#and THIS is THE LINE OF THE EPISODE FOR ME.

[ckret2]

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[sporesgalaxy]

in my dream last night they released a bill cipher themed soda called Decipher and I tried to go get some but insane wacky nonsense kept interrupting me before I could. I mean the nonsense had to do with the plot of the rest of the dream but it just kept showing up at the exact moment that I was about to get my soda. Ive just remembered the plot of the rest of the dream was that all of the straw hat piratds were there at tbis theme park we were in and some other group of pirates were trying to bully nico robin. the other pirate group was goth btw. their captain almost died from getting splashed with acid (by nico robin) (it was justified). But I didnt see that happen bc really I was mostly focused on getting my dumb soda.

[a-new-hetch]

(sneeg stumbles into the room. once he regains his footing, he looks up at diamond, smiling.) hey, kid.

[HETCH was looking over the feeds of the last 24 hours, seeing exactly how much chaos the facility was under as they were working on patching up the drones. Actors leaving their stations, Lamb's death, drones... leaving. Wait no that one was intended.]

[HETCH turned to face the noise, his expression unreadable with the mask sewn in. His hair was bright blue.]

How did you get into this room?

[sneeg?! nonono! please! no he cant be here hes supposed to be safe hes supposed to be far away! why was everything going to shit!?]

[dekusdante]

Things that annoys me in the Jujutsu Kaisen Fandom

Sorry but this is going to be all over the place.

Am I the only one tired of the same trope being used when it comes to Gojo from JJK? In other words the enemies to lovers trope where the oc or reader is basically Utahime with out the name.

Like we all remember the episode where he gave out what type of person he was into which was a nice girl or something along those lines. I that as writers you have to take creative liberties but why are all the readers in these stories are exactly the same.

They either hate Gojo or is super easily annoyed at him. Jerks but its okay cause for some reason he loves them unconditionally. This is so annoying cause there is no push back from Gojo in these stories. Just him taking back the reader or waiting for them to return his feelings when in actuality he shouldn't.

Another thing that annoys me is why is it always the guy that's simping why can't it ever be the woman being madly in love and trying to win him over?

This enemies to lover trope has completely taken over the Reader x Gojo fandom and its so overused. Now I will admit there are some gems out there, but I just don't even bother reading anything that is enemies to lovers anymore. I'm just tired of reading the same thing over and over again with the same copy and paste formula/reader.

Also why is smut so strong on here. Like don't get me wrong those writers are killing it with the plot aspect but man does all the smut kill me. Like I want more plot these are really good and creative ideas but man the smut kills me lol. Still reading the plot but stop at the smut parts which is usually the end so we gucci.

Hmm, another trope I refuse to read in these are arranged marriage were we are supposed to be upset with the guy who is forced to marry someone they don't want too. Why? Well for starters it always start with the reader being mistreated by the guy for some reason and the reader putting up with it until something happens and the guy falls in love with them and has to gain both their trust and love again.

I can get behind this but they always make the guy so unredeemable in these that it would be crazy if she takes him back. [She always does] Another thing is we are supposed to hate the guy because he wants to remain faithful to the person he was with before the arrange marriage. Like why are we bashing a faithful man?

Another trope I hate is when the guy is always in the wrong. A while ago I read a Gojo x reader fic were reader was mad that Gojo couldn't spend a lot of time with her so she broke up. Okay valid even though I am sure this would have been addressed before or earlier in the relationship but okay. What annoyed me with this story is that she then goes on to get in a relationship with Nanami who then calls Gojo an idiot for losing a woman like her.

I could not believe what I read. Like what the hell did Gojo do? At this point Gege posted about Gojo's life and how the man is booked to the max and I couldn't help but think how distasteful it was to first make it appear as if Nanami would do something like that to Gojo and secondly pretend that they don't have more free time compared to him. Like Nanami even understood why Geto did what he did.

Anyway that's all I got for now. I am not here to argue but I would love to hear about what you think on this. A second opinion is always welcomed and if you have a trope you don't like then I would love to hear it.

Also if you have a story that you would like to promo then please do so in the comments. It is a okay if you want too. No pressure,

[katescribblesabit]

Irep and Ymmit once fought until one of them crossed the line?

Anon are you a mind reader? lol I literally saw a tweet about Irep keeping that drawing from Chloe (i cant find it anymore T-T), and had this comic in mind before you send me the perfect ask for it hahaha

(i still don't know much about Chloe, i just watched the episode where the drawing is from omg season 10 is as bad as you guys said lmao)

[perfectmanisperfect]

turns out supernatural was THAT serious for me. like changed my brain in ways i am still discovering. stupid show about stupid brothers. and if you play season 8 episode 23 sacrifice in front of me i will quote every line of the ending scene and i will probably shed a tear.

