failed as a person and will never know true happiness. Amatonormativity has effects pretty much on anyone, in our current society, but it’s especially hard to deal with for me, given that I am an aromantic person and the idea of being in a romantic relationship gives me hives. In particular, I’m aromantic and bisexual, and me and my fellow alloaros tend to be viewed as shallow, immature, sluts, assholes that only use people for sex, and so on along those lines, because we experience sexual attraction but romantic attraction. And this is in our current, Western society, where things like casual sex and one night stands and so on are overall accepted, outside of conservative circles.

Now let’s move to Elves instead, and specifically that bit about Eldar society Tolkien put where sex marks marriage. I’m gonna leave all possible headcanons and interpretations off to one side, and just take the text literally. To Elves, Tolkien tells us, sexual desire is something that only happens together with romantic attraction, and to act on that desire means to marry one person. I, like most people, tend to project on fictional characters, and let me tell you, that kind of society would be hell for aroallos. If there is really such a strong connection between romantic love and sexual attraction, someone like me, that feels the latter but not the former would be likely considered at least extremely weird, if not straight up wrong or broken in some ways.

What kind of reference would an aroallo Elf have to understand and explore his feelings? What kind of shame would they feel, by failing to be in the way everyone in that society would be expected to be? I can just picture young and confused Elves marrying someone because they felt physical attraction to someone and thought obviously they must also be in love, except they were not, and now they’re stuck trying to match feelings they don’t and will never have. I can imagine intense disapproval if two aroallo Elves decided to be in a purely sexual relationship, and people insisting of course they are married, when the Elves in question are not, and they don’t want to be, and are maybe straight up romance repulsed. It raises the question of, would romance repulsed, aroallo Elves feel disturbed by their very sexual orientation, because sex is so strongly tied to romance that they struggle to separate the two?

And all of this tirade about aroallo Elves brings me to the other side of the coin, alloace Elves, Elves who do fall in love but do not and will never experience sexual attraction. Again, if marriage and sex are so closely tied, then I can imagine how disturbing it would be for an ace Elf to be told they have to have sex if they want to marry the love of their life, and how they may come to doubt if they do have feelings after all, because they were always told they would feel sexual desire upon falling in love and now they just don’t.

And - polyamorous Elves? Elf society is so incredibly monogamous. They’re supposed to marry someone they love and never love anyone else again. Finwe had to straight up ask the Valar for permission to remarry, and his first wife was dead. What about Elves who fall in love with two people at once, with three or with four or with ten? Who find new people they love centuries after they married, while still loving their spouse at the same time? What of Elves who don’t marry because they cannot choose between their lovers, and torment themselves because they have to pick one, they can’t possibly have both? What of those who have a romantic relationship, but also wish to have a purely sexual one with another person, and a queerplatonic one with yet another?

I’m not saying these problems can’t be fixed in fanfiction. Fandom exists to find aus and fix whatever problems someone has with the source material. If you want to make your Elf society perfect, go for it, I won’t stop you or berate you and I may even give your fics a read, if they seem like my kind of thing. But while canon Eldar society doesn’t seem to show discrimination against gay Elves, it would be extremely unwelcome for aromantic, asexual and polyam Elves. I know that kind of society would not be a utopia for me, not without throwing LaCE and bits of the Silm out of the window entirely, and because I wouldn’t be safe as an aromantic person I also can’t help but think “if they wouldn’t accept me, who else would they not accept? If aphobia exists, how far of a stretch it is for homophobia and biphobia and so on to also be there?” The only kind of -phobia I really cannot associate with Elves is transphobia, and I have reasons for that, but anything relating to sexual orientation? Yeah, I don’t know about that.

Thank you to anyone who read to the end of this, I hope you understood what I’m trying to say because I’m feeling kind of emotional about this topic and I don’t know how well exposed my thoughts are. Also again, I’m not trying to attack or pick a fight with people who prefer to headcanon Valinor as being homophobia-free, I 100% respect you and your preferences.

[doom-dreaming]

HCs on Unanswered Questions

Since most of us are very disappointed with how the twins' character development was handled, here are a handful of headcanons about some the stuff we never got answers for.

