#and I have no clue whats going on in the fandom

[daistea]

Hi Daistea! You are absolutly THE Mithrun writer! You catch his essence so well

I was wondering if you could write a prequel to "first burn"? I would love to hear more of his thoughts about cultivating his desire for intimacy and affection with reader

Thank you so much for doing such good for the fandom!

Thank you friend! Here you go, though I kinda just.. rambled with this one. I was just having fun, I hope you like it.

Mithrun x gn Reader

Post-Canon / spoilers maybe

word count: 2,200

───── ⋆⋅☆⋅⋆ ─────

It wasn’t as if there was a handbook on how to cultivate desires. It wasn’t as if ‘normal’ people understood and recognized the process of desire. It wasn’t as if Mithrun had any clue what he was doing. 

 That, in and of itself, felt like a swaying tightrope he was only barely balancing on. Atop that, discomfort was a new concept. The end result was only more stark, suffocating discomfort. Mithrun usually knew what to do; if he ever had to figure something out, the solution came quickly, effortlessly. He was beginning to think he’d been spoiled in that area. Having such unfettered focus lended itself to problem solving. 

 Mithrun watched you. Perhaps he could be the one to write the handbook on desire. And there’d be an entire chapter dedicated to you. Was it possible to have a desire for desire? He supposed as much. He was stuck on the outer rims of the feeling, staring through a dusty window at what could be if only he could be. He was a planet stuck in the farthest orbit from the sun, and it was cold, and nobody really saw him there in the sky because he was so damn far away. 

 You ran your fingers through your hair. His attention snapped back to you like a taut rubber band. There must be a footnote in the handbook on cultivating desires about your small habits. You fidgeted, you shifted, your smile twisted into different shapes depending on your mood and every one of these habits must be footnoted. 

 Mithrun couldn’t help but make a grimace. He rested his chin in his palm and tore his gaze away, instead following the lines of the wooden panels in the wall of the restaurant. The handbook was going to be long— Gods, he wasn’t going to write it, he didn’t care enough to put in the effort. Nevertheless, one of the jagged lines in the wood paneling unlocked something within his brain. The very fact that he relentlessly took note of your every minute detail said something. 

 What did it say? Mithrun moved onto the next line in the wood. It gave him nothing. What did it say, Mithrun? What was the implication? It isn’t a hard question, Mithrun. Just answer. Just say it. Just—

 He clenched his fist. He clenched so hard that his knuckles turned white. You were still chatting away with the restaurant owner and he had half a mind to grab you by the waist and teleport you elsewhere, a place where you’d only pay attention to him. Only him. Perhaps that would answer the devastatingly easy implications that confounded him. 

 A wandering part of his mind, a traveler— which was a new feature: wandering— brought forth a query. What would you say about his inner turmoil? Most likely something along the lines of ‘I’m proud of you for trying, don’t pressure yourself so much.’ And he would ignore your words entirely because Mithrun wanted to want. 

 He must do something. There was that objective knowledge of what the situation required, it wasn’t exactly desire, but it was motivating. You deserved more. You deserved to have your hand held. You deserved kisses on your neck. You deserved gasps and moans and weak knees. He imagined the scene; you, beneath him, or in his lap, perhaps. You, closing your eyes, brows furrowed, whimpering as you sunk down and…

 Nothing. Mithrun knew he was making some sort of face, because a half-foot scurried past his table with wide eyes. Whatever. 

 Enough, he decided. It had been forty years since he had experienced any form of physical intimacy. While some feelings were more difficult to connect with, frustration was one of the easiest to identify. He’d had enough.

 Without a word to you— he probably should’ve given you a word, but he was in a hurry— Mithrun called upon his mana, the lingering spirits, and clenched his fist. A fourth of a second passed, a blink of an eye. He didn’t mean to end up on the kitchen floor of his apartment, but fine. It didn’t matter. Nothing mattered but you.

 Mithrun sighed and laid back. The tile was cool on the exposed skin of his hands as he stretched out his limbs. There were cobwebs in the corners of the ceilings. He could already feel a dull headache coming on from the hardness of the floor. Okay. 