[eddiemunsonbrainrot]

what if ‘let’s start a new party, you and me’ is one of the lines Mike says in the flashback in episode 4 of season 5…

[respectthepetty]

The Loyal Pin - Episode 8

¡Sorpresa, cabronas! Blue Beauty Anin is back in the palace, and she is already causing issues for her color-coded brothers!

And for her Pink Person Pin!

So as much as I appreciate Anin being so focused on her studies, because she wanted to graduate early, I'm glad Pin called her out for not communicating and thinking this surprise would make her forget that she was basically ignored FOR MONTHS!

But thankfully Anin knows how to make it up to her (in bed) (THAT'S WHAT SHE SAID!)

And now they can be color-coded girls in love and live happily ever after! Yes? YES!

Well, that's until Anin's color-coded brothers tell her she needs to start thinking about getting married . . . to a man.

But because this a GL, like queer magic, all the girls start showing up to Anin's yard for her milkshake like her sister-in-law with her sister, who just happens to be the girl who tried to assault Anin in her bed.

But nobody cares because Anin's color-coded brother and aunt (WHO IS WEARING PURPLE!) are planning a formal welcome back party for Anin which will literally bring all the girls to her yard for her milkshake (and other treats).

Anin is less than thrilled believing this is a ploy to get her to meet marriage prospects, but her brother promises that isn't what is happening.

All color-coded royals do is lie.

But our boy Pranot is going to make this party spectacular even if he has to hot glue and duct tape everything together by himself, and this is not me stereotyping the gays, but . . . . . . he has to be gay because only a gay man or a pageant mom could turn it out like this with such short notice.

So Pranot creates a party fit for color-coded royals overnight.

And the aunt, who is in her color (finally!) has the food covered.

But she can't stay, because she has a guest, in her house, waiting for her. *whispers* lesbian shenanigans are afoot

And to nobody's surprise, marriage prospects are at this party and lined up IN RED to greet our Blue Beauty. I know Pranot sent them a detailed document outlining the dress code, so if they were paying any attention, they would've known to wear BLUE to impress the princess and not RED to impress her siblings. Who do they want to marry?! Apparently not our lesbian!

Then Aon shows up looking like her and her sister thought this was a costume party and they are an orange and a cherry, which means the only time we have seen Aon is pink is when she was trying to slide into Anin's bed, and now she is on my list!

Sidenote: Is the brother's fiancée May from My Marvellous Dream is You and The Sign?! How did I miss that?! Obviously the outfit is doing it's job because it made me notice her in a room full of other beautiful women, so I'll quit hating on these fruity outfits now.

Actually, I won't because it's clear to me the two oranges from the orange tree belong together, so if Kuea really doesn't care about marrying a lesbian since he wants to Pin so badly, why not just marry another lesbian named Aon? Makes color-coded sense to me!

But then there is the issue of my babygirl Ueangfah who also showed up to Anin's yard party for her milkshake.

But I think I have someone for her too! It's not a color-coded match, but it could be a lavender marriage!

The queers have been doing it for centuries. Just getting married and throwing amazing garden parties. Fun times!

But Anin, in her pretty blue dress had too much fun being possessive of Pin because she was getting a little unwanted attention from a man when ALL OF THESE WOMEN WERE BASICALLY HAND-FEEDING ANIN FOOD AND THEIR BODIES ALL NIGHT! (I'm a little peeved at Anin, pero whatevs). So Pin, in her lovely purple and pink dress, has to drag her girlfriend home which is luckily across the lawn.

And because Anin is westernized now, she is white girl wasted, meaning she wants to make out with her girl anywhere and everywhere because eff decorum!

So Pin has to tie her up with a blue piece of fabric. (Where did this come from?!)

But it isn't for safety reasons. No! It's for ~kinky~ reasons.

And in the midst of some delightful girl-on-girl action, we get the rudest flashback to Anin's older brother checking on Anin since he was worried about her drinking, yet stumbling upon her exchanging colors and tongues with Pin, you know, like the French do.

So the episode ends with him finally realizing the big secret that everyone has been keeping from him including the servants -

He was the only straight person at that party tonight.

[chronicsyd]

I think the issue I'm having with people already holding the sentiment that "Caitlyn's an irredeemable asshat and Vi's better off without her" is mainly the sheer lack of Context that we've been given about this situation as a whole (leaving the people who've seen the leaks out of this per usual). Because in reality, the only Real context we've gotten is Vi's side of the fallout of whatever happened between the two. Everything else is just sheer speculation that we've gotten from the trailer.

Because with this line of thinking we should have held the same sentiment after Vi leaves Caitlyn back in "Oil & Water", but we don't. At least not from what I've seen. But the reasoning behind this is very simple, as a viewer we've been given context about how Vi operates, how she thinks and feels so calling Vi an "irredeemable asshat" for leaving Caitlyn doesn't make sense in this regard, even if she's hurting Caitlyn as a result by doing this.

