#and I find it odd because

[isfjmel-phleg]

"

[danikatze]

[ID in alt text]

I've made two Halsin and Tav sketches this week and I'm working on digitally colouring them, as I don't think I like them enough to post as they are, but this one I like very much :3

[uncanny-tranny]

I went to a local yarn store for the first time, and while I was there, somebody was talking about getting a beginner's knitting kit, and she inquired about when lessons were, and when she was told that they'd be happy to sit down with her and teach her, she was so delighted. She talked about how excited she was and how much she wanted to learn to knit, and it just... it made me fall in love with humanity. It was this pure, unadulterated happiness coming from somebody and it was so genuine and kind, and I couldn't help but smile.

I guess all of this is to say... every moment, there are tiny little joys like this all over the world, and it makes this life worth living. I hope you witness and feel joy this simple, this pure.

[terranceholdsapencil]

"Youre a leftist?"

"Yes!"

"So you understand why the police as an institution are inherently bad?"

"Yes! All cops are bastards."

"ALL cops are bastards?"

"All cops are bastards"

"And you wont fall for copaganda?"

"I will keep away from it and not fall for it, yes sir!"

"Whats this then?"

"Dont bring the boys into this"

[somereallygreathair]

[snackugaki]

and the template here: https://twitter.com/KarlaDoodlesPen/status/1495943787138408457

That's my girl since i was 12 in 1997 and that's my girl at 38 in 2023

[slingbats]

bloody mess

[lexyscross]

If I had a nickel for every time one of Matthew Lillard's characters was the serial killer relative whom another character, whose name starts with V, doesn't want anyone to know is their relative, and then that character got stabbed... I'd have 2 nickels, which isn't much, but it's still weird that it happened twice.

[vyeoh]

What if I make a good omens figure skating au but instead of making them go to the Olympics they're literally just regular skaters at some club in Indiana or something

[malcontentonline]

hiii, I already adored your art from the comic of metal and hoki and married Kkgai - and to now see you put kkgai in founders time is giving me so much dopamine 💥 any chance you could elaborate on the dynamic between Madara and Gai ? :] how does he interact with the other founders ?

thank you very much for the kind words!!!

(Sorry I took so long to answer this I wanted to finish a lil comic I’ve been working on that basically contains what would have been the first meeting of madara and gai in the fic but that is going to take a fair bit longer so I hope you don’t mind me just answering with some doodles)

first up the dynamic between the founders, gai and kakashi is as follows:

The black haired guy at the top middle is kakashi he actually is in disguise most of the story because he’s trying to be really careful and not alter the timeline too much.

This causes its own set of problems when gai after being told by kakashi to stay put and not interact with anyone (gai was not meant to join kakashi in the past and they weren’t meant to go back so far so kakashi is a bit disoriented) mistakes madara for his eternal rival and interferes with an ambush to help him escape unscathed. Madara witnesses here the 6th gate for the first time and decides to kidnap gai and keep him as a prisoner until he’s figured out what the heck gai did to spontaneously get stronger.

Gai tries to figure out the lest future changey way of escaping and finding the real kakashi while madara tries to figure out gais deal generally. Eventually gai agrees to spar with madara on the condition that madara sends people to search for his rival.

Their sparing matches are actually really interesting! Gai is exceptional at countering the sharingan but madara is a far more experienced fighter both of them are a fan of a good fight so they actually end up growing closer through these fights (this relationship development would actually have been a large part of the story)it doesn’t help that they both remind each other of their respective rivals, so they sort of fall into a closer relationship than they would naturally because they both miss them so much.

Their would likely be dashes of madagai in this story but ultimately they’re not each other’s endgame so it would only really manifest in like madaras musings about what a world where they got together might look like. As well as the occasional crisis of faith from gai where he weirdly feels like he’s cheating on kakashi despite them not actually being together till the end of the story.

So yeah hopefully that illuminates the dynamic a bit more :]

here are some silly doodles:

[sirenofthegreenbanks]

《山河令》 WORD OF HONOR (2021) | Episode 20

Dear, the kiss that steals your breath Will steal your soul instead When night is all that's left So wait, keep your heart inside My hand won't keep it safe I'll just feed on dreams and smile as hope slowly dies –The Rigs, Run Baby Run

[loveletterworm]

Unimportant but slightly funny thing i just found and had never seen mentioned before: The variable used for displaying what chapter you started your deltarune save in on the light world’s stats screen (oddly not the dark world’s...?) is called “krispreservationsociety” (society for the preservation of krises)

i actually somehow never noticed this was a thing that displayed at all this whole time i suppose i just never looked at this screen in chapter 2...

