#and I bet a lot of people

[rapidhighway]

idk, i know ed is common in people with adhd so it's probably a touchy subject to a lot of people, but I'm tired man

[dreamsy990]

you know i used to think it was weird how sora and roxas have such different personalities for supposedly being 'the same person' but after playing a few games i sort of realized that they do have similar personalities, because roxas acts how sora does when he's under extreme stress.

compare roxas to sora in, say, kh1. that's where a lot of peoples idea of sora's personality comes from. sora is generally very upbeat and optimistic in that game. not very similar to roxas, right?

but let's switch the game and talk about a game where sora is ABSOLUTELY GOING THROUGH IT. chain of memories.

sora's resting state is melancholy in com. he only ever cheers up in short bursts, usually when he's joking around with friends. just like roxas.

he's quick to anger, and tends to lash out at the organization members. best example of this is when larxene makes him 'remember' namine, and he swings at her repeatedly, even after she's gone. he only stops when jiminy is able to snap him out of it.

you know what scene that resembles?

sora, while a bit more on the angry side and less sad, continues to act like this in kh2 when he's in stressful situations. (he also has a tendancy to insult people which, while it's not very related to the point, is very funny and sora saying 'gonna cry?' to xigbar is great.) i cant comment any further than that about kh2 off the top of my head.

so, roxas acts like sora does when he's stressed, right? but why is roxas always acting like that? to which i say, he isnt!

he only ever acts like that when he's also in fucked up and stressful situations, which happens to be a CONSTANT in his life. but when he's hanging out with axel and xion, a decidedly NOT stressful situation, he's a lot more like sora. he's teasing his friends and insulting his coworkers and joking around and acting like a normal kid. not really important, but unless i misremembered some sora lines which is VERY possible, both roxas and sora respond to friendly insults with "oh thanks!" a lot. just a funny little detail that felt relevant.

the biggest differences between roxas and sora boil down to environment and... i dont know how to put it besides volume? roxas is very quiet and tends to keep most of his thoughts to himself, while sora is very loud and expressive in comparison.

there is one other huge difference i noticed, which is less character based and more story. sora wanted to get off destiny islands and explore with his friends, but roxas just wanted routine. sora wants adventure, and roxas wants things to stay the same, for days where he gets off work and eats ice cream with his friends to last forever, to keep having conversations about nothing and watching the sunset. roxas wants normalcy, sora wants excitement. it's just interesting seeing their contrast.

not sure if this is very well said or anything i just wanted to talk about my boys

[poorly-drawn-mdzs]

Mo Ran fails to master the art of pspsps (continuation of this)

(For @airagorncharda)

[handmedownpocketpussy]

You know how white people use being scared as a weapon? All those videos of white women saying, "I called the cops because I felt like I was in danger" and how white guys have tiktoks about, "You need at least one semi automatic weapon close at hand at all times to defend your family" kinda shit?

That's what bothers me so much about watching fellow jews acting like just seeing a Palestinian flag or keffiyeh somehow automatically makes a place unsafe.

I mostly see it in US American jews posting about how they feel threatened by a Palestinian flag, or saying that anything referencing not wanting thousands and thousands of Palestinians to die is 'a call for jewish genocide'

Y'all. No. This tells me you have never interacted with a Palestinian or even the Muslim community at large. We diaspora Jews are not the victims here.

Your assimilation has ended on the path of weaponisation of your fears, which is not a great place to be.

If you honestly believe "The only safe place in the world for Jews is Israel" you've bought into someone fearmongering. I'm begging you to investigate why you bought that lie and who is benefiting from you buying it

[lgbtlunaverse]

Most annoying NMJ or JC take is when someone that dislikes them is like "oh you're a fan of him? *scoff* Well obviously you've only seen cql, where he was super watered down. In the novel he's a dislikable asshole and that's the objectively superior canon I'm working from instead of your woobified fanfic." Meanwhile your main canon is novel canon and you genuinely find novel Jiang Cheng and Nie Mingjue complex sympathetic characters.

