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#and i love that David knows this without even thinking about it
txttletale · 3 hours
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(Other than the really weird bit about "Male presenting Doctor") what were your thoughts about the specials?
pretty mixed bag, pretty messy, but good overall. i think they were very obviously a nostalgia trip for people around my age lol and it worked! i loved seeing tennant and tate back onscreen together, their chemistry hasn't aged a bit, and honestly just watching doctor who that wasn't written by chris chibnall was a breath of fresh air. they weren't boring, like seasons 11 and 12 were, and they didn't go too far off the other end into nonsense like flux did. characters want things again! the show can let itself just be silly! i was literally cheering out loud when donna and the doctor were just saying random scifi gobbledegook at each other for like a solid several minutes during the star beast.
the structure of the specials kind of baffles me. i love wild blue yonder--i think it's definitively the best of the specials as a standalone, it's absolutely fantastic, creepy and atmospheric and bringing things around to RTD's strength, which is well-written characters interacting with each other and letting good actors just act. but at the same time i dont understand why it exists? it feels like...idk. imagine if you watched the star wars original trilogy but instead of the empire strikes back the middle film was just a feature length film about luke and han surviving on an ice planet with no reference to anything that happens in the last film except the two characters' relationship. and then the next film was still return of the jedi, unchanged. it felt like that
i liked all the weird campy silliness of the star beast and the giggle, and they were both very fun! neil patrick harris gave a fantastic performance, there are a lot of very memorable sequences from the giggle, but it's very very all over the place. so many threads get kind of picked up and go nowhere. the toymaker's haunted house dimension goes nowhere. RTD's eyerolling social media commetnary goes nowhere (thank god tbh but yknow im illustrating something here). even the toymaker kind of goes nowhere, after ncuti gatwa shows up he's bascially an afterthought who loses by dropping a ball. obvious parallels to david tennant's first episode with that ball scene could be made, but just... aren't. it feels like load-bearing sectikons of the plot and themes were cut out to make room for a backdoor pilot for the stupid fucking UNIT spinoff
oh and it goes without saying i fucking hate all the UNIT wank in the star beast and the giggle. i hope space nine eleven 2 happens to their stupid fucking avengers tower i cannot stand kate stewart who is constantly a murderous bonehead (in the giggle alone she gets two pepole killed by not listening to the doctor and assuming that this teleporting godlike entity could be restrainted by Two Guys) who is both in and out of universe just a boring nepo baby with no merit of her own
um. i still dont know what happened with the regeneration. i think the implication is that when david tennant dies hell time travel back to become ncuti gatwa inside himself--at least the rehab dialogue seems to make that implication. but it's not really explained or explored? baffling. i do think that fourteen getting to settle down and live a peaceful life with his friends is cute.
oh yeah and the ask said other than that but goddd there was some good stuff in the star beast and honestly with the state of the UK media i will take any perspective on trans people that includes baseline human erespect but some of those lines made me cringe so bad. anyway overall i am cautiously optimistic for the future of the show--oh ncuti was fucking great did i mention that i instantly bnought him as the doctor he owned the scene, the moment he was there it was clear he was the protagonist, and i liked the church on ruby road well enough too--i am cautiously optimistic but i worry that a big UNIT-shaped tumor will devour huge chunks of it and it'll be annoying. also russel t davies is like 60 and i just dont want to hear what he has to say about twitter so im not looking forward to dot and bubble
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ingravinoveritas · 2 months
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We finally got a comment from David about what it was like kissing Michael and it's the headline in this Guardian article. I need 5 to 7 business days to process this...
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lyxchen · 4 months
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When you feel weird saying your favorite actors name out loud when talking to your parents or friends because it feels like it's going to reveal how deeply obsessed you actually are
#oh how often i have said to my parents#'it's a movie with that actor i like'#because i am afraid if i say 'david tennant' i will also add 'the prettiest most gorgeous funniest guy who is so lovely and if i met him i#would probably hyperventilate and i think about him probably too much because he's just an actor but also Look At Him!!'#you know#normal fangirl stuff#i have a theory that this is either some sort of weird ocd thing deep inside of me like how for a few months i was very afraid that people#could hear my thoughts and so i never allowed myself to think strange or very personal things with many people around#or this is because other people have made me feel like i can't talk about my interests because they're so intense that they find them#annoying#or it's because i don't want my parents to think i have a crush on him because i don't and also i'm gay so like no crush potential this is#completely different emotion which i can't explain especially not my parents so i'd rather they not find out how cool i think he is#but also they probaly know because they got me 10th doctor merch for christmas without me even asking for it and my mom also said that#she noticed that he's my favorite actor which is fine it's toatally fine i'm so cool about this#any so yeah anyways#didn't think i'd analize myself that much tonight but here we are#david tennant you have to honor of recieving the title of 'that one actor i like' which is much more important than it might sound#good night#lea's random thoughts
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silverysongs · 1 year
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love it when the production really leans into a comedy as a comedy. like, yes! benedick confessing his love for beatrice in the middle of her cousin's ostracization from society is a hilarious left turn! mr. elton is ridiculous! viola turning around slowly and telling the audience, "i ... left no ring with her" is classic funny!
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cobragardens · 7 months
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Notes on the Scene in Job's Basement
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Crowley is not tempting Aziraphale here. He's experimenting on him.
Getting Aziraphale to sin, or even getting him drunk, is not Crowley's intent in this scene. Eating food, taking pleasure in food, drinking alcohol, and even being drunk are not sins in most of Judaism or Christianity (and they're certainly not sins in British Christianity, regardless of any church's doctrine). When Aziraphale turns down alcohol, Crowley just suggests he try food instead; so it's not important to Crowley what Aziraphale tries, but it is important to him that he try something.
This scene is also the first time (chronologically) we see that Crowley likes to drink and likes to be drunk.
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We know from
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and from
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as well as from Book Omens and Word of God that angels have no instinct beyond curiosity pulling them toward eating or toward gender. From this we can reasonably presume they have no instinct toward Beverages either.
That means that in this moment--
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--Crowley is very likely the only metaphysical entity he knows on either side of the divide, or even knows of, who has ever experienced a physical pleasure.
And he probably has some Lingering Questions about it, like we all did the first time a physical pleasure blew our minds. Like,
Is it this strong for everyone?
Is there something wrong with me?
Am I going to hurt myself if I do this, like, a lot?
And it's not like the poor creature can ask anyone, because the answers for humans aren't necessarily going to apply to him.
So when he sees an opportunity, Crowley gets that one angel he knows who'll talk to him to try a human thing, and then he watches to see if physical pleasure hits the angel as hard as it hit him.
And that's why he looks so creepily pleased when it does.
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Apparently it is this strong for everyone and there isn't anything wrong with him. Now he can relax and get sloshed without worrying, and he even has someone to talk to about how rad human stuff is.
A Dip Into Speculation
We know because we're shown this isn't the first time Crowley has gotten drunk that, watching Aziraphale, Crowley understands what he's seeing. I think it's really interesting that Crowley doesn't laugh at Aziraphale at any point during this scene, and he doesn't correct the way he's eating, either.
Maybe it's because this is what it was like for Crowley the first time. Maybe he got so drunk he passed out and woke up in a puddle of his own sick. Maybe he got so drunk he passed out and didn't wake up at all, and there was Paperwork and he had to get used to a whole new corporation just when he'd got the hang of having legs in the old one. Maybe somebody had to show him how to use a fork or whatever they had going on for eating utensils in Ancient Mesopotamia. I distinctly remember having to learn as a small child to chew with my mouth closed. There is every possibility Crowley doesn't consider the way Aziraphale is eating to be worthy of ridicule because whatever Crowley did the first time was worse.
Maybe he wants to leave Aziraphale set up for later embarrassment over his table manners. Aziraphale was a judgy bitch about the wine.
Or maybe it's something like Let him have this one. There can be rules to it later; let him just enjoy it, once, like a little kid with both fists in their birthday cake.
Maybe it's desire. There is some textual evidence for this. Once Aziraphale learns to eat properly, the way he does it is very attractive, and we know Crowley loves watching him do it.
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I don't think it's overreaching even to interpret David Tennant's physical performance of Crowley watching Aziraphale eat as one of sensual or erotic pleasure. I mean--
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I'm not saying it absolutely has to be erotic, but it's not a reach, or even a full extension of the elbow, to read it that way.
There's another meta somewhere [I'll link it when I find it again; if you know this meta, please drop it in comments!] that discusses how this exchange in Job's basement is filmed like an erotic scene.
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Like Crowley, we all want to kiss this face.
Aziraphale isn't eating prettily, but he's eating lewdly, ravenously, desirously, and it's lit like romantic sex, not like gluttony. Whether that's funny or poignant or hot may depend on the viewer. Here's how Crowley's handling it:
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Srs tho, any frame of this scene could have been painted by Artemisia Gentileschi.
Or maybe--and this is my favorite of the available interpretations--maybe this is what it was like for Crowley the first time and he doesn't interfere because he wants Aziraphale to come out of this as someone who's had the same experience Crowley's had so Crowley won't be so totally alone in having had it.
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controld3vil · 1 month
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sand walking?
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pairing(s): dune 2 cast x actor!reader (platonic!!)
synopsis: requested by this ask!
⤷ alt: how to seduce someone walking on sand.
notes: there hasn't been confirmed for dune 3 yet but denise villeneuve has said he's writing for it to happen. ill patiently wait for the day it's confirmed :) ALSO there are fictional/made-up mentions of the novel for the sake of the reader. they're made to be gender-neutral!! and this includes platonic flirting between cast members. i MAY have gotten carried lmaoo
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“I mean- what do you think of the character? Do you think they deserved more screen time?” The clip starts off with you comfortably conversing with the interviewer. To say you weren’t deflecting their curiosity. In actuality, you were eager to learn what others thought about your performance and take on the character. The only other interpretation had on-screen was from the classic 1984 film by David Lynch.
The clip that has been widely retweeted back is of a cute moment you had from the first film of Dune (2021). Before release, little was known about your character’s potential. Apart from the enthusiastic book lovers, film viewers were clueless about what role your character would play after the first movie.
Denise Villeneuve didn’t reveal much to you in person. He wanted to keep ideas confidential until he was 100% on board making the project come to life. Still, rumors sparked through speculation and interviews with the cast members of Dune. Including an infamous short, that you forgot about, of yourself boasting about your hopes and wishes for your character.
“Yes! How could we not!” On the opposite side, the interviewer exclaimed as they leaned forward from their chair, closing into your proximity. Their hands clenched, tightening their grip on the flash card, full of questions. “The movie left us on such a cliffhanger. I think everyone would want to know what happened to Nerre,”
“That’s for Denise to decide,” Nodding you gave a relaxed smile while lifting one leg over the other. Your shoulders relaxed, feeling content and ecstatic about their response. “I can’t confirm anything until he gives me the green light to say anything,”
“I’ve also talked to Timothée this morning,” A shift in gears as the journalist flipped over another flashcard. You two had just fussed about the finale and its dramatic cliffhanger. “And all he had to say were the sweetest things about you,” At the mention of your costar compliments, you felt your skin heat up. Your eyes soften, expressing only fondness for the lovely message. A soft awh escaped your breath. “He’s very sweet. Timothee's always been fun to be around.” A fervent chuckle from the interviewer sends them into a feverish excitement. “And- he said- you had great flirting skills!” It was then your face morphed into complete shock and giddiness . “Really?!” The camera pans up on your initial reaction, eyes popping out in surprise and a bubbling laugh slowly erupting. “I’m glad someone appreciates my talents!”
Without context, the short clip seemed harmless. Your sheer reaction to Timothee's comment emphasized the fun chemistry the two of you had on set. Mirroring much of Paul and Nerre's friendship, you both complimented each other well in the first film, being the youngest surrounded by well-renowned actors. But the reason for the recent spike of interest was partially from Dune: Part Two and their interviews.
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Fast forward to the debut of Dune: Part Two, it made success at the box office. Even surpassing the first film altogether. The entire cast of Dune was proud of the work they've made. The introduction of new characters played by wonderful actors and actresses all around.
Weeks after the early IMAX screenings, press interviews were being published amongst of the young cast members. A particular interview by IGV Presents brings together Timothee Chalamet, Zendaya, Florence Pugh, Austin Butler, and yourself.
This would be considered to be one of your first interviews with the Dune cast after the box office release. You felt nervous yet overjoyed at the same time to be meeting your co-actors again after the conclusion of filming had taken place.
The spokesperson of IGV, Simon Harkness starts off the interview strong with a pleasant greeting. "Congratulations on an incredible movie. Uhm it is the definition of a sci-fi blockbuster and is absolutely phenomenal, so huge congratulations to you all!"
"Thank you!" The five of you all politely cherish his kind words.
"It's so lovely to talk to you. Um- Timothee, Zendaya, I'm going to start with you. This is probably the hardest question I've ever asked in an interview so you've been warned." An endearing giggle can be seen from Zendaya before allowing him to continue. "Sand walking, who does it better?"
Timothee immediately lifts up his microphone. "I'm going to give it to Zendaya here." Without glancing at her, you could tell Zendaya was happily smiling at his compliments. How quick he was to answer made it seem how well connected the cast was even given the amount of time spent together. The main lead continues very swiftly, diving more into how cinematic the shot was from an outside perspective, "I think it's the most- one of the most cinematic shots in the movie and she really has it very precisely down but it's the nature of the movie too that she's supposed to be better than Paul,"
"Is that what it is?" In return, Zendaya who sat next to him gave him a teasing look.
Quietly from afar where you sat, next to Austin Butler, you whispered. "He acted like he couldn't do it but," Soft snickering can be heard across the room.
"In fairness to me, I was going 65%- 65 to 70 too hard," Chalamet reasons justly as he glances in your direction before looking back to the interviewer.
"You dumbed it down," Harkness nods in a high-spirited manner. Right after, Timothee reluctantly agrees, keeping the mood light-hearted.
"I had to!"
"Just how committed you are!" Austin steps in, joining in on the joke.
"Zendaya, you can take that crown. I love that," The brown-haired man reassures as she recuperates with appreciative laughter. In truth, it was a beautiful scene between Paul and Chani you were lucky enough to witness behind the camera. And contrary to their light banter, you thought both actors did well at accomplishing what it was meant sand walk. Truthfully you had no scenes beyond walking through the desert but understanding the mechanics and traditions of the Fremen was as fascinating as it was watching it up close.
Suddenly it was Florence's turn to speak, "Zendaya taught me the other day and I had to just stop to stare at her feet."
