#also the weird like. ‘xyz simple explanation COULDN’T be it reasonable people don’t ACT like that’

[magnus-and-the-dragon]

i have this problem where i genuinely think discussing ‘real’ cases is a good way to explore and better understand our world, but also, the culture around True Crime is so fucking gross I can’t stand most of the content it creates

[ckret2]

do you have any tips on writing ace/aro characters, so that they come off as natural n not forced?

I'm gonna assume you're coming at this from a non-ace/aro perspective, so like, lemme give a super simple quick-and-dirty trick, and then I'll give you a couple of caveats to it. Also every time I say ace/aro in this post I mean "ace&aro OR ace OR aro." The example I'm using for this trick is more ace-oriented but like, apply the same mental exercise to romance. Here we go, here's the trick:

Pretend you're writing inside the mind of an adult character in a series aimed at little kids.

On the surface that sounds terrible I know, but bear with me while I explain it.

If you're watching, like, Sesame Street? There are adult characters running around. Various humans, Oscar the Grouch, Bert and Ernie, etc.

None of these characters think about fucking.

Like, ever.

I know, this concept is jarring, because Oscar is clearly a freak, and we all have headcanons about Bert and Ernie—but like, realistically speaking, they live inside a show aimed at preschoolers, and therefore they never think about fucking. They think about taxes, they think about repairing broken home appliances, they think about the state of the environment, they think about great works of art, but they don't think about fucking. You can examine the thoughts inside their heads at any time and fucking never crosses their minds.

Now, this doesn't mean they're childish/immature/naive. I specified "adult characters" for a reason. (Which is why, say, Elmo can't count for this example; the reason Elmo doesn't think about sex is because he's a baby.) Oscar is the wisest person on the planet. Bert and Ernie are out there living adult lives—and Ernie's a bit of a dork, but he's clearly an adult with some goofy thoughts, not an adult with the mind of a child. The human characters on the show are all normal humans, and the only trait they have in common is that they all get along with kids or else they wouldn't be on the show. You could write any of these characters into serious adult plots, just age up the vocab a bit, and they'd work just fine.

These adults are also all living in a real-ish world, and all have adult educations and knowledge bases. If you removed these characters from the setting of Sesame Street to ensure there are no preschoolers around and like, asked them if they know what sex is, they'd be like, yeah. Sure. Obviously. They wouldn't be naive. They are probably all reasonably knowledgeable about sex, to whatever extent we can expect out of muppets.

But none of them think about it. None of them care about it. They don't not know about it, they just don't think about it. If a guest singer comes on with a low-cut top, none of them will even notice that you can see almost all of her cleavage. If someone shows up who they personally consider extremely good looking by whatever their respective standards are, they will admire that person's looks but not once think about that person naked. On Valentine's Day they will think about handing out chocolates to their friends, and not think about the state of their sex lives. Due to the fact that they're not naive, if SOMEBODY ELSE goes "got a date for valentine's!! Hope we'll be up late. ;)" they might go "oh congrats, gonna see a late movie? ...... oh no wait, I figured out what you mean, haha good luck."

They aren't clueless. But the nature of the reality they live in precludes sex from naturally occurring to them or appealing to them.

You can do ace characters like that. You can also do aro characters like that—this specific example is focused on ace because like, even toddler shows will show romance in the form of A Mommy And A Daddy Who Are Married or whatever, and I couldn't think of an easy broadly-recognizable example for romance-free settings. But you can apply the same "knows about it, doesn't think about it, doesn't care about it" logic to aro characters.

The advantage of taking that approach is this: you never have to focus on I wonder what it's like to never think about sex/romance? because it is, at least in my opinion, VERY easy to imagine the aforementioned characters never thinking about sex/romance. You don't have to stop and try to figure out how they interact with the world, because they just DO interact with the world, never thinking about the things they don't feel the need to think about.

A lot of times I see ace/aro characters written as somehow preoccupied with their own absence of XYZ feelings, or else mentally explaining/justifying why they dislike XYZ activities as if their orientations are something they thoughtfully reasoned out rather than something innate/unconscious; and in both cases I think that's a reflection of allo writers being preoccupied with the absent feelings or trying to come up with an explanation that makes sense to THEM for why someone would "decide" to have this orientation the writers themselves don't have an internal instinctive understanding of.

But the same writers would probably have no problem writing Oscar without sexual thoughts because it probably never occurred to them to give Oscar sexual thoughts in the first place. It's not something they need to think about and justify. They can just do it.

Now, here are the caveats:

- Of course you don't want to LITERALLY write ace/aro characters like ACTUAL characters from shows aimed at preschoolers. You can AND SHOULD have them be gritty and intelligent and willing to go commit murders or whatever, and can AND SHOULD have them demonstrate all the depth and complexity of a character in a Victor Hugo novel. This example isn't given as a suggestion for a basis of characterization, but just as a thought exercise to help someone I'm presuming is allo get into the mindset of what it's like to have a character who simply never thinks about sex or romance. "How to have a character not be thinking about sex" is all you should take from this. Please don't write ace/aro characters like you're writing to a five-year-old audience.

- Of course, ace/aro folks are all different. Some of them think about sex or romance a lot. Some of them find romance fascinating to think and write about specifically because they don't have an internal sensation of it—hi there, yours truly. Some of them are demi or gray and do feel sexual or romantic attraction once in a blue moon. Some of them aren't merely neutral to the topics, but actively repulsed, uncomfortable, hostile, etc, whether that's because of just an instinctive Ew Yuck reaction or because they live in a society where the topics (and sometimes the activities) are forced on people all the time and they got sick of it. Some of them are actively sad/wistful that they don't experience those desires. Some are very pleased with how they are but still spend a lot of time comparing/contrasting their experience of the world with other people's. "Completely oblivious and completely disinterested and completely neutral" is a real possibility, but only one possibility out of many, and it would suck if that's the only sort of ace/aro rep we get.

But—BUT—if you're new at writing ace/aro characters, particularly if you're still figuring out the very basics of how to write about them in a way that sounds natural, I still recommend this thought experiment as a way to wrap your mind around the very basic root level experience of what it's like to have a character that doesn't feel attraction. Everything else can be piled on top of that foundation later.

Because if you hop straight on to something complicated like "smut scene with a character who's ace but sex positive and into doing kinky shit," what you might actually end up writing is "character with a token line included about how they don't desire sex but think it's fun and then they spend the rest of the scene having extremely allo-sounding thoughts/reactions," whereas if you've already had some experience/practice putting yourself into the head of a, like, basic tutorial level ace character, it's easier to extrapolate from that and do things like go "well, this character is into kinky sex, BUT I probably shouldn't have them get aroused at the thought of seeing their partner naked, since their source of fun is from the act itself and not from a physical attraction to that person..." or whatever.

- If you want an example of a character who is definitely ace but who also definitely has weird sex, it's Oscar the Grouch. I will not be accepting criticism. You know it's true.