#and it hurts more the way neil's said it

[odetojupiter]

i often wonder whether the reason wymack is so lenient with andrew is bc andrew reminds him so much of himself. he’s fiercely, violently protective - something wymack can understand, as he beat his dad up for hurting his mother - and andrew is honestly a lot more aligned in the giving-people-an-extra-chance-than-they-thought-they’d-get ideology than the upperclassmen are.

think, andrew only accepting the fox contract bc nicky and aaron could get their degrees as well - something that would have been years off for aaron without a scholarship, and wouldn’t have been done at all (at least, not in the states) for nicky. think, kevin getting the chance to learn to stand on his own feet, neil getting the chance to learn to stop running, both bc of andrew. even his method of getting aaron clean gives aaron the chance to do what he wants with his life - though, it obviously could’ve been handled better, i believe that andrew chose to lock aaron in the bathroom because he knew that aaron wanted to go to med school, to become a doctor, which would have become a lot more difficult if he’d had rehab on his record. even with matt, though again his methods aren’t great, andrew gives him the opportunity to get sober for good. he’s constantly giving people the chance to deal with their issues for good, not by coddling them but by forcing them to turn around and face them head on. as far as giving out extra chances at life goes, that’s a pretty solid way to get people to turn their own life around for the better.

in fact, andrew goes out of his way to tell renee that he won’t break his neck for the upperclassmen, so that renee knows she should watch their backs. he didn’t have to tell her anything, he could’ve just left them all to their own devices, but he still gave them the opportunity for safety even tho they’d already written him off completely by that point.

idk maybe this analysis is off and ppl don’t agree with me but even in the books andrew is said to be ‘collecting strays’, which is exactly what wymack does.

just - wymack and andrew are very similar, and i love their relationship to bits.

[mothandpidgeon]

Unrequited (bfd! pre-outbreak!/Jackson!Joel Miller x f!reader)

Moth's Masterlist // follow @mothandpidgeon-updates and turn on notifications to stay updated with my fics!

pairing: bfd! pre-outbreak!/Jackson!Joel Miller x f!reader

rating: E 18+MDNI

summary: You arrive in Jackson 22 years after the outbreak only to be reunited with your best friend’s dad, the man that stole your heart and broke it when you were fourteen– Joel Miller.

contents: best friend's dad, age gap, outbreak night (nothing that isnt in ep 1), big angst, abandonment issues, brief suicidal ideation, daddy issues, grief, Joel guilt, unprotected p in v sex, reader doesn't know where Jakarta is, reader is not described physically but Joel picks (adult) reader up, moth never uses y/n.

wc: 9k

a/n: This has been a bitch to finish but I'm quite proud of where it ended up. It's the longest os I've written which makes me nervous nobody will want to read it but I hope you do.

Thank you a million times to @ezrasbirdie for making me finish this and betaing. Also thank you @lowlights for listening to me ramble on this! Dividers by @saradika-graphics

Old man, take a look at your life. I’m a lot like you. Neil Young

You’re waiting for Sarah on the front steps when she gets home. School ended nearly two hours ago and you’ve been sitting here a ball of nerves. The whole world seems to be uneasy this afternoon. You notice sirens, a team of fighter jets scrambling above. It's like your anxiety has spilled out of your chest and it’s taken life all around you. 

You finger the corner of your notebook. On the inside are doodles— hearts and bubble letters. Juvenile daydreams put to paper. Your first name and after it his last, testing out the sound of who you would be if only you’d been born in a different decade. Mrs. Miller. 

Sarah doesn’t look very happy to see you. It’s been two weeks since you’ve talked to her and you’ve never felt more lonely. 

Her words still ring in your ears. 

“It’s like you’re in love with my dad.”

“No I'm not!” you said, your whole body tingling with the heat of embarrassment. You’d never felt so exposed in your life. 

“Sometimes I think that’s the only reason you’re even friends with me,” she said. 

You've been ruminating on that accusation ever since. You pine for Mr. Miller the way only a fourteen year old can. It’s the kind of infatuation that makes you understand how Romeo and Juliet ended in tragedy. All-consuming, unrequited, so in love it hurts.

So maybe Sarah’s right. Your heart flutters every time Mr Miller appears in the kitchen, wearing a dark t-shirt that hugs his biceps. You try not to stare at his aquiline nose when he drives you home from Sarah’s soccer games. Sleep overs at the Miller’s house mean more opportunities to be around him, learn the little details that make him him. And there were plenty of sleep overs because your parents are always so busy fighting, they never bother to keep track of you. 

But you’ve been in agony without your friend. It’s a pain sharper and more present than the yearning you’ve felt for Mr. Miller. You’ve talked to her every day since you moved to Austin in fourth grade and since this fight, there’s been an empty space in your heart. 

“Hi.” You stand up, hoisting your backpack awkwardly over your shoulder. 

“I’m supposed to go next door,” Sarah says. 

“Can I just talk to you for a minute?” you ask. 

She sighs but opens the front door with her key and lets you follow her into the living room. 

“I’m sorry,” you say before you lose your nerve. “You’re right. I like your dad.”

It’s probably the most embarrassing thing you’ve ever owned up to. You wish you could explain to her that you know how silly it is to be in love with a full grown man, your best friend’s dad. It’s not like he’ll ever see you as anything other than a kid. 

You can’t put into words how he makes you feel. It’s not just his broad shoulders or chocolate eyes, though it’s undeniable that he’s gorgeous. He asks about school and comes to see you in the musical. Joel is an adult that actually gives a crap about you. 

You want to tell Sarah that one of the reasons you love her father so much is because of her. Because he’s such a good dad, because he raised such a cool, funny, smart daughter. That Sarah makes him better. 

It’ll take years for you to find words for all of that. So you just do your best right now. 

“I can’t help it. I wish I could,” you say. 

That’s true. And not just because your crush has made you lose your only friend. It’s exhausting to feel such a powerful longing, to want something you know you’ll never have. It’s torture. 

“But you’re my best friend. And that’s not why. I promise,” you say. 

Sarah sighs heavily, her pretty hazel eyes full of remorse. 

“I’m sorry,” she says. “I shouldn’t have said that. I just get jealous sometimes.”

“I promise I won’t make you feel that way ever again. I could never like him more than you,” you tell her, sitting beside her on the couch and looking her in the eye so she knows you mean it. “He’s…old.”

You both laugh. 

“He’s so lame. This morning he said that Jakarta is in the Middle East,” she giggles. 

You don’t know where the hell Jakarta is but of course Sarah does. You throw your arms around her. You’ve missed her so damn much. The past two weeks have felt like two decades. 

“I’m sorry,” you tell her. 

“Me too.” She returns your embrace. “Do you have to go home? You can sleep over if you want. It’s my dad’s birthday but I don’t think he’s going to be home until late.”

Your heart twinges at the offer and not because it means you might see Mr. Miller at breakfast. You won’t even look at him again. Tonight is about your friend.

You end up watching some corny action movies and gorging yourselves on microwave popcorn. Everything feels right again. You don’t think about Mr. Miller. In fact, you’re grateful that his double has gone over into a late night so you don’t have to be in the same room. You’ve sworn to yourself that you’ll act normal around him but you’re not sure that sheer willpower can stop you from getting butterflies when he’s right there. 

At some point, you pass out in front of the tv, happier than you’ve been in a long time. 

Sarah nudges you awake sometime after midnight, concern all over her face. 

“Was I snoring?” you ask, groggy. 

She’s looking out the window. Helicopters fly so low overhead, the whole house rattles. It’s a wonder you slept through all of this noise— the choppers are joined by the wail of a car alarm, pops like fireworks. The TV is playing a high-pitched tone and when you peer at it, you see a test pattern on the screen. 

Dread settles in the pit of your stomach. 

“Something’s going on,” Sarah says almost to herself. 

A sudden thud against the back door makes you both jump. You swear, shaken out of your sleepy haze. 

“Mercy?” Sarah asks. 

You’ve spent enough time with Sarah to become acquainted with their neighbors The Adlers and their border collie Mercy. Mr Adler used to pay you each a dollar to walk him. Mercy’s frantically pawing at the glass. 

Sarah goes to the door and steps into the yard. You follow, unsure you want to leave the familiar safety of the house but unwilling to be alone with such an eerie feeling in the air. 

“What’re you doing out here, boy?” Sarah says, crouching down to pet the whimpering animal.  

“Where’s your dad?” you ask her. 

You hope the question doesn’t make Sarah think you’ve already forgotten your promise. Everything’s just so wrong. You’d feel a lot better with an adult around. 

“Don’t think he came home yet,” she says. You can hear the concern in her voice. “Let’s take Mercy back. The Alder’s will be home.” 

Mercy puts up a fight as Sarah pulls him across the lawn. It’s late and dark save the street lamp and a few porch lights that have been left on. You shiver despite the fact that it’s a warm southern night. 

The front door to the Adler’s house stands open and inside is black. No. Bad. You want to run back to the Miller’s house and lock the door behind you but the promise of Mr. And Mrs. Adler inside keeps you moving towards the darkened entrance. Maybe Mrs. Adler will give you some cookies while you wait for Mr. Miller. 

Sarah steps in first. The dog bucks and strains against her grip on his collar. Sarah fights to keep hold of him but Mercy’s thrashing makes him hard to pin down. He pulls free from Sarah’s grasp and darts away. 

You have half a mind to do the same but Sarah keeps going forward. She’s scared, too, her breaths shallow as she tip toes down the hall.  

“Mrs. Adler?” Sarah asks, her voice barely above a whisper. 

You reach for each other without even realizing it and you enter the kitchen holding hands. 

What you see there is beyond your wildest imaginings. There’s blood, a lot of it. Sarah’s shoe slides in the stuff and you grab her before she loses her balance. The room is cast in shadows but a street light streams through the window in the side door. Its beam falls over the form of Mr. Adler, limp on the floor. His back is against the door and a gush of dark blood sparkles in the sodium vapor. 

You’ve never seen so much blood, never seen anyone injured so brutally. It looks like he’s been attacked by some wild animal. Mercy was acting strange but the dog couldn’t do that.

“Help me,” he rasps. 

He’s speaking to you. You’re actually here. This is happening and you need to do something. 

But before you can form a coherent thought, your eyes travel deeper into the kitchen. Beside the island is more blood…and more bodies. 

As if seeing Sarah’s neighbor with his neck ripped open wasn’t enough of a horror, you’re now watching Nana hunched over Mrs. Adler’s corpse, her face buried in the younger woman’s neck. The scene before you makes no sense. Most of the time the old woman is barely conscious, hasn’t left her wheelchair in years and yet she’s on all fours before you looking feral. 

Sarah squeezes your hand so tight you’re afraid your knuckles will break. 

Nana slowly raises her face to you. Her eyes are pitch black and her mouth teems with twitching tendrils. You are staring at a living, breathing monster. 

When she leaps at you, you and Sarah bolt for the door. Your heart hammers against your ribs. Sarah makes it out first and races towards the sidewalk. 

Once you’ve gotten onto the front step, you slam the storm door shut behind you to trap whatever that thing is inside. SLAM. Nana collides with the door and it rattles violently. You hold it closed with every ounce of strength in you, listening to the creature behind it scratch and wail and willing yourself not to look through the glass to see its horrible face. Terror holds your muscles taught. You’re not sure how long you can stay like this, your sneakers skidding across the ground. 

With a roar, Uncle Tommy’s truck pulls up at that very moment and Mr. Miller hops out of the passenger seat before its even come to a full stop. He’s a fearsome sight, broad and rippling with untamed energy, his muscular arms outlined by the headlights of the car. You’ve never been more grateful for his presence. 

This nightmare is almost over. Joel’s come to save you. 

“Girls get in the car!” he bellows. His voice is raw and ragged. 

Just as you’re ready to make a run for it, The door flings out towards you, and you’re thrown aside as if you weigh nothing. You hit the driveway hard, your head connecting with concrete. 

For a moment, you can’t hear anything but the gush of blood pumping in your ears. You’re dizzy. Suffocating. There’s a warm trickle at your temple. Sarah calls your name. Your vision is blurred but you can make out the ghoulish form of the creature barreling towards her. 

“What’re we doing, Joel?” you hear Tommy ask.

There’s a thud and then quiet. 

You gasp again and again but your lungs won’t fill. 

Are you dying? Help. You need help. The monster lays lifeless at Joel’s feet and you pray that he’ll scoop you up and take you away from this. Your eyes finally come into focus to see Mr. Miller comforting Sarah, holding her face in his big palms, so fixated on her that he doesn’t notice that Mr. Adler has appeared in the doorway. 

Mr. Adler is still covered in so much blood and his gait has become twitchy as if his legs are on backwards. He moves towards them and you want to call out a warning but you’re still choking for air. Luckily he hasn’t noticed you but he soon stands between you and the Millers. 

“We’ve got to move,” Tommy says. 

“Get in the car,” Mr. Miller says to Sarah, throwing a protective arm in front of her. 

