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niko-sasaki-dbd · 4 months

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Queue Interview with the Dead Boy Detectives Cast 👻🔎

This is going to be a long post! (These are my favourite parts from the interview!)

George Rexstrew as Edwin Payne

Acting Inspiration

Oh, gosh. Well there are so many. Meryl Streep, obviously. Viola Davis, obviously. More recently, I was blown away by Enzo Vogrincic in Society of the Snow. And Eden Dambrine in Close.

Cast Camaraderie

I loved working with all my co-stars. I’m practically related to Jayden [Revri] and Kassius [Nelson] at this point. Yuyu [Kitamura] is a dream. Jenn [Lyon] is mother hen. Bri[ana Cuoco] is the cool older sister. Josh[ua Colley] is the cheeky cousin. Ruth [Connell] is the godmother who gives you a card and £20 for your birthday. It really is one big happy dysfunctional family. I’m grateful for all of them, on and off camera.

Jayden Revri as Charles Rowland

Dressing The Part

These heads of departments, and Monique and Kelli, [they’re] unbelievable. They were so collaborative. We went through different hairstyles and different things we could do with the makeup. We added a bit of eyeliner for [Charles] just to make it feel more 80s. And then Kelli, I mean, it was like she did her research on me. She added badges to the jacket which kind of represented me as Jayden, before I even got there. It wasn’t until I got the haircut, put the makeup on, put the costume on, and I was like, Okay, this is Charles.

Cast Camaraderie.

The vibe was just incredible. Me and George, we really wanted to set the tone for the series and make sure that everyone’s having fun and it’s an environment where we could all talk about how we’re feeling. We were just such a big support blanket for each other. If there was ever a time that somebody needed space, or they wanted to prep themselves for a certain scene they were going to film, we all respected that and we were each other’s cheerleaders the whole entire time. And it’s still the same to this day now. I think it really shows when you watch the series that we all knew what we were making and we wanted to make something that we would want to watch, which we’ve all done. I cannot shout out my castmates enough. Forever grateful.

Kassius Nelson as Crystal Palace

Acting Inspiration

I watched a lot of animation. I used to watch the Addams Family, the black-and-white one, because I didn’t have Disney Channel or anything. Monk, Murder She Wrote, I was watching those things, so maybe I was actually destined to play a detective, now that I’m thinking about it. I watched a lot of cartoons and animations. I just liked the idea that I could be engrossed in another world. And I always wanted to know what happened next, or when the film finished, I would be like, “Okay, but then what? What happens after that?” And now I get to be part of that question or that answer (...).

Dressing the Part

We have a fantastic costume designer, Kelli Dunsmore. I always say that she literally wove the story into the fabric of the clothes, because there are things that she foreshadowed in the clothing that happened episodes later. Or, if characters start to get in some sort of relationship with each other, that will be reflected in the clothes that they wear or the colors that they have. Or, if they’re feeling any type of emotion, (...)l. Crystal wears these massive platform boots that must be about four or five inches. They’re huge, very heavy, but it’s funny because they change the way that you walk. (...) She’s not very light, which makes sense with the things that she’s going through and the experiences that she’s having. Practically, it helped, because Jayden and George are like six-foot-something. So, if I film a scene and I’m at the bottom of the lens and they’re up there, that helped. I’ve got a good couple inches on my feet.

Yuyu Kitamura as Niko Sasaki

Acting Inspiration

Sandra Oh is a woman that I will forever be indebted to because who she was on Grey’s Anatomy was so formative for me. The most interesting thing about her character was not that she was Asian, but that she was such a fully fleshed person with flaws and amazing qualities. And her work ever since I think has been iconic, so she’s a woman that I deeply look up to.

Landing the role in Dead Boy Detectives

I auditioned from Hong Kong and my dad was my reader because all of my acting friends were in New York. My dad was able to carve out time and be an amazing reader. And in that audition side, it’s the scene where Niko gets to see the “Dead Boys” for the first time, and there’s a line in there that was something along the lines of me talking to Edwin and asking, “Do you two make out with each other?” And my dad stopped the tape and he was like, “What are you reading for?” And I was like, “Don’t give me notes, it’s fine!” And so that was the audition process! I think within a month I found out I got the part and it’s been an absolute dream ever since.

Dressing the Part

(...) I think on paper Niko can seem like a certain type of character, but even in the choice of every costume we did, every color that she wears, every meticulous little piece about everything from her nails to her room, it’s so well curated and thought out. Through her journey, we also find that she’s a woman that wears what she feels. On the surface, she might seem like the most joyful, young, optimistic girl, but it’s the inner confidence and bravery where we find that she’s layered, and she is very much a young woman coming of age.

SOURCE: MEET THE REAL DEAD BOY DETECTIVES (AND FRIENDS)

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livthedragon · 4 years

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Dream SMP Animal Rescue Center AU

The L’Manburg Animal Rescue Center (LARC) is a well-known institution dedicated to the well-being of all animals known to man. The facility receives animals from all over the world, and has staff fit for any creature that gallops, swims, flies, climbs, or runs into their care. With hundreds of acres of land at its disposal, the Rescue Center is equipped to care for animals that cannot be released back into the wild for as long as they may live. Come and visit with our season pass, or drop by anytime with admission tickets half off for the kids! Anyone 15 or older is welcome to come and volunteer their help towards these wonderful beings!

Alright, now that the official canon stuff is done, I’d like to make a few quick notes on pthis AU! First off, this was inspired by Dazenightmare’s Grocery store AU, so go check them out as well! If you have any idea or comments about this piece, the ask box is always open! Anyway, I hope you enjoy, and without further ado, I present my DreamSMP Animal Rescue Center AU!

-Liv💫

(P.s, I’ll be setting things up by showing the character’s official staff introductions first, and then my personal notes on them! This is how most things will be presented!)

Our Wonderful Staff!

Listed below is all of our fantastic employees, each with important and essential jobs to keep LARC running smoothly! If you ever need anything, they’ll be happy to help!

Even though they all have differing roles and places in the hierarchy, the staff have always been tight-knit friends, almost a family. But, like any family, they definitely have their spats! As I come to think of more stuff I might edit this, but so far the employees are Nihachu, Puffy, Eret, Philza, Fundy, Wilbur, Tommy, Tubbo, Quackity, Techno, Ranboo, Purpled, Ponk, Awesamdude, George, Dream, Sapnap, Bad, Skeppy, Karl, Hbomb, Jack, Jschlatt, Foolish, and Ant. (Official names for introductions are Niki, Cara, Eret, Phil, Floris, Wilbur, Tommy, Toby, Alex, Dave, Ranboo, Grayson, Ponk, Sam, George, Clay, Nick, Darryl, Zak, Karl, Liam, Jack, Johnathan, Noah, and Antfrost, in the same order as above. These are the real names of most of the characters, I couldn’t do the ones that haven’t done a name reveal. (I didn’t change Wilbur because it just did not feel right) If there’s a character you wanted to see that’s not here I’m sorry, it means I just don’t know enough about them. (I’m so sorry Punz fans, I’ll add him eventually but I’ve never watched him before and don’t want to improperly represent him!) The minors (Ranboo, Tommy, Tubbo, and Purpled) are technically volunteers and not employees, so they’ll be presented separately. I mention the Regulars (regular patrons) a couple times, these include other MCYTs! So keep an eye out for special appearances! Sadly, SBI is not canon in my AU. It just didn’t make much sense to me as I tried to write it, but if you want to interpret them as family you can! (They’re still very close, so they act just like a family even though they’re not related by blood!)

Clay - Clay is the manager of our facility, and has run it for 3 years now! He’s proven to be a capable and fun leader, and you can often find him wandering about with some other staff members! If you ever see him around, don’t be afraid to ask him for anything!

Dream - Since Dream is the founder and main leader of the SMP, making him the manager made the most sense! He kinda has two ‘settings’, his official business mode for when he needs to handle serious work, and his more chill mode he presents when he’s just hanging out with everyone. He’s never really pulled the ‘I’m your boss so listen to me blah blah’ thing before, he actually prefers to emphasize that he’s on the same level as anyone else, just with a fancy title. He’s only brought out his manager mode when it comes to his employees a few times before, like when one of Tommy’s pranks went too far, and when George was slacking off just a bit too much. Other than that, he’s a nice guy who considers all of his employees his friends, but he’s often busy with ‘manager things’ as he says.

George - Our trusty head of security, George is responsible for keeping our guests safe! He’s in charge of things like security cameras, patrols, and safety regulations regarding people. He’s often found manning the cameras or patrolling about! If you ever get lost or feel unsafe, he and the other security members are always ready to help!

George - He sleeps. A lot. When it says ‘often’ manning the cameras, that means always. Always manning the cameras, and 9 times out of 10 he’s sleeping. He patrols like, once a day for the bare minimum time purely because he has too. The only reason he isn’t fired at this point is because he has uncanny luck. Every time anything comes up that he’s needed in he’s always awake, without fail. Every time a crime (not really crimes more like petty stuff, vandalism and shoplifting from the souvenir stands) happens he always sees it. No one knows how, because he’s always sleeping anytime else. Despite that, he’s a pretty nice guy that everyone gets along with, and does his job good enough to keep people safe.

Nick, Sam, and Cara - Our loyal security guards, who faithfully patrol and protect! It”s their sworn duty to keep animals and people alike safe, and can always be turned to if needed! They can be found rotating between the different wings of the center, and are glad to help with any issue! You can easily identify their signature blue uniforms!

Sapnap - Since George is nearly always ‘occupied,’ Sap is usually the one who handles planning patrol routes and shift changes. Although he can definitely be mischievous or a jokester at times, he does take his job seriously. He’s kind to the little kids that visit, and likes to give them tours whenever Ponk and Eret are busy. He’s loved among the regulars, and knows them all by heart. He’s pulled his fair share of pranks (most often with Tommy, Skeppy, and even occasionally Dream to help him) but he takes care to not cause any serious damage. Overall, he’s a prankster, but he loves his job and fellow employees.

Sam - Although he’s officially a security guard, he’s more like the resident handyman. Whenever there’s a problem with any electrical or plumbing systems (usually the fault of Tubbo, the poor kid breaks everything he touches) Sam usually handles it. He’s reliable, he doesn’t pull jokes like Sapnap does, but he can respect a good one. Despite being rather intimidating at first, Sam is gentle and can often be found helping Ant with the birds or Wilbur with the gazelles. He cares deeply for everyone, especially Tommy, Tubbo, Ranboo, and Purpled, and helps protect people whenever a Karen comes into the picture. He’s the one who helps elderly people cross the busy paths and gives directions to lost tourists.

Puffy - When she was first hired, people wondered why she chose to be a security guard. She was gentle and kind, and tried to avoid any and all conflict. But when a group of teens were spray painting the reptile house, it became obvious. Those kids not only volunteered to clean it themselves, but asked if they could help clean up garbage around the paths while Puffy stood over their shoulders. She’s been famous for her lectures ever since, and can even get Techno and Tommy under her thumb. Her gentle side definitely helps, and because she’s far less intimidating than the other guards, she’s the one who helps lost kids find their parents. She’s confident in herself, and shows it. No one questions her while she’s on patrol, despite being the smallest of the guards, she’s one of the strongest.

Eret and Ponk - Our lovely tour guides, they’re in charge of all the tours around the facility, from the reptile room to the butterfly greenhouse! Whenever you book a tour, one of these two will be in charge! They’re kind and energetic, and can be found with the scheduled tours all over our institute!

Eret - Eret is the more comedic of the two, often slipping in sarcastic jokes here and there on the tour. He’s not afraid to hide who he is, and he’s well known among the regulars for wearing extravagant outfits every now and then. Of course you always have the occasional Karen, but the moment one starts to approach him one of the security guards ‘conveniently’ needs his help. Whenever there’s some sort of event like a holiday or birthday, Eret is usually the one who volunteers to plan it. His parties are legendary, everything is always planned to perfection, and always runs smoothly. No one knows how he does it, it’s like he can predict catastrophe before it even happens. Tommy is mildly scared of him because not one of his pranks has worked on him, he always manages to get out of it (While looking fabulous, of course!) Despite his sarcasm and nonchalant behavior, he loves his job and ‘family’ he’s found!

Ponk - Definitely the more energetic of the two, he never seems to run out of stamina when he gives tours. He’s popular with the little kids because he gives out little stickers at the end of the tour, most often custom ones of all the famous animals. Whenever he’s off duty, he has a game he plays where he mixes all of the vending machine drinks together and sees who’s brave enough to try it. Sam is usually the victim, he has a hard time saying no to him! He’s been known to join in the occasional prank here and there, but never anything crazy (Like the famous Tiger incident, Tommy got suspended for a month after that…) He really cares about all his friends, and always comes into work with a smile!

Zak and Darryl - Responsible for running the various shops around our rescue center, these two are dedicated workers who can always be relied on! They’re always willing to lend a hand, and can be found at their respective stores! Don’t be afraid to say hi or ask for help!

Skeppy - Most definitely cannot be always relied on. I mean, he’s Skeppy, what do you expect? Whenever he’s on duty he’s responsible enough, but when off duty he’s even more of a trouble maker than Tommy! His stand isn’t usually as busy as BBH’s, so he has a lot of free time to goof off. He uses most of that time to plan pranks or tease BBH, much to his annoyance. Despite Skeppy always teasing him, he considers BBH his closest friend and would do anything for him. He’s faced his fair share of consequences and punishment, but he’s always managed to weasel his way out. He’s crafty and a troublemaker, but he’s also a good friend and a loyal worker when it counts.