Hell this line of thinking even follows for Vi hitting Powder back in episode 3. Was it wrong for Vi to do? Yes, but as a viewer we've been given the context that Vi lashes out when she's angry and was dealing with an overwhelming amount of emotions after watching what happened to her family. So throwing out that Vi's an "irredeemable asshat" after this doesn't follow either, even if we've seen Powder change for the worse as a result of what happened.

Now why do I bring all this up? Well, it's because of what I've said before. We're missing the context of what happens building up to the scene, or the scene itself, or even how Caitlyn's thinking or feeling at this point, because she's going to behave differently than how we've seen her in S1. We have speculation that her grief and revenge for Jinx is probably going to make her more cold hearted and closed off (mirroring how we saw her behave facing off against Jinx back in episode 9). But that's just the thing, those are speculations, we don't have anything truly confirmed about what happens. So is Caitlyn going to do something wrong that hurts Vi as a result? Most likely. But I at least can't behave like Caitlyn's irredeemable or undeserving of Vi until I actually see what's going on or how Caitlyn behaves after all of this has transpired.

This also falls into a discussion of what someone can claim as Truly "irredeemable". Because hurting someone you care about is a cause for a negative reaction from people, I won't argue with that; but I wouldn't claim it as something that's truly irredeemable or something you can't come back from If you put the time/work in to reflect on your actions and apologize for how your actions have hurt the person that you care about, which is something we're probably going to see from Caitlyn as the season progresses.

And to be honest, people saying "I've seen the leaks and you're not gonna like her" means NOTHING to me because 1) that's Your opinion on the matter and 2) the show itself has still shown us Nothing so essentially your word means nothing to me at this point and time.

(Not gonna lie but i feel like we're going into the same "Miles vs Gwen" discussion here)

[allofthebeanz]

Due South Video Game

Yes, hello, and welcome to Beanz procrastinates so hard they make a gameboy game about Due South. Under the cut is how I imagine the game along with screenshots!

Please enjoy!

(yes I rushed through the title screen because I was excited, whoops. But trust me the art is far better down below!)

So you play as Fraser (obviously) with Dief following you around since he's your companion. You go through the four seasons. The season starts with the season opener, then an episode I've chosen that feels plot important character-wise, and then the season finale.

However! After the season opener, you have to walk through Chicago helping a bunch of people (the ones with :( in red) until you can unlock the middle part of the main story. Then you go back and help the remaining people to get to the finale.

Seasons as follow:

Pilot -> ManHunt -> Victoria's Secret

North -> Juliet is Bleeding -> Red White or Blue

Burning Down the House -> Asylum -> Mountie on the Bounty

Hunting Season* -> The Ladies' Man -> Call of the Wild

*yes this isn't the opener but I'm still in love with @sammaggs suggestion so I'm sticking with it

Each case (ie people you help and the main storyline) needs you to locate three 'clues' to solve it and complete the level. You can only move onto the next third of the level once you find the one object, and I'm thinking you do that by solving puzzles, finding items for npc's and unlocking new dialogue to use on said npc's. So for Some Like It Red you'd need to find the shoe, the watch, and the whisky.

in the Main Storyline, you get to play little mini games and such. I imagine sledding down the mountain in Call of the Wild and horse riding in Manhunt.

In Victoria's Secret, the option for staying or going will pop up. If you choose to 'stay', you do not complete the level and wind up at your last save point. (yes, this is evil, and I accept that)

Credits play at the ending of each season. First season has cut scenes from Letting Go. Second has Flashback. Third has the final scene of motb. And fourth plays the epilogues.

Tidbits that would be cute:

You can pick up litter and put it in the garbage for points. The points can be exchanged for fun items seen throughout the show. You can't do anything with this in the game, but hey, I like collecting stuff.

Whenever you turn around and talk to Dief, he says 'bark' but it has a line of text underneath saying what he means. Like Dief: Bark! (Diefenbaker has an opinion).

Bob appears sometimes to give irrelevant bizarre advice. In the fourth season whenever you see him he is transparent.

The famous Buddy Breathing:

Please don't be shy, and feel free to tell me any thoughts you'd have about the Due South video game!

@ds30below so more people see and maybe want to expand on this

[year2000electronics]

Ford is such a fascinately flawed character, If he not keep in check he unintentionally brings ruin to everyone around him.

