#and it would make so much sense for their characters

[gutsby]

Honor Among Thieves

Pairing: Mob!Bucky x Reader

Summary: Marrying Brooklyn’s most dangerous man was easy. Divorcing him proves to be a bit harder—particularly when you’re pregnant with his child.

Warnings: 18+. Unprotected p-in-v. Oral (f!receiving). Breeding kink. Hurt/Comfort/We-Almost-Just-Died-Sex. Morning sickness. Manslaughter. Brief coerced kissing. Beefy, mob boss Bucky is a possessive expectant father who just wants to make sure he knocked you up properly

Descriptions of violence throughout.

“You know exactly what you’re doing.”

Bucky’s words reverberated like a shotgun’s report, skimming across two dozen feet of marble, glass, and stainless steel before reaching your ears on the opposite end of the room. He was standing at the threshold of the kitchen, and your back was turned to him. Lucky thing, too, or else he would’ve seen the smile threatening to tug at both ends of your lips—effectively blowing your cover.

“Really, I don’t have the slightest idea, Barnes,” you told him, and it took everything in you not to laugh. Having just narrowly preserved your composure, you continued, “You keep me locked in this prison all day and expect me not to find ways to entertain myself? Well, this is all it is.”

Like hell it was, you could already hear in Bucky’s head. Feeling him eye you up and down from the archway, take his first steps into the room, loosen his tie, most likely.

“Prison?” You registered a low scoff, and his voice was already so much closer than it’d been five seconds ago.

Your husband was striding as quickly as his smooth, dark, tailored suit would allow, and he was undressing as he walked. You could hear the clothes coming off but pretended not to notice. Instead staring more intently at the crab bisque simmering on the stove before you, you licked the spoon you were holding and hummed a little.

“Yes,” you answered, simply, “Prison.”

Bucky was by your side in no time at all. Up close, he smelled like rosemary, oakmoss, and gunpowder.

“Well, this is news to me,” he said. He dragged out the middle syllables of his words longer than was necessary, likely to make his move sidling up closer to you. The last sound had scarcely died in his throat more than a second or two before you felt an arm loop around your back. A hand coming to rest on your hip, then his voice, again:

“See, I never knew they built ‘prisons’ up in first-class penthouse apartments in Brooklyn. Must be pretty nice.”

Bucky stepped behind you, and you were half-certain the black suit jacket he’d come home wearing was fully removed. Again, you pretended not to see, or care.

“It’s a metaphor, James.” But your voice wavered.

“A metaphor?” Bucky’s head sank into the soft groove between your neck and your shoulder, and he kissed it.

“Yes.”

Your mouth made a sound more akin to a breath than a real, enunciated word, and you knew Bucky felt it too. He sensed this headstrong, no-bullshit façade of yours was sure to come crumbling apart any second, and each new brush of his hands and lips would be making it happen. Knowing this, he wasn’t in a rush to get the rest of his clothes off. He did, however, start to toy with yours.

“Tell me more. Am I really holding you hostage, doll?”

You took a ladle and started to stir, trying to stay cool. Meanwhile, your husband tugged gently on your dress.

“Hostage, housewife, same thing,” you muttered, low.

For once, it was Bucky’s turn to break character, as he laughed. It was short-lived and sweet, and he pressed another kiss to the skin of your neck, as if in apology.

“Right, right. I forgot. You were forced to marry me.”

“Right,” you shook your head, just slightly emboldened by the way you’d made him crack, if only for a moment, “I’m forced to marry you, move into this horrific little shanty in Brooklyn”—gesturing to the multi-million dollar apartment surrounding you both—“and then you leave me here, all by myself, with nothing to do while you go play Godfather with your mobster friends. It’s not fair.”

By the tail end of that last sentence, you and Bucky both were already grinning a little, coming to terms with just how ridiculous it sounded when you phrased it like that. Still, your husband seemed game to keep the bit going.

“Now that’s just not true,” he said, tone all faux offense.

You felt the soft snap of a ribbon coming undone, and in a second realized it was the satin bow holding the back of your dress together. The fabric loosened, and Bucky’s hands slid down your sides, over your front—of course.

“I didn’t leave you ‘by yourself’ at all, doll,” he said, and suddenly, his palms were fanning out, over something, “Gave you this baby to keep you company, didn’t I?”

The ‘something’ he was touching now was your belly. All soft and smooth and protruding out in a perfect little globe beneath your dress, no bigger than when he’d left for work that morning. Bucky treated the bump like it was a novelty all the same—like he was seeing it for the first time and couldn’t believe he was actually the one responsible for making it get like that. It had gotten to be a hobby of his, nearly, just how much he loved watching it grow. He had his fingers splayed out across your tummy virtually every chance he could get, and that didn’t stop whether you were out in public or sharing a moment in the comfort of home; he couldn’t get enough.

Which was why Bucky was right when he’d said you knew exactly what you were doing when he came home that day. You knew just the kind of effect that wearing a tight, white dress while cooking dinner would have on him, and you hoped it would rile him up just like this: with his hands roaming over every inch of your body, making soft, sweet circles along the swell of your belly, and kissing your neck again and again. Biting some, too. Getting so worked up he was all but gnawing at the skin as he drank in your scent and got lost to pure instinct.

If it wasn’t clear that Bucky had had a breeding kink before, you saw it written plain as day across his face every morning and night since he’d first learned you were pregnant. Like all the life force within him was just a byproduct of the knowledge that you were his—and this baby, growing bigger each day, was a mix of you both.

You hated to say it, but fatherhood suited your assassin-trained, mob-heading, bloodlusting husband better than anyone could have predicted in a million years or more.

Presently, Bucky flipped you around and sank to his knees. He slid you over to the counterspace area, away from the stove, and made sure to flip each knob to ‘off’ to make sure there wasn’t a chance you’d get burned. You cast one last look at the crab bisque and knew at once your hard work would have to be put on the back burner for now, because Bucky wasn’t hungry for that.

Still, you kicked a foot in soft, muted protest when you felt him slide his hands up your legs, under your dress, and start to reach for your panties. You let out a breath.

“I spent two hours perfecting the seasoning on that, Barnes,” you chided him, gently and without much admonition in your voice as you pointed to the soup, “You say you want a good little housewife but won’t even leave me un-fucked long enough to try any food I make!”

“And I’m very sorry about that, Mrs. Barnes,” Bucky replied, head disappearing beneath your skirt so he could take your underwear off with his teeth instead.

But, much like your reproach, your husband’s strained apology held less than half of its professed sincerity. Your blue cotton panties were discarded in a second, your hips pushed back against the cool white marble behind it, and Bucky, almost too cheekily, brought his head back up from underneath your dress just to steal a quick look at your belly, then up at you. He was smiling.

“Anything you make tastes amazing, honey. Daddy just needs to eat a little something beforehand, that okay?”

He already knew what you’d say. The sweet, shit-eating grin hovering over your lower half knew all that and more. Bucky just loved to tease, taking the hem of your dress between his index and thumb, and rubbing all the more tenderly, murmuring again, ‘That alright with you, pretty girl?’ and ‘My wife likes getting tonguefucked in the kitchen, doesn’t she?’ while his breaths spread over you.

You nodded that you did. Momentarily forgetting the three-course meal you’d had planned for him since early that morning, you let your knees fall limply apart from one another, and Bucky’s broad form filled the space in between. The fabric of your dress was snug, especially so over your belly. Your husband pushed the material up your hips and let it rest just high enough to expose your warmth to him. Angling your hips back the slightest bit, trailing his fingers up your thighs and inside them, gently, Bucky let out a low groan against your body, and you could feel the vibrations of it travel up your spine.

“I really am mean for keeping you here all day, aren’t I?” he teased, sliding the tips of his fingers between your glistening folds and watching you jolt in response.

“So— so mean. Bucky, please.”

Your voice was far more hoarse than circumstances would seem to beget; your husband had just eaten you out that morning. Nevertheless, your hand was trembling as it reached for his head. Your pull was taut and dire. While your fingers threaded in through his hair and your body opened itself more and more for him, you could feel that kind smile, even if you couldn’t see it. Frankly, the swelling of eight-and-a-half months made it difficult to see much of anything below the waist, but Bucky made sure to let you know he was there. By holding your hand, skimming his lips against your skin, starting, just then, to sink his fingers in toward the heat of your body, and softly pulling his face away so he could look up at you.

“Baby?” he breathed.

Your eyes locked with his as he slid two fingers inside you. The stretch alone was enough to put your brain on the fritz, but, fighting the first shockwaves of pleasure:

“Y-Yeah?”

He withdrew. Pressed them back in and let out a grunt.

“I need you to do something for me.”

You couldn’t fathom what that might be, but you nodded anyway. ‘Anything’ was what you managed to choke out.

“And you might not like it, doll.”

Your eyes widened some.

“O— O-Okay, what?”

Bucky’s fingers curled inside you, and a short, sharp streak of dizzying pleasure pulsed through your body. Your knees felt weak, and your mind even worse, but with what little resolve you had left, you were able to keep your eyes entirely open and fastened to his. A look that struck you as almost bittersweet crossed your husband’s features, and you saw his gaze soften again.

“I need you to wake up,” he said, calmly.

“What?”

Your toes curled tight underneath you, and the warmth between your legs leapt up to over a thousand degrees.

“Melaya, I need you to wake up.”

At the same time, your blood ran cold in your veins. Surely, you couldn’t be hearing him right if the voice he used was so gruff and low—and laden with a Russian lilt.

“Bucky? What— What do you mean?”

But you knew. Or suspected something of it anyway.

Now the sound from your own throat was hardly one that you recognized as yours, so shrill and high and strange—what could he mean by that? Why was he watching you in that way? Your husband wasn’t smiling so brightly anymore, and the once-gratifying conflagration between your legs had grown to an almost scorching degree, no longer nice, generous, or pleasurable in the slightest.

“We need you to wake up now, honey. Right now.”

His tone, too, was distorted. Grating.

“Bucky, I-I don’t underst—”

“WAKE UP!”

“WAKE UP!”

Natasha shook you hard, and it hurt.

She didn’t mean for it to. She just needed you up and out of bed, and you’d been asleep for almost fourteen hours.

You started at the fifth or sixth shake, nearly punching yourself in the face when you tried yanking a set of covers up and over your head and discovered, shortly, that there was none. You were splayed out on a bed in an as-yet unfamiliar home—Steve’s new place—and, while you slept, you’d kicked all of the blankets you’d been given the night before off your body and onto the floor.

Your eyes were wide as saucers as they darted to Nat’s.

There was no need to say what had happened—she knew these dreams were getting worse by the day.

It’d been a week since you fled your Brooklyn apartment in an all-out terror. A week since a senseless, short-sighted idea on your part had led to the discovery that your husband was once part of a HYDRA sleeper cell whose activation phrase turned him into an agent of total destruction at will. A week since you’d seen a half dozen bodies litter your living room floor, more still being bludgeoned by the so-called ‘Winter Soldier,’ as Bucky had formerly been known. A week since you’d sobbed in Natasha’s arms and begged her not to let you go back. A week since you’d been obliged to hide out in Steve Rogers’ new bachelor pad upstate, because, frankly, there was nowhere else you could safely live until this whole ordeal with Bucky was settled—if it ever would be.

A full week since you’d learned you were pregnant, too.

As far as you knew, your husband was wholly unaware of this fact, and of Steve’s most recent real estate purchase up in Buffalo, and you’d been existing in a semi-serene and largely dissociated state for the past seven days.

Your gaze adjusted to the light, and you blinked up at Nat, feeling damp in just about every place on your body. You looked down and found yourself drenched in sweat.

“Hydrate. Please.”

It wasn’t so much a request as it was a standing order: Nat holding out a glass of water and instructing you to drink. Though your first instinct was to make a face and shake your head—you’d found that any new fluids in your body this early in the morning would only get thrown back up when you made your first frantic trip to the toilet—you accepted it anyway. You drank three big gulps to appease the woman standing next to the bed, then wiped your mouth with the back of your hand and smiled

“I’m gonna go puke now,” you said.

“Aim for inside the toilet bowl if you can,” Steve called out from the doorway. By the look on his face, you’d been doing a pretty shit job of aiming vomit lately.

“My bad, Rogers.”

You had a hand on your stomach, slowly easing back up into a seated position, when you heard something being flung across the room, followed by a ‘HEY!’ and a crash.

“Your aim sucks, too, Romanoff,” Steve griped, loudly, “And I was kidding. She can puke wherever she wants.”

By the door, a hefty hardcover book lay open on the floor. Apparently Nat’s options for projectiles had been limited.

“All good, Rogers,” you offered anyway. Fighting a smirk.

You were starting to stand, and your head felt as if you’d just taken your first steps off a rocking boat. Your other hand jumped to your mouth, and you muttered, ‘Fuck’ before brushing past Nat and her outstretched arms.

She held your hair while Steve retrieved the glass of water, as well as a towel. The unsightly first trimester ritual proceeded as it had for all of the last week, with Nat rubbing circles in your back and Steve making well-meaning but completely useless live commentary like, ‘Babies are a real pain in the ass, aren’t they?’ At the conclusion of each new stupid remark, Natasha would shoot a dirty look his way, but you never let her shoo him away. Through no conscious choice of your own, Steve had become something of a comfort blanket over the course of the past chaotic days. At the very least, you two were no longer at each other’s throats flinging accusations and exorbitantly-priced tumblers in the other’s direction, which was a marked improvement from where you were the day after you and Bucky’s wedding.

At length, you lifted your head from the toilet, and he daubed at your cheek with the towel—mostly just trying to wipe off spit and your own queasy-looking expression. He succeeded in clearing away just the former, but you forced a smile all the same, then shared it with Natasha.

Nat couldn’t smile back. In fact, the grimace on her face only etched even deeper, and her forehead creased.

“This is a horrible time to be asking you this, I know—”

“Nat, please.” Steve groaned.

Nat, what? There wasn’t a lot more that could catch you off guard after all the shit you’d come to see that week. Still, Nat’s breaths were both measured and slow, and you could see she was chewing on the inside of her cheek like she wasn’t quite sure how best to phrase her words. This, coming from one of the most astute legal minds this side of the Hudson River, gave you pause.

“Ask anything. I’m pretty numb, if you haven’t noticed.” You rapped on the side of your head for comedic effect, but neither Natasha nor Steve laughed or cracked a grin.

“How do you feel about filing for divorce tomorrow?”