BBH - One of the most loved members of staff, he gets along with everyone he meets. He’s kind beyond measure, and never hesitates to help. Pretty much the opposite of Skeppy, who often annoys everyone. But opposites attract, maybe that’s why they get along so well! Whenever Sapnap and George are busy, Dream usually turns to BBH for help and advice. Since the stands aren’t busy all that often, BBH usually helps out wherever he’s needed, he especially loves helping Wilbur with the butterflies. Like Sapnap, he also gets along great with the little kids, who love to hang out with him! Because of Dream’s soft spot for him, he managed to get permission to bring his dog, Rat, into work to ‘help’ him at his stand.

Alex - Alex is our responsible janitor and handyman, always ready for anything that could happen! He’s hardworking and kind, with a good sense of humor! You’ll find him wherever he’s needed, always willing to help!

Quackity - Like I said, Sam is more of the resident handyman, so Quackity usually handles the cleaning. He tried to fix wiring on the meat freezer one time because Sam was busy, but it did not… end well… he somehow flooded the whole room. The introduction isn’t entirely wrong, he is responsible and hardworking, but he’s not exactly ready for anything that could happen. It’s not his fault, it just seems that no matter how much he prepares some new problem he’s never dealt with before comes up. Like when the peacocks escaped, or the infamous Tiger incident. (When he saw the destruction that caused he just dropped his mop and said “I’m taking my vacation time now, fuck this”) He still has his sense of humor though, he enjoys yelling at Karens in Spanish to scare them off. He’s yelling about the weather, but they can’t tell the difference.

Karl - Our fantastic admission worker, he’s the first face you see when you walk in! He’s in charge of admitting all of our guests, and to answer any questions you have before entering! He can be found at his booth helping anyone and everyone!

Karl - Still had his signature good attitude and positive outlook, he’s probably the most willing to help people. Since he’s the only admission booth worker (Schlatt occasionally takes over, but he’s usually busy with his own stuff) he doesn’t get much break time in the busy season, but when he does he usually spends it with his friends. He’s goofy and kind, with a giggle that quickly got him loved by the regulars and everyone else he meets. On the slower days, usually in winter when the tourists aren’t around, he likes to sit everyone down in the break room and tell grand stories about different points in history. These tales quickly became enjoyed by even the most reluctant members, much to his suprise. He’s a very skilled storyteller, but he’s also very humble and insists he’s mediocre. He’s a great guy and loved by everyone around him, the perfect first face to see when you enter LARC. Recently, however, people often catch him stealing glances at two certain individuals throughout the day…

Johnathan - Our loyal help desk worker, he’s here for any issues you may have during your time at LARC. He’s here for anything you need, from booking tours to answering questions. Johnathan is in charge of making sure your stay runs smoothly and is as enjoyable as possible! You can find him at his desk all throughout the day!

Jschlatt - I have no actual reason for why he has this job I just thought it would be funny. Out of all the members of the rescue center, he’s the one who’s mastered the customer service smile and voice the most. He’s kind of had to, considering what his job is. Surprisingly, it isn’t as hellish as it would seem. Most of the time it’s just people booking tours or asking simple questions, which doesn’t require that much interaction. Dealing with Karens is a rare occurrence, but not unheard of. He just hits them with the “Lady, I am not paid enough to deal with this. Either go talk to the manager or ask Karl for a refund, now at least move aside so I can do my damn job.” He has a lot of free time because of this, but he’s not allowed to leave his post so he just plays Solitare on his computer and chats with whoever’s nearby. Even though he’s sarcastic and reluctant, he is a good worker and gets the job done. He rarely shows it, if at all, but he does care for all of his fellow workers and enjoys his job because he gets to be around them.

Phil and Liam - Our specialized veterinarians are equipped for any animal that needs their care, from elephants to bats, scorpions to dolphins. They’re both capable and experienced, and can be found wherever they’re needed to do their jobs!

Philza - Definitely a capable vet, he’s probably people’s first choice when they need help. He’s worked at a few other places before LARC, but he insists that this is his permanent job until he retires. Although he tends to focus purely on work when on the clock, when he’s off duty he opens up a lot more. He enjoys out with everyone in the break room, most of all Wilbur, Tommy, Techno, and Ranboo. Sometimes his wife comes in to volunteer for a day, much to everyone’s enjoyment. Since Phil is the resident dad, she was named the official mom of LARC and was given a very fancy cardboard crown. Despite his reluctant behavior on the surface, he can be passionate at times… rarely. Very rarely. He once chugged one of Ponk’s concoctions from hell and walked away unscathed, mumbling “I drink more caffeine on my good days, try again with an extra 10 energy drinks mate.” Ponk has practically worshipped him since, no one had ever been able to take any of his drinks before Phil. Overall he’s a good natured guy who loves both animals and people, but tends to avoid the public paths because it’s so crowded.

Hbomb - More of Phil’s understudy than an official vet, he’s still learning quite a bit. That doesn’t mean he’s not capable, he’s great when he’s working on animals he’s familiar with or illnesses he’s dealt with dozens of times before. This is his first job as a veterinarian, and he found it quite overwhelming at first. Despite this, he quickly won over his fellow staff with his charm and humor. When asked who his best friend is, he jokingly answers “Fundy!” While Fundy violently shakes his head no in the background. He’s relatively carefree, but he can absolutely get serious when his skills are needed. He’s fine with not being the go-to guy to help with the animals, he’s content with helping Phil whenever he’s needed and sticking to the sidelines.

Niki - Our lovely Marine Biologist, she keeps the aquarium and other aquatic exhibits running smoothly. She’s an expert in her field, and we can go about our days knowing she has everything under control! She can be found most often in the aquarium, but keep an eye out for her around other exhibits!

Nihachu - Because the aquatic exhibits are the smallest and have the least amount of animals, Niki can usually run it smoothly. She’s passionate about her job, and has loved animals since she was very little. She originally joined LARC purely for experience, but as time went on she just… never left. She has no plans to either, she loves the strange family she’s found, and the constant flow of new animals keeps her on her toes when it comes to her passion. She never really wanted fame or riches from Marine Biology, she chose to do it because of her love for zoology. On her off time she usually hangs out with Puffy or Wilbur, since their jobs place them near her area. She’s a lovable and soft spoken, but can be serious when needed. She more than pulls her weight in LARC, and has proved herself many times over.

Dave - A spectacular zoologist who specializes in predators and their behavior, Dave handles even the most deadly of animals with calm mannership. He has experience with every apex predator, and treats every animal he cares for kindly. He may seem unapproachable, but he’s willing to help anyone who needs it. He can be found all around LARC, but most often by the big predators.

Technoblade - He has proved the statement “Technoblade never dies” many times over. Many. Times. Over. He’s faced bears head-on with no safety equipment (which is not good, please use safety equipment when around wild animals) and come out unscathed. All of the permanent predators at LARC that can’t be released have acknowledged him as an equal, and accepted him into their hierarchy. Even the most aggressive of the big cats hold respect for him, but not through fear. Techno refuses to ever, ever use fear as a tactic to win over animals. He claims it’s not right to rule over other beings through fear, especially such regal ones. He takes his job very seriously, and hates his interactions with animals interrupted. (Tommy did it once and he swears to never do it again.) He’s very skilled, but he often gets put aside when the inspector comes around every 6 months because of his refusal to use required equipment. He may still be as serious and no-nonsense as ever, but he holds his friends close. He doesn’t like to be in the public eye, so he stays as behind the scenes as possible. Like Jschaltt, he doesn’t show it much, but he cares for everyone in LARC.

Wilbur - The counterpart to Dave, Wilbur is our herbivore specialist at LARC! He’s responsible for the majority of the herbivores in our institute, from gazelles to horses! You can find him all around our facility, and if you’re lucky you might catch him feeding the animals!

Wilbur - He’s the opposite of Techno in a lot of ways besides just his job. Will actually likes to be in front of a crowd when doing his job, and even got Dream to add an official feeding time for the popular animals so people could come see. His intentions aren’t vanity though, he just likes seeing how happy it makes everyone. Because he cares for the majority of the animals at LARC, he can often be found with Phil and the other animal caretakers. He’s especially close to Phil and Tommy though, and Tommy often finds ways to change his schedule to be closer to him. (Tubbo usually follows Tommy, and then Ranboo follows Tubbo, it’s a whole chain reaction.) On his off time he occasionally causes mischief with other staff, but he’s chill most of the time. He cares a lot about all of the animals he cares for, and makes sure to form a bond with each and every one. Every now and then he brings his guitar to work, and can be found quietly strumming it and humming along in secluded places. Sometimes he even plays it in front of the animals, much to their confused enjoyment. He might be carefree most of the time, but he takes his work seriously and has a close bond with everyone at LARC.

Floris - Floris is our resident field specialist, here to use his experience to help wherever he can! He’s often one of the first to see new animals or release old ones, and always does it with a smile on his face! You don’t see him as often as the other animal caretakers, but he can be found throughout LARC!

Fundy - He’s been all over the globe since he graduated, since he got to study under a rather eccentric zoologist. No one knows why he decided to work at LARC and not somewhere more recognized, but they’re not complaining. Whenever he’s on break, he likes to retail all of his adventures in a dramatic manner, but no one knows if they’re true stories or not. Sometimes he shows proof of his escapades, but most of the time he leaves it up to everyone to decide for themselves. But whether his stories are true or not, he definitely has the experience of someone who’s travelled the world. No matter the animal, he seems to know how to predict their behavior perfectly. He’s as excitable and loud as ever, but he loves his job and all the creatures he’s gotten to work with. Oftentimes he’s in charge of keeping tabs on animal behavior, so he’s the first to note when something changes or goes wrong. He has journals full of notes on different animals, both from LARC and his time traveling. He’s definitely passionate and dramatic, but he’s also a good guy that just wants to help animals.

Antfrost - A fantastic mammalogist, he’s been at LARC for a few years now and has proven himself as a great scientist. He knows how to deal with a variety of mammals, from the tiniest bumblebee bats to the biggest elephants! If you ever have any questions, feel free to ask him!

Ant - Like Niki, this is his first real job in zoology. He was out in the field for about a year and a half, but he was basically an errand boy for the bigger names he was working with. That’s not to say he’s not skilled though, he’s fantastic at what he does. He often asks Fundy for his notes on the various animals to get to know them better himself, and has read the majority of his journals. He was timid around everyone at first, but he gradually got close to his fellow staff. It was the same when it came to big animals, Wilbur had to help him during his first time with the elephants, giraffes, and other large mammals. But soon he got used to them, and now he spends most of his time with animals. He has no plans to leave LARC, he’s found that this job is more than enough to keep him busy and happy. He’s a bit shy, but when he opens up he enjoys being around everyone.

Jack and Noah - These two, although not often seen, and essential for keeping everything running like a well-oiled machine! From lending a hand wherever it’s needed to helping prepare food, Jack and Noah work tirelessly behind the scenes to make sure everything is a-ok! If you ever do spot them, they’re ready to help with whatever you need!

Jack - The more experienced of the two, he’s been working at LARC for a long time now. He can be mischievous at times, but he’s responsible and knows his job is important. He struggles a bit to be close to everyone, despite the fact he’s been at LARC for a long time. He’s acquainted with most of the staff, but he’s not sure if he can really call anyone a close friend. He does have a good relationship with Tommy and Niki, but they always have so much going on and often overlook Jack. He grins and bears it though, keeping his loud and comedic attitude. He’s often all business and work, but there are times he wishes he could just be friends with everyone, and envies the very social members of staff like Quackity and Tommy. He may be a bit distant from everyone, but he still gets along with them… at least that’s what he always tells himself. He’s a bit stubborn, but overall a good guy who’s willing to help

Foolish - Foolish has only been working at LARC for a few months now, but he’s already made quite a few friends, both animal and human. When he’s working he tends to stick to himself, but when on break he enjoys hanging out with others and having casual conversation. He actually has a little corner of the break room for his hobby, making mini-models! He’s very good at it too, he has an intricate Egyptian setup that everyone likes to ogle at every now and then! Every so often he stays after for a bit to work on them, and no one has the heart to disturb him when he gets into it. He spends a lot of time with the animals, especially the aquatic ones. He seems to be drawn to the aquarium, and he’s often caught staring at the ocean tank. He’s positive and high energy most of the time, but he’s not to be underestimated.

Our Volunteers!

Volunteering is open for anyone interested in working at LARC non-officially, as long as you follow our rules and are 15 or older! Our current volunteers are

Toby

Tommy

Grayson

Ranboo

This is subject to change at any time! If you’re interested in signing up to be a volunteer, contact us either through our official website or our in-person help desk!

Volunteers aren’t allowed to be up close to any of the large or dangerous animals for their own safety!

We hope to see new volunteers soon!

Tubbo - He breaks. Everything he touches. Much to Quackity’s dismay, who’s often stuck cleaning it up. He doesn’t mean to break things, he just… does. Despite being quiet and even shy at times, Tubbo is without a doubt the most chaotic person in the entirety of LARC. He doesn’t pull off jokes or pranks like Tommy and Skeppy, he just subtly radiates chaos wherever he goes. He and Tommy are in charge of helping the westward wing (The area with the Africa, North America, and Insect House exhibits, as far away from the Aquarium as possible because Tubbo will break everything) and occasionally the Reptile House. A volunteer’s work isn’t exactly exciting, they mainly cut up and prepare food and do whatever Jack and Foolish are too busy to. Tubbo doesn’t really mind though, he finds the work rewarding and even fun at times. Even when the food he has to prepare is especially gross, some time helping Wilbur with the beehives always makes him happy.