"The swoopy swoop?" You asked in a cutesy tone, with furrowed eyebrows. You couldn't help but remember the few instances you witnessed your costars practice the sand walk to be one of the more adorable rehearsals you've seen on the sand.
"Yeah, her feet were so pretty! She was doing the swoopy swoops," The blonde acknowledges, waving her hands in a zig-zag pattern. As the replication of water and how her feet moved.
The interviewer's eyes light up, "Honestly I tried to swoopy swoop at home- um because we have a carpet in the bedroom."
"How did it go?" The mixed actress puts forward.
"Awful!" An assembly of bewilderment is seen between Zendaya and Florence as they quickly question why. However, they reassure him in the end that they would practice together in hopes of him archiving the sand walk.
Talks with simple questions went down the row. Florence discusses her experience from her beginnings, starring in Little Women, comparing those scenes in terms of royalty to Dune. In both films, she's worked with well-known actors and now Christopher Walken as the emperor and her father. She raves about how it was a dream come true. A dream she had when she was little. From this experience, Florence emphasizes the concept of learning and observing her fellow actors.
Another intriguing topic follows Austin for his experience between learning choreography fighting and Elvis's iconic rubber legs. In a sense, as you leaned forward on one of your seats, you became fascinated by the Elvis actor's comparison of it all. While Elvis's moves were televised and had to be precise for the camera, being a Harkonnens gave him more leverage in the freedom to move. It was a captivating question that you couldn't help but want to listen to more.
Comparisons aside, you didn't have much to note for your upcoming question. Which is exactly why you felt unprepared for what he was going to ask.
Harkness brings up your name for the finale. "You have done stunt work before. For the first and now second film, I've heard you compared it to rather- dancing. Is that what you think your relationship with the choreography has been?"
You gave a content hum, "You see it with the Fremen or Harkonnens right? Everyone moves so differently and for the course for me, I've had to adjust my choreo little by little. And I think that analogy you mentioned really does relate back to dancing. I don't know if it's because I was once a dancer or that I'm a visual learner," You shrug your shoulders, "But I see the choreography as a dance routine. You're moving alongside people, doing hits and jabs. Both are very hands-on so I would like to approach it as something I can always work on." Satisfied with your answer, you clapped your hands together.
"Kind of like sand walking no?" It was then that Zendaya swerved counterclockwise to face you.
Bringing back the conversation they had in the beginning about sand walking, your eyes instantly brighten. "Exactly like that!"
"I feel like you would be great at sand walking," Florence puffs, mindlessly shaking her microphone back and forth. "You- You already got the moves." Even Timothee came into agreement, humming and commenting you worked well with the choreography.
Austin Butler raises his microphone. "I think you gotta learn with me because I don't think I could,"
"Nonsense!" You give him a silly glare. "If you can do a killer rubber leg, I think you can sand walk." Florence and Zendaya both mumble their support and your male costar leans to have his arm around the back of your chair, warmly.
"Is that an open invitation I see?" The spokesperson, Harkness giggly pokes at than the rest of the cast turns to look at you. Your scowl morphs into an innocent one.
"Hm?" As you squint your eyes in hesitation.
"I feel like you could have the potential to sand walk but just with the right partner," Timothee chimes in, spreading his arms over his chair as well. Your brows furrowed accusingly, as if wanting to clarify what he meant by his comment.
And the French actor gives you a look, one you became so sure of. "Mm right!" A slight eruption of laughs before you straightened your back with proper posture. "With just the right partner,"
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There were also hints mentioned in your interview with Timothee surprisingly not. This was one of the more recent ones to be published, as you finally were able to pair up with your favorite co-star (besides Brolin) from the first film. The two of you had strong chemistry despite having less screen time together in the second film.
The beginning of the video cuts to a clip of you answering an innocent question. "What I think about every day, is Timothee going to send to me a meme today? Uh, I hope so!" You give a sarcastic look to your seat partner as he latently laughs in front of you. "Or when is he going to text me you know?"
It then transitions to an interviewer from Heart commercial radio as he shouts out your names. "How are you both?"
"I'm doing good!"
"Going great!"
The radio show was more relaxed than you would've expected as the spokesperson was very down to the earth with his conversation starters and contagious warmth. Timothee was able to catch up with him from his last interview when he premiered his Wonka film. Eventually, the interview became more casual discussing working together, cooking, and trendy topics.
Timothee and you both went back and forth on favorite memories you had of the first film. And talking about the new cast members and new elements it had brought to the table for the film itself.
"Cool new characters this time," As you played around with the fuzzy microphone the camera crew gave to you.
"Yup lots of new people to meet," Timothee adds on, nodding.
The interviewer proceeds with the question, "And also you have seen- there's a clip about of you running around actually." He signals to you, "Of your reaction to something Timothee said about your performance in the first film,"
"Oh! I've seen it," Almost instinctively, your co-star raises his hand. "I was supposed to send it to you but I forgot." As he turns, to finds you looking lost at the topic at hand.
"Really what was it?" You almost looked concerned, seeing how you didn't understand what they meant.
Luckily for you, the Heart radio spokesperson managed to get a hold of the video from his phone, "It was a little callback of Timothee raving about your flirting skills."
As it plays, the camera zooms in on you and your co-actors reaction. The French actor couldn't help but look slightly embarrassed but smitten when the timing of your reaction came on screen. While you held an intrigued stance, arms crossed and a content grin.
"I am pretty good at flirting,"
"You really are, huh." At the same time, you both turn to make eye contact.
"I also heard Tim- that you thought that they would be your love interest initially?" At the radio speaker's inquiry, you couldn't help but in mid-sentence, finally, swerve your head suddenly.
"Yeah well, fun fact actually," The male actor tries to reason, sitting up. "In the novels, Paul and Nerre almost did become a couple!"
It was a well-known fact of that in the first novel, there had been slight changes to the story. Initially, it was said that the author, Frank Herbert had planned for Paul and Nerre, the character you played to have a romantic connection after the fall of House Atreides. Nevertheless, it was later scrapped for another plot, that of instead having Chani as the love interest. But even decades later after the novel’s release, it was something fans still fuss about.
"Oh, I heard about that!" Almost in awe, you nodded, your attention fully on Chalamet, wondering how far he was willing to go beyond spoilers.
"Do you think Nerre would ever meet someone then?" The afro man questions, adjusting his microphone. "Since- Paul has Chani, I feel like if we ever get a potential third film, that could open some doors!"
"If a third film could happen," You start, fiddling with the lining of the mic cover, "I hope so! I mean I got the moves, I got the skills!"
"Keep practicing your sand walk and we'll see," Timothee cutely chimes as you proceed to blow a raspberry at him. Only for him to lightly swat you away.
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Despite your failures to have scenes of sand walking, your cast of a crew were more than happy to show you. Javier Bardem and Jessica Ferguson were quite supportive in your interest for something you did not have any part-time. A few behind the scene videos show the actor demonstrating from afar the slower version of the walk.
Though your back was facing the camera, viewers would pick up and recognize it to be you. Jessica as well was off to the side, in her luminescent costume of a million robes, clapping from side to side.
Another later pans to you taking long strides across the sand in the background. In front of the camera are Josh Brolin and Javier having their turn in the video, to discuss their relationship and the previous they have worked on together. However, viewers couldn't help but pinpoint your figure alongside the frame trying to master the patterns of what Javier taught you from the previous clip.
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inhonoredglory · 9 months
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Defining Ineffable Love (or, Aziracrow Learn the Rules of Romance)
(In response to this ask about ineffables and asexuality)
One of the major threads this season was Aziraphale and Crowley asking themselves what exactly is their relationship. Not what it is in terms of how much they love each other. (That's a given.) But what it is in terms of the human implications of their love.
Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms. –David Tennant (source)
For 6000 years, they’ve never put a name on their relationship. They didn’t, because they’re inhuman, genderless, sexless beings and they didn’t grow up (as it were) with labels. And even when they did learn them, they couldn’t say it was love, because admitting that was a death sentence.
All of Aziraphale’s heart eyes and pining could live comfortably in his mind if he never admitted what that said about him as an angel (trauma compartmentalization). Crowley tries desperately to be cruel and nasty to add white noise around the blatant reality of his constant loyalty to Aziraphale. If you don’t put a word to it, it’s not real and they can’t punish you.
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After the Not-pocalypse, for all rights and purposes, Aziraphale and Crowley chose humanity as their identity. We see Aziraphale “playing house” in various human roles (as a landlord, a private eye, a magician).
We even see Crowley intentionally taking on human behavior to handle emotional issues: “Just breathe, that’s what humans do.” They’re slowly and intentionally enculturating themselves into the world they want to belong––earth.
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Yet it’s setting up Maggie and Nina that makes Aziraphale and Crowley start thinking about their relationship as a human construct.
Because fundamentally, Aziraphale and Crowley are not human. Like Neil Gaiman tells us constantly, they can’t be defined in human terms when it comes to gender and sexuality. They can shift and move through each and any of those markers at will, purely for the pleasure of the thing: “angels are sexless unless they really want to make an effort.”
IMO that makes them originally asexual, in the sense they were created without the need for sex. And it makes them fundamentally transgender and genderfluid, because while on earth, their sexless, eldritch spiritual bodies take on human, gendered forms and clothing. What gender (and sexuality) they identify with while on earth varies through the eras. Crowley definitely has a fluid gender identity, while Aziraphale appears to have settled on gay man (aka THE southern pansy) for his internal typology (although all of these identities are subject to change).
In the midst of all this fluidity, it’s no wonder Aziraphale and Crowley haven’t thought of their relationship in human terms before. There’s just so much different in them and their bodies than what they see in humanity. And there are no books and songs that show the kind of love they have, in the malleable, sexless bodies they have, with the background they have; it’s all ineffable.
Aziraphale and Crowley didn’t start out thinking they were in a romantic relationship. Whatever feelings they had were long repressed, redefined, and shuttled away. But they did love each other, without question. And it was that love which scared them, because it was bigger than anything they saw among humans, a love that was beautiful and blasphemous and unfathomable.
Kinda like what David Duchovny said about Mulder and Scully in The X-Files, “I don’t know if they’re in love. In a way, their relationship is deeper than that, because they cannot live without each other.”
Now take this profound, ineffable love and drop it into the little boxes and labels human culture has created for itself.
Full disclosure: I’m an asexual demiromantic person in a queerplatonic relationship, so I’ve done a fair bit of research on what romance is and how the rituals of romance are, in many ways, social inventions that vary from culture to culture. There’s love and then there’s romance, and they don’t always overlap. So my interpretation of Aziraphale and Crowley comes through this lens and the fact that Neil Gaiman has affirmed the validity of an ace-spec reading on our ineffables.
Which brings me back to my thesis: That only now are Aziraphale and Crowley thinking of themselves as a romantic couple, precisely because they are interfacing with humans and taking on their social rules.
I like this one asexual person’s description of their experience, which feels very much like our ineffables (from a very good article, I def recommend):
If there is a border between friendship and romance, then in my internal landscape, it goes right through a misty forest where no one has ever bothered to place signs.... Neither of us had intended to start anything even vaguely romantic, but the activities we did and the intense kind of immediate connection we had was coded as romantic in our culture.
That’s what Crowley realizes when Nina confronts him about his relationship to Aziraphale.
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“It looks like that from here.” What Crowley and Aziraphale share is beyond definition, but Nina cannot imagine the anything beyond the human labels she was taught. The tragedy of an everlasting love is that it can only be conveyed properly to other humans if it is cast in such small human words––partner, boyfriend, husband.
Because when Crowley denied those human roles for Aziraphale, Nina slid down the path of thinking Aziraphale was just his “bit on the side,” because there were no labels left she could imagine for them. If you don’t put a word to it, it’s not real.
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That’s the purpose of labels, to culturally validate a person's identity. Labels, of course, DO NOT create reality; people's experiences are always real, in all their varied ineffability. But labels allow a space for culture (ie other humans and political and legal society) to recognize formally your lived reality.
So Crowley started really thinking about him and Aziraphale, about the ineffable love between them and realized that in human terms, those would be the things he’d call Aziraphale, because those were the words that gave Aziraphale that place of importance in his life.
But with that realization comes all the human trappings and behavioral patterns around those words (the candlelit dinners, dramatic rescues, drinks at the Ritz, etc.) which Crowley had never thought of before, and yet… maybe romance is what he and Aziraphale have been doing all along.
That’s why this season centered so much around Aziraphale and Crowley using cultural artifacts (film and literature) to understand romance, because romance is so deeply socially-defined.
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Aziraphale himself has been leaning hard into the romantic social cues (he’s more well-read in the cultural trappings of romance than Crowley is), especially post-Blitz. But when he watches Maggie and Nina dancing, he works up the courage to do something with Crowley that’s even more explicitly loaded as “traditionally romantic” than anything he’s done up to that point.
Because while risking their lives for each other and defying everything for each other is love in its purest form, dancing (specifically in Jane Austen’s world) is a public performance coded for potential marriage partners. It's an intimate ritual of the entire body. (And in British slang, dancing has been used as a euphemism for sex.)
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Crowley's "We don't dance" is really telling, because it shows Crowley’s awareness of the unknowable devotion between them vs the human roles Aziraphale is asking him to fill, specifically its physical aspects. Aziraphale is asking to make their relationship more public, more physically explicit, more coded as romantic in a setting specifically intended to couple individuals.
While Maggie and Nina inspired Aziraphale to progress their relationship into a publicly physical direction, Maggie and Nina inspired Crowley to think of the emotional implications of their human roles: the commitment, security, and monogamy of a husband, a partner, an us.
That’s what he decides after Maggie and Nina confront him in the end. “You never say what you’re really thinking.” He wants to codify his relationship so they each become responsible to one another. Aziraphale has always been his soulmate, the one he could always rely on. But he wants to place a word and a role to their love that will bring with it Aziraphale’s commitment and dedication to him.
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And that's another reason why Crowley kisses Aziraphale, because he knows Aziraphale was willing to make their relationship physical, and he wants that, too. To consummate this bond in the way humans do.
But Crowley doesn’t really know how to kiss; he’s not as worldly as he makes out to be. (It’s Aziraphale who owns the gun, and Crowley who’s never fired one.) He uses the kiss as a tool to get across to Aziraphale what he wants for them, in the physical language Aziraphale has been using, because "one fabulous kiss and we're good," right?
But it doesn’t work, because real life and real emotions don’t work like that; life and love don’t follow a script, despite the novels and plays and songs.