At the sound of Nat’s words, you felt the bile jump back up your throat. You knew there wasn’t enough food or fluid to make much of anything now, but all the same, you craned your neck back over the toilet and retched. When nothing came out, as expected, you turned back.

“What?”

Natasha looked a little ill herself, but still, she continued.

“How do you feel about just…fast-tracking a divorce from him and taking off new? We’ll talk assets later.”

Assets? Fast-track? Divorce? What the fuck?

“What the fuck, Nat?” you repeated as much out loud.

It normally wasn’t your thing to be so blunt with her, but the inquiry certainly seemed to invite some extra candor. You swiped at your mouth for any excess spit that might’ve trickled out, crudely, and in a second, Steve was handing you the towel. Then helping you to your feet, holding your arm and lower back in a grip you could feel was secure. You were unsteady on your legs, so he and Natasha guided you over to the sink, where you could regain your bearings and freshen up a bit. Sneaking a look at your reflection in the mirror was a bad idea; your face was sallow, and the rest of your body had every appearance of being horribly weak, for lack of a better word. You caught a glimpse of a gash sitting just above your left temple and immediately looked away. Stupidly, you hoped Steve and Nat hadn’t seen it.

“He did that to you,” Nat said without missing a beat.

You winced, and you washed your hands, not looking up.

“I thought you said it wasn’t him. Soldat, you told me.” And for a second, your eyes flickered to Steve, whose expression was a touch more sympathetic, if not visibly discomfited now. Like he didn’t want to speak for once.

He did, anyway: “Doesn’t matter if it was Winter or him, really. Point is he hurt you while trying to protect y—”

“And yet, you asked me to forgive him just last week for killing my dad in the same type of rage,” you replied, and instantly regretted the accusatory tone you’d taken on.

Your anger was misdirected at Steve. It wasn’t his fault for sharing the truth about your husband’s—his best friend’s—past when you’d asked him. These were queries you’d made, helping to form justifications for your own decision to stay after what had happened in Madripoor. Obviously, Steve would be biased to help support his friend in a time of need. But now things were different; Bucky had never been activated as soldat and ended up hurting someone he’d loved before. Steve was free to change his mind after seeing that happen and urge you to leave, or at least reconsider, your marriage to Bucky.

The second look you gave him attempted to convey as much, a bit more apologetic as he and Natasha led the way out of the bathroom. Steve smiled and held your arm again, though you probably didn’t need it. You walked downstairs to the kitchen together. Over by the toaster, Sam was inspecting a charred bagel with a scowl

“Rogers, you really need to ditch this shit,” he said, gesturing to the rusted metal contraption that appeared to be from 1918, and had just burnt two bagels to a crisp.

“It was a gift from a friend, piss off,” Steve replied, grinning a little. Reaching for the blackened bread roll and even going so far as to take a bite, crunching loudly.

“Did your friend happen to fight in World War II?” Nat asked. She lent one look to the archaic machine but said nothing further, opting instead to take a seat at the kitchen table, where a sea of papers was strewn about.

Then, to you, “Come. Sit.”

Somewhere in your tentative stroll from where you stood to where she sat, and in the middle of the men’s toaster bickering, Sam called out that he’d have bacon and eggs ready in a second. Steve offered up his singed sesame bagel in the interim, and you told him no thanks. With a still slightly throbbing skull and a nauseous gait, you took the chair next to Nat’s and looked down at her papers.

Honestly, you thought your present condition might warrant some leeway when it came to holding off on the heavy-hitting topics first thing, but, to your surprise, Natasha slid a crisp white packet over almost instantly.

“Nat, what the fuck?” you groaned for the second time.

“Read it. Give it a second to digest, then we can—”

“No!” you cut in, pushing the packet back to her with a little more force than you’d meant, “I-I can’t. Not now.”

On the very first page, in bold and capitalized typeface, there was printed a brief string of words you’d never wanted—or thought you would ever need—to see:

‘VERIFIED COMPLAINT: ACTION FOR DIVORCE’

“It’s just the petition. No harm in taking a look,” Nat said.

You could hear a faintly gentler tone in her voice, even as you shook your head and looked away from the papers.

“I don’t want to. I can’t do this right now.” You kept shaking your head for a couple seconds after, turning your gaze instead to the bay window of Steve’s kitchen.

A nice, sprawling yard stretched as far as you could see. In the distance, a fuzzy white horizon was punctuated the slightest bit by the outline of a wood fence, but apart from that, the land was empty. The lot was secluded. Happy and effervescent in a nearly cloudless sky, the midmorning sun cast its rays without so much as the threat of a storm’s hinderance. You fixed your eyes on the clear expanse above and silently wished it would rain.

Before more than a minute or two had passed like that, Sam was approaching the table with two platters. Steve balanced four more by himself, watching the sway of one plate of scrambled eggs in his arms with a wary look before setting each one of the dishes on the table.

“Bon appétit,” Steve said, butchering his French just about as badly as Sam had the bagels. You and Nat thanked them both anyway and started clearing off the table, pushing papers away in favor of steaming plates. Sam and Steve sat down, and all of you began to eat.

While you dutifully piled on each scoop of eggs, bacon, sausage links, biscuits, gravy, and grits—far more than you knew you could feasibly consume—you wished again for a rainstorm, and maybe a quiet breakfast. One that wasn’t marred by talks of legal separation and lengthy battles in court, if you could help it at all. To this end, and perhaps against your body’s best interest, you shoveled two supersized spoonfuls of egg in your mouth, so that if Nat tried reviving those subjects again, you could put off the conversation by simply continuing to chew. You felt your stomach turn inside you but, stubbornly, ate more.

You had just swallowed it all, about to make way for a warm, flaky buttermilk biscuit, when a sound cut in, and your belly flipped again. Your teeth had barely sunk into the bread a second when Nat set her own food aside, then used two fingers to push something toward you.

“Just skim it. Let me explain what the process can be,” she said, tapping her index on the first line and meeting your eyes as if to plead. She had to have known she’d be met with resistance—from you, of course, but also Steve. She raised a defensive hand to him before he even cut in:

“Come the fuck on, Nat. Will you give her a break?”

“I’m saying this for her sake! I’m doing it for her.”

“And throwing divorce papers in her face over breakfast is really the best way of going about it? Is that for her?”

Sam swallowed whatever he’d been chewing on, glanced down at the top paper, and seemed to brace himself.

“Guys, is now really the right time—” he started.

“That’s what I’m saying!” Steve barked over him.

Natasha ignored the plainly disdainful look from the latter, lifted her hand off the paperwork and instead trained her gaze solely on you. Just like she had in Zurich. Focusing intently on your face, ignoring whatever Steve or Sam were saying in the moment, she turned to you and found your expression was stale. Unmoving. Frankly, half of what was running through your mind right then was how badly you wanted to puke again. As if the eggs had turned rotten in your gut the second they reached their destination in your GI tract, you felt a heavy, oppressive fog of nausea taking shape between your ears, and you just wanted everyone to stop talking.

Sam and Steve continued on without a hitch, agreeing vaguely but also appearing to bicker over other things, like when was the most appropriate time to have this conversation. Natasha was leaning in, reaching for your hand this time, and you knew she meant well. You would bet any large sum of money there wasn’t a malicious bone in her body, and she was doing this for your benefit. All the same, you were grateful when the front door swung back on its hinges, and a new person walked in. Nat, Sam, and Steve all suspended their conversations.

“Hey, wh—” the blissfully unaware, semi-stranger began.

“Sharon!” Steve cried, “Would you tell Romanoff she’s being a goddamn pest with no sense of boundaries?”

Sharon halted at the threshold of the house, skating a look between Nat and Steve at first, then Steve and Sam, then just at you. The look didn’t linger for long, and before you knew it, she was setting down a fistful of grocery bags and twisting her mouth into a frown.

“Will you shut up, Steve?” was her only response.

Sam rose from his chair and pointed as if to say, ‘Yeah, that’ before joining her in the foyer to help carry in the Wegmans bags. Natasha leaned back in her chair with a vaguely pleased look, and Steve just rolled his eyes. He slapped his palm overtop the stack of divorce papers still laying before you and, seemingly undeterred, continued,

“Do you think it’s fair for her to force divorce papers on this poor soul—” pointing to you, the poor soul, apparently, “—when it’s been a week since she left?”

Sharon started handing off the frozen stuff first, sliding a box of Stouffer’s across the counter to Sam, who then deposited it in the freezer. These exchanges took place in relatively quick succession, with Sharon only chancing a look toward the kitchen table once or twice as they did.

“I think she should do whatever the hell she wants,” she said, “And I think their divorce is none of our business.”

Fair enough take. One that you could respect, at the very least, even if you weren’t certain she particularly cared for you at all. You reckoned she had no reason to, and on the whole, appeared to be a pretty reserved person.

You wanted to add a word in her defense, reiterate to Steve that he didn’t have to go to bat for you, the poor, defenseless soul, right now. Instead of being able to speak, though, you felt an upsurge of something heavy in your throat. You clamped a hand to your mouth again, cheeks flushing with the heady sensation and also out of embarrassment, then pushed your chair back and stood.

“I— gotta—” you stammered, just audible to the table, through the wall your fingers had made over your lips.

You sprinted up the stairs without another word.

The first trimester ritual repeated, and ten minutes later, you re-emerged from the bathroom feeling two big spoonfuls of scrambled eggs lighter and still none the happier, healthier, or wiser. You took a peek in the full-length mirror at the other end of the room and discerned from a distance of ten feet that you looked like dogshit.

You flopped down on the bed face-first, heedless of the pool of sweat that still encompassed roughly half of it, and let out a weak, muffled breath into the sheets. Someone had been gracious enough to replace all the blankets and pillows you’d kicked off last night. When you heard a knock on the door, it sounded a lot like Nat’s.

You rolled to the side, eyes screwed shut in frustration.

“If you’ve come to tell me my marriage is a fucking dumpsterfire, I agree completely, Natasha. I’m dumb.”

A little huff of a half-laugh sounded from the doorway. You opened your eyes and saw Sharon standing there.

Up close, she looked a little paler than you’d remembered seeing her last in Switzerland. Soft beads of perspiration dotted her neckline from what had likely been a hot and arduous journey walking up the driveway with all the food, and presently, she seemed tired. She wore a simple gingham blouse that had her eyes shining with vibrance, though, and both hands, you noticed, were full—she had a mug in one and a spoon in the other. She smiled kindly.

“The mob tends to have that effect,” she said, strolling in. Setting the mug on the nightstand and easing the spoon into it, stirring, “Don’t be too hard on yourself.”

You had no idea what all she knew about your marriage. You weren’t so sure you could extricate yourself from all the blame of having the thing go up in flames in four short weeks. Nevertheless, you smiled back and offered up something good-humored in return, like, well, I’m not exactly winning wife of the fucking year anytime soon.

Again, Sharon chuckled. It was small. She leaned back against the nearest armchair and, pointing to the cup she’d left to rest on the nightstand, said in a soft voice,

“Give that a minute. It’s hot.”

You glanced over and saw a little string that you guessed was attached to a teabag sitting at the bottom of the mug. The drink smelled like chamomile, maybe. You sat up, readjusted your pyjama top, then slid your socked feet underneath you so you could scoot closer to the edge of the bed. On a deeper inhale, you decided the tea was definitely chamomile. And too hot, as Sharon said.

“Thank you,” you told her.

“It’s not poisoned, I promise,” she replied. Letting out that funny little chuckle of hers—one too low to be considered a full laugh, but very close—and then, seeming to realize what she said might’ve sounded off, “Like— I heard what happened with Schröder. Him trying to drug you after the wedding and all…that. I— I’m sorry.”

Bad time to be making jokes, she appeared to chastise herself, but you just nodded along with the faintest grin.

“It’s OK. I’d pay money to be knocked the fuck out now.”

You grinned bigger, and she smiled too.

“It should make you sleepier, if you wanted to nap.”

You replied that you would, in fact, love to be unconscious right now if it meant not having to put up with all this bullshit morning sickness, and you slowly reached for the mug. Sharon stood up, and while you took your first sips, she fluffed the pillows behind you.

She was right. The tea felt like a hug. You settled under the covers and brought the cup to your lips once more, taking two big draughts before setting the drink aside. Yeah, that shit’ll put you right out, no drugs needed. You sank even further under the sheets and watched Sharon hover between the bed and the doorway, looking around as if trying to find something to do—some way to make herself feel more useful, if you had to guess from the pensive look in her eyes. Finally, she settled closer to the door and gave you one, fairly sanguine look. The warmth of your drink had already begun to nestle inside your weary bones, and your eyelids felt heavier. Still, you tried to return the sunny look before getting fully settled.

“Thanks again, Sharon. I appreciate it.”

“Yeah, of course.”

She started to leave. In fact, she’d already made it three-fourths out of the room when something stopped her in her tracks. She turned back to you, and you looked up.

“This…probably doesn’t mean a whole lot coming from me, but—whatever you decide to do with Bucky…is okay. We’ll support you, whether you choose to raise this baby with him or do…whatever it is you want to do. Don’t let Nat or Steve or Sam or anybody tell you differently. It’s your choice, y’know, whether you wanna stay married…”

Sharon trailed off, and somewhere inside, you could tell she meant to finish with words like, ‘…even if you didn’t get to make the choice to get married in the first place.’ You appreciated it. You beamed with just your head poking out from over the covers and thanked her again.

And, before she left, for the second time, she stopped. She walked over to the nightstand and bent slightly at the waist, just enough to set something small down. You turned to the side and saw a vial—a minuscule tube—on the surface. Your eyes widened, realizing what it was.

“Sam picked it up in Madripoor. He said Steve had given this to you…to, uh, give to Schröder, and I thought you should have it back,” she said, pausing, “Just in case.”

You eyed the little vial of poison on the nightstand and nodded, still not completely understanding. Your head throbbed, your stomach was still turning, churning. Your brain was about ten blinks away from logging off entirely and drifting to sleep. All you could do, then, was repeat what Sharon had said as you exchanged one final look.

“Just in case.”

Your eyes closed, and you fell asleep very soon after.

You couldn’t have been out for more than an hour; you were sure of it. However, the next time you glanced over at the clock on the bedside table, you saw it read 11:04.

P.M.

Shit.

SHIT.

That chamomille tea was no fucking joke.

