#always made more sense....

[hiddenbysuccubi]

Just a question. Because I just thought of it and I do not know the answer. Ever since Jr High at the latest I've whipped my head rapidly side to side to dry my hair and as an adult I haven't much but I've done so again recently and - it's a very pleasant feeling / stimulation and is that a thing other people do

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[a-dope-fiend]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[ohitslen]

*Vampirizes your Vashwood*

keep reading for more :)

If there needs to be much closer close-up please let me know!

[chloesimaginationthings]

YOUR DESIGN FOR TEENAGE MICHAEL IS SO KFJSKD CUTE :3 !!

I have to draw him again, when he’s less in destress

[chawliekin]

and if I said that dennis’ insistence on being the breadwinner/provider despite literally being a pampered princess who dgaf about traditional roles of masculinity in every other regard (aside from ego) is because his mom only stayed with/chose frank for his wealth and dennis is highly aware that he’s difficult to love and unable to show his emotions openly so he has to be contributing something to the relationship materially in order to feel like he’s worth staying for… and mac grew up with parents who were extremely ambivalent to him and eachother so he has to overcompensate by proving his worth at every given moment and seeking praise/validation from people (and religious icons) who will never demonstrate the same amount of dedication to him but he has no idea how else to desperately keep himself close to those he loves other than by eroding himself into something they’ll approve of… dear god they’re both exactly what the other needs — someone who can’t and won’t leave them even if they try — and they don’t even see it…

[sweettsubaki]

Deku: since were all adults and all have different jobs now it's hard for everyone (aka at least 20 people) to get together. (As opposed to when we were classmates and shared a dorm and as such spent at least 8 hours a day together).

Fandom: Omg they abandoned Deku once he got back to being quirkless! How horrible!

Me:

Also

Horikoshi 'I wanted Deku to become a hero without a quirk but my editor forced me to give him one' Kohei : and now Izuku can finally become the quirkless hero I wanted even if he didn't keep it as his main career path.

Fandom: it's unfair to him that he doesn't get to keep the power. He's back to square one now.

Still me:

[turtleblogatlast]

Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.

Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.

Mikey being paired up with Meatsweats? Yeah that checks out!!

Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…

And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????

[uncanny-tranny]

If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!

I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.

[gummi-ships]

Kingdom Hearts 3 - Monstropolis

[petorahs]

shuake works because it feels like akechi's the only one who listens to akira and prompts the otherwise quiet leader to talk.

in a game about defiant teens making their voice heard, goro akechi listens to akira's voice from the get-go. out of detective-sleuthing/work duties, sure, but over time it's clear that akechi genuinely finds akira interesting.

in fact, akechi's confidant route regardless of which game is being played starts with him deeming akira the antithesis to his thesis, a "worthwhile debate partner". akechi values joker's opinions.

its always nice to see people point out that in that one 3rd sem phone call with akechi, its the most involved akira's been in a conversation in-game. i myself remember inserting a lot more input during that story-sequence which usually i can put on autoplay otherwise. akechi, in a whole different reality, still seeks out joker's opinions on it. it's like he trusts no one but him.

and imo this gives a lot of character to akira. he talks the most with akechi. the quietest people have the most on their minds, and it shows with akira. but akira never gets a say in anything, and who would listen? he's less than a nobody in reality since society dictated that. so he pointedly made himself silent, hiding his thoughts beneath an impenetrable mask. during important story moments, akira favors doing more than saying. his teammates and confidants are all directly inspired by his actions over the course of the game.

but with akechi, it's different. actions seem to take a backseat as they continue with their verbal back-and-forth. in rank 7 of royal, they play pool while talking, but it's clear to the outsider that the focus is in the layered conversation they're having. they primarily talk everytime akechi's in the coffee shop, because they dont usually see eachother in their busy schedules. it's not just "hi, hello, how are you?" with them but "i find you and everything you stand for interesting. let's talk more."

there's something to be said about how two people with vastly different and opposing views seek eachother out to further discuss things instead of antagonizing eachother. its why maruki said "despite being enemies, your relationship was never based on hatred or ill will".

their relationship was never a one-sided thing. akechi helps joker as much as joker helps him... arguably more. he eggs joker on, shows him that he can do better. otherwise, the leader would remain stagnant and unchallenged. there is no progress where there is no thesis and-- you can finish the rest.

[tremendously-crazy]

Relationship envy except I envy the bond between iconic fictional characters Sherlock Holmes and Dr. Watson

[nandorsrelentless]

there seems to be far too many fans who can't seem to wrap their head around the fact that no relationship in the Vampire Chronicles is healthy. every relationship includes an element of abuse/power imbalance by normal standards. literally every single one.

they are all monsters who are no longer constrained by societal rules. so I don't think it's too crazy to expect them to do mosntorus things. the genre is Gothic HORROR. the show really prioritizes the HORROR element more so than other adaptaions, which i love.

i don't need louis to be a liar to enjoy lestat. if louis lied or misremebered things about the fight in episode 5, i literally do not care because it's never gonna make me hate louis. the baseline of what constitutes "evil" or "bad" is so different in iwtv because of the fact that they are NOT HUMAN. Claudia is literally a serial killer and she's still mother to me. ykwim?

the nature of vampirism is they have to kill to survive. so it would be really cool if people could accept louis, armand, and claudia as complex characters who are fundamentally not good people (because they aren't people!) without being racist about it. THEY ARE ALL KILLERS

im more interested in this exploration of the complexities of memory and seeing how the show integrates the other books into this story in a way that hasn't been done before than I am in discoursing about whether louis is a liar or not. who gives a shit???? grow up and realize that there are no good guys here and that's OKAY

[asweetprologue]

i know probably nobody following me is even relatively in this fandom but I just finished s5 of the dragon prince and I gotta tell you. the canonical lovechild of the gay-coded villains was not something I saw coming

[anghraine]

jenndoesnotcare replied to this post:

Every time LDS kids come to my neighborhood I am so so nice to them. I hope they remember the blue haired lady who was kind, when people try to convince them the outside world is bad and scary. (Also they are always so young! I want to feed them cookies and give them Diana Wynne Jones books or something)

Thank you! Honestly, this sort of kindness can go a really long way, even if it doesn't seem like it at the time.