Aziraphale and Crowley spent this entire season trying to figure out what their relationship is and what they wanted out of it, trying to make sense of the unfathomable thing they share and the human implications of it, and not quite landing on the same page.
Part 2 of this Analysis, covering a correction in Crowley’s statement (“You don’t dance”) and the further implications of dancing/sex.
2K notes · View notes
greenfiend · 16 days
Text
The Significance of Lover’s Lake and Byler (Theory)
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'Cause we're lovers, and that is a fact
Yes we're lovers, and that is that (Heroes by David Bowie)
Part 2 here
(Warning: This post has mentions of sex (nothing graphic)… if you’re uncomfortable with that please do not proceed.)
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So, Lover’s Lake has existed within the show ever since season 2, when Will mapped out the entirety of Hawkins. The lake is shaped like a heart (keep this in mind for later) thus the name “Lover’s Lake”. Makes sense within the town of Hawkins, but does not provide an explanation on a subtextual level. None of the “lovers” existing within the show has been associated with the lake (you could say Steve/Nancy but honestly it’s a stretch since they never actually rekindled their romance.)
This leads me to the question… why call the lake “Lover’s Lake” without associating any lovers to it?
Because maybe, there will be lovers connected to it… but they aren’t lovers… yet.
Okay, let’s get back to the shape. A heart. ❤️ Hm. Now which character within the show is most associated with hearts? Which character is even referred to as the heart by their love interest?
Mike.
I don’t think it’s a stretch to say that he’s one part of the “lovers” here. Thus ruling out many other romantic pairings within the show. Leaving only two pairings: Mike/El and Mike/Will. I won’t go into detail on why I believe Mike and El will inevitably break up, you can read a lot of different analyses for that. So that leaves… Mike/Will. Not lovers yet.
Okay, here’s the part where I may get crucified. The definition of lovers.
Please put your pitch forks down for this.
Lovers usually refers to two people in a sexual relationship outside of marriage.
With all the subtext (and actual text) around sex and sexuality, and how we see Will struggle with his own sexuality, there is a likely conclusion here. He’s going to confront his sexuality. To do so, he will have sex. With whom? Well, with the one person he loves the most, the one he affectionately refers to as the heart… his best friend… Mike.
Now, where’s this going to happen? What better location than somewhere empty and secluded.
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Reefer Rick’s lakeside house.
Now, who is “Reefer Rick”?
Also known as, Rick Lipton, Reefer Rick is a drug dealer who’s closely acquainted with Eddie.
He’s an enigma. We never see him. All that is known about him are the things mentioned by other characters.
He’s currently in jail apparently for dealing drugs. Also, he seems like a town pariah.
Also, he isn’t too keen on Fast Times (returned on time), at least not as much as “Cheech and Chong” (returned late each time.) That shot at 53 minutes and 5 seconds in Fast Times doesn’t do it for him, I guess. Unlike watching two guys get high.
His name choice is an interesting one.
“Reefer” Rick Lipton.
“Reefer” is a synonym for “marijuana cigarette”. Okay, makes sense, he is a drug dealer after all. But why the term “cigarette”? Well… there’s this other word that also happens to be a synonym for “cigarette”…
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Then Rick… short for “Richard”. Richard is one of the few names out there with a nickname that is also slang for male genitalia… “Dick”.
Then finally… Lipton.
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As Robin says, spelled like Lipton tea. Now, why would the writers use the name “Lipton” and even reference the tea company if there were no significance to it? They wouldn’t. We know this about them.
So why “Lipton”?
Let’s do a bit of research here, shall we?
The founder of Lipton tea was a man named Thomas Lipton.
Thomas Lipton just so happens to have been a closeted homosexual man who had a long term relationship with another man whose name is… *drumroll please*
William Love.
Okay, that can’t be just a coincidence right?
So moving on to Reefer Rick’s house.
We see glimpses of his living room, kitchen, and briefly his bedroom.
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Jason and his buds are searching for Eddie and this involves looking under the mattress? As if, Eddie could successfully hide under there? Haha okay sure.
The angle of this shot is interesting too, because the bed is essentially being shown off to us.
This bed with a blue blanket and yellow sheets. Hm. Interesting.
Keep in mind this scene is essentially unnecessary. They could have easily shown Jason et al searching for Eddie without creating an entire new set for a room that’s only used in one single insignificant shot. Therefore, I do not think it’s unreasonable to believe this is used for foreshadowing.
Then we also get this shot from outside the window into the bedroom.
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Look familiar? I thought so too.
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Okay. Now for my theory/prediction.
As I mentioned earlier, Will is currently struggling with his own sexuality and feels a lot of shame and internalized homophobia. There’s also a lot of evidence that Mike is experiencing the same thing. Unlike Will, Mike conforms to the society’s expectations. He dates El, performing as her boyfriend. This is comparable to Nancy’s arc in season 1. She also conforms, and like Mike, leaves her best friend behind. We all know how that ended.
Now, what better way to wrap up the show than to have Mike correct his sister’s mistake? To have Mike reject societal expectations in favour of his best friend?
Okay so this is my theory.
Mike and Will have their first kiss an episode or two prior to 5x07. Tensions are high, but they’re busy fighting interdimentional monsters along side their friends.
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Then comes 5x07 which somehow leaves Mike and Will alone by Lover’s Lake. The tension between them reaches an all time high, leading to a passionate kiss and then… more. Let’s just say it involves that blue and yellow bed.
At the same time as these two become the lovers they were meant to be, another character is being saved, or perhaps being brought back to life. Perhaps another red head, one we all know and love. Yes, a major parallel and contrast to Steve/Nancy’s sex scene in season 1, which featured Barb dying. But because Mike is rejecting conformity and being authentic, another character lives instead.
I mean, what better way to represent the beauty of the love and intimacy between these two boys? Their love is literally bringing back life to the world.
So yeah, basically I’m saying that Mike and Will expressing their love for each other will save Max.
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This also wouldn’t be the first time that Max’s survival is correlated with their relationship. As I doubt that it was merely a coincidence that in episode 4x04 we have Mike’s genuine monologue to Will, then we have Max surviving Vecna. In contrast to 4x09, which features a forced monologue from Mike to El, followed by Max losing to Vecna and barely surviving.
So, as their bond strengthens, Max’s life bar goes up (so to speak). If something interferes with their bond, Max’s outcome is more dire.
The writers have also been associating Mike/El with death…
[Tumblr only allows a limited number of images so pretend we have one of El holding dead flowers and another image of the cut scene from 3x05 with Mike/El having a moment cutting to a dead body on the hospital floor]
Mike/Will on the other hand have been associated with life. The birds chirping in the background of their final scene together, the flowers blooming between them as they stand together. Plus, blue plus yellow does equal green after all. Which is the most commonly associated colour with life.
🌿🌱🌳
To conclude, I just want to say that I personally think this would be a nice way to end their arc. I know a lot of people are uncomfortable with associating Mike/Will with anything sexual… but the show has been doing this already. Whether you like it or not, Mike and Will have been shown implicitly and explicitly that they desire each other both romantically and sexually. The fact that they have sexual desire for each other does not minimize or trivialize their friendship and love, it’s an aspect of it… adding another dimension to their relationship.
Do I think or hope they would show anything pornographic? Absolutely not (do I even have to say this?) But explicit like Steve/Nancy? Yes. Do I think they’ll be only 14/15 years old when this occurs? No. This will likely happen after a time jump.
Being authentically yourself and not conforming is overall a major theme of the show. I mean it’s called Stranger Things after all. Will people be upset by the ending of this arc? Bylers included? Absolutely. Many people within the town of Hawkins and people watching the show will both show disgust for it. But that’s the point. It’s not “normal” and that’s okay. Different is good, and can be a beautiful and wonderful thing. We all just need to open our minds and hearts a bit. I’m not just talking about the GA; many Bylers are also closed minded and stuck in their ways too. Let’s all try to work on that, shall we?
Despite the opinions of others, Will and Mike will choose to love each other which will inevitably lead to their defeat of Vecna. Love concurs all. It may be cheesy and cliche but personally? I think that’s a beautiful thing. We all can learn to love more.
Anyway, would love to know your thoughts on this.
Then we could be Heroes, just for one day
Part 2 here
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entitled-fangirl · 3 months
Text
Her saving grace.
Joel Miller x reader
Summary: David captured the reader and Ellie. The reader hopes Joel is out there, searching for them. And he is.
Words: 2,458
Warnings: kidnapping, creepy comments, blood, attempted rape, negative uses of God, creepy ass preacher, guns, talk of cannibalism, lots of angst.
Masterlist <3
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The woman eyes opened slowly, not wanting to adjust to the light in the room.
She was in a cell.
Ellie.
She sits up quickly, her eyes scanning the cell for Ellie. She was there, unconscious on the other side of it. The woman crawled to her, resting her hand on Ellie’s forehead, her finger lightly grazing the cut that resided there.
The door to the room opened, revealing David.
She let out a sharp breath. She remembered. David had kidnapped them.
She hadn’t meant for it to happen. No one truly means to get kidnapped. Her thoughts roll back to Joel, who, for all she knows, is still recovering in the basement of the house they used as refuge. She wasn’t sure how long it had been since they were taken, but odds are, he wouldn’t make it long without them.
David squatted next to her, outside of her barred enclosure. He gave a smile. Perhaps to most, this was a comforting smile. A smile that showed he was of no danger. But she knew better. He was beyond dangerous.
She watched him closely, not saying a word. She wouldn’t let him touch Ellie. And by god, she wouldn’t tell him about Joel. The more she kept hidden away, the safer her little family would be.
He let out a soft sigh, noticing her watchful gaze. “I don’t want to hurt you, ya know?”
She said nothing, continuing her stare before it broke away at the sound of Ellie’s breathing. Her eyes scanned the girl quickly before looking back at David.
He continued, “You care for the girl greatly. I can see that. I know she’s not yours, but I can’t help but wonder…. Is she his?”
Her jaw clenched at the mention of Joel. She feigned innocence. “w….who?”
He chuckled at this. “C’mon, you’re smarter than that, Darling.”
She let out a shaky breath. Hearing the word "darling" come from his mouth made her want to puke. That was Joel’s word for her, and she had always relished in the feeling it gave her to hear it come from his lips. But now, hearing it from David, she would rather the word never be muttered by anyone again.
 She couldn’t help but let her mind wander to thoughts of Joel. She longed to see his face again. The crease in his forehead when Ellie said a cringey joke. The way his hands would run through his hair when he was thinking. The soft sighs that escaped his lips when they ran into situations. Above all, she loved his smile. They were so rare. But when one happened to come across his face, she swore it turned the clouds away.
He was probably dead. His body lying in that basement, cold, probably bleeding out. And she could’ve prevented it. But she was stupid enough to let herself and Ellie get caught. And now, Ellie would never be the cure. And Joel was dead. And it was her fault. She feared Joel would never forgive her, even in the afterlife.
She had known him for a while. They had initially met the day Tess brought him to Bill’s. She was Frank’s beloved niece who had traveled with him, and the two had adopted her in an unorthodox method. They were a happy family together until Frank became sick.
And the day Joel came back through with Ellie was her saving grace. He was her saving grace.
She snapped out of her longing gaze with the feeling of David’s hand caressing her jaw. She jumped slightly, and he smiled more. “What is he to you, girl? If you care about him, you’d give him up freely- for both your sake and theirs.”
She considered his words before going on a limb herself, “Doesn’t matter. He’s dead.”
His grip on her jaw suddenly tightened, bringing her face close to his, the bars being their only separation. “Watch yourself. Thou shalt not lie.”
What did he mean by that? He knew Joel was alive. How did he know Joel was alive? Something must of happened. 
 A shaky breath comes from her lungs, her eyes beginning to spring with tears. She felt stupid, not even being able to hold her tears in. How Joel stayed so calm in stressful situations, she’d never understand.
David’s grip loosened slightly, smiling down at her. “Tsk, tsk. You care for him, don’t you? Well,” his tone changing, “he’ll be no more soon, and I’ll be here to pick up the broken pieces.”
She couldn’t move. Couldn’t breathe. Joel was out there. Somewhere. She just couldn’t read David enough to know if he’d been found or not.
If he hadn’t been found yet, and is currently on the loose, David would need more than a prayer to save him from the older man’s wrath.
There was no use hiding it now, “Where is he, David?”
David’s face lit up at the fact that she really didn’t know anything. He could say anything in the world and she’d have to take it for fact. “Well, Darling, he is going to be dealt with. Publicly. The people need to know killing one another is against God’s law.”
Her eyebrows creased, “So, you’ll kill him?”
He nods. “It’s what God wants.”
The silence engulfs them for a while before he stands up, “I’ll be back later with dinner. Hopefully she’ll be awake,” he mutters, his gaze going to Ellie. 
She says nothing, continuing her stare at the floor in thought. 
He stood for a few moments, simply admiring her. For someone so lost, she was so pretty. As if God had answered all of his prayers together.
He left without another word.
….
She had fallen asleep at some point, waking up to the sound of a yelp.
Ellie stood at the doors of the cell, an angry look on her face.
David slowly sank down in pain.
The woman sat up, rubbing the sleep from her eyes to understand what was happening. Whatever was happening in front of her was not friendly fire.
David grabbed Ellie’s head knocking it against the bars.
She stood quickly, grabbing Ellie and pulling her to her chest, cradling her head. They both stared at David with a look that would kill.
He cradled his hand, panting. “You little cunt.”
She let out a deep breath, unsure of what to do about the conflict. She felt Ellie reach her hand up to her own face, her finger pulling back blood.
“Let’s see what I go tell the others now.”
And with that, David turned to leave.
“…Ellie…”
He turned back around. “What?”
“Tell them that Ellie is the little girl who broke your FUCKING. FINGER!”
His gaze turned to stone. “How did you put it?” He asked. “...tiny little pieces?” And he left.
Ellie began to weep in her hold. The woman shushed her calmly and let her cry until she fell asleep again.
She didn’t need to know all the pieces of the puzzle, but just what she saw of their interaction told her far too much. 
She prayed Joel was someone out there.
And by god, he was.
….
David and Troy entered the room, the woman’s head perking up at the sound. Ellie’s head rested in her lap, the woman’s fingers running through the poor girl’s hair as she slept.
As odd as it sounded for their situation, it was quite comforting. She had never considered being a mother. Especially not now. But, with Ellie, she started to understand and appreciate Bill and Frank’s sacrifices for her all the more.