[carnivalcarriondiscarded]

Does

Does Barnaby

Does Barnaby tell the others to get off his lawn when he's angry

psh, who do you think he is, an old man? he'd Bark, like any lively young dog

[canon-gabriel-quotes]

Wear headphones :]

Transcript:

*grunting*

I'm- I'm coming just- Tch

I'm almost there... Agh~

Audio Source

ok fine here's the context

Transcript:

Yay! I'm finally at the top of these stairs! *laughs*

[screaming-universe]

Sparring session - they take it very seriously and Buck learns a lot from just watching, I promise ^^

🧡thank you @buffaluff and @hisbucky for helping me with the panels! progress below the cut

[sadisthetic]

BURST💥

[of-faery-descent]

I owe @littlepatchalchemist for the idea behind this one

[civilization-illstayrighthere]

Hey so I’ve mentioned this a lot of times on my main blog, but I wanted to put this out over here since it is Hallow’s Eve. I always give out little tchotchkes on Halloween along with candy. This year, I’ve completely switched over to 100% doohickeys and doodads— think mechanical pencils, shaped erasers, little notebooks, squishes, vampire teeth and spiders rings and all. It started years ago in college when I signed up for a dorm Halloween event where kids from an area that was too dangerous to really trick or treat through got bussed in to trick or treat at our dorm. I bought some candy and dollar store Halloween themed stuff with what i had. And you know what the kids went ape shit over?

Motherfucking. Mechanical. PENCILS!!

These kids could not get enough of them. They literally went “PENCILS??!” I had never seen kids get so hyped up for pencils lmao. They were the first things to go. Candy is fleeting; the little pencils you can bring to school to flex are eternal, until you inevitably lose one of the refill parts and then they aren’t but listen, in that one moment they are infinite. And its nice thinking that maybe some kids who don’t always have access to school supplies not only get them, but get them in fun shapes and designs.

Anyway. I recommend people to give out fun stuff like this not just because kids seem to genuinely enjoy them, but also because there’s this thing called the Teal Pumpkin Project here in America. You can put out a teal pumpkin to show that you are giving away non-candy items and sign your address up so parents of children with allergies know that there are houses their kids can safely and happily trick or treat at! It’s a win-win! Plus, if you accidentally bought too much, it’s not like candy— just pack it away, pencils and fidget spinners will be good next year, too! :)

[mynqzo]

i have a history of being into a lot of nicher media growing up and even now when I'm into smthn big like bg3 my brain still fixates on smaller non main characters. this is something I call the oh but that other guy syndrome

[shortnotsweet]

all bets are off [1/3]

Lucemond High School AU drabble [part 2], She’s All That (1999)

“Am I a bet? Am I a bet, am I a fucking bet?”

“Yes.” It comes out quietly, which makes it all the worse. Luke would have expected Aemond to sneer and look down his long nose at him like the Hightower side of the family had for most of their lives. Luke wishes he would. It would have made it easier. Aemond’s face reflects no relish, or even satisfaction. Instead, it is pale and unreadable. Fitting, perhaps; as it turns out, Luke had read him wrong this entire time.

“Would you have told me before it was over? Before you humiliated me in public?”

The silence speaks for itself.

“Alright,” he scoffs, “that’s it, then.” The bitterness in his voice has an unfamiliar edge, and it sounds mean even to Luke, but it’s right. That’s how he feels. “You played your little game, you had your fun. I get it. It’s over.”

“No.”

“No?”

“It’s not over.”

“It is if I say it is. I don’t want anything from you, and you—you can shut up about debts, or what I owe you. We don’t have to know each other after this.” It’s true; they don’t have any classes together. They run in the same circles but that’s nothing some convenient maneuvering and strategic avoidance can’t fix. Their sides of the family voluntarily meet up for a miserable dinner once every three months and holidays. Luke can make it work.

Aemond’s remaining eye widens and his mouth thins. His face is readable now, at least; he’s livid. In a second, he lunges forward and grabs ahold of Luke’s wrist, trying to drag him back towards himself, to reel him in like he had all those months ago. Luke digs his heels into the ground instinctively, bracing away from the pressure. Luke used to like how big Aemond’s hands were in comparison to his own—the encompassing warmth, the difference in size—but now his grip tightens and locks like a handcuff, squeezing Luke’s wrist to the point of crushing. It hurts. He’s hurting him. Aemond is older and bigger than Luke, he always has been, and now he presses in like a storm cloud blocking out a clear sky.

