Pink Gorilla Club
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Marisha's comment about how Relvin is one of those parents who ended up with a child they didn't know what to do with really gets to the heart of it, i think, and is such a good way to tie the fantasy element of Imogen's powers into things more tangible. because there are really a lot of parents like Relvin in real life, who have a child with the person they're happily married to and never expect to be left alone with the kid. or who expect a ""normal"" (read: cisgender and heterosexual, able-bodied, relatively neurotypical and obedient, etc.) child and end up with one who's ""difficult"", who demands more or different of them than what they believe they signed up for. and that's not entirely entitlement on a parent's part- many cultures' common frameworks of parenthood and child-rearing do not include space for these children. it makes sense that Relvin was unprepared. raising any child is difficult, and raising a child whose needs you were never taught how to accommodate, who the world is so cruel to, is even more challenging.
and yet. and yet, the person who bears the brunt of the harm in these situations will always be the child. they're the ones who have to live every moment of how the world treats them, without the support that their parent is supposed to provide them. and when asked to care for his child even when she turned out to be ""difficult"", Relvin couldn't. for entirely sympathetic reasons, of course. he tried, in his own way. i don't think he's a bad guy. but he's let his own broken heart bleed onto his daughter. he hasn't been able to give her much else.
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Question for fic writers who write in english but whose first language isn't english
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diluc the type of white person thats unable to tan he just gets red. i mean BEET red. a walking tomato. the color of his hair. one beach trip ends with his back and arms and face so burned he can barely move and kaeya with the most beautiful glowy tanned skin
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Will a man ever love and appreciate me as much as the women in my life do? Things I ponder.
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i do wish, like, literally anyone i knew were even a little bit hesitant or skeptical about the institution of marriage where i could hear them
like—i accept that presumably the thing can be done in a more radically ~examined~ way or whatever; but how does that happen if no one ever actually, you know, examines it through a lens that’s anything but rose-colored? or at least, not out loud where some actual collective discussion and theorizing could happen?
and also i just, as always, think there’s value in voicing a variety of visions for how to live, because i think a worldmodel in which there’s a default goal, and then a stigmatized alternative for those who can’t or won’t meet it, is in fact worse for everyone, even the normie or normie-passing, than a worldmodel in which that false, stifling binary gets expanded back out into a full range of free, deliberate, joyous choice, and the original default becomes just one of many, equal, gorgeous possibilities…
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i love when people who’ve never been around smokers write a character who smokes
it’s usually kinda obvious throughout the fic but sometimes you don’t realize until they say something that is just like….. honey. please go into a gas station any gas station & look at the selection behind the counter
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Girl help I've acquired possibly yet another expensive hobby
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Which era of Archie Sonic did you enjoy more? Pre reboot or post reboot?
Hmmm that's a good question. Idk I think I liked some of the writing post reboot better and I did like the new characters. I also personally think the removal of the love triangles specifically made the comic so much more enjoyable for me and opened up for better characterization for Sally. However, reading post sgw I did miss some of the old charcters (rip all those claimed penders ocs) and their now unresolved storylines, was sad at the loss of certain character struggles (like Rotor who was struggling between his health and wanting to be in the field again), and I missed how pre sgw had just some of the most insane or out of the blue plot developments/world building choices.
In terms of enjoyment, though, I'd have to say post reboot for the following reasons:
1. I enjoyed pre reboot for what it was more often than not, but I had my most fun during Flynn era. I liked how the Penders era moved things to being more serious, but I often felt like he had good and interesting concepts/ideas without the writing to back it up. Meanwhile, while Flynn wasn't perfect either, I felt like he was able to make a lot of those established relationships more believable to me, and while he also made some batshit plot choices he had more of the writing skills to back it up. This is all to say that aside from some stuff at the very beginning of pre reboot, it was a long while before I was able to really enjoy what I was reading instead of just taking things I liked where I could. Post reboot was a lotta Flynn, so despite the loss of characters and plotlines I enjoyed greatly, I at least felt like I could enjoy everything post reboot.