“But she’s hurt!”

She steps towards you. You’d cry her name but you’ve still got the wind knocked out of you and you’re too terrified to make a noise. Mr. Adler makes an inhuman sound as he advances, a croaking, growling gurgle. 

Mr. Miller pushes Sarah towards the truck. 

“Leave her!” he barks. “Get in the car!”

You sputter and choke as you watch Sarah, Joel, and Tommy drive away. 

You wait for a long time. 

As the truck pulls off of the curb, Mr. Adler is joined by his wife in the street, making chase. You’re finally able to draw breath and rouse your body off of the ground. You scramble back across the lawn to the Miller’s house and lock yourself inside. There’s enough adrenaline coursing through you that you’re able to push the sofa to barricade the front door. You draw all of the curtains and grab the biggest knife you can find in the kitchen. It’s ridiculous, something you’ve seen in scary movies, but you’re living in one right now. 

You hide yourself away. Sarah’s bedroom seems like the obvious place to do it. Familiar and safe. You curl yourself into a ball in the corner, clutching your knife and staring at the closed door with wild eyes. 

Sirens go through the night. Gunshots. At one point even the roar of a jet engine. 

For hours your body quivers as you try to make sense of what you’ve just witnessed. Flesh-eating mutants. Gore. Death. You keep waiting to wake up from a bad dream but you don’t. They left you. They abandoned you in a nightmare. 

No. That’s impossible. You can accept that a comatose elderly woman made supper out of her son in law but you refuse to believe that Joel would desert you. 

He’ll come back for you. Sarah will convince him. There’s always been room for you in their family. 

But as the sun begins to peek through the blinds and the noises outside fade away, you begin to lose hope. 

The muscles in your body go slack, exhausted from hours of uncontrollable shaking. Your instinct for survival and your need for sleep war with each other. Exhaustion is winning. 

You cautiously open the door to Sarah’s room. The house is still, more quiet than you’ve ever experienced. You creep into the room at the end of the hall. The olive green sheets on Joel’s bed are still messy from when he woke up here the day before. A normal morning. His birthday. 

You rest the knife on the night stand amongst the things he emptied from his pockets— coins, receipts, a stray nail. You slip into the bed and wrap yourself up. It smells like him— spicy deodorant and sweat, fresh cut lumber like the hardware store. The scent reminds you of all those times he was close, when your heart leapt. 

They’ll come back. Mr. Miller wouldn’t leave you. 

He left you to die but you just go on living.  

It takes some time before you’re brave enough to leave the Miller’s house and see what’s left of the world. Your parents are nowhere to be found. It’s safe to assume they were infected that first night. 

You’re on your own. 

A QZ is set up outside of San Antonio. They assign you to housing for separated minors. An orphanage. You never make friends, not really. Trust is too fickle.

At night you lay in your bunk and wonder what life would be like if anybody gave a shit about you. Maybe you would have been with your parents when it all went down. You’d be a snarling monster but at least you wouldn’t be alone. 

On the worst nights, when you like yourself the least, Mr. Miller’s words echo around your skull. “Leave her.” She's not worth it. Forget her. 

You don’t imagine yourself in his arms anymore. Instead you picture him and Sarah and Uncle Tommy, all happy and safe hiding out somewhere idyllic. A sweet little cabin with a stream nearby, surrounded by peaceful woods. You’ve heard some people live like that.

Some days you wish you were with them. Others you wish they were all dead. 

When you turn 18, you age out of your living situation. It couldn’t come soon enough. Things are changing and it seems like all the kids that stay in FEDRA school are being groomed to go straight into uniform. You dodged that bullet but life’s not easy. Now you’re well and truly alone, scraping by to keep food in your mouth and a roof over your head. 

It only lasts a few years, though. By the time you’re 21, there’s an emergency evacuation. Outbreaks are happening within the walls and with so many people living on top of each other, it’s only a matter of time before shit hits the fan. They send swaths of people to Dallas but word is, there’s no room for such numbers and they consider everyone from San Antonio an infection risk. 

You’ve heard enough stories to know what that means. There won’t be a warm welcome when you reach the next QZ. So you ditch the convoy and head north. 

You bounce around for years, sometimes with others, a lot of time solo. Doing what you have to. It’s not a life, just survival. 

By the time you reach the wilds of Wyoming, you’ve had enough. You break off from the group you’re traveling with. You leave them this time, just decide to walk into the forest and let the earth swallow you up. You’re exhausted, sick of hanging on by a thread. Too much of a coward to kill yourself, you wander around waiting for the cold or your hunger or a bear to do it for you. 

They find you. Some scouts that look mean and tough take pity on you and offer you a place with them in a commune where things are half normal. 

It’s the first time being alone has worked to your advantage.  

Jackson is a strange place. It has walls like the QZ but it’s quaint. There’s laughter and evergreen wreaths, happy children that build snowmen in the center of town. Some of these kids have no idea how fucked up the world has become. All they know is this charming little haven. 

You spend the first few days in the infirmary, getting patched up, regaining your strength. You feel like an animal compared to the people in your new community. It’s hard to accept that they’re willing to help you, no strings attached. 

Eventually you’re well enough to have your own place. They set you up with a little apartment over one of the stores in town. You’re invited to take your meals in the dining hall. 

It takes you back to those first days at your new middle school after you came to Austin. Unfortunately, this time Sarah’s not there to offer you a seat at her lunch table. 

You keep to yourself, overwhelmed by all of the strange new faces. Head down, you eat your breakfast. It’s the best food you’ve had in years. As your belly fills, you start to relax and try to get used to the idea of this being home. 

Then you hear a familiar voice say your name. You wonder if you’re hallucinating when you see him standing in front of you. 

He’s gained a few decades but he looks good. His hair is nearly shoulder length and there’s a mustache on his upper lip but that’s him alright. 

“Uncle Tommy?” you manage. 

“That really you?” he asks. 

Tommy puts a gentle hand on your shoulder. His smile wrinkles the corners of his eyes. You nod and you’re smiling too.  

You expect to be upset. Tommy was there when you were abandoned after all. But you’re flooded with relief and a small flame of hope. 

“Shit. What’re the chances?” he asks, studying your face. “C’mere.”

He pulls you through the lines of tables. Your head spins with questions. How did he end up in Wyoming of all places? How long has he been here? Did you actually die out there only to be sent to this strange afterlife? 

“You remember this old son of a bitch?” Tommy asks with a chuckle when he stops at the table in a far corner. 

And suddenly you’re face to face with Mr. Miller. 

He’s old. Grey hairs run through his stubble and curl from his temple. There are deep lines in his face. He’s still good looking despite how weathered his features have become, still broad, still with that wonderful silhouette.

It’s funny. In your mind’s eye, you’ve never imagined Joel aging. He stayed the same while you grew up. 

He looks at you for a long moment and then his thick bottom lip falls agape. His eyes glitter and his dimple appears as he recognizes the woman that you’ve become. 

“Kiddo,” he whispers as he stands up. 

He pulls you into a hug and his wide palm smooths down your back. He still smells just how you remember and without warning you’re sobbing into the front of his flannel. 

You spent hours upon hours imagining what you might say if you ever saw him again. Sometimes it was a speech biting with venom, others a confession, a question. Now, though, your mind is blank, overwhelmed that fate has brought you back together. A testament to your survival. 

“It’s alright, babygirl. You’re okay,” he says into your hair. Words you needed to hear all those years ago. 

You stay like this for a long time, surrounded by him. He holds you the way you wished he had as you cried into his pillow in that empty house. Eventually you pull yourself together with a shaking breath. 

“Where’s Sarah?” you ask, casting your eyes around the crowd in the mess hall. 

There’s a girl sitting beside Joel, her curly hair pulled back into a ponytail, watching this scene unfold. Everyone else is polite enough to pretend you’re not bawling in the middle of lunch. Can’t be the first time it’s happened. 

At your question, Tommy goes stone faced. The muscle in Joel’s jaw ticks. 

You shake your head in disbelief. “Infected?” you squeak out. 

“It wasn’t like that,” Joel chokes. 

“She didn’t make it through that first night,” Tommy says. 

It’s a punch in the gut, the air’s knocked out of your chest all over again. While it had crushed you to be abandoned, part of you understood. Joel had to choose and he picked his daughter. Even if he’d been in love with you the way you used to dream about, he always would have chosen Sarah. You couldn’t hold that against him, no matter how much it hurt. There just wasn’t anyone in the world that would have saved you. 

But knowing that he failed her, that he failed you both, makes you sick. All those years of bitterness come flooding back to you and your tears turn hot and furious. 

“You let her die?” you demand. “You told her to leave me behind and you didn’t even save her?” You push Joel, your hands against the wet spots you left on his shirt. It’s ineffectual. He barely moves against your pathetic shove but his face crumples. You know he hates himself as much as you do in that moment but that’s not enough. You hit him as hard as you can and he does nothing to defend himself. 

“Hey, hey,” Tommy says, trying a hand on your shoulder. 

“You should’ve saved her,” you bark. 

Heads have turned now as Tommy holds you back. 

“I hoped you were dead every day since you left me,” you say. 

You can see on his face that Joel’s definitely wished the same thing. 

You go on berating him, your tears mixing with spit as you snarl and shout, until Tommy’s able to wrestle you out of the dining hall. 

The summer comes. After a long, cold winter, everyone in Jackson welcomes the change of seasons with open arms. Everyone but Joel. 

Ellie was a salve for the deep wounds on his heart. They’ll never fully heal but at least they stopped overwhelming him for some time. Since your dramatic reunion, though, those scars have been torn open once more. Especially today. 

It’s warm and there’s barely a cloud in the sky. The July weather is mild compared to summers in Texas. Fresh air blows in through the open windows of the house, beckoning Joel outside but he has no desire to be in the sunshine. 

“You okay?” Ellie asks. 

She’s just come down the stairs. It’s early and Joel’s already at the kitchen table. Didn’t sleep much. 

He and Ellie have been together long enough that she understands the wordless shifts in his moods. They’ve gotten worse since you arrived in Jackson. He does his work and patrols, sometimes he nurses a whiskey alone at the bar. The rest of the time he keeps to himself. He’s sliding back towards the man she met back in Boston. Joel’s rebuilt the walls that surrounded him, brick by brick since that afternoon in the dining hall. 

“I was going to meet Dina at the mess. Want to come? Or I could stick around?” she offers. 

It’s going to be one of those dark days, the kind that makes him question why he’s been hanging on for so long, and Ellie knows it. She’s giving him a lifeline, offering to be with him so he doesn’t have to ask. He should accept it, but he doesn’t want to waste his energy putting on a brave face for her when he feels so broken. 

“That’s alright, Ellie. Go on,” he says. 

She doesn’t push him. She never does. She just gives a sympathetic smile before she slips out. 

Once seems gone, his heart begins to ache. 

Sometime later, there’s a knock at the door. The last person he expects to see on the porch is you. You look a little nervous, like if he’d taken longer to come to the door you might’ve bolted. 

He hasn’t spoken to you since that day that you came back into his life but the words you said play relentlessly on loop in his mind. He should have made amends by now. You were his daughter’s best friend and of all the places at the end of the world, you’ve ended up in the same town. He passes by the old pharmacy you live above just about every day, thinks about seeing if you’re in so you can have a conversation. He even knows what he’d say, but he can’t work up the courage. There aren’t any words that can make right what he did to you. 

The guilt metastasized deep in his gut. His failure compounded. 

So he doesn’t blame you for keeping your distance, avoiding him when your paths cross. He lets you be angry with him, as he deserves. 

“Want some company?” you ask. 

He recognizes the look on your face and it dawns on him that he might not be the only person struggling today. He steps aside to let you in. 

Joel sets a cup of tea down in front of you. It’s not the real thing. Dried herbs from the garden Maria keeps. You’ve taken a seat across from him at the table, glancing around the kitchen so you don’t have to look at him. 

“Surprised you remember,” he says. 

“My best friend’s birthday?”

He shrugs as he pulls up a chair across from you. “Was a long time ago.”

“I think you underestimate the power of female friendships.” 

You wear a soft smile that makes Joel’s heart ache a little harder. He takes a good look at you, seeing you up close for the first time. There are hints of the girl he knew back in Austin but she’s buried under years of hard living. 

You’re the same age Sarah would have been today. The same age he was when he lost everything. 

You sigh and scratch awkwardly at your neck. 

“Listen, I’m sorry about…all that shit I said. It’s…” you trail off and he’s sure you’re still mad at him, deep down. 

“I reckon I’m the one that owes an apology. I shouldn’t’ve left you back there. Sarah begged me not to,” he admits. “I was trying to keep her safe. But I fucked that up, too.” 

“That’s not true. I was just angry,” you tell him. 

“I was always so pissed at your parents for not caring enough about you. Turns out I was just as bad,” he says. 