[sanshinexx]

Here's part two of drawing my family pictures as the Bad Batch because I can and you can't stop me

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[meggie-moo]

one of my biggest fic pet peeves is when they make a canon bi character gay, like?? there’s no need, they are already attracted to the same gender? literally what is the point of erasing their bisexuality, when it literally does not change the possibility of your ship happening? 😭 idk, it just does not sit well with me, lol

[erstwhilesparrow]

hey does it ever make you kind of crazy that post-reunion, c!owen introduces himself to us as owen agarci? agarci as in the name of the demon he shot in the chest during his trial? we know that's not c!owen's real last name -- he tells us so right then and there -- but i think it matters that of the last names he could have chosen for his lie, he took this one. his last name might have been the only thing he still carried with him of his family, of his past before the attack, and he refuses to use it or admit to it.

because it is an introduction, y'know? his narration, after the reunion, is a way of remaking himself in our eyes -- he is not the person we thought he was, so he needs to introduce himself again. and here, the thing he claims as his originating point, as the moment from his past he wants to carry around with him in something so fundamental as his name, is the moment he first killed a demon. this is the most important piece of his past. this, he is telling us, is where he comes from.

i think a lot about how we never actually see owen's parents. i don't even think we get their names? we get their voices in flashbacks over shots of empty fields and unpopulated streets. there is a kind of blankness to owen's past, or to what owen will reveal to us of his past, that forces us to take on faith that he is telling the truth when he talks about his own history. there is no one who could say otherwise; all the people who might have known him before he was a soldier and then a general are almost certainly dead.

it grants owen a fascinating degree of control over his own history. of course he can remake himself in this way, of course he can tell any story he wants of himself in this way; there's no one left to dispute his claims. in a way, he is his own origin -- as he tells us the story of his life, he is also creating that story. he came out of those woods with nothing but a bow on his back, no history, no one still living who could call to him by name. whatever life he lived before that point doesn't matter -- the thing that fundamentally made him the person who walked into town and demanded to join the army wasn't the life he lived with his parents, it was the violence he'd been exposed to and the violence he'd discovered himself willing and able to engage in. or so his story goes.

do you think when he woke up at the bottom of that elevator, memories wiped, nothing left to him of his past, there was some strange sense that he had done this before? do you think he rose up toward the light of the clearing above, empty-handed and alive, his entire life before this point a history waiting for him to tell it, and wondered why it felt familiar?

or maybe it's that he's refusing us. because following his turn during reunion, there's almost a sense that he has tighter control of the camera now. he addresses his 'voices' nearly antagonistically, wishing we/they would go away, responding and talking to us/them in a way that feels harsher than how he's addressed chat in the past. he's frustrated with us/them: why are you still here, i thought i was done with you. he accuses us/them of only pretending to care, of lingering not so much out of concern or any desire to do something as out of some morbid curiosity. there's a degree of access to him that we seem to have lost. it's as if he's finally certain that there is an audience, and what he's willing to show us shifts.

there's something really lovely and horrifying about a lot of the more scripted sections of owen's pov after the reunion. how it shows us things only he knows (the knife in his hotbar for much of his dinner conversation with guts, the beat where he grabs his backpack and reaches for a weapon when it seems like ayngel is about to recognize him, the interaction with puddy in the second clearing when he visits with krow), but we are nevertheless shut out of his interiority as he starts talking less to others, starts favouring third-person camera shots and narration where he gets to step out of the moment and talk to us directly. you can even think about the 'scripted by owengejuicetv' segments after each kill as signalling this: he has such visible direct control of the story we get to know now. he is the one who gets to tell this story, who gets to move the pieces on the board. here's what happened, he says to us. this is how it went. this is what i do and who i am and here are the parts that mattered. do you ever think about how rasbi's ending wasn't streamed from her pov? do you ever think about how the only witnesses to rasbi's death were rasbi herself, and owen?