2. It didn't have all of those Sonic based love triangles. I know I know I'm a multishipper I ship Sonic with a lot of people but by god. I just could not take the Sonic/Sally drama anymore. Bunnie/Antoine was fine. Flynn actually made me believe in Julie-Su and Knuckles as decent partners. But by that point (and this is coming from someone who loved Sonic/Sally before reading the comic) everything going on re-Sonic and Sally's romance prospects with the opposite gender and each other was like beating a dead horse. And for Sally specifically, she had been recharacterized so so so many times pre-reboot just for the sake of drama that she often...didn't feel like her own character. So post reboot with the love triangles and the romance with Sonic removed I felt like we could really see who she was as a character and a clear vision of her ambitions/cares. I could feel like who she *is* wouldn't be changed on a whim for the purpose of plot.
3. As they say, people get better with practice. And while I thought some of his pre-reboot stuff was interesting, I felt like by post reboot era, Flynn had grown better at depicting the nuance of living under the eggman empire.
ㅤ
So yeah I guess I'd say, gun to my head? Post reboot. But it's really more complicated than that. I did enjoy both a lot, and especially in the last like 80 issues pre reboot. Pre reboot was wild an interesting in a way that I enjoyed with characters and storylines I loved, but it wasn't always written amazingly and contained much too many ongoing love triangles and mehhh canon relationships to me. Post reboot gave certain characters more time to shine as characters, reverted the pre reboot growth of other characters, delivered some of its nuanced situations better, and was largely written nicely, but you could often feel that the post reboot team was now restricted in a much different way than they were pre reboot (like, pre reboot's struggle was keeping up with existing storylines and relationships and keeping things true to what they have been, but post reboot's struggle feels more like it may have had some of Sega's restrictions we see nowadays).
In the end, though, I miss characters and storylines from both pre and post reboot after the cancelation.
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Me trying to reason with myself: not every obscure question you have will have an easy to access answer
Me, snapping back at my reasonable take: how hard can it be to find something on how vertebrae jaws work for carnivores, which traits are favored, especially terrestrial ones! All I can find are papers on different families. One on mammals, some vague ones on dinosaurs, and when I look up reptiles all I get are comparisons! It’s all “the difference between reptiles and mammals” and “synapsid vs diapsid” all interesting topics but I’m trying to design a terrestrial carnivorous alien with a vaguely vertebrae style skeleton here! Sure, I’m making them a shape shifter, I’m not going for total realism, but I’m hung up on jaw anatomy! I don’t want to do the whole “make the face flat, bam! Alien” thing, no shade to people who do, but I’m trying to figure out if there is a reason most of their (the real animals) jaws are long-ish and if the mammal style dip between the brain part and the mouth and nose part that you see in Carnivora for example is just a mammal thing or is it advantageous in general?! I know all vertebrates evolved from a common ancestor, even more recently terrestrial ones, but I don’t care! I’m already borrowing enough, I just can’t design a skull! And dentition! I’ve made a few designs but I wasn’t happy with how they fit the rest of the character. And of course I had to make even more species of aliens! Tearing at my hair like an ace attorney witness.
The chill me again: who tf would have an article video or post on that specific thing and how would you phrase it? Nothing you’ve tried yet has gotten anything. Just accept that you might have to ask a subreddit yourself and see what happens. Dig through sci show first though
Frazzled me: but… what if they don’t have anything? I wanted a video or article. :( and what subreddit would I even ask? World building? Would they know what I mean? Is anyone else as autistic about skeletons AND making ocs?
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Found a transcript of Too Hot to Handle because I wanted to check a thing (I couldn’t remember the exact conversation between Gwen and Pandor and wanted to double check it) and as an aside found that yeah, yeah I was remembering correctly that Gwen and Kevin had the age old ‘trolley cart’ argument and it ended with her dropping him out of the air for taking the ‘save more people’ position.
To summarize the argument
Kevin: Wtf did you try to help him out of that suit?
Gwen: I think he’s scared and he says he’s starving
Kevin: And being scared makes him trustworthy?
Gwen: No. He won’t trust us if you guys keep attacking him.