Just as your thoughts drifted back to Sharon, the conversation you’d shared, the drink she’d given you, the poison she’d left behind for you to keep, you heard her voice all over again—and now, not just in your own head.

Presently, she was standing over your bed again, though the room was much darker this time around. She pressed a finger to her lips, hey, please, please, be quiet, alright? At first you wanted to make a sharp and strangled sound. A cry for help? You weren’t sure. Didn’t know. Couldn’t see very much of the woman at all, except for the outline of her face from the moonlight streaming in through the window. She stared and ‘shh’ed’ some more.

And you were contemplating yelling out a loud obscenity in response to it when next she cut in, markedly gentler:

“Keep it quick. Nat and the guys will be back in thirty.”

You blinked hard into the darkness and waited for your vision, or else your still-missing voice, to return. It didn’t. You just stared back, eyelids going up and down and up and down like a goddamn idiot gone sluggish off one too many Quaaludes, and it was several seconds more before she gestured behind her, into the shadows.

You tensed under the covers, chock-full of terror. You squinted, and shrank, and might’ve nearly pissed yourself were it not for the intervening force of a face.

A familiar face.

Bucky’s face.

You leapt up from the bed, displacing each one of Sharon’s cool and careful warnings from your mind all at once. You didn’t mean to, and as soon as she’d shushed you again, you shut your mouth. Fell still. Sharon slipped out of the room, reminding you both, again, that you had to be quiet, and you had to be quick. Then it was just you and Bucky. Silence and slightly less than five feet of space between you two. Then, shortly, no space to spare at all, as you ran to meet each for a hug a second later.

Your head struck his chest, and it was hard. That, alongside the python’s squeeze he wrapped around your body, hugging you to him in the tightest embrace imaginable, had your mind reeling, skull pulsing just a bit. You pulled back and stood smiling up at Bucky, whose eyes were wide, drinking the sight of you in.

‘Are you hurt?’ were his first words.

You shook your head that you weren’t, still unable to talk.

“Why are you— Who— who brought you— I didn’t—”

It seemed Bucky was equally hard-pressed to form a sentence himself, while his eyes were roaming wildly, all over you. Looking for bumps or bruises or cuts, whatever the wound might have been. He stumbled to the lamp and flicked it on. You tilted your head left, reflexively.

“I’m fine, Bucky,” you said. Sudden and swift, “I’m good.”

But you didn’t move your head too far to the right, either, for fear he might see the cut above your temple—the one soldat had caused when he’d pushed you to the floor, trying to protect you from a threat he couldn’t see.

As it was, your husband seemed to be too much in shock to see anything else apart from what stood immediately in front of him. He hugged you again. He kissed the crown of your head. He constricted your body so tight in his arms you felt a pressure start to build behind your eyes, and suddenly you weren’t so much pulling away as you were wrenching your body from him. When you met Bucky’s gaze again, the sweet blue irises were glossy.

“Nat wouldn’t say where you were, just that you were safe and needed to be…be alone for a while, but I—” He stopped, and it was as if he couldn’t even finish with the words, because his breath was stuck in his throat and his eyes were stinging too much. He looked down, briefly.

You wanted to reach for his hand but hesitated. He took yours a second later, holding extra tight as he continued:

“I thought I’d— thought you might’ve…left. I don’t know. I hadn’t been able to sleep, and then she— Sharon, she called me tonight, said you were here, so— so—”

You felt a pang of guilt holding his gaze, seeing how all the hurt that had come to accumulate behind those eyes over the last week went spilling, at length, into emotions he was either too overcome or sleep-deprived to express. The weight of this suffocated him, made him extra quick to speak his mind but slow to make sense of just about anything that was coming out of his mouth. He stopped, sucked in a breath, then pinched your hand in his, and you didn’t know what to do. You had no idea what to say.

“I was scared, Bucky.”

It sounded pathetic coming out of your mouth. Your husband nodded as though you’d just said the most profound thing in the world. His knuckles went white from just how hard he was gripping your hand, his head bobbed along in agreement, and for a moment, you winced to think that he might hug you again. Instead, the fingers tangled between yours just made a tighter knot.

“I know. I’m sorry. I’m sorry,” he said.

“You scared me,” you added, voice wavering.

Your left hand was going numb. You didn’t want to give him pause—possibly hurt his feelings—by freeing your touch from his, but that grip was brutal. Deathly rigid and unforgiving. Thoughts of Brooklyn and Madripoor came flooding back; Bucky was so much stronger than he realized. His tone, in contrast, was dulcet and soft.

“I didn’t know I’d get like that. I should’ve told you, doll.”

“I shouldn’t have tried the activation in the first place.”

You shouldn’t have tried digging into Bucky’s past all. When all there seemed to be at every turn was a brand new way for him to hurt you, or the people you loved, maybe there came a time when you had to stop asking questions altogether. Maybe that was what his mother and all the women who’d gone before her had known to do, what you had been too stupid to see all along. There was no knowing these men at all, only taking them as they were and learning to cope with what they became.

Bucky shook his head.

“No, doll, it’s not on you,” he murmured low. Still forceful

Thankfully, he released your hand to cup your cheeks, and he kissed your forehead. You felt your pulse in your palm, throbbing from where he’d held it. When he let go the second time, his expression was considerably softer.

“Listen, I’ll take you home, we can talk things over. As long as I know you’re safe, it doesn’t have to— to—”

Hey. He was already halfway toward the door before he realized you weren’t following him. He turned and gestured forward. He beckoned you, brows drawing in.

“Baby? C’mon.”

You didn’t budge.

Your feet were rooted in place, as though cemented to the floor. No matter how much you wanted to appease him, go along with whatever he asked, you couldn’t. You shook your head, and Bucky tilted his own, confused.

“Baby?”

“I’m leaving, Bucky.”

You couldn’t hear your own words slipping out between your teeth, only the blood rushing through your ears. Bucky stopped and turned to face you completely.

“What?”

“I’m leaving.”

“What— what do you mean, ‘you’re leaving’?”

“I want a divorce.”

That part you did hear yourself. You wished you hadn’t.

You wished you hadn’t seen the light break off from Bucky’s eyes, expression going limp the instant your words registered with him. You nearly wished you hadn’t said them at all, seeing just how far his face fell and how hurt he looked by them—but quietly, from somewhere more rational-headed inside yourself, there was a voice reminding the rest of you that it needed to be done. You couldn’t keep pretending like this wasn’t what had had to come next. What you’d been skirting with Nat all day and hadn’t been able to bring yourself to admit before now.

Your husband still didn’t seem to be computing it fully. He walked closer to you, and his gait was unsteady.

“Divorce?”

Your vision was bleary; you hadn’t even realized tears had begun to brim at your waterline as you watched him.

“It’s what we need, Bucky,” you could barely get it out.

“I don’t,” he shot back, not missing a beat, “I don’t.”

“It’s what I need.”

“You don’t mean that.”

His voice was hoarse, face shifting from lax incredulity to one of a wince—screwed up in a way that said he felt ill. You shook your head but couldn’t look away from him.

“You don’t mean that,” he repeated.

“It’s what I want,” you pressed on, just as sick yourself.

“You said what you wanted was me.” Again, Bucky’s voice splintered, and you could feel the pain in it.

“You said you wouldn’t hurt me, Bucky.”

Gritting your teeth, unsure where else to fix your stare on his face but those eyes—while your own betrayed their feelings too easily, fraught with wet, rolling tears—you shouldn’t have been surprised when his went wider.

“What are you talking about?”

The question was short, sharp, and biting, spoken with such haste as might be mistaken for anger, but the eyes softened his look at once. The anguish painting them now as he stared back at you were a proof, beyond a doubt, that it was betrayal, not rage, which steered him. He turned, and it was as if he couldn’t see a thing but you; his elbow clipped the lamp and knocked it over, but still, he just stared. In turn, the ceramic appliance rolled onto its side, toppled the mug and the vial beside it, and all three went crashing to the floor. Bucky didn’t blink.

“Wh—” he started again, but you didn’t hear the rest.

You remembered Sharon. Heard a flash of her last admonition in your head—be quiet, be quick—and without thinking, you fell to your knees. You tried retrieving what pieces of chipped lamp and shattered mug you could, quickly. You spotted the small vial on the floor and shoved it in a pocket. Your hands swept over the broken pieces without any real idea of what you were doing—all except needing to clean Bucky’s mess—and then swiftly, stupidly, you tried picking it up by yourself.

Of course, a shard cut you. The little slit that was left in its wake could have been no wider than a fraction of an inch, but still, it bled. You looked down at the cut, just then starting to sprout red from left to right along the side of your palm, when a new sight crossed your vision. It was fast, too. All but thoughtless in the way it broke in, gripping your hand in his, and yanking you to your feet. Bucky hadn’t seen that you’d cut yourself, it seemed, and, out of instinct, had grabbed your hand to help you up. As before, his grasp was like a vice, and his thumb pressed right inside the lacerated flesh, sending a whole new maelstrom of pain shooting up your wrist and arm. Now, as then, he was heedless of his strength and his sheer, brute force, that he didn’t even see the effect of his grip. He just held on, held you, tighter, tighter, and—

“STOP!” you shrieked.

You shoved him off. Pried his touch off your palm and gripped your forearm in your other hand and pored over the sight, seeing the gash almost doubled in size from just where Bucky’s finger had sunk into the fresh wound. You let out a sharp, muffled cry through lips that tried to stay closed—remembering Sharon again. You shook your head, clenched your jaw, and tore off the other direction.

And when your husband reached out, eyes wide with their own shock and apologies, ‘Baby, fuck, I’m so sorr—’ you threw him off again. With your non-bleeding palm, you thrust your hand against his chest and pushed hard:

“Don’t touch me!”

When he reached for you again, as if by force of habit, you held up a defensive arm and sobbed out, ‘Stop!’

‘Don’t touch me, don’t—don’t—don’t fucking touch me.’

You screamed it. You didn’t mean to. Thinking only vaguely of the need to be quiet, and almost entirely on the stabbing pain in your hand, the imprint of Bucky’s touch on your body, and the blood trickling down your forearm, you darted into the bathroom and threw the door closed behind you. You locked it. You meant to.

Twenty minutes might as well have been twenty years in Bucky Barnes’ mind. In a moment like this, following yet another supreme fuck up on his part, he felt powerless. He had had to fight the instinct to barge into the next room over with every fiber of his being, and, making fists by his sides and pacing the floor and hating himself was all that seemed capable of occupying his mind just then.

He’d knocked on the bathroom door at least ten times. He’d been ignored each time, no matter the duration.

He still had your blood on his thumb, and it made him ill.

You said you wouldn’t hurt me, Bucky.

While he uncurled his hand from a fist just long enough to stare at the streaks of red stretched over his finger, he heard those words replay over and over again in his head. He’d said it—swore it—himself, and still your blood was turning a cool, dark, dry shade of crimson on his thumb.

This wasn’t how he’d meant for any of this to go. Still, notwithstanding his best intentions, none of it mattered. He’d seen a sincere look of fear in your eyes looking up at him, and nothing in the world would change what he’d done, or who he was. He’d caused you pain tonight, last week—though his memory of that was still so hazy and dark he hardly knew what else had happened, even now—and above all, he’d failed you as a husband, a protector.

You were likely curled up in a ball by the bathroom sink, cowering in fear because of him. The thought sent another tidal wave of nausea thrumming through his skull, a lump in his throat growing larger alongside it, and before he knew what he was doing, Bucky was striding back to the bathroom door. He banged his fist against it.

“Honey?”

No answer.

“Baby, please open the door.”

More silence.

The moment brought to mind a memory from the night you two had been married. How you’d fled to the en-suite bathroom and locked yourself in it; how Bucky had rattled the whole doorframe with the force of his knocks, demanding you come out. He’d hardly known you then. You hardly knew him now. The realization of this made the weight in his throat all the more excruciating as he stood, and, wincing with pain, Bucky kept knocking.

“I’m sorry, honey, I’m so sorry.”

Pleading now. His voice was hoarse all over again.

Had he been the slightest bit more desperate and reckless, he might’ve been tempted to muscle through, kick the door in with his boot. But Bucky knew better. He could already guess how much that action would terrify you now, while tending to an injury that he himself had inadvertently made worse. Barreling inside would be neither romantic nor sweet, just sinking what may then be a lethal dose of salt in the deeper, metaphorical wound. He refrained. Instead of continuing to knock, he dropped his forehead to the door and closed his eyes.

“Please believe me, baby,” he tried again.

He’d said it so quietly he feared you might not hear it. Then, a little bit louder, ‘Please, please believe me.’

No sound to be heard inside but running water.

“You mean everything to me, doll.”

By now, his voice was clogged with pain, teetering on the brink of agony as he rested his hands on the door, and willed you to open it. Say something to him. Anything.

“I’d never mean to hurt you. Not in a million years.”

For a moment, he heard nothing more. Just how desperately he needed to hear a voice in reply could not be overstated. Craving a new sound worse than oxygen in his lungs. At first, when he heard something other than himself nearby, it nearly knocked him back with joy.

A voice right next to his ear, “But you did, didn’t you?”

The joy lasted less than a second.

The voice beside him was low. And close. Not coming from the other side of the bathroom door, as he might’ve reasonably expected from you, and not even in the tone of a female’s voice, as he might’ve seen, were Sharon to have appeared by his side. This new voice was deep, and masculine, and in his ear now, chuckling some as a gloved hand pressed the barrel of a gun to his temple.

Bucky didn’t blink.

You stepped outside not wanting to see him.

The bleeding had long since stopped, thanks to the aid of a cool, damp washcloth and a few minutes’ pressure, but even once it ceased, your legs were reluctant to carry you back. You dreaded the thought of having to resume your conversation with Bucky—of having to look him in the eye and tell him all over again that it wasn’t safe for you to be married to him. But you didn’t have much of a choice now, either. This wasn’t your honeymoon, where you could stay locked in the bathroom, try climbing out a window, and hope for the best like you’d done before. You had the man’s child inside you, for fuck’s sake.

That uncomfortable subject and at least a dozen more were already swarming your brain as you made your way out of the bathroom. You’d taken a few extra squares of toilet paper to press into the cut, were looking down at it with a tense, uncertain gaze as you ventured out, when you were obliged to stop just a few steps into the room.

“Hi, honey.”

It wasn’t Bucky.

Your eyes snapped up to the source of the voice in an instant, and, on seeing you were right—that it wasn’t Bucky but a gaunt, grinning blond with a gun to your husband’s head—you almost screamed at the sight.