Tommy - Oh man, Tommy… what problems hasn’t he caused? It seems that everywhere he goes he can manage to cause trouble, often roping Tubbo and Wilbur into it. It’s a miracle he hasn’t been fired yet (can you fire a volunteer? I don’t know) despite everything he’s done. He did get suspended for a long time after the Tiger Incident, but that’s the worst punishment he’s faced. He’s also not allowed to be near any of the people that come to LARC because last time he went “Vlogging” and scared away multiple guests. That was Jschaltt’s busiest day and he still has not forgiven him for it. He’s often stuck behind the scenes with Tubbo preparing food, but every now and then Wilbur, or even Techno if he’s lucky, lets him help feed the animals. When he’s off duty he can be found pestering Wilbur, Phil, and Techno or getting yelled at by Dream for causing problems. Despite being nothing but a troublemaker, everyone around him can’t help but have a soft spot for him. And on rare occasions, you can catch him leaving gifts for people to show his thanks for dealing with him.

Purpled - Probably the most laid back of the Volunteers, he’s actually allowed within 40 feet of the Tiger enclosure. (Although he has been known to solve problems by chasing people with a foam sword and yelling “Bedwars!!”) Since Tommy and Tubbo are usually on food duty, Purpled’s the one who delivers stuff to various places around LARC. This results in two things, no one ever being able to find him when they need him and him randomly appearing behind people when they least expect it. Seriously, he’ll just appear out of thin air to scare the shit out of you 5 minutes after you need him. He doesn’t even try to do it, he just… does, somehow. He’s a good worker though, and doesn’t complain much. He somehow managed to convince Dream to get an Xbox for the break room, and every break he gets he challenges random members of staff to a game of bedwars. He beat almost everyone without a hitch, except Technoblade. Currently they’re tied at 38 wins each, and Ranboo brought in a whiteboard to keep track. He may be a bit reluctant, but he likes LARC and can’t see himself leaving anytime soon.

Ranboo - Probably the most shy of the Volunteers, he tends to keep to the background and avoids the big, public areas. Because he’s the gentlest (and the most trustworthy) of the helping staff, he’s usually the one who gets the jobs involving animals. This usually includes helping Niki give the ducklings baths and feeding the deer with Wilbur, but like it says he’s not allowed near any potentially dangerous animals. He’s the tallest person at LARC (but by far the kindest) which results in him often scaring the animals at first, much to his dismay. Because he’s also on the taller side, Wilbur taught him a few tricks to seem less intimidating, which helped greatly. When he does open up a bit (usually around Tommy and Tubbo) he can be a bit mischievous and chaotic, but he knows when to stop. He hopes to become an official member of LARC one day, but for now he’s content with being just a volunteer.

Remember, LARC always welcomes guests, new or returning! We hope to see you soon!

Thank you guys so much for reading, this AU took me waaayyyyyy too long to write, and I’m psyched to finally have it done! I’d be super happy to answer any asks you guys leave, or any questions you have in the comments! Again, thank you so much, and I hope you enjoyed!

-Liv 💫

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oneweekoneband · 4 years

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In the first cold hours of a new December morning, Taylor Swift once again revealed herself to be the primary antagonist in my hero’s journey. Weary and woebegone as I am, I will not waste strength on any attempt to deny that this latest attack has knocked me off balance, but I believe it is important that I—we, really, the lot of us who have been bloodied pitiably beneath this most brutal show of force—rebound immediately into a defensive posture so that there might be any hope at all for survival. Taylor’s second pandemic album will be released at midnight tonight, so I guess Shakespeare and his little “play” about elder abuse can get fucked after all. The album is called evermore. It was hubris, I can see in retrospect, which led me to tempt my enemy by writing all these words about her on this, the week of her birthday, knowing as I do that Taylor is one of those especially dangerous adults who make a big deal about both birthdays and lucky numbers. Icarus is my name now, covered in melted wax and tumbling to the sea. So as to steel ourselves for these horrors yet to come, I offer now, with not arrogance but the faith of the foolhardy, my best conjecture as to the content of each detestable track.

willow - Could be about a tree. Could be about a girl. More likely it is both somehow, which is extremely pervy, and not just because that’s part of the plot of the unspeakably cursed The Raven Cycle novels, which I, a full blown adult with, generally speaking, normal brain function, voluntarily read for the first time this summer because some of us, ma’am, used the pandemic for activities that hurt only ourselves, not others. Well, happy holidays, tree fuckers.

champagne problems - Whatever this is, know that I will be considering it a work after Fall Out Boy’s “Champagne for My Real Friends, Real Pain for My Sham Friends” and I’ll be right to do so and many people will say as much admiringly and they’ll smile at me with pride and doff their caps as I go.

gold rush - If this song is anything but a loving, comprehensive summation of the children’s novel DEAR AMERICA Seeds of Hope: The Gold Rush Diary of Susanna Fairchild then I’m going to walk directly out of my home and, deadly virus be damned, keep walking until I’ve entered Taylor Swift’s instead, at which point I will begin to scream out a litany of complaints at the very top of my voice, ceasing only when her security team kills me or we fall in love.

tis the damn season - Worst case scenario this is a sad Christmas song (the best kind of Christmas song) and it devastates me in the most degrading way possible. Best case scenario it’s really bad and dumb and I can live without pain.

tolerate it - Many possibilities here. Could be about white-knuckling it through a period of depression, or a breakup. Most obviously, it could be about COVID-19 lockdowns keeping us trapped in our homes, disconnected from loved ones, going slow-brained and strange, bowls piling up, and suddenly so desperate for human interaction that even memories of having drinks with somebody from Hinge who quoted Friends twice in an hour are tantalizing in comparison to the touch-starved dreamstate of staying indoors... But I kinda feel like this is Taylor replying “COPE” from on high to my tweets about how I would rather be boiled alive than have to face the existence of this record.

no body, no crime (feat. Haim) - What would be very good is if this is a homosexual romp about Taylor Swift and the one hot Haim guitar girl with the really gay energy doing a murder together a la “Somethin’ Bad” by Miranda Lambert with Carrie Underwood, but honestly, it is probably another song about Gone Girl.

happiness - Impossible to speak on this since, thanks to Taylor Swift, happiness is something with which I have no familiarity.

dorothea - Have seen chirping on the odious bird application about how perhaps this song title suggests that Taylor has written a song about Middlemarch, titling it for Dorothea Brooke, but I reject this because it implies that Taylor has read Middlemarch, which is a premise I cannot accept. Whether this refusal is out of self-preservation, being unwilling and in fact unable to face a world where Taylor Swift read and was moved to creation by the novel which was my most essential friend the summer I got dumped by a guy who I still had to work feet away from in a candle factory for another month, and about which Emily Dickinson (Emily Dickinson whose birthday it happens to be today, which isn’t to say that this means anything about anything. I am simply trying to batten down all hatches literally and spiritually in light of having been had once again by this numerology obsessed demon) once wrote "What do I think of Middlemarch? What do I think of glory.” or because I just at my core do not believe that Taylor has read a single book since Gone Girl I couldn’t possibly say.

coney island (feat. The National) : Some ungodly americana ass bullshit that is going to ruin my life. The thought of holy terror shaped like a horse girl Taylor Swift and trickster nymph in the body of a tax accountant Matt Berninger, two individuals I have allowed, separately, to cause me grievous psychic harm, having even the barest amount of one to one contact, even digitally, has made me want to peel all my skin off and put it back on flipped inside out so that I might, when I look in the mirror, see a version of myself which approximates how I feel.

ivy - Another song for the plant lesbians. That’s fine, and I’m happy for that community, but what I want to know, looking at this growing pile of songs named after women, is where, Taylor, is the song about loudmouth queen Inez, legendary gossip and, for my money, the star of folklore?

cowboy like me - Putting it as mildly as humanly possible, to slit my throat would be less cruel. I am drawing a straight line from me writing illegible sequels to perfect film An American Tail: Fievel Goes West (itself a sequel) in crayon as a toddler, to Paula Cole’s “Where Have All the Cowboys Gone?” on the radio in my mom’s two door Honda, to me everyday after school in third grade changing into the cowboy costume my godmother bought, to me at fourteen internalizing a sense of righteous indignation that would take years to even begin to outgrow when Crash beat Brokeback Mountain for Best Picture, to the winter I dropped half my classes out of fear and sickness and read paperback westerns on the twenty third floor of the college library for tens of hours at a go, to the profoundly gay episode of Supernatural called “Tombstone” which is, yes, named for the profoundly gay cowboy film Tombstone, to the inspired and revitalizing pause in “Space Cowboy” by Kacey Musgraves where she’s like, “You can have your space........ cowboy”, to Mitski’s Be the Cowboy, to the perfect boygenius cover of certified classic “Cowboy Take Me Away”, to whatever the hell this is going to be.That line is not to make a point at all. It’s just that there is a line and beside it there is me, incapacitated.

long story short - Just like all the other times anyone has ever invoked this phrase in the entire history of human beings expressing themselves with language, it is going to be a huge lie, because this woman never shuts up.

marjorie - After all that Taylor has put me through over the years, she should have at least named one of these wretched things “ellen” after my dead Sagittarian grandmother, whose birthday is tomorrow, December 11th, which is again, the release date of Taylor Swift’s second album in sixth months, but it’s probably for the best that she didn’t because you simpletons would immediately think it was an homage to George Bush’s friend Dory the fish, and therefore gay, regardless of the actual text of the song, and it’d be the “betty” massacre all over again. That being said, this is almost assuredly another horny song about some mid-century white lady. Only days ago Taylor was telling Entertainment Weekly that she’s been watching a lot of movies in quarantine, and while she didn’t name 1958’s Marjorie Morningstar starring Natalie Wood, I wouldn’t put it past her.

closure - God, I hope this one is another Kaylor classic so we can all act like complete raving lunatics online from the confines of our own plague quarters for a few days. It’s been a hard year.

evermore (feat. Bon Iver) - I’ll be catatonic by this point. Who cares?

right where you left me - Yes, in hell.

it’s time to go - Yes, TO HELL.

#taylor swift #folklore

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nerianasims · 4 years

Text

Billboard #1s 1985

Under the cut.

Foreigner -- "I Want To Know What Love Is" -- February 2, 1985

One of the quintessential 80s power ballads. It's actually kind of interesting if you think about it enough. He's not in love yet, but he's gotten sick of not being in love, so he's asking someone he's in the pre-love stage with to show him. Though he's had "heartache and pain" before, and doesn't know if he can face it again. It's not consistent. I feel like it's a missed opportunity, but oh well. It's good enough for what it is.

Wham! -- "Careless Whisper" -- February 16, 1985

Oh my god I love the saxophone in this. The music throughout the song is so incredibly sexy. And this is the kind of song George Michael's voice was made for. He's totally capable of sounding both hot and in agony at the same time. I actually adore a whole lot of cheating songs -- mostly, though not exclusively, the tormented kind. Drama! Love! Sex! Angst! Gorgeous.

REO Speedwagon -- "Can't Fight This Feeling" -- March 9, 1985

<3. He keeps singing "r"s like a pirate, but he doesn't go as hard on the other consonants, so I'm good with it. Lyrically, this song sounds like it might be two songs mashed together. "What started out as friendship has grown stronger" or "my life has been such a whirlwind since I saw you." Well which is it? Except I've had that happen. I love this song.

Phil Collins -- "One More Night" -- March 30, 1985

This is a depressing heartbreak song without the saving grace of any of Phil Collins' neat drum stuff. Blah.

We Are the World -- April 13, 1985

Whoo boy. I was 8 when this came out. Obviously I loved it. All the kids loved it. Now, though... I'm sorry, but it's bad. Really bad. Many others have gone deeply into why it's bad. I feel acutely embarrassed listening to it, so I'm just running away from it as fast as possible. (Remember all those celebrities singing "Imagine" in their mansions in 2020? I blame this song for that.)

Madonna -- "Crazy For You" -- May 11, 1985

This is one of Madonna's most straightforward love songs. Maybe the most, period. This or "Cherish," and this is a better song. It's lovely. Like Olivia Newton-John, Madonna can act a song. (Unlike in most movies she's been in.) But what I'm thinking about now is learning in this article that her label wouldn't let Madonna release "Into the Groove" as a single. That song was huge. It was played on the radio all the time. If it had been released as a single, or maybe if Billboard had tracked songs then like it does today, it would have been a massive smash, definitely #1. "Into the Groove" is also the best song of her very early career. "Crazy for You" is good, but not nearly as special.

Simple Minds -- "Don't You Forget About Me" -- May 18, 1985

As I am "Gen X", I am supposed to deeply connect with The Breakfast Club. I was 8 years old when it came out. My life as a teenager was nothing, and I mean absolutely nothing, like that movie. I didn't recognize any of the "types." I liked the movie when I saw it in college, mostly, but the whole sexual harassment turns into a relationship deal was not seen as cool any longer. The "jocks vs. nerds" thing also felt very dated. The school in the movie was bigger and richer than mine, but it's a fantasy.

