Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.
There's this part in Doctor Who Unleashed where RTD says this:
“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”
And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).
I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)
To quote RTD:
“...before you start to think, everyone in this community is white.”
This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)
—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?
How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?
And this just keeps happening.
And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.
The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.
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Rogue
Oh wow, I have some complex feelings to work through with this one. Up front, really fun idea and very funny script and performances. There were quite a few moments that had me laughing out loud (the shed, the OK exchange) and I love the whole set up of these aliens who want to cosplay as humans in the regency era. It also connects nicely with Rogue's love of DND. I feel like I might have missed something when they seemed to know that the Duchess was a Chuldur, but I'll see if I catch that on rewatch or not.
As always, I adore Ncuti here. He's so funny and charming as the Doctor, but I particularly loved that we got to see his darker side here. It was only a glimpse, but that line about 600 years being a long time to suffer was quite chilling and very reminiscent of the "he was being kind" speech from Family of Blood. Indeed, it is quite a ruthless end for the Chuldur! They're sent to a random "barren" different dimension! It reminds me quite a bit of the relocation gun from Rosa and how much it was shown to be one of the worst things you could do to someone (and Ryan uses it on the white supremacist guy). Brutal!
Ruby and the Doctor didn't get to spend much time together this episode, which is a shame because we haven't seen all that much of them together for three episodes in a row now. I can't help but think it's a sad consequence of the tiny episode run that we barely get to see this Doctor and companion interact, so although I loved the Doctor calling her his best friend, and I especially loved her giving him a hug at the end and making him deal with his emotions, I don't feel that connection as much as I'd like to. Equally, when he's devastated to think she's been killed, it would have hit so much harder if we'd seen them build up a real relationship. They have a lot of natural chemistry, so you still very much believe them as best friends, but it feels like we're missing a bit of the depth there.
Okay, now, the romance! I was quite apprehensive about this one because it looked like there might be something going on between the Doctor and Rogue, and that was further fueled by a comment Millie Gibson made in an interview about this episode showing a different side of the Doctor. The reason that made me apprehensive is entirely down to my personal preference, which is that I like it when the Doctor is more a-spec. As it turned out, this episode managed to be both better and worse than I worried. Better in that it was beautifully acted, had fantastic chemistry, and I loved the scandalous gay dancing (very reminiscent of the Torchwood episode Captain Jack Harkness). Worse in that it wasn't just something happening to the Doctor, that he's swept up in, but instead something he's actively pursuing.
Again, this is entirely down to my personal preference for the Doctor's characterisation, but the way that this pushes further than other instances of romance/kissing/etc. upsets me a little. It reminded me somewhat of The Girl in the Fireplace in places - inviting him to see the stars; the tragic ending - but the difference with that one is that she kisses him. I don't know, it's a relatively small distinction but one that matters to me. The Doctor has had romances before, and the more overt they are the more I dislike them (eg. all the River Song stuff), and nowhere has the Doctor more actively flirted with someone new, expressed attraction to them numerous times and deliberately kissed them than here.
On the other hand, it's very gay and I have to like it at least a little for that. It gives us a more obviously queer Doctor than Thirteen and Yaz and they had a whole arc! (Not to bash Thirteen and Yaz; I actually quite liked how that went down in the end, but again that's due to my preference for an a-spec Doctor, which jived very nicely with Thasmin.) Obviously, this doesn't invalidate any readings of the Doctor as aro and/or ace, especially as that can mean many different things, but it messes with my personal view of the Doctor's sexuality, and how I prefer them to be portrayed. For me, if the Doctor is going to participate in sex or romance, I'd rather it be understated and uncertain or unintended from the Doctor's end. Now I know what to expect from this one, I may become desensitized to it with time and enjoy it more for its merits. Still, I can't change the fact that it's just fundamentally not what I want from Doctor Who the character.
Misc
I love that the battle mode for the earrings came back. I wondered if it would when it was first mentioned, then promptly forgot about it entirely.
The comparisons between Rogue and Captain Jack Harkness are obviously numerous, and it's very funny to me that Jack would definitely be pissed off that he lost out on kissing the Doctor like that to someone who was basically a carbon copy of him.