You’d wanted to scream, anyway. It would’ve been the sane thing to do, and one that nobody could’ve blamed you for in the moment, you reckoned, but strangely the sound never came. You just stared at the two, eyes wide and jaw slightly more lax as your lips made an ‘o’. Bile jumped up in your throat. You wished it would choke you.

‘Please. Don’t.’ was all you could get out.

Johann Schröder’s smile stretched wider.

“Don’t what?”

The question was clearly meant to be derisive, rhetorical. Still, with your fingers trembling, you tried answering:

“Don’t hurt h—”

“Why?”

You watched the gun sink deeper against your husband’s face, and he flinched. Your stomach clenched inside you.

“Why shouldn’t I hurt him, hon? Seems like he’s gotten pretty damn good at doing it to you,” Schröder sneered.

His words stung. The grin didn’t flinch. And, as if to punctuate his sentence, or else remind your husband that he was tied to a chair and entirely at his mercy now, Schröder struck Bucky in the face with the butt of his gun. If an onlooker hadn’t known better, they might’ve mistaken you for the one who’d been hit, though—at last, you unleashed that scream, and you reached out for Bucky, hands open and pathetic and desperate to help.

“Think it hurt as bad as your hand?” Schröder hummed.

Your feet were stumbling forward, “He didn’t mean—”

Another resounding thud against Bucky’s skull, this time hard enough to split his lip in half. If he’d grimaced in the slightest, you would’ve seen the teeth smeared with blood. But, true to form, James Barnes didn’t wince. He hadn’t even seemed to acknowledge the blow as it landed. Just stared at you and, with eyes as hollow and deadened and faintly pleading as you’d ever seen them before, manifested their silent apology to yours—again.

“Bet he didn’t mean to hurt anyone as the Winter Soldier, either. Still couldn’t have felt too good for all the folks he butchered, though.” At that, Schröder’s sick amusement morphed into a laugh, and he was taking Bucky’s collar in his other hand. Shaking him lightly while he spoke.

“Couldn’t have felt all that great for your dad, I bet.”

The diversion turned to you, all toothy smiles and mocking eyes. He didn’t care. He let you stagger another step toward the two of them, even try to get your hands close to Bucky. But when you’d drawn too close, he stopped you cold. Not thinking much else in the moment, you made a move to push Schröder’s arm away, hard, and were shortly rewarded with a shove of your own. He knocked you sideways onto the bed, and you landed on the hand you’d hurt. Before you could let out so much as a sound yourself, Bucky’s voice tore in:

“Schröder.”

Schröder turned. He raised his Ruger to your husband’s head again, as casually as if he’d asked him for the time.

“Yes?”

“Don’t touch her.”

Schröder turned to you. Though he didn’t move the Ruger again, he did point his finger at your form, haplessly curled into itself amidst the covers and pillows.

“Why? Saving all the rough stuff for later, are we?”

You cowered as his free hand reached for you, and just as your husband’s eyes went wide and a vein nearly tore through his skin from how hard it protruded, you cried,

“What do you want?!”

Schröder stopped. He brought his hand to a halt just south of your thigh—and then he dropped his weight on the bed beside you. He gestured indistinctly, almost disbelievingly, toward Bucky. The latter appeared near-apoplectic, nails raking down either arm of the chair.

“What do I want?” Schröder quipped, incredulous, “What do you want, doll? To stay married to him?”

And you knew he’d intended the question to be hurtful; you knew it by the glint in his eye, the goading tone of voice and the look he’d flitted to Bucky—nondescript and yet saying a world more than words could ever convey. He knew what had gone on between you, had likely heard your last conversation in its entirety, and was now using it against you. Mostly to taunt, then to injure your husband with truths he hadn’t yet uncovered himself.

Schröder’s eyes were shining with sadistic delight as he took your hand in his. He didn’t waste another second.

“No, no, that isn’t what you want at all, is it?”

Ignoring the screech of Bucky’s restraints as he tried to lunge out of his chair. Hearing him curse when he failed.

“—you said you’re leaving him, right?”

Schröder slid the thin, glistening ring off the hand he’d been holding before you could even think to stop him.

“—said you want a divorce, is that it?”

Then his grin got so big and conceited and enlivened by the sight of pain working its way onto Bucky’s face that any good sense you’d had left inside you was abandoned in a blink. You didn’t hesitate, or else try and make a pass to retrieve your ring—you just hit the man in the face.

Your fist was small, and his chin was hard. You knew before you ever threw the punch that it’d probably hurt you more than him, but you did it anyway. It succeeded, at the very least, in catching Schröder by surprise and swiftly pissing him off. Seeing this and feeling a bit bolder, you were somehow able to dodge his hands when he lurched for you again. Inside, your own anger flared.

“Why the fuck do you care?” you spat.

You found momentary respite in the corner of the bed, sliding back against a wall that would only protect you for so long. As soon as Schröder regained his bearings, he had you back in his sights and his grasp just as quick.

He dragged you back. He pulled you up. He dug the tips of his fingers so hard into your side that you thought the flesh might tear in two across your ribs. But it didn’t. Crescent-like indentations did leave their mark in a grisly set of five, though. You felt the sting of it as Schröder loosened his grip, then sucked his next breath through his teeth as if calming himself. Your gaze only hardened.

“I care,” he said, once he’d completed this slow inhale. He replaced his touch by pinching your face in one hand and bringing it up to his, expression more like a snarl. Then, raising the gun to your face in his other hand, “because I made a deal with your father. Remember?”

You did. Your head jerked back by force of instinct, but he held it. From every direction, then, you had nothing to hear but the sound of your own pulse thrumming a fast, panicked tempo in your skull. You tasted blood in your mouth without a drop on your tongue. And, had that deafening fear and revulsion been anything less, you likely would’ve heard something else beneath it all.

Would’ve felt it, if you weren’t already so numb: Schröder’s hand sliding its way down your body, diamond ring still stuck to the tip of his index finger. You sensed it as though seeing yourself from another perspective—watching his hand trail lower, lower, lower until something in Bucky split in two and he bellowed:

“SCHRÖDER—”

He said something more after that; you were sure of it. You just couldn’t hear him, or see him, or discern much of anything else but your own racing heart as the man who’d just beat your husband twice and lifted a gun to your head proceeded to press his touch to your belly. Almost conscientious and gentle as he lowered it.

“Was this part of the deal, too, doll?”

Your eyes widened. Realizing—then feeling fear seize you completely. Forgetting the metal at your temple and shaking your head with a force, but slow enough that your husband wouldn’t see it. Meanwhile, across from you both, Bucky seemed more than sufficiently occupied by his own blinding rage—he spit a glob of blood to the floor and, with his teeth bared again, swore he’d kill him.

Over and over and over again, oaths of taking Schröder’s life and making it gruesome and painful and slow filled your ears, but none of it stuck, for either you or Schröder. Instead, your maniacal captor just smiled, leaning in.

“I said, was this part of the deal, Mrs. Barnes?”

The heel of his palm sank into your stomach, and as the shock of his first words began to fade, a pain replaced it. His hand made an impressive demonstration of flattening and forcing itself so hard against the skin that a flurry of stars cropped up in your eyes, and you cried:

“Stop! I-It wasn’t— just— just stop. Stop.”

“Stop? Was it part of the deal or not?”

Schröder bore down even harder.

“It just happened!” you keened. Unsure why you felt compelled to answer for what had gone on at all—addressing the baby in this awful, oblique way—though reckoning it had something to do with the pressure he was applying to your stomach. You tried to squirm back.

But your stuttering pulse and your pleading gaze and the ache in your stomach proved to be all too much for any real progress to be made. You’d scarcely moved off an inch before he drove his palm deeper, and with the agony of a body about to rupture beneath it, a shriek clawed out of your throat. Your mouth fell open, and for once, you couldn’t curtail the pain, or fear. Schröder’s hand had just forced the noise from your mouth, along with some mindless, broken pleas to stop pushing, it hurts, please, please, when the face above yours only brightened. Schröder’s cruel, snide mouth flashed a smile above you, and before you could whine again—

He kissed you.

It couldn’t have lasted for more than a second.

Still, the moment seemed to stretch indefinitely. And felt perverse. So deeply nauseating and unsettling to every last nerve, muscle, tendon, and bone in your body that the response it evoked could be nothing less than visceral. You didn’t need to think at all to shove him off. Whatever might’ve given you pause with a loaded gun to your head was forgotten in a second, and soon enough, you weren’t alone in letting your reproach be known.

It started off with a crack, then a harsh, crude splintering of wood. A violent rift, from what you could hear of it, and when you turned your head, your suspicions were confirmed: Bucky had snapped half the arm of his chair away from the seat, and his right hand was almost freed.

Whatever barrier he faced in being bound more than four times over with rope seemed immaterial to him now. He could strain as hard as he pleased—feel the coarse synthetic fibers dig into his flesh and leave streaks of red, if not break the skin itself—and any pain, as before, hardly appeared to register with your husband at all. He just muscled through it, thrusting his wrist even harder. The whole force of this movement rocked the chair on its legs, and just when you sensed it might collapse beneath his weight, you felt Schröder stand up. The man didn’t need to move too far or do much else other than drop his hold on you and flip his gun to point it at Bucky instead.

Even when he had, though, Bucky didn’t flinch. His hands were in fists and his drive was like a machine’s—he tried forcing his way out of the right hand’s restraints, and the second the wood gave way, he was shoving it off.

Blind to the firearm Schröder was holding, or his words:

“Stay where you are, Barnes.”

Bucky was just then shaking off the rope that had been loosened by the break in the wood, jaw still tight as ever.

“You’ve got three other limbs to free, my friend, just—”

Schröder was still speaking when you saw his finger slip to the trigger, and it seemed to you it was itching to pull.

“James, stop!”

That plea came from you. More of a strangled cry, really—no more pleasant for either man to hear than it was for your throat to shriek. It did, however, stop Bucky cold. Your husband paused just long enough to meet your gaze. And in it, you saw, at least, that he was all there, if not enraged. But not soldat, or anyone else but himself.

You sighed in relief, despite what seeing two red rivers seeping out of Bucky’s mouth might otherwise provoke.

It was him. You might’ve smiled if another hadn’t cut in.

Schröder seized Bucky’s wrist. With it, you saw his hand just as mangled and bloodied as his lips. Knuckles cracked, slit, and soon to be littered with bruises of every shade, he shocked you again by how calmly he took it. Even when Schröder sank a thumb inside a big, gaping crater of a flesh wound he’d found on the back of his hand, your husband didn’t blink; he just looked at you.

‘I’m sorry.’

When the barrel of the gun returned to his head—this time, at the rear, as Schröder had circled back around the half-broken chair and was leaning over him—you could see the apology lodged in his eyes on full display.

“For safekeeping.” The man wielding the gun seemed almost pleased as he dropped your ring inside the breast pocket of your husband’s shirt, before patting it gently:

“Now where were we?”

A beat. Bucky’s right hand twitched beside him, but evidently, he knew better than to move in that moment.

“Right, right—” Schröder pretended to be remembering, tapping steel to Bucky’s skull, “She’s leaving, isn’t she?”

More silence.

You wanted to speak, beg Schröder for mercy, anything.

“Do you know why that is, Bucky?”

But before you could utter even a word of protest, the voice pressed on. Schröder was leaning in his ear.

“—what you did to her?”

The baby. Brooklyn. All the bloodshed that had ensued last week, leaving your husband completely in the dark. Of course, he couldn’t remember. He hadn’t been himself, and was scarcely more able to control his actions as the Winter Soldier than he could in a dream.

To your horror, Schröder reached down for Bucky’s hand, and, still holding the gun to him with the other, lifted it.

Pointed it.

Pushed it closer to you.

“C’mon, Buck. You don’t want me touching her, right? Why don’t you feel for yourself what she’s been hiding?”

Your blood turned to ice. You’d never felt so immobile—paralyzed—in your life, but seeing the hands drift closer and closer and feeling defenseless to their course, your body went numb. Your limbs grew heavier than lead.

And when you felt the smug, smiling blond guide your husband’s touch toward your head, you understood it all.

You were perched at the edge of the bed a foot away. Schröder was nudging Bucky forward in his chair, urging him to reach out and tilt her chin a little, go on, that’s it. And neither one of you had a choice, so he touched you. His fingers, directed by someone else, were obliged to brush the skin of your chin, your jaw, your cheek, and your brow, before finally settling above your left temple.

Your husband felt the cut—touched the stitches.

You winced, but not from any physical pain. It was Bucky’s face as the tips of his fingers skimmed the wound. The look of chagrin that crossed his eyes. Then bewilderment. Fear, as plain as anyone could see it— was he the cause of that? Had the hurt been from him?

You couldn’t bear to answer him, so you looked away. It was Schröder, again, who had all the power to speak.

“Can’t remember pushing her down?” he said, tone dark, “Making her split her head open on the bedside table because soldat didn’t know his own strength—only that he had to keep her safe—and sensed a threat outside?”

Bucky shook his head. His face was grave.

Schröder kept making him prod the skin.

“It’s bruised here, too. You feel it?”

Your husband did, and you thought it might break him. So tender and forlorn were the eyes, raking over every spot where a touch, his touch, had left you hurt before.

If nothing else could bring you back to your senses, the wounded look in Bucky’s gaze was sure to get it done.

You hardly thought again, just croaked: ‘It’s not his fault.’

Schröder’s hand then descended your neck, your torso.

As if he hadn’t heard you at all—

“You already saw what happened to her hand.”

—and forcing Bucky’s touch lower still.

“But what about here?”

Your breath hitched in your throat when you felt your husband’s hand come to rest on your stomach.

It was like a fire had ignited in your lower half, and nothing close to the soft, pleasurable kind. Not the flutter felt in anticipation of a touch from your husband, not the desirous sort. In fact, you dreaded it now; seeing Schröder over his shoulder, urging him closer, making him flatten his big, broad, scorching palm over your belly.

What should’ve been the ecstatic scene you’d conjured in your mind at least a hundred times since marrying him—the picture of domestic bliss as you said it, smiling, I’m pregnant—was now nothing short of torture. Choice all but stripped from you here, forced to emerge inside this terrible place, you found yourself needing to shrink back, shake your head, look to Schröder’s stubborn, unyielding gaze and beg him not to make you do this now. Not now.