Anyway, though I don't feel much about the movie, its breakout song was really good. It does speak to a real fear both in graduating high school and during young adult relationships. I haven't forgotten the people I knew in high school, as far as I know, but obviously they don't have the same importance to me any longer. I'm Facebook friends with a lot of them. And very much not with a couple who were the most important then, because we grew apart -- or blasted apart. One of the nicest girls I knew in high school thinks there's a war on Christmas. Another keeps trying to get me to join her MLM. One of my best friends became my first boyfriend, and I don't regret that, but it was also a semi-disaster. And others... we just have nothing to say to each other any longer.

So, Breakfast Club: I don't connect with at all. "Don't You Forget About Me": Speaks to something very real and timeless.

Wham! -- "Everything She Wants" -- May 25, 1985

What a dick. Songs in which the narrator is a colossal jerk are perfectly fine, of course, but this one gets under my skin. He's whining about his wife getting pregnant when she's dissatisfied with their life and that they're broke. As if it's something she chose to do to him. She's stuck creating a whole other person with her blood and flesh, and he thinks it's all and entirely about him. I really hate it.

Tears for Fears -- "Everybody Wants to Rule the World" -- June 8, 1985

I can't hear this song without thinking of this Baldur's Gate fan trailer: https://www.youtube.com/watch?v=Jdd06d2nids. Speaking of which, I am incredibly excited for Baldur's Gate 3. I've been reading the early access reviews on Steam, and anything anyone is saying that's negative is stuff I don't gaf about (except bugs), whereas the positive stuff, I care about deeply. I hope it's got some of the feeling of that trailer. Um, right, Tears for Fears.

Honestly, though, it works best as a Baldur's Gate theme song. I don't think everybody actually wants to rule the world. It sounds good though. And pretty different from other stuff around it. But I like Lorde's cover better, and not just because it fits so wonderfully with all sorts of fantasy stories.

I usually play a paladin or paladin-type the first time in fantasy RPGs, but I'm thinking bard this time.

Bryan Adams -- "Heaven" -- June 22, 1985

He's been with this woman since they were young, and while they've broken up and gone through rough patches, now they're together forever and they're "in heaven." Bryan Adams knew exactly how to write a song that would become a hit. I used to not mind it at all, but it also means nothing to me. The chorus is catchy as hell though. So catchy that I ended up waking up with it in my head and it would not leave for hours and hours, so now I resent this song.

Phil Collins -- "Sussudio" -- July 6, 1985

I refuse to believe anyone ever told Phil Collins he was too young. He was born middle-aged. Anyway, the narrator isn't supposed to be him, so it's fine, but it's still kinda funny. He's got a crush on someone who doesn't even know his name, but "she's all I need all of my life." Um. The music is repetitive, the drums aren't as interesting as Phil Collins at his best, and I don't like the lyrics. I don't hate it, but I don't like it either.

Duran Duran -- "View to a Kill" -- July 13, 1985

I'm not sure I've ever heard this song before. It's about as good a song as the Bond movie they wrote it for was as a movie. In other words, it's bad. I'm not even sure there's a melody. Just a mess. "Ordinary World" would have made a far better Bond theme, but of course that was the 90s, when Duran Duran decided to try to make sense both lyrically and musically.

Paul Young -- "Every Time You Go Away" -- July 27, 1985

I like the high keyboard notes in this. They're sort of haunting. The rest of the song is musically pretty good, too. Lyrically though, it's only passable. This woman keeps leaving him every time "the leading man" shows up, so I guess he's the backup. Why does he keep waiting for her anyway? There's no hint in the song. I'm kind of embarrassed for him.

Tears for Fears -- "Shout" -- August 3, 1985

I think "Everybody Wants to Rule the World" is a better song than this one when done by Lorde. But I think "Shout" is a better song than Tears for Fears' original iteration of "Everybody Wants to Rule the World." The chorus seems clear enough. But the verses are not. "They gave you life/ And in return you gave them hell" makes sense in isolation, but then there's a bunch of stuff that doesn't go with it. Like "I'd really love to break your heart" -- wtf? But the music is really good.

Huey Lewis and the News -- "The Power of Love" -- August 24, 1985

This was the big song for Back to the Future, and it meshed beautifully with the movie, but it doesn't need that association to be a great song. "Don't need money, don't take fame/ Don't need no credit card to ride this train/ It's strong and it's sudden, it can be cruel sometimes/ But it might just save your life." Yep. It's sort of Motown, sort of rock, and I love it. (Also: "Stronger and harder than a bad girl's dream." Heh.)

John Parr -- "St. Elmo's Fire" -- August 24, 1985

Of all the John Hughes movies I have not seen and do not plan to see, St. Elmo's Fire sure is one of them. The song is about a disabled man who inspired people by rolling himself cross-country in his wheelchair for charity, which has absolutely nothing to do with the movie. I'm disabled, and I just... okay look, what he did was admirable. But we shouldn't have to be inspirations to be counted as worthwhile, and I've been told I should die because I can't produce for capitalism, so you know. I've got some personal issues with this and I'm gonna move along.

Dire Straits -- "Money for Nothing" -- September 21, 1985

This is not Dire Straits' best song, but it's an awfully fun one. I watched the video tons when I was a kid. (That sound is Tipper Gore falling to the floor in a dead faint.) The music is great rock. And the lyrics are very true-to-life. You can either sanitize people or present them as they are honestly, and I know which I prefer.

Ready for the World -- "Oh Sheila" -- October 12, 1985

The band's from Michigan. The English accent at the beginning of the song is fake. That's a good preview for the song, which sounds like a 3rd-rate Prince knockoff at best. Blech.

a-ha -- "Take On Me" -- October 19, 1985

The video totally ripped off one of my aunts. Somehow or other, they saw into the little comic she drew for me about someone going into a land of drawings to rescue someone else in a romantic adventure, years before 1985. Anyway, this song is great musically, massively synthesizer heavy without sounding artificial. Though I can only understand maybe a third of the lyrics as he sings them. I've always understood "It's no better to be safe than sorry" though. Yep, at least when it comes to romance, which is what they're singing about here.

Whitney Houston -- "Saving All My Love for You" -- October 26, 1985

It's not better to be safe than sorry, but that doesn't mean it's good to be an absolute idiot in matters of romance either. Nor is it good to be a colossal jerk. That's what the narrator is here -- the "you" she's singing to is married. And he won't leave his wife and children, though he used to say he would. The lyrics seem to say that's she's accepted the situation, but the way Houston sings it, I think the narrator's trying to get him to leave his wife -- and children -- for her still. This makes sense, as it puts some kind of passion and sense of story into the song, which without Houston's singing would not be there. The narrator certainly never acknowledges that what she's doing is wrong in the slightest iota. This song could be done in a way that works. But it's a completely sincere ballad. So, no. I despise the narrator, I despise the man she's singing to more, and the whole thing leaves me feeling gross.

Stevie Wonder -- "Part Time Lover" -- November 2, 1985

No one's thinking anyone's gonna leave anyone in this one. It's about cheating, and the thrill of it, but then at the end, he's found out his wife's cheating on him too. "I guess that two can play the game/ Of part-time lovers." This kind of funk groove is one way you make a song like this. It makes the whole thing sexy and fun, and the lyrics also work even beyond that ending, because they acknowledge it's wrong.

Jon Hammer -- "Miami Vice Theme" -- November 9, 1985

My parents didn't watch Miami Vice. And then I never felt like watching it in re-runs when I got older. I don't recognize this song. It's an energetic instrumental, but there's so much going on, I keep trying to figure out if there's a main musical idea anywhere. Nope. Just lots and lots of synth. Headache-inducing.

Starship -- "We Built This City" -- November 16, 1985

Blech. This song sounds both unfinished and overproduced somehow. The chorus seems designed to be catchy with absolute ruthlessness by people who didn't really care, and no one involved even seems to want to bother to fake it.

Phil Collins & Marilyn Martin -- "Separate Lives" -- November 30, 1985

This is supposed to be heart-wrenchingly sad. Well, it does tank my dopamine, but that's not what a good sad song does. A good sad song makes you feel better. This one makes me need to turn on something high-energy after about 30 seconds, before I sink into bleakness. It's aggressively boring.

Mr. Mister -- "Broken Wings" -- December 7, 1985

This was one of the first songs I recorded from the radio. On my pink tape deck/radio that was a sort of a mini boom box. I've always had my own tape player since I can remember, but that was a definite upgrade from the Sesame Street one. I was 9 then, so getting more seriously into music and developing my own taste intentionally, rather than simply absorbing what was happening around me.

Anyway, the song. It's about a relationship in trouble, and he wants to stay with her. To me it sounds like she has been so seriously hurt (and not by him), that she can't trust anyone, and he's laying himself on the line for her. That has spoken to me deeply ever since I first heard the song as a child. Moving on to the music: While the lyrics are repetitive, the music is not, which is what makes the song so good. It's a beautiful song.

Lionel Richie -- "Say You, Say Me" -- December 21, 1985

I look forward to Lionel Richie no longer being on the charts. This song was on the soundtrack of some movie I've never heard of. I wish I'd never heard of the song. Totally artificial glop.

BEST OF 1985: "Don't You Forget About Me" by Simple Minds WORST OF 1985: "We Built This City" by Starship

#billboard number ones

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upthehillask · 5 years

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i’d love to hear your cursed child opinions!

Oh boy, well now you’ve unleashed me :D lol I don’t know if you’re interested more in what I loved or in what I’d critique, so I’ll go for both I guess? And you can read whichever you like :) But tbh you won’t hear anything new from me that you haven’t heard other fans talk about. Anyways, here are my thoughts on the actual play: [Spoiler alert I guess!]

Things I loved:

- THE MAGIC!!! The effects were EVERYTHING. The time warp, the telephone booth, the floo, the underwater, the dementors, the writings on the walls, and so much more… Really cool!!! And I loved the whole vibe and aesthetic of the play too, it felt authentic and fitting! THE SWISHY CLOAKS!! I want them!!

- The scenes I especially enjoyed were Harry’s nightmares, glimpses into his past and scenes from the books in general. I think they executed those quite well, made me really soft! Especially the scenes of little Harry in his cupboard and also him in the graveyard. Gripped my heart. Oh, I also loved that they finally showed Cedric in the end, he was so perfect!!

- Draco. Yes yes yes to dad Draco. Still bitchy, pretentious, and petty, trying so hard to play cool and tough, but a pained softie deep inside—we STAN. The relationship between him and his son I CRI EVRITIEM!!! Draco in the alternative timeline letting Scorpius do what he believes in, Draco in the real timeline hugging his son, I LIVE. And oh my god that scene where Draco walked in to Harry crying.. GOD. Yes emotions, yes vulnerability, yes bonding, yes yes yes. (Though I still can’t get over the ponytail. Would’ve been more than fine if Lucius hadn’t been portrayed with long hair lol)

- I loved Albus!! He’s a good Slytherin boy! That’s all I have to say. He’s a good friend and son who tries his best. I liked him a lot, more so now after watching the play. He really did remind me of Harry in a lot of ways. (Also, unpopular opinion, but I always loved Albus Severus’ name and I always will, fight me.)

- And just all the dad-son relationships, parenthood themes, friendship between the boys, related conflicts… Loved all of them. Touching, inspiring, couldn’t get enough!

- McGonagall was fcking ON POINT. Fcking QUEEN. Get it girl. Show em how to understand and respect children 👏👏👏

- I really loved Snape too! It was nice to finally see him being his self that only Dumbledore got to see in the books. I loved his demeanor too. I know actors change, but the one I saw portrayed Snape in a way that felt more canon. As much as I love Alan Rickman, he was a bit too graceful and sophisticated for canon Snape. In the play, however, Snape was kind of more rough, more rash, less pulled together in a way that he spoke and moved. It’s subtle but I lived for that. Also he was finally short. Yes.

- I feel like I have to mention Harry too. I actually quite liked him, so I’m gonna put him under this list as well. Yeah, that one scene where he threatened McGonagall into strict surveillance of his son is a bit much, errr 😅😅😅 But overall, I like the idea of him struggling as a father, making mistakes and learning from them. He’s a good egg.

- Ron and Hermione, my babies!! I had issues with Ron’s characterization, but I did mostly enjoy the portrayal of their relationship. I liked that their roles within the play were mostly to be together or to find their ways to each other. Since so many fans are against their ship, I was really excited to see them. And I just loved Hermione in general. They got her characterization almost on-point too, I think. I just love her 🥰

- In general, I enjoyed a lot of the dialogue. I liked all those strong, emotional one-liners that make you gasp. Harry saying things, Albus saying things, Scorpius, Draco, Ginny, others… There were good examples of lines they’d say that perfectly articulated everything that they embodied or felt or were dealing with. Well done there.

Okayyy I’m sure there’s more I could think of, definitely, but I’ll stop here since this is already a lot 😁

Things I questioned:

- So the one single biggest thing that I am the most critical of has to do with the plot itself, and it’s about Cedric turning into a Death Eater. I’m sorry but I just can’t. I could write a whole essay on how this makes no canonical sense (and I probably will if you ask me lmaoo), but to sum it up, Cedric eventually turning bitter and evil because he was publicly humiliated directly contradicts his canon character development. Cedric’s humility, kindness, and fairness are the core qualities around which Cedric’s personality was developed in the books. He almost explicitly places popularity, glory, and reputation second, and that’s critical, because if failure and humiliation were to affect him so drastically, his primary core values needed to be broken down and changed beforehand, but they never weren’t. So presenting the Triwizard incident as the turning point for him does not make any sense, and as a result the rest of the narrative falls apart. This is a plot hole and hasty writing.