Tattoos under siren markings

Typhon's comments about the twins make it sound like their siren tats showed up shortly after they were born: "Sirens! The rarest thing in the universe and there were two of 'em, right in our arms!" - implying that the twins were still small enough to be held. (Which is an adorable mental image. I bet they were so cute.)

Sidenote: I find it interesting that Typhon never once mentions them being conjoined, much less the fact that he apparently cut them apart? Hm.

So I think the twins had their siren markings from a very young age. When Troy got his ink tattoos as an adult, he probably assumed they would cover his siren tats but the next time he leeched from Tyreen, his siren tattoos burned through them.

Troy's siren abilities

Obviously, he can phaselock after he dusts Maya, but did he ever have any siren powers of his own? Tyreen mentions that she thought he could only leech from her, which is already backwards to how I thought it happened, at first. I figured she was giving him energy, instead of him taking it from her.

Personally, I would have loved to see the twins with opposing abilities. She drains, he heals. They can switch these powers back and forth. It's pretty much canon in my writing.

I think, lore-wise, we're supposed to count the twins as a single siren. They both have the same power, technically, only Tyreen's is the stronger version, presumably because she's the "true" siren, being the female of the pair.

Which brings us to:

Troy is the ONLY male siren in existence.

Let that sink in for a second. He is canonically a male siren and they did basically nothing with that. I do believe he was a natural anomaly (I wasn't going to say freak, I respect you, Troy), just by virtue of being conjoined to Tyreen, he also got the power when it decided to choose her (there's a topic for another time).

I don't really have any headcanons in regard to this but I find it so strange and borderline offensive that there are no mentions of how fucking weird his whole situation is.

Where did his sword come from?

Troy's sword is probably one of the most iconic things about him (besides the beautiful face tattoos...or the mouth staples...or the giant cybernetic arm...) and we know nothing about it.

I think he took it from Typhon. Typhon makes a comment that he and Leda already looted the Vault on Nekrotafeyo (or however you spell it). I think that sword was in the vault. It matches the sharp red color scheme the vaults have in BL3 and I think Troy snatched it before they left the planet.

Lastly, not really headcanon, but an observation: the twins' wings look like bat wings. Every other siren has vaguely angel/bird-esque wings (with the exception of Amara, who has her arms), but the twins have very prominently sharper, un"feathered" wings.

(Troy photo credit to @isthatafetish )

I just find it very interesting, design-wise. I also love how small and chunky Ty's wings are.

[yumeka36]

Well, I know I said a while back when more Frozen 2 leaks came out that I was gonna avoid making anymore posts expressing my thoughts until I actually see the movie myself...but alas, what I’d consider the jackpot of leaks came out yesterday causing me to develop more thoughts I feel are better expressed now than later. As usual, skip this post if you don’t want to be supremely spoiled...

After the initial leaks from the not-yet-released mythology book a few weeks ago, which confirmed the movie will end with Anna as queen of Arendelle and Elsa as the Snow Queen/fifth spirit, the real question we’ve had since then is: will they continue to live together or separately? Many official sources such as storybooks and interviews with the creators hinted at separation, and after nearly two weeks of letting the realization that this movie won’t end in the way I would have liked practically eat me alive, I decided it was best to just remain positive, as the events of the story’s third act are still mostly a mystery.