this is literally how i feel talking about ford. ^

because dont get me wrong at many times i am a ford defender when people slander him for the wrong reasons, but also a lot of the time i will be like "YOUR HONOUR HE DID THAT SHIT AND I THINK HE WAS HOT WHEN HE DID IT" and then at other times i will be like "YOUR HONOUR HE DID THAT SHIT AND ISNT IT AMAZING THAT SUCH A COMPLEX AND FLAWED CHARACTER IS NOT DEMONIZED AND VILLAINIZED BY THE NARRATIVE BUT INSTEAD GIVEN A CHANCE TO GROW". so a lot of the time i just end up walking in circles rotating him a lot because i end up wanting to play devils advocate from like literally every angle of "so how much harm did ford do Really"

but i think when you look at ford in the show, hes a very interesting character, specifically because he's this very "loadbearing" character. he's the author, so he has to be the driving force behind the mystery, but he also has to have met and have ended things badly with mcgucket, so we have their falling-out as a tease to the mystery. we need him to cause conflict in the show thanks to his arrival, so he'll do some unlikable things like punch stan and demand his house back and offer dipper the apprenticeship. but he cant be TOO unlikeable because this is a member of the family stan has fought for 30 years to get back, and he also needs to be integrated as Officially A Pines in the VERY limited time we have with him on screen. not only that, but you have to explain his entire backstory in one episode where he harms and is mean to a character who has had two seasons' worth of love behind him SEVERAL TIMES. but you also need to make us feel for him, and you have to make stan's part of the conflict sting too. and THEN! ON TOP! OF ALL! THAT! YOU ALSO NEED TO PAY-OFF THE SETUP YOU HAD OF BILL CIPHER AND THE AUTHOR'S MYSTERIOUS RELATIONSHIP!

and so a lot of the time what i end up thinking is yes, ford is flawed. yes, he can be really callous and unfeeling at times. but i think because he's constantly needing to carry like 10 different plot elements on his back at once, constantly needing to drive conflict along, he ends up being really divisive to people- especially since he has no time to just goof off like everyone else!

so i circle back to this idea of ford as the "ruin-bringer". i think about that wording most meticulously. because that walks this VERY delicate line between saying something about fords character, his flaws, his backstory, and dipping right into "omg lets blame ford for EVERYTHINGGG!" but you think a lot about ford and his self-isolation and his EGO and the way he lifts himself above others both out of pride and out of shame.

ford is almost doing that to himself, really. making himself this common denominator black hole that people keep getting sucked into. because he is of the opinion that there are Special People who need to rise above, he ends up either isolating himself or isolating others to Join Him on the Path. and obviously that in and of itself is a gesture of companionship, of reaching out, because he says "i see the same greatness in you that i do myself"! but of course there IS no secret hidden greatness! so its all inherently flawed! you cant be rising above simply because youre "special" and you "deserve it"! but "special" is the only thing ford knows how to be!

ford is deeply hurting i guess. he seems deeply hurt the way that stan does to me, where everything he does just BLEEDS his trauma. you can see it staining everything. stan's need for companionship and ford's self-isolation. ford's hurting and he needs a healthy outlet but he has a path of destruction in his wake. and that just makes it so much crazier

[irislunace]

Siciria Analyzes The Most Complex Stick Figures Known To Man (part 2)

Red's new tiktok came out.

We're going with Red next.

Also here's part 1 of SATMCSFTM.

Idk why I abbreviated it.

Or why I linked it.

Welp.

-

Okay, so to start off, most people perceive Red as the youngest of the CG, and the most outgoing. He's the resident animal lover, is sensitive, and in some situations, can be really aggressive and hotheaded.

Like here:

Red went first. He is someone who always throws himself willingly into danger (like Blue in the last part, though Red does it more consistently). With Dark, he went for it not knowing if he could win, but instead to protect his friends. He is the line. He is someone who truly cares for others, and will treat newcomers with the utmost goodness regardless of what he's getting in return. He will go back for them.

This is shown, primarily, in Monster School.

In this scene, he was about to turn back. He was about to go back through the portal. But he saw that his teammates (the ones who bullied and harassed him prior) were in trouble, and still went back for them. We talk about how he went back for them. We talk about it.

But we don't talk about how he must have been feeling, or how much they must have hurt him. And he still helped them despite that. He truly has an extremely strong character, probably the strongest out of everyone, or at least the CG.

AND HE SURVIVED BEING LITERALLY POSSESSED TWICE. TWICE. HOW MUCH MENTAL STRENGTH DOES THIS STICK HAVE.

Okay, now to not state the obvious. this whole "analysis" thing is just me stating the obvious anyway idk why u guys seem to like it

Red is smart.

No, Red is really smart.

And I think we, as a fandom, don't give him credit for it. He's always the one to come up with new ideas, and these ideas seem to work. This is shown, mostly, in the Minecart Race episode.

He was the first one to start paddling with his hands.

And the first one to boat on the ice.

And he had the bright idea to use the snowballs.

Even in the Color Sorting short, he had to know at least some kind of coding or engineering to get all the items to become red items. Come on.

And in his tiktok that just came out today, he does so many different, unique moves. In Green's and even Blue's, it's more repetitive, and shorter (though Blue's dancing skills are unmatched ngl).

An in Monster School, they only passed because of his ideas (WHICH THEY HARDLY GAVE HIM CREDIT FOR). Because it was HIM who understood that the bow needed to be flipped around to shoot properly.

And it was HIM who knew that tickling the Enderman would help.

And it was HIM who got them across the ocean to the mountain using the spider.