David unlocked the door of the cell, and both men entered. She pulled Ellie into her arms to protect her, as if the poor woman would be able to do so. 
“What… what are you…,” her voice soft and scared, “what are you doing?”
Ellie began to awaken at this, quickly realizing the situation. She stood. Troy quickly grabbed her waist to keep her from running. A scream broke out from the girl’s lungs as she tried to fight him.
The woman was not too far behind her. David’s hand reached out, grabbing her wrist. The one fault she had always hated of herself: she was all flight. Never fight. She envied Joel and Ellie for that often.
David quickly overpowered the woman, dragging her off to the sound of Ellie’s screams.
He pulled her into another room, this one slightly cleaner than the other, but not much. His arm was still around the woman’s waist, his other hand grabbing her wrist to keep her from what small muster of fight she did have left in her. His chest was a firm plank keeping her back against him.
She began to still, realizing that she could do nothing to stop the preacher from ruining her one chance at a happy ending.
She could scare him though.
Her voice was low. Scarily so. 
“If he finds you, he’ll be merciless.”
He felt him smile against her neck, an unwelcoming feeling. “I’ll just have to keep him from finding you.”
Her blood ran cold. Her body became stiff, truly unsure of what to do. Perhaps they were both bluffing, and Joel was dead. 
Or maybe he was out there, hunting for David like a shark that smelled blood for the first time.
A kiss to her neck brought her from her thoughts again. David began kissing up to neck to her jaw. She did nothing but breathe in a shaky pattern.
She was letting this happen. 
Her mind was screaming. Screaming, not to let him touch her. To not touch Ellie. To not touch Joel. 
But instead she stood there, emotionless.
He pulled her body to the ground with his, the horrid kissing of her neck continuing.
The one thing she did do, was cry. Hot tears flooded her eyes and she began to sob.
She remembered the first time Joel had seen her cry.
Frank was becoming too ill to do things on his own. It scared her. One of the visits from Joel resulted in her breaking down in front of him, telling him her every fear of what would happen to her beloved uncle.
And she remembers the feeling of Joel’s arms around her, comforting her. His scruff tickling her ear as he whispered calming words to her.
And he hadn’t seen her cry since.
But here she was, on the ground in tears. David’s body hovered over hers and she did nothing but accept it for fear of what would happen if she didn’t.
His hand ran down her stomach, towards the top of her pants. He began to unbutton her jeans, sliding the zipper down with ease. David noticed her tears, and he smiled. He leaned his head down to whisper in her ear.
“Don’t worry, Darling. I’ll make it all go away.”
A new voice echoed through the room.
“No, you fucking won’t.”
A shot fired.
Blood covered her face.
David’s body fell against hers, lifeless.
Joel stood in the doorway of the room, his shotgun held out, the barrel still smoking. Ellie stood behind him, her face had a few more cuts than before, but her eyes held a look of relief.
He threw the gun to Ellie quickly before moving towards the two bodies on the ground. He grabbed David’s body, practically throwing it to the side as if it weighed nothing. Like you would throw a trash bag into a dumpster.
He now focused on the body that was under it. Hers.
She laid there, her hands covering her face and she weeped harder than she ever had before. And it broke his spirit.
He kneeled down to her. As much as he wanted to comfort her, he knew injuries came first. His eyes scanned her, but he couldn’t tell if any of the blood on her was actually hers. He’d just have to ask.
“Darlin'?” His voice called softly.
She continued to weep, one hand covering her mouth, the other moving up towards her forehead to her hairline. He knew it was irrational to ask her these questions, but his brain had gone into overdrive. 
He needed to know she was okay.
“Hey,” he called again, his tone slightly harsher to get her attention, “Darlin’?”
He hated watching as her tears mixed with the blood staining her perfect face.
If he could revive the man, he would- just to torture him slowly until he begged for forgiveness. But he wouldn’t make him beg Joel for forgiveness. No. He would make the preacher beg her for forgiveness. Because Joel would never give it to him.
Joel sighed, his patience running thin, wanting to be away from the town before anyone noticed. He grabbed her waist with one hand, trying to anchor her. “Hey,” he said with a stern tone.
He had never seen a reaction like this from her before. Her voice broken and begging, “Please…don’t… I… please… stop… stop…”
Joel froze. As if his hatred for the dead man could grow anymore. She didn’t recognize Joel’s touch. Her only thought was on survival. And his heart began to beat faster knowing this was all she could do as her method to survive. Beg.
He retracted his hand quickly, going for a different approach. His hand reached up to cradle her back of her head like it did that day at Bill’s. He pulled her head up, meeting it to his forehead.
“Shh… things are going to be alright… I gotchu, Darlin’.”
He tried to remember what he said that day to her. Until he remembered.
“...I gotcha. And I won’t let you go… I won’t let you go.”
They sat there a while, letting her finish her tears. Her breathing stilled, and she began to come to. “J…Joel?”
He pulled back, opening his eyes to meet hers. “Hi, Darlin’.”
Her arms move around his neck in instinct, her head pushed into the crease between his neck and shoulder. One arm of his circled her waist, the other moving to the back of her head, caressing her.
She pulled back in realization. “You killed him.”
He nods.
Her head disappears against his chest again, her voice muffled, “Thank you.”
He let out a light chuckle. He moved his voice down to her ear. “Maybe it’s what God wanted,” he said, using the preacher’s words against him.
She laughed against his strong chest.
Ellie moved from the doorway. “We need to go.”
Joel nods. “Think you can walk for me, Darlin’?”
She lets out a breath, nodding.
He helps her stand, his arm circling her waist to support her. 
As they trekked through the snow, her body practically swallowed by his warm coat, he leaned down to whisper to her again.
“I gotcha. And I won’t let you go.”
.........................................................................
668 notes · View notes
greynatomy · 7 months
Text
regret
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leah williamson x reader
actually finished writing something! wooo! the poll i put out was a close one, but this pair ultimately won. thanks to all who voted.
i’ve decided to split this into two parts, so this isn’t the end peoples!
part 2
———
“Alright. Remember, when we get there—”
“—pretend that we’re still happily married. I know.” You say annoyed, getting out of the car.
“Hey, don’t be like that!” Leah gets out of the car, catching up to you.
“Be like what? I’m not the one who got us in this situation.”
“Can we just be civil? This is the last time we’ll go through this.”
“Piss off will you! We wouldn’t have to act civil if you kept your mouth to yourself. And you had the audacity to file for divorce.”
Before Leah could reply, the front door opens to reveal Amanda, Leah’s Mom.
“Oh, I’ve missed you girls so much!”
Putting up a smile on your face, you engulfed the woman in a hug.
“Missed you too Amanda.”
“Come in! Come in!”
“Oi! David how’ve you been pops?”
“Oh, I’ve been wonderful! Glad to have you here!” He pulls you into a hug.
“There’s my favorite sister!” You hear behind you, Jacob just coming down the stairs from his room.
“Come here you! It’s been a while, huh?”
“It has! You gotta visit me more often.” You tense a bit, but not enough for him to notice in your embrace, putting up a smile on your face.
“I’ll try to visit more.”
What you don’t see behind you is Leah watching your interactions with her family.
You’ve known each other young. You’ve both been dating since you were fifteen, marrying at nineteen, divorced at twenty-one.
Her family’s have welcomed you with open arms since the beginning. You were her first serious relationship. The only one of her girlfriends that her family loved. You’ve had your whole life basically planned out, Leah would become a footballer, you a doctor, marriage, kids, the dream basically.
Leah didn’t know the exact reason why she did what she did, but it happened and she couldn’t take it back. She knew this teammate of hers has liked her for a while and never told her off.
She woke up to an unfamiliar bed, an arm around her that certainly wasn’t you. She regretted it the moment she woke up, didn’t know how to tell you, but you found out before she could. Ashamed of herself, Leah filed for divorce.
———
Leah didn’t know what she was thinking divorcing you. She didn’t have the right to be the one to file as she was the one who fucked up. It was impulsive and shameful. It was the best option she could think of at the time.
Now here she was, five years later, at the Emirates training grounds, about to run for the first time since her ACL injury. She missed you so much during this time. Every time she was injured in any way, you were always by her side nursing her back to health. You were her support system, making her fall more in love with you. This time, without you by her side, she realized how much she took you for granted, how she didn’t show you enough love, betraying you in the worst way possible.
She’d already signed the divorce papers, pressuring you to do the same all while making you go to her family’s for a dinner pretending that nothing has changed between the two of you. It was when she finally saw your signature on the papers was when she realized how she’s lost you for good.
———
Getting back home after a family walk, Amanda spots a stack of papers on the kitchen counter, a folded paper on top, along with two rings. Curious, she opens it up and quickly skims through them, shock fills her body after she finished reading.
“Leah!” She yells for her daughter.
“Yeah, mum?” Leah walks into the kitchen to see her mom holding something up.
“What the hell is this?”
Leah being clueless, grabs the sheet, reading it herself.
Leah,
I’ve finally signed everything you’ve been wanting me to sign. I don’t know why I’ve put it off for so long even if I’m not the one at fault. Guess it’s just hard to let go of the one you love the most.
Don’t contact me. Don’t look for me. You’re free.
Yn
Leah couldn’t even respond to her mother. All the emotions she bottled up came at her all at once, breaking down in front of her family. Six years of relationship, one year of marriage over.
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eddiesghxst · 3 months
Text
PRICE OF FAME (PART 12/12)
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AHHH !! friends, we've come to the end of my first fully done series, and she's not perfect in a lot of ways but she's mine and I'm so happy and thankful to have shared it with you lovely folks
i hope I've done them justice, enjoy <3
18+ — MINORS DNI
pairing: rockstar!eddie x journalist!reader
summary: you decide to visit eddie for a chat
contains: enemies to lovers trope, drug and alcohol use, smut, oral (m receiving), mentions of anal, mentions of death (readers relative), sexual themes, angst, heavy mutual pining, fluff, and eddie being so head over heels that it's hot <3
word count: 10.6k
| previous part |
| series masterlist | -main masterlist- |
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“So, from the new album— Wasting Love.”
Over time, Eddie’s learned that he can’t stand interviews— especially interviews with questions aimed towards nothing but tabloid gossip and headlines. The first big interview that Corroded Coffin booked was exciting because— well, it was their first one! Maybe the questions weren’t as intricate and thought-out as the ones they gave David Bowie on TV, but it was something.
That excitement wore off quickly, though, and unfortunately, interviews are one of the top ways to spread publicity so— “Wasting love,” Eddie huffs, tipping his hips forward as he shifts on the couch. He’s bored out of his mind, aching to leave and be done with the shitty questions about his love life or the people he hangs around or whatever. He taps the heel of his foot into the ground, lips twisting as he chews at the inside of his cheek, “What about it, man?” Eddie asks.
The rest of the band is in the fucking clouds— why would they answer a question about a song entirely unrelated to them? Plus, Eddie’s 99.9% sure they did a few lines without him, which, fucking assholes.
The interviewer shrugs, “Well, why didn’t it make it to the final cut? And what’s it about? Tell us more about that track.”
What a bullshit fucking question. 
Wasting Love is one of the most, if not the most, straightforward songs Eddie’s ever fucking written. The only reason why he’s asking about this is because, well, there’s been rumors of Eddie and his most recent love affair— none of which are true, but Eddie doesn’t bother to come out and tell the truth because what’s the point? What’s the point in telling the truth if it will get twisted anyway?
Either way, Eddie shrugs, blinking behind his dark sunglasses, “I mean…” He purses his lips and tips his head side to side as if thinking, “Kinda self-explanatory with the lyrics, man.” He finally responds.
And in the background, Eddie can see Richie practically constructing his next ‘I know you hate it, but it’s good publicity’ lecture. So, Eddie relents— “It’s about… meaningless sex basically. And it didn’t make the cut because it was a shitty song.”
It wasn’t, actually, Eddie thinks it was a great fucking song, but the intentions behind it— not quite so.
“I think the fans would disagree on that.” The interviewer jokes.
Jeff takes a deep breath and shifts in his seat, “I mean, part of it was because it just didn’t flow with the essence of the album.” He adds, and Eddie mentally thanks him for taking over and so easily diverting the topic to something else. For the rest of the interview, Eddie’s mind is elsewhere, thinking about everything outside of this room, thinking about what he’ll eat later, thinking about the show tonight, thinking about you.
Yeah, you haven’t left his fucking mind in the past six months you’ve been apart from one another. It’s been six months, and Corroded Coffin has released two albums and started their second leg of tour since he last saw you— and you’re still all he thinks about.
You’re still in his dreams, still dancing behind his eyelids when he shuts his eyes, still vomiting all over his fucking journal when he writes. It’s madness, really. Eddie can’t remember the last time he was this hung up on someone— he wasn’t even this distraught when Chrissy left him.
Sure when he and Chrissy ended, he wallowed in it for a month or two, but it wasn’t long before he got fixed on uppers and groupies. Chrissy was heartbreaking in the sense that she was his first love, his first real relationship— but this… this is different. Eddie doesn’t know why it’s different, can’t really pinpoint where the colors change, and the memories start to jab at his chest differently, but he feels it.
He feels it when he’s sitting backstage before a show, feels it when he steps into a new hotel room every night, feels it when he’s ruffling through his suitcase and comes across that journal that’s been haunting him for ages now, and he definitely feels it when he reads the fifth page in the Rolling Stone magazine where the description of Eddie resides, the one where you’d crafted and molded Eddie into a shape he’d never been able to see before, the one where Eddie first came to terms with the true sight of you and your intentions.
Yeah, it’s fucking bullshit, Eddie thinks.
He doesn’t know how he ended up in this predicament, but by god, he would never fucking recommend it because— fuck, you won’t even talk to him!
And sure, you don’t owe Eddie anything, you don’t owe him a call or a chance to visit or anything of the sort, but Eddie was holding onto that sliver of hope you gave him before you left. 
He asks about you when he can, because, unbeknownst to you, Eddie’s quite familiar with your boss, Anna, and she’s like an annoying older sister to him. Anna tells Eddie how much of an idiot he is occasionally, but she always cracks and tells Eddie that you’ve been good and how you sometimes mention him, but it’s always quick, and nobody ever has room to pry about it. And when Anna tells Eddie about how you crossed paths backstage with a certain red-headed girl and read her to filth, Eddie chuckles and mumbles something along the lines of, “That’s my girl.”
Anna nearly gagged then. 
Still, Eddie only catches glimpses and whispers of you, never really getting the full fix to last him a day, but it’s enough to keep him alive and wanting. 
