#and i do not like the implication of this...

[iinryer]

a little scene prompt game to get me writing!

from @eddiesgaymustache: “what about 3....... 😳🤝🫠 or 🌈🦭✨ ........ the world is your oyster”

[😳🤝🫠 + 3: hiding face in neck]

“Don’t think I can’t see that!” Chim calls, sing-songy and bright, from where he’s making his way to the kitchen.

Eddie tears himself away and immediately tucks his hands under his own arms, face burning. Buck just makes a disgruntled sound from where he’s been dozing with his head tilted against the back of the sofa for the past fifteen minutes, now awoken and obviously confused.

“Oh god, what are they doing now,” Hen drops her book down from where she was reading at the table, holding her empty coffee cup up for Chim to grab over her shoulder on his way past. Despite the implication of reproach, her tone is much too gleeful for Eddie’s liking. He narrows his eyes at her. She grins lazily back at him.

“I was literally asleep!” Buck groans—whines, maybe—scrubbing at his eyes, “What did I do!”

“PDA!” Chimney shouts, head in the cabinet where he’s rummaging around, before emerging with a jar of peanut butter and continuing, “PDA is what you did!”

Hen makes a disappointed tsk tsk tsk sound, putting on an air of aloofness and pretending as though she’s already returned to reading her book when she adds, “We did have an agreement,”

“The agreement!,” Chimney echoes, clenching a fist theatrically, “is nothing sacred in this house?”

“Ugh,” Buck pouts, matching Chimney’s energy, “you’re so dramatic. We’re not allowed to sit next to each other anymore?”

Eddie sinks a little into the sofa, absolutely burning with the flush across his face.

“Sitting, I can forgive. But hand-holding?,” Chim says, closing a drawer as punctuation, “I dare say that’s a public display of affection, little brother,”

Buck’s posturing immediately melts into sleepy fondness as his gaze snaps to Eddie, and says, “Aw… you were holding my hand?”

Which just causes Hen and Chim to break out into a chorus of gagging and groaning.

“Alright, alright,” Bobby placates from where he’s cresting the stairs to the loft, amusement clearly painted across his put-upon captain’s demeanor, “I think they have a right to a little unobtrusive hand holding,”

“Excuse you!” Chim says with mock affront, pointing with the spoonful of peanut butter he’s just scavenged, “It is my right—nay, my privilege—nay! My duty! My privileged duty, as newly minted brother, to embarrass one Evan Buckley,”

Eddie opens his mouth to argue that Buck is not the only one being embarrassed here, when Chimney directs his peanut butter scepter Eddie’s way and adds,

“And if his boyfriend gets caught in the crossfire,” he pauses for dramatic effect, before decreeing with a lofted spoon: “so be it!”

And the thing is, it’s new.

The boyfriend of it all.

And it just makes his flush blaze anew as something pleased and hungry and elated blooms so strongly and suddenly in his chest and has to fold over into Buck.

“Ohh, that got you, huh?” Buck coos, teasing and affectionate and full of love as he wraps an arm around Eddie’s shoulders, easily accepting the way Eddie tucks his face into the juncture of his shoulder and neck to hide his blush.

The heckling picks up, Buck shakes with laughter underneath him, and Eddie snakes his arm across Buck’s lap to grasp onto his hand again.

[the-one-and-only-elita]

One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.

[17020]

Soshiro Hoshina always thought of himself as an intermediary, forever fulfilling the duty of carving a path for someone else. When he found someone who was the one to love him for him—even offering a hand when he needed it most, he was estranged, yet ecstatic.

Which is why he found himself in the passenger seat of one of the JAKDF vans, his hand laying comfortably on top of yours as you grab the stick shift to switch gears.

His whole body is thrown back from the force, his head now leaning on the headrest. You mumble an apology, to which he simply chuckles and nods. The fact that you do your best to care for him makes up for the abrupt stops and fast paced turns.

“Soshi, m’dear, why don’t you drive?” you ask, to which he smiles. He’s utterly smitten with the way in which his dialect has now become part of your vocabulary.

“Well, angel, I just like the way ya drive” he shrugs. Your foot presses the accelerator even more, as Hoshina’s hand makes itself comfortable on top of your thigh.

“Even if i drive like a madman?”

He laughs, “That’s the best part of it, sweetheart. You’re savin’ me a lotta trouble.”

You roll your eyes at your boyfriend’s comment, the van thumping as it drove past a pothole. Your boyfriend’s laugh gets even louder as you swerve the wheel a tad too late.

“You find joy in my misery, Hoshina?”

“What? Ya talking to yourself, now?” he asks, noticing the way your body stiffens at his implications. “I find joy in your driving, m’dear.”