 Routine: eyes closed, deep breaths, sinking into the floor and smelling the air and hearing the sounds. His kitchen smelled like soap. The sounds were absent. Images of you flickered through his mind, a rope gently tied around his body, pulling him deeper into the warm flood-waters. He imagined your arms, your waist, your thighs, your lips, your eyes, your laugh, your gasps, your stare, your hair, your hands, your knees, your chest, your stomach. Then, running his hands up your waist. Holding you. How would you feel with your body against his? How would your hand fit with his? 

 For a moment, Mithrun felt his heart pull and twist. Objectively, that was the physical reaction to adrenaline hormones in one’s body; anxiety. Yet, he didn’t believe he was anxious. He took a moment to wrack his brain, and the process of doing so always reminded him of the file room in the old Canaries headquarters. Papers would flip across his thumb as he searched for the right information. All he needed was a glimpse of the right set of letters, the right combination of words, until he found what he needed. 

 For an elf, forty-ish years wasn’t too long. Mithrun had spent the majority of his life as an entirely different person— may he rest in agony. He sometimes looked back on memories in order to identify a feeling. Past Mithrun would feel that pull and twist when Lord Kerensil made those snide comments about Mithrun’s biological father. That twist and pull was always present when Obrin idly, innocently, mentioned an investment deal he’d been allowed to participate in, as the heir to the House of Kerensil. That twist and pull was present when he saw Sultha send Obrin those wry smiles, how her lips twisted in a way that made Mithrun sick to his stomach. 

 To even dare associate that feeling with you brought the same nausea. 

 Yet, perhaps it wasn’t about you. 

 Perhaps it was him. Perhaps it was the self-loathing. He’d always carried it like a disease, though the symptoms only appeared in certain moments. Lately, though, he’d been sick with it more often than not. The happiness of a new purpose was parallel to the newfound connection with his more negative emotions. Mithrun supposed that it was person-hood; anger, sadness, joy, attraction, deep and intense adoration that made him physically ill when he meditated for too long about how he couldn’t quite feel the allure of a kiss. 

 That was his person-hood. Mithrun’s life was a constant struggle, and the kitchen floor felt abnormally cold that evening. 

 Kabru suggested that Mithrun keep track of new developments. It would help him, Kabru said. Mithrun had no protests nor interest in the theory, but nothing better to do, so he had a journal. Thus far, only one page in the journal had been filled. It said: 

1. Cheese is alright, preferably on bread

 Very exciting, at least for some— you and Kabru, particularly. Mithrun had a preference! Despite your excitement, you still put up your hands and waved them as if to ward off the positivity, “You’ve always had preferences, you know. It was just easy to overlook them.”

 Mithrun supposed you were right. He had plenty to complain about. That was preference-based, in a way. Obsession over the demon was such a large issue, though, that it left no room for anything else. It was like a flood, seeping into every corner, taking every inch, leaving nothing untouched and dry. 

 The second item in the journal was:

2. Black coffee, two sugars

 That was how he used to drink it. Some things never changed. Even if the timing was different throughout the year, the sun would always rise and set.

3. Desiring some sort of physical contact involving hands (with [name] specifically)

 And when Mithrun desired something, he would have it. Inevitable. He knew from an objective standpoint that carrying on with that view would only lead to disappointment, but the desire to change did not arise.

 Mithrun began taking your hand whenever the opportunity presented itself. 

 The first time, you glanced at him. Your lips were parted and your eyes the slightest bit wider. You looked down at your intertwined fingers. Mithrun did not dare look away from your face as you studied how each finger fit together like pieces of a puzzle— designed specifically for each other. 

 When you turned your head back to the person you were originally speaking to and resumed your conversation, satisfaction like a warm blanket settled over Mithrun’s shoulders and chest. He may have looked a bit smug without realizing it, for your conversation partner sent him a look. 