“Maybe she doesn’t get your calls, man.” Gareth shrugs, leaning into the mirror as he ruffles his hair. It’s been hours since the interview now, and showtime is in… Eddie doesn’t know when because he didn’t listen when Richie was rambling on about tonight’s schedule.
“She gets my calls, dude; Anna said she does,” Eddie grumbles.
“Okay, well, then maybe she’s just, like, over it. I don’t blame her; you're a pain in the ass.”
Eddie kicks his boot into Gareth’s shin, and the boy hisses, tossing a red Rillos wrapper at him. “Ow, asshole. It’s not my fault she hates your music.” He snips. Eddie makes a face, “It’s your music too, dumbass.” 
Gareth scoffs, “Yeah, but you wrote an entire fucking album about her. Our album is literally about her, you know that, right?” And Eddie thinks he should just kick Gareth’s teeth in at this point, maybe that’ll get him to shut up. “How would you know it’s about her if I never told you it was?” Eddie prods.
Gareth rolls his eyes, dark eyeliner casting a shadow on his face as he turns to glare at his friend. “Is there another chick you’ve been fucking that’s got you by the balls that we seem to have forgotten about?” Gareth sarcastically asks. Eddie glares at him, reaching for the cigarettes on the vanity table and sparking up.
He speaks around a cloud of smoke when he answers, “No.”
Gareth makes a face, eyebrows raising in an ‘I rest my case' manner. “And she’s not a chick,” Eddie adds.
Gareth hums with a tight grin, reaching out to poke at his friend's face, causing Eddie to grimace and bat him away, “You’re in love, Munson. Fix it or get over it,” He says shortly before making his way toward the door. Eddie can hear the dull scream of fans when Gareth opens the door, and Eddie thinks about the tickets he’s sent you every show— prays to whatever false god there is that you decided tonight is the night before he decides hope is useless and you’ve gotten over him. Gareth cuts through Eddie’s thoughts, “Come on, I can hear Richie’s bitching from here.”
Eddie’s mind is never in the game until he steps onto the stage, with bright lights blinding him, screaming fans, and his adrenaline at an all-time high. He comes back to earth then, comes back, and does the fuck out of his job— because this is the best part. The best fucking part, and it’s always been that way.
And it gets better when Eddie scans the crowd, coming down from the first song of the night and finally taking a look at his audience, and there he sees it— he sees you. There you are under flashing lights, drowning in a sea of people with that glint in your eyes. 
Eddie thinks he’s imagining it because, fuck, he’s been dreaming of this for weeks on end; surely his delusion can reach the heights of hallucinations, right? But no, you’re real.
You’re so fucking real. So fucking insanely real beneath Eddie’s fingertips when he reaches out, ignoring the screams and clawing of fans as his fingers loop around your wrists and he says your name.
God, you’re really fucking here.
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Eddie looks prettier than you remember when you first see him— curly mane draped over his shoulders and dark tattoos glistening on a bare torso, white lights framing him like he’s some kind of fucking archangel.
He’s gotten thicker in the few months, beefier around his arms and chest, and the long chains and pendants he wears from his neck rest down the valley of his torso, smeared in sweat and sin. You want to drag your tongue across his chest, taste the salt and his cologne, tug the silver cross between your lips, and suck and make him whimper.
His eyeliner is smudged and dark, and his smile when he gets a moment to take in the crowd makes your chest ache. He’s so pretty it hurts. He’s a dream and a nightmare all at once.
You missed him. God, you missed him so much.
His smile falters when he sees you, and you don’t know if that’s a good thing or a bad thing, but his eyebrows pinch like he’s in pain, and you only want to wrap yourself around him and breathe in that scent that’s been haunting for nights on end.
He’s insane for jumping down to the barricade, like, completely-lost-his-fucking-mind, down-in-the-gutter, insane. But you can’t find it in you to protest when he steps up to the fence, reaching out and looping his warm finger around your wrist. “What the fuck?”
Your lips twitch into a smile at his words, but the crowd is getting rowdy with their beloved rockstar so up close and an elbow is being shoved into your side and Eddie moves quicker than you can comprehend, tugging you forward to the very front and motioning you to jump over.
“You’re insane!” You yell over the noise of the crowd. Eddie grins, damp curls dangling over his eyes as he peers down at you, “Unless if you wanna get crushed, be my guest.”
It’s slightly difficult, and there are a lot of gangly limbs and yearning hands reaching out everywhere, but Eddie eventually gets you over the barricade, and you’re gazing up at him with a warm grin when you sway on your feet. You wish you and Eddie could just walk away and have each other like you’ve been imagining for months, but Eddie has a job, and he’s working.
His eyes are blown wide, and his lips are so kissable, and his warm hand is squeezing your hip as he nods toward a security guard. “Keep an eye on this one, Rob,” He shouts over the screaming fans. You’re eyeing Eddie as he steps back toward the stage, sinking his in-ear back into place with a sly grin as he winks, “She’s real sneaky.”
The show is great, as it always is, and Eddie tries to be deft about it, but it’s evident to just about everyone how he practically clings to the side of the stage where you’re standing in front of. It’s cute, you’ll admit, but you feel bad for the fans, so you try to move around a bit.
The last song comes, and the show ends with Eddie and Jeff practically climbing over one another as they shred their guitars and the crowd goes insane when Eddie leans forward to drag his tongue up the side of Jeff’s face, grinning when the other boy rolls his eyes and walks off.
You’re being pulled backstage quicker than you know it, just in time to meet the group as they jog off the smokey stage with big grins on their faces.
Jeff is smothering Naomi in a sweaty hug and smattering kisses all over her face, and you’re glad to see they’re still together. Gareth is twirling his drumstick between his fingers and scanning the room for someone, but you don’t have time to try and figure out who because the one person you’ve been waiting for steps out next, and he’s got the biggest grin on his face as he practically jogs up to you.
You’re smiling and giggling out a greeting as he steps up to you and grasps your face between his hands, “No kisses!” You warn before he can lean in, and Eddie’s too excited to even pout about it. “You’re gonna fucking kill me, you know that?”
You reach up to slink your fingers around his wrists as his thumbs caress the soft skin beneath your eyes, “Got enough life left in you to talk?” You ask. Eddie’s eyes dance across your face, taking you in like it’s the last time he’ll ever get the chance to before he nods. “Always.”
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The dressing room seems to be the altar of truth for you and Eddie.
It’s dawning on you that most of the pivotal moments between you and Eddie have been in a dressing room, so it’s not irrational for you to feel a bit uneasy when you step in, and Eddie closes the door.
He’s like a kid in a candy store, trying not to touch what he sees. His eyes are so bright, but you can tell he’s holding himself back from doing and saying the things he wants, and you appreciate that he’s giving you the space, waiting for you to give him your yes or no.
Eddie plops onto the couch in the middle of the room and looks at you with a glint in his eyes. You deeply breathe, shifting in your spot before leaning back against the door, tipping your head as you study him; thighs comfortably spread, inked stories fluttering to life with each rise and fall of his bare torso. He’s a dream.
“I thought you’d be way more upset.”
Eddie’s lips tug like he wants to smile at the sound of your voice, or maybe it’s the sight of you, and he shifts in his seat with a shrug, reaching into his pocket. He pulls out a cigarette and sticks it between his lips, and when you see him pat himself down, you’re already moving like it’s muscle memory.
You pick up the lighter on the coffee table and walk over to Eddie, sparking the flame as you speak, “You’re allowed to be upset, you know?” You remind him. Eddie’s gaze flickers in color as he looks up at you, and you try to ignore the goosebumps that rise up on your skin when his hand reaches up to rest on your hip, thumb caressing you over the material of your skintight dress. Streams of fire are licking up your spine as he leans forward to burn the end of the paper stick, and your center aches when he gently squeezes the fat of your hip. All throughout this, Eddie never lets his eyes fall from you.
He mumbles a short thank you once the cigarette lights, leaning back to rest against the seat as he looks up at you. You fight the urge to comb your fingers through his hair or do something dumb like climb into his lap. No doubt talking would fly out the window then.
You gently toss the lighter onto the coffee table and sit on the loveseat across from the pinnacle of your thoughts from the last six months. Eddie speaks around a cloud of smoke, “Do you want me to be upset?” He asks.
You shrug, trying your hardest not to break beneath his unwavering eye. “I don’t know.” 
Eddie smiles then, and the strings of your heart play a symphony to the notes of his voice when he speaks, “I was for a little bit,” He admits, tapping ash onto the carpet, “But then Wayne told me to get my head out of my ass.”
You huff out a laugh at that, and Eddie grins. “How is he?” You ask. Eddie tips his head back and forth like he’s thinking, “Same old man as before. Think he’s got a girlfriend now. He’s being an asshole about the details, though.” He rolls his eyes, and you snort. You’re happy to hear Wayne has a person for himself now; if anyone deserves it, it’s him.
You shift, like you can’t seem to get comfortable enough, and you know you’re stalling, and you can see Eddie fighting to not call you out, so you try to ease into it; “Is that when you stopped calling?” You ask.
Eddie stiffens under the question, and you know the answer. He grimaces and runs a hand over his face with a soft groan, “Fuck,” he curses, “Fuck, yeah, it was.” He answers. “I’m sorry, I’m a fuckin’ hothead. I had made it a goal to call every night and then—” “I upset you.”
Eddie’s eyes are soft, and you have to force yourself to keep your eyes on his, “It wasn’t fair what I did, Eddie; I’m sorry—”
Eddie shakes his head, briefly shutting his eyes as he waves you off, “Nah, fuck that. You don’t need to apologize—” “But I do. I told you I wanted space, and then a week later, I’m plastered on a fucking cover with Baine fucking Carter.” 
Baine Carter is a well-known songwriter within the industry. He’s got tracks spread all over the top charts, and he has a way of talking that can make just about anyone fall into a trance until you realize most of what he’s saying is just made-up bullshit. In hindsight, Baine wasn’t much different than most people in the music industry— it was a moment of weakness and pure vodka-weighted thinking. And, of course, it’s the moment when cameras find you.
“Kinda my fault too,” Eddie shrugs, “Camera’s wouldn’t have found you if I didn’t have press riding me.” And he’s right, but shitty press isn’t his fault, so how much of that can you really blame him for?
Eddie snickers at the memory of you painted on the cover of several magazines, “Think you’ve got a type, sweetheart.” He teases. Your face screws up in defense, and you scoff, “What does that mean?”
Eddie raises an eyebrow, “Come on, you’re gonna tell me you didn’t say my name when he—” “We didn’t do anything— firstly— and even if I did say your name, I would never in a million years admit it.” You point out with a raised eyebrow. 
Eddie smirks with a playful glint in his eye and he deeply breathes as he ashes his cigarette and rises to his feet. “I don’t care that you hooked up with Bain fucking Carter,” Eddie softly admits with a hint of a mocking grin, “Did it deeply wound me to the point where I almost thought I was gonna die? Yes.” He jokingly says, to which you want to roll your eyes at, but he’s stalking over to you like he’s some lion on the prowl, and all you can muster is a small huff with a mumbled, “You’re dramatic.”
Eddie stands in front of you and leans over to press his palms onto each side of your seat, leaning down until his face hovers above yours, “I’m kinda known for it, darling.” He winks.
Your core stirs at the proximity, and you can feel his breath against your top lip. “I will admit, though,” Eddie lets his hand drop to round over your bare knee, callused fingertips caressing your soft skin, “It gave me a huge ego boost seeing you with a literal replica of me.” He snickers, fingers dancing into the inside of your thigh. You huff, a playful glint in your eyes as you run your tongue across your teeth, “Yeah, I imagine your head couldn’t fit through the door for at least a month, huh?”
Eddie shrugs, “Depends. Which head we talking about, honey?”
You huff out a laugh, rolling your eyes when he gently squeezes at the warm skin of your thigh. You tip your head lower, holding your gaze on Eddie as you lowly speak, “I’m not having sex with you tonight, Eddie.”
Brown eyes flash with a familiar look you’d missed before they drop to your lips. “What about a kiss? Just one.” He presses. Your eyes narrow, “I doubt you could ever do just one.” 
“You’ll never know if you never try.” His lips twitch up into a sly grin, taunting you and pushing you until your brain is just a muddled mess of yes, no, yes, no, yes, n— fuck it.
It’s like a sigh of relief to have Eddie’s lips on yours after such a long time. Weeks of nights and days spent trying to remember how it felt having his plump lips pressed onto yours, how he tasted, how warm his tongue was when it slunk into your mouth. None of those times you’d try to remember, none of those phantom feelings that would breeze through your body could ever amount to how it actually feels— it’s as if you’re seeing color for the first time.
It’s a fucking kiss, that’s for sure.
It’s long, and it takes you both a second to relearn the kinks and maneuvers you both favor, but then it’s as if time never passed between your bodies— you’re moving like one unit, like every second of your lives has built up to this moment.
Unfortunately, air is a necessity to living, so you’re pulling away sooner than you’d wanted to. Eddie’s other hand is digging into the cushion beneath you, and you can practically hear his thoughts spinning as he wills himself to pull back. You shiver as his fingers squeeze your thigh one last time before slipping away. 
“How's that for a kiss?”
Brown eyes with pools of liquid gold, you missed the searing pain it gave you each time you reached out and touched. You purse your lips, tasting him on your tongue as you tip your head in thought— menthol and whiskey. “Care to answer a few questions? Pick up on our game?”
Eddie huffs out a laugh, breath tickling your nose as he snickers with a glint in his eyes. He studies you for a moment, like you might pull out and say never mind, but you only raise an eyebrow as you await an answer. “Your place or mine, honey?” He drawls.
You preen at the open door he’s lent you, “It’s your city, isn’t it?”
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You don’t take the same car with Eddie to his place.
It’s not that you didn’t want to take the same car, but something about that look in Eddie’s eyes said that he absolutely wouldn’t be behaving on that car ride, and you immediately suggested separate vehicles. You’re unsure if you trust yourself to hold your promise in a confined space with Eddie… or maybe you don’t trust him… or— yeah, it’s both of you. Eddie wasn’t ecstatic about it, but you don’t care because you swear to god you aren’t going to fuck Eddie before you talk— like, really talk.
There are things that you both need to say, uncover, and express feelings about, and god forbid you get dicknotized before the words can come out correctly.
Eddie’s home is everything you thought it would be: chaotic in taste, lively, musical, whimsical, and all things that scream Eddie. The entryway is open and vast, with a clear view into the living room, where you can see a sunken living room build with guitars and papers strewn about. 