- Yeah, Bellatrix having a child is still kinda weird 🙃🙃 I just hate that because in the books Bellatrix played the archetype of this anti-mother, the antithesis of motherhood and motherly love. I feel like having her voluntarily bring a child into this world destroys that symbolism. It makes me unsatisfied.

- I had some issues with the very beginning and the whole “montage” of events leading up to the fourth year. I found it overwhelming and disorienting, even though I’ve already read the script and knew what’s going on. Still, I felt like I was hit by a train, watching all the fast-paced scenes, cliché chaotic small talk going on, years going by… It felt messy for some reason. I feel like I need to watch it again in order to fully catch up and process everything I saw, and that’s not a good sign. But I didn’t hate it, I just wish we were more eased into the story.

- Scorpius. Now listen. When I read the script, Scorpius was my favorite character. I LOVED him, this awkward nerd who loves his dad and best friend with all his heart. The way I grew to imagine him was quite not how he was portrayed in the play. I know the dialogue and everything’s all the same, but idk, Scorpius in the play was way more hyper, bolder than I pictured, and worst of all, he was going out of his way to be this wannabe player. He seemed so all over the place, even acting a bit arrogant sometimes, celebrating moments of over-confidence, chasing after girls, trying to be everything BUT himself. But that honestly might just be my takeaway alone. There’s nothing actually wrong with his character, I just found myself slightly disappointed with him in the play specifically. I wish I could see the play again to actually analyze things more thoroughly to explain why I feel this way, but I can’t. I still like Scorpius, but a different version of him. (tho damn did I love those skinny pants on him lmao 👌👌)

- Moaning Myrtle. Like, I laughed, it was funny, but it just wasn’t very tasteful lol and I was left feeling a bit uncomfortable from the idea of this young murdered girl writhing and thirsting over literally everyone. The play really blew that out of proportion and idk it’s kinda awkward when I think about it 😅 And in general, there was just so much thirsting… with Rose, Polly Chapman, Delphi… Not to mention Albus kissing his AUNT… Like damn chill JK please 😂 Weird cliches and teenage hormones aren’t the only source of comedy okay?? 😂😂😂 Also, speaking of Myrtle, I kinda wish there was something mentioned about Draco having had been friends with her in sixth year. Idk it would’ve been nice to see that relationship somehow reminisced since we didn’t really get to see it :)

- Craig Bowker Jr... If he was supposed to be a parallel to Cedric, both being the spare, why did he get literally zero attention?? We don’t really know who he is, we don’t see anyone hurting because of his death, he’s killed with such apathy. We don’t even see his parent grieving, like we saw Amos (who also happen to be an integral part to the plot of CC!). The whole parallel is so incomplete. Poor Craig and his unsymbolic death..

- Ok I am obviously elaborating way too much so let me just quickly summarize the rest of things I don’t actually hate but might wanna rant about: RON IS NOT A JOKSTER—GEORGE IS. RON IS A FIGHTER. HE IS ALSO HARRY’S BEST FRIEND, NOT HERMIONE, BUT HE WAS MADE USELESS AND UNNEEDED, WHICH IS HIS ACTUAL WORST FEAR, SO WHO THE FUCK DARED. ROSE IS MORE THAN A BITCHY ROMANTIC INTEREST AND A BAD FRIEND. WHERE THE HELL IS HUGO. GINNY’S EVEN COOLER THAN SHE WAS PORTRAYED, I PROMISE. THE SURPRISE SECOND TIME TURNER ERRRR LOUSY PLOT DEVICE I’M SORRY. LACKLUSTER PLOT IN GENERAL, THE ONLY ACTUAL TWIST IS DELPHI’S REVEAL—NOT ENOUGH, JKR KNOWS BETTER THAN THIS, THE BOOKS WERE FULL OF TWISTS AND TURNS (but that’s kinda okay with me because the relationships between characters in CC really made the whole story worth it).

Alright enough :’D I’m not actually upset, just exaggerating haha Because overall, I liked the play. I wanna see it again. And I wanna analyze it more, too. I’m so excited I finally got to watch it. It’s far from flawless, but I’m still happy with it overall and want to approach it positively! Sure, I’ll rant when it’s ranting time, but I do love it (:

#the cursed child #cursed child spoilers #Q&A #Anonymous #upthehillask

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aion-rsa · 5 years

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The Weird History of Monsters vs Marvel Superheroes

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Dracula, Frankenstein, a Werewolf by Night, a Living Mummy have all taken on or teamed up with the heroes of the Marvel Universe.

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The Marvel Universe is known for superheroes but it's also home to some of the greatest classic monsters ever to shamble onto a comic book page. Beginning in the early 1970s, some scary residents moved in.

Marvel has its own Dracula, its own Frankenstein Monster, its own Mummy, its own werewolf (two actually) and even its own Manphibian (kind of like the Creature from the Black Lagoon...but not). These creepy residents lurked in their own little dark corner of the Marvel Universe, but the takeaway here is that they were IN the Marvel Universe and at times these vampires, lycanthropes, and corpses even met the famous heroes of the MU.

So join us my intrepid monster hunters as we recount the ultimate monster mashes and revisit a few special occasions where classic monsters met classic superheroes...

Dracula

Dracula Lives #3 (1973)

by Roy Thomas and Alan Weiss

We already recounted the many times Dracula has stalked the heroes and villains of the Marvel Universe, but there was one team up we missed. Yeah, we know what you’re thinking: Conan and the other Robert E. Howard characters aren’t really part of the Marvel Universe, but listen, Spider-Man meet Kull and Red Sonja, and Spider-Man met Dracula, so this totally counts.

In Dracula Lives! #3 Roy Thomas and Alan Weiss gave us an ancient battle between Dracula and Howard’s famous demon hunter Solomon Kane. For those not familiar with Kane, imagine an Age of Imperialism Puritan Van Helsing that travels the world to spread the word of God while killing vampires and werewolves. Marvel published a bunch of Solomon Kane comics throughout the Bronze Age, and even though Kane had his following, the demon hunter never really caught on like Howard’s famous Cimmerian (probably because his adventures were always a wee bit racist).

read more: 13 Essential Dracula Performances

But in this one magnificent tale, Kane and Dracula clashed! In this Kane adventure, the chaste Kane must navigate the world of vampire seduction and then face off against the Lord of the Vampires his own damn self. Kane kind of kicks Drac’s ass (in Dracula’s own magazine no less), but readers also get a sense of Kane’s honor. You see, earlier in the issue, Dracula saves the Puritan's life. When Kane has Dracula on the ropes, the vampire reminds the honorable Kane that the demon hunter owes the vampire a boon. Kane lets Dracula go which pretty much dooms countless souls for like, the rest of eternity. So whenever Dracula needs a snack and kills some poor hapless soul, that victim can thank Kane for letting the fish off the hook when he was about to stake Dracula for good. Puritans, huh?

Anyway, this story remains a glorious Bronze Age oddity where two unlikely characters smack up against each other in glorious black-and-white.

Frankenstein’s Monster

The lumbering abomination of science known as Frankenstein’s Monster has a pretty long history in comics, one that predates the classic monster’s own comic at Marvel. Marvel’s The Monster of Frankenstein series premiered in 1973, but the bolt-necked behemoth stepped out of the late night picture shows and into the Marvel Universe a few times before it lived in its own feature.

X-Men #40 (1968)

By Roy Thomas and Don Heck

In X-Men #40, artist Don Heck and writer Roy Thomas (there’s that name again, it’s clear that Thomas is, was, and always will be the godfather of Marvel monsters) featured a clash between the X-Men and Frankenstein’s most famous creation.

Well, kinda.

The issue starts off with the X-Men enjoying a day of training in the Danger Room. Suddenly, they are summoned by Professor X who explains that he thinks he has located Frankenstein’s Monster. Professor X reveals that the monster is actually an android and furthermore, the android may have been built by a mutant. Holy Boris Karloff, that’s convoluted! The story would have been better served if Charles Xavier was all like, “I found Frankenstein, go beat him up,” and the X-Men were all like, “Yeah, sure,” and then they fight and stuff. But no, androids, mutants and aliens.

Wait aliens? Oh yah, it gets even more bonkers.

The X-Men attack the android and a big bad fight ensues. Iceman encases the monster in ice because he’s seen a movie or two and this defeats the Frankenstein android. Professor X then discovers that the monstrous android was built by aliens to act as an ambassador to Earth. The monster malfunctioned and went on a rampage thus creating the legend that inspired Mary Shelley to write her book. I like how Marvel took the elegantly simple tale of Frankenstein and made it intensely elaborate.

read more: 13 Essential Mummy Movies

Take this issue of Marvel Two-in-One. Ben Grimm’s best gal Alicia is possessed by an ancient spirit, the Thing and the Living Mummy must team up in order to free Alicia and defeat the evil Nephrus. Well, they don’t so much as team up but appear on a few pages together before the Mummy shambles off into the desert. But it counts, the Living Mummy and the Thing, fighting the good fight together, kinda, almost.

Captain America #361 (1989)

By Mark Gruenwald and Kieron Dwyer

The late, great writer Mark Gruenwald was never one to leave any obscure character unexplored, and he found a way to incorporate the Living Mummy into the bright and shiny world of Captain America. When Cap and his partner and lover Diamondback were hunting down the fabled bloodstones, they convince the Living Mummy to hand over the Bloodgem in a story completely unrelated to Infinity Gauntlet.

read more: 28 Alternative Horror Movies Worth Watching

But there was something incongruously awesome about seeing a guy dressed as the American flag team with a dude dressed up like Boris Karloff’s second most famous monster.

Quasar #46 (1993)

By Mark Gruenwald and Andy Smith

Has everyone been a member of a super team at one point or another? Get this motley crew. Doctor Druid, Shadowoman, the Blazing Skull, and the Living Mummy- otherwise known as Shock Troop! This team of also-rans and never was-es helped Quasar take on the villain known as Quagmire (giggity).

read more: The 31 Best Segments From Horror Anthology Movies

I guess this team quietly disbanded soon afterwards because what else were they supposed to do? Marvel, bring back the Shock Troop. I mean, you’re leaving at least $2.13 on the table here.

Civil War #7 (2007)

By Mark Millar and Steve McNiven

You might think that Living Mummy is small potatoes as far as Marvel monsters goes but he actually took part in the biggest Marvel event of all time. N’Kantu can be seen as part of the anti-registration forces in the climactic battle between Iron Man and Captain America in the first Civil War. Now, imagine how cool it would be if Cap had a mummy on his side (no explanation, just a mummy) in the Civil War film.

The Living Mummy was present during Civil War because like Frankenstein, N’Kantu was a member of the Howling Commandos of SHIELD. The Mummy felt like he was being forced into servitude and not wanting to live the life (or unlife) of a slave, the Living Mummy rebelled. This led to imprisonment and the eventual riot that became the inciting event of the conclusion of Civil War. In the worlds of Ulysses S. Grant, “t’aint a proper Civil War ‘til a Mummy gets involved!” Or something.

Currently, the Living Mummy is a member of the Legion of Monsters and as such has met and fought with and against Deadpool (Deadpool Team-Up #894) and the Red Hulk (Hulk Vol 2 #52) but we just wanted to focus on the Living Mummy as a solo act.

Zombie

Daredevil Annual #9 (1993)

Yup, Marvel has a zombie and his name is Zombie. Well, his name used to be Simon Garth until a voodoo curse transformed poor Garth into the Zombie.

Before zombies were really a thing in comics, Garth starred in the Bronze Age black and white magazine Tales of the Zombie. Unlike the zombies that are turned into jelly by Rick and Michonne in The Walking Dead, Garth maintained his free will. So basically, he’s a rotting, shambling, fresh hungry walking corpse, but he’s fully aware of this situation. That sucks for him.

Garth’s free will was on full display when he helped Daredevil defeat the voodoo queen and sometimes groupie of Kraven the Hunter, the evil Calypso. With all that Walking Dead money floating around, it’s a wonder that Marvel doesn’t do more with its Zombie. But hey, Garth met Daredevil once in this ultra-esoteric annual, so that’s something.

Manphibian

Uncanny Avengers Annual #1 (2014)

By Rick Remender and Paul Renaud

And we conclude with Marvel’s version of the Creature from the Black Lagoon: Manphibian! Man is that fun to say, Manphibian, Manphibian, Manphibian!

Anyway, Manphibian (Manphibian!) is actually an alien being that crash landed on Earth while pursuing the murderer of his mate across the cosmos. Both murderer and Manphibian were tapped on Earth and became monsters of myth and legend. Manphibian appeared in the Frankencastle saga (don't ask) and also joined the Howling Commandos.

read more: A Brief History of the Creature From the Black Lagoon Franchise

But for a very brief moment, Manphibian was a member of his own team of Avengers. In Uncanny Avengers Annual #1, Manphibian joined with Ghost Rider, Doctor Strange, Blade, Satana, and Man-Thing to become the Avengers of the Supernatural. This group of monstrous Avengers teams with the Uncanny Avengers against Mojo and then disbands five minutes later, which is a shame because I would spend good cash money to read about this team on a regular basis.

So there you have it, some classic monsters joining forces with the super heroes that share their world. We’re sure many more monstrous adventure are on the way to the Marvel Universe, so remember, sometimes the things that go bump in the night are just as brave and selfless as the bright and shiny super heroes that get all the press. So be kind to the shambling, snarling creatures of darkness, they deserve love too. Excelsior!