Not here, with Bucky’s skin a shade of glacial white and his eyes going wide, taking on a look you’d never seen.

“What do you—”

He stared hard at the hand on your belly, but it didn’t last for long. As if realization were trying to seep in, he couldn’t meet it. His eyes flitted back to your face.

“Baby, what’s—” he tried again, stammering.

“—right, that’s it, Mr. Barnes.” That was Schröder.

Satisfied in the suspense of the moment keeping your husband still, he lifted his hand from Bucky’s and snapped, that’s it, and clapped him over the shoulder.

Congratulating him before the truth had even sunk in.

“A baby, that’s right! You’re going to be a father, Buck.”

And how far was the look on Bucky’s face from the one you’d dreamed before. The lips you’d envisioned in a smile now twisting bleakly, parting slightly, and the eyes you’d once hoped to be bright and elated only staring back with rings of red enveloping the irises. Whatever tears formed at his waterline were decidedly not of joy.

Only guilt.

“You did it.”

Desperation.

More moisture in his eyes as his hand started to tremble across your stomach, voice hoarse and soft, “Is it true?”

You didn’t need to nod. You just watched him, let your own eyes fill with the worst, stinging tears you had felt in your life, and from the silence that followed, Bucky knew.

As if the life beneath his palm were something dear, but still too much for him to comprehend, he shook his head. He stroked his thumb over the cotton of your pyjamas and tried inching closer, as much as his restraints would allow him. Then, with words that were audibly strained, but always gentle, he lowered his voice—as if to keep the communication between you two, despite your position:

“I love you.”

His hand was still on your belly as he said it. He reached up to cup your face. Even lower than before, “I’m sorry.”

I’m sorry.

That much was evident from every look he’d given you tonight. Every move he made a de facto apology, all actions in the vein of atonement, it couldn’t possibly escape your mind or his that he knew he’d done wrong. It was only a matter of accepting this—maybe coming to terms with the fact that your life wasn’t safe in his hands—for the guilt plaguing Bucky to multiply. Paralyze him.

There was no better time for Schröder to strike. Just as the anguish had flooded Bucky’s face completely, and his hand had had to lower itself from want of strength, a sound split the air. Bucky was so lost in his thoughts that it didn’t even register at first, but the impact was real, and it was harsh: Schröder punched him squarely in the jaw. The next, swift snap was his nasal bone taking a blow, and breaking beneath it. Blood breezed down and into his mouth. Feeling warm, his lips and chin doused in a second, he sensed nothing else. He might’ve groaned.

He caught another swift right hook, and his mind went blank. Nothing of substance threatened to materialize between his ears, save for the rush of blood through and from his skull and the dim recognition of something ugly.

Something horrific.

He couldn’t protect you.

His body was as much an idle waste as it was a danger. Useless now, as he was tied to this chair, and a risk to your well-being even if he weren’t. The hazard was him.

Schröder hit him again, and Bucky realized that the ringing he’d heard in his ears was your screaming.

“I’m doing her a favor,” Schröder spat before shoving him back in the chair, almost knocking it sideways.

The blond advanced with ease. His knuckles were drenched in blood; none of it was his. When he reached for Bucky again, the resistance was slight, and a simple, firm grip on the collar was all that was needed to drag his frame to sit straight. Bucky was barely upright for a second before the next—and worst—blow struck his face. His whole head rang with it, reeling, but still, he could make out the words as they were spoken to him.

“She’ll never be safe with you, Barnes. Never—” and at the last, Schröder lowered his gun. Started to loosen the rope from Bucky’s left arm, “—I could free you now, and you still wouldn’t get within an inch of what you want.”

He nudged the rope away and let it fall to the floor. Bucky lifted his hand, but the effort was in vain. No sooner had a finger of his stirred than Schröder was delivering a kick to the chair and letting it splinter. Topple. Skitter a half-foot across the hardwood floor with Bucky’s ankles still bound to it, before finally, gracelessly, breaking apart.

Bucky was on the floor, blinking through a stream of blood and a sea of muddied thoughts when Schröder kicked the chair again. The rope slackened some more.

“Her own father knew as much, so he made me a deal to take her off of your hands. Settle his debts the way he should’ve done the first time around,” Schröder said, and now his tone was lower. Lethal as it ever was, and stern.

“I know how much you hate to lose your playthings, Buck, but this one’s better off with me, I promise.”

And, as if to emphasize his point, Schröder turned and reached for you. Bucky’s own hands were slow, fumbling in fits and bursts to get the rope unwound from his ankles, but they were determined. He just couldn’t get the bleeding to stop, the ringing to subside, or his brain, in its concussed state, to let him move with a little more agility. He’d been hit too many times. He could barely lift his head off his shoulders and hold it straight, so he was forced to stay where he was, keep at his task, and listen.

“You’re weak when you’re not soldat.”

Using his knuckles, Schröder brushed the blood that was evidently all Bucky’s across your cheek, and you flinched.

“When you make the switch, still…you’re inhuman.”

Then he tilted your head, making you show them both the mutilated, stitched-up flesh above your temple. Again, you tried to slink away, but his touch was firm.

“Don’t you think your bride deserves better than that? Your child? Forced to live in fear of that thing you are?”

Blood coursed down Bucky’s face, and his lips were curled apart in a grimace, mouth hanging slightly ajar. His eyes fixed their look on you. The rope was undone.

He’d just started to try and stand when the edge of his vision blurred. He felt the lacerations in his face pulse as one, and with it, half his sight went skewed to the left. Schröder couldn’t help but crack a smile seeing him stumble, pitch back, and barely catch himself on the bedside table. When he stood, he was mostly hunched.

“Look at you, Buck. You can’t try and save her like this,” Schröder taunted, drawing you closer, “So stop trying.”

The man’s hand was like ice holding your face. The grip grew tighter when he saw your husband limping your way, and before either one of you could move, the index of Schröder’s other hand had slid down to the trigger. He didn’t wait to give another warning before he did it—just pointed the gun and fired one shot over Bucky’s head.

His aim was good. The bullet missed your husband by less than an inch. The gun had gone off by your ear, and immediately, you seized the side of your head as a sharp, searing pain cropped up. Your skull was still ringing when you heard the thing discharge again, and you realized it had been aimed at Bucky’s neck. He’d ventured another step, and Schröder had fired a second round to graze the top of his shoulder. Crimson bloomed through his shirt.

Bucky should’ve stumbled again. He might’ve staggered back with a grunt of pain, lifted a quick, reflexive hand to feel the wound, but the sense of it all was slow to reach him. The moments that passed him were delayed just the same, as if the world around him were distorted—the fibers of time tugged and stretched before his eyes—and he could hardly keep himself straight. When he got another look down the barrel of the gun, he didn’t blink. Couldn’t see, really. It was all misshapen sights and sounds and a dim recognition that his mind was in a fog.

Somewhere from within that mist, he heard, faintly:

“I’ll go— I’ll go— I’ll go with you, I’ll go— just stop.”

Schröder turned to you, and the smile that he wore was cruel, but Bucky wasn’t able to make out the expression.

All he could see then, to the faintest extent, was you—your face, gripped hard in another man’s hand, eyes pleading and wet with tears, and a slightly slack jaw.

“Leave him for me?” Schröder repeated, sneering.

You nodded. Blinked. Rolled your tongue along the inside of your cheek before pulling it back and biting down once. There was a hint of a wince in your eyes, but, from what Bucky could tell, it vanished just as fast as it came.

Your lips parted again. Your eyes widened a little.

“So the girl has some fucking sense.” That was Schr��der.

He’d had his weapon re-holstered and your face firmly seized in both of his hands in no more than a second.

What came next surprised no one, though the sensations of disgust and rage were as quick to turn a stomach as the shock would have done. Schröder bent down and, having pulled your face closer to his, kissed you again.

Schröder’s mouth was glistening with a grin and Bucky’s own blood—smeared all over your face from how hard he’d been holding you—when he looked up and turned.

“Sensible and sweet, isn’t she? Tastes like it, too.”

Bucky saw nothing but red. It wasn’t just blood crowding his vision now but violence and rancor and outright hatred, stirring his limbs to start moving again when the rest of his body was plainly too battered to venture an inch in that condition. He staggered again, watched you again, and had made it almost halfway across the room when another sight slowed him, if only for a moment.

Schröder’s lips were back on yours, as if to mock him, but what startled him, really, was the way you’d opened your mouth. You couldn’t mean it. Clearly. Schröder was gripping your jaw, forcing it open—it had to be—and he was coaxing your tongue out from inside and weaving it with his. Once more, time moved like molasses, and that was all your husband had had to see: you kissing him back, gripping his arm through the thick, black tactical gear, and still parting your lips more and more for him. Like you needed a touch, or something, worse than ever.

That stalled Bucky, though he was nowhere close to stopping now. Briefly preoccupied, and seemingly shocked as well that you’d accepted the kiss so eagerly this time, Schröder didn’t see the approach. If he had, he likely would’ve turned and made a move for his Ruger, but as it was, he had only to blink—and there was Bucky.

He hit him with a force that was blinding, directly to the side of his head so hard that he’d had no choice but to separate from you. Schröder was stunned one second and on the floor in the next. Bucky threw him there, kicked him down, and, wavering for only a moment to cock back the shoulder that’d been shot, he ignored the pain and punched the man again. And again. And again.

There was a callousness, an indolence, and an ease with which he was able to inflict the pain, that much was evident. What didn’t seem so natural, at least in Bucky’s mind, was the weight that was in his hands: Schröder’s body felt limp before he’d even landed the second blow.

The pressure grew heavier and heavier in his hands the harder, and more frequently, he delivered each hit, but for now, he didn’t care. Bucky kept on punching until the face beneath him was gnarled and bloody, and his own fist, too, slashed every which way with more cuts than he was able to count. He would’ve kept going—could’ve ignored the stabbing pain in his shoulder for as long as it would take to ensure the man was dead—but as it was, he refused to ignore the voice he heard. It was yours.

Muffled now, as your body was bent to the side and your head drooped lower still. Your voice was soft but clear:

“Bucky, please, stop.”

He did.

He dropped the man’s collar from his hands as soon as he’d heard you say it, and he turned away as if nothing had transpired behind him at all. His focus was on you.

“Baby—”

To his surprise, he watched you spit on the floor.

Your face was grim and almost sick, and you spit again.

The look grew even worse, and afterward, you didn’t waste a second more; you stood and left the room.

Bucky was stunned at first, and his instinct had been to follow. Then he heard a rattling sound beside him. He glanced down and paled, seeing Schröder there.

His face had turned blue much sooner than Bucky had expected—and not from any bruising but a lack of oxygen in his lungs. He was choking, foaming slightly at the mouth while he gasped for air. Surely, it hadn’t been the hits that caused it. The whites of Schröder’s eyes were as conspicuous as he’d ever seen them. Desperate.

Bucky swiftly got the sense that the life of his former captor was lost, and frankly, he didn’t care enough to watch him die. He left what remained of Schröder’s form to continue writhing on the floor, choking and sputtering for a breath that would never come, and went after you.

Downstairs, he found you hunched over the kitchen sink—spitting, retching, and trembling, too, but breathing.

You let the water from the faucet fill your mouth, and you rinsed again. You winced as something stuck your cheek.

Bucky drew closer, quickly, and when he was right by your side, he saw you spit a shard of glass into the sink. He looked over to the counter, and he spotted three more

They were minuscule, really. Nothing quite the size to leave a wound too deep, but sharp enough to cut your lips, your tongue, or the insides of your cheeks. When Bucky leaned in, he saw droplets of red joining the flow of the water beneath it. You coughed over and over again

“Don’t,” you croaked, seeing Bucky reach for the glass.

Before he could reply: “It’s the poison. From Madripoor.”

Your husband’s blood went cold in his veins. He didn’t touch the glass, but he did press closer to you, feeling his insides churn as the cogs started to turn in his head.

The vial of poison you’d been given to slip in Schröder’s drink at the Foxy Den—how the hell had you gotten it back? Why would you think you needed it, if he— but no, that couldn’t be the case. There wasn’t a shot you just—

“—put it in your mouth?” Bucky couldn’t curb the fear in his voice. He reached for you and spun you to face him.

“Did it kill him?”

Your eyes were wide for entirely different reasons. Bucky couldn’t believe what he was seeing; his mouth was dry.

“I didn’t want to kiss him,” you went on, voice shaking a little, “I didn’t— I just— I couldn’t get him the poison any other way. I knew he’d kiss me again, and when he did—”

“I know,” Bucky said. He smoothed the hair from your face, shaking his head. Feeling his stomach clench with fear and dread as he hurried to get a look in your mouth.

You’d snuck the vial inside your cheek, then crushed it between your teeth before Schröder had kissed you. You’d all but forced him to swallow the poison, shoving your tongue down his throat, but what of the stuff that remained? The rough, trembling fingers of Bucky’s hand were trying to pry your lips apart as gently as they could, ensure all the serum was out, but at present, you wouldn’t let him. You pushed back gently, though not too far to prevent your own touch from roaming his shoulder.

“The bullet—” you started.

“Barely nicked me,” Bucky cut in, “Baby, I need to see—”

That you’re safe. That you won’t be hurt in any way. He couldn’t finish the thought himself, having seen what the poison did to Schröder. Instead, he just held you closer and fought the lump that was starting to form in his throat. Adrenaline had worked well enough to clear his mind of the haze, but the rest of him was all high-strung.

Your clothes clung to you both, wet with blood and sweat. Your breaths were fast. Your expressions were feral, eyes no calmer as they scanned over the other’s form and soaked in every trace of what had happened. Bucky in his formalwear and you in something close to a chemise—like your honeymoon night all over again—you each got a glimpse of the gore ornamenting yourselves and let the room fall quiet, if only for a minute or two.

Your husband was the one to break the silence, at length, with cracked and grisly hands sliding down to your hips.

“You’re okay?”

His touch shifted you back in place to sit on the counter.

“I’m alright.”

You wanted to say more; assure him, in a voice as sedate as you could manage, that this wasn’t his fault. Whether he would believe a word of what you said was a separate question, but, at any rate, it didn’t matter. The next thing you knew, Bucky was slotting himself in the space between your legs and pulling you into his arms.

In spite of himself and all the wounds, he held you tight.

“You’re alright,” he repeated.

His face sank into the crook of your neck, and you felt his muscles contract again—pulling you closer—as he drew a shaky breath against your skin. You hugged him back.