“Yeah, yeah” you shrug, “just say you wanna be babied, you princess.”

taglist (open, yippee!): @stunies @nyxypoo @littleplantfreak @maruflix @heartkaji @karasuglazer @ryescapades @iamjellyfish @vinomino

[hungwy]

Can someone please explain why every screenshot I see on Tumblr looks like it’s underwater please is this a filter why are people putting filters on screenshots why are they putting them under the water please help me

sit down and take a sip of water my friend. it will be okay. i will explain to you the genesis and meaning of this phenomenon while you decompress. i started doing it for text screenshots in order to make it clear it's a screenshot and not words being posted by me. i am not sure if others began the same way, but many have recognized that this method of separating oneself from a given sentiment means the sentiment is bad in some way. thus the underwater filter has taken on an implication that the screenshotter is pointing out the screenshot in order to complain about, complicate, problematize, or simply make fun of the content. my friend, have you sipped your water? please, a deep breath. now another. you are doing good.

[1800-lemon-boy]

I’ve seen a few headcanons (especially in fics) that Will solace actually is naturally brunette but when he was claimed by Apollo his hair turned blonde (weither it’s over time due to sun bleaching or straight away).

And I just wanted to say I love this so much purely because of how heartbreaking some of the implications can be. 🤗

It’s never happened to any Apollo campers before, Will doesn’t know why it had to happen to him, his one sense of normalcy taken away so quickly, his one connection to his previous life- gone.

Will starts to pick up quite quickly he’s not like his other siblings, he’s can’t write and is average at archery. But he can heal, better than anyone else can.

He was different from the start, he was claimed differently, and his gift was different too.

And while still struggling with what to do, at the ripe age of 12 he’s now in charge of a cabin full of kids younger than him, because he was the oldest to survive.

Just imagine how the plague powers would also affect him. Apollo himself said that it seemed Will had gained all of his good qualities and none of his bad.

How would this 15 year old feel that the same hands that can heal can cause harm?

<33

[seresinhangmanjake]

The One I Want: Part 16

Jake Seresin x plus size!reader

Summary: You're new in town and some guy named Jake is about to be your roommate. Being skeptical of new people keeps you lonely and uninterested in any entanglements, but Jake is desperate to change that.

Warnings: a little smut

Words: 1500

The One I Want Masterlist / Main Masterlist / Tag List

“I can’t tell you much,” Jake had told you, but you knew that. “We’re not a hundred percent in the clear, but it’s looking like four weeks, maybe five.”

“Beats fifteen,” you’d said, hearing a rewarding chuckle in return. 

You were thankful no one could witness the mess you were at that moment, your face-splitting grin heavily contrasting the puffiness of your eyes from tears. But that was just the beginning of weeks of inner turmoil. 

For forty-eight days, your stomach has swirled a storm that’s consistently had you on the edge of nausea, whether from anxiety regarding his safety or butterflies at the thought of Jake returning. You miss him, more than you thought yourself willing to, and regardless of what he told you, nothing guarantees he will walk through the door of your apartment. And if he doesn’t, you know exactly what will happen to you. You’ll crumble into unsalvageable pieces, and no one—not Millie, not Rooster, not anyone who has been kind to you over the last months—will be able to put you back together. 

And then what? Your only choice will be to leave. Start anew. Twelfth new place. Except this time, you’ll be more numb, less human, less operable on a daily basis. It’ll be like waking from a dream to a gray environment. You fear nature will lose its color, and you will lose your light once again.

—

It’s another week before your phone rings with a name other than Millie’s plastered across the screen. Unknown Number, but the first three digits are recognizable, matching those of the number Jake has been using to call you with. What you hear on the other end of the line, however, is not Jake, but instead, a gruff voice asking you to confirm your identity. 

“Yes,” you answer. “That’s me.”

The man clears his throat. “You are the emergency contact for Lieutenant Jake Seresin. We’d like you to come down to our medical facility as soon as possible,” he says before providing you directions.

You drop your phone, and then you’re running. Running to his truck, running from his truck to base, running through halls until you find someone willing to lead you to him. You’re so terrified, your arms jittery, legs barely functioning from the panic of Jake’s pending fate, so overwhelmed by nerves that when you finally do see him, it pisses you off. 

That man with the voice that imbued you with dread is on your shit list for life. Maybe next time, he could lead an emergency contact call with He’s fine or Don’t worry, because his implication was severe enough that you feared lost limbs or damaged brain functioning. But there Jake is, not in a coma or with some life-threatening injury, but sitting on the edge of a bed in a room with his back to you as a nurse seals a strip of medical tape across a small patch of shaved hair on the side of his head.  

When she’s done with her work, she smiles at Jake and nods at something he says before walking out of the room. She jumps at the unexpected figure lingering just outside the door, and then realization dawns. 

“Oh, you must be the girlfriend,” she says. “You’re welcome to go on in.”

So you do, cautiously easing into the room, hoping that when he turns, his face won’t be covered in slashes and bruises—a sight you’re not sure you can handle with strength and maturity. You’d love him all the same, but to see him in such pain would take you to your knees. But again, he’s fine. Beautiful as ever. Not a mark on him that you can see save for the one on the mend. 

Jake’s face brightens at the sight of you; he practically glows, and you’re shocked to discover yourself not running into his arms. You’re frozen for a moment as you take him in. It’s a quick moment—a brief second to recover—but then you’re stepping to him, your eyes watering, your bottom lip quivering, your fingers reaching up to brush over the stark white tape. You’re careful with your feathery touch, relieved to see that his injury is not so sensitive as to make him wince.