Kevin: He’s highly radioactive, let him out and he’ll kill everyone around him
Gwen: So we let him starve? That’s cold even for you
Kevin: It’s sensible. You’re not thinking this through
Gwen: *drops him* Oops, lost my concentration
Kevin: Fuck this, I’m out *leaves*
And yes, I have just gone and found the episode itself and checked to make sure that dropping him really wasn’t an accident- if it was she very much wasn’t sorry about it (hands go on hips when he falls, crosses her arms when he accuses her of doing it on purpose, scowl and raised eyebrow the whole time, no apology (at all in the episode, seriously you’ll admit he was right later but not apologize for this), just very clearly feels, even if she didn’t do it on purpose, that he deserves it for *checks notes* putting the health and wellbeing of everyone present over the possible health and wellbeing of Pandor), and given the shit we see in other episodes I’m not giving her the benefit of the doubt there.
Proceeded by Kevin wanting to kick the guy’s ass because, well, when a dude refuses to tell you wtf is going on with a job and then when you back out because of it and undisclosed dangers offers money to whoever manages to force you to stay and do the job- especially when you’re Kevin ‘anger management didn’t work and also will fuckers stop trying to pull this shit’ Levin- yeah you do. And Gwen immediately trying to figure out how Pandor’s suit works as soon as he goes ‘yeah I’m starving’ which, darling you know he’s highly radioactive under there at that point at least talk yourselves into a better position that this stand-off before you go poking and prodding at the damn thing. You’re lucky you just got launched across the tunnel.
And followed by the rest of the episode, with Pandor and his goons kidnapping Kevin, taking advantage of his temper and understandably foul mood to get Pandor released, it turning out that- shocker- Pandor is a dipshit who gives no shit about the threat he is to those around him, the matter being resolved by Kevin and Ben, and Aggregor snatching Pandor back up.
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You know what hits me hard? When 5 to 6 year old children, all the way in Southeast Asia, knows about what's happening in Palestine right now. That children their age is getting bombed, that they're starving to death, that they're getting shot at, and sniped in the head. Because, just this past 2 or so months, I heard some of the little ones in the Kindergarten classes I'm TAing in as an Intern talk about it. Hell, one of the little boys downright said he didn't like Israel, because Israel is bad, because they do scary things. Another was questioning whether Palestine was bad too, because, "why else would they shooting at them?". A little girl in one of my classes doesn't want to finish her food at all, because she wants to save at least half her meat and rice for kids in Palestine, because she heard that, they don't have food.
And that's just the ones I remember. Namely the inciting cases before their classmates slowly follow suit. The littles are fricking SCARED. We had to sit these kids down, and tell them that the topic is too mature for them at the moment, that they shouldn't even be concerned because they're KINDERGARTNERS, they're not even old enough to properly understand. The one teacher I was TAing for had to make a class announcement saying that.
What gets me is, these are 5 to 6 year olds, the youngest I've worked with in this specific age group is 4. 5 years old on average, and they've already been exposed to the worst horrors genocide has to offer through the news and snippets of conversation among adults and hell, considering how many of them say they like to play games on Mama's phone, or their IPad, even from fricking social media.
And the fact that, these literal babies, from all the way in Cambodia, has more empathy in their entire body and soul, than full grown fricking adults have in the nail of their pinky finger, gets me. FFS we as adults could LEARN from them I feel sometimes. I honestly don't know what to feel about it anymore. On the one hand, this is the next generation I'm working with. And if the next generation's default response to a tragedy such as Palestine, is what I've seen come up on occasion so far? Perhaps there's some bloody hope for this world after all. At least in this country. Especially since a majority of them already come from families who survived a genocide. These are the 3rd - 4th generation descendants of those who survived the Khmer Rouge. They've got grandparents at home, who no doubt are more than intimately familiar with what Palestine is going through right now. And it shows.