Eddie’s ushering you further into his home before you can look deeper into the entrance, but you don’t mind because his living area is like an artist's wet dream. There are comfy couches, red, cream, and colors alike, and there’s a rug in the middle that looks like a psychedelic trip of dark colors, and along one of the walls is a long shelf of endless records.
“I moved in like a year ago, so it’s not perfect, but… this is me,” Eddie says. You hadn’t been paying attention, but now that he walks into your line of vision, you can see his shoes are off, and his loose blouse is fully open. He looks like a fantasy; lean body dripped in expensive clothes and clinking jewelry, shoulders broad and sculpted beneath his wavy hair. Fuck.
You slip your shoes off and let your feet sink into his home's fluffy, deep red carpet, never once dropping your gaze from him as you walk over to the couch. “It’s beautiful, Eddie. It’s very you.”
You sink into his couch, turning so you can face him with your arms crossed over the back of the sofa as you watch him pick a record and set it up. Through the surround system of his home, the familiar riff to Tommy Bolin’s Shake The Devil rings. You watch Eddie sink a hand into his hair, shaking out his messy curls before pausing. The guitar is loud and you’re leaning forward when he snaps his head to dramatically look over his shoulder. You stifle a laugh, intrigued to see where he’s going with this— and you hate to admit that you begin enjoying the show when he turns around, fingers crafted and messily playing an air guitar to the track.
His stomach and chest flex with each of his moves, the buckle and button to his jeans open to flash you a dangerously low view of his happy trail leading to sinful places. He’s walking sex; head tilted back as he shreds the imaginary guitar, hips moving with the song as he walks toward you. He sinks to his knees in front of you, and with his living room being sunken and him still being on the higher level, you’re just in line with the view of his spread legs, crotch on full display. His teeth sink into his bottom lip as he gazes at you, switching to air drums before the words kick in. You can’t hide the smile that graces your lips as he dramatically sings along, leaning forward until his face is just inches in front of yours, ringed fingers reaching to cup your face. Standing face to face with the devil, huh?
Your hands have a mind of their own apparently because they reach out and coast up Eddie’s jean-clad thighs, nails scratching up against the material until your fingers hook into the belt loops of his jeans. You lean forward on your knees, sharing a breath with the pretty boy, and you smile. Eddie groans low in his throat, the breakdown of the song blasting in both your ears and your heart racing. His teeth dig into his lips like he’s trying to physically hold himself back, and you softly laugh. “Laughin’ at my misery?” He asks.
You shrug, “Maybe. You look fuckin’ hot.”
Eddie groans again, eyes rolling back into his head before he dives forward, nuzzling his face into your neck and faking a bite as you squeal. “Can’t say shit like that to me, princess. Wanna fuck the shit out of you.” His teeth drag against your pulse, and you squirm with a louder squeal, causing him to tumble forward, collapsing onto the couch with you, and your limbs mix like one big painting as he dramatically grunts on impact. He shifts until he’s laid on his back, head resting in your lap as he peers up at you.
“You staying the night?” He asks.
You snort, brushing a strand of hair from his face, “Didn’t I tell you we’re not having sex?” You remind him. Eddie huffs and digs his head into your lap as he shuffles in his spot, “Did I ask for sex just now?” He challenges. You raise an unconvinced eyebrow, “So, you want me to spend the night just to spend the night?”
Eddie’s eyes gleam as he looks up at you, “It’s been my dream.”
You roll your eyes, playfully shoving him off you with a huff, “Get me a drink, and I’ll think about it?”
Eddie hops up as if second nature, padding over to the stereo and turning it down just enough to hear you as he talks over his shoulder, “Sure thing, honey; what would you like?”
Honey, honey, honey.
You want to drown in it.
You’re not listening as Eddie lists off the drinks he has, busy swirling in sticky, sweet, golden lakes and admiring the shift of Eddie’s hips and ass beneath his jeans. “Surprise me.” You respond.
“Copy that, madam.”
He doesn’t go far because there’s a built-in bar on the other side of the room, so you have the perfect view of him working his magic, mixing liquor and dropping ice cubes into a crystal glass. When he finishes making your drink, he turns and walks over to you with this glint in his eyes, and you feel your body heat under his gaze. “This one's on the house,” He says with a wink, handing you the drink. You thank him, taking the glass as he sits back onto the couch, sinking into the plush cushions and watching you gently sip before pulling a sour face.
He laughs, “Too strong?” He asks. You grimace with a shake of your head, smacking your lips, “No, no, it’s good. Thank you.”
Your legs are kicked up on the couch, and Eddie finds his fingers slinking around your bare ankle, gently squeezing, “Want something comfy?” He asks.
God, he’s relentless.
You laugh, “You really want me to stay,” You tease. Eddie sinks like he’s letting all inhibitions go as he answers, “Desperately.”
He can tell you’re cracking, and you have to hide your grin behind the glass as you shake your head in disbelief at yourself, “Fine. Go, before I change my mind.”
And Eddie’s sprinting up, holding his jeans up from falling as he jogs up the stairs with a happy cheer.
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A half-hour passes, and you find yourself sitting on Eddie’s comfy living room floor, dressed in nothing but an oversized shirt of his because, in Eddie’s words, ‘there’s no need for pants in a home setting, sweetheart.’ You think he just wants easy access and an eyeful of your bare legs.
Eddie’s licking up the crease of a blunt and your body is warm with whiskey and the shrill of a jazzy melody from the radio. He’s so pretty, leaned over the glass coffee table, bare shoulders flexing, curly hair draping as a curtain as he works. He clicks his tongue when he’s done, and you raise an eyebrow, pressing your bare toes into his thigh when he scoots closer. “Up for a smoke?” He asks.
You don’t smoke much, not that you don’t enjoy a nice high, but you find yourself more appreciative of your highs when they’re spaced out and random. You nod, and Eddie grins, “Atta girl. Here, honorary first hit,” He passes the blunt to you, and you snicker, grasping it between two fingers and holding it up to your lips. Eddie helps you with a lighter, leaning forward to burn the end of the paper, and you take one good drag before pulling the bunt away, rolling the smoke into your lungs to settle as best as you can handle before you sputter out in a small coughing fit.
Your eyes water, and Eddie grins as you pass it to him, leaning forward to kiss your temple, “That was good, baby.”
You watch as he takes a hit of his own, huffing out a few coughs of his own, and jesus christ, why do rockstars always smoke devious shit? It’s strong, whatever Eddie has you smoking, and it only takes you three hits before you already feel a buzz coming, and Eddie looks so pretty with low eyes and rosy cheeks.
“Ready to play our game?” He rasps out.
“Mm.” You agree, reaching out to take another hit.
“Did you listen to the albums?”
I can't destroy what isn't there
Deliver me into my fate
If I'm alone I cannot hate
I don't deserve to have you
Oh my smile was taken long ago
If I can change I hope I never know
God, did you listen to the albums? Sure, you have it ingrained into your fucking mind, and it burns.
You smile, slowly blinking because, of course, that’s Eddie’s first question. You breathe out clouds of fairy dust as you speak, “Yes, I did. Did you read the magazine?” You ask.
Eddie nods, leaning back against the couch, extending his legs out as he eyes you, “I did. Which song did you like best?”
“Mm, the one with the drums.” You smile.
Eddie laughs, and you pass the blunt back to him before leaning back on the opposite couch, toes almost touching when you extend your legs across the carpet. “You’re a kiss-up, you know that?” He gestures to you, to which you only shrug.
Eddie crawls across the living room, and you fight the urge to reach out and thread your fingers through his hair as he plops himself right next to you, leaning against the couch as well. Your thighs are touching, and you can feel the warmth of him, and the smell of weed is wafting through the air, and you just want to nuzzle into Eddie’s chest and never leave.
“Miss me?” You teasingly ask. You can hear the slight smile in Eddie’s voice as he responds, “Negative. You?”
You snort, “Negative.”
You shuffle to lean against Eddie, and he can’t seem to help it when he reaches out to push your hair back gently. “What do you wanna be when you grow up?” You ask.
Eddie’s eyebrows pinch in confusion, no doubt lost by what you mean, considering he already has his lifetime job figured out, “What do you mean?”
You sigh, wriggling as you fight the urge to wrap your body around him, “I mean,” You shrug, “Well, you’re not gonna do this forever, right? Like, at some point, you’re going to have to throw in the towel, age, and whatnot,” You dismissively wave, “What will you do then?”
Eddie pauses and thinks for a moment, and if you couldn’t feel the warmth of his skin on yours, you would think he vanished into thin air. “I, uh…. Well, you’ll think it’s stupid.” He mumbles.
You frown, turning your head to look at him, “I won’t. Tell me. Please?”
He looks at you with these soft, fond eyes before nodding, “I wanna start a music school in Hawkins— maybe, like, a creative arts school, you know, something for the weirdos. Not just music geeks.” He admits. His tone is so soft, maybe the softest you’ve ever heard, and he’s fiddling with his rings like he’s nervous, and it’s the cutest sight you’ve ever seen.
“It’s not really celebrated there. Creativity, I mean.” He adds.
You stay quiet, allowing him to speak, “Everybody just lives to work dead-end jobs. Being creative is like… a sin or something, I don’t know. I just want to give the kids somewhere where they’ll feel… safe. Seen. Something I never got for myself.”
It’s… it’s fucking brilliant. It’s so brilliant it makes your chest ache, and you decide that you would do just about anything to make sure Eddie’s dreams of a music school come true.
“I told you it’s stupid. No one ever thinks it’s good.” He mumbles after a moment with your silence. You frown and shake your head, sitting up straight to look at him. “No. No, Eddie, it’s amazing…It’s fucking amazing, and you should do it. You have to do it.”
“You’re just playing nice.”
“No, seriously. Fuck whoever said it wasn’t a good idea, it’s brilliant.” You press on, and you want to lean in and pepper kisses all over his face because— seriously, who the fuck told him it was a shitty idea?
“I grew up in a small town too, and— shit, it was not fun wanting to be something other than a nurse or a teacher. Got a lot of shit trying to ‘reach for the stars’,” You huff out a laugh. Eddie’s eyes are so gentle as they gaze at you that you almost melt. “I would’ve appreciated something like that. Munson’s School of Arts.”
Eddie snorts at that, pink lacing with yours as a smile spreads across your lips, “Not bad actually, I might name it that.”
It’s a back and forth of that for a while, silly questions amongst genuine ones until you find yourselves sat next to each other, arms pressed together, bodies yearning to wrap around each other as you fiddle with the strings of Eddie’s carpet. And there’s something, you know. Eddie feels something that he’s not telling you, and it’s killing you because it’s what you need to hear before you take the plunge. “Are you angry with me?” You softly ask.
Eddie’s quiet for a moment, and the blunt was snuffed out a while ago, so he’s not taking a drag but instead just stalling. “I mean,” he pauses, “I already told you, Birdie. What’s the point in going back on it?”
You frown, glancing at him, “Because I want you to tell me how you feel, Eddie.” You respond.
Eddie’s silent again for a longer moment, and you want to whine when he shifts away to sit in front of you. He folds his legs up, resting his elbows over his knees as he sits face to face with you, “Do you want me to be angry with you?” He steadily asks.
Your blink, “I— no?” 
Eddie raises an eyebrow, and you huff, “Honestly, a little bit, yes. It’s okay to be angry with me, Eddie; that’s what I’m trying to say.”
Eddie’s demeanor is unwavering as he blinks at you, but his tone is accusing, “Do you want me to be angry with you so you can feel justified?”
And, ouch.
That’s not the truth at all. Or maybe it’s some truth, but in your true feelings, that’s not what you mean. It’s only a fleeting thought because you’re human, after all, right?
“That’s not fair,” You frown with a small shake of your head. Eddie raises another eyebrow, and you tilt your head, “I’m only trying to be as transparent as possible, Eddie. That was the main issue.” You remind him.
Eddie turns to the coffee table, grabs your forgotten glass of Jack Daniels, and takes a swig for himself. “You wouldn’t tell me how you felt, and I was always left in the dark.” You say.
“And I’m telling you right now that I’m not angry.” He’s teetering on the edge of irritated now, and you tilt your head. “I listened to the album, Eddie. I listened to the song; you’re seriously gonna tell me you’re not angry?” 
Eddie can only glance at you then, and your frown deepens. “That’s… different.”
“How, Eddie? It’s about me—” “Yeah, because you fucking walked out on me on closing night,” Eddie exclaims. “How was I supposed to feel?”
Your chest tightens as you look into the eyes of your dreams, lyrics swirling in your mind because you’ve fucking memorized every word. You listened to it until you felt sick, dizzy with a whirlwind of regrets and what-ifs.
You sold me out to save yourself
And I won't listen to your shame
You ran away, you're all the same
Angels lie to keep control
Your chest aches when the lyrics echo in your mind.
“I just want you to be honest with me. If I made you feel that way—” “No, that’s not—” Eddie shakes his head, pinches the bridge of his nose, and cringes like it's painful. “That’s not it at all— fuck.” He puts the glass down and scoots back over to you; knees pressed into the fluffy carpet beside your thighs as he leans in and cups your face, eyes darting over your pretty features. “I was angry, and I was a shithead, and I had people talking in my ear and— shit. Please don’t think you ever blame yourself for that, please.”
Your fingers are cold, but Eddie’s wrists are warm beneath your fingertips as you frown up at him, “Just tell me how far out you are, Eds.”
Eddie looks at you with soft eyes, a callused thumb running under the delicate skin beneath your eye. He leans forward, pressing his lips against your forehead, and you preen, nuzzling forward and sinking into his warmth and scent that you’ve missed for so long.
“Not far,” He responds, lips brushing over your skin. “You?”
You hum, body reeling as Eddie slinks his arms around you, “Not far.”
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Forty minutes and another blunt later, and Eddie’s floating in the fucking sky.
Eddie can’t believe it really, having you in front of him, next to him, limbs pressed to limbs with your laugh ringing in his ears— Eddie thinks this is some sick, realistic dream.
It’s tender, the space you’ve both created. You’re both fragile and reactive in the best way, like a healing exposed nerve, and Eddie will be forever in your debt for how patient you are with him. He’s not good at talking about real shit, but he’s trying to fix that, and you make it easier because you push him in the way he needs to be— you encourage him to say what he feels even if he’s afraid he might end up shooting himself in the foot and chasing you away again because— ‘It’s the only way things will get better.’
But you’ve always been patient. You were patient six months ago, and you’re patient now. You know exactly what you want, and you’re firm in what you say and feel, and it makes Eddie feel safe.
