#and he supports her the whole way

[assassinhomecreedstuck]

Malfurion is SUCH a babygirl

[blueskittlesart]

do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?

i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.

most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.

Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.

[volleypearlfan]

may there never be another dan schneider or brian peck or anyone like that ever again, especially working around children

[the-jam-to-the-unicorn]

And that's why she's a Queen

[statementlou]

So I see folks pointing out that Louis' circle A tattoo is more likely an aesthetic choice than an announcement of a political commitment to anarchism, and saying basically that that maybe makes him a bit of a poser and I mean- I GUESS. But I don't like to look at things that way and I don't think it's useful. As I see it the subversive sexiness of the symbols of resistance have ALWAYS been gateways for people who are drawn to the struggle in vague ways and that's GOOD. Aligning yourself with those values is good no matter the reason, in my book, especially given the wretched options available out there, but also the journey doesn't necessarily stop there. Gatekeeping queerness victimizes people who are just trying things out and starting to discover that it may run deeper than just trying on a new look who should instead be welcomed and helped along their path, and I fail to see how gatekeeping political affiliations is any different (plus how counterproductive to actual movement building is that?)

ANYWAY. What I really want to say about Louis is that while I KNOW that Louis is probably not secretly a theory reading anti-state communalist anarchist, I think that actually Louis' optimism and idealism (and his unwavering commitment to allying himself with the working class and embracing those roots) are a perfect fit for the philosophy and always have been. I know that anarchism is mostly understood as being about throwing molotov cocktails and fighting the state (and the allure of its symbols are that they signify this, a terrific aesthetic for him to choose to sign on with in my book), but that's honestly largely cartoonish stereotyping that comes directly from anti-anarchist state propaganda. That resistance is necessary in this hellscape of oppression we live in and is super important, but in its heart anarchism is only about the state in that the state and capitalism currently stands in the way of its goals. The whole point of anarchism is that it's NOT about the state! It's about being able to imagine something better than a state, it's about how we live and about how we SHOULD live, it's about HOPE and picturing something utopian and something free of the ways capitalism pits us against one another! What could be more Louis than that?

"I need you and you need me and I love that" is as beautiful a way of talking about the cornerstone of anarchism that is mutual aid as any long winded essay I've read (even if what he meant was contextually different), and I think when he talks again and again about how special the space fans have made around him is he is expressing an intuitive understanding of the importance of autonomous zones, places and moments outside of the shitty life imposed on us by the system (also a huge part of anarchist thought). Maybe I'm just being an optimist but I think that Louis DOES understand that caring for people and wanting self-determination and freedom for all and allying himself with the working class involves a certain amount of resistance to and positioning yourself in opposition to the state. Thinking the symbols of smashing that state are cool isn't meaningless; it's a CHOICE. There are other cool symbols out there and I just happen to think that feeling a resonance with certain ones is something in and of itself, even if at this moment he does not choose to start a fight with the media about it all.

[descendantofthesparrow]

Remember when the Audrey villain leaks came out and then we saw the offical c4 and s3 outfit reveals and saw the c4 on the isle and the s3 in an auradon forest and we all thought there had been some sort of time spell where Audrey twisted time and instead of the c4 coming to Auradon it was the s3 so Audrey stayed with Ben and there was a whole adventue to fix the timeline? no? just me? okay

[vasito-de-leche]

transwoman Druvis and gay Forget Me Not ruins my life and makes my head bang the walls (lovingly)

RIGHT???? RIGHTTTTTTTT??????? I love that ship so much when there's always something irreconcilable between them and when they're extremely divorced

[girlmetalsonic]

something that is like the baseline of amys entire character to me is that shes lonely. shes clingy and physically affectionate in a way none of her friends really are, shes always getting pushed aside and left behind. yeah, she helps out people she doesnt know because shes a nice person, but also, she sees part of herself in them. she wont leave someone else behind because she knows the feeling —and more importantly, hates the feeling. if she doesnt have somebody to stand by her and be there for her, then shes going to be that person for everybody else. something something her obsession with sonic is really just like a manifestation of that desire for closeness with someone, and she thinks that romance is the only way to get that. idk... this hedgehog can have so many abandonment issues.

[dirtytransmasc]

I need more selkie theon (and asha. I just think that would be a vibe. fuck the greyjoy sigil being a kraken for a moment and let them be seals) content.

like the opportunity to have theon's coat taken by ned when he's made his ward is right there and it is perfect and beautiful and tragic.

and you could build on that depending on the version of the selkie myth/story you're going off of (I personally love the song of the sea version of selkies for story writing). maybe he can't talk without it, maybe he gets sick, maybe his voice has magical properties of sorts.

I have this one concept in my head that I don't have the time to write, but it goes something along the lines of theon getting sick after years away from his coat and the stark kids have to find his coat and drag his slowly dying ass to the bay of seals (cause y'know bay of seals and theon's a selkie so he'll turn into a seal... I thought it was creative).

also, in a lot of versions of selkies, when they get sick, their hair turns white, which is on brand for theon. they're also pretty, their stories are typically soaked to the bone in tragedy, they're normally held captive/tortured, amongst other things, which are also very on brand for theon.

and maybe you get some selkie to selkie telepathy of sorts, so when theon finally enter the water a seal again, asha books it to come find him, cause its been years since she's been able to feel him (I'm soft for them, I will create the most improbable and ridiculous scenario's to bring them together and for them to have soft sibling moments).

all and all, theon being a selkie is something I need more content of, please and thank you.

[braisedhoney]

some tragic love stories be like: if i could bottle the galaxy, i would pour it into a cup so it would be easier for you to drink. do you want them? do you want the stars? or do they suit you better as adornments for your eyes than glitter on your lips?

but they don’t want the stars. they don’t want the galaxy. but how can they not? is that not enough? (it’s too much, that’s the problem. it’s too much.)

[kobracola]

ngl i really fucking hate the disparity between the way people treat gerard and lindsey in bandom

[gigilberry]

this is giving me such modern au kataang energy:

[p2ii]

I feel like there's something to be said about the way fandom will treat characters who's trauma they can personally relate to Vs characters who they cant

[grapesodatozier]

“#true love won't desert you truly a mileven thesis statement of a lyric damn” EXACTLY!!!’ Exactly.

the way mike refuses to let her ever isolate or sacrifice herself. the way he is always there for her when she needs him and vice versa. i am going to cry i love them so much

[leon-on-the-froggy-chair]

going insane about ada wong right now

[sukibenders]

Looking back at Girl Meets World, it will forever irritate me especially for how they handled/treated Angela. Oh this show really hated black women because how do you not only 1.) describe her, one of (correct me if I'm wrong) only few black and MAIN characters of the og show, as a "concept" 2.) have characters show obvious disgust at the small mention of her name 3.) depict her as a homewrecker for a new relationship that, really, shouldn't have ever happened 4.) have her old friends treat her like dirt and her old lover like she is the root of his problems, when there was nothing but positive love there 5.) reuse all the concepts from said previous love story just to elevate the new ship with a yte woman and 6.) compare her to Hurricane Katrina, one of the deadliest hurricanes that caused significant numbers of death, harm, misplacement, and trauma to people, largely of whom were black? Mind you, all these points I mentioned were toward the only main black character of the OG show before the spinoff, and the only, from what I can remember, black female character of the spinoff who didn't even stay long. Not even getting into the racist drama with some of the members on set, but you cannot look me in the eye and tell me that the way the show handled Angela, her story, and her relationship with the other characters + Shawn wasn't fucking disrespectful, you can't because I won't believe you.