But on the other, it makes my heart sink because these are CHILDREN, these are LITTLE KIDS, they should be playing with their toys and watching cartoons and talking to their friends about everything from Spiderman to Speakerman to Kuromi and her friends, and be worried about whether or not they can go to playground that day, guranteed they're well behaved, or if Mama remembered to pack in their costume for swimming lessons that week. NOT JUST MY KIDS. But the little ones in Palestine too. They deserve better. They all deserve, so much better. Hell, it's come to the point that whenever I look at my kiddos right now, whether they'd be working in class, playing, doing something as mundane as eating lunch or getting ready for their nap. I think of the children their age in Palestine that didn't even get the chance to survive. I think of the ones whose memories from this age, is nothing but absolute horror and pain, rather than what has slowly become my normal, who never got to experience what my littles do on a daily basis right now.
Children shouldn't even be concerned about "War", about a Genocide. The last thing that should be on a 5 year old's mind, is pain, and suffering, and the worst horrors imaginable ever to be inflicted on a human being. ESPECIALLY WHEN IT'S INFLICTED, ON OTHER CHILDREN THEIR AGE. And for that alone, the world has failed them. Especially the kids in Palestine who didn't ask for any of this. They just wanted to carry on with life as kids do, the same way as my littles do on a daily basis no doubt, learning, playing, chatting with friends over their favourite cartoons and characters, worrying about whether they'd get to go to the playground or not that day.
I apologize for talking about this on this blog. I know my blog tends to be lighter in feel, a lot more unhinged and light hearted typically. I mean, I'm just a fricking nerd who likes to draw and write, and lurk about her favourite fandoms to consume and support what is shared among other nerds who also like to draw and write. But I couldn't stop thinking about it. About contemplating it, especially since I'll be back on a roll tomorrow, working with my kiddos again after not seeing them for 5 days straight because of Holidays. And, I just had to talk about it. This is something I felt I couldn't keep to myself this time, I don't think my soul'd be able to carry it. I had to talk about it.
FREE PALESTINE. Our children deserve better.
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Ah the anxiety is back today. How do I know?
I'm convinced that the way I'm planning to eat leftovers is somehow incorrect™ and will upset the universe which will turn on me and curse me with some sort of bad luck curse.
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I am never going to complain about Greek Duolingo again
I mean, I am. But still.
So, as some of you know, my family has been coming to this tiny Greek seaside village for several years. Just over a week ago I came out here with my mum, under the impression that early September, after the height of the summer heat, would be a good time to have a holiday. ANYWAY Storm Daniel had other ideas about that. Locally things are improving (I'm actually really pissed off about the disaster-porn tone of most English-language media coverage, but that's another post). The power is back on, there's running water most of the time, and though the latter is not drinkable, a truck from the government came and handled out free bottled water yesterday. But we are currently kind of stuck. Can't do tourist things. Can't go home. There aren't any local flights out until Saturday and the road to Thessaloniki is still closed.
So this evening, feeling kind of aimless and depressed, I go down to the nearest beach with a couple of binbags and start cleaning up in an effort to at least do something positive. I always try to do this at least once out here and obviously, after the storm, there's a lot more plastic and rubbish than usual.
At some point I find this large, round bit of metal - some kind of machinery part, I think -- that's too big for the bag, so I take it to the bins on its own, leaving the rubbish bag on the beach. And when I come back for it, something among the stones beside it moves.
Specifically, it pulls its head sharply inside its shell
So, meanwhile I've been trying to learn some Greek with the help of Duolingo.
I currently have a 33-day streak and... I have questions. Shouldn't I be able to use the past or future tenses by now? Shouldn't I be able to say "x is like y"? I can't do those things. But one thing I absolutely can say all day long is έχω ��ια χελώνα : I have a turtle.
This is far from the limit of Duolingo Greek's turtle-related content. "An obsession with turtles" is my mother's characterisation. I can inform you that the turtle is not a bird, and, improbably, that the turtle is drinking milk. I can introduce you to a turtle in company with a horse and an elephant. As far as Duolingo is concerned, it really is turtles all the way down.
Now this, you may be able to see, is not a turtle. It has claws rather than flippers. It is a tortoise. I know there are wild tortoises in Greece: my aunt once rescued a pair of them shagging in the middle of the road -- but that was up in the mountains. I've even seen one myself, but it was also on a road and very dead.