Next:

4. The palm is more sensitive than I remember. I think it would be okay to use it. 

 Mithrun pressed the palm of his hand against the small of your back. You had no reaction. He wasn’t sure whether to be pleased that you accepted his touch so readily, or displeased that he saw no acknowledgement. He settled for some in-between feeling that even Past Mithrun could not identify. 

 Without putting it into certain words, Mithrun had an idea of why his skin felt so sensitive to your touch. For one, he’d gone so long without physical touch that his nerves were desert dwellers encountering an oasis for the first time. Secondly, it was the broadest part of the hand. The fingers were important, of course, they wrapped and they clutched and they stroked. Yet, the palm was deeper. It was taken for granted. Everybody in possession of fingers used them every day of their life. They were mundane, almost. The palm, though, was for cradling. The palm was for tracing. The palm was—

 Mithrun lifted your hand without a second thought. He’d nearly forgotten what shame felt like, it was another one of those objective feelings that he could identify in others but not quite connect with. Shame was not present at that moment, and he was pleased for that fact. If he had shame, then he would not experience the feeling of your palm against his lips. 

 He held your wrist with both hands. Your skin smelled like soap, and it was not exactly soft. There were lines and ridges on the palm, but he took a moment to memorize the shape of each one against his lips as he pressed a kiss to the spot between your thumb and index finger. 

 Your conversation partner looked away. You looked at Mithrun. He looked at you, his good eye fluttering open and taking in the sight of your expectancy and surprise and fondness and embarrassment. 

 Three seconds passed. Mithrun knew it was three seconds that passed because he counted. One, pause. Two, pause. Three, pause. 

 You swallowed and looked back at the person you’d been speaking to. Mithrun knew them, but didn’t care enough to allow his brain to make that connection between their face and his memories. His gaze was solely on you. Your profile was silhouetted against the orange sunset of Melini. 

 “Anyway, what were you saying?” You asked the person Mithrun didn’t care to identify— because you were the newest flood. You spread in a similar manner, filling up every inch and leaving nothing dry. Something in the back of his mind told him that that wasn’t healthy. Where there was a flood, there was mold and rot and destruction. 

 Whatever. 

 “The state of Melini,” your conversation partner said, “it’s really becoming a nation now.”

 You nodded, “It’ll take time, but we’ll get there.”

 That was such a generic statement, but you believed it. Perhaps the commonplace quality of the statement was what made it less feasible. Yet, when coming from your lips, Mithrun could almost imagine it. 

 Your lips. You said the most wonderful things, even when they were totally common and quotidian. You could tell Mithrun that the sun had exploded, and despite the clear existence of the sun in the sky at that very moment, he’d agree with you simply to see you satisfied.

 The desire to kiss you hit Mithrun like a slap to the face— no, actually, Past Mithrun had been slapped several times before, and he always knew it was coming. The desire to kiss you hit him like the taste of cheese on toasted bread, like the pleasure of a black coffee with two sugars, like the shiver down his spine when your palm pressed against his. 

 And finally, the handbook of desire was written. There were no words. It didn’t need words. 

 He desired you. 

 What even was attraction? What even was happiness and anger and desire? It was so subjective that the answer would never satisfy the inquirer. And Mithrun was tired of dissatisfaction.

 And it was time to act. 

 And it was time to open the gates. 

 And it was time to drown in desires he’d never let himself acknowledge. 

5. Start slowly. Whatever happens, happens. You can want now. 

•───────•°•❀•°•───────•

[bl-bracket]

One of the hardest things about this blog by far are the variations of romanizing Thai names.

I've encountered the problem very rarely with Chinese or Taiwanese names. With Japanese names, I don't think the problem has ever come up (the problem I have had with Japanese names is trying to figure out if I have the names in the right order or if they were flipped to the western order). With Korean names, it does come up sometimes but I think cause I can read Korean (not speak it though), I understand the variations more and understand how the variations happen.