He is someone who can recognize the potential in his teammates, and recognize what they can do in a given battle.

AND WHAT DOES HE GET FROM THEM? NOTHING. NOTHING. HE GETS BEAT UP. HE GETS STICKING BEAT UP.😭😭😭

So in summary...

WE NEED TO TALK ABOUT RED MORE.

(I honestly learned more about Red doing this. It's kinda fun ngl).

[spacebagfullofstars]

Evolution X-Men meeting Deadpool for the first time

An idea for the first episode Deadpool would appear in the show. It'd take place during early season 2. I don't have enough ideas to write the whole thing but here's the introduction

After the Brotherhood fled and the old warehouse was empty once more, the X-Men could finally focus on their unexpected guest. Through the darkness where he stood, they could see him sheathing his katanas and stretching his arms.

"Phiii-ew! Nothing like a good workout after a mind-numbingly boring sail home!" He said, rolling his neck and shoulders. "Warms my cold, unfeeling heart to see the streets just as crime-infested as I left them!"

After a second, the man stepped towards them and into the light. The younger members of the X-Men couldn't help, but gasp when he revealed himself to them.

The person who joined their fight was wearing a red and black costume that covered his whole body, including his face. Outside of the twin katanas on his back, he had two gun pouches attached to the sides of a multi-pocketed belt. His white eyes stared at them with unclear intent.

"You?!" While Kitty, Rogue and Kurt were intimidated by his presence, Scott and Jean stood their ground. They appeared to be more disgusted than afraid. Surprisingly, the man seemed to recognise them as well.

"Jeanie! Scottie! Long time no see! Come here and give uncle Deadpool a hug!" He said, spreading his arms. Before he ran at them, Jean used her powers to throw him into the air. His enthusiasm faltered.

"Cold. I guess you don't want all the radical gifts I bough you abroad!" He said, starting to levitate upside down. "Do kids these days still say it? Do they say 'radical'? I hate that word. I hope it'll die out quickly."

"You know this weirdo?" Kitty whispered to them.

"He calls himself Deadpool." Jean stated. "He used to break into the Institute regularly."

"That's all you have to say about little ol' me?" Deadpool interrupted, then traced a line from his eye down his cheek. "You can't see it, but I just shed a sad tear. I thought we were friends."

"We're not-"

"As (I'm pretty sure) my pop used to say, if you want something done right, do it yourself!" The mercenary clapped his hands, interrupting her again. He kicked his legs and pushed himself back up so he could face them properly.

"I go by many names! Deadpool is one, but some prefer to call me the Merc with the Mouth!" He stated, pointing his thumbs at himself. "The world-famous mercenary willing to do any kind of job for a good pay, weapon expert, master of all known fighting styles and three times Champion of Hot Dog Eating in West Virginia! This city used to belong to me, but the merc job is unforgiving and I had to leave it for like twenty years!"

"We haven't seen you in two years." Scott corrected.

"It felt like twenty to me, so it must've been! Now I come back and see that you X-Dorks grew in numbers!" Deadpool continued, then crossed his arms and looked away. "Not that I'm bitter, or anything. I can do so much better than your little rich kid houseclub anyway."

"... Wait, he was an X-Man?!" Rouge asked, baffled.

"Professor tried giving him a chance once." Jean sighed. "He almost blew up the mansion."

"Like that old thing doesn't blow up every other week, am I right, guys?" Deadpool snorted and rose his hand. Outside of the distance between them, no one was willing to give him a high five. He waited a few more seconds and then high fived himself.

"Is it bad that he kinda reminds me of Kurt when he has too much sugar?" Kitty snickered.

"Don't even joke like that!" Kurt didn't like that.

"The only difference is that Kurt isn't..." Scott began, then whistled and swirled his finger around the side of his head.

"I believe the term you're looking for is 'able to think outside the box', three eyes." Deadpool overheard them and air quoted. Without any warning, he disappeared in a small flash of energy.

"What the-?!" Kurt cried out as they all stepped back in surprise. After a second, the mercenary reappeared behind them.

"And who those adorable new faces might be?" His voice startled them all. "No, no, don't tell me! You look like Jessica," He said, pointing at surprised Kitty. "Your super power is shrinking. You look like Bridget and you love being different!" He pointed at Rogue, making her scoff at him. "And you look like Elvis! You have an eternal bad hair day!" He said, pointing at Kurt.

"What?" The blue boy squinted.

"Deadpool, stay away from them!" Scott warned, flashing his visor in readiness. "Whatever you came here for, you're not getting it from us!"

"Look at you all grown up and shouting orders like a boss man! Relax, kid, I have no quarrel with you today. I just wanted to catch up and meet new people! Speaking of..." Deadpool said, then reloaded his gun that he suddenly grabbed. Something darkened in his eyes. "Where's Wolverine?"

The other X-Men could see Jean and Scott getting tense. It seemed that despite their distate, they were scared of the man after all.