I am 95% certain they don't belong on beaches. There's nothing for it to eat, except, unfortunately, a lot of plastic. Even if it gets off the beach it will immediately find itself on a road where it could get hit by a car. I'm pretty sure it must have been washed down by the floodwater and has been just sitting there, dazed, ever since.
Now obviously the first thing I want to do on encountering this unusual animal is to go and tell my mummy, so I do. The tortoise immediately brightens her day. She agrees that the tortoise is not happy on the beach and needs to be taken somewhere safe. it gets surprisingly wriggly when picked up so we put it in a carrier bag with some grapes and cucumber and go looking for somewhere to rehome it.
We find a path leading up between the houses towards a likely-looking field, but before we get very far a dog in a yard goes berserk and a man's head pops over a fence and demands to know what we're doing. He does this in English, as evidently we're just that obviously tourists.
"I found a tortoise on the beach!" I explain. "We want to find somewhere to put it."
"A what," he asks.
"It's like a, you know," I begin and then to my astonishment I find myself saying... "μια χελώνα"
"Oh! A turtle!" he says.
"But from the land. δεν είναι χελώνα", [it is not a turtle,] I say, as I am worried he will tell me to put it back near the sea where I found it. As it turns out it actually IS a χελώνα, Greek does not distinguish between turtles and tortoises, but I don't know that; I can't even name the days of the week or identify any colours other than pink yet, give me a break.
The man's entire demeanour changes and thaws. He does not worry about my turtle-that-is-not-a-turtle conundrum. He knows where οι χελώνες come from and where η χελώνα μας belongs. He leads us through a gate into a courtyard area.
"[somethingsomething] μια χελώνα," he explains to the assembled onlookers, of whom there are, suddenly, a surprising number.
"ΜΙΑ ΧΕΛΩΝΑ!!!" crows the throng of delighted small children, who are, suddenly, everywhere.
"μια χελώνα!" I agree, accepting that at least for current purposes, that is what it is.
"Μπορούμε να δούμε τη χελώνα σας; [can we see your turtle?]" asks an adorable little girl, shyly, and I understand??
The children fucking love looking at the χελώνα and showing it to them is kind of magical?
I finally put the tortoise down on the grass of this wild area off to the side of the courtyard, and marvel aloud that it is weird that I barely know any Greek except how to say μια χελώνα.
"I think she will soon run off," a kind lady called Aspasia assures me, seeing I remain slightly anxious about its fate. "I don't know why I'm saying 'she'. I suppose because χελώνα is feminine in Greek."
"Yes! I know that!" I exclaim, thrilled.
"Well done!" she says. And also she asks if we are OK for drinking water after the storm and if we need any help with anything and is just generally incredibly lovely and now we know more of the neighbours!
So "μια χελώνα" has just become, by a long way, my most-used and most understood and all-around most conversationally successful phrase in Greek. So I guess I have to admit I was wrong to doubt Duolingo's wisdom: it is correct to be obsessed with turtles. And I concede that prior to learning how to count to ten or to distinguish right from left, the simple ability to yell the word TURTLE over and over again is, it turns out, a crucial element of the responsible traveller's social skills.
(I am pretty fluent in Italian and turtles haven't come up in conversation even once?)
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I do have to impress on anyone who wasn't around for it how batshit the reality boom of the 2000s could be. Especially on Fox.
Here are some 100% real 2000s reality shows:
Who's Your Daddy? A woman has to guess which of eight men is her biological father. One of them really is, and if she guesses right she wins $100,000. If one of the seven fake dads convinces her to guess them, he wins $100,000.