Read and download the Den of Geek NYCC 2019 Special Edition Magazine right here!

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Feature Marc Buxton

Oct 14, 2019

Marvel

Dracula

Frankenstein

31 Days of Horror

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#aion-rsa #Books

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theliterateape · 3 years

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I Like to Watch | The Walking Dead

by Don Hall

I have this great idea. At the end of Return of the King, following the battle to destroy Sauron, we follow Aragorn and Gandalf as they continue battle lesser evils in Middle Earth. You know, maybe like a Balrog with delusions of grandeur or an evil faction of dwarves. In the meantime, Sauron, instead of being destroyed, is held captive and we get to know him a little better. Maybe we extend the saga to show his backstory and exactly how he became evil?

Hell, we could milk the battles for years!

No?

How about this: a The Princess Bride follow-up wherein Count Rugen survives the sword fight between he and Inigo. Then, later, the two form a bond and travel the countryside looking wrongs to right.

NO?!

OK: After Luke Skywalker kills the Emperor and we spend three prequels on the backstories of both Vader (as a kid) and the Emperor (as a Senator), we jump forward in time. There is a new threat with a bad guy not quite as bad as Vader because he's so openly conflicted and kinda horny for the female Luke. Then, when things come to a head at the third sequel, we bring back the Emperor so we can kill him AGAIN!!

No. You're right. That is a shitty idea.

At the (long) tail-end of the pandemic, the rest of the 10th season of The Walking Dead resumed airing and I found myself undeniably un-inspired. I didn't really care much for The Whisperers and after they bumped Rick Grimes off and then carted him away on a helicopter, the show sort of fizzled. I couldn't figure out what was missing (besides Rick) so I decided to go back to the beginning and watch the whole thing again.

The zombie trope goes back a ways into horror history. The concept of the dead re-animating and going for our living throats has elements of the Golem, aspects of Frankenstein's Monster, and a historical basis in the slavery practices of the French in Haiti.

The zombie archetype, as it appeared in Haiti and mirrored the inhumanity that existed there from 1625 to around 1800, was a projection of the African slaves’ relentless misery and subjugation. Haitian slaves believed that dying would release them back to lan guinée, literally Guinea, or Africa in general, a kind of afterlife where they could be free. Though suicide was common among slaves, those who took their own lives wouldn’t be allowed to return to lan guinée. Instead, they’d be condemned to skulk the Hispaniola plantations for eternity, an undead slave at once denied their own bodies and yet trapped inside them—a soulless zombie.

In 1968, George Romero shot (on a budget of $114,000) what was originally entitled Night of the Flesh Eaters and later renamed Night of the Living Dead. He didn't refer to his walking dead as "zombies" but as "ghouls."

The grainy black and white film was far more than a gruesome horror flick—it was an allegory for the protests of both the Vietnam War and the riots of those fighting for Civil Rights. Later, his sequel of sorts, Dawn of the Dead, is another social satire disguised as gore flick with the zombies (he now called them zombies) acting as stand-ins for the suburban consumerist ethos. 1985's Day of the Dead is an allegory about the mindless authoritarianism of the military. Land of the Dead was a satire of class division; Diary of the Dead spoofed the age of blogging and YouTube.

What were the zombies? How did they come to be? Romero gives us a comet. A cosmic incident with no more explanation. This gives the satirical representation the foreground.

Along came more zombie apocalypse movies: Re-animator, Dead Alive, 28 Days Later. Certainly a lot more including Night of the Creeps and Zombie. In 2004, we get Zach Snyder's brilliant re-make of Dawn of the Dead. This list of the undead had as much in common with the classic atomic monsters as they did the dinosaurs in Jurassic Park—these ghouls were created by man. These were the inevitable result of humankind's hubris and god-complex. We created the end of the world and now must make sense of our creation.

In 2003, Robert Kirkman and Tony Moore co-created a long-running comic series published by Image Comics: The Walking Dead. In 2010, AMC picked up the comic for a television series of the same name and what set these zombies apart from the previous strain is that one didn't have to be bitten in order to turn. These zombies represented a natural human-wide disease that re-animated anyone who died. Like a bizarre metaphor for Purgatory, becoming undead was inevitable for all living people. This created a completely different dynamic for those surviving.

Which brings us up to speed.

I was hooked to TWD for the first four seasons. The conclusion of the Governor arc was satisfying and everything about the prison was exceptional but I was exhausted by the time they arrived at Terminus. The thing became taxing to follow and I believe I'd hit my limit. I dropped away until I was talking to a friend who loved the show and she told me that Negan was the best villain she'd ever seen.

I rejoined the Grimes Gang with Season 5. Terminus cannibals. Again, I got sucked in. The tragic end of Bob. The back-and-forth conflict of Gabriel. The whole Beth in the hospital with the corrupt cops was weak but that may have been because I don't find Beth remotely interesting. Then we get to Alexandria and the dynamic between the people so blind to the world that they're having cocktail parties and the group who have endured almost comical loss and tragedy makes for some excellent storytelling.

Then came Season 6, episode 4 He's Not Here.

Both loosely connected to the journey of our merry band yet set completely apart, this standalone episode finds us with Morgan (the extraordinary Lennie James) being brought back from the insanity he's afflicted with by Eastman (an equally wonderful John Carroll Lynch). Eastman slowly brings Morgan back from the edge.

A psychiatrist, Eastman tells the story of his prison practice. He explains that he has worked with over 800 incarcerated patients and only one was irredeemably evil. He tells him of that patient, Crighton Dallas Wilton. While a model prisoner in the eyes of the prison staff, Eastman saw Wilton for what he was, an evil, manipulative psychopath. When the time for Wilton's parole came up, Eastman was the one to interview him and it was here that Wilton realized that Eastman had seen through his facade and attempted to kill him.

Later, we find out exactly how evil Wilton was and how Eastman came to be who he is in this apocalyptic world.

This episode is beautifully done and, upon re-watching the whole thing all over again, stands out for one important aspect. Eastman tells us that in this world of heroes and villains surrounded by the undead, there is only one truly evil person to watch out for.

The Governor isn't evil. He's an asshole. An authoritarian. He's also insane from grief which has driven him to become a villain. He's no more or less brutal in many ways than Rick. The Terminus cannibals are likewise justified in their choices as sickening and horrifying as they may be.

Eastman is warning us of true evil on the horizon.

That evil is Negan.

From the moment we see him (Jeffrey Dean Morgan) and his barbed wire bat, Lucille, he is the embodiment of gleeful malevolence. He is brutal and he fucking loves it. He kills both Abraham and Glenn with such casual smug pleasure that the fact that he just offed a beloved character who has been on the journey since the second episode of the entire franchise only hurts more.

Negan is the anti-Rick. No conflict within himself, convinced that he is righteous in his path with so little regard for even his own Saviors (his 'relationship' to Dwight is a thing of remarkable cruelty). It isn't even the body count (both the Governor and the Terminus gang kill more onscreen) but his enjoyment in brutalizing people, teasing them into submission, then gutting them on the street is Hannibal Lecter territory.

Negan is the one truly evil man Eastman warns us about.

In my marathon from the start, I realized sometime during Season 8—I had no interest in seeing any more following Negan's defeat. Having seen the episodes before, I didn't want to see the character redeemed. I didn't want him to be at all relatable. I wanted Rick to kill him and for a sense of closure.

Now take a peek at Season 8. The writers wrote the end of the series in this one. The alliance of Alexandria, The Hilltop, and The Kingdom against The Saviors. Eugene finds his safe place and Gabriel struggles to redeem himself. Fucking Carl dies! Rick beats Negan one-on-one in a field and cuts his throat with a piece of stained glass. FINIS. OVER. DONE, for chrissakes.

Carl's death means nothing if the ending isn't peace. I'll be honest, the first time I watched Carl die, I didn't much care. He wasn't a heavy weight character in my mind. The second time, I bawled like a baby because, in a few weeks, I watched him go from scared kid in the camp when Rick (presumed dead) strolls in to the young man sparring with Negan. Carl's vision of Rick's future is the end. Except for the Negan part. FUCK THAT. Negan doesn't get to survive.uck that

Rick cuts his throat. He doesn't instruct Sadiq to save him. Negan dies. Maggie gets her revenge. Rick makes his "a better world" speech. Cut to black.

HBO’s Six Feet Under, The Sopranos, The Leftovers. All could have continued following their obvious and arguably brilliant endings but they didn’t. Game of Thrones could’ve just stopped as soon as the Night King is defeated but they couldn’t help themselves and tarnished the legacy of one of the most watched television series in history. I loved Lost all the way up until they explained everything poorly.

I get it. AMC needs the cash cow. Lots of people employed so they just have to continue the tale but, man, when you get to an ending that good, walk away.

#I Like to Watch #The Walking Dead

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kalypsios · 3 years

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Hiya lovely! Was wondering if I could get a male marauders and golden trio era ship?

My names Rosie, I’m 5,10, I have very long dark plum hair. I’m a little thicker, I have green eyes and super red cheeks :) I dress rather hippyish, I love Fleetwood Mac and Kate bush so the whole 70s hippy vibe is my biggest inspiration. People would probably describe me as quite quiet and sarcastic. But when I open up I’m kinda goofy and giggly. I’m a Gryffindor and an infp. I love indie/rock music and horror movies...

Hope this was helpful enough!! Hope you have a lovely day 💞

hi omg you sound so fun. ngl i struggled a bit with the golden trio one but god the marauders was so obvious to me and now i kinda wanna write a fic. hope you like this!

i ship you with james potter

james and you got close after you found each other in the common room at midnight once. you introduced him to some of your favourite music and from then the boy was head over heels.

you had gone from just being one of the girls in the batch to being the only girl in the batch. he just couldnt stop seeing you. your sense of style, and the way your eyes lit up when you smiled, he saw everything.

james tends to give his all when it comes to those he loves, he has a very big heart that he wears on his sleeve and that was certainly the case when it came to you as well.

learning every like, dislike and hobby and making sure that he takes you on the most stupidly romantic dates.

bringing out your goofy side is a personal goal of his. he loves when you get giggly and start joking around and then when he looks at you, hes convinced hes the luckiest person on earth.

you got james into horror movies as well and almost every weekend the two of you binge them. he refuses to admit he gets scared despite how he'll close his eyes or hold onto your hand.

sometimes when james gets down or feels off, he'll just lay his head in your lap and let you play with his hair or hug you which is his favourite thing. he thinks you give the best hugs and he loves how soft amd warm you feel wrapped in his arms.

times like those he never wants to let go of you.

in the golden trio era i ship you with george weasley.

the first time george saw, like saw you, he turned bright red and fred teased him for the next week. it was an entire month before he got the nerve to talk to you though.

george loves making small things for you. just random items he'll leave around for u to mess with or to make you smile. he loves how loud you get when its just the two of you and how the rest of the world just seems to fade away.

despite that, theres a lot of banter and teasing between u two and the sarcastic replies u give to shut him up act as a challenge to him. he'll do stupid pranks on you, not ones meant to embarass but just ones that confuse you and he loves how you can take all of his teasing.

once he learned about how much u like music, he started listening to every artist you like and buying you stuff that he thinks you'll enjoy.

and sure he gets called a simp by fred and lee but he doesnt care as long as its for you. you're his dream girl after all

#ship requests #marauders #harry potter #james potter #james x reader #george weasley #george x reader #golden trio era

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mrmichaelchadler · 6 years

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Cinepocalypse 2018 Preview

Dark days in the real world often call for an escape into even darker worlds in cinema. As many people are continuously startled by the world around them, from the terrifying increase in school shootings to the atrocities currently happening on the U.S. border, it makes sense that the horror genre feels more vibrant and alive than ever. Two of the most critically acclaimed films of the year—“Hereditary” and “A Quiet Place”—are undeniably horror films, no matter how many people want to claim they’re not, while other genre indies like “The Endless” have also garnered attention. This is all to say that this feels like the perfect time for a horror film festival like Cinepocalypse.

Starting at the Music Box Theatre this Thursday, June 21st, Cinepocalypse employs something of a shock and awe approach to the genre, offering fans an overwhelming amount of content for a relatively-short festival. There are world premieres, retro events, special guests, and horror hits from other festivals. It’s an ambitious slate of (mostly) indie offerings from around the world, most of which have little in common other than the horror brand. As someone who has seen a great deal of this year’s offerings, it’s the range of the programming that’s impressive. There are slasher pics, brutal dramas, relationship nightmares, sci-fi experiments, and even a movie about Nazi puppets. There’s something for everyone. Here are a few highlights, chronologically.

“The Domestics” (June 21st, 7:30pm)

Mike P. Nelson’s brutal vision of a world gone mad feels just right for the first note conducted by Cinepocalypse in 2018. Owing an undeniable debt to “The Purge” and “Mad Max: Fury Road,” “The Domestics” actually reminded me more of post-apocalyptic video games like “Fallout,” imagined futures in which the world is overrun with enemies and formerly safe havens are deadly. Nelson’s vision doesn’t take place in the traditional landscapes of post-apocalyptic horror, which often crib from George Miller or Ridley Scott, working with, well, domesticity as its background. It's more about average American neighborhoods and Midwestern landscapes that have become suddenly, unexpectedly violent. In other words, it's kinda perfect for 2018.