“Are you?” Your voice was small.

In a blink, Bucky resurfaced. He lifted his head from your neck and, still holding you, hadn’t seemed to have heard.

“The baby,” he said quickly.

He stepped back. Lowered his gaze and his hands to trail over your hips and near your stomach, and he stared, as if trying to make sense of something dire. His blue eyes were wide, and they assumed such a look of panic that you feared a blood vessel might actually burst in one.

After all the great lengths he’d gone to, ensuring you were safe and taking extra precautions, on the off-chance you might be pregnant, here you were.

And there he went, sliding his touch lower and lower again until his hand was pressed into your belly, and the gaze you’d once thought soft before had all but melted into tenderness—delicacy. Complete, loving unreserve.

When his eyes met yours a second time, they were shiny.

Wet with the only kind of tears you’d want to see in them.

“You’re really…” he started, just to taper off, blinking.

And then his cheeks were dotted with the tiny, round droplets, and he’d finally ventured a smile for the first time in what seemed like ages and you couldn’t keep from reaching for him. The second you’d lifted your arms you were back in his, lips and nose smushed against the front of his stained white button-up and breathing deep.

Or trying to, anyway. Bucky had you squeezed so tight to his chest you had nothing but his shirt to inhale at first. You didn’t mind, and when he pulled away a moment later, you realized that your eyes, too, were filling up quick. You had to steel yourself against a maelstrom of emotions that threatened to emerge—the aftermath of a half-dozen traumas laid bare over the last hour—but the longer you were here, and the more your husband stared at you like that, the quicker your courage was depleted. In the span of five seconds, your senses were shot to hell. All you could think was what you could feel, and all you felt was Bucky: his arms and his hands and the raw, blistering heat between your bodies. The rest was noise.

It surprised you both when you kissed him. Physically, your mouth and his were hardly up to do it, injured as they were, but the impulse was strong, and it flowed between you. As soon as your lips latched onto his, Bucky was holding your face, molding his body to yours without so much as a second thought, and the mouth you met was sturdy. Hungry in the way it kissed back.

A string of words from Schröder flashed in your mind—‘Never be safe’—and you grit your teeth together, snagging the cusp of Bucky’s lower lip as you did it. He groaned. Before you could even try to apologize, though, he was gripping your face harder in his hands and coaxing your mouth open with his tongue. His front was still flush with yours, and your legs were starting to wind around his hips. Your husband nudged you back against the cabinets, and from the force of that push, you felt it.

Felt him.

Surely, it had had to take two very fucked up individuals to get all hot and bothered from a bloodbath that had just taken place; but, again, here you were—together.

And there you went, grinding your lower half with his.

“Doll?” Bucky broke out, word slurred just a little.

For a second, you thought he was going to stop you. Your eyes scanned his, and you were already planning to apologize for being so horny, it must just be the—

“You know I love you, right?” he breathed.

You blinked. You were about to nod, when you felt the bulge in his slacks start to rub against your barely-clothed heat, and something akin to a shockwave coursed through your frame. It couldn’t be helped. A monsoon of hyper-sensitized pleasure trembled over the skin in a way you’d never felt it before, and suddenly you were letting out a moan: a muffled cry of, ‘Yes, I-I know.’

Your husband swallowed and stared, slightly taken aback by the reaction his erection had produced. He’d never felt that either. At least from what he could remember.

The truth was that he’d never had a pregnant wife before—someone whose body was now extraordinarily responsive to his touch, nearly aching for him.

When you scooted your butt to the edge of the counter and dug your heels in the backs of his legs, humping him, almost, he got the idea. Bucky swallowed again.

“I love you too, I— I—” you started, already out of breath, “I just really need you to fuck me. Can you— please—”

Bucky didn’t need to be asked once, much less twice. He already had his belt, button, and zip undone before you could even look down, and then your own pyjama shorts were sliding off too. The counter was cool against your skin, but your husband’s warmth was more than enough to compensate for the loss. You smiled again, sheepish.

“It’s just…hormones,” you said, quieter toward the end.

You weren’t sure why you felt so ashamed to simply say, ‘James, I’ve been damn near insane with desire ever since you put a baby in me. Can you give me five more?’ But you did. You felt your cheeks start to heat as your lower half was left exposed to the air, and Bucky slipped his hand down between your legs, practically groaning:

“Honey, you’re soaked.”

There wasn’t one iota of shame in his tone.

He was more than happy to find you drenched beneath his touch. He had a smile on his face and a warmth bleeding from every fingertip as he caressed that soft, tender spot. You didn’t need to tell him what was on your mind, either. He sensed something was making you shy, and rather than have you say it aloud, he just touched you gentler, stroked the skin more affectionately, and tilted his head so only you could hear him, quiet as ever:

“That’s my girl. Feeling good for me?”

You felt your heartbeat between your thighs.

“My baby,” Bucky went on, voice dulcet and slow.

Your body was trembling at the edge, waiting. Impatient.

“My wife,” he said that with a smile, into your neck.

He lowered you onto his length, and you whined.

“Mother of my child.” The smile got bigger.

You couldn’t see it, but you could feel it. Feeling him slide inside the most precious, wet, pliable part of you, stretching you out, you couldn’t help the sounds you made. You felt full in a whole new way; the groan Bucky let out when you were impaled down to the base of his cock said he shared the feeling. He throbbed inside you.

“You’re—fuck.” Bucky’s words broke off at the sensation.

Your walls were as slick as ever, your body delicate, rolling your hips to the first gentle thrusts that his shaft carved inside. Neither one of you could last long like this.

Still, at the threat of sublime pleasure, you felt fear, briefly: Schröder’s implacable stare—and the thousands more like him in HYDRA. You couldn’t help but grip Bucky tighter, willing these thoughts away with the rhythm of your body over his. Feeling him fill you up, fuck you with quick, deliberate thrusts and hold you, ‘That’s it, take what you need, sweet girl, you’re okay.’

You wished you were. You wanted to be. With every stab of Bucky’s hips, you hoped this would be the last night you ever feared for you or your child’s life, but deep down, you knew that wasn’t true. This was everything your husband’s varied ‘enterprises’ entailed, and a life with him meant never knowing a day without it—fear.

The head of Bucky’s cock grazed an especially sensitive ridge in your walls, and you whimpered into his shoulder.

You smelled blood.

He pushed you back against the counter and pounded harder, breaths heavy and labored and gruff as he spoke:

“You’re okay, baby, it’s alright.”

Your mind tried clinging to that thought, nodding along as if to convince yourself. The pleasure grew stronger, and your body was hot. Everything was heightened. Bucky couldn’t keep his eyes or his lips or his rough, bloodied touch from roaming you wherever he could reach, and he kept rutting his hips, assuring you gently, again and again, that it was all okay. He was right here.

The pleasure from the depths of your body was beyond your control—you couldn’t help it when the band inside of you snapped. You held Bucky closer and you moaned, more desperate and needy and soaking for him, taking something from him, and knowing the bliss you felt would only steal the dark thoughts for a moment or two.

Bucky’s eyes said it just the same. He couldn’t keep stuffing you full, feeling his pleasure hit its peak, and finally painting your insides without sharing that look.

You were less than halfway down from your highs when you felt him go still, panting fast, then hold your face.

“I love you.”

It was desperate. Hoping for something.

“I love you, too,” you told him, and you meant it.

But there was more. Both of you knew there was more.

“I can’t be married to you, Bucky.”

You didn’t know why it had to come out now, but the emotions were there—his gaze had all but drawn it out.

Still sheathed inside you, your husband tensed. He looked as if he might try and shake his head, but the movement was stalled by his own momentary shock. He’d known the words were coming, but the sound of you saying them now wasn’t any less jarring to hear. Before he could reply, you found yourself cutting back in:

“Not now, at least. We need some…time. To think.”

You weren’t sure what you were saying, just that your lips were moving and every new word was hurting him more.

“Even with Schröder gone, there are so many…dangers for both—or, all—of us, and I don’t know…I just can’t—”

—imagine bringing a child into a world like this. Like his.

You didn’t need to say it.

The pain in Bucky’s eyes already communicated as much, and the conviction in your own only convinced him that you’d meant it—and what you said was the truth. You couldn’t stay in a marriage that wasn’t safe.

Just as you opened your mouth to say something more, the man surprised you when he squeezed your hand.

Nodding, almost imperceptibly, in front of you.

“I can wait,” he said, “Whenever you’re ready, doll.”

His voice was hoarse, words strained from the lump in his throat as he spoke, but the message was sincere.

“Whenever you feel safe,” he added, softly.

You wanted to hold him again. Like before, your eyes began to well with something stinging and harsh, but the look you’d fixed on him was filled with nothing but love. You would’ve reached for him then, if he hadn’t moved his hand to his pocket. He felt around inside it, briefly.

Then Bucky retrieved your wedding ring.

Holding you up against him, pressed snugly into the counter with your legs still wrapped around his lower half, he pinched the silver band between his forefinger and thumb and held it up to you. It glistened in the light.

“The next time you wear it, I want it to be because you chose to marry me. Not for anything, or anyone, else.”

Nothing arranged, no game, no being forced to stay.

You nodded and had to blink through a layer of tears.

Bucky’s thumb traced the moisture, cupping your cheek in one of his hands. He’d had to keep blinking himself, and before you could reach for him, he kissed you.

“I really hope you marry me again one day, Mrs. Barnes.”

You smiled, having parted but still holding on.

“I think I would like that, too. One day.”

The next thing you heard was a sound at the front door: what sounded like a crash. Half a dozen sets of feet stumbling inside, crowding the foyer, making a loud, frantic clamor that you and Bucky knew only too well. The two of you scrambled to get your clothes back on as Steve, Nat, Sam, and Sharon all seemed to yell at once.

You had one hell of a story to tell them.

Taglist: @vicmc624 @she-could-never @mcira @kentokaze @ordelixx @stinkerbelle007 @wilsons-striped-ties @pono-pura-vida @geminiflanagansblog @buggy14 @sky-full-0f-fl0wers @buckysdoll1520 @armystay89 @kunakizen @ghostiebby06 @blackhawkfanatic @sushiseoks @deansapplepie @mrsjoequinn @lunaroserites @first-edition @jaggedsi @excusememrbarnes @mostlymarvelgirl @yujyujj @mrs-bucky-barnes-73 @athenabarnes @christinabae @wintrsoldrluvr @bethbunnyy @i-heart-smut @5thgoddess @oogaboogabeepboop @sky-full-0f-fl0wers @buckysdoll1520 @armystay89 @mimimarvelingmarvel @counteveresttt @thepetitemandalorian @diannana @aagn360 @aka-tua-braindump @shortnloud @dahliawolfe @fantasyfootballchampion @lilyevanstan1325 @kandis-mom @ladyvenera @gyokujyn @bigtreefest @winterschildren8 @mega-kittyglitter-1

[kianamaiart]

Hello your magical girl story looks really intriguing, the premise feels very creative, the art style is simple but good with its own identity, and the characters seem to be fleshed out with depth, personality, and backstory. In short, I love it, and I do have a few questions.

One: Is the story character driven, story driven, or something else

Two: Is the story rated G, PG, PG-13, or something else

Three: Would the story be a web comic, web show, or something else

Four: Will there be a lot of lore and world building, yes or no

Five: what other inspirations did you have for the story's characters, plot, and art style

Six: What humor do you use for the story

I'm only asking these questions out of curiosity. This is just because I love your story, and would like to know more about.

So please be free to not answer all the questions if you want. I'm also fine if you ignore this ask. so please, no pressure.

At the end of the day, please have fun, relax, work hard, take your time, and have a nice day.

I'm so glad! Thanks so much for your interest <3

Character driven (always)

PG/PG-13

Dunno! I've been reached out to already for a few opportunities but right now, I'm just trying to have fun with it and keep it mine until I feel like the idea is fully realized and ready for something bigger. Right now, I'm shooting to make a lil pilot animatic mostly on my own with help from a few friends

Depends on what you mean by a lot but I'd say a soft yes

For Aika, just generally other anime protagonists from shoujo and shonen. I feel like when you're doing a spin on something you do have to rely on the tropes from the genre at least a little bit. For Zira, Toko Fukawa was the jumping off point but they're very different. They're also both based off of aspects of myself (I feel like most artists do this with their ocs tho). Style and story-wise, I was definitely looking at Doremi and Panty&Stocking. That chunky cute look that's distinctly anime but takes some notes from Western cartoons. But mine's flipped where it's more based on my own style from working in Western animation but then having anime influence. And story-wise I like how they're more episodic with an underlying story. The magical girl stuff is more a backdrop that helps the story move forward and enhances the slice of life stuff that's being focused on.

I'm not sure what kind of humor to say other than my own? But my sense of humor has been shaped by Big City Greens (obviously) Adventure Time, Jimmy Neutron, Bob's Burgers, Smiling Friends and many other things but hopefully that gives you the gist

[innerfare]

You’re Jealous

 Summary: You get jealous of someone else in his life.

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, and Kid

Genre: Slight Angst // Fluff

CW: None // SFW

——— 

Luffy: He never told you Boa Hancock was in love with him, and when you find out, you have to remove yourself from the situation before you have an emotional outburst and start something with the Pirate Empress. The problem is, you don’t even know which emotion will spill out of you. Finding out the world’s most beautiful woman, and a powerful Warlord, no less, is desperate to marry Luffy is a whirlwind, to say the least. Luffy can seem clueless at times, but his emotional intelligence is through the roof, and he picks up on what has you upset almost straight away. He knows to give you some space, and when he senses you’re ready, he approaches you with a handful of wildflowers he picked. He doesn’t really say much, just pulls you into a hug, presses a few kisses into your cheek and temple, and says in your ear, “you’re my girl.” 

Zoro: He didn’t mention Perona was also at Mihawk’s castle for those two years until a few months after the crew gets together. He tells a story that features her, and you realize there was a woman keeping him company. Your heart drops into your stomach. Zoro insists he didn’t mention her because he didn’t think she was relevant; the only thing Perona did those two years was annoy him. He’s actually the one who won’t let it go, not you (even though you are pretty jealous). Whereas you’d prefer not to talk about it, Zoro is wracked with guilt because he’d never considered the whole thing in a relationship context. Him fretting constantly over it actually heals your jealousy because you realize you’ve never seen him panic over the prospect of hurting anyone else’s feelings. 