Suddenly, Deadpool seemed to hear something and his head perked up a bit. They could almost see a smirk forming on his face.

"Right on the clock." He mused. He spun his gun in his hand, then without any warning, whipped back and fired a single shot.

Wolverine had entered the warehouse and managed to sneak behind them. He quickly released his claws and slashed the bullet mid-air. Before other X-Men could stop him, Deadpool switched, pulled out his katanas and teleported again. He reappeared right in front of Logan and took a swing at him. His weapons and the mutant's claws clashed.

"Kurt, get everyone outta here!" The X-Man shouted. The boy nodded. The kids came closer and he teleported them away, leaving the two alone.

"I had a feelin' I smelled a rottin' brain somewhere!" Wolverine growled.

"You're the one to talk, dog-breath!" Deadpool retorted, trying to slash him again. Wolverine blocked him. "Dog, or bear, or some other animal that smells bad! I don't want to say badger, because I feel like I'd be beating a dead horse at this point-"

"I miss the silence already!" Logan said. He roared and tried to throw a punch.

Meanwhile, the group reappeared outside.

"What does this Deadpool guy want with Logan?!" Rouge couldn't help, but grow concerned.

"They have... history." Scott explained. "I'm pretty sure they hate each other."

"Like he and Sabertooth?" Kitty asked.

"Honestly? We have no idea." Jean admitted. "It's best to just stay out of the way and let Logan handle it. He always does."

As soon as she said that, they heard an explosion that made them jump. Suddenly, Wolverine fell out of a window with a trail of smoke following him. Deadpool jumped after him and skilfully landed on the ground. When he stood up, the kids saw that he was holding a bomb with his face painted on it.

"He has explosives?!" Kurt shouted, tugging his hair. Logan returned on his feet, smoke from the explosion still dancing on his body.

"I thought you were done takin' bounties on me!" He shouted.

"I am, but it's an emergency!" Deadpool said, throwing the bomb from hand to hand. "I need this money more than I need food and water!"

"A sellout through and through!" Wolverine said, then charged back. Deadpool let him get close, teleported, and then tried to throw a bomb at him from the distance. Logan kicked it right into the ocean and it exploded in the water.

The mercenary quickly switched back to his katanas and charged with full force at his opponent. There was a lot of slashing, dodging and rolling involved. Neither of them managed to reach each other for a good while. Finally, Wolverine used an opportunity to pin Deadpool to the ground with one arm behind his back.

"Ow! Ow! Ow! Ow!" He cried. "That's foul play! You're disqualified for being a bad sport!"

"Cry me a river, Wilson." Logan tsked. "Whoever hired you must've not known that you always lose to me."

"Yeah. That might be true." The mercenary said, another almost visible smirk appearing on his face. Little did Wolverine know, his free arm was trying to reach for a hidden pocket in his costume. "By the way, don't think that I forgot to bring a souvenir or two for my bestest friend. Why don't you let me go so I can show it to you?"

"I ain't lettin' you go that easily, bub. You're gonna tell me exactly who sent you and what kinda money made you break your promise."

"Oh, I love to talk! Especially with you!" He quietly unzipped the pocket and reached inside. "But you know I can't talk about my employers. Merc 101. Buuuut, I can tell you all about the crazy places I've been to for the past two years! I learned like three different languages! Do you want me to say something in Chinese?"

"If you're tryin' to make me angry, it ain't gonna work. We've been doin' this song and dance long enough for me to know when you're lookin' for a distraction."

"Awww, you care about me enough to know my strategy! You so deserve that little treat I bought you!"

"Logan, look out!" Rouge shouted, but she was too late. Logan felt a sharp sting in his leg. He gasped and quickly pushed himself off Deadpool. He looked down and saw a dart sticking from his thigh. The X-Men were ready to intervene.

"Do not get involved!" Logan snarled, sensing their intent. His head was already beginning to spin.

"Yeah, you better listen to Papa Wolvie! This is between us adults!" Deadpool shouted, looking at them as well. The mutant suddenly fell to his knees, trying to fight whatever Deadpool injected into him, but it seemed stronger than his healing factor. His eyes started feeling heavy, and finally, he fell lifelessly on the ground.

"Logan!" The kids yelled. Jean was already floating whatever she could to throw at Deadpool.

"Don't worry, X-Kids! I promise to give him back as soon as I get my money! Follow your dreams and stay in school!" Deadpool gave them a peace sign before he kneeled in front of Wolverine and teleported away with him.

[glorious-spoon]

Easy as That [9-1-1 | Buck & Eddie | 1/1]

in honor of 9-1-1 day, please enjoy this little episode tag for 7x04 that i recently found in my drafts. because i really wanted to see the conversation between buck and eddie after all that

850 words episode tag | apologies | friendship

-

The first words out of Buck's mouth when Eddie pulls the door open are, "I figured I owed you a proper apology."