He hadn’t given any thought to the choice he made all those years ago. His priority was his family and he had no room for the rest of humanity. Joel didn’t realize until he saw your face again just how selfish that had made him. The past months he’s been haunted by the thought of it, a young thing all alone in the chaos. If Sarah’s watching over him, which sometimes he hopes she is, she’d be ashamed. 

“I’ve had a lot of time to think since I got here and…I don’t blame you. I’m not your kid. It just—“ You laugh without humor. “God, it’s so stupid but I had a huge crush on you.”

Joel’s eyebrows shoot up. You fiddle with the chipped handle on your mug.

“I know. I was just a kid but I was head over heels for you,” you say.

Joel can feel himself blushing. It’s a sweet thought. He’s honored in a strange way. He remembers the gravity of Sarah’s crushes– Leonardo DiCaprio, Usher, some guy with a lip ring from one of those punk bands she listened to.

“So when you left me…I was a little heart broken.”

“Shit,” Joel says. 

“I didn’t say that to make you feel bad. I just wanted you to know why I was so hurt,” you tell him, leaning forward in your seat. “You didn’t know any of that. And it’s not fair to hang that over your head. It wasn’t your job to rescue me.”

“Course it was,” Joel responds. “You were just a kid. I let you down.”

You look at him gratefully and a tear slips down your cheek. It takes a minute for you to fully take that in and it seems like something you’ve needed to hear. 

“Joel. I forgive you,” you tell him. 

A thick knot forms in his throat. 

There’s a litany of names in his mind, so many people he’s failed. Henry and Sam. Tess. Sarah. He’s never expected to be absolved of any of his sins, he doesn't deserve to be forgiven. But those three words make him feel lighter, like he can stop beating himself up. At least for a moment. 

He tucks his chin into his chest trying to keep his own tears from spilling over. Your hand slips over his, a gentle, reassuring touch. 

The two of you stay like that for a little while, crying together, then becoming reacquainted. You talk for a long time. There’s a lot of catching up to do but the conversation keeps coming back to Sarah. It’s a gift to share memories of her, to hear stories that he’s never heard. You knew Sarah better than anyone in the world— her favorite store in the mall, what she wanted for her birthday. Her hopes, her dreams, her fears. No fourteen year old goes to her daddy with her problems. You were there for her, though. Right up until the end. 

“I, um, you should have this,” you say. “Well, it’s yours.”

You and Joel have migrated to the couch in the living room as the afternoon has crept on. You reach into your back pocket, a little reluctant, and pull something out. 

It’s a photograph, dog eared and creased from years of being carried with you. Joel recognizes the picture— you and him and Sarah, all three of you donning life jackets, smiling as you float on a calm river. He and Tommy took Sarah kayaking and she asked if you could tag along. It was a wonderful day. Blue, cloudless sky. 

The last time he saw the photo it was hanging under a magnet on the refrigerator in the kitchen. 

“How’d…”

“I stayed in your house for a while. After. Just kind of hoping you might come back. I took that when I left. And I ate all your food,” you say with a little chuckle. You wipe some snot from your nose. “I guess…well, you probably don’t have a lot of pictures of her.”

You’re right. There was an outdated school photograph in his wallet when they left that night and it had been too painful to look at for years. It still stings a little but it feels easier to share with someone, someone that knew her so well. 

“You sure?” he asks. 

You nod. “I know where to find it.”

He props the picture up on the coffee table so you can both look at it and meditate on that day when everything felt so perfect. 

“Remember we made you play “Crazy in Love” on on repeat the whole way there?” you ask. 

“I still get that goddamn song stuck in my head,” he complains. 

You laugh and rest your head on his shoulder. The familiar gesture cracks something open inside of him. He’s taken back to his favorite nights when he’d watch a movie with Sarah and she’d cuddle against him. Somehow the memory doesn’t hurt as much as he anticipates. 

You sit like that, looking at the picture, both quiet, your smiles fading as you remember what’s happened since. 

“Sometimes I think I see her,” he chokes. 

He’s never told anyone that. But it seems like you might understand, He trusts you won’t meet his admission with a pitying smile. 

“How’s she look?” you ask. 

He can’t help but chuckle. He nods. 

You don’t say anything, you just burrow your head a little deeper into him. Joel puts a gentle kiss in your hair. 

You’re a fixture in the Miller house once again, part of the family. You babysit for Maria and tell her embarrassing stories about Tommy. You and Ellie tease Joel relentlessly. You sit with him in the evenings, sometimes singing along when he pulls out his guitar, other nights neither of you speak at all.

Slowly, you find yourself falling in love with him all over again. It’s not the same infatuation you harbored when you were young. You’re both different people. And you hardly knew him back then. Not really. What did a fourteen year old know about grown men?

The two of you fall into an easy rhythm. After being alone for such a long time, it’s magical to have a companion. Joel seems grateful for the company, too. He’s there whenever you turn around, like a promise. He’s not leaving you behind even if you’re just going from the stables to the library. 

Neither of you acknowledge it, this easy rapport. A light squeeze on your shoulder, holding your hand when you get misty eyed. He probably doesn’t mean anything by it but you’re pretty sure you can’t live without it. You bask in the sweetness of these exchanges, trying not to think too hard about the fact that you used to spend Saturday nights giggling on his daughter’s bedroom floor. 

He’s still Mr. Miller, after all. 

Autumn comes and you’re inseparable. You realize just how much when you convince him to attend the children’s choir performance in town. You expect him to demure. Watching kids being kids must be painful. But he’s by your side in the dining hall as the little ones sing “Clementine” and “Oh Susanna”. 

He puts his arm around your shoulder so you can lean into him. It might just be a paternal gesture, maybe you’re still a little girl in his eyes. That’s ok with you if he keeps absentmindedly massaging your upper arm. You can’t remember the last time you felt so safe, so loved. 

Afterwards, he walks you home and you’re in such a good mood, you start singing to yourself.

“Johnny Cash,” he says approvingly. 

You laugh to yourself. “You know, I started listening to him ‘cause of you. You had his CD in your truck,” you admit.  

You wanted to like all of the things Joel liked. He would think you were so interesting and grown up because you knew all the words to “Riders in the Sky.”

“Least I was a good influence,” Joel says, shaking his head, his cheeks turning pink. 

He’s so handsome when he blushes, you feel a little giddy when you come to stop in front of the old pharmacy. 

“G’night, darlin’,” he says, giving your hand one last squeeze. 

He waits. He’ll stand here and watch you get inside like he always does. He doesn’t need to— it’s not like people even lock their doors in Jackson— but he’s insisted on it so fervently that you stopped arguing. 

You shouldn’t do it. It’s so silly. But there’s a softness in his eyes and his gentle touch still tingles on your arm. His salt and pepper hair is caught in the string lights that line the empty street. You can’t help yourself.  

You kiss him, smoothing your palms up the front of his flannel until you sink your fingers into the curls at the base of his neck. The tip of his nose is cold from the chill in the evening air but his lips are warm and sweet. 

You haven’t had a whole lot of experience kissing. You’d just started doing it when the outbreak happened and things haven’t been very romantic since. This is one of the better ones. Relatively chaste but unbearably tender. Certainly better than you could have imagined all those years ago. 

It lasts longer than you expect. Joel kisses you back. He rests his hand on your waist and the way it covers so much of your back makes you swoon. Soon, though, he’s pulling away, cradling your cheek. 

“We shouldn’t do that,” he says.

“I know,” you sigh. You’re reluctant to break away, savoring the brush of his nose against yours. 

It’s all wrong but you’re not ashamed for trying it. 

“Just once. I’ve always wanted to,” you say. 

He presses his lips into your forehead. It feels bittersweet. A kiss you longed for for twenty years came and went. 

You wave to him from the door before you go in for the night. 

That kiss confirms Joel’s fears.

He’s spent months convincing himself that this is completely platonic. He would never have feelings for his daughter’s best friend. Even if he always wants to be around you.   

He’s looking after you, comforting you, protecting you. He’s making up for those years that he made you suffer through. You forgave him but he’ll never stop atoning. 

And then you kissed him. 

Suddenly, he’s buried in an avalanche of thoughts he’s been disavowing. 

You’re pretty and soft. You're strong and you ease the pain of his memories. You make him feel a little less alone. 

The warmth of your lips, your body pressed to his. He was ready to lose himself in you. 

That’s when he heard it. 

It was Sarah’s voice chiding him with all the reasons why this is wrong. 

She’s been in his head, his inner critic since the day she died, pointing out every failure and weakness in him. He could picture her looking down on him with disgust. She’s the same age as your daughter. She was just a kid when you met her. She deserves better than you. 

He’s making the same mistake as before, letting his instinct get the better of him. The responsible part of him takes control. He can’t give you any more reasons to try and kiss him again. 

If Joel is good at one thing it’s denying himself. 

He backs off and you can sense it, he knows you do. Sometimes he catches you looking at him and there’s a longing in your eye. It fucking kills him but it’s just another reason why he’s no good for you. 

Despite whatever it does to you, you haven’t got anybody else in Jackson so you stick around. He can only imagine how much it hurts you. 

“Why did I go north?” you complain when Joel opens the front door. You’re holding a scarf tight around your neck, shivering against the cold. The sky is a dismal shade of gray, snowfall on the horizon. 

Joel gets you in the house with a chuckle. He starts a fire, a luxury you little apartment doesn’t afford. You shiver in front of the hearth. 

“Traded for this,” you say, pulling a thick book out of your coat and tossing it onto the coffee table. 

“Oh good. I was looking for some light reading material,” Ellie quips from her spot on the couch.  

“It’s a dictionary,” you explain, “so you’ll quit cheating at Boggle.”

“You're in trouble now,” Joel laughs. 

“I don’t cheat. I just know more words than you guys,” she says. 

“Dentment is not a word,” you reply. 

“Neither is thoard,” Joel says. 

“Sure it is. I’m about to thoard the two of you in this game,” she says.

This should be enough. A winter day by the fire. The simple joy of a board game. Laughter. This is practically a normal life. 

But each time Joel’s eyes fall on you, there’s a pang in his chest. You’re just close enough that he could reach out and touch you but he won’t. He can’t.  

When the sun sets, Ellie retreats to her room. Eventually, you fall asleep on the couch, wrapped up in a quilt as the fire dies down. You look even younger, curled up serenely. There’s no worry on your brow. Usually your face is in a perpetual frown even when you’re not in a mood.   

The snow is already knee deep with no signs of slowing. There’s no sense in sending you back out there. 

Joel scoops you up as gently as he can. He feels his age, back straining, but he doesn’t mind. He enjoys how you nestle your face into his chest as he mounts the stairs, warm and snug in his arms. A smile pulls at his lips. 

He sets you down carefully on his bed and you whimper groggily at the loss of his touch. Your eyes crack open. 

“Snowing pretty bad. Sleep here. I’ll be on the couch,” he whispers. 

“Stay,” you murmur. 

He hesitates. Carrying you to bed was already crossing a line. He’s not worried about keeping his hands to himself. He’s been able to control himself for this long. If he lays down next to you, feeling you warming his sheets, smelling the peppermint soap on your skin, he’ll be so far gone for you, there’ll be no coming back. 

But denying you this simple request feels cruel. He imagines you waking up here all alone. You’re half asleep but what if you remember asking him to remain only to be abandoned again?  

He gets into bed, still fully clothed and careful to stay on his side. His jaw is clenched so tightly his teeth hurt. You give a satisfied hum and sink back into sleep, your body melting into the mattress. 

Joel watches you for a moment, fights the urge to put a kiss on your forehead. He crosses his arms and stares at the ceiling, beginning to tangle with the web of emotions that accompany you. Once it gets too confusing, he drifts off as well. 

When you reach out for him in your sleep, he can’t deny you. Joel tries his hardest to pretend it doesn’t feel good, that this isn’t something he’s wanted to do. So he imagines the nightmares that come to you. Reminds himself that you wouldn’t have seen any of that shit if he hadn’t left you for dead. Now that you're in his arms, he’ll make sure nothing touches you ever again. The least he can do is hold you and make sure it goes no further. 

You both find reasons that you should stay the night. Neither of you acknowledge it. Joel just hands you one of his t-shirts and busies himself as you slip out of your clothes and get under the covers. It’s all rather innocent, Joel does more than rub your back even though you sometimes feel his morning wood through his sweatpants. If he wants you, he doesn’t let himself have you. And he could. 

It’s fine with you if cuddling is all this is. You don’t try to do anything more than that, unwilling to upset the unspoken agreement between you. You can be satisfied with a broad, firm chest to rest your back against. Sleep is better beside him, his heart beats guiding your own. The weight of his arm draped across you makes your body feel deliciously heavy.  

After a while, though, it happens. 

Joel’s having a nightmare. His murmurs and restless movements wake you. His mouth twitches and his brow is creased. You smooth circles into his shoulder until his eyes open. Even in the darkness you can see the despair in them. 