He’s never had this kind of thing— he’s never had a relationship where someone talks and leaves room for him to speak as well— two-way communication or whatever the fuck Robin says. It’s different, and it’s good, and Eddie thinks he must have shit taste if it’s taken him this long to realize it.
Chrissy never really cared for what Eddie wanted or preferred, or how something she did would make him feel. Eddie, at the time, didn’t think much of it and was more than happy to ride along with her ‘low maintenance’ nature, but it only cut him off from growth more than anything.
Whatever. It doesn’t matter anymore because Chrissy is in the past, and you— you’re so pretty standing on Eddie’s couch in just his shirt with a blunt hanging between your fingers. You’ve just returned from changing the record— Surrealistic Pillow; Eddie knew the second you dropped the needle and watched you spin around with a shit-eating grin. 
“Hippie shit,” Eddie mutters as you hop down from his couch. Your eyes narrow, “Hey,” you nudge your foot against his thigh, “Don’t be an asshole. It was on your shelf anyway.”
Eddie slinks his hand around your calf, blinking up at you as you stand over him. You reach down, the burning blunt standing between your fingers, and Eddie happily parts his lips to let you slip the tip in. Burning sativa licks up the sides of Eddie’s brain, and he melts when your other hand sinks into his hair, gently pressing his bangs back as his eyes flutter. You hum, and Eddie’s lips tip into a smile as the smoke churns in his chest. Your knuckles curl into his roots, and Eddie could fucking cum right now, no questions asked.
He’s harder than a rock, and he’s not ashamed when he sinks his hand down the open fly on his jeans to palm himself, lowly groaning as he tips his head up, playfully blowing clouds of smoke up your shirt and grinning when you squeal. He chuckles, hand slinking further up your leg to grip the fat of your thigh as he tilts his head to nip his teeth at the inside of your knee.
He turns to let his chin rest on your thigh, blinking up at you with hazy eyes, “Let me in, baby.” He pleads.
You sink to your knees until you’re face to face, and Eddie’s hands glide under your shirt, warm and itching to explore as he feels the flutter of your lungs beneath his fingertips. “No funny business, Munson.” You remind him, swatting him away when his fingers prod at the cup of your bra. Eddie grins, brain fuzzy and warm, and he can’t stop himself from leaning forward and planting a quick kiss against your lips.
“I have something for you.” He says. Your eyebrows raise, and Eddie smiles, standing up with a grunt and shaking out his stiff limbs. “Don’t move,” He points to you before padding off.
The gift Eddie has for you has been with him since the fourth week he knew you. He’s been holding onto it for so long because he’s been a coward and didn’t know how to form the words ‘I’m sorry’ with his tongue— but now, Eddie’s riding on a high, and he needs you and wants you all the time and there’s no better time than now, right?
He’s holding the gift behind his back when he steps into the living room, and he smiles at the sight of you laid out on his floor, eyes closed as you sink into the music. You’re on cloud nine, Eddie can tell.
He drops to his knees over you, pressing his free hand into the floor beside your head, and his hair creates a curtain over you when you look up at him. “You look… tempting, to say the least.”
Your eyes playfully narrow at Eddie, and you squirm beneath him, “What’re you hiding behind your back?”
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There are tears in your eyes as you blink down at the gift in your hands, and you know Eddie must think you’re insane for crying over a book— a journal at that. It’s a pale yellow colored leather, with two leather straps that are tied into a neat bow, and in the corner, your name is stamped in tiny cursive gold letters— your real name. 
It’s a replica of your old journal, the one that had gotten ruined when you tore the pages out to prove a point. But you don’t understand— “How did you get this?” You ask in a soft voice.
Eddie grins, reaching out to thumb at your bottom lip, eyes soft as he watches your eyes dance over the journal. “Called in a favor from Michigan.” He jokingly says. Your chest aches, and you frown when you look up at him, fingers tight around the binding of your gift, “You talked to him?”
Eddie snickers, “Yeah. Got a lot of shit from him first, I’ll tell you that,” He pauses and scratches at the back of his neck, “He told me he hates my music.”
You laugh at that, body warm with adoration because, yeah, that sounds like your grandfather. You sniffle, wiping under your eyes, “How did you know?” You ask.
Eddie shrugs as he sits next to you, “The cover of your journal had his name on it, so I kind of pieced it together since you share a last name.”
You don’t know what to think, what to say. It’s the kindest thing Eddie (or anyone) has ever done for you. Your grandfather had been in the business of handmaking journals for as long as you can remember; he was part of the reason why you took such a liking to journalism. He had a brief history in journalism himself, and he would sit and go through his best works with you when you struggled to fall asleep— he helped you see the world through the lens of an artist, and you never looked back.
You’re elated as you run your hands over the pages, imagining what the phone call between Eddie and your grandfather was like. You wish you could’ve been there to hear it; you wish you could’ve brought Eddie to meet him in person because even though your grandfather acted tough and mighty, he had the softest heart you’ve ever known, and he would’ve adored Eddie.
You huff out a laugh, shaking your head as you put the journal on the coffee table. You huff, turning to clamber onto Eddie’s lap, glaring at him as your hands dig into his shoulders, “I hate you so much.”
Eddie grins at you, and you drop your head to his chest, snuggling further into him when he wraps his arms around you. You grumble against his chest, turning your head to speak, “You’re making it so hard.” You complain.
You feel the rumble of Eddie’s voice in his chest as he hums, “Hm?”
Eddie shifts beneath you, and you sigh, turning your head up to nuzzle against the base of his throat. Your teeth drag across his skin, red lines left in their wake before you let your tongue coast up his pulsing vein, mouth kissing and suckling at what you can reach— and Eddie whimpers.
“You know…It’s past midnight.”
“Fffuck–”
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Eddie’s dead.
He’s gone. Six feet under. In the next life, body turned back to dust, never coming back, dead. This must be the seventh circle of heaven— is that a thing? Or is that only hell?
Either way, Eddie’s on an entirely different plane of heaven as you press your body against his, knees tightening around his waist as he pulls you close and smears his lips against yours. He can feel the heat of your core through his pants, and his hips have a mind of their own when they buck up into you.
Your fingers are blind and eager when they wriggle through the tight space between you and Eddie, but it sends shivers up Eddie’s spine when you drag your nails down the soft skin of his lower pelvis.
Eddie’s lips part against yours, and he’s licking into your mouth, tongue flicking at your top lip as you shakily moan. “What happened to no sex tonight?” He lowly teases. His hands sink beneath your shit, squeezing at your hips and guiding the roll of your hips.
“Shut up, Eddie.” You whine, fingertips digging into his shoulders when he rubs against your covered clit. Eddie smiles, watching as your face twists in pleasure, and his chest nearly bursts because you’re so fucking pretty.
“You want me?” He asks.
Your lips twitch into a smile, and your hands slide down his arms to rest over his wrists that flex as they work you back and forth over his crotch. “Yeah,” You breathe, tipping your head down to hover your lips over Eddie’s, “I do. I want you, Eddie.”
Eddie’s tongue runs over his lips, and he catches your bottom lip, and you lick out to catch his tongue before pressing your lips together. Eddie uses one hand to cup your face, “You’re not curious where my dick’s been while we were apart?” He teases.
And if you weren’t practically humping Eddie right now and thinking straight, you probably would’ve choked Eddie out or something— but you only mewl and grind down harder. “Not funny.”
Eddie hums, fingers dancing across the band of your panties before dipping past the barrier. He feels like a pirate who’s finally found the hidden treasure, eyes squeezing shut as he tries to ground himself because, Jesus Christ, you’re so fucking wet.
His cock feels strangled and achy in his jeans, and he imagines how good it’ll feel to sink his cock into you as he swirls a gentle finger around your entrance. “For the record,” He drawls, watching your lips part when he dips his finger into you, “It’s been nowhere. My dick, I mean.”
You breathlessly laugh, hips wriggling, your pussy eager for more. “Been beating it with my fist for the last six months, so. Just want you to know— it’s only you, baby.”
You mewl, leaning forward to press your forehead against Eddie’s as you grind against him, shivering when he finally sinks a finger into you, drawing out to circle your clit with sticky arousal before sinking back in with two fingers.
You’re sharing each breath, taking each other in and out; Eddie watches with low eyes as your face twists in pleasure.
“Take it off,” He grumbles, “Take your shirt off.”
You’re moving like it’s second nature. Shaky hands reaching down to loop around the loose shirt, dragging it up and over your body— and Eddie’s head tips back with a groan. “Jesus fuck,” He curses, one hand busy working you as the other reaches down to palm your breast, “When did you take your bra off, you fuckin’ minx?”
You whimper against Eddie’s lips when he kisses you, the force of his eagerness pushing you back. Eddie keeps pressing you back, shuffling and moving around so he can press you down onto your back and hover over you. “Wanna taste you. Let me taste you.” He begs.
You shake your head, lips messily smearing against his, “No. No, you said—” god, Eddie can’t stop fucking kissing you, “You said you’ll let me have you next time, Eds.” You whine.
Fuck, you’re so fucking cute. You’re a goddamn dream pouting up at Eddie, grinding against his fingers as he ticks them up against your walls. “Yeah? You want me?” Eddie breathlessly asks. Your lips are pouty and swollen as you nod, “Already told you I did.” You say.
It takes everything in Eddie to pull away from you, and he thinks he’s gonna marry you when you reach out for him. Thinks he wants to just whisk you away and live on the side of a secluded mountain or some shit. Thinks he wants you to be the mother of his kids when you smile up at him as he rises to his feet, gazing down at you over the apple of his cheeks as he removes his jeans. You’re so pretty, hair spread out beneath you, tits on full display, tummy fluttering with each drag and push of your breaths. You’re lightly dragging the tip of your finger down your stomach, a teasing glint in your eyes as Eddie throws his hair into the shittest bun known to man, and fuck, you’re dipping your hand between your thighs.
Yeah. This is heaven, and you’re god.
Eddie thinks he’ll spend the rest of his life on his knees worshipping you.
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Eddie’s body is warm when he crawls back over you, his body now bare, save for the chains that dangle from his neck. One cross, one guitar pick, one pentagram. They’re cold when they drag up the valley of your chest, and your body perks up with chills.
You slink your arms around Eddie’s shoulders, titling your head up to kiss him as your fingers curl into his messily tied hair. “Give me what I want, Eds.” You softly say against his lips. “Fuck my mouth, please.”
Eddie curses, rutting his cock against the inside of your thigh, and he nods, “Yeah. Fuck. Okay, yeah. Just lay here and look pretty, baby.”
The lasting effects of the three blunts you’d shared with Eddie are swirling through your body, and you feel like you’re on cloud nine as Eddie straddles your hips. He’s the prettiest sight to ever reach your eyes, toned arms, and chest working in tandem as he reaches down to wrap a fist around his cock— and god; you forgot how pretty his cock was. The tip is ruddy and flushed, and your core twists when he angles himself up, and you see the piercing beneath his tip. You definitely hadn’t forgotten about that little detail these past months.
Eddie’s chest is rising and falling quickly and stray pieces of hair cling to his lips when he licks them. You watch with wide, eager eyes as Eddie strokes himself, ringed fingers running against the soft skin of his shaft, pretty hisses curling through his teeth when he thumbs the slit of his tip.
“Quit teasing,” You whine, squirming beneath him. Eddie grins, breathlessly panting as he looks at you, “So impatient.” He mumbles, shifting further up your body until the inside of his thighs press against the side of your tits. You can feel the cool drag of his rings against your sternum, and it sends licks of fire through your core. “My baby’s so impatient, hm?” He taps his cock against your chest, and your frown, fingers digging into his thighs.
“Lucky you’re cute.”
Eddie’s then shuffling and moving around so you’re both comfortably positioned as he kneels over your face, pretty cock glistening above your lips. You open your mouth and let your tongue hang out, ready for Eddie to feed his cock to you, and he chuckles, tapping his swollen tip against your tongue before dragging it to tease you. 
It’s good. It’s so good. The taste of him, the feel of him, the pretty noises he makes. You can feel the cold barbell dragging across your tongue with each slow thrust he gives you, and you can’t wait to feel it inside you again. You’ve been dreaming about it for weeks on end now.
He pulls out with a slick pop, tapping his tip against your lips as he hums, “Ready? Gonna give you what you want now.”
You’ve never nodded so fast in your life.
He’s thrusting in and out of your mouth at a mind-numbing and thigh-clenching rate for just under five minutes before he starts to break. You can feel it in the stutter of his hips, the twitch of his cock on your tongue, the shuddered moans and grunts. You reach up to drag your nails down the soft skin of his stomach, and Eddie whimpers for the second time, and you think it might be your favorite sound— you want more.
He’s pulling out with a curse, squeezing at his tip, and you’re such a fucking tease; you lean forward to kitten lick at his aching tip and hum when he hisses. He shuffles back just enough to lean forward and press a messy kiss to your lips, humming at the taste of himself on your tongue.
“Fuck me, Eddie. Please. Want it so bad it hurts.”
“Jesus fuck— turn around.”
You’re shaking, and Eddie’s touch feels like fire as he helps you flip over to lean on all fours. His hands coast up your back and into your hair, and you push your body back into him, ass pressing against his wet cock as you moan when his fingers curl into your hair.
His other hand smooths over your ass, heavily slapping it once before gripping the warm skin as he speaks beside your ear, “Wanna fuck your ass one day, hm? Gonna let me? Say you’ll let me.” “Oh my god,” You roll your eyes with a smile, tipping your head to the side when Eddie kisses your neck before nipping at your ear. You can feel the curve of his smile against your skin, and it makes your chest flutter as he pulls you up to press your back against his chest.
He’s reaching down between you to grasp his cock and paint it against your wet cunt, and you lose your breath. “Come on. Say you’ll let me fuck your pretty ass.” He practically begs.
You moan when he slips his head in, teasing you with what he knows you want. Your head rolls back to rest against his shoulder, and he hums, slinking his other hand up to cup your throat as he continues teasing himself in and out of your pussy.
You smile, lazy and high and blissed out, “No.”
Eddie groans at that, fingers tightening around your throat as he sinks in deeper. “Not even a finger?”
You push your fingers through his hair, his curly strands nothing but a tangled mess within his hair tie. Your legs tremble as you wriggle back into him, but your voice is steady as you speak, “Fuck me first, and maybe I’ll think about it.”