"Yeah," Eddie agrees mildly. He's got a crutch tucked under his arm, which makes it difficult to maneuver the door, so he lets Buck deal with it even though he's got a pile of takeout bags in one hand. Apology takeout, no doubt. The bags are stamped with the logo from Anarkali's, and he can smell curry and ginger. As bribes go, he could have done worse. Eddie is weak for their chicken jalfrezi. "You kinda do."

"Not kinda. I was—I was so out of line, Eddie, I'm so sorry."

"Shit happens."

"What, as easy as that?"

Eddie snorts, heading back into the kitchen without bothering to look back and see if Buck is following him. He is, of course. He always is. They already talked on the phone last night, when Eddie was loopy on painkillers and feeling kinda bad about winding Buck up as much as he did. He's less stoned now, and his ankle fucking hurts, so it's a little sharper when he says, "I was always gonna forgive you. You want me to drag it out?"

"Well, when you put it like that, no. But still."

Eddie sighs. It's a character flaw, probably, that he can't resist Buck's face when he looks like this. "We'll get past it. Just like you and Chim did after he decked you that one time. Okay?"

Buck presses his lips together and nods. He sets the bags down on the table and says, "I don't have to stay. If you want some space."

"I don't want space. Maybe an explanation." He nods toward the kitchen drawers. "You can get the forks. I hope you brought enough for both of us, because I'm not sharing."

"Yeah. I—I figured if you didn't want me around, there'd be leftovers."

"I always want you around, you idiot."

"Even after I broke your ankle?"

"It's just a sprain."

"That feels sort of like missing the point, Eddie."

"Listen," Eddie says. He eases himself into a chair, propping the crutch against the table next to him. In the kitchen, Buck pauses with the silverware drawer half-open, takes a visible deep breath, and turns back toward him with a pair of forks clutched in his hand. "You acted like an idiot, and somebody got hurt. It happens. So now you're gonna bring me a fork, sit your ass down, and tell me what's going on with you. Okay?"

"Okay," Buck says, pushing the silverware drawer gently shut. He brings the forks back to the table, sets one in front of Eddie, and reaches into the bag to pull out the takeout containers. 

There's a few minutes of silence while they get everything dished out, and then Eddie takes a bite of his jalfrezi, takes a moment to savor it, then says, "Okay. Talk."

"I mean, I don't know what to say," Buck says evasively. Eddie gives him a look, and he sighs. "Okay, I—I was jealous. Of you, and—and Tommy."

"Tommy," Eddie repeats.

Buck nods, his gaze fixed on his takeout dish, which he's sort of poking at like he expects it to come to life. Eddie reaches across to steal a piece of coconut curry. Buck doesn't even try to knock his fork out of the way. It's kind of amazing how much he looks like a kicked puppy right now. "I—I guess, I thought, you know, I thought he was so cool, and you thought he was so cool, and all of a sudden you guys were hanging out all the time and you kept saying how well you two clicked…"

"I was messing with you. You get that, right?"

"I mean. Now, yeah. Then I just felt like…I don't know. I—I should have talked to you, instead of—but I didn't mean for it to go down like that. I swear."

Eddie nods, chewing the inside corner of his lip briefly. "It was still a dick move."

"Yeah," Buck says. "It was."

"Well, as long as you get that."

"I really do."

"And you and Tommy are cool, now? You kissed and made up?"

Surprisingly, Buck's face goes bright red. Eddie raises his eyebrows, and he says, "Y-yeah, we're—we talked, and—we're good, yeah." He opens his mouth, makes a little stuttering noise, then says, "We're, uh, we're actually hanging out this weekend."

"Without me?" Eddie deadpans, and Buck looks so stricken that he has to laugh. "Kidding, I'm kidding, come on. I'm glad. I knew you two would get along."

"Yeah," Buck says. He lets out a shaky little laugh, then nods a couple of times and says it again. "Yeah."

Eddie raises his eyebrows, but Buck's not looking at him. He's busy spearing a piece of curry, and this time when Eddie tries to steal a bite, Buck smacks at his fork until he retreats, a juvenile little ritual that probably shouldn't make Eddie feel so light. He knows he's not getting the full story of what's going on with Buck, but that's okay. They're okay. He'll find out the rest of it eventually.

[darklinaforever]

It kills me that so many team greens try to claim that the line where Helaena says "being married isn't so bad because most of the time he ignores you except when he's been drinking" is not an implication of marital rape are at a monstrous level of denial.

They're trying to turn this into just Aegon II ignoring Helaena as a wife because he doesn't like incest it's killing me.

The problem for Aegon II is not incest, since he sexually harasses Baela, you know... his uncle's daughter? And when he has to marry Helaena, his problem is that he basically finds her weird, that she's an idiot, and that they have nothing in common. Wearing Aegon II as an anti-incest standard is the stupidest thing in the world.

Like trying to pretend that Helaena didn't suffer marital rape.