Jake’s arms wrap around your waist. His eyes do not break from your face. He’s patient as you scan him once more for visible injuries, verifying for your own sake.

“It’s just the one,” he tells you, his voice soft and only a few notes above a whisper. Your eyes snap to his. He lifts his hand to cup your cheek, thumb stroking your cheekbone. “Come here, beautiful.”

You melt when his lips gently touch yours, but the kiss doesn’t last long as innocent. There’s bites and sucking and giving and taking, and it’s perfect in its semi-sloppy neediness. Voices passing by the door is what breaks the two of you apart. Jake lightly groans before he chuckles and rests his forehead against yours. 

“I missed you,” he says. He places another quick peck on your lips. “I want to take you home.”

“Then take me home.”

—

“J-Jake!”

You feel his mouth curve against your core before he licks another stripe right through you, tongue like a heated blade slicing you in two halves, spreading you open and baring you inside and out. You’re completely gone—lost in the sole way you’re willing to be lost—as Jake tethers you to this earth. He’s the only one you trust to ground you while simultaneously letting your head float amongst the clouds. 

His arms curl around the thickness of your thighs, locking onto you and keeping your hips steady atop the mattress as he devours and tastes and sucks and licks some more.  

“Come on, beautiful,” he mumbles into your folds, just loud enough for you to hear through the rush of blood in your ears. “Let me have it.”

As if you could hold it back. 

Your whole body jerks and writhes as you sink into pleasure, back arching, head digging into the pillow. Jake reaches a hand up to intertwine your fingers and you squeeze them tightly while he continues to kiss folds and brush his nose against the overstimulated bud.

“There we go,” he coos until your body calms.

Jake crawls onto the bed, lips and tongue traveling up the soft flesh of your stomach, between the valley of your breasts, into the dip in your throat before he kisses you, demanding you taste everything you just gave him. 

Jake introduced you to your taste during those weeks before his deployment. His head lived between your legs. He showed you how to perch perfectly on his face, encouraging you through your concerns of suffocating him. He begged you to relax when he backed you up against the wall, slipped your pants off, knelt, and tossed your leg over his shoulder as he dove in. And after each success of making you crumble to pieces, he sealed his lips to yours and pushed his tongue into your mouth. 

You know your taste as well as you know his, and on the occasions he spills down your throat before he returns the favor, you get the satisfaction of the combination on your tongue—a mixture more intoxicating than an alcoholic binge. 

“I’m never going to want anything like I want you,” he says after he slips inside of you, the intensity of the love in his eyes penetrating your soul.

“Then it's good that I’m yours,” you whisper back.

Thrusts that were paced and steady and gentle falter. With your words comes a sharp rut of his hips—unexpected to you both—that hits hard, deep. Jake chokes on the air in his lungs, his eyes snapping shut as you cry out. 

“Fuck” hisses through the grit of his teeth. Then he finds his pace again. 

His head falls to your neck. Nibbles make you gasp, and the image of examining claiming bruises in the mirror first thing come morning causes your walls to clench around the veiny column moving in and out of you. Your fingers fist into his hair. Nails dig into the toned muscle of his ass. 

“I do love you, Jake,” you say. 

He stops completely, but you don’t question it. The fingers in his hair loosen and you lightly scrape your nails along his scalp, down to the base of his neck, then back up into blond locks. Turning your head, you stamp a tender kiss onto his temple. 

Jake doesn’t say a thing. He doesn’t look at you. His thick breaths burn the delicate skin just under your ear. When he begins to move, he’s slow, taking his time before he picks up, working to nudge that special spot inside of you that tightens a white-hot coil in your belly. 

“I love you so much, beautiful,” he whispers.

[therealraewest]

Thinking about this specific set of panels from years apart again

[spookberry]

Ya know in TGWDLM when Paul and Emma are like "you gotta think about the IMPLICATIONS!!" "oh god i didnt think about the implications!"

Thats what Danny Phantom fans do all day long

[swampstew]

Oh Baby

Summary: Have you ever had the 'accident' talk? something short and sweet based off this post by @/MangyRacoon | no actual smut, all fluff and tenderness from someone so brash and violent. Thanks again for the original request Hebi <3

CW: Eustass Kid x F Reader, Trafalgar Law x F Reader, Roronoa Zoro x F Reader all separate accidental pregnancy scenario

Kid clocks it right away. He’s so eager when he sees you, finding you on the dock instantly, and the first thing he notices are the dark circles under your eyes and your breasts look particularly perky in your top. He makes himself known, to your surprise, pulling you into a giant hug and asks you if you’re ok.

You tell him you’re just tired from work and your social battery was pretty much drained all the time, but you are happy to see him again. His hand traces your sallow cheeks as you tell him what you’ve been up to before he decides he’s going to carry you to the nearest food stall to get you both something to eat. He holds you while you hold the bags of food, cradled against his muscular chest as he takes long, impatient strides to your home. He’s going to get to the bottom of this and he wants to do it without his crew hovering.