He blinks, coming back to reality, remembering he’s not wherever his dreams took him. You brush your fingers through his hair, gazing at one another as his breaths even out. Normally, his age is obvious– the lines in his forehead, the sun spots on his cheek– yet right now he looks young. Like a boy that needs to sleep with a night light. 

You’re not sure who initiates but you find each other in the dark. At first he’s not kissing you at all, his lips are just brushing your cheek or your nose. It’s sweet and gentle. You try to hold in a moan, worried that any noise might shatter this moment. 

The kisses are timid as if you’re both waiting for someone to stop this. Joel lets out a shuddering breath against you. This is a bad idea, you’re both thinking it. After you kissed him the last time, he held you at arms length. When this blows up, you’ll lose him entirely. But you need to be closer to him. 

You open your mouth to him, tangle your legs between his. His hand slides under your shirt, roaming your bare skin. You thought that snuggling under the blanket was enough but now you realize just how hungry you’ve been to be touched. Really touched. He needs it too. Joel leans into your hand on his jaw with a whimper. 

You don’t open your eyes. You might be the one dreaming and you don’t want to wake up. 

It’s quiet, just the sound of hot breaths and desperate kisses, the swish of the sheets as you shift your hips to meet his. You keep yourself from rocking against him, try to enjoy the feeling of him without crossing yet another line, but you’re aching. His shirt has ridden up so you feel the softness of his middle, the light hairs on his chest. Your fingers intertwine with his as his mouth trails down the column of your neck and. Joel buries his face there. 

“I’m sorry,” he breathes. 

You’re not sure what he’s apologizing for. This? Then? The years in between? None of it matters because you want to live in this moment forever. 

You shush him, pull him back to your mouth. You’re ready to lose yourself, to forget, to ignore the storm of thoughts constantly plaguing your mind. This is all you want. 

You peel off your clothing, helping him slide out of his sweatpants until there’s nothing between you. Joel’s skin is warm and soft against you and you realize you’ve never been this close to another soul. 

When Joel settles over you and you feel him throbbing between his legs, you shiver with nervous anticipation. You expect him to say something, to warn you that this is a bad idea, to promise this won’t change anything. But his brown eyes look as confused with need as you feel. There’s no room for thinking or it will crush this fragile moment like glass. 

You tilt your hips to allow him in, already slick from being so close to him. 

Slowly, he enters you, kissing you all the while. He makes a choked sound, wincing as his body stills. The noise makes you clench around him. 

Together you take a moment to get your bearings and you adjust to the fullness of him. Joel’s eyes are pressed shut, his teeth digging into his bottom lip. 

Before he begins to move, his thumb finds your clit, grazing it lightly. After years of solitude and now months being just out of reach of him, the sensation makes you gasp sharply. 

You’ve had sex a handful of times. They had been more about fulfilling a self destructive urge than a desire for pleasure. It’s never been like this. 

You start to lose sense of everything but the feelings of your body. Your core tenses and your breaths go short and you start to forget that it’s Joel whose hips are stuttering into you. It’s as if this euphoria can erase some of those awful memories. 

Soon you’re shattering beneath him, a crescendo that has you tugging on his hair and gasping for air. Joel grunts into your ear. He follows after you, hissing as he pulls out of you. He pulses into his hand, his release dripping from his fist onto your sweat damp skin. Then he collapses onto you. You run your fingers through his long curls and he kisses your forehead. There might be tears in your eyes– maybe his too. It’s too dark to be sure– but when his breath evens out, it still sounds ragged against you.

Eventually he gets out of bed and leaves the room and, in that moment, you can feel everything hanging over your head again– what you’ve just done, the horrors of the world. Perhaps even more intense than before. 

But Joel returns quickly. He flicks on the light on his bed side table and cleans you with a damp rag. His touch is gentle, reverent, and his dark eyes travel over your naked skin to yours. There’s a question in them, guilt, but you have no regrets. You smooth your hand out on the sheets beside you and he lays back on his pillow. He surrounds you with his massive arms and you fall asleep grateful that you don’t feel abandoned anymore.

You worry that it was just a one time thing, try to accept that it might never happen again. But the next time you share Joel’s bed, he’s pulling you into him, pressing kisses into your shoulder, nuzzling at the spot behind your ear. His hard length prods at the small of your back. 

It starts like that every time. Intimate, sensual, quiet. It’s never tearing his clothes off or pushing you up against a wall. You just stay close, breath each other in, trail fingertips across skin. Neither of you ever speak above a whisper.  

Joel barely talks at all except to ask, “That too much?” and “Feel good?” 

You live for the moments when his hand skates over your hip, his dark eyes soft. 

“Pretty,” he says almost to himself. 

He’s such a beautiful man. Your fingers trace the smooth plane of his chest, dusted lightly with hair and a few stray freckles. Age has only improved him. The greys in his stubble catch the glow from the lamp on the nightstand. You study him with the same attention to detail you used in your youth. The cleft in his bottom lip, the dimples on his lower back, the scar on his temple. You’ve memorized it all. 

Joel breaks open for you. He lets you see him vulnerable. He’ll fuck you with thrusts that shake loose deep emotions. Just as quickly, he’ll hold you together when it feels like you’re falling apart. 

You lay with him after, sticky with the shared heat of your bodies but reluctant to roll away and break the connection. 

Whatever this is, you don’t speak its name. There are too many questions and conflicts that it might not withstand. It exists only for you and him. A safe haven in the chaos, a bit of respite at the end of long years. 

In his arms, you’re not his dead daughter’s best friend. He’s not the man that left you when you needed him most. You’re just two people that need to not be alone. Each time, it’s the same. The overwhelming bliss of Joel making love to you is second only to the understanding that he’s finally come back for you. 

Thanks for reading! I'd love to hear from you. Comments and reblogs always appreciated.

[ninyard]

Thinking about how Andrew choked Kevin when he realised Neil was missing.

Andrew who would kill anyone who looked at Kevin the wrong way. Andrew who would stab whomever if it meant Kevin was safe. Andrew who saw a broken raven and said I’ll protect you and meant it and kept that promise like his life depended on it.

Andrew who nearly killed Allison because of a promise. Andrew who would’ve never talked to Neil again because of a promise.

Yet when there was ambulances and injured foxes and you were amazing before Neil’s gear with his phone, with a 0 on screen and a Baltimore caller ID, Andrew turned on Kevin.

Can you imagine being the other foxes and watching that happen? Knowing what Andrew would do to them for so much as breathing at Kevin in the wrong direction, now Neil was missing and Andrew was hurting Kevin and something is happening here.

Andrew and Kevin don’t have the luxury of a second language to talk to each other in, either. Whereas secrets were usually shared in French and German so the others couldn’t understand, now there’s nothing to hide behind, and Andrew doesn’t care either. Where is Neil, who is he, who’s taken him, is he safe? Is he alive?

Then picture being Kevin, knowing Andrew, knowing what this means, that Neil is more important to Andrew than he is now, so much so that he would hurt him for Neil. Not only does he know that; but he knows there’s a good chance that Neil is dead. If it’s his father, it’s not the Moriyama’s; he is the butchers son, after all, and the butcher was never keen to spare a life.

So the foxes know nothing and everything at the same time on that bus journey out to wait for his return. They know they’re hurt, that something is very wrong. They know Kevin has bruises around his neck, and Andrew can’t look him in the eye. They think they understand now why Neil got everything he asked for from Andrew; and Andrew thinks he might never see him again.

I’d say it was the quietest bus journey of their lives.

[highlyillogicalandroid]

Hi. This is going to be a post about the Neil Gaiman allegations. But it's also going to be a post about fandom and how we treat each other on this hellsite (affectionate). So strap in.

Something I really wish folks would keep in mind right now is that we. don't. know.

We don’t know how this situation is impacting fans in their lives offline. For example: I have tangential professional and personal connections to Gaiman that are making this very difficult for me on both practical and emotional levels. I didn’t want to share that on tumblr, but at this point I feel like I have to.

We also don’t know what someone has personally been through or how this might be affecting their mental state. Let me tell you, as a sexual assault survivor, reading anon hate in my inbox that said, “You’re a NG apologist and deserve to be r*ped like his victims” was not a treat. Especially when all I’d done was continue my normal fandom activities. I hadn’t spoken about the allegations AT ALL at that point because, guess what, I was feeling triggered, and seeing constant (often untagged) SA discussion on tumblr had me in a very bad place mentally.

And not all of us know what to do with the love we held/hold for Gaiman's works. You’re not selfish for feeling lost or confused or bereft when an author whose work you admired turns out to be a trash person. And the fact that Gaiman was also outspoken in supporting issues like LGBTQIA+ and refugee rights makes these revelations hurt even more. You’re not naive for believing that a person like that was worthy of admiration. You were operating with the information that was available to you.

You’re also not obligated to separate the art from the artist, nor are you obligated to stop engaging with his works altogether. You're not obligated to decide right now either way. You can take your time. You can change your mind later. Or not.

This is HARD. And it’s okay to acknowledge that. Give yourself some grace. Then do the same for others.

Remember to love each other.

[wilhelminyard]

david wymack is such a fierce protector. he loves so deeply and so unconditionally it makes me wanna cry.

like he had just met neil when he said "you need one of us to talk to your parents? are they the ones who hurt you? [...] if your parents are a problem for you, we'll move you to south carolina early."

and he offered him his couch. and then he told him "foxes are foxes for a reason and they know we wouldn't sign you if you didn't qualify. that doesn't mean they know the specifics. it's not my place to ask and I'm sure as hell not going to tell them. did you think I made the team the way it is because I thought it would be a good publicity stunt? it's about second chances, neil. second, third, fourth, whatever, as long as you get at least one more than what anyone else wanted to give you."

he barely knew jean when he told him "your so called master and that bitch of a nephew of his. kevin told us the truth when he transferred so we'd know what we were getting into. I know you think you have to go back to evermore and I know what's waiting for you there. I will burn this house down before I let him touch you again."

and let's not forget about "wymack didn’t care if he had nine foxes or twenty-five. he’d stand behind them until the bitter, bloody end."

and how he usually drives the bus himself because "it was apparently better to be uncomfortable but safe than to trust a stranger with his fractured team."

david wymack dedicated his life to showing kids who were dealt a shit hand in life that they can still play their cards right. I heard somewhere once that sometimes miracles are just good people with kind hearts and I thought it was a little corny but oh does it apply to someone like david wymack. he gave each of the foxes their own miracles. I know he is a fictional character but he just has the biggest heart and honestly he makes me want to have faith in humanity.

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

[abbyshands]

PALESTINE LINKS

in honor of the media blackout this week, i wanted to compile a list of links and resources regarding what’s going on in gaza. i advise all of you to give these links a look at, or to at least reblog them. the people in gaza need the bare minimum from us in that sense. &, well, if you can’t take enough time out of your day to give these links at least a look, a like, or share, then, bye !

& for all the the last of us fans out there, you need to see this. it’s genuinely a must. not to call anyone out, but i see a lot of people who have not spoken out about this at all, who, for example, keep publishing or reblogging fics etc during the blackout. i love a good fic as much as anyone else, but you can wait a week. there’s really no excuses here. if you didn’t know about the previous blackout, then now is your chance. don’t turn a blind eye to this.

at the end of this post are links specifically for those engaged in the last of us tumblr. if you aren’t going to look at the links before that, then at least look at those.

oh, & for the dumbasses who are unfollowing me for spending a week to post about a fucking genocide? fuck you, & good fucking riddance. you are not and never were welcome on my page. i don’t want you here anyways!

PALESTINE LINKS

SEVERAL ways you can help the people in gaza. some of which are fully free.

SEVERAL links regarding info around this genocide, such as places to boycott, and ways to learn more about the nature of it all.

SEVERAL ways you can help, including ways to donate, petitions you can sign, and campaigns you can join.

places you NEED to boycott. don’t buy from them, regardless of if they really fund israel or not. if they support them, that is more than enough. boycotting is a way to resist, so do it. at the end of this post are also places that are helping those who are in gaza, and families you can help escape by donating.

know that this issue did NOT begin oct. 7th. this is so much deeper than you know, and has been going on for 70+ years. click the above link to educate yourself on that front.

CLICK HERE TO HELP PALESTINE! this site has already been debunked on if it really helps the people in gaza or not, and it does. just one click is all you need. one button, once per day. you can even do it on different devices or browsers so you get more than one click in. click it daily!

CALL YOUR REPRESENTATIVES using this link, and this link (this will help you find ways to call or email them depending on where you live). also, urge biden and congress to do right by the people in gaza. the U.S. sends billions of dollars to israel every year, funding the genocide that’s ensuing as we watch on from the comfort our homes. do the bare minimum, & hold them accountable. please.

HERE ARE WAYS YOU CAN DONATE or find a PROTEST near you! not everyone is readily available to do these things, i know that. but looking into them could never hurt, or at least sharing it elsewhere so there is more awareness surrounding it.