“Luke, it wasn’t—it started like that, alright? It was like that in the beginning, but not now. It’s different now, I’m not—just look at me!” There’s something frantic in his words, the way he hovers over Luke like his shadow alone will cage him in. This isn’t the first time Aemond has struck the flight instinct in him, or the urge to fight, but it resonates through Luke’s core nonetheless. There is too much of him near. “I would’t have told you because there’s nothing to tell, not anymore.” Luke cranes his neck to peer over Aemond’s shoulder, searching out the best escape route. “It’s not over. You don’t mean that. We just…this is a rough patch, that’s all. It doesn’t matter how it started, it matters what it is. It’s good now, isn’t it? I’m good for you, I can be whatever you need, I’ll keep you happy. You like me, right? I know you do. I know you like me. Just get in the car, and we’ll talk about this later. Not now. Not like this. Look at me, don’t—don’t be like this. Luke.”

“I’m going home.”

“No. It’s late. You’re going back with me.”

“Let go.”

“Not until you listen.”

“Get off of me,” he snarls, launching himself backwards and ripping out of Aemond’s grasp. “Don’t touch me.” Aemond rears back at this rejection.

“Who else is going to do it? Lonely little Luke, eating lunch alone. Stupid, useless, weak. Can’t play sports, can’t speak in Debate Club, Mommy pays his tuition. He almost wets his pants when someone pulls the fire alarm. Who else is going to touch you, other than me?” Aemond’s mouth curls into a grin; he’s done it before, all sly and cruel. It looks ugly. He never changed, did he? How did Luke never see it before? “You didn’t fuck, didn’t drink at house parties, didn’t go to the beach past bedtime—hell, you probably never rode in a car without buckling the seatbelt. You were so eager for it, and I took you so easily. No one else could do that. No one else can touch you now, not like I can.”

It would have been true five months ago. Poor, common-looking Luke, who blended in with the walls, kept his head down, and startled at car alarms. That Luke was surrounded by gems, by brothers and uncles and friends who excelled at something, who carved names out for themselves. The Luke from five months ago would have balked at this, would have shrunk into himself and cowed to the truth. That Luke thought no one watched him, but he would’ve known if he just looked up. The Luke from now knows what the truth is, for the first time, and it’s nothing that comes out of Aemond’s mouth. Luke knows himself better than he ever has, and knows Aemond like he never wanted to before.

“I don’t think that’ll be any trouble, Uncle. Don’t worry about me,” Luke snorts out without thinking. “If I need someone to give me a ride, it won’t have to be you.” It doesn’t. It won’t. “I can buckle my own seatbelt; better yet, someone else can buckle it for me.” The uncle in question stills.

“Say that again.” He blinks, a curious expression settling over his features. “Say that again.”

“I said, it doesn’t have to be you. Other people will touch me. You’re not the only one around here with a working dick and something to prove. You lost an eye, not an ear. I should’t have to repeat myse—” before he can even finish the sentence, Aemond grabs him again, fingers curling over his shoulders like talons. Luke’s breath stops in his throat. Aemond’s face is so close they could kiss. Instead of leaning into it like he might have a few hours ago, Luke cringes backwards. Never again. The wounded expression on Aemond’s face gives him some satisfaction, but then his mouth morphs into a snarl and Luke would bet anything—his mother’s money, his own life, or whatever Aemond must’ve taken when he made that bet in the first place—that both of his eyes are glowing right now. The prosthetic below the patch shines like a jewel in its socket anyway, but the working eyeball in his head works furiously, searching across Luke’s face for something.

“What did you say, you little shit?” Aemond seethes. “Is there someone else? You have someone else, you were thinking about someone else?” he hisses into Luke’s face and furiously shakes him like a child would a broken toy. “Who is it?” he demands, sounding desperate now. “When? Is it Stark? Aegon? Greyjoy, that waterlogged rat? Daeron? Did one of them touch you—did you let them? Did they kiss you? Tell me, you fucking bastard.” Luke tells him the truth.

“That’s not your business anymore.”