He tells you about his adventures while you eat, if it can be called eating since you a few bites before you looked queasy, abandoning your plate and drinking ginger ale instead. Kid pushes his plate away and brings you to your feet, bringing you to his chest as he his hands gently caress your hips.

“I’ve been gone for a while now. Has anything happened?”

“Hm? Aside from taking on more work to pass the time, not really.”

“Nothing at all? Its been three months since we saw each other.”

“What are you getting at?” you ask irately, not liking the implication of his question.

Kid turns your body so your back is resting against his torso, metal hand holding you in place while his flesh fingers spread across your lower belly. The slow strokes made goosebumps erupt along your soft skin.

“You definitely didn’t have this last time…”

“ARE YOU CALLING ME F—?!” your yell is cut off as he covered your mouth.

“Y/N! Do the math!”

When your body starts trembling, he knows you made the connection and swiftly picks you up and takes you to your bed. Waiting to see if you would start the conversation.

“We never talked about an accident like this,” you whisper.

“No, so what are we going to do?”

“We?”

“Well…yeah. Unless you don’t want me involved…”

“I-I think I want too…but…sigh…I wouldn’t expect you to stay,” you whisper.

“You’re right I wouldn’t” he snorts, “Cause I’m taking you with me, idiot. No way in hell I’m letting you do this alone.”

He’s the type of guy to (ironically) neglect his own health that he can hardly judge. So when he sees you after a few months apart, he tried to suppress his natural inclination to monitor and assess you as he took you into his arms.

In his embrace he can tell you even feel different. Like you were more tender, more sensitive to his touch as you squirmed in his hands. You pull away and he notices the top you’re wearing is the same one you wore the first time you met each other. This time though, he could see the strain on the fabric as your body peeked out from below the hem. And…hmmm did your ass get bigger?

Law tells himself not to do it, he can’t overstep. Fuck it, he does it anyway. As you lead him, Bepo, Penguin and Shachi to a bar, Law walks behind you discretely and scans you – confirming his suspicions.

The crew enters but Law escorts you to a private alley. He can’t wait a second longer to talk with you.

“So, I was gone for what…3 months?” he starts, his tone nearly clinical.

“Uh yup, you kept count?”

Law let out a light scoff, answering your question with another question, “Anything happen while I was gone?”

“Nope.”

“Have you been feeling…off at all?”

“The hell is that supposed to mean?”

“Y/N,” Law gripped your shoulder, a panicked look in his eyes.

“Been getting headaches, and uhm – hmm not been eating much either I guess. I feel like I’m just not hungry, and when I am I feel a little queasy.”

“You’re not EATING?!” both hands on your shoulders now, slightly shaking you even.

“I AM! Just with long stretches between meals.”

“Eating what?”

You looked at him long and hard and began listing off the weird combinations you’d been trying out recently. Yeah you knew some of the choices sounded out, but hey, it was the only you could really stomach…

OH.

You both stared wide eyed at each other as the truth sunk in. Oh shit.

Y’all never had the baby talk.

You were scared to voice your real feelings – Law was a pirate and he didn’t have time to be a father…right? Oh gods, he was a surgeon, would he…make you have a procedure if he didn’t want to have a child?

It was like he sensed your internal conflict, taking off his puffy hat and putting it over your head.

“You really want to do this? It won’t be easy you know. Especially in a tight ship like mine…”

Your eyes were glassy as you peered at him, “Are you…sure?”

“It’s your decision, Y/N.”

…

“If its with you, I think I can do it.”

Law couldn’t help the smile that curled over his face. Fondly remembering his own short-lived childhood, being a dutiful son, a caring older brother…

“Of course. And I’m a doctor, no child will be in better care.”

“With your power, I hope you’ll be doing a lot of the heavy lifting.”

“Tch, yeah.”

For someone who could be quite thick-headed – the marimo knew something was different in the atmosphere when the ship docked at a familiar island they frequented. He was the first to leave, ignoring the calls of his crew to make sure he remembered the way back.

He was on the hunt – eyes darting left and right, walking swiftly as if he was being guided by an internal compass. Making his way until he found the small cottage you lived in, out in the middle of the fields and not that conveniently close to the town. Between the forest, the tall grass, and canyons, it was a shock he made it to front steps of the house before the sun was even high in the sky.

Zoro didn’t even knock – just turned the knob and stepped inside.

“ZORO!”

Your arms wrapped around his body, relishing in his presence after so many months.

He gently pulled you off him, to your confusion.

“It’s been a while,” he spoke softly, direct contradiction to his actions that felt robotic.

“About 3 months.”

“Yeah. Did anything happen during my absence?”

Your brows knit in confusion, “No? Like what?”

His green eyebrows furrowed right back at you, almost accusingly.

“Really? You haven’t been feeling like somethings wrong or anything?”

“Why would something be wrong?!”

With a frustrated click of his tongue, “You…smell different.”