More singing, since people are taking note of that. Love a bit of Willy Wonka and the Chocolate Factory!
I was cringing a bit while the Doctor was dancing to Kylie, but also glad he got to do that after the Master has had several camp pop dancing moments.
Speaking of Kylie, I wonder if the Doctor has ever noticed her uncanny resemblance to Astrid Peth.
We got a nice little flashback with Carla telling him to keep Ruby safe as well, which reminded me a lot of Jackie.
The faces of the Doctor's various incarnations looked a little strange. I couldn't actually tell who some of them were meant to be. Am I crazy or was one of them Richard E Grant, like from Scream of the Shalka (and the Great Intelligence)?
I said this already in another post, but it was dedicated to William Russell and I criiiiiied!
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Hey!!! Since you said you have a lot figured out for your WIPs I'm interested in your answers!!
what natural resources does each nation have that the others don't? do they export/trade it at all? (For any WIP you wanna answer for!)
@bloodlessheirbyjacques 👀❤️🔥
JACQUES, I LOVE YOU!!!!!! I'll try to keep this at least somewhat brief, but be warned, you have NO idea what floodgates you have just opened.
(I actually intended to make a post like this literally over a year ago, so thank you for helping me make it!!)
Get ready for:
Econ 101 - A Crash-Course in Continental Trade Policy
Before we get started, here's some things you might find helpful:
a map of the continent (see below)
an explanation of why Anvia and Oryn don't get along
under the cut because hoo boy, this is a LOT.
Anvia, the kingdom where ATQH takes place (and which Fallon rules) is primarily an agricultural society. The country's position in the middle of the continent, plus the river running through the kingdom providing fertile land, gives makes it the best-suited area for agriculture on the continent.
(Side Note: It gets colder as you got west-northwest on this continent. Oryn is cold, with long winters and short summers, while Oraine is extremely hot and the land dries up quickly.)
They grow crops and raise animals not only for their own survival, but for export to the neighboring nations. Anvia also has a decent number of craftspeople living in its larger cities, who use crop byproducts (or non-food crops) and animal products to make other products, such as textiles, leather products, etc.
Thus, Anvia's main products/exports are food crops (apples, wheat, strawberries, blueberries, raspberries, lettuce, cabbages, carrots, peas, hops, among other things), created food products (wine, ale, baked goods, jams, jellies, preserves) as well as animal products (largely wool, but things like eggs, cheese, and milk may also be exported), and craftsproduts (textiles and leather products, for example).
Due to the fact that most of Anvia is farmland, be it crop fields or livestock pastures, there is very little opportunity for logging. Even the areas that haven't been developed for farming are largely prairie-like areas. Also, Anvia lacks substantial access to mountains or mineral deposits for mining. So they are lacking in construction materials such as timber, stone, and metals.
Oryn, on the other hand, is ripe with construction goods. They have massive mines scattered throughout the kingdom, especially along the mountain range that borders with Anvia. (Ironkeep, the fortress to the Northeast of Westcliff, is a major stronghold built to protect Oryn's most profitable mines.) Additionally, a massive portion of the kingdom is covered in forests, so logging is another major industry.
(Side Note: Kristopher's father and the current king of Oryn, Pierre, has increased both of these industries massively. The working conditions in both tend to be hazardous, with many people being injured or killed. (Fun Fact: If you want to know how Pierre runs his kingdom, listen to Eat Your Young by Hozier.)
Kristopher believes that his father is ruining Oryn, not only by ruining much of its natural land, but also by working the people so hard.)
Notably, Oryn is also home to significant number of craftspeople, specializing in blacksmithing, metalworking, and jeweling. Orynian weapons and armor are said to be stronger and more durable than any others, and jewelry made by Orynian jewelers with Orynian stones is highly prized across the continent and beyond.
Oryn's main exports are lumber, stone, metal (raw, processed, and crafted into items), and jewels (raw, processed, and made into jewelry).
However, what Oryn severely lacks is fertile farmland. Not only is most of the land covered in trees, but the soil is quite rocky -- far from ideal for large-scale farming. (The hilly, mountainous terrain doesn't help.)