LEARN OF AFRO-PALESTINIAN EXPERIENCES, & the efforts they have made over the years. i think it’s so, so crucial that we hear their voices, &, god, learning of all that they’ve been through, & all that they’ve done, is so inspiring.

here is some more info regarding BOYCOTTING. boycotting does, and has been proven to work. this post explains the subject a bit more in case it happens to confuse anybody, along w/companies and such that need to be boycotted, & why. as i said before, boycotting is a way to resist. so do it!

HERE IS A 🇵🇸 MASTERLIST including ways to educate yourself, donate, books you can read, & films you can watch. this is one of the best links i have regarding this genocide, and i highly recommend you look at it!

SOUTH AFRICA took israel to court for this genocide! read about it in the above link.

FOR THE LAST OF US FANS

do not remain in the dark about the last of us’s link to the ongoing conflict in gaza. neil druckmann, the director of the game, is a ZIONIST. he grew up in israel, and TLOU2 is rooted in israeli themes. now, no one is saying you have to quit playing the game, or dislike it, for all you dense ones out there. but i ask that you remain aware of this aspect of it, especially if you are regularly engaged in the last of us tumblr.

this is a link that i highly, highly recommend you read through. it discusses the HEAVILY ISRAELI THEMES TLOU2 displays. click the following link to learn more on TLOU2 & NEIL DRUCKMANN.

DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.

if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.

it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.

boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist.

i understand that not everyone is educated on this subject, and that not everyone knew of the previous media blackout. for the last of us fans, i understand that not everyone knew about the game or show’s israeli nature. but it is never too late to take part. it is never too late to care. i promise you that. if you purchased the game, at least donate to one of the sources above. that’s just bare minimum.

get educated, get loud, & GET PROUD! these are innocent people who are dying as you read this from your bed, couch, whatever. the least you can do is like & reblog so this reaches more people. your voice matters, big account or small.

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉

[double-aa-batteries]

things about about TSC I can't stop thinking about

"hindsight was a backstabbing bitch"

curtains symbolizing jeans healing journey, how he keeps them closed at Abby's in a effort to recreate the nest in search of some normalcy, how he opens them and looks out the window his new apartment, seeking calm in his overwhelm

"I want to go home" (13) meaning evermore vs. "I want to go home" (329) meaning to his apartment with Laila, Cat and jeremy

the fact that jean's phone is probably still in Abby's freezer

Kevin "their kindness matters" Day

Neil's smile is as unsettling to everyone else as it is to him and he has so much more Nathaniel in him than he recognizes in his own pov

Jean is so similar to neil in that they're both petty, dramatic bitches who care deeply about their teammates' safety

riko and the ravens quite literally took jean's name from him (Jean-Yves, Jonny, Paris)

"[Renee's] love was so tender it looked like grief as it curled her mouth and made her eyes shine"

jean gets forehead kisses from Renee and Cat

"that creepy little goalkeeper Andrew Minyard"

jean's many nicknames for neil: tiny bastard, tedious malcontent, abominable cockroach, wretched little runaway, ignorant child, etc.

Neil took the bandage off of jeans 3 and promptly stuck it over Kevin's chess peice

"I should have let him kill you," Jean said. "Probably," Neil agreed, "but you didn't, so here we all are."

"...aside from his outstanding murder charge, there was nothing interesting about that fox"

the fact that the point of tfc was to show characters who couldn't/wouldn't/ or were unable to heal from the trauma they had faced and yet from the very beginning and without question, TSC is about jean clawing his way forward and toward healing no matter what

the cheese drawer

dadmack dialed up to 1,000 See: "i will burn this house down before I let them touch you"

bisexual jean Moreau panicking over his teammates in swimsuits and Jeremy's long legs

"He's earned the right to be arrogant"

riko couldn't bring himself to hurt wymack because he was Kevin's father and Kevin was like a brother to riko and riko has always yearned for a father's recognition

Alvarez has a motorcycle and jean didn't say no to learning how to ride it

we know next to nothing about Jeremy Knox despite having chapters in his pov (why was he in therapy? why was his dad in France? what the hell did he do at the Fall banquet his freshman year to tear his family in half?)

that being said: Jeremy Knox is a rich boy with a butler

everything about Catalina Alverez

the fact that Jeremy knox has two brothers and one of them is probably dead

"rather than force the Trojans underground for that part, they simply built steps up and over it inside the stadium" the JUXTAPOSITION

Alvarez cooks and so now does jean

we know for a fact riko subjected Kevin to "subtler cruelties" while he was in the nest

"they never should have said yes when you asked" and "I didn't ask"

"as if you can tell a girl apart from a cow on a good day"

"permission to break his face, coach?" jean asked. "denied," white said.

all of thanksgiving pt. II

"alarm looked wrong on a face born for smiling"

jean casually saying "your apologies are as useful as perfume on a frog" to Lucas

Neil's whole relationship with Jean

David "I believe we all have the choice to be better than the hands that shaped us" Wymack

Neil generally being a menace to society but especially "Neil, being the person he was, pointed at the fire hydrant adjacent to it's front bumper and said, 'thats illegal, just so you know.'"

"the cracking heat in his chest could have been his ribs snapping or his heart breaking"

[buckysgrace]

Hi. You’re amazing!

Do you ever write fluff? Like if you found out you were pregnant with Billy’s baby and at first he’s upset and doesn’t want anything to do with you but after you have the baby ( a little boy with blonde curls like Billy) he gets all emotional and wants to desperately be a better father than his dad was to him 😭

Hello! Thank you so much <3 I absolutely will write fluff!

CW: Mentions of abortion, mentions of child abuse, lots of Billy being scared and a lil mean.

Billy's son is also referenced as having blonde curls and his nose, but the rest is ambiguous!

He was scared.

Billy honestly didn't know what he was going to do. There had been many arguments with you about it, but you seemed fairly determined. You were going to have this baby, whether he wanted to be a part of the baby's life or not.

It wasn't necessarily that he didn't want to be involved, but he could feel a crushing fear spreading through him every time he thought about being a dad.

His relationship with his own dad was strained. Things weren’t the best between them. He never really had a positive father figure, someone that showed him how to stay calm even when he was frustrated. The last thing he wanted was to end up snapping at his own child.

He couldn’t be a dad.

“Not mine,” He said once you showed up with the ultrasound, the bloodwork and everything. Denial was all he could think about, all he could process. He couldn’t fuck up your life and this child’s life if he wasn’t involved. It was that simple, “I didn’t knock you up.” 

“Uh huh,” Was your dry answer, your eyes looking less than amused, “Do you want a paternity test then, William?” Came your snarky response, because you both knew the truth. This baby was his, there was no doubt in Billy’s mind about that. And it terrified him. 

“Don’t call me that.” He said as he pushed his hair off of his forehead, feeling sick as it continued to wash over him. He was going to be a dad. He was going to end up just like Neil. 

“Then don’t act like you weren’t a part of this.” You said, looking just as fearful as what he felt. He sat down on the edge of his bed, tapping his foot rapidly as he thought about how good a smoke sounded right now. He’d need a lot more to make him relax. 

“It’s still early, right?” He questioned at last, turning his attention back to you. He watched the way your eyebrows furrowed tightly together and then relaxed again. Your eyes softened, telling him what he already knew. 

“I’m not getting an abortion,” You said at last, “I’ve made up my mind. You can make your decision, but I’m not letting you walk in and out of our lives whenever you see fit. You can be a part of this baby's life or we can end this. Whatever you prefer.” You were gentle with him, setting out the options softly like you always did. You understood him better than anyone else, made him feel safe. It made him sick to think about how he was hurting the one person he really cared about. 

“Can I think about it?” He asked at last, feeling like there wasn’t anything else to do. He didn’t have an answer yet and he didn’t want to end up saying the wrong thing. He was growing angry at himself. He could only imagine what Neil would say once he found out. 

“Yeah,” You replied gently, eyes softening as you nodded your head, “But I can’t wait forever. I need to know your answer soon.” Your voice slightly wavered but he looked away, not wanting to see you so upset. 

“Yeah,” He responded as he nodded his head and placed his fingers tightly together, “I’ll let you know.” He said at last, staying put until you left. Everything was falling apart, breaking down around him. He couldn’t deal with it right now. 

Ignoring you was harder than he’d thought it would be. He looked for you everywhere he went, even though he knew he couldn’t have you. That was his own fault regardless. He’d made up his mind. It would be easier this way.

Yet, when the invitation for your baby shower arrived in his mail he felt his walls caving in. They crashed into him, making him break down as he stared at your handwritten notes on the card. He could tell just by reading it that you were excited, not afraid. He wished he could be more like you. 

In the end, he decided to go. He needed closure, as he was sure you needed to. He wasn’t sure how he was supposed to stand living in the same town as you, knowing that his child would never know him. Somehow, that made him feel even worse.

He felt lonely as the months drew on. He had no one to confide in for his problems; especially Neil and Susan. He didn’t know what to say when they questioned about your disappearance and he felt even more at a loss when they asked him if you were pregnant. A shrug of his shoulders was his answer. He really didn’t know. 

The walk up towards the little gymnasium felt odd, like he didn’t quite belong as he stared at the little balloons and elephant decorations that were spotted throughout the room. There were familiar faces; your friends and family. Some other people that weren’t quite as well known. He still felt awkward, like everyone knew that he was the one who had knocked you up and ran. 

“Hey,” You drew out as you approached him, your palm flat against the bump in front of you, “I didn’t think you’d be here.” You said slowly, literally glowing as you stood in front of him. You had a sundress on, your cheeks were warm and forehead a little sweaty. He wondered if it was from the baby. 

“I didn’t think I’d come either.” He admitted at last, hating how horrible that sounded. He just felt like he was in a rut, buried deep inside of a hole with no real way of coming out. You were like sunshine through the dirt, warming his skin as he watched you. 

“What does this mean?” You asked him at last, tilting your head as your eyes softened over his features. He wished that he had a real answer for you, to tell you how he felt. He was in love with you; deeply. He just didn’t want to hurt you either. It was complicated. 

“I really don’t know yet,” He mumbled, “It just felt right.” He decided on, unable to tell you just how much he missed you. He was nearly desperate enough to fall to his knees and beg for your forgiveness. He would if you pushed him hard enough. 

“Billy,” You drew out in exasperation, “I can’t have you doing this, being so wishy-washy. What do you want?” You asked him seriously, looking like you were close to cracking too. He wanted to reach out and touch you, to hold you. He needed to apologize. 

“I just want to be better,” He replied slowly, “I want to be here. For you and for-,” He stalled for a moment as he looked down at your baby bump, feeling like he was at a loss once again. He wasn’t sure if you wanted him in his life or not. 

“Him,” You said quickly, “We’re having a little boy.” Your eyes were glazed over in tears, your lips pulling into the tightest smile. You were clearly emotional, making him feel awful as he reached his hand forward. Your fingers met slowly, molding against one another. He felt sparks traveling up his arms, leaving him resentful of the past few months he’d wasted. 

“That’s-, that’s good,” He answered after he cleared his throat. He was already scared to be a dad, but to have a son? He feared that even more. He was sure he was following directly into Neil’s shows, “Have you decided on a name?”

“I kind of like Cash,” You stated as you rubbed at your belly, “Just feels right. C’mon, you can open the presents with me.” You explained as you tugged him along, leaving him a little jittery. He thought about pulling out a cigarette, but figured it wasn’t the right place to do it.

He felt a little lost but slowly grew more and more keen on what was happening. It was still a lot to process, but it felt right being there by your side. You were clearly excited despite everything that had happened. He was grateful that you were so open, that you didn’t hold a grudge against him.

“Where are you living at?” He asked instead, curious as to whether your living situation had changed or not. You were still living at home the last time he checked. He was slightly nervous, wondering if someone else had slipped into his spot. 

“Still with my parents,” You admitted as you shrugged your shoulders, “They were upset, but they’ve come around.” Your lips were pulled into a smile, looking less than worried. Apparently things had been fairly well for you.

“They probably hate me.” He said a moment later, sure that it was true. He couldn’t see how they wouldn’t. He had practically left you. You snapped your eyes up towards him. 

“Hate is a strong word,” You told him quickly, “But yeah, they’re not the happiest. Especially dad.” You explained slowly as you continued to rub at your baby bump. 

“Great,” He mumbled as he placed his hands in his pockets, “I’m really sorry.” He breathed out slowly, knowing his apology was more important than everything else. He meant it too. He shouldn’t have pushed you away. 

“You just disappeared,” You started slowly, “I thought you were gone.” Your voice was soft, full of hurt and distress. He felt his throat tightening, burning as he thought about how much he missed you. He was a fool to ever stray away from you, to leave you on your own. 

“I thought about it,” He told you honestly, knowing there was no point in lying, “I don’t want to be like my dad.” He replied at last, getting down to the root of the issue. He didn’t want to accidentally lash out at you or at your future child. He never wanted that for him. It would be better to be alone. 

“You won’t,” You told him quickly, sternly as he exhaled deeply, “You’re not like your dad. I promise you.” You cupped his face softly, your hands smooth and gentle against his skin. He leaned against you, craving the feeling. 