Staring at him with wide-eyes, he couldn’t tell if you were plain shocked, offended, or saddened by his statement.

“NOT IN A BAD WAY!” he gripped your arms a little tightly, “JUST! You SEEM DIFFERENT! I don’t know how to describe it!!”

“Different how, besides the apparent aroma I’m wafting,” you asked indignantly.

A twitch of his forehead vein, Zoro took your hand and walked to your bedroom. Facing you in front of your standing mirror, he pulled your shirt over your belly and ran his hands down to your hips.

“These are bigger. Wider. There’s something in there,” he pointed to your barely swollen bump that had gone entirely unnoticed by you.

“Oh SHIT.” Your body shuddered and nearly collapsed in on itself as you sunk to the floor.

Zoro grabbed your elbows and gently lowered you, sitting next to you as you both had the same thought flashing through your minds.

We never had the ‘accident’ talk.

Less than a minute had gone by in silence before Zoro’s hand held yours, circling his thumb over the back of your hand, almost reassuringly.

“The Sunny is pretty big. Tons of stuff for a kid to get into, and a great crew that would keep an eye out. Robin could lend a hand anytime too.”

“Are you sure, Zoro?”

“I probably wouldn't make a good father on my own, but at least we have people to help us.”

A small smile pulled up the side of your mouth and it made Zoro’s heart stutter, “I’ve always heard it takes a village to raise a child. I wouldn’t mind the Straw Hats being that village.”

“Uh… Y/N, we’re a crew.”

“Same diff, mosshead.”

[tollsoftheclockwerkbelle]

sega please do not save maria please do not save maria PLEASE do not save mariaaaaaaa sega PLEASE

[psychotrenny]

One of the more absurd pieces of anti-polyamory rhetoric that you'll sometimes encounter is that it's inherently misogynist because of... whatever tangential links that they feel like making up today. This sort of argument is obviously completely backwards if you have even the loosest understanding of the Family as a Patriarchal construct to facilitate the accumulation of private property, but the more you get into the specifics the more ridiculous it gets.

Like one entirely vibes based argument you'll see is that polyamory is just an excuse for awful men to cheat on their girlfriends. Putting aside the existence of gay people and how they comprise a disproportionate amount of polyamory, you don't even need structural awareness to know how stupid this is. Like by virtue of living in a Patriarchal society you've probably noticed that asshole men do not need an excuse to cheat on their partners. In fact, there's a widespread misogynistic double standard with women having affairs being viewed as much more serious than the other way around, with female offenders generally receiving a much greater deal of social castigation than their male counterpart.

On a similar note you'll also see the implication that women are always the most concerned with cheating and so any critique of monogamy means you view women as "whiny reactionary bitches". Once again mere social experience disprove this pretty definitively; one of the most common justifications for femicide is real or suspected infidelity. Like the institution of monogamy literally gets women, many women in fact, killed*. Attacking the sanctity of monogamy, "destigmatising cheating" if you want to call it that, does not empower misogynist abusers. It in fact it does the opposite, which is very obvious if you put the smallest amount of thought in

*Sometimes men are also killed by their female partners, as well as gay people by same sex partners, over cheating too. This is still pretty terrible too but of much lesser concern because systemic misogyny means than men have much greater power to both murder women and avoid meaningful consequences for it. The biggest issue here is people cheering these actions on and acting like it's a meaningful expression of "girl power" for women to murder male partners over infidelity. Because as I keep repeating Monogamy is an inherently Patriarchal institution; it is not meaningfully feminist to have women play an equal role in violently enforcing it

[genericpuff]

Wait, if Hera hated nymphs, does that mean she had beef with Poseidon's wife???

Who knows, but it does shed a whole new light on this scene from Episode 1:

Like, in the context of the scene, it's clear the point of this interaction is to highlight how "lonely" Hades is that he's the only one at the party without a date. Though I do think it's funny that Hades is frustrated / shocked at the revelation that Poseidon brought his wife to a party that she would presumably be invited to attend, like... of course Poseidon is here with his wife, that makes Amphitrite royalty by extension and so at the very least she'd likely be obligated to attend even if she, for some reason, didn't want to go.

So Hades being like "GOD you mean I'm the ONLY UNMARRIED GUY without a DATE???" like yeah man that's what it means to not be married LOL

But in hindsight, knowing what we know now about Hera being cruel to satyrs and nymphs who are canonically lower class (making it a double whammy of racism AND classism) that interaction of Hades asking Hera if Poseidon brought Amphitrite right after Hera called Minthe "nymph trash" almost feels like Hades calling her out, to which she responds sheepishly, "... Yes."

Again, I know that's not the intention of this scene, but it does come with deeper implications now that the series is over and we know that Hera has a history of racism and classism which largely goes unaddressed.

And those implications kind of read like this:

Hera: "I, for one, am grateful! I don't have to spend the evening with that nymph trash :)"

Hades: "Did Poseidon bring his (oceanid) wife?"

Hera: "(・_・;)... yes, okay, Poseidon brought his wife, Amphritite, but she's not nymph trash or anything, she's one of the good ones!"