So, you can probably see why Oryn and Anvia need each other. They are forced to trade with one another to ensure the survival of both kingdoms. However, as I've explained in the past, the two kingdoms have a long history of tension between them -- which actually was the result of conflict over resources to begin with. However, despite this obvious codependency, neither one has been willing to suck up their pride and open direct negotiations between the two nations. (Fallon has tried several times during her rule, but has never once received a response from Pierre.)
So, this is where Oraine steps in. Oraine has a very hot environment, and aside from a few choice crops, not much of trade value grows there. (Their main exports, aside from a few "exotic delicacies", are fancy goods, such as fine clothes, art, and fancy furniture.) However, what Oraine does have is massive amounts of accessible coastline. Because of this, they have a long history of ship-building and maritime trade. Fortuitously for Oraine, Anvia and Oryn's border is mostly treacherous mountains, which makes overland travel difficult.
So, at some point in the past few centuries, some clever Orainian had an idea, and Orain graciously stepped in, offering to conduct trade between the two kingdoms -- for a fee, of course. Eager to continue their mutual cold-shoulder treatment, Anvia and Oryn were quick to accept the proposal. It was agreed upon that both Anvia and Oryn would be able to use Orainian ships to send their goods to each other, to Oraine, and beyond.
There are multiple companies (each owned by wealthy merchant families) that offer these services, both within the continent and beyond, and each is free to set their own price and negotiate their own service contracts with individuals, companies, or the nations themselves. However, they are charge a hefty tax that goes directly to the pockets of the ruler (currently Empress Adrienne) of Oraine.
Not only that, but Orainian merchants are well aware of how necessary their services are to both Anvia and Oryn. As such, their fees are often ridiculously overpriced. And Anvia and Oryn pay them, because they don't have any other choice.
(Well, they could choose to talk to each other and begin their own trading initiatives instead of settling for Oraine's horrid prices, but why would they ever do that?)
To tie all this back to the messy international politics of the continent, the Empress of Oraine has her own fleet of trading ships that carry out trades on her behalf. It is these ships that the rulers of Anvia and Oryn are required to use when they wish to send something more between them for political purposes. Orainian leaders have long claimed this is to "supervise" and "prevent increased hostility", but in reality it's just another way to line the ruler's pockets.
The rulers of both kingdoms have signed contracts with the Empire, including a rate of charge for the service. The Empress continually pushes to raise said rate, with the monarchs attempt to negotiate a lower price -- or at least keep the same one they had before. But it's a precarious slope, because if they push too hard, the Empress could retract her offer altogether, which would be disastrous (at least in the short term) for the two kingdoms, until they were able to communicate in a civil manner and establish their own trade barriers. (Of course, the Empress has no intention of actually rescinding her offer -- it's far too profitable -- but the monarchs don't know that...)
And that's all, folks!! To anyone who read all 1,092 words of this, I am hugging you (if you accept), and buying you your favorite meal. Hopefully this isn't too boring of a read...
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a possessive kiss that is meant to stake a claim .
There's something infuriating in the way he seems to dart in and out, never lingering more than just a moment. She doesn't know what she's expected to make of him, but the next time he darts into her space she catches him and pulls him back before he can dart away again.
international kiss day 2024!
It's not meant to be a game. A woman's heart is not something so trivial; but the moment he's faced with the potential for this to turn serious, he finds himself on uneven footing.
What if he's reading too much into it? Surely, she couldn't return the affections of someone like him. She deserves a man who can match her confidence, her skill in both wit and dagger.
This sparring match will be their last, he decides. They can walk away with bruised hearts instead of broken ones.
Laslow neatly spins away from her, keeping light on the balls of his feet as he swoops in for an attack of his own. He doesn't expect the hand fisted into his shirt nor the fervent kiss that follows.
"Yunaka," he murmurs, hooking an arm around her waist. There are worse ways to say goodbye; he can forgo a little dignity for the moment. He returns her kiss with equal passion, breaking it some heartbeats later to catch his breath.
"...have dinner with me tonight?"
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