LDS children and missionaries (and the majority of the latter are barely of age) are often the people who interact the most with non-Mormons on a daily basis, and thus are kind of the "face" of the Church to non-Mormons a lot of the time. As a result, they're frequently the ones who actually experience the brunt of antagonism towards the Church, which only reinforces the distrust they've already been taught to feel towards the rest of the world.

It's not that the Church doesn't deserve this antagonism, but a lot of people seem to take this enormous pride in showing up Mormon teenagers who have spent most of their lives under intense social pressure, instruction, expectation, and close observation from both their peers and from older authorities in the Church (it largely operates on seniority, so young unmarried people in particular tend to have very little power within its hierarchies). Being "owned" for clout by non-Mormons doesn't prove anything to most of them except that their leaders and parents are right and they can't trust people outside the Church.

The fact that the Church usually does provide a tightly-knit community, a distinct and familiar culture, and a well-developed infrastructure for supporting its members' needs as long as they do [xyz] means that there can be very concrete benefits to staying in the Church, staying closeted, whatever. So if, additionally, a Mormon kid has every reason to think that nobody outside the Church is going to extend compassion or kindness towards them, that the rest of the world really is as hostile and dangerous as they've been told, the stakes for leaving are all the higher, despite the costs of staying.

So people from "outside" who disrupt this narrative of a hostile, threatening world that cannot conceivably understand their experiences or perspectives can be really important. It's important for them to know that there are communities and reliable support systems outside the Church, that leaving the Church does not have to mean being a pariah in every context, that there are concrete resources outside the Church, that compassion and decency in ordinary day-to-day life is not the province of any particular religion or sect and can be found anywhere. This kind of information can be really important evidence for people to have when they are deciding how much they're willing to risk losing.

So yeah, all of this is to say that you're doing a good thing that may well provide a lifeline for very vulnerable people, even if you don't personally see results at the time.

[iwritenarrativesandstuff]

Genuinely don't think I've seen anyone talk about chapter 25 as a pivotal moment for Dazai so I'm gonna put this out here because I think his reactions here kind of negate that whole omnipotent Dazai interpretation which I hate with every fibre of my being.

Firstly, he's like, clearly caught off guard here. And don't try to tell me he wasn't, because this is just one instance of his genuinely horrified reaction to Q's release and when he realized what was actually going on with Atsushi, Naomi and Haruno.

Him being caught off guard carries significance here because you'd never catch him screwing up this bad later in the series - which is exactly my point.

I wrote a post earlier about how I don't think Dazai really is very much like Mori or Fyodor at all, and I stand by that, because their motives are different. Tldr for that post: Mori and Fyodor are ambitious and proactive, while Dazai is empty/numb and reactive.

What this leads me to believe is that Dazai is less a chess master like those two and more of a contingency planner - he's so good at "predicting" because he is uncannily good at thinking like his opponent and then planning for literally any possibility under the sun he can come up with. He's no gambler. Everything and everyone is practically (and unknowingly) micromanaged. It's almost paranoid in a sense, and I definitely think it's a trauma response to something he went through that we don't know about yet - after all, he was more than capable of this before he even met Mori.

...which brings to me to Mori's influence here. It's straight up like Dazai forgot how willing Mori is to gamble huge risks for a good outcome. It's like he forgot the mafia could be a real threat to his best-laid plans.

Going to throw out a wild claim here that I don't think is actually all that baseless - I think it's widely assumed that Dazai molds himself to what he needs to be (true!) but I think this misses the idea that he is also easily influenced by the mindsets of the people around him (see: the difference between Entrance Exam Dazai and early manga Dazai, the whole "the longer he was in the mafia the darker and more incomprehensible he became" thing from Stormbringer, how dark his eyes get in the prison sections with Fyodor, etc.). I could go on, but for the sake of not making this post too much longer, let's assume this is true because it suddenly makes sense as to why he failed to predict Q but predicted other events much later that were inherently more difficult to predict:

He was in the wrong mindset. He was thinking like an Agency member, and dare I say, he even got a little complacent. He started to get used to not having to manipulate every last variable - he was removed from a toxic environment - only for Mori to pretty much instantly fuck that up in one scene.

Let's also not forget what happened the last time he miscalculated Mori's intentions.

The consequences of this blunder could've been a lot worse and he knows it.

In his mind, thinking like an ADA member wasn't good enough to stop a potentially awful outcome - awful outcomes that could bring him pain. So, he goes back to what he knows - think like the demon prodigy. Think like Mori. Later on, think like Dostoyevsky. Because it seems to me that he believes as long as he is still working for the light that it doesn't matter if he uses these horrifically manipulative and inhumane methods of getting there. But he is wrong. Darkness within the context of good intentions is still very much darkness, and it hurts people all the same.

In the very next chapter, Dazai arranges Ango's car accident. And he only gets worse and worse throughout the series as he regresses back into his paranoid darkness that manifests as this omnipotent facade - his safety net that ultimately prevents him from developing in a positive, more human direction.