Again though, just food for thought that's kinda messed up and kinda funny to think about on re-reads. There's so much classism and racism baked into LO even from the very beginning and it's wild that it wound up going unnoticed for years. Even I didn't really notice it as much as I ought to have when I first started reading. To anyone who's new to the series, LO does a good job at bombarding you with colors, characters, Greek myth references, and feel good fluff moments between H x P to distract you from the often biased and outdated viewpoints in its narrative.

TBH, none of that is to say that Rachel herself is some massive racist for writing a story like this, but I do think she didn't really spend enough time analyzing the works that clearly inspired her and/or challenging her own inspirations to ensure she wasn't continuing the cycle of casual racism. It's really easy to be blissfully aware of your own biases if you never learn to address them, especially when it comes to writing fantasy stories which we tend to "disconnect" from real life, never once realizing that the messages and undertones we might accidentally be sending are often still realities for many people in real life today. Fiction isn't real life, sure, but it can still perpetuate some really dog shit thought patterns and subconscious beliefs if left unchecked, which LO is frankly full of especially upon re-reads with a more critical eye when you're not as likely to get distracted or swept away by the pretty colors and whirlwind romance.

[ammoniteflesh]

Some rambly thoughts on the player choices thing.

[Context.]

It is really not difficult to account for player choice, actually. If variable=true, use this bit of text. If variable=false, use this other text. It's that easy!

I get that Bioware has a LOT of different choices to account for, and there is a level of difficulty inherent in that. But, to be blunt, that is the entire job of ludic storytelling. You're making an RPG; that's what you're here to do. If accounting for player choice is becoming an inconvenience rather than an opportunity then that, to me, suggests that you are not making great use of the medium.

Epler's discussion of the location shift is also one I have capital-t Thoughts about. And it actually took me right back to when Inquisition came out! Remember the Dalish elf boon in DA:O? The land granted to the Dalish in the Hinterlands? I did, and I was so disappointed to see no sign of it in Inquisition.

The stuff Epler is saying here is straightforwardly correct: moving to a new location between games is a fantastic idea when it comes to player choice. To this day, I wish Inquisition had been set entirely in Orlais rather than returning us to Ferelden. Moving to a new location lets you show the consequences of player action without getting bogged down in the thorny implications. DA2 did this beautifully - you can bump into the last members of House Harrowmont, on the run from Bhelen's people! You can find that one shipment of blood to the Wardens, if you let Avernus keep doing his thing!

But the crucial thing here is that the stuff I just described still acknowledges player choice. Because you're not in Ferelden at the minute, you can throw that stuff in there without it derailing the plot. You don't have to answer a billion questions about it, you can just let the player speculate. But it gives you that excitement of knowing you made a difference to the world, and that the world continues to turn even when you aren't looking at it.

In some ways this is a corner that the franchise started painting itself into with DA:I. When you shift from 'a series of relatively self-contained stories set in the same world' to 'an ongoing meta-plot', you have to make adjustments for that. And teething problems are inevitable.

I think I've shown my bias here: I kinda think that making that shift at all was a bad idea, tbth. I don't really want or need to know what's up with every weird thing that happens in Thedas - I much prefer it as a big world full of strange corners. I like the idea that not all of the consequences of my actions will be immediately apparent, that things will keep ticking away without me, that I can brace for an explosion that might never happen.

But if you are making that shift then you need to commit to it, dammit. And this doesn't feel like the way.

[screechingfromthevoid]

So like they've been talking a lot about how they're all a bunch of fuck ups. And while sure they're all a little unstable and unpredictable, I don't really think they are fuck ups? Outcasts sure. People who have had a lot of bad shit happen to them? Yeah. People who have made mistakes? Who hasn't.

Like Laudna didn't really fuck up. She had the worst things imaginable happen to her, then was given exactly 0 time to heal. All the while she was being manipulated by someone who was supposed to "care" for her.

Imogen was neglected by her father and ostracized by her town and honestly came out as normal as she probably could have. When she was out on her own, with Laudna, they seemed to do pretty well?? It's just, being the leader of a group is new to her. It takes a while to adjust.

Ashton was used as a science experiment by their cult leader father. Then was dropped in the middle of nowhere where they found a family that didn't love them as much as they loved them. They had to make a lot of hard decisions on their own and just because they're not lawful good decisions doesn't mean they were wrong or bad.

Fearne being classified as a fuck up because did meet her warlord fathers expectations is crazy to me. (I know what they were getting at by calling her a disappointment. Doesn't mean I have to like it) On top of that, she had years stolen from her as a price for her parents actions.

FCG was programmed a certain way and they fought against it at every point they could. Their literal programming. Being taken over by something hardwired into I don't think counts as fucking up?

Braius was lied to then excommunicated. it seems like letting Nott and Jester in was like the only thing he did wrong his entire life?? He was hella devout before that??

Chetney is 4,000 years old and fucked his way through exandria. He doesn't have a family to disappoint and hes been making children's favorite toys for like ever. He hurt some people along the way but like. Does that constitute as being a fuck up?