“What if I lose control?” He asked at last as he drew his eyes over your features, taking in the way you were watching him. You sighed deeply as you rubbed your fingers across his skin. You looked deep in thought as you pressed your nails gently against his stubble. 

“You never did that at your swimming classes,” You reminded him, “You should come stay with me. Move in. It would be good for our baby.” You moved your hands to his neck, then to his shoulder and down to his hands. You gripped them slowly, pressing them against your growing tummy.

He stalled for the longest time, blinking slowly as he felt like the world was freezing around him. Underneath your skin he could feel your baby moving. He gulped, eyes wide as he felt the smallest smile curling against his lips. He exhaled deeply as he looked towards you again. 

“I don’t know.” He replied nervously as he felt his heart hammering roughly inside of his chest. He chewed on his bottom lip, thinking that it would be easier. He’d be closer for you, for the baby. If he was really going to do this, he needed to be near you. 

“You don’t have to marry me or anything,” You started, “Or be with me if that’s what you want.” You said sheepishly, looking embarrassed as you quickly looked away. He felt his heart shatter a bit again, worried that he had truly hurt you. 

“You have someone else?” He asked at last, worried that you had moved on. He had done wrong, but he really did love you. You were the only one he was passionate about. He wasn’t sure how to move on if you had found someone else. 

“No,” You responded with a smile, “But I just want you to be happy. Even if it’s not with us.” You nodded your head, but looked like that was hard to admit. He didn’t want you to be alone. Not anymore. 

“You make me happy,” He said at last, “We’ll work this out. I promise.” He said as he brought your hand up to his lips, savoring the feeling of your skin against his mouth. He closed his eyes, feeling very regretful. He wouldn’t lose you again. 

When he returned home he felt odd, but not like he had in the past few months. He didn’t drink away his feelings, or drown his anger out with music. Instead, he worked on packing. He wasn’t going to be like Neil; not at all. He was going to be there for you. He was going to be there for his son. No matter how scared he was. He couldn’t let either of you down. 

“Where are you going?” Neil’s voice made him jump, surprising him as he paused with the article of clothing in his hands. He turned slowly, looking at the way Neil was leaning against the door frame. He had his hands crossed tightly over his chest, his eyebrows furrowed together tightly. His features were stoic, like he was deciding whether he should be angry or not. 

“I’m moving out,” He said as he turned away, shoving the clothes back into his bag, “I uh, found a place.” Billy replied slowly as he finished zipping up his bag. He wondered how much he’d really be able to take with him. Probably not much if his dad got angry. 

“You moving in with that bitch?” Neil tilted his head up as he spoke, like he was trying to make himself taller. His eyes were sharp, cold as his gaze cut into Billy. He felt sick as he gulped harshly, trying to keep his tone at bay. 

“Don’t call her that.” Billy responded hotly, feeling defensive of you. You weren’t anything like that and you were letting him back into your life; just like that. You were everything and more to him and he wasn’t going to let Neil speak ill of you. 

“Is the kid yours or some little bastard?” His lip curled up in disgust as he spoke, his features filling with disappointment. Billy didn’t care. He was going to be happy with you. He wouldn’t be like Neil. Not ever. 

“Mine,” He said roughly, “And don’t you ever call him that.” He snatched up his bag, taking his few items with him as he moved forward. Neil scoffed as he shook his head, irritated as Billy pushed forward.

“She’s going to ruin your life,” He grumbled as he gripped Billy’s shoulder, holding him in place for a moment, “And don’t even think about crawling back. I won’t have you.” He said threateningly, like he might change Billy’s mind.

“I won’t come back.” Billy promised, stern with his answer as he walked past him. He wouldn’t let his son suffer the same way he had. They both deserved better than this. 

The rest of the months passed breezily, making him come to terms a little easier as your due date approached. He had done a lot of ass kissing, pleading and groveling until he got back on your good side. He brought you flowers every day, rubbed your feet after work and gave you plenty of kisses.

You complained about how you looked as the final weeks approached, but he thought that you looked beautiful. Stunning. In his opinion, you were glowing. He loved rubbing your tummy too, feeling like he got a deeper connection that way.

Your labor was messy, a little chaotic. Billy was terrified something would go wrong, but stayed close to you regardless. By the end of it, his hand was numb and his wrist aching from how tightly he’d been gripping you.

“Look at him,” You breathed out as you held the little boy in your arms, “He’s so cute.” You sniffled, looking like you were seconds away from breaking down again.

He stared and stared, memorizing his son's features as he came to terms that he was a father. He had a little boy, someone to take care of. He looked so fragile, so tiny. It made him nervous. He was fearful that he’d accidentally hurt him by holding him wrong, or by dropping him. He wasn’t sure how his rough hands were supposed to hold something so soft. 

"Billy," You breathed out quietly, making his throat grow raw as he stared down at the little boy. Soft blonde curls and the same sloped nose he had. Everything else about the little boy reminded him of you, "Are you crying?" You asked gently, making him feel even more emotional as he shook his head. 

“No,” He said hoarsely, doing everything in his power to keep from breaking down, “S’just a lot.” He mumbled as he wiped at his eyes, inhaling deeply through his nose as he tried to calm himself down. His hands were shaking, his heart thumping roughly inside of his chest. 

“I know,” You replied softly as you sat up a bit, gesturing the bundle in your arms towards him, “C’mon. You’ll feel better.” You reassured him, but he still felt hesitant. He pressed his fingertips together before he nodded, accepting the little baby from you.

Names hadn’t quite been figured out yet, but that didn’t matter at the moment. He looked healthy, his cheeks full and fists clenched together as he stretched his arms out. Billy felt a small chuckle leave his neck, fighting over the sob that was threatening to burst free.

He suddenly couldn’t remember why he had been so nervous, or scared. As his son curled against his arms it felt natural, like he already knew what he was doing. He savored the warmth, the way the little baby cooed as he adjusted him in his arms. Everything felt right suddenly.

“I won’t let anything bad ever happen to you,” He promised as he kissed his little head, sighing deeply as he snuggled his little son towards him, “Not ever. I promise.” 

[hanahanumana]

From AnaMaria Abramovic on Fb

Paste magazine has done an article about Michael and how underrated he is in Good Omens and I found a transcript since it's behind a paywall. Here's the link if anyone wants to subscribe. 💙

https://www.pastemagazine.com/tv/amazon-prime-video/good-omens-michael-sheen-underrated-performance-explained-streaming

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

[weirdly-specific-but-ok]

Hey, Good Omens fandom and maggots, it's your mascot Asmi here. I don't need to explain why I'm making this post, I'm sure you already know the situation and have read the articles about Neil Gaiman.

Thank you to the kind people who asked me how I am and how I'm dealing with the whole thing. I am, as I'm sure a lot of you are, overwhelmed, sad, and sick to the stomach. My life IRL is messy at the moment, and this news is not something I'm able to fully process.

I'm sure there were be more emotions, anger, betrayal, the whole thing, in time. Right now, there's just sadness and exhaustion.

Some of you have asked me for my opinion. I don't think I'm qualified to give one, since right now I'm lost and overwhelmed and could be wrong about a lot of things.

But I will say, though, that there is no good way to look at this. At the very least, there were relationships with extreme power imbalance, with an employee and a fan, and with large age gaps. Whatever you may speculate about the SA, you cannot deny those facts. It's not a question of whether or not Neil did anything wrong, the only thing we are getting updated on is exactly how much he did wrong. By wrong I don't mean just illegal. Not all unhealthy relationships are illegal.

I'm not going into more detail on the subject because, first, I don't have the energy to get the details. I've never bothered actively keeping up with the real lives of any celebrity, and as some of you remember, I didn't even know Neil or Michael Sheen or David Tennant existed at the start of January. And right now, I don't have a lot of information and I don't have the emotional energy to go searching through the internet for it. If you're feeling that too, I want to tell you that's okay. Take a step back. Take care of yourself first.

Secondly, I have my own trauma regarding SA, and I'm trying to avoid spiraling. I'm sending all the love and support to victims of SA, it was never your fault and you are valid in all your emotions.

As for the fandom. I hope you support each other in the sadness and anger and all the emotions, as you always have. This is going to be rough journey, but the community is there for you. Disregard people who use this horrible situation as a way to justify transphobia and general queerphobia and hate speech. Those are never okay. Disregard people who attack you for feeling hurt or betrayed. Those emotions are valid, and this is a sickening situation, there is no way to pretend otherwise.

There are going to be a lot of people saying a lot of things now, and I suppose by writing this I'm one of them, but above all, I'm sending you love and support, we're in this together. Be there for each other, step away from the internet if you need a break, and take your time to process.

If I've said anything wrong, I'm really sorry, I'm writing this post in an absolute haze, but I knew I couldn't stay silent. Feel free to correct me or to speak your mind, but remember, be kind. Be kind to each other.

I love you.

[ingravinoveritas]

Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...

[beforeimdeceased]

ENTANGLED IN YOU— WHEN WILL MY LIFE BEGIN?

ways to help, daily click, do not support neil

ellie williams x reader

a/n: this actually isn’t the best but i’ll post it now and edit it later :D let me know what you think

tags: @astralnymphh

masterlist

…

once upon a time there was a beautiful princess who lived a castle…

okay maybe it was an abandoned apartment complex, and maybe she wasn’t a princess, but that isn’t the point of our story. our story focuses on how fate is inescapable.

“flower! let me up.” the doctor calls. you look outside of your broken bedroom window and quickly rush to the main room where there is a lever. you then, twist it with all your might. this triggers a series of reactions going downward which opens a space in the wall for the doctor to walk up.

this was a daily routine. doctor would go out and forage for supplies and food while you tidied up your “tower” as you called it. it wasn’t much but it was home and helped protect you from the outside world.

many years ago an outbreak occurred causing a sickness in the people of the world. doctor says it was terrifying to see. disfigured faces as a parasitic virus took over their minds.

but you were special.

you were born a few years later in a hospital doctor had been working in at the time. your mother had been seeing doctor for months and she was finally ready to deliver you. then suddenly, there was a break in. the infected monsters stormed through and bit your mother as you were being born. in a panic, doctor wrapped you up, ran as fast as she could until she found this abandoned building, and promised to always keep you safe.

she waited to see if the affects of the bite were passed onto you, and gratefully reveled in the fact that they did not. she still continued to watch you carefully. just in case. then, one day while cleaning up, she turned her head for a moment and you’d been scratched by an infected that had found its way inside the building.

you wailed and so did she before she realized that you were not turning. days began to pass and you still hadn’t turned. you were completely fine other than a small scratch on the back of your neck.

doctor rapidly got to work. after running various tests she used your blood to create a cure. it’s temporary against the infection, but it helps keep it from doing extensive damage. it gave those who were previously hopeless a reason to be hopeful.

she was excited about the results and prepared to share them with the world.

once she’d gotten in touch with the others in her field, they said in order to make a viable cure for everyone you would have to die, which she did not agree with.

so she rushed back to the tower, closed the doors, and swore to never let you leave out of fear that others would hurt you. even after you’d grown older. even after a cure had been fashioned years later from a mystery flower. even after the apocalypse had been declared over and it was semi safe to leave again. you would never leave. and she was confident that you’d never try to, until…

“are you excited for you birthday tomorrow, flower?” doctor asks as she walks into the lounge area. you were sat in the corner knitting a scarf out of yarn you’d fashioned from leaves. “i am actually. i’m more excited about the possibility of-“

“leaving to see the festival?” she finishes your sentence. you huff. “doctor, please. i look outside of my window and i see people laughing and lights shining just down the mountain. i know that a settlement is out there. have you still not checked it out?”

“no i haven’t checked it out and i’m not going to. i told you it’s probably fires started to control a large population of infected.” her tone is stern. she has checked already, it is a settlement.

you slump down in a chair next to her, hands clasped together. bottom lip sticking out. “please. please! atleast promise you’ll check on your next trip.”

she looks over at your face and smiles. “fine. we’re running out of supplies anyway. i’ll check on my trip tommorow, would that make you happy?”

“very.” you respond, smiling.

♡₊˚ 🦢・₊✧

a loud clanking is heard from underneath the tower followed by a string of curses. “doctor?” you call out. your heart begins to race. what if she’s hurt again and she needs help? or more of the cure? you quickly turn the knob and listen as her footsteps get closer.

then you hear her speak and it is definitely not doctor. you hide behind the entrance, a frying pan in hand as it was the closest thing to you. you watch as the woman steps up and looks around. breathing heavily with dirt all over her. before she can turn around, you knock her hard on her head.