Sanji: Even with a third eye, Pudding is stunning. And Sanji almost married her. It was before you two were together, but listening to the stories from Whole Cake, hearing how close he came to marrying another woman, knowing she really did fall in love with his kind heart and wonderful cooking, turns you into a little green monster. You know you shouldn’t feel jealous of a woman you’ve never met before, a woman Sanji chose not to marry, but you can’t help it. Sanji is completely shocked that you would feel jealous over his relationship (if it could even be called that) with Pudding, though after thinking about it some more, he does realize why you might be jealous that he had a fiancé. His solution is to bring you a bouquet of roses and walk you through the dark details of his life, telling you things he’s never outright told anyone, so you understand the special place you have in his life. 

Ace: He collects people without trying, and often times, without realizing, either. Ace thinks he’s just making friends, but you see the way the women he laughs and shares drinks with are drawn to him like plants to the sun. He promises them freedom and adventure (and he has a very nice laugh), and you can see how it excites them. You don’t really mind it, knowing Ace well enough to see the way he holds those women at arm’s length, even if he seems close with them (such is the magic of Fire First Ace). But Yamato makes you jealous. It’s not hearing the way they laughed together but hearing the way they fought that gets to you. You know how Ace lives to fight and even just roughhouse, you know how he’s a rough and tumble guy, and you worry you’re not tough enough. Should you be punching his arm when he makes a joke? Should you be trying to trip him out on deck? What should you be doing? When you finally come clean with Ace about what’s been bothering you, he actually laughs. “If I wanted to be with someone who gives me hell, I’d be sleeping in Marco’s cabin every night. Besides,” he says, scooping you up in his arms, “I like being able to manhandle you.” 

Sabo: Sabo is a flirt, and you knew that going into your relationship. It actually doesn’t bother you when he flashes that charming smile of his at someone else or swoops in to save a damsel in distress (a speciality of his) and even serves to entertain, especially on the rare occasions his flirtations are rebuked. What does bother you, though, is his tight relationship with Koala. You know it’s ridiculous to be envious, you know Koala would sooner saw off her arm than kiss the man she considers her irksome big brother, but they’ve known each other since they were little kids, and Koala has been through so much with Sabo that the pair have such a close bond. It’s not the angry kind of jealousy that bubbles up in you when Koala mentions something about Sabo’s past that she assumes you know but you don’t, just the sad kind that you try to keep to yourself. Surprisingly, Sabo notices, though you don’t realize until he hugs you from behind and mumbles in your ear that he’s glad you’re the only one who knows he has a skincare routine, his silly words diffusing your mood and acting as the exact affirmation you needed. If it’s not enough, though, he’ll happily prove his loyalty to you by challenging Koala to a karate match, though.  

Law: Dr. Law and Dr. Robin sure do get along well- so well, in fact, you can’t help but wonder if they are better suited to each other than you and him. Even if they didn’t have such good chemistry, it would be impossible not to feel a touch of jealousy toward the archeologist. She’s intelligent, beautiful, fiercely loyal, a member of the Straw Hats, and has an impressive bounty that she earned even before she became a pirate. Needless to say, you find yourself brooding when the Robin brings him a beer and sits down beside him to discuss the immune systems of fishmen, a topic both are rather interested in. Of course, you’re interested in that, too, thus the reason Law realizes something is wrong when you don’t participate in the conversation. He ends up excusing the two of you and taking you to bed, worrying you had too much to drink, the thought you may be jealous never once occurring to him. You end up not saying anything (many thing in your relationship with Law being unspoken) and just sleeping it off, the fact that he excused the two of you proof enough of his loyalty. 

Kid: He doesn’t ever talk about his first love, Victoria. In fact, you didn’t even know she existed until Killer got drunk one night and began speaking of his dearly departed. What he didn’t mention was that Kid, too, had been in love with her. It only comes up the next night when you mention it to Wire, who mentions it was the death of his first love, Victoria, that put Kid on the war path and united the first four members of the Kid Pirates. Realizing Wire messed up, Heat chimes in to say, “he’d do the same for you.” But you’re not convinced, mainly because Kid never told you any of this. It tears you apart, leaves you tossing and turning for nights on end, until you finally burst into Kid’s workshop one night ranting about how he doesn’t trust you and holds you at arm’s length. “Heat says you’d do the same for me, but-” Kid cuts you off and says, “I wouldn’t do the same, I’d do worse. Much, much worse.” And from the wicked gleam in his eye, you’re inclined to believe him. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[heartmaddie]

cuddling with the haikyuu boys ! ushijima , suna , sakusa , hinata , oikawa

incl post timeskip and pre time skip , oikawa's one is a tadbit sad , gender neutral reader (except the last of ushijima headcannons where reader is pregnant but everything else is gn)

ushijima wakatoshi °˖➴જ⁀➴‎‎‎‎ ㅤㅤㅤ‎‎‎‎‎‎‎chronic big spoon

⋆ he loves big spooning so much ; especially after finding looking at you face to face a little bit awkward when cuddling

⋆ in the early relationship stage he didn’t touch you often, so cuddling sort of opened that gateway for him

⋆ even then, he loves feeling your head against his chest while it beats embarrassingly fast against your ears

⋆ he’s not opposed to being the little spoon, but once he’s back from practice you’d likely be asleep by then, so it’s easiest to just slide into bed from the back like so.

⋆ before he realises that you like the feeling of being squished he’s probably a bit concerned that he’s holding you too tight

⋆ post time skip he doesn’t care as much and just squeezes you tightly until you tell him to stop

⋆ he’s the sweetest, he only started cuddling for you but then continued because he fell in love with the way he could bury his nose against you while palming at your soft skin.

⋆ if you do decide to have babies then he likes running his hands against your pregnant stomach and feeling the baby kick and squirm against his large, rough hands.

⋆˙⟡ —

ushijima doesn’t necessarily convey his affection through physical touch, he’d much rather tell you how he adored you straight to your face with no miscommunication, that was just how he functioned. but while your relationship developed overtime, he would start to notice how often you’d cling onto his arm, or during movie nights at his dorm you’d tuck yourself under his bicep, so he started to worry that he wasn’t providing for you enough in a physically affectionate manner.

the first night you stayed at his dorm was when tendou was at his family home for the weekend, so he decided to invite you over for the night. your laptop’s perched on his lap and you’re laying against his hard chest, the both of you eagerly watching your favourite movie. around the halfway point, ushijima takes note of the intimacy between the two characters, how their bodies would intertwine on the soft mattress, and he yearned to embrace you like that too.

his olive eyes flicker down to your figure, how through your blue light glasses, you’d watch the film with fascination in your eyes, you’ve watched this film hundreds of times so to ushijima this long-standing attachment was quite strange. he raked his thick fingers through your hair, gently running them through each strand before catching your attention, looking up at him curiously you ask him what’s up.

“oh, nothing,” the vibrations of his thick voice ripples through the air as he pulls you a bit closer, “i’ve never held someone like that before.” he gestures to the screen. 

you smile up at him, gently closing the laptop and carefully laying it on the ground, 

“okay, we can try now!” you say happily, sliding your arms around him and pressing a chaste kiss to his lips, which he’d happily return.

soon enough, ushijima found his head nestled against your ear with his arms wrapped tightly around your waist, your back pressed up against his chest as he held you tight. 

“i’m quite fond of this.” he murmurs in your ear, pressing his thin lips against the skin of your neck.

he shut his eyes tight, inhaling your sweet scent while he felt himself slowly drift off to sleep, finding it a little bit easier with you curled up in his arms.

suna rintaro °˖➴જ⁀➴ ㅤㅤㅤbear hugger

⋆ even in a non-cuddling sense, suna loves wrapping his arms around you and making you feel small in his embrace

⋆ even in the early relationship stage, he’d be pulling you into his arms and pressing kisses against your neck while you giggle

⋆ and he does it everywhere, he’s a big fan of pda.

⋆ when you’re cuddling, he likes laying right on top of you with his arms wrapped around your waist, your head buried in his neck while he rubs your neck

⋆ he’s so touchy its insatiable, he’d always have his arm around your waist ready to pull you into his arms

⋆ after a long day of work all he needs is to be wrapped up in your arms, squishing against your shoulders and breathing in the accords of his favourite perfume before he’s easily knocked out for hours.

⋆ sometimes it gets so bad that you literally can’t breathe so you have to roll him off your body and he’d pout about it for a couple of days

⋆ he likes laying his head on your chest too, so he can listen to your heartbeat as it lulls him to sleep

⋆˙⟡ —

suna felt all the stress upon his shoulders, head slouched down as he attempted to type the password into the apartment door before it opens gently before him and he perks up immediately at the sight of you in your pink flannel pajamas. you’re embraced by his sweaty body, and he’s pressing kisses against your neck as he uses his foot to kick the door shut, lifting you into his toned arms and carrying you to the bedroom.

“missed you so, so much.” he murmured between pecks, his voice muffled by the warm skin of your nape.

“go have a shower rinnie, you smell like sweat.” you huff, sitting up on the bed as you tried to push him off you, he pouts before pressing a soft kiss on your cheek, standing up to strip his shirt and walk into the bathroom. in your moments of solitude, you reach for the book on your nightstand and work through it, encapsulated in each page, not even realising when rintarou exits the bathroom. 

he gently takes the book out of your hands, placing the bookmark between the pages fold and leaving it on the nightstand, pressing another kiss to your lips as he slides into the bed. 

“i missed you soo much.” rintarou mutters as he lays next to you, pulling you into his warm arms as he snuggles into your neck, “lemme lie on you, pleasee.” he begs, and you look at him with a sidelong glance.

“just wait a bit, we can cuddle like that right before we go to sleep.” you hum, looking over at him and pressing a soft kiss to his forehead, making him melt into the soft mattress with a dorky smile.

“i love you.” he’d murmur, pulling you tight against his chest and capturing your lips in a soft, chaste kiss. 

“i love you too.” your voice is muffled against his lips, but he still smiles against you, nuzzling his head against your cheek while your arms move to wrap around him tight.

suna takes this as initiative to lay right on top of you, your head nestled against his chest as his arms snake around your upper torso, squeezing you tight as he knocks the wind out of your chest. he lets a deep sigh of relief escape him, holding you close as he falls into deep tranquil.

sakusa kiyoomi °˖➴જ⁀➴ ㅤㅤㅤaddicted to your warmth

⋆ he hated the idea of sleeping in the same bed as you during your early relationship stage

⋆ but a couple months into your relationship he starts getting used to your warm body wrapped up in his sheets

⋆ soon enough he’s addicted to your warmth, always recaching out for you in bed so at least one part of your bodies are touching

⋆ at first it’s more that you’d sleep back to back, so he could still soak up your warmth without being entirely in your warms

⋆ but as your relationship progresses he starts getting used to the idea of placing his hand on your face while you sleep

⋆ he faces you while you sleep so he can watch you during the late hours of the night

⋆ sakusa values his sleep, but he definitely used to be an insomniac before you started dating

⋆ having your warmth next to him helped, it lulled him to sleep with ease.

⋆ he likes draping an arm over you in the winter, on good nights he’ll pull you into his arms and lean against your neck

⋆ in the summer he’ll stay away from you though, you overheat frequently and he prefers staying cold in bed.

⋆˙⟡ —

it’s so cold.

sakusa’s shivering on his side of the bed, the thick covers of this hotel bed not keeping him warm like the ones at home do. he pulls the sleeves of his flannel shirt down, trying to cover him whole as he looks outside, the snow gracefully falling to the ground as he contemplates his misery. he looks over at your sleeping body, dressed merely in his sweatshirt and pants as you slept soundly, clutching onto your pillow tight. he’s jealous, he wants to be able to sleep so calmly like that as well, but of course the cold weather had to bar him from that.

sakusa hesitantly shifts closer to your side of the bed, and he’s temporarily shocked by the warmth which radiated off your soft body, but he shouldn’t be surprised, you were always warm to the touch. a hint of guilt hits him when he notices you stirring awake, rubbing your eyes before they flicker open to look at him.

“is something wrong, kiyoomi?” you ask, the tiredness evident in your voice as you look up at him with soft, sleepy eyes. he shook his head, gently placing his hand on your cheek and gently caressing the smooth skin, smiling softly.

“can’t sleep, it’s cold.” he explains, shifting closer to you.

“wanna try this?” you sit up and wrap your arms around his waist, letting him have the time to pull out, but instead he melts into your embrace, holding you tight as you fall onto the bed from his weight.

“thank you.” he whispers against your neck, seemingly addicted at the way your soft body would wrap around his. sakusa would lay his ear against your pulsating heart, the steady rhythm calming himself as he soaked up all the warmth you’d offer him, occasionally pawing against your soft skin as he watched you fall asleep once again.

sakusa inhales your soft scent, and he realises that he’s never held you so intimately before. he wondered if you noticed that too, but it was likely naught. his dry fingers rubbed up and down your skin, feeling every bump and crevice before he himself fell into the deepest sleep he’s ever experienced.

hinata shoyo °˖➴જ⁀➴ ㅤㅤㅤlittle spoon :p

⋆ he likes being the little spoon because it makes him feel safe in your arms

⋆ he’s a very physically affectionate boy, so when you started dating he’d always want you clinging onto his arm

⋆ he thinks you smell really nice, so when you spoon him it always rubs off on him

⋆ it’s really grounding for him when you hold him 

⋆ when you were in brazil together and he started growing a bit more, it was difficult for you to hold him as such, which how you shifted into him laying on your chest with your arms draped around his neck

⋆ he thinks you’re heaven when you run your fingers through his hair.

⋆ sometimes if you’re sitting on the couch together hinata will casually lean against your lap as you scratch his head

⋆ when you’re not laying with him, he’ll clutch his pillows really tight and pretend that it’s you

⋆ he loves sleeping in your bed because it’s a lot softer than his futon

⋆ he’s such a loverboy - always wanting to cuddle and hold you in his arms

⋆ brazil hinata likes when you squish on his biceps………..

⋆ ok but when shoyo and natsu were a bit younger natsu would curl up near him and he felt like a very proud big brother

⋆˙⟡ —

hinata shoyo smells like the sunshine.

it didn’t matter how much bergamot scented soap he’d lather onto his skin twice a day, the smell of sea salt and sand were deeply engraved into his natural musk, and you wouldn’t have it any other way. you gently run your fingers down his arm, frowning of the remnants of the sand which would scrape at him during his time at the beach. 