I don't care what the actors say. What is written in the show contradicts it. This line implies that Aegon II raped Helaena. So marital rape. And Helaena doesn't understand that that's it because she's been raised to think that that's normal. That's all.

To pretend that she never suffered this just because she said she was happy before becoming queen is to be willfully deaf and blind, or stupid.

I think the worst thing is those who tried to pretend that what Helaena means by he doesn't ignore her when he's drunk, well it's that he came to cry in her skirts or complain that their mother Alicent does not love him according to him.

Yes of course... Save this scenario for fanfiction.

Hell, this is the same episode where Aegon II raped a servant while drunk and where he sexually harassed Baela while drinking !

What’s not clicking ?!

[gerogerigaogaigar]

Phineas and Ferb fascinates me from a structural standpoint. I'll admit I haven't watched the show front to back, but I've caught the odd episode here and there and I certainly get the gist of it.

The first time I saw P&F it seemed charming but unremarkable, the second and probably third time it became obvious that it was a clever but formulaic show. At some point it clicked. Children's shows are usually formulaic, Dee Dee will destroy Dexter's invention, Elmer Fudd will fail to hunt the Wabbit, He-Man will defeat Skeletor, and Sisyphus will roll that boulder up that hill. Phineas and Ferb asks not just that we imagine Sisyphus happy, but that we imagine that he is ecstatic to see that boulder roll down the hill.

Where the status quo is an unspoken rule of older cartoons it is the explicit law of the P&F universe. There is a roadmap to every episode, you probably already know it but I will spell it out regardless. Phineas will say the phrase "I know what we're gonna do today" thus kicking off their project for the episode. Candace will try and fail to get them "busted". There will be a musical number. Meanwhile Doofenshmirtz will have made an -inator that Perry will be called upon to destroy. Perry will get caught, Doofenshmirtz will explain his plan, Perry will escape, destroy the -inator and the ensuing chaos will clean up Phineas and Ferb's backyard shenanigans just in time for their mom to get home. Ferb says something at the very end, often his only line in the whole episode. The end.

There are stock lines that must be said. "I know what we're gonna do today" "I wonder where Perry is" "Busted" "🎵Doofenshmirtz Evil Incorporated🎶". The show doesn't just have a cartoon status quo, the universe operates off of the laws of cartoon status quo to the extent that characters actively notice when the cycle doesn't complete correctly. The characters seemingly know that their world operates on cartoon physics, but to them it's just physics. In P&F a giant whirlwind carrying away a giant backyard amusement park is as natural as gravity.

Candace's place as the character who knows this is all insane must be a tortuous existence considering the whole world is conspired against her. Not out of a cosmic meanness but a deep thematic kindness. Candace is the only character whose intent is to cause purposeful harm and the universe will not let her get away with it.

Truly this is one of the most unerringly kind shows I've ever seen. It is unreal how much faith it puts into wordplay, running jokes, and raw absurdity to carry itself while never stepping into the realm of cartoon cruelty.

You know cartoon cruelty. It's why Tom gets punished for Jerry's actions and why the Trix rabbit can never eat his own damn cereal. At its best cartoon cruelty manifests as Ed, Edd n Eddy or the Looney Tunes short Duck Amok where there is catharsis in seeing the characters hoisted by their own petard. At its worst you get CatDog which is so intensely cruel to the character of Cat that I can't comprehend what the writers were going for.

The confident lack of irony is part of what makes Phineas And Ferb work. The show is a parade of cartoon cliches and dad jokes and it never it never winks at the viewer or lampshades how silly this is. It just has absolute faith that the corniest jokes ever really are that funny. And so they are. I actually laugh out loud every time they do the "Aren't you a little young for this?" "Yes, yes I am" bit. Maybe it's the delivery, maybe it's just the confidence in the bit. Probably a bit of both. I am smiling to myself just thinking of this dumb running joke.

But what this all amounts to is what every bit of fandom wankery amounts to. I am of course talking about shipping. For my money the best bit in the show is the romantic framing of Doofenshmirtz and Perry's rivalry. This is where the show's cartoon logic and unrepentant kindness synthesize perfectly. The homoerotic undertones of the spy/supervillain dynamic are an extremely tired observation and are usually only emphasized in an ironic sense to poke fun at pieces that never intended the gay subtext. P&F flips this joke by not being even a little bit ironic about it, but still adhering to the unspoken nature of the gag.

The end result is that Perry and Doofenshmirtz's status as a romantic couple is tacitly understood to be part of the shows status quo, but never commented on. The world of P&F is too inherently kind to be homophobic (homophobia being a key component of the joke) but it still has a joke shaped hole to fill. So it does the funniest possible thing and fills the hole with nothing. The joke is the lack of a joke. The expectation of a joke that is met with a shrug from the show's own internal logic. And that's really funny. An evil scientist and a platypus are in a loving relationship that happens to also be a hero/villain rivalry. Don't worry about it. It's not the weirdest thing happening in the tri state area I promise.