But the problem definitely comes up sooo much more with Thai names, and since I don't have much familiarity with the language, it makes it even more difficult. Especially since the majority of submissions are from Thai dramas, by law of large numbers it's going to come up more often. trying to figure out which spelling is the more popular one on tumblr can be so confusing lol. especially when I'm not super familiar with the show and the submitted uses a different spelling from what's on mdl and I have to make an educated guess based on context clues and the bit of familiarity I have with what Thai sounds like. but even with shows I have watched and been involved in the fandom with, there's always alternate translations that will like add or remove an "h" or something and I'm left wandering which is the more accurate one to use

anyways this was mainly inspired by me having a character submitted with a different variation of the spelling then the one I had seen most commonly used, deciding to consult mdl to see which one they have listed, and in the show's description they had one spelling while on the cast list they had a different spelling.

[thecheshirerat]

On TAZ-

Wow that sounds like I’m about to summarize some sort of discourse but I promise I’m not. I guess I’ll say that I really like this show and I will keep listening even if my worst fears come to pass, so keep that in mind!

For reference, I started listening near the end of Amnesty.

I’ve noticed, with the past few arcs- really since Ethersea- the narratives have just… not been fulfilling their promises, so to speak. They’ve been placing a lot of guns that don’t go off. What I mean by that is, the characters are great. Excellent, really. Lady Godwin? HELL YES. Emerich Dreadway? Fuck yeah! And so on! And the settings and premises have been epic- the goofiness and also horrifying nature of Engrave, the mad and thrilling world of Steeplechase- these things are COOL AS FUCK.

and then the actual narratives keep flopping?

And honestly, I notice it most in the endings, because you can really tell when an ending doesn’t land. You feel the sense of disappointment. But with vs. Dracula, for example, I could kinda see leading up to it that the ending couldn’t really BE anything special, because they lowkey didn’t set themselves up for it.

They spent the campaign fucking around in Engrave, finding clues and solving problems and not really experiencing any particularly meaningful character arcs or growth or, idk, forming relationships? So there wasn’t much to pay off, I’m not gonna lie!

Of course it doesn’t feel quite as dissatisfying when you’re in the thick of it, because they’re funny and the stuff is cool and- oh hey! Lady Godwin’s been turned into a werehorse against her will?? that’s got some real potential for a LOT of allegories and exploration of some fun character development! And then it’s kinda played as a joke. And then they do that again and again.

And they actually said that that was a move they made intentionally, in the TTAZZ. I’m not quoting them perfectly here, this is from memory, but I do remember them mentioning that they wanted lighthearted comedy without the burden of real life story stuff. And I get that, honestly, but… it’s not the choice I would’ve made. I do think you can keep a lighthearted tone while also, idk, forming relationships and wholesomely engaging with some amount of emotion. And sometimes going way too deep is funny as a tone shift!

But I digress. One thing that’s also popped out to me is the almost complete lack of any kind of romantic storyline or even references. This becomes obvious if you’re in a fandom because everyone is always dying to ship SOMEONE, and you can tell when people are really getting desperate. I don’t blame them for not wanting to roleplay romance with their family, and I do think stories lacking romance are COOL and SHOULD BE ENCOURAGED!

However if you can’t find ANYBODY to ship together… that may mean you just don’t have character bonds. The growing popularity of the PC polycule is interesting to me; I wonder if it’s partially because

a) none of the pcs have significant relationships outside of their party and

b) even within the party, there doesn’t seem to be much chemistry between any given pair of characters…? I hope I’m making my point well here- the PCs all seem equally close and have more or less the same relationship to all of their compatriots with little distinction, meaning, essentially, no shipping fodder that doesn’t involve just all of ‘em.

Either way, it makes me wonder if I can blame the “Graduation has too many NPCs!” critique. They really stopped giving the parties tag-along main NPCs after graduation, with the exception of maybe.. Urchin? Kodira? Shlabethany? Poppy? and even they get relatively little “screen” time. Steeplechase has great NPCs, I love them to death, but none of the PCs seem to ever have one on one conversations with NPCs or each other that do not explicitly focus on the plot. And I think that’s part of why the characters feel so underdeveloped despite having spent a lot of time with them- because in this character-driven genre, we get very little insight into their feelings or motivations or even their rudimentary backstories.