Eddie takes that as a challenge, apparently, because next thing you know, he’s slamming into you and pressing in to the fucking hilt— all big and pierced and toe curling to the point where your moans turn flat, and all you can do is lace your fingers through his that rest on your hip and hold on for dear fucking life.
He’s pressing you face-first into the carpet, making sure your cheek rests against the couch pillow that had been thrown aside earlier. His fingers are clenched around yours, digging into your hip as you whine and moan into his floor, sobbing out his name with each groundbreaking thrust he gives you.
It’s all-consuming; the way Eddie’s fucking you, the filthy words slipping from his mouth, the lingering effects of weed— god, you feel like an exploding star.
Supernova shit or something like that.
Eddie’s cursing and spilling dirty words of encouragement when you come, leaning over to press his chest against your back and coo into your ear.
“Such a good girl for me.”
“Keep squeezing me like that, baby. You’re so good.”
“Y’sound so pretty when you’re coming on my cock.”
You’re breathless and quivering, and a pitiful whine slips from you when Eddie pulls out, but you can feel him as he wraps his hand around his cock and finishes off, pretty moans pressed into the skin on the back of your neck. The feeling of his sticky release dripping onto your ass makes you want to go at it again already.
He’s peppering kisses across your neck and shoulders, and your body slumps onto the ground in exhaustion, but you smile when he presses his lips to yours.
“So, was that good enough? Have I been granted access to the holy grail?”
You glare at Eddie from where his chin is hooked over your shoulder. He raises a suggestive eyebrow, and you huff. “I’ll tell you what,” You start, shifting and purposely rubbing your ass back against his sensitive cock, smiling when he hisses.
“Make up for the last six months first, and I might be able to cut you a deal.”
“Now you’re just stringing me along.”
You hum, “Oh, like you did with me some months ago?”
Eddie pauses at that, eyes narrowing at you, and you think— fuck, maybe that was too soon. But then a smile cracks across his face, “Touché.”
He sighs and sits up, peeling himself from your sticky skin before gently patting your hip. “Ass up, baby. Got a lot of making up to do, and we’re on a tight schedule.”
And you think to yourself, with the scent of Eddie whirling around you and his touch all over you and his pretty voice in your ear, that yeah, you can work through this together. Even if the process will tear you to shreds all over again.
After all, that’s the price of falling for a rockstar, isn’t it?
————
the end.
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a/n: HOLY SHIT GUYS
if you've made it to the end of this long-winded (and incredibly late, I'm so sorry) ending to this story i can not thank you enough. these two have been so fun to write and i don't plan to leave them completely in the dust so they're not gone forever, but thank you so much to everyone who read and shared and commented. this story has allowed me to meet the most beautiful, kind, funny, and loving people I've ever had the pleasure of talking to and that will be my biggest takeaway from this journey🥹
the biggest thank yous to my pretty mutuals who have been here the whole way, ilysm and want to shrink you guys and put you in my pocket <3
anyway, i'll shut up now, i hope i was able to do these two justice with their ending!! i love and appreciate all kinds of feedback, and as always, thank you for reading, ily <3
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cutie lil taglist: @mastermindmiko @whataboutbibi @ryanmxrie @ihatepeanutss @tlclick73 @motherfckerrr @emxxblog @ye0nvibezzn @eddiesguitarskills @bibieddiesgf @chloe-6123 @micheledawn1975 @demxnicprxncess @emma77645 @sidthedollface2
@daddyhetfield @s-u-t @hereforshmut @mmunson86 @welcometohellsock @lma1986 @birdsinmywalls @animechick555 @sheneedsrocknroll92 @spideydreams00 @lorosette @prestinalove @sirensleepingsoundly @nabiiturner @catherinnn
@mossiswriting @kellsck @joannamuns9n @siriuslysmoking @mysteris-things @amazingori @honey-eyed-munson @saintlike78 @eddieslooneymoonie @alexa4040 @yujyujj
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ingravinoveritas · 2 months
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no-paperwork replied to your post "We finally got a comment from David about what it…"
The part between parentheses makes me laugh, as if they were afraid that David might describe other kisses with Michael 😏
@no-paperwork My guess is that was more to clarify for the Guardian readers what kiss was being referred to in the question. But what's interesting to me is that GO 2 is (as far as we know) the only place Michael and David have kissed, yet the paper chose to add that in as if there were other kisses the question could be referring to. It would've been really funny if David started describing other kisses with Michael, though, but I suppose that's best kept for another interview.
Also let's not forget that this was the two of them in an interview talking about the kiss without talking about the kiss, so I don't buy that David didn't enjoy it just as much as Michael did...
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zeldasnotes · 1 year
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ASTRO NOTES 27 🀧
Check out my masterlists for more observations masterlist II & masterlist III 🐉
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🀧 Asteroid Bless(92891) conjunct Saturn can show that your blessings will come later in life.
🀧 Couples with 10th house placements in the composite chart wants to look like the perfect couple. Unfortunately the 10th house is the snitch of the zodiac and will let everyone see your dirty laundry, especially if Pluto is here.
🀧 When two people have the same Mars sign mixed with a lot of oppositions in synastry it can make them rivals. You want the same thing and you are alike but the energy is still tense. Throw in aspects to Nessus or Chiron and you have two people who might start to even despise eachother for life.
🀧 Mars in Scorpios are not dangerous for what they do during the fight they are dangerous because of what they do after the fight and how long they can wait before they do it. They prefer to get revenge in sneaky ways. I noticed they are not so cocky when infront of the person.
🀧 Sagittarius Mars can mean having a name that works all over the world. A common name like ”David”. Can also mean your name doesnt match your ethnicity. Like having a spanish namn even tho your family are not spanish.
🀧 Juno(3) conjunct Uranus can be very rebellious and might break traditions and start new traditions with their partner. I know a serbian girl with this aspect and she married an albanian man. Their parents didnt like it at all but their parents were forced to meet and get along.
🀧 If you have Boda(1487)conjunct Jupiter you might have your wedding in another country than the one you live in. If its in pisces you get married on a beach or near water.
🀧 People with Pluto in the 6th house can have strong opinions on people who dont work hard. My friend with this constantly talk shit about people who are unemployed. I think deep down shes jealous because she had to start working very early in life because her parents were poor and her parents never bought her stuff. She hates when people get stuff for free. She also have Mars 2nd house so talking money can make her really angry.
🀧 People with Saturn in the 4th house might come from a home where feelings are not shown/talked about. There can be this coldness and distance between them and their parents.
🀧 People with Ceres(1) conjunct Mars usually loves to workout. Might have an exercise addiction.
🀧 Lilith in the 1st house can give someone a unrealistic body, like super skinny with huge breasts or huge butt. Especially if Cancer placements are involved.
🀧 There is nothing more annoying than when someone you are not attracted to got planets in your 1st or 8th house, bc they be hell bent on getting your attention. And they will get it by starting a fight with you if they cant get it in a positive way.
🀧 Strong(22622) conjunct personal planets is someone who might have had to endure a lot and had no choice but to be strong.
🀧 People with Ranke(20012) conjunct Sun cares a lot about social rank and status. They need to be seen as someone important. They easily notice others social rank. Like they see a person they never seen before and without ever knowing who it is they can instantly see if this is someone whos not to be messed with bc of status/rank.
🀧 People with Venus sextile or trine Asc know they are attractive even if they have some flaws they dislike. They usually dont feel a strong need to ”prove it”. People with Venus Square Ascendant are the opposite they feel a strong need to prove to others that they are attractive even when they dont believe it themselves and this can lead to a lot of mean comments to make sure you know what they got that you dont. They need you to know that their body is better than yours while someone with venus trine/sextile asc dont need to tell you that, they are good just knowing it in silence.
🀧 You probably admire the traits of the sign of your North Node.
🀧 With Mars conjunct South Node in synastry there might be tension from a past life. Check asteroid Karma(3811) to see what might have happened between the two of you. One of you might feel a sense of anger towards the other for no reason.
🀧 Some of the placements considered annoying/rude are also the people we need. For example Mars/Mercury and Asc/Pluto people can seem annoying when they argue with the teacher for the 1000th time this class. But who do you think will stand up for the bullied kid? Yeah them. You might avoid them but you will call them when you need back up. Cancer and Scorpio Moon might be intense and emotional but who will stand by you when the whole world is against you? Yeah them. Virgos might criticize but who will make you soup when you are sick and point out the flaws on your exes new girlfriend? Yeah Virgos will.
🀧 People with Taurus IC got a lot of fragrance sticks and scented candles.
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Recognition
Love is showing up when someone doesn’t ask.
a @steddielovemonth prompt | 1257 words | CW: N/A | Rating: G
“What time will you be home?” Eddie asks, perched on the couch like a bird, elbows on his  knees and sitting on his heels, toes straining under his weight. He feels like a little gremlin, body needing a way to expel all the energy his boring day off built up while Steve’s been at work. 
Steve sighs and adjusts his tie in the mirror by the door. “If all goes well, eight?” 
Eddie groans and falls back, limbs flailing. “If they expect you to go to school after hours, they should at least pay you,” he says, face squished into the fabric. It’s miserable being on different schedules. He’s been working at the plant until the construction is done on his shop, which means weird hours and being completely off rhythm with Steve. He barely sees the man! 
“Tell me something I don’t know,” Steve huffs as he smooths down his shirt, walking towards him. He carefully bends over to kiss Eddie’s pouting lips, laughing at him. God, Eddie’s so glad this man is his. He’s too precious to let go. “I’d stay if I could,” Steve says softly. “You know I hate going to these things.” 
Eddie sighs, giving him a small smile as he touches up the few strands of Steve’s hair that were betrayed by his hairspray. “I know,” he says. “I could always come with you.” 
Steve shakes his head, cheeks pink. “Thank you, but you, uh, really don’t want to go to a boring PTA meeting. All they’re going to do is fight over which classroom should get the crayons.” 
“I’d go for you, Steve,” Eddie says. He sighs again and pushes Steve away. “Go so you can get back.” 
“I love you,” Steve says, stealing another kiss before he finally stands up. 
“Love you too,” Eddie says, smashing his face back into the couch. “I’ll be here, rotting away until you return, my sweet knight.” 
Steve shakes his head and grabs his wallet and keys off the coffee table. Then he’s gone, with the rumble of the Beemer and the faint sounds of David Bowie announcing his departure. 
Eddie lasts a whole three minutes before he’s shooting up off the couch and pacing around the living room as he thinks of something he could do to occupy his time. He’s done about as much housework as he could manage for the day, he doesn’t think he could practice anymore today or write at all with how depleted his creative juices feel, and he knows nothing good comes on TV on Tuesdays in early January. 
That’s how he ends up piddling about Steve’s desk. Steve keeps all his papers that need to be graded meticulously organized, with the ones that are fair game for anyone to grade (aka the ones with scoresheets) in the blue folder. On days where Eddie’s brain was too much, when he couldn’t even look at his guitar without feeling pain or pick up his pencil to be creative in any fashion, he needed something to do to get the excess brain energy out. Robin’s much the same way, so Steve started setting aside his pop quizzes and multiple choice tests in the blue folder for either of them to grade if they needed. Otherwise, he’d get to it eventually. It’s mindless enough to calm their brains, they feel good helping Steve, and it helps give Steve more time to focus on the essays and presentations that need more time to be graded. It’s a win win all the way around. 
The blue folder isn’t as full as normal, but there are a few worksheets Eddie can take care of for Steve. He reaches for the sticker book and the purple pen (Steve’s signature grading color) in the mug Wayne gave him that’s an apple with a little worm for a handle that he uses as a pencil cup. That’s when he sees the PTA flyer. It’s jam-packed with information and minutes from the last meeting, but in big, bold letters at the bottom of the flyer, Eddie reads:
Join us to honor this year’s Teacher of the Year, Mr. Steve Harrington, eighth grade English. 
Eddie puts down the blue folder, the pen, and the flyer. He’s still for exactly one minute before his body goes into flight or fight mode. Within ten minutes, he’s dressed in his nice date clothes and his hair is tamed back into a tight bun, threatening to snap the band. 
Time crunch or not, he drives like a bat out of hell. He has plenty of time to get to the school, they live close enough, but he needs to make a few stops first. All in all, he gets there right as the principal is starting the meeting. 
He tucks himself in a corner in the back, watching the whole thing patiently. The problem is, he can’t really see Steve. Eddie cranes his neck and bounces on his toes, trying to find a way to make it to one of the seats in the center of the auditorium, closer to the stage. 
His opening comes after the chorus does a performance, when the parents at the front scurry their students away before the meeting can continue. First off, rude, but it works in Eddie’s favor. Steve’s award is next and Eddie isn’t missing this. 
Eddie slips into the front row as the principal starts shifting gears, whispering to the vice principal as the crowd settles. 
She announces Steve to a polite applause, but that’s just not good enough for his Steve. 
His palms ache with how hard he’s clapping, just shy of letting out a loud ‘whoop’ – and he’d do it if it wasn’t for the pretty way Steve’s face and ears are pinkening up. Their eyes meet as Eddie beams. 
“Hi,” he mouths, trying so hard to not vibrate out of the seat. 
Steve’s smile softens as he gives a wave of appreciation to the crowd, eyes darting back to Eddie. As the principal sings Steve’s praise and when she hands over the microphone for Steve to say a few words, Steve’s eyes never leave Eddie’s. It isn’t until a few of his students get up to speak that Steve finally looks toward the speaker, his shy smile turning into one of pride. Eddie knows he could care less about the words themselves (it’ll be later tonight that Steve will have a crisis and finally let the kind words sink in, where he’ll cower into Eddie’s body and panic over how much these kids trust him), but rather seeing how brave his kids are for speaking to a crowd this big and doing it so well. 
The award is the last part of the meeting, so after another round of applause, everyone is dismissed. Eddie jumps up to meet Steve at the bottom of the stage. 
“You didn’t have to come,” Steve says as he jumps down. 
“I wanted to,” Eddie says. “I’m proud of you,” he adds as he bumps their shoulders together. 
“I’m just doing my job–”
“Stop,” Eddie says kindly, “you deserve this.” He grabs Steve’s hand and gently tugs him toward the exit. “C’mon, I’m taking you to dinner to celebrate.”
“What about my car?” 
“I’ll drive you to work tomorrow.”
Steve’s blush is even stronger up close, but he doesn’t fight Eddie. And it’s an absolute privilege to watch as Steve gets all shy again when Eddie presents him with flowers once they’re at the van, stammering his thanks as Eddie kisses his cheek swiftly. 
--
Ao3 Link
Thank you @lady-lostmind 💜
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