[venusjaynie]

not him

billy hargrove x pregnant!reader

summary: you're 8 months pregnant and billy couldnt be happier. but even though he's excited for your little ball of sunshine to finally make his appearance, he's got some concerns.

warnings: neil hargrove, mentions of past abuse, mentions of child abuse, billy has abandonment issues and nightmares, some swearing, insecurity from both reader and billy hurt/comfort, lots of fluff (of course)

A/N: i think billy would be so worried about being a dad when you have your first kid. he doesn't want to end up like neil, and he doesn't want you to have to leave like his mother did :(

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When you first told Billy that the two of you are having a baby, he was freaked as fuck.

You were only 18 at the time, and he had just turned 19. The both of you always said you would wait until marriage to have children, and you didn't really have the money to support a kid at the time. Neither of you were prepared for the pregnancy happen, your being apartment cramped enough as it is with just the two of you, but as scared as you may have been, there was still an overwhelming amount of joy that took over you.

It took a couple of days for Billy to let the news sink in, and when he really thought about it, he was ecstatic. Now the excitement hasn't necessarily subsided for Billy, per say. It's just that, along with all that bubbling anticipation, he's doubting his skills of fatherhood, because he literally doesn't have any. Not yet anyway.

Billy doesn't plan to open up about his concerns, mainly because he's embarrassed, but also because you have more than enough on your plate being pregnant and all, and he doesn't want to burden you with some silly insecurities which he thinks will go away after a few weeks.

He's wrong.

They don't go away: if anything, they get worse. The closer you get to having your baby, the more worried he becomes. He's had to sleep on your couch, or not at all, because he's woken up in cold sweats after nightmares about Neil, or sometimes, he'll dream that he's the one mistreating his kid. Billy doesn't tell you, though. When he has these dreams, he wakes up, kisses your forehead gently, and tip-toes to the living room, where he sits on the couch and calms himself back down, before curling up on the soft seat and trying to get a couple more hours of sleep in before you wake up.

Billy thinks what he's doing is for the best, but what he doesn't realise is that every time you wake up in bed without Billy beside you, the rejections stings like a bee.

Pregnancy has had a real knock on your confidence, and you often worry Billy doesn't see you the way he used to. He had been more than supportive in every way, until the couch crashing started. You had been about 5 months pregnant, your bump very visible, and everything had been fine, until you went to bed. At around 4 in the morning, you had felt nauseous, and woke up to tell Billy you were going to the bathroom, but when you rolled over to face him, he wasn't there. Initially, you panicked, and you got up and left your bedroom to look for him, but as you got closer to the living room, however, you heard the TV quietly playing, and saw Billy fast asleep on the couch. You couldn't help the tears that sprung to your eyes at the sight of him being so content sleeping somewhere else instead of with you, but you just blamed that on your heightened hormone production and emotions. You didn't mention it to him the next day, thinking it was a one off occasion, but soon enough you found him on the couch 3 times a week, and then it was almost every night.

After 3 months of him sleeping on the couch from the early hours of the morning, you decide enough is enough. So you choose to confront him when he comes home from work.

At around 6, the time Billy's shift is over, you go to the kitchen and check on the dinner you've prepared. During your maternity leave you've taken to cooking and baking most days, and you're glad you have. It gives you something to do, and you've gotten pretty good at it, or so Billy says anyway.

Checking on the lasagna that's in the oven, you have to wipe your sweaty palms on your apron. You're honestly quite nervous to confront him. As much as you're ready to get to the root of the situation, you're terrified that he's going to turn around and tell you that he doesn't want this, doesn't want you, anymore.

It's 6:15 when Billy walks through the door, and he's not empty handed. He has a pink bouquet in his clutch, and you don't fail the notice how, even after all the bunches of flowers he's bought you over the years, the gesture still makes your stomach do a flip-flop.

"Hey, sweetheart." He doesn't hesitate to make his way to you and plant a big kiss on your lips, and you smile at him. It doesn't quite reach your eyes, however, and Billy notices. "You okay?" You nod in response. He eyes you wearily.

"I'm okay, babe, just tired." He doesn't believe you at all, but he doesn't push.

"These are for you. I saw them on my way this mornin' and they reminded me of you. Picked them up on the way back."

"Thank you, you're very sweet."

"Only for you." Usually a cheesy line like that would have you blushing and giggling at him, but not today. He doesn't even get so much as a breathy chuckle in return, just a half-hearted smile. And with that, he knows something is wrong. You go to turn back to the food you're preparing, but Billy stops you. "Hey, look at me." You do as he says, and he immediately notices the unshed tears in your eyes. "Baby, what's going on?" He reaches for your hand, and you don't pull away.

"Nothing, nothing. I'm alright, just hormones." You try to smile through your tears, but you think it probably comes out as more of a grimace than anything else.

"I don't believe you one bit. Tell me what's wrong, sweetheart."

"Billy, I'm really fine, just drop it." You say, snapping slightly.

He drops it.

You hand him his dinner plate and he makes his way to the table. You do the same, and Billy starts his usual retelling of his day. As much as you try to listen and engage, you're too busy thinking about what you're going to say to him, and Billy notices.

"Honey? Are you listening?" His concerned voice snaps you back into reality and you realise you haven't been paying attention.

"Sorry, Billy. Yes, I'm listening. Just zoned out for a second." He raises an eyebrow at your response.

"Okay, what's going on? Are you tired? Nauseous?"

"No, no it's not that. It's, uh, I just-" You stop yourself with a sigh, thinking it's best to pull yourself together a bit before you have this conversation. Taking a deep breath, you bite the bullet, "Why don't you sleep in our bed anymore?"

Billy looks shocked, then confused, then guilty, then a whole mix of other emotions that you're too tired to decipher.

"You noticed, huh?"

"Yeah, I noticed! Billy, you haven't slept a full night in our bed for 2 months. What the hell is wrong? Am I that repulsive to you that you can't even bare to sleep in the bed with me?" You know that's just the hormones talking, you didn't mean to say that, but you're curious anyway.

"What? No, of course not. That's not it at all." Billy's quiet when he talks, almost shameful. "Is that really what you think?" You nod. "Oh, god, honey, that's not what I think at all. You're beautiful. You've always been beautiful."

"Then why are you sleeping on the couch every damn night?"

"Baby, I-" He cuts himself off and rakes a hand through his hair, tugging a little out of stress. "C'mere, let's sit on the couch, 'kay?" He reaches for your arm, but you shy away from his touch, preparing yourself to be let down by what he has to say. Instead you walk over to your couch and Billy follows behind you like a kicked puppy.

Once settled on the couch, you don't say anything, waiting for Billy to explain his behaviour. He takes a deep breath, and stares at his hands, before speaking.

"I, uh- ever since we- Jesus Christ." His hand rakes through his hair again, and you can tell this isn't easy for him to say. Something in the back of your mind tells you that you were expecting the worst explanation, and that it isn't true, so you reach up and take his hand, linking your fingers with his and softly stroking your thumb on the back of his hand. He looks up at you, his eyes shining slightly.

"Take your time, it's alright. I'm in no rush." He sends you a small, grateful smile and does his best to blink back any tears threatening to leak from his eyes.

"You know how excited I am for our baby, right?" Billy says, and you nod your head. "Good. I'm so fuckin' stoked for us to have a kid. But for the past few months, I've been... having doubts." You're previously sympathetic looks contorts into one of confusion, and hurt. "Not those kind of doubts. Trust me, I wouldn't leave you to look after our kid all alone. I swear. I'm just seriously doubting my ability to be a dad."

"What's making you doubt yourself so much?"

"Neil." The name on Billy's tongue makes you still for a second. "I haven't been able to sleep lately because I keep having nightmares. And it's so stupid, 'cause I know he can't get me but I- God, I'm just so scared that I'm gonna turn out like him."

"You won't." Is all you say in reply.

"How do you know?" He asks quietly.

"Because I know you. I've known you since we were, what? 6?"

"5, actually."

"Exactly. Baby, I've known you forever, and I know that you're nothing like Neil. You wouldn't hurt a kid, and especially not your kid."

"But what if I get really angry and-" He cuts himself off with a hitch in his throat. "I don't wanna do something stupid, and I don't want my stupid actions to make you leave." He says the last part quietly, and it breaks your heart a little.

"Oh, Billy, is that what you're worried about? Me leaving?" He doesn't look at you, but you can tell by the way his mouth drops into a frown that he's confirming your suspicions. You can't help but wrap your arms around his neck, and he wraps his around your torso in response, gripping onto you like a vice. "I'm not gonna leave, and I'll tell you that as many times as it takes for you to believe me, alright?" Billy hugs you impossibly tighter. "And getting angry is normal. You've been angry at me before, right?" He nods into your neck. "And you've never laid a hand on me, right?" He nods firmly. "So I know you'd never hit our baby." You pull away from him slightly to look at him. His glassy eyes can't meet yours, so you press a kiss to his cheek and whisper, "I love you."

"I love you. So much." Billy's shaking hands make their way to your stomach, and he gently rubs in small circles with his thumbs. "I love you, too, kiddo." He manoeuvres his way to the floor into a crouching position and presses a soft kiss to your belly before standing back up and pulling you up with him. His arms snake around your waist and you lean into him, basking in the quiet of the moment, knowing that in a month there will be 3 of you. The thought makes your smile into Billy's chest, and you feel him kiss your temple lovingly. The guy couldn't hurt a fly, and you'll do everything you can to prove it to him, no matter how long it takes for him to believe you.

--------------------------------------------------------

i haven't even proof read this but here ���

[ineffableteeth]

So I was rewatching Good omens and I realized something.

Season 2 brings up Memory. A lot

Specifically Crowleys memory

In every episode something is said about it and I find this really interesting

I’m only going to bring up what I think are major, I want to note there are more instances than this. This is gonna be messy and a little disorganized since I’m just throwing my words on this post as I think of them and read the episode transcripts but I had to write it out.

In Episode 1 we see pre-fall Crowley and are introduced to our amnesiac archangel. This will be important later

We don’t see much of Crowleys memory loss in this episode but the biggest example I could find was the way Beelzebub had said Extreme Sanctions after Crowley misunderstood

It was as if they were expecting him to remember

In Episode 2 we get the first blatant hint of Crowleys memory loss

When Gabriel said he couldn’t remember, Crowley doesn’t say “Well try anyway”

He says “Yes you can.”

Crowley knew Gabriel could remember, he knew he could make himself remember. As if he knew it from experience.

Also in this episode we get Crowleys “I’m a demon, I lied.” As well as several other instances where he lies in this episode.

I also feel like his “Lonliness” is important to point out, because I feel like that goes much much deeper than “[I’m on] my side”

In Episode 3 we get Crowley and Gabriel’s Conversation about “Gravity”

Crowley knows what gravity is on a base level. But he says “I don’t remember” when asked why gravity exists and proceeds to give a very nondescript explanation

Now for Episode 4. This episode is actually what triggered me to start looking for these instances.

Because of Furfur

Near the end of the episode when Furfur enters the dressing room he mentions that him and Crowley were directly next to eachother during the Great War, as well as the fact Crowley used to jump on his back “Like a little monkey in a waistcoat”

And Crowley didn’t remember

All he remembered was going to war

Why does Furfur — A demon — remember but Crowley doesn’t?

In Episode 5 we get one of the most crucial ‘memory’ scenes imo

The aftermath of Crowley threatening Gabriel

When Gabriel tells Crowley “It hurts to remember, my head isn’t built for that” Crowley replies with “I know, do it anyway”

Again it sounds like Crowley is speaking from experience

The most important quote to me though is when Crowley says “I know, looking at where the furniture isn’t.”

Because after the fact he proceeds to ask Gabriel if he wants a hot chocolate

This wasn’t a sympathetic action. It was Empathetic.

He feels for Gabriel, he knows what it’s like to not know

Finally in Episode 6 we get context.

This is where the whole amnesiac archangel comes into play.

Before I get into that though I want to bring up Crowleys meeting with Saraquael. Because something interesting stood out to me while reading her voicelines. After Crowley asks “Do we know eachother?” Saraquael says “When you were an Angel” and pauses before she says the following voiceline “We worked together on the horsehead nebula”

Those were two different sentences. I’m definitely looking too far into this but to me it sounded like she knew he wouldn’t remember so she gave unnecessary context. This as well as the fact she didn’t respond when Crowley essentially said he didn’t remember her.

Back to my original point though, during this episode we finally learn how (and why) Gabriel lost his memories. Angels can remove their own memories as well as have their memories removed by other angels.

But clearly Furfur still has his memories, as well as Shax, Dagon, and Beelzebub

And anytime Crowley mentions “remembering” something it’s post-fall

Adding on Neil’s post about “Crowley not being a reliable narrator on his fall” as well as showing Crowley pre-fall in episode one leads me to believe there’s some foreshadowing in there and something happened to Crowleys memory.

But What?

Why doesn’t he remember?

What did they do to him?

[rookiesbookies]

Captain John MacTavish x His wife x Sergeant Johnny 'Soap' MacTavish

I dont know how it would happen but i'm imagining sweet little Johnny ‘Soap’ Mactavish meeting Captain MacTavish and his wife. I guess this is me rewriting what happened bc Im made we’ll probably never see Neil as his boy again. 