Dorian literally did what he was supposed to do. His parents had a rumspringa and to imply that he's a fuck up for literally doing a rite of passage is beyond me. (If you wanna talk about fuck ups ask me about Cyrus) And even on his rumspringa he became one of exandrias greatest hopes.

And Orym. His insisting incident? The thing that set him in this course? His husband and father dying. In the same battle that he fought in. That's the thing he "fucked up" on. Failing to save those closest to him. And idk I think it's pretty cruel to call him a fuck up for not being able to save them against Otoha. Who also killed him.

[kaban-bang]

Finished Shadow the Hedgehog.

Listen, I understand this game's target audience is slightly older kids, so the morality system has to be simple, but idk, I still find the implications to be pretty fucked up.

More under the cut

SA2 establishes that the ARK colony was raided by GUN, and that results in Maria getting killed by their soldiers. This game has Shadow relive this moment.

"The Doom" level has soldiers doing chatter about how they've "sealed all the exits" and "rounded up all the scientists." Shadow and Maria get jumped multiple times by them, I remember one of those has three soldiers wielding knives ambushing them. Maria will be frightened and confused, every now and then she asks "Why are the soldiers doing this to us?". We already know she doesn't make it out alive.

Sonic and friends are NOT the morally good path, but it's GUN. They're there to help GUN achieve their goals and it's just weird fucked up. This group shot up a child in cold blood but if you attack them you'll hear Sonic and friends say "NO STOP THOSE ARE THE GOOD GUYS"

Tails will say stuff like "Wow! GUN has deployed a ton of mechs! It makes me feel safer!"

What the fuck is happening in this game.

There's also that one mission in the pure Hero path where Rouge says they've driven the aliens into a corner and now she needs your help eradicating them. I get that for the purpose of the game the aliens are ontologically evil. But that's a fucked up mentality for the heroes to have.

ESPECIALLY considering the previous cutscene before that level, Shadow is grouped up with all those aliens that need to be dealt with. And also considering that's on the *most* morally good path.

I was waiting the whole game for a twist that would justify all of that but nope, it was just Sonic and friends doing this:

[morganas-pendragons]

sweet and soft | elrond peredhel

okay LISTEN

I read this prompt about the elves ears DAYS ago and it has not left me alone. it being their most sensitive part of their body along with touching their ears meaning you want courtship.... and I then had a dream about this with Elrond

not a drop of angst in here, I want to kiss him so bad

enjoy!

***

Sunlight cradles the two of you from where you sit among the gardens in Lindon. It is a rare day where the High King has given Elrond reprieve from his duties as Herald, and you both took the opportunity to spend the time together in the gardens where you’d met.

Elrond only had one condition: You had to play for him. As your skill with a violin was renowned, you’d earned your place as High King Gil-Galad’s violinist who was often called upon for important events. It was what had initially drawn Elrond to you, seeing you playing at Gil-Galad's feast.

That was almost six months ago. Now you find yourself enraptured by the Half-Elven man with his head in your lap, your fingers idly carding through unruly curls as you recite lines of poetry from the book he’d brought to read.

Your first mistake in being so engrossed in your poetry is that you miss Elrond’s breathing hitch when your fingers ghost the tips of his ears. He is aware, as are you, what the implications are behind touching the ears of another elf. Elrond has never made the depth of his feelings for you known.

He is cognizant of one detail, at minimum. Elrond wants to court you.

He is also aware that his cheeks are burning as he turns to press his head into your thigh.

Your fingers curl just beneath the neckline of his shirt before dancing upward once again and repeating the same motion. Out of the corner of his eye, Elrond catches the faint smile upturning your lips as you peer down to meet his gaze. His eyes are astonishing already, but washed in the glow of the morning sun, he almost seems as if he is sent straight from the Valar themselves.

“Is something wrong, Elrond?” You ask innocently. He reaches up to snap the poetry book shut, allowing him the opportunity to sit up and face you. “I thought you were enjoying the poetry. This is our weekly routine, after all.”

He takes those next few beats of silence to allow his eyes to sweep across your face. Elrond has known you to be somewhat of a mischievous person, feigning innocence and naivety in situations where repercussions are demanded if fault is admitted.

“I was simply admiring the person who chooses to spend their waking hours with me instead of making practical use of their time,” Elrond remarks, voice stuttering as you curled your fingers into the lengthening curls at his temples to tug him close to you. “And how devious you are.”

You grin widely at him. Elrond is the only person you have ever allowed yourself to be genuine with. Being in Gil-Galad’s favor means that you so often have to wear a practiced facade of grace and poise. There is no room for child like behaviors.

Being with Elrond allows you to truly, truly embrace the very being of who you are. That is one of the many characteristics you have come to love about him.

“Me? Devious? Surely you are joking." You tease. "All I did was-“

He catches your hand before you can do it again. The two of you sit there in silence for a brief moment as you stare at your hand caught in his own. It’s the first time he’s really taken it. Sure, the two of you have walked with one another in these gardens plenty of times, but only as friends.