Before I continue, I just want to point out that I understand both sides of the fandom right now: the side that feels hurt and betrayed by this kind of ending, and the side that’s more accepting and doesn’t want to jump to conclusions without seeing it firsthand. It’s been tough for me being in the middle - at times I totally get the backlash. We fell in love with the story of the first movie and shorts about two sisters reconnecting and now the sequel ends with them finding happiness elsewhere. But at the same time, I know that living separately doesn’t diminish familial bonds and it’s a normal thing that happens. I know it’s easy to dismiss it as a trend since a lot of other recent family movie sequels had similar endings, but I want to judge it in its own right. Don’t get me wrong, I’m still not happy we’re getting a separation ending, but I also know I’ll love 95% of this movie, so I can’t bring myself to throw in the towel at the last 5% without seeing every detail for myself, every word of dialogue, every scene, every nuance in character expressions and actions. I’d feel much more okay with this ending if this was Frozen 3 we’re talking about and we had another Frozen 2 that focused on Anna and Elsa reconnecting as sisters. To go from the end of the first Frozen with them finally getting to know each other after 13 years apart, straight to a sequel that ends with them separating is a leap that really needed more padding. The shorts fill the gap somewhat, but not enough in my opinion. We should have had a Frozen 2 story about Elsa trying to get over her guilt about shutting Anna out all those years, and once that’s resolved, it ends with a return to the status quo that sets the stage for the story we actually have in Frozen 2 (which should be Frozen 3!) I really feel we needed one more “smaller” story like this to pad things out after the first Frozen before the major changes that happens in Frozen 2 (can we get a Frozen 1.5 anyone?) But as I’ll describe further in this post, I’m not convinced that the last 5% of Frozen 2 will be so bad that it will override everything else about the movie, or Frozen in general.

I should also mention that I’ve always been neutral to Kristoff and his relationship with Anna. I find Anna and Elsa’s relationship way more appealing and interesting, but I’ve also always believed Anna has plenty of room in her big heart for sisterly love for Elsa and romantic love for Kristoff. Since they skipped any talk of marriage in the first Frozen, it was no surprise at all that it would be brought up in the sequel. Since they intend Frozen 2 to be the last installment (for now) they couldn’t leave a loose end like Kristoff and Anna’s engagement. I could take it or leave it, but as long as Anna and Elsa’s relationship is portrayed as the strongest bond (which it seems to be) I don’t mind giving Anna romantic love too (and maybe Elsa one day?)

But anyway, yes, a month before its official release, several page scans from the The Art of Frozen 2 have leaked, which pretty much confirm the ending alluded to in the mythology book and many others. And honestly, after taking some time to let all the information sink in, I’m not as upset as I thought I would be. At first I thought I was just numb by now, having already been sick about it for nearly two weeks after the mythology book leaked. But more likely, I think I’ve just made myself form a different perspective. In all the fandoms I partake in, I always try to make myself open to different interpretations of the characters and story even if they don’t fully agree with my own. I understand that there’s a risk involved with falling too deeply in love with someone else’s creation - that they may not interpret the characters and story the same way you do and it becomes difficult to distinguish your own headcanon perspective vs actual canon. What I think has happened with the Frozen fandom is an unfortunate case where lack of canon material has caused me (and no doubt others) to indulge so much in my own headcanons that I started to see it as “fact” when it really is just my interpretation and “filling in the blanks” so to speak.

To illustrate, Anna and Elsa spend very little time together in the first movie, which is what makes their rekindled love for each other at the end so impacting. But if you think about it, the ice skating together in the original Frozen’s epilogue plus a few more scenes in the two short films, only equates to about a half hour’s worth of content showing them interacting as sisters. When you have such an appealing character relationship but such a small amount of canon content with which to interpret it over a span of six years, it’s only natural that my own headcanons took over until I started seeing them as the only interpretation. Especially for Elsa, who has a lot less screentime in the first movie than Anna, so honestly we really don’t know her that well. Have I really seen enough of her in the first movie plus two shorts to say with certainty that she could never be happy without Anna always being by her side? Is the filmmakers’ view of her as a “protector” and “mythical character” who feels at home in the enchanted lands less valid than my own interpretation of her? Again, when I try to describe Elsa I realize that much of it is based on my own headcanons, which are perfectly valid, but I shouldn’t be surprised if it turns out the filmmakers have a different vision for her. Just because I personally love all the sisterly moments between Anna and Elsa and so always want that to exist in the Frozen universe so I can keep indulging in it, mean that any other direction for the story is bad? Of course anyone can infer basic things about Anna and Elsa without any headcanons, such as the fact that they love each other and enjoy being together, but when I ask myself questions like “What evidence do I really have that they’ll always want to live together?” or “Is Elsa really perfectly content being the queen of Arendelle as opposed to doing something else?” or “Does true love mean always having to physically be close to each other in order to be happy?” I realize that I can’t answer them as confidently as I’d like. 