I started watching Fantasy High recently and it made me realize a couple things about TAZ.

1) Recently, TAZ has sooo few core NPCs, and it’s weird that the characters aren’t doing more one-on-one purely character based scenes. And that makes it really tough to develop them.

2) TAZ is- and I should have realized this before- one of many good dnd podcasts. They’re probably looking for a niche they can master.

And it sounds like they’re trying to get back to that old “Here there be Gerblins!” energy. They’ve referenced it so many times in recent TTAZZes- they wanted to be job-focused, allowing story stuff to happen organically, so they tried a more open world vibe with Ethersea. They wanted to be less afraid to kill stuff, so they tried playing criminals (and were still afraid to kill stuff). They wanted to be silly and light on character, as they tackled with taz vs dracula. Now they’re trying to bring in the silly cartoon vibe with Abnimals. I think they’re trying to make that family-friendly, funny and goofy show their niche. Something other actual plays can’t be better at them at.

And honestly it kinda makes me sad, that they keep trying to go back to Balance while ignoring everything they learned during it. Because I loved Dust. Because I loved Amnesty. Because I loved Ethersea. I loved these past arcs! But they keep doing their brilliant characters dirty for some reason!!! And i don’t know why!!!!

You know that meme about people who ask questions in movies and then the person responds “Have you ever been to a movie before? You watch them and the information is revealed.” There have been so many times in TAZ recently where information has Not been revealed and if they keep doing it the audience will stop bothering to suspend their disbelief, because the trust just isn’t there.

What is Montrose’s deal? What on earth was Carmine Denton’s whole thing? Tell me more about Zoox’s feelings, about Devo’s past, about Amber’s future. Show me how Lady Godwin feels about the body horror that is her life- like, seriously! WHY DID WE HAVE TO COMPLETELY DISMISS THE OPPORTUNITY TO DISCUSS GENERATIONAL TRAUMA IN MUTT’S LIFE FOR A JOKE??

Do you remember in Steeplechase where the boys were getting medical attention or something- i don’t remember, but they were all in one room and only talking about The Plot. And Poppy literally banged on the door (speaking for both Justin and me, tbh) and was like “does anyone want to share any feeeeelings??” and they were like NOPE! and they moved on!!

like. cmon. you can’t just put a character like montrose out there and then leave them severely underdeveloped to the point that what would be interesting in proper context, with audience insight, becomes confusing and chaotic.

I just wish they would take their stories as seriously as we do.

It feels to me like they don’t believe in themselves, and it makes me sad. Maybe they didn’t get the response they wanted from Ethersea and so they’ve been trying to pivot, hoping to recapture whatever it was that earned them a loyal audience.

Again, I love them. They’re so funny and I’ll keep listening until the day they stop making this show, and when it happens I’ll cry.

But i KNOW they have more in them. Remember the “we’ll grow gills” monologue from Justin in the Prologues? Remember Travis’s SOLID acting with Devo? Or his awesome choice to give Lyndon/Beef a clearly delineated work/irl identity? His excellent narration and prose? Remember when Montrose described being lonely?! Remember all those moments where Shit Got Real and you cared??? The nanofather said some dope shit! dracula and victor and sweater dracula had such a wild dynamic! Clint’s acting in Dust 2- I can’t remember the characters name right now- was ASTOUNDING, I genuinely didn’t know he had that in him and it blew me away!

I’m not referencing Balance on purpose, both because the fandom is way to hung up on it and because I want to prove that you don’t even have to look at Balance, or even Post-Balance arcs, to see this kind of good cool stuff!

GAAAAAAAGHHHH!!! I want them to have fun. But also. We’re starving out here.

[weirdly-specific-but-ok]

our flag means death but i've never watched it

Hey OFMD fandom, the Ineffable fandom sends their Mascot. I was supposed to do this many days ago, but the OFMD tag on tumblr was filled with... things. This time, I gained my knowledge from Pinterest instead, and I, Asmi, of the Good Omens Fandom, am rooting for you all!