Masterlist is pinned on profile as always, don’t forget to leave me a comment or a request in my inbox to let me know what yall want to see!

Smut smut smut under the cut for my lovely mutual @shotmrmiller of my John and his wife meet sweet little Johnny au thing.

Also @glitterypirateduck this one is for you and #soapitup

“Bhean,” he whispers loudly, following it with squirrel noises, motioning for her to follow. She walks out of the recreational room. He nuzzled bis face into her neck, letting her know he was nervous about what he was going to say. “I'm getting serious deja vu.”

“Talk to me, Goose.” A shameless quote of their favorite date night movie from when they dated made his nervous face crack a smile.

“I have this crazy memory,” he mumbled into her neck, she always worried he’d hurt himself craning it down like that so often.

“What about, don’t leave me on cliff hangers, Mr. MacTavish.”

“Do you remember our first time together?”

“Skiing or fucking? Because I remember both very well.” He chuckled at her bringing up his failed skiing attempts from a vacation they went on.

“Making love, Bonnie.” He hummed, “would you believe me if I told ya it’s because I had done it before?”

“Considering baby you told me he’d call me mommy? Yes. Yes, I would.” She hummed. “You also found my clit really fast which makes that really reasonable in retrospect.”

“What if, like my future self taught me at that stage, we teach him how to make love to you so he can charm you with the monster.” It came out more as a question, making his nerves hammer against his chest. He was more than sure he beloved wife would say yes, but he didn’t want to risk making her uncomfortable or saying it wrong. 

“He does really want to impress me,” she mumbled. “Fine. But there’s ground rules.”

“Of course, Mo chridhe, anything.”

“Just the tip, you know how I am about hygiene. I don’t fully try young you to keep everything clean. He swears to secrecy and if I ever think for a second he mentions this im ending his blood line. And you stay with us. You are my husband after all, not the boy.” The Captain nodded with every word. He’d make sure. He knew the Sergeant would want no harm to come to his future wife, and the Captain didn’t need a scorched relationship.

“Thank you, Mo leannan, it’s what helped me keep up hope I could lock you down when I met you when I was his age.”

“So it was a memory and more than deja vu?” She asked with a raised brow.

The Captain just simply nodded, planting a kiss on her temple, “you’d tell me if you wanted to back out right? If it made you uncomfortable?”

“John.” She was serious, she never called him just ‘John’. “I expect the same from you. And you’d know I’d never keep that from you.”

She reached up to his face and gently rubbed it. He melted just a little bit into her touch. “I assume you don’t plan to do this on base?”

“No, but that’s the hard part.” “I’ll handle it, go tell the mini you,” she said softly, planting a kiss before walking away.

The Captain sighed and let his shoulders relax, he knew he was so lucky to have her. The sergeant was about to be the lucky one though.

He made his way down the hall and stole his past self from a conversation with Gaz. “My wife and I have decided to give you an opportunity to learn more about her.” He said in a low deep voice. “I will be teaching you about her body so you can please her but there are ground rules she set and a few of my own.” Once he covered his wife’s, he got on to his own, “do not bite her, dig your nails into her, or ignore me if I tell you to do something. No coming inside either and don’t try anything.” Sergeant Soap nodded along, “I’m not sure you’re actually listening, sergeant.” The Captain growled. Soap’s eyes went wide, “Captain me, sir, I prayed last night for an opportunity to feel her skin, honestly I was just expecting to be allowed to shake her hand.” The younger Soap grumbled, “believe me, I’m all ears.” “And none of that ‘I have a latex allergy so I can’t wear condoms’ crap. I know we don’t have that allergy. You will be wearing one.” “You’re so no’ fun,” Soap mumbled. “Fine.”

The Captain didn’t entirely know how he felt about the kid creaming his wife. Sure, it was him, but it was a younger, rowdier, dumber him and not his same body. Getting married meant he was the only one allowed to cream pie his wife, and yes, it is a version of him, it wouldn’t be the same as him doing it. Even if his wife is on birth control and enjoys them, he knows he’d get jealous, way too jealous. Besides it’s his job anyway, he signed a paper to be able to do it, and this kid version gets to just randomly do it.

“So when do I get to show mo bhean how a younger body is better to make love with?” Sergeant asked, patting his older self on the back. This made the Captain flip until the voice of an angel spoke up.

“Ya mean when you meet yer own damn wife. Ya wee-” the Captain’s rage was cut off. “Tomorrow night. I’ll be there ahead of schedule to prepare, my husband will drive you.” She said, walking past the two with effortless grace and a sway of her hips. She flicked a piece of hair back over her shoulder. 

The next 24 hours were full of different forms of tension for younger Soap. He was eager, so eager, almost too eager in the Captain’s eye. The Captain’s raging jealousy made him almost want to shut down the whole thing. 

When he loaded the sergeant and himself into the old truck he sighed. “Remember the rules?” “Of course.”

“Can’t believe you still own this truck.” “She’s carried me through a lot.” “When you meet YOUR wife, she’ll appreciate it. Square bodies are her favorites.”

The rest of the drive was small talk. The sergeant saw a notification appear on the Captain’s phone and snatched it up, since the captain was driving. He back read the short conversation from this morning between the Captain and his wife, who had been the notification. ‘Mo chridhe you better not warm yourself up on that clarty vibrator’

‘You expect him to be able to get me warmed up enough?’

‘Its a teaching experience, mo leannan’

‘I don’t want to make him wait too long, I remember how impatient you were <3’

“Does she think ima div?” Soap looked at the Captain and asked. “Reading my personal texts? Real professional, ya eejit.”

“Does she think I can’t make her feel good? Or make her feel like she’s on Eccie?”

“No, she just doesn’t want you to wait too long. She does this. I bought it for her first time I left on a long mission, now she uses it to take away the fun part of getting her warmed up.”

“So she thinks I'm a fandan.”

“Dinnae fash yersel.” The Captain sighed, “we’re here and the least ya can do is make her feel good as a thank you.”

When he dragged his younger self into the hotel room, it finally set in that he was going to be cucked. By a younger him. Fucking his wife.

He knocked on the door twice and it kind of felt like his wedding night all over again. There she stood in a silk robe, eyes only on him with a gentle and soft smile. It's a smile she only gave when she was nervous, he gave a similar smile back to let her know he felt the same. It was subtle, but he reminded him this was indeed his beautiful wife.

“Go strip in the bathroom and sit down in the chair when you’re done, we need to talk.” The Captain said sharply. 

“Aye aye Captain,” the sergeant mumbled, walking into the bathroom. 

The Captain’s hands immediately found his way to his wife’s hips. 

“Are you nervous?” He asked, holding her close with his mouth near her ear between kisses he placed in her hair.

“Of course,” she said softly into his chest.

“Do you need to back out? We can leave and forget all about this if you need.”

“Do you need me to want to back out?” She asked soft, turning her head to look up into his eyes.

“No, I don’t think so, mo bonnie lass.” He said, planting a kiss on her forehead. “Give me a safeword to give him and a safeword for emergencies.”

“Two levels of safe words?” 

“Just in case I don’t hear the first one, he’s kinda loud.” She giggled and placed a kiss on his neck.

“Bubbles for him and Soap for emergencies.”

“My old callsign?”

“I never call you anyway,” she said softly, wrapping her arms around his neck.

“Can I undress you and keep that privilege to myself?” All he needed was the little nod she gave before he moved to untie the robe. 

The lace blue bra she had been taunting him with with the matching panties drove him crazy. She ran her hands up and around his chest as his opened the clasp with one motion and undid the hooks holding the straps over her shoulders so she didn't have to remove her hands from his torso.

He sunk down lower as he planted sloppy kisses down her body and removed her underwear. Lovely pacing a kiss at her lower lips before trailing bite marks backup as the Sergeant exited the bathroom.

“I thought you said I couldn’t bite!” He accused as he watched the Captain leave a hickey on his wife’s chest.

“YOU can’t, I can.” This made the younger Soap look offended. The Captain smirked at the Sergeant’s face. “My wife, remember. Not yours.”

His wife just ran her fingers through his slightly grown out mohawk, a means to sooth him. 

Captain MacTavish moved to his wife’s ear and whispered softly, “may I told yer hand through this, mo ghraidh?”

“Gu sìorraidh is gu bràth,” she said back, pointing to the tattoo on her collarbone. When Soap heard it he almost fainted.

“She knows the language?” Sergeant Johnny asked.

The Captain hummed, pulling his mouth away from the dark hickey he was leaving on her neck, “learned a little bit for me.”

The Captain gave his younger self a once over before landing a sarcastic remark as his eyes landed on the bush, “glad to know you haven’t started shaving yet.”

“You trim?”

“Occasionally,” the Captain pulled his waistband down a bit, nuzzling into his wife, “I wax for special occasions. Yer lucky I found one who doesn’t care.”

The Captain locked his fingers with his wife’s, gently herding her to the bed. He laid her down gently and got her into a good position, shoving a few of the lousy pillows under her waist to offer a better angle.

“How are you?” He asked softly, rubbing his thumb over the back of her hand. “Ready as I can be,” she said with a soft giggle, as he bent down to plant a kiss on her lips.

“Sergeant, come here.” The Captain commanded, pointing at the foot of the bed, his wife couldn’t help the laugh that escaped her as she dropped her hand over her face. The Captain moved his wife’s knees apart with his free hand, the other still lovingly holding her’s. Johnny got on his own knees as John commanded him as he spread his wife’s pussy lips apart with his fingers. “Ya see that?”

“Yes.”

“Yes, sir,” John corrected Johnny. He basically gave his younger self a tour of his wife’s softest pieces. Telling Johnny her favorite things that he does and what she reacts best to. Johnny was so enthralled with her body he could move his eyes anywhere else. Especially when John put his fingers inside and curled them suddenly making her gasp so Johnny knew how far in her g spot was. The way her body jolted and softly raised as the gasp left her lips was his new favorite thing. He was so jealous he didn’t have her yet. That she wasn’t his wife yet, that he didn’t have the liberty to mark her body yet. “Get to work,” the Captain said, patting Johnny. He didn’t need to say it twice because Johnny went right in.

The wife brought her free hand down to her mouth to hold in the gasps and moans as Johnny ate so eagerly. John was usually slow and sensual, to the messy and a vehement eating that was happening at her core was a much different sensation. John gently pulled her hand away.

“Checkin in with ya, are ya doing good?” he asked his lovely wife. Her eyes couldn’t focus, her mouth gaping and shutting. 

She gave a nod and a hum as her body started to clench as Johnny inserted fingers between her legs and curled, making her body lurch towards the sky and gasp. The Captain gently placed kisses on her face, her velvety cries just make Johnny want to do it again. “She’s even prettier from this view,” Johnny mumbled, spreading her apart with his fingers.

“She donnae like condoms but imma make ye wear one anyway,” Captain Mactavish told his younger self before placing a kiss to the forehead of his flushed wife, still coming down from her orgasm as her husband ran his fingers through her hair as her breathing slowed with her closed eyes. John threw the condom at Johnny, who quickly rolled it on before standing up. “Donnae force it in, go in slow.”

Johnny positioned himself, putting one of the lovely wife’s ankles to his shoulder before giving it a soft kiss. He didn’t dare pull her down the bed like he would have normally done, he walked on his knees to meet her. Hands sliding down her legs to lift her ass, one he saw as so perfect.

He slowly slid it in as John kissed his wife’s face, holding her hand. She was more than used to John’s dick by now, but she was far from used to Johnny’s pacing. So much energy and stamina, not to say John didn’t have it but John was definitely more about making love than he was about fucking or just having sex.

Once she started to grind her hips, Johnny’s face lit up and he immediately started a toe curly, back arching pace. His tip bullied her g spot, making her mouth fall open but no sound falling from her lips.

John cooed at her as Johnny bullied her soft parts, not caring about his own pleasure, solely the pleasure of this goddess in front of him. Once he was sure he had found the spot, Johnny folded her a bit more to hit it a bit deeper, making sure everything was dragging against her.

The only thing that left her were whines, she felt her melted brain might just spill out her ears as the white, staticy heat built up. 

A nice ring built up around Johnny’s cock as he began to roll his hips. Her pulsating cunt milked him so much he felt an almost numbness in his fingers as all he could do was hold her and roll his hips as she let out a broken moan and came. Her husband’s voice echoing around her head with praises and loving words.

It was down right impossible for Soap to not come from her body's pulsations so he did. He wished it hadn’t been into a condom but he was grateful he just got the chance.

John gave him a look and Johnny took it knowingly, going to get a warm and damp towel. He handed it to John who began to clean his wife up, nodding to Johnny to let him know he could leave. 

Johnny didn’t know it was so John could reclaim his wife with some slow sensual sex and lots of love bites.

John, unlike Johnny, was going to come inside. Johnny looked at the photo he had taken of himself with the wife of Captain John from the night prior, "I'm going to marry you. Yer the one I've been looking for."