In a future dominated by rival gangs with names like The Gamblers and The Sheets, we meet a couple (Tyler Hoechlin & Kate Bosworth) on the edge of sanity. They had been communicating with loved ones via ham radio but the signal has gone dead and they have decided to now take a road trip through Wisconsin to Milwaukee to see what’s going on. The journey takes them through territories dominated by violent men, many of whom now see people as property. There’s an interesting social commentary simmering beneath “The Domestics” that feels timely (if too underdeveloped), but it’s mostly just a brutal cinematic punch to the face, anchored by genuine performances from Hoechlin, Bosworth, Lance Reddick, Sonoya Mizuno, and more. It’s rough around the edges in certain places, but it undeniably sets the tone for an event like Cinepocalypse. (Get your tickets here.)

“The Ranger” (June 22nd, 2:30pm & June 26th, 9:15pm)

Fresh off its SXSW premiere, comes this throwback from writer/director Jenn Wexler, another film that feels a bit first-draft in places but that struck a nostalgic beat for this viewer. If you’re like me and grew up watching the cheesy slasher pics of the ‘80s, you may feel similarly about this twist on the “cabin in the woods” genre. Instead of teenagers away at camp, “The Ranger” features punk rock kids running from society to a remote locale. And instead of an escaped mental patient, the killer here is an unhinged park ranger, the antithesis of the punk ethos. Some of “The Ranger” feels undercooked, but I have to admit to enjoying seeing a subgenre that doesn’t really exist like it used to and that once dominated the world of horror. Given how much of Cinepocalypse is designed to tap that nostalgic vein, those who fondly remember the slasher subgenre, should probably check this one out. (Get your tickets here.)

“What Keeps You Alive” (June 22nd, 11:59pm)

The talented Colin Minihan (“It Stains the Sand Red”) brings his latest to the Music Box for its Midwest Premiere and it should produce gasps in the Friday night midnight spot for those willing to stay up late. Performances aren’t often the hook to bring in viewers at horror festivals but Hannah Emily Anderson and Brittany Allen are great in this SXSW hit as a couple named Jackie and Jules, who go on a trip to one of their childhood haunts on their one-year anniversary to a remote cabin Jackie went to as a child. From the beginning, something feels off as Jackie seems distant and different. It’s that common point in a relationship when one person reveals something new about themselves through the lens of their past. And what Jackie reveals is shocking. I almost wish I could go down to the MB for when Minihan pulls the rug out from viewers on what they think they’re watching just to hear the gasps. You should be there. (Get your tickets here.)

“Puppet Master: The Littlest Reich” (June 23rd, 11:59pm)

Most people willing to read an article previewing horror films at something called Cinepocalypse probably have seen a “Puppet Master” movie or two (or ten). Starting in 1989, the “Puppet Master” series became a staple in the straight-to-VHS (then DVD) horror market, releasing so many (maybe intentionally) awful sequels to the movie about killer puppets. Well, the era in which nostalgia is king has finally gotten around to those maniacal puppets with a full reboot written by S. Craig Zahler of “Brawl in Cell Block 99” and “Bone Tomahawk” fame, and starring Thomas Lennon, Michael Pare, Barbara Crampton, and Udo Kier. Yes, it’s a cheesy, gorey, insane, ludicrous movie about killer puppets who were trained by the Nazis to eliminate enemies of the Third Reich first, and so that’s what they do at a remote hotel. (The hate crimes aspect of "The Littlest Reich" feels purposefully provocative in a way that horror rarely is nowadays and used to be so often in the '70s.) Lennon is surprisingly flat, playing it a bit too straight, but there’s more than enough to like here for people wondering if this may resemble the brutal insanity of the final act of “Bone Tomahawk” but with puppets as the bad guys. Spoiler: It does. (Get your tickets here.)

“Empathy, Inc.” (June 24th, 5pm)

There are a few films at Cinepocalypse this year that feel inspired more by “Black Mirror” than traditional horror and the best of those that I’ve seen is Yedidya Gorsetman’s “Empathy, Inc.” Zack Robidas plays a venture capitalist who watches his whole world fall apart when a deal goes bad. Forced to move up with his in-laws, he desperately grabs at a lifeline when an old friend (Eric Berryman) comes to him with a new project in the always-hot world of Virtual Reality. The tech is called XVR (Xtreme Virtual Reality) and is the product of a company called Empathy, Inc., which allows users to literally step into the shoes of someone who has less than them. Privileged, well-off people are always talking about the perspective gained by those are further down the social ladder, but what would they do if they could literally live the lives of the less fortunate? The concept of “Empathy, Inc.” is brilliant, and Gorsetman has a strong sense of storytelling, even if the film does kind of write itself into a corner or two in the increasingly crazy final act. Still, it’s the kind of unexpected World Premiere that genre fans hope to find at a fest like Cinepocalypse. (Get your tickets here.)

Retro Titles w/Special Guests!

Threaded through the week-long run of Cinepocalypse, you’ll find a handful of really fun retro titles, selections that reveal the quirky personality that drives this festival. You’ve seen acknowledged classics at the Music Box before at one of their many festivals, but have you seen “Howard the Duck” in 70MM? Have you seen “Tales From the Crypt: Demon Knight” on the big screen? What about “Judgment Night”? And the biggest guests of Cinepocalypse 2018 have to be the great Ernest Dickerson, traveling to Chicago to present "Juice" with a Q&A, and the incredible Lana Wachowski, who will discuss the phenomenal "Bound" with Cinepocalypse fans. (Get your tickets here.)

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rawinternets · 7 years

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Star Wars Episode 6: A rediscovery.

I’ve now reviewed Rogue One, Ep4, Ep5, all three prequels. It’s finally time to get back to the good stuff - Return of the Jedi. ROTJ is often cited as most people’s favorite from their childhood, but not necessarily on re-watch. Why? I was pretty sure I knew: it’s the shameless commercialism of the Ewoks, the derivative plotlines (another Death Star! More sneaking around Empire bases!) and so on. But truly, this movie is also very enjoyable.

Upon re-reading my notes - there are far less of them, I think because I was actually into the movie again instead of analyzing everything. With Episode 1 and 2′s terrible dialogue and wooden acting and annoying plotlines, my brain was whizzing about, trying to understand just how these movies could be so bad. With Ep3, I felt myself analyzing how this film somehow *was* landing, and why it was different than the first two. With ROTJ, I got back to losing myself in the story, even though I was trying to remain conscious of the task at hand.

While there are a couple lows (the Ewoks are mediocre at best as an adult-viewer, and George Lucas makes an inexcusable CGI addition to Jabba’s palace...), all in all this movie really fires. And what’s more - some of the most enthralling scenes in the entirety of the series occur here, and they don’t all include fighting and violence. I’m talking about the Emperor turning Luke. This is where the R1-4-5-1-2-3-6 order really works... we go from watching the Emperor turn Anakin in Ep3 right into the Emperor back at his old tricks with Luke. In both movies, the mind games and manipulation are really well done. I had many “Holy Shit!” 10-scene moments throughout ROTJ, mostly around the throne room, but prior to the climactic Vader redemption scene (which, surprisingly, was just OK).

In fact, although this movie didn’t grade quite as high as Ep4 and Ep5, it has by far the most “10″ scenes, all of them (except “It’s a Trap!”) involving Luke and the Emperor in the build-up to the climax, when things are looking so grim for the rebellion and for Luke. Sure, I suppose I could have lumped more of these together, but each is so powerful on its own that I felt in the moment they deserved their own line items.

Onto the scores.

Average Score: 7.90 Standard deviation: 1.91

Scroll. 8. To the point and does the trick.

Death Star and Vader. 9. Beautiful new shot, with Death Star and Star Destroyer. The empire space visuals are so consistently amazing in this series. Great angry vader: “The Emperor does not share your optimism.” Great music. Great punchy scene.

Jabba’s Castle. 7. The big door is cool - C3PO sucks as always. Cool little eye in the peephole, and the big door opens. Pig guards are George Lucas trying too hard. Jabba is a pretty cool character. Luke wants to barter with him, there’s a little rat character that is fine, Solo is a wall decoration, and C3PO sucks again. Fine set of scenes.

Jabba’s band. 1. George Lucas strikes again. He inserts a fully-CGI alien band, looking like a drunk person’s recollection of alien muppets, singing in a language that sounds like scat-man as a toddler. So unnecessary. Also, Jabba is rapey.

Rancor eats a chick, Chewbacca, Lando in disguise. 6. I remember loving this whole Jabba sequence as a kid but it’s not really landing right now. The bounty hunter is Leia? Couldn’t they have sent someone less important? Han getting re-warmed is a cool visual.

Han woken up. 6. Still can’t buy that they’d send Leia to rescue Han. Han’s blindness is kinda lame and the jokes are too. The Jabba sidekicks are also lame. Not loving this.

Luke and the Rancor. 8. Luke falls into the Rancor pit and tries Jedi shit and it doesn’t work. But he’s clever and kills the Rancor. Pretty good job, pretty good scene. My roommate likes the crying monster.

Sarlacc pit & Jabba’s ship. 6-8. Cool desert beasts, really cool desert ship. R2 as a cocktail waiter is funny. Luke: “Free us, or die.” And R2 shoots the lightsaber to Luke and the fighting begins. Lando cliffhangs, Boba Fett vs. Luke is cool, and Boba Fett dies an ignominious death (apparently in canon he actually survives). All in all, it’s a bit hokey and prequel-like, so I assume George had his grubby hands in here. Leia strangles Jabba, Luke flails away with the lightsaber looking really badly trained (in great contrast to the expertise of Ep3), and Lando kind of gets saved from the Sarlacc pit with a rifle. Some 6, some 8, hard to disentangle from my memories of the scene.

Emperor arrives at the Death Star. 9. Incredibly beautiful shots, great heft and foreshadowing.

Yoda dies. 9. “When 900 years old you reach, look as good, you will not.” Great line. Love Yoda - this version, not the Shaun-White-Parkour-Tasmanian-Devil lightsaber version. He tells Luke he’s not a Jedi yet, that he must face Vader. Not ready for the burden! Rushed to face him! Luke made a mistake! “Jedi strength flows from the force. Beware anger, fear, aggression. Dark side. Once you start down that path, forever will it dominate your destiny. Luke. Don't underestimate the Emperor.” Very good stuff from Yoda all around. And this part: there is another Skywalker!!! (but it never matters?)

Obi-wan force ghost. 9. “Why didn’t you tell me?” “Vader did kill your father... from a certain point of view.” Luke must face Vader again, but Luke won’t... “Then the Emperor has already won.” And then of course... It’s Leia.

Attack Prep. 7. “Many Bothans died to bring us this information.” I thought that line inspired Rogue One, but apparently not. Here we are again... a Death Star and a small crack team preparing to take it down.

Emperor Confident. 8. Just another great punchy scene.

Shuttle Tiberium. 9. Sneaking onto Endor to disable the DS’s shield... and we’re just like Rogue One again with the access codes. Vader on his Super Star Destroyer senses something... Good Chewy and Han tension. But Luke knows he’s endangering the mission. Vader is such a badass.

Endor/Speeders. 9. The first thing I wrote for this scene was “C3PO SHUT THE F*** UP” but notwithstanding that outburst, this unique, gripping, and beautiful scene gets a great score. The Redwoods are recognizable to Northern Californians but few others, and as in real life, they are majestic and mysterious on film here. Amazing sound effects. The tension of possibly being outed by a patrolman is very high. Luke cuts off the front of a speeder with the lightsaber... so sweet.

First Ewok. 8. Contrary to what you might remember, the Ewoks do not always suck. The first teddybear that finds Leia is kind of menacing. They avoid capture and make friends but it’s a pretty good scene.

Vader and Emperor. 9. The Emperor is so damn badass.

Caught in Ewok trap. 5. More George Lucas Hijinx! Hokey. OK with Ewoks, not OK with C3PO becoming their God.

In the Ewok village. 4. C3PO on the throne. Luke does force stuff. R2 shocks an Ewok and he does a stupid jump. Meh.

C3PO telling Ewoks a story. 4. I guess the power of a story? They get help from the Ewoks. meh.

Luke and Leia. 7. Luke has to face him. Decent scene between the two.

Vader lands on Endor. 9. Beautiful shots here. Vader and Luke interaction. Search your feelings (again). "It is too late for me, son." Vulnerability there. A bit of foreshadowing. I like!

Shield generator attack begins. 7. A little cheesy that the Ewok grabs the speeder and we do the chasing again, but I guess it serves the plot.

The rebel forces amass. 9. The rebel fleet is amazing. Very pretty. In retrospect (fore-spect?) the heterogeneous fleet reminds of Battlestar Galactica.

Luke meets the Emperor. 10. Shit! Things sound very bad!

Shield Generator Fail. 8. Uh oh!

It’s a Trap! 10. This all happens so fast, last two scenes and then this. Great music, great twist moment. Totally unforeseen. Admiral Ackbar gets his moment and forever becomes an internet meme and a real world reference. This space battle is intense.

Emperor turning Luke. 10. Emperor seems to have all the cards. "it is your destiny."

Ewok's revenge. 7. Mmmmmm. Actually not as bad as I remember because the Ewoks are a bit dangerous, even if primitive. OK, some dumb shit. Swinging ropes like tarzan, flying around with wings and dropping rocks. Self-hitting. Decent physical humor but also meh. Decent job with the emotional Ewok friends death.

Fully operational! 10. Fuuuuuck! The Emperor is smart! Shit! Scene is a 9, but gets a 10 because of importance.

Luke tries to kill emperor. 10. Such a mindfuck. Pretty amazing.