THAT BEING SAID. WHAT THE DEVIL IS THIS SHOW MEANT TO BE? AS USUAL, I UNDERSTAND ABSOLUTELY NOTHING DESPITE MY BEST EFFORTS, BUT TAKE A SUMMARY ANYWAY:

It is gay. Of this at least, I am very sure.

There are pirates. The pirates are the above gays.

There is a guy named Ed who is Blackbeard, and he is very soft and shares trauma and has grey hair.

He is in love with Stede, who writes him bottle letters and throws them away.

Ed is not happy about the throwing away part. I think he wanted to read the letters.

They read the letters together.

There is a guy named Lucius and someone kisses him and they do a victory punch. They break up because of fish.

Someone named Izzy has a redemption arc.

There are colonisers. They are British. This makes sense, at least.

The colonisers are not homophobic, they merely find love pathetic.

In the 1600s male pirates married each other and that's where the term 'matey' originated. I do not know. This is what Pinterest yelled at me.

Uh Ed pulled a Crowley on Stede and instead of Alpha Centauri asked him to run away to China with him.

Stede ran away from him instead.

Izzy was not a father figure to Ed. Discuss. It is something involving horniness and unrequited love.

Izzy died.

Ed was upset under a blanket. Stede respected this.

Ed built a blanket fort. Is this a running theme?

I understood nothing more because I can't make out whether 'ship' refers to relationship or the actual fucking ship. What does 'Steve does fixing in the ship' MEAN IS THIS MARRIAGE COUNSELLING OR NAVAL ENGINEERING?

EVEN THOUGH I UNDERSTOOD NOTHING, THIS SEEMS LIKE A GAY FUCKING DISASTER. RENEW IT. GO SLAY OFMD THE GOOD OMENS FANDOM IS BEHIND YOU.

[opalescentidiot]

[bealzebubs-blog]

I am not up to date on the manga, this is just an idea I had

The text is: "is he dead?"

[itsahotminuteinbetween]

messing around with colors again-might've gone too dark with the gradient but anyhow

[bandzboy]

scooter braun is only becoming a ceo full time because nobody in the west wants to work with him anymore but ofc bang pd gave this loser a second chance and now we have to deal with him and his zionist ass like i hate it here

[pineapple-cheese-bread]

I think I've found my favourite genre of fanfic, it's the "You know looking at this from an outsiders perspective is really funny cause they have no clue what's happening"

[kareenvorbarra]

we just finished watching Dune (1984) and I feel insane

[cherubytes]

does the guy complaining about the amount of gay ultrakill fanart they see know they're on the gay fanart website???? "i cant scroll through the tag without seeing 30 fanarts of gabriel in a skirt" my brother in christ that man isnt wearing pants

[hyunjining]

.

[mzannthropy]

Alright, I have to ask now, what on earth do people here mean when they say a character is a "wet cat"???

[getvalentined]

Really not enjoying this sudden uptick in random blogs I'm discovering that have me blocked even though I have never seen or interacted with them before.

[the-acid-pear]

I never tried the option myself bc it'd probably mean skipping the Reason You Suck speech at the end (fire for speedrunners though) but I Love that you can frame your Phoneys in 3, especially so if you've already killed the previous two. Like yeah couldn't send you off to die so i'll let the goverment do it for me 🧸 like its just Peak evil imo.

[ace-was-already-taken]

Y'ALLLLLLLLLLLL I'M TAKING ART REQUESTS NOW >:3

Ig the only restrictions is, like, it has to be a character from a fandom that I know, which IS listed in my carrd (I think), but I'll list it here anyway (it's mostly song producers BUT they do have a fandom and characters technically lmao):

Vane Lily

GHOST And Pals

PJSK

Riproducer

Vocaloid in general lmao

LuLuyam

TPTM/Weevildoing

And yeah that's it ig- ANYWAY- I'M TAKING ART REQUESTS NOW!!!!!!!! YIPPEEEEE!!!!!!! :D