“Not my business? Not—hah, not my business?” He’s so angry he’s spitting. “Of course it’s my business. It always has been. You’ve always—always, there’s never been a time when—you little idiot. Don’t you get it? You’re mi—”

Luke slaps him.

[mishy-mashy]

I said this in a whole reblog, but just copy-pasting to a separate post because I think it'll give some reading comprehension and reblogs don't show up in the search feature.. again, I'm reiterating what I said in another post.

Go check out @demidokuriya 's post for this; OP's post made me put this all down in like. 20 minutes. Mind went vroom vroom cuz HEY THEY'RE ONTO SOMETHING.

(They also reblogged the post with some hint to some behind the scenes of what led to the ideas if you wanna check that out)

Look below at how, when Mineta told AFO to spare Tokoyami, AFO specifically went "..."

He remembers Jirou and thinks, The braying howls of the weak...

He was going to take Tokoyami's Quirk. He took Hawks'. But after Mineta pleaded with him, AFO just straight-up left and didn't take anyone else's Quirk.

AFO saw Yoichi in Mineta.

These scenes are near-identical to each other.

Mineta and Yoichi (at that time) are both much smaller than the normal person at their age

They're both hurt, yet dragged themselves up from the ground to throw something at AFO, to get his attention and make their voice

Both are considered weak, even if they have a Quirk (Mineta's Pop-Off and Yoichi's undeveloped Factor)

The fact that Yoichi got AFO's attention here by throwing a can at him, while Mineta got his attention by throwing a Pop-Off ball; and it stuck.

Mineta's call for his attention landed and actually stuck to AFO. This is unlike when Yoichi and his can bounced off, and AFO kicked him, not listening to him; AFO listened to Mineta and left Tokoyami alone, technically doing what Mineta wanted—to not hurt this person.

AFO just went on to hurt more people away from Mineta's [Yoichi's] eyes so the small weakling wouldn't see.

Yoichi and Mineta both cried to AFO to not hurt in his ways, when AFO was intent on stealing people's Quirks

AFO even stole Hawks' Quirk during this time.

He had time to steal Hawks' Quirk, and though he could've tossed him to the side, he let Hawks stand in his way.

He had the energy. Right after this event, he flew off and left the scene. But he didn't go for Tokoyami immediately.

And this let Mineta play his part, and remind AFO of Yoichi.

"A putrid, festering Quirk Factor."

That sounds like Yoichi, AFO.

".. such garbage."

Hey hey hey, what did Yoichi throw at him when they were kids?

A discarded can. Garbage.

This chapter (385) where AFO listens to Mineta is literally called [A Youthful Urge].

Mineta told AFO to take his Pop-Off (hurt him) instead. But last time, AFO hurt Yoichi by kicking him; this time, AFO not only listened to Mineta to not hurt Tokoyami, but didn't touch Mineta at all.

Even though this time, Mineta [Yoichi] offered to take that place of suffering.

Yoichi didn't do that back then. AFO just turned on little Yoichi anyway.

Yoichi through his whole existence is literally [the braying howls of the weak]. AFO acknowledges he's weak and idealistic, yet he still loves him.

Side note about this panel, I think it's interesting that in this vision, this was the first time we saw Yoichi's eyes: when he was being defiant, despite being pushed down by someone much stronger than him.

Really characteristic of him, honestly. Yoichi's soft-spoken and frail, but it's always reiterated that Yoichi had a powerful will against his stronger big brother.

Mineta at this moment reminded him too much of Yoichi, because the two scenes are near-identical to each other. Parallels, really.

Reiterating something from OP's post that I reblogged this from;

"The reminder of his brother made him uncomfortable, so he hurried away."

AFO didn't want to hurt Yoichi again.

[canisalbus]

I'm sure you get loads of these but heck I said I'd give it a shot anyway!

Your artwork is so inspiring and beautiful. I recently graduated from art school with a degree in Animation Production but I've decided I'd love to be an illustrator some day. Your work really motivates me and gets my brain juice buzzin. Keep it up!!!

.

[ladycrimsonandblack]

Love that Oda had to add a refresher about Dorry and Brogy since we last saw them more than twenty years ago.