End of the endor battle. 7. Meh. It’s fine.

Luke and Darth fight. 10. Let the hate flow through you.

Luke and Darth fight 2. 10. Luke tries to hide and not fight. "Your thoughts betray you. Sister! Twin sister. You have betrayed her too.” Stilted dialogue. Luke's love for Leia gives him power. Very much like Darth in the prequels. Darth’s hand cutoff. Fantastic music. Emperor: “Your hate has made you powerful. Fulfill your destiny.” He thinks back to his own hand destroyed and how he is like his father. Really great storytelling.

Attack on the death star. 8. These visuals are really cool. But it’s a bit ridiculous to fly through the Death Star with a ship as big as the Millennium Falcon. I mean, the first DS was destroyed by a torpedo going down a tube not more than a meter wide... why would they engineer this thing to have a corridor wide enough for fighters to fly through, and right to the core reactor which will blow the entire thing up?

Darth turns back. 9. It’s such a big moment, but is it actually well done? Emperor: "you will pay the price for your lack of vision." "Noooooo!" Hmmmm. it was great but it wasn't a 10. A bit hokey on the script. Why not cut the Emperor in half with a lightsaber? We’ve seen Jedi defy gravity before, why not assume he will survive?

Anakin dies. Luke escapes. 8. “Take off the mask. you already saved me. Tell your sister you were right.” Great musical choices.

Han and Leia kiss. 7. Meh, it’s fine.

Celebrations. 9. Good reunions and happy stuff. A bit cheesy but pretty good.

Anakin/Darth funeral. 9. Pretty emotional. Pretty good.

Credits. 7. WTF with this music choice.

VERDICT: Things that will stick with me include: speeders, Emperor, and the Sarlacc pit. Speeders and Emperor are just awesome. Sarlacc pit was fine but memorable. This movie is entertaining, and yet, the most blockbuster-y of the original three, and that doesn’t sit as well with me at the end. But did I enjoy it? Surely and absolutely, yes, I did. ROTJ has far and away the most amounts of 9′s and 10′s of any of the films... only a few missteps keep it from being crowned as the best film in the franchise.

REVIEW LINKS:

Introduction: Star Wars, a rediscovery.

Rogue One: 6.92 / 10.00 (stdev 2.06).

Episode 4: A New Hope. 8.00 / 10.00 (stdev 1.34).

Episode 5: The Empire Strikes Back. 8.00 / 10.00 (stdev 1.29).

Episode 1: The Phantom Menace. 5.00 / 10.00 (stdev 2.08). But probably worse than that, actually.

Episode 2: Attack of the Clones. 5.48 / 10.00 (stdev 2.07).

Episode 3: Revenge of the Sith. 7.00 / 10.00 (stdev 1.77).

Episode 6: Return of the Jedi. 7.90 / 10.00 (stdev 1.91).

Episode 7: The Force Awakens. 6.57 / 10.00 (stdev 2.01).

Episode 8: The Last Jedi. 6.31 / 10.00 (stdev 1.89).

Verdict: Star Wars, A rediscovery.

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maczazind · 8 years

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Film Diary 2017: January

Now that my 2016 film diary is FINALLY published, I wanted to try something different with my 2017 version. With this blog now up, I wanted to post this year’s entries in monthly installments as opposed to one massive list. Since it won’t be a single post I wanted to do something I wish I had done more with my 2016 list, which is detail my thoughts a bit more on the entries involved. Some admittedly may warrant their own separate post because I feel so passionately about said film, but at least a monthly breakdown now will allow for a more detailed film diary going forward.

If you’d like to see them as the year progresses, however, each installment will be given the tag “Film Diary 2017” so feel free to follow along!

That being said, here is the list of films I saw in the month of January 2017 - including how each feature was primarily seen and an asterisk which denotes that viewing was the first time I’ve seen that movie in its entirety, despite possibly having seen pieces of the film previously or having a general knowledge of it. All reactions are strictly MY OPINION:

January 4th: 1) Into The Woods* - DVD (Rental - Library); As a fan of movie musicals, I have to admit this one kind of disappointed me. I really like the other fellow Sondheim adaptation of Sweeney Todd, but this one fell flat in my eyes because it doesn’t quite take advantage of its capabilities. Though it does revamp the stage version with some solid visuals and an impressive cast, it’s in the third act where there are multiple scenes that don’t quite take the liberty of being transformed, ultimately feeling like they’re more or less the carbon copy from the original and don’t expand given that they have the capability to. Not to mention, the cast at times feels so large and we spend time jumping around between all of them, it doesn’t really allow us the time to grow overwhelmingly connected to some of the characters.

2) I Am Big Bird: The Carol Spinney Story* - Streaming (Amazon Prime); Not the best documentary I’ve seen, but still an interesting and emotional one. Worth a look.

3) Edward Scissorhands* - DVD (Rental - Library); Yes, yes – it’s my first time seeing this and to be quite honest it’s not my favorite Burton movie. Knocking it off my film lover’s bucket list, it was good! Funnier than I thought it would be; an intriguing story with plenty of fun elements. But at the same time, it certainly doesn’t knock Beetlejuice off its top spot in my eyes.

January 9th: 4) Scouts Guide To the Zombie Apocalypse - Streaming (Amazon Prime); While the opening scene set up a Zombieland-like tone and actually had me excited for a bit, this flick crosses a point midway through where it never quite exceeds its B-movie status. Mindless fun, entertaining but nothing over the top to gush over. It may surprise some out there; still, just an ok watch.

January 12th: 5) Alice Through The Looking Glass* - Streaming (Netflix); Having enjoyed the odd tone I’ve come to expect from Alice in Wonderland, the live action remake from 2010 lands in a solid spot for me. This sequel, however? Well it depends on your suspension of disbelief as the movie goes on. Alice as a ship captain? Actually cool. Time travel? …sure, why not. It elevates the supporting character of the Hatter and admittedly adds some backstory to it all. The play on whether or not Alice truly has been imagining this or not in the real world is an intriguing piece for the few minutes it’s presented, but that’s never quite driven home as we’re whisked away more in the Wonderland journey and everything is wrapped up in an all too neat bow. At the very least, its heart is in the right place and the moral undertones drive home. At the same time, it’s an additional voyage that perhaps didn’t need to set sail.

January 13th: 6) Dr. Strangelove* - Blu-Ray; In this….let’s say INTERESTING…political climate, there certainly have been a number of media entries listed by people to reflect the present day events. If anything, this classic satire has something for everyone to love. Peter Sellers is fantastic in multiple roles, the scenes range from tense to intriguing, and if you’ve never become acquainted with the work of George C. Scott then this is the perfect introductory. While not my favorite classic feature from decades passed, it’s one that has stood the test of time for good reasons.

January 14th: 7) Big Trouble in Little China* - Streaming (Netflix); I think i finally understand the obsession with Jack Burton. Besides being a total badass, Jack was easily the most relatable in all of BTILC as he is more the audience perspective than anything else. Like us, Jack is swept away in something way larger than he may understand and at times it can be confusing as the story grows to ridiculous size. While a cult classic, I’ll admit BTILC didn’t really grab me. Perhaps it’s one of those films you need to check out in your age of development to have a love for, but really I’ll pass. I adored Jack, but the rest was a crazy visually-strong jumble that I’m glad I at least crossed off my list.

January 15th: 8) Patriots Day* - Theater; Maybe it’s because I’m from New England, but man was this an emotional rollercoaster. While you’ll know the story pretty well given how closely followed this tragic story was when it happened years ago, Patriots Day does a great job of taking that and adding the real world heart, perspectives and details beyond whatever CNN could give you. With visually memorable scenes and strong performances filled throughout, definitely give Patriots Day a watch when you can.

9) Short Term 12* - Streaming (Netflix); I put off seeing this indie for years and after the credits started rolling I was kicking myself for not doing so sooner. It’s rare when I have the urge to see a movie again after having just seen it, but my god Short Term 12 was one of those exceptions. An emotional character driven story revolving around themes of depression, abuse, trying to embrace love in spite of it all, mixed with surprises, genuinely funny moments, heartstring pulling sequences and all pulled together with an outstanding performance by Brie Larson, I absolutely loved it all.

10) Pocahontas - Blu-Ray; It had been awhile since I’ve seen this Disney animated film that has always felt middle tier for me. And rewatching it as an adult, yeah I can see why. There are some plot devices that don’t make sense while the romance is really what needs to be embraced regardless of the shortcomings. Visually stunning, but further cemented as not in my top five favorite Disney films.

January 16th: 11) Hardcore Henry* - DVD (Rental - Library); I went in expecting a fun mindless action movie that played like a videogame and that’s exactly what I received. Sure the plot is a little convoluted. Sure the ending is rather abrupt. But man if Sharlto Copley doesn’t steal the entire show. As questions build up about his character, it all pays off in a fantastic scene that just further drives home the comedic elements of the movie. If you can deal with the videogame campaign first-person POV of it all, give it a chance.

January 18th: 12) Little Sister* - Streaming (Netflix); My least favorite entry this month. An indie flick on Netflix that’s a gothic….let’s go with dark comedy? Though I’d say more family drama. The concept sounded interesting, but I kinda walked away from this one bummed out.

January 20th: 13) The Hustler* - Streaming (Netflix); Turning it back to the black and white classics, The Hustler skyrocketed up my list and landed firmly in a top spot of one of my favorite old movies. Paul Newman is charming as ever while the action is so incredibly tense in the best way. While the movie is a bit long and may drag in the middle, George C. Scott once again emerges with an interesting supporting role and has compelled me within two movies to further explore his filmography.

January 21st: 14) The Color of Money* - Streaming (HBO GO); Well if you watch the aforementioned original, you HAVE to see the sequel the next day, right? What I thought was going to be a shift where Newman plays the supporting character turned into a different sort of film where he’s actually the main character yet again. Not nearly as good as its predecessor, it’s a worthwhile expansion of the themes from the first film.

January 25th: 15) Ghost in the Shell* - Blu-Ray; An inspirational anime feature to many creators, this isn’t exactly my first exposure to the franchise (I caught some of the Arise chapter when it was broken up across Netflix, and Stand Alone Complex was around when I was younger). While it wasn’t my favorite film of the genre, it was certainly intriguing to watch. I wanted to experience the original in all its influential glory before the U.S. remake with Scarlett Johansson came along and I’m glad I did.

January 27th: 16) Star Trek Beyond* - Blu-Ray; The second film in the rebooted Star Trek franchise, Into Darkness, left me quite disappointed upon its release because besides the super obvious Khan concealment prior to release, the story to me just felt like a bunch of event sequences loosely strung together. Here, the heart and character is thrust back into the plot while additionally feeling a bit like a traditional Star Trek episode as a majority of the action takes place on a single planet. Even though the opening box office didn’t sound too confident, I’m glad there are plans in motion for another Star Trek film because I felt this was a great course correction that stands strong next to the 2009 reboot.

17) Trainspotting* - Streaming (Netflix); Another film I put off for awhile, its impending removal from Netflix quickly moved this one up the list. And yes, i finally understand the praise. There’s something so simple and yet so interesting about it all. A character driven look at addiction, told in a visually impressive package of comedy, tragedy, heartbreak and growing up.

January 28th: 18) There Will Be Blood* - Streaming (Netflix); Yet another viewing influenced by an impending Netflix departure, I was swept away the second Daniel Day Lewis began to deliver his lines as Daniel Plainview. As the man of science vs. man of faith story moves along the tracks, there are so many layers in this film to attach yourself to and love at least some aspect of. The greed, the wealth, the confrontation, the father and son tale, the flexing of ego and so much more. I finally understand not only why people have praised this film for a decade but why it’s remained in conversation for all that time as well.

January 29th: 19) Don’t Breathe* - Streaming (Flixster); One of the many acclaimed horror films from 2016, thankfully I finally had the chance to see this one after picking it up via a short-lived Blu-Ray sale on Amazon. Not nearly as gory as Fede Alvarez’s previous directorial effort in the Evil Dead remake, Alvarez does a great job of establishing a closed space (which I’ve always been a fan of in others such as Die Hard or 10 Cloverfield Lane) and unleashing a number of anxious possibilities that continue to surprise. Relying on an incredibly small cast, the performances count just as much despite not even our protagonists being morally virtuous along with a few secrets up its sleeves.

January 30th: 20) Blair Witch (2016)* - Blu-Ray; Extended thoughts here, but long story short – I don’t believe this one deserved as much hate as it received.

21) No Country for Old Men* - Streaming (Netflix); My final film of the month actually came as a welcome surprise for me. When it comes to Coen Brothers films, I am that rare outcast who kind of feels disappointed because I don’t feel most live up to the hype (well, except for Fargo at least). Thankfully, NCFOM lands on the positive side of my personal preference as it’s a visually incredible movie alongside a story that expands into an edge of your seat showdown the more it goes on. Admittedly, I had to rewatch the third act to really fathom the message driven home as things shift in order to relay a central message and subvert expectations. But at the same time, it’s a bold approach that never takes away from the other two acts while allowing you to sit & think afterwards about what transpired and what is stated.

Furthermore, Best Picture winner No Country for Old Men has prematurely kicked off a successful string of films in February’s 2017 listing that have all been nominated and/or won Academy Awards. But more on that later…

What movies did you see in January 2017? Are there any movies you’d highly recommend that I should add to my watchlist? Feel free to drop me an ask or a reply!

#Film Diary 2017 #text post #movies

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