Black. White. A white family learns about racism by living a month in blackface, while a black family spends a month in whiteface. The black family was a real family, but the white family was just some actors hired to put on blackface to prove racism exists
Without Prejudice? Five strangers decide which of five strangers gets a cash prize based off clips and their answers to political questions. Cancelled when one of the choosers openly said he'd eliminate all black contestants
Welcome to the Neighborhood. Three conservative white families in a Austin subdivision decide which diverse family gets to move in. Unaired due to being literal housing discrimination
Seriously, Dude, I'm Gay. Two straight men try to pass themselves off as gay and whoever seems more gay gets $50,000. Unaired due to. Due to. Due to
Playing It Straight. A woman tries to find love among fourteen men, half of whom are straight and half of whom are gay, and she must eliminate two men she believes are gay each week. If she ended up picking a straight man in the end, they'd split a million dollars; if she picked a gay man, he'd win a million dollars
Boy Meets Boy. This was Playing It Straight but starring a gay man and he had to eliminate straight people
Who Wants to Marry a Multimillionaire? He wasn't a multimillionaire. He didn't even have a million dollars in liquid assets. He had a battery conviction Fox claims they didn't see. Because it was the 2000s, somehow this ended up with the woman he won being widely vilified and turned into a national punchline. How dare she complain about a massive corporation tricking her into marrying a lying abuser, good thing Matt Lauer's there to take her down a peg
The Swan. A "ugly" woman is given plastic surgery and wins a prize if she's the hottest at the end of the season. If she's not hot enough by the show's standards she's eliminated and called ugly on national TV
The Biggest Loser. Overweight people engage in competitive crash weight loss that often led to awful health complications. Studies showed basically everyone on the show regained any weight they lost once it was over and they didn't have abusive trainers demanding they take huge health risks to win a competitive weight loss competition. Like the others, this one was cancel-oh, it was a massive hit that ran for 18 seasons? Yikes!
Wife Swap and Trading Spouses. These were the same show and had a wife from one family go to another family that was different politically, racially, culturally, religiously etc. Most famous for the God Warrior
At the time people focused on the likes of Fear Factor but looking back it's wild how many of the worst shows toyed with politics. So many of these shows have a premise that's like "what if we exposed these conservatives to these people they hate?" or hyping themselves up as Important Experiments. Then they'd freak out when they got the kind of viral bigoted freakout they were trying to construct the whole time.
There were also a bunch of horrible reality shows, thankfully this time mostly unpopular, in the 2010s that based themselves around economic themes as a response to the market crash, but that's a story for another time
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I read a very interesting article recently.
Hiroo Onoda is a famous name among WWII history buff circles. He was the soldier who disappeared into the Philippine jungle at the end of the war with three other soldiers, and ended up being the last to surrender after 29 years fighting a "guerilla war" until he surrendered in 1974. For at least twenty years he fought with one other, Kinshichi Kozuka; who was killed by police in 1972.
The article was about one woman named Mia Stewart, a Filipino-Australian, who's trying to get the funding to finish a documentary she's been working on for about 20 years.
The documentary she's making is trying to shed a little more light than the fascinating "lone samurai" legend that has been built up around Onoda. It very pointedly asks one thing -- what is this "guerilla war" he was fighting for 29 years? Who were his opponents? Who was he fighting?
Onoda (and Kozuka until his death) were killing, sometimes in very gruesome ways, almost exclusively Filipino civilians. Innocent people who were just living their normal lives -- who couldn't fight back. One of their victims was Mia Stewart's great uncle, when she was barely two years old.
The article essentially asks, "war hero or serial killer?"
Those civilians he stalked and killed or stole from for nearly thirty years weren't ever asked their opinion before the Filipino president gave a blanket pardon, Onoda was welcomed home a hero, and he gained worldwide fame. Their side of the story entirely forgotten as some nebulous force he was fighting "guerilla warfare" against.
It was genuinely kind of enlightening because even I have kind of looked at the Onoda story as a, "wow that's crazy" and never really gave it more thought of "who exactly was he fighting?" I figured he was shooting at cops, if anything. But no, it was nothing as simple as that.
The documentary is not out yet (she doesn't have the funding to finish it, the article was essentially one long ad to go "and if you can donate please do so") but there is a nine minute extended trailer from two years ago
On some level I think if I'd just given it any ounce of thought I'd have gone, "who was he fighting actually?" But instead I just assumed he spent nearly thirty years fighting cops… not doing what the IJA did best and mutilating helpless civilians. But I bought the popular narrative entirely and didn't give an ounce of a think at the question of who was he fighting in this 'guerilla war.'
"Actively fighting a war… against who?" is a question that just straight up never came to my mind.
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