As I asked myself questions like this and read the leaked art book pages a few times over - especially the foreward - I came to the conclusion that the creators did indeed put a lot of love and effort into their choices for Frozen 2, and their thought process for developing the story as described in the foreward makes sense even if it’s not the direction I personally would have gone. As I was reading it, I thought, if another fan like myself wrote it I would think “Hm, that’s an interesting interpretation, not quite how I see it, but valid nonetheless.” But in this case, the one with that interpretation is the creators, so all you can do is accept their view or move away. It’s not like they were way off and focused the sequel on a new character and pushed Anna and Elsa into the background, or even focused a lot on Anna and Kristoff: from everything I’ve read, the focus of Frozen 2 is still the “undying love of two sisters” (as Josh Gad put it), just not in the way I was expecting. Anna and Elsa’s bond has been conveyed as so strong it’s almost omnipotent and ethereal, even more so it seems in the sequel, so the interpretation is twofold: does the fact that it’s this strong mean that they always have to be together in order to be happy, or does it mean that time and space doesn’t matter because it’s so strong? Obviously the filmmakers (and others) interpret it the latter way while many fans interpret it the former. But can we really say one view is wrong and the other is right?

And even with all these leaks, there’s still a lot we don’t know: we still don’t know exactly what happens in Ahtohallan and other events leading up to the epilogue. We don’t know for sure that being the “fifth spirit” means Elsa will become a literal spirit or just get a boost in magical power. We don’t know all the whys and hows of her choosing to become the Snow Queen and giving the role of queen to Anna. These are very important plot points that I feel are best judged by actually seeing it with my own eyes and not drawing conclusions from vague book descriptions and concept art. Until I see it for myself, I can’t say how I’ll feel, so it’s better for my health and well being if I just stay positive. But even knowing all that I do about the ending now, when I look at my Frozen collection and all the imagery of Anna and Elsa holding hands and hugging, I’m asking myself “Does my knowledge of the Frozen 2 ending make me feel less connected to all the ‘snow sisters’ stuff I’ve indulged in for six years?” And to be honest, as of now, it doesn’t, which is a good sign. I do feel sad and jarred that I now have to throw out six year’s worth of headcanons and fan stories I’ve created in my mind...but you know what, I’m willing to start again because I still love Anna and Elsa and I think there will always be great story potential for them. I see the “old” Frozen imagery now as, yes, they had their time living together as sisters (would have liked to see more of it in canon but oh well) and now they have different roles in life, but that doesn’t negate the time they shared and the love they have. Of course, my opinion could change when I actually see Frozen 2, for better or worse, but I’ve already spent so long looking forward to this movie, there’s no point in backing out now and not making the best of it. 

As I stated in a past post (from right before the first leaks happened) my Frozen fandom is at a crossroads now and I can’t predict what it will be like a few months from now: I could love Frozen 2 and my fandom will continue on a long time, especially if Disney announces more installments (I still think Frozen 3 or 1.5 is a possibility), or I could find the ending distasteful enough that it makes me lose interest sooner, or regardless of whether I like the sequel or not, I lose interest in Frozen and move onto other fandoms. Or maybe I won’t, and lack of official content from Disney will cause me to take up fanfiction writing or something like that. But whatever happens, I’m going to stay positive because I don’t like being negative. For those of you who are appalled at the ending, I understand and I hope you’ll still see the movie for yourself it’ll change your mind even a little, but please handle it in the way that’s best for you (leave the fandom, indulge in fanfiction, sell your merch). And for others who are being accepting of it, I hope we end up pleasantly surprised.

Okay, I’ve rambled on long enough. This should be the last thought-spilling Frozen 2 post I write until I actually see the movie - I can’t imagine we could get anymore leaks or information at this point that would drastically change my view. In the meantime, I’m just gonna lay low and reserve final judgment until November 22nd (or sooner if I win tickets to the premiere!)