You have wanted Elrond for what feels like lifetimes. For the sake of yourself and for him as parts of Gil-Galad’s court, you chose to love him from afar. You didn’t want to impose upon Elrond. He already carried enough.

However, given the way he’s looking at you, part of you quietly wonders if he feels the same way and chose not to speak it for fear of your rejection.

Elrond takes each one of your fingers and spreads them apart, laying a kiss on each fingertip before enclosing your hand with his own. Your breath stuttered in your chest as he leaned impossibly closer.

“You know what it means to touch the ears of another elf,” Elrond said lowly. It almost sounds like barely concealed restraint. “Do not tread upon a path you do not wish to walk down.”

You hum softly and grab his chin with your fingers so he will look at you. Trepidation lingers in the depths of the gray irises that stare back into yours. “And if it is a path I wish to tread upon?” You whisper. “Let it be my choice.”

Elrond shudders as your fingers trail upward to tangle in his hair again, and he finds himself unable to breathe as you slowly shift your positions so you can settle yourself into his lap. It's a bold move considering you have done little else outside of resting your head on his shoulder and holding his arm as you venture Lindon's gardens. You're quietly praying that you have not overstepped a boundary.

Elrond doesn’t push you away. He welcomes it. He welcomes you.

He tries to focus on the sights around him to avoid the fear of disappointing you lingering in the back of his mind. You are a sight to behold among Lindon’s gardens. Despite the wonders of the sights around him, none of the flora and fauna that have grown here over the centuries are comparable to you.

“Hey,” You call softly. “Where did you go, nin mel?”

Elrond is not usually one to fumble over his words, but they roll off his tongue before he can stop his rambling, “I do not want to bring any disappointment if I am not what you wish me to be.”

You’d be lying if you said the statement didn’t make you melt. He was so earnest and sweet when it came to ensuring he lived up to what other people wanted but so often gave himself such little credit. “Elrond,” You began, taking his hands into your own to press them against your waist. “I have wanted you for so long. You could never disappoint me, meleth nin.”

You bend your head to the juncture where his jaw meets his neck and place a kiss thereupon. As you anticipate, Elrond groans low in his throat and grasps you more tightly. “Please,” He breathes, breath hot against your ear as you drum your fingers against his neck. “Please touch me.”

It was the closest to a declaration you were going to get at that moment. He wants you to be near to him, to touch him, to be witness to the rawest and most vulnerable parts that he so often hid from everyone else. He had to hide. Who would want to see the human side of the Half-Elven Herald of the King?

You tilt your head and gently graze your fingertips over his ears as he bends his own head to meet your mouth halfway. It's cataclysmic. You've been dreaming about this moment since the first time he asked you to play for him at the very end of one of Gil-Galad's feasts with the other elves who dwelt in Lindon.

Elrond shudders as you come together and lifts a hand to touch your jaw just beneath your own ear.

The action alone causes you to gasp just enough for him to take the opportunity to kiss you more deeply, licking into your mouth with a low groan as you wind your fingers through his hair.

"Elrond," You breathe. The two of you pull away just enough to feel the warm breath of the other on your skin, your fingers twirling circles against his temples as he worked at undoing the braids that hung over your shoulders. You want more of him. You want to bury yourself in his heart and never let anyone hurt him again. "That was-"

"I would very much like to do it again. And again, and again, until you are rendered breathless," Elrond whispers, reaching to the side to pluck a lily from the flower bed before tucking it behind your ear. There is hope lingering on the edge of his tone as he looks at you. A hidden promise for something that you both can chase, not a futile dream he has to chase alone. "But only after I hear you play."

You stand to your feet and motion for the violin case beside him. "One on condition," You reply as you tuck your chin into the base of the instrument and poise your bow against its strings. "There must be more kisses at the end of this song."

You swallow the knot in your throat as the melody begins to echo in the gardens, allowing Elrond the opportunity to lean back on his elbows and peer up at you from his spot on the blanket. "I believe that can be arranged. Is there anything else?" He asks innocently. You raise a brow and pause as his shirt shifts to reveal the skin beneath. Warm, tanned skin that you wanted to... "You're staring. You're going to mess up your song."

"You are distracting me." You retort. "I do have one more condition."

There are several beats of silence between you two as Elrond goes quietly, enraptured by the melody that seems to encompass your entire being as if it comes from the very heart of you. You are the very essence of what makes music beautiful.

When your final note decrescendos into the serenity of the garden's life around you is when you open your eyes to look at Elrond once again.

"What's that final condition?" Elrond asks.

"A date, Elrond Peredhel." You muse, leaning down to return your violin to its case before swooping in to press a kiss to reddened cheeks. "Anywhere and any time. I will leave the rest up to you."

He does not dare move as he watches you walk back towards your rooms. You truly are a marvel, a sight to behold. You are the brightest light that has entered his life since he lost Elros. He would not dare to dim that light.

"Anytime and anywhere," He whispers to himself as he traces his fingers over his cheek. "For all my life-time."