“sho, what did i tell you about sunscreen?” you scold, voice quiet as you rub aloe vera gel on his tanned skin which glowed pink, dead skin rolling into little balls under your fingers and you groan in mild disgust.

“i always put it on at the start of the day, i swear!” he looks back at you, obviously in pain as his eyebrows knit together, “be gentle!” he whines, wincing as the soothing cream would sting his sensitive skin.

“this is the consequences of your actions.” you mutter in response, continuing to spread the cold gel across his shoulders and back, but you comply against your words, slowing your movements and massaging the aloe vera into his skin with care.

he groans and whines, but his hand reaches yours when you finish, and he’s gently pressing his lips against yours, gel from his nose rubbing off onto yours.

“i’m so tired.” he huffs, pulling an old shirt over his head, the fabric sticking to his skin uncomfortably. “hold onto me for a bit.” you nod, shifting behind him and letting him curl his back into your chest, you take his hands and rub small circles on his palm. 

“you’re so good to me baby.” he hums, bringing your hand up to his lips and pressing soft kisses against the skin. you smile against his nape, inhaling his spicy salty musk with your eyes closed, relaxed against the boys skin as you held him tight.

oikawa tooru °˖➴જ⁀➴ ㅤㅤㅤeager for your consolement

⋆ he’s also a very affectionate boy, even when you weren’t dating he’d ‘platonically’ pull you into his arms tight

⋆ so when you do confirm that you’re officially a couple, he’s more intimate in the ways that he’d hold you

⋆ his lips are glued onto your cheeks, he thinks those kisses are sweeter than the ones on your lips

⋆ when you cuddle, he’ll lay his head on your chest with his body off the side of yours

⋆ he likes feeling smaller in your embrace, even if he’s much larger

⋆ tooru likes looking up at you and telling you all about your day, letting you run your fingers through his thin strands of hair

⋆ he loves pda, because to him, you’re so gorgeous and he’s scared that someone will take you away

⋆ when you’re asleep and he’s on your chest, he likes reaching up and gently stringing your hair between his fingers

⋆ sometimes when he’s sad he likes curling up against your side as you console him

⋆ his love languages are a mix of everything, so when you’re the one being held, he’ll pull you close to his mouth so he can whisper how much you mean to him straight into your ear.

⋆ he also loves listening to music with you, so he’ll cuddle against your warmth while your record player spins in the background.

⋆ also films, he’s a big fan of watching all the films you love.

⋆˙⟡ —

he lets out sobs against the warmth of your chest, letting your arms gently cradle his head as you whisper affirmations into his ears.

“i’m so sorry.” he’d mutter repeatedly against your chest, “i’m so sorry i lost.” his tears wet the fabric of your shirt, you gently patted the expanse of his back, offering your physical affection as a means to calm him down.

"oh baby, you don't need to apologise" you hum, pressing your lips against his forehead and your nose brushes against his hair, temporarily stunning your senses with his sweet scent. but tooru felt weak, although, finding your words somewhat comforting as he’d look up at you, his eyes rimmed red and snot falling from his nose. you gently rub his cheek, pressing your lips against his scalp.

“but i lost? and i promised that i’d take everyone to nationals - and i didn’t.” his words were choked, spaced by sobs as he’d lay against your chest, your heart swelled with sorrow, chest tightening up as you witnessed tooru’s expression. even with his tear stained eyes and splotchy red face, he was more beautiful than you could’ve imagined.

“oh tooru,” you whisper against his skin, “everyone’s so proud of you regardless, if it wasn’t for your support, no one would’ve gotten here anyways.” you pull him closer to your upper body, burying your face into his hair as your fingers traced up and down his arm. “you’re a good player, and an even better captain. the sport is more than just winning, it’s like the relationships that blossom from it.” you try to explain, gently stroking his hair.

“you really think?” he asks hesitantly, letting himself be pulled closer as he shivers within your embrace.

“i know, baby, i know.”

against his red face and snotty nose, he lets out a small smile when he looks up at you, sitting up to wipe his nose with his sleeve.

“i really love you, yn.” he mutters, letting you embrace him as he cries, “i really think you’re the best thing thats ever happened to me.”

contradicting the situation, you let out a soft laugh, making him smile against the nape of your neck.

“i love you too, tooru.”

and with your arms wrapped around him tight, tooru knew that everything would be okay.

please like , reblog or follow if you enjoyed !!!

i think i mayhaps cooked with this one

sorry i was supposed to post this like yesterday night but i got distradcted playing dress to impress

maybe i wrote hinata in for one of my moots,,, mayhaps...

[vigilskeep]

hello! you know a lot of dragon age lore so i thought id ask you— i saw a post earlier that was discouraging to me aa trans person where the op said that veilguard having top surgery scars in the cc goes against established worldbuilding. does it make sense for top surgery to be possible in thedas? thanks

my rule of thumb is that in a world where healing spells exist, there’s absolutely no logical, believable reason for it not to be possible. you don’t have to go back and provide sources about historical surgeries—which is something i personally know nothing about—for this to be true

like, i just can’t take this line of thought seriously. ohhh we can have floating cities and magical neon lights and spirit healers who can mend injuries just by passively standing next to you, but we draw the line as soon as it’s something that would make our trans players happy! it’s so transparent. do not listen to these people or let them discourage you

if you want to get into the worldbuilding potential of it—which is just fun to do—we can probably guess that for the top surgery scars to be as neat as they seem to look in the veilguard character creator, similar to modern ones, magical healing was involved. now i do believe that the chantry might get suspicious of body-altering magic, that magical power is hoarded by the circles in the south and the wealthy in the north, and also that “out” trans people are a minority in thedas. so i’m not saying that this is something easy for your average guy to get hold of. that’s where you can feed it into backstory. are they powerful and connected enough that they could find specialists willing to go beyond the ordinary? or do they have underground connections to hidden apostate healers, whose only priority is what helps (or perhaps just how much you’re willing to pay)? do they belong to a culture that might not be restricted by the chantry’s norms about gender or magic, like the dalish or the rivaini? or do they belong to a mage-focused community or order, who among themselves do whatever they like? endless options

some might be referring to a line in dai from krem, a trans man, where you can ask him about potentially changing his body with magic and he essentially says he wouldn’t let magic that could do that anywhere near his body, though when he was younger he might have dreamed about the possibilities. firstly, krem is absolutely not the gold standard for trans representation and nobody should care about being flexible from what bioware put out a decade ago. secondly, krem is a random mercenary who knows one (1) mage, who spends the entire time insisting she’s not a mage. i very much doubt he’s the no. 1 source for what might be magically possible in this or any regard

also ultimately, and i cannot express this enough, you can do whatever you want forever. it could be absolutely fundamentally impossible in-world somehow and it would still not be that serious to be “unrealistic” in the dragon video games. don’t let anyone discourage you from making the character you want to make. it being an option makes it canonically part of thedas, end of. they put it in the game and nobody bitching about it can take it out

[darkficsyouneveraskedfor]

Mad Season 2

Warnings: non/dubcon, social anxiety, chronic illness, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Bucky Barnes, Peter Parker

Summary: a class project gets messy. (short!reader)

Note: yes I'm being irresponsible.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

‘So sorry I’m running behind. May forgot her wallet’. You reread Peter’s message for the fifth time and check the time under the bubble. More than forty minutes ago. He has to be close. 

You thought of checking but you don’t want to pressure him. Besides, he is doing a favour by bringing you to Stark Tower to let you use the space with him. You turn and pace along the wall, out of the way of the New York pedestrians who wouldn’t even notice if you got underfoot. 

You thought of waiting in the lobby but that’s too much. You focus on breathing. You feel alright for the moment, but a few times, you’ve reached for your inhaler just out of habit.  

“Hey,” a voice draws you out of your mounting anxiety, bringing you back down to just above neutral. “Door’s open, you know?” 

You face Bucky as he holds open of the many glass doors. 

You nod and teeter on your heels. “I know, sir. Just waiting.” 

“Bucky,” he corrects you. Like last time. Oops. “Waiting on the kid?” You gesture affirmatively again. He waves you over casually with a gloved hand, “come on. I can get ya into the lab.” 

“Mm, ahem,” you clear your throat, it’s getting tight. You get closer as the noise of the street makes it hard to hear your own thoughts. “That’s nice but I said I’d wait here.” 

“Busy,” he comments and his eyes roll around derisively. “Should be out here on the street. Let the kid know you’ll be upstairs.” 

There’s no arguing with him, not that you would ever dare. You’re not afraid of him. Maybe intimidated but who doesn’t make you feel small. No, he’s Bucky Barnes, an Avenger. You have no ground to tell him no. Besides, he’s being nice even if his tone remains mostly indifferent. 

“Thanks, s—Bucky,” you muster a tight-lipped smile. 

He holds the door and you flit in ahead of him, your wool jacket flapping and brushing against him. He follows. You hurry ahead then stop short as you realise you don’t know where you going. As you do, a man in a suit huffs and nearly knocks you over with his arm. 

“Watch it, little girl.” He sneers. 

“Hey,” Bucky catches him by his tie, “what’d you say to the lady?” 

You spin around in shock, rubbing your arm at the suddenness of it all. 

“N-nothing, I--” the man blinks in fear. “Nothing, she just got in my way.” 

“You knocked into her and you can’t say sorry?” Bucky pulls him closer, glaring at him with a furrow of his nose. 

“N-no,” the man shows his palms, “no.” 

“Look at her. She’s half your size, pal. You think she could hurt you?” 

“No, no, look, I’m sorry. I’m sorry!” The man sputters. 

“Not to me,” Bucky slides his hand down the man’s tie and pulls him like a dog on a leash toward you, “her.” 

The man blanches and gulp, “look, miss, I’m sorry. I didn’t see you. I shouldn’t have... I should look where I’m going.” 

“Good boy,” Bucky’s snarl comes close to a smirk as he lets the man go and taps his cheek lightly. “Go.” 

He shoves the man by the shoulder and you bat your eyes dumbly. You watch him go as Bucky looms close. You look at him and reach for your bag. You unzip the pouch at the end of the thin strap and pull out your inhaler. You take a puff. 

His expression softens, “oh, is that me?” 

You shake your head, “too many people.” 

“Ah, right,” he points toward the elevators. 

You follow him as he bulldozes through the bodies and pushes the button. You stop beside him and fidget with your inhaler. You peek over at him again. He looks down at you and you wince. 

“Sorry... I...” 

“People usually only stare when I got the arm out,” he shrugs. “I got something on my face? Damn beard catches.”  

Brushes his fingers over the thicket of hair across his jaw. You shake your head again. 

“S-sorry. I... I...” you sniff as the doors open and he beckons you ahead of him. You scurry on and he follows as a slow pace. He spins and jabs the buttons.  

“Thanks for... for helping.” 

“Not at all,” he says. Silence rises with the elevator. He coughs. “You know, I had a buddy with ashthma. Still my buddy but he don’t got the asthma no more.”  

He snorts. You mull his words. You think know who he means.  

“The stuff or whatever... got rid of it?” You ask meekly. 

“Yeah, the stuff. Serum. Poison,” he scoffs. 

“Oh,” you hum. 

“Guess I take it for granted. Never had to worry about much of the being sick part. Sister did. Yeah, she used to always have something,” he clicks his tongue. “Tell me when to shut up.” 

“No, no, I wouldn’t... wouldn’t ever,” you stutter. 

Another lulls fills the elevator as it opens, but the tension remains trapped inside. He points you out first and waits to trail after you. You come out onto the floor. You vaguely recognise some of the acrylic decor and the stiff looking chairs but you don’t know where to go. 

“Left,” he directs you with a gentle caress down your sleeve. “Easy to get lost when you don’t waste your life here." 

You let him guide you. You’d lose yourself without him. It’s exactly why you’d been out on the street.  

That reminds you of Peter. You reach for your bag again and pull out your phone. You check for a message. 

“Kid standing a nice gal like you up?” He asks. 

You flinch, “uh, no, his aunt... there was an emergency.” 

“More important than you, huh?” He pivots and presses his finger to the keypad. The door opens. 

“I don’t... I don’t know. It’s not a big deal.” 

He looks at you, his eyes narrowing, “you’re not a big deal?” 

“No, waiting isn’t... isn’t that bad,” you stammer. “Uh, thanks, again.” 

“Well, you know, in my day, we treated ladies with respect. Let me know if the kid needs a lesson or two,” he taps the doorframe. “I’ll check in, just in case.” 

“You don’t have to.” 

“I know I don’t,” he says. “Go on,” he nods through the door. 

You don’t hesitate. You enter the lab with another thanks, eager to have some time to yourself. You go to the table and untangle your knapsack. You look back just as the door starts to slide shut. You only get a glimpse of his eyes before he’s blocked out by the metal barrier. You can feel his gaze staining you. 

You know it must be all in your head but he is so intense. Not as angry as last time but still... a lot. 

[folkdances]

let’s talk about franziska and grief in justice for all.

the narrative that the games, at first glance, appear to be pushing is that franziska is aware edgeworth has not committed suicide. she repeatedly affirms this, most notably in turnabout bigtop, when she tells phoenix that she believes her brother to be alive and hiding somewhere. however, one thing we need to keep in mind is that franziska and edgeworth were not shown to be close in the interim between jfa and the prequel cases in aai — in fact, it would go against both their characters and the writing of their relationship for them to have kept in much contact at all.

franziska is, if anything, rooted in the past. her hair is cut almost boyishly short and choppy. she carries around a whip because she is so used to being spoken over and ignored, having started her career so young. her youth underlies her every professional achievement; and if not her youth, then her lineage. her physical design is meant to reflect the uniform of a jockey, and taking her aristocratic surname into account, it makes sense: horseback riding, obsessive as it is, remains a pastime for the social class she inhabits. it’s only logical that, in the absence of a real connection with her brother, she would base her understanding of his character on the most recent version of him that she knows, being the vain and easily affronted rookie prosecutor wracked between ambition and guilt that she grew up with. she has no way to know how to fill in the gaps between a suicide note and the brother she knew, because to her, there is no gap to fill in; it seems a logical conclusion to her brother's story and life that he would rather run away than face his own failures. it is consistent with the younger version of edgeworth that we see in trials and tribulations. it is difficult to reconcile that individual with someone who might actually take his own life, at least outwardly speaking. franziska has no hands-on knowledge of her brother and his mental state beyond what she might have seen in the press or heard filtered down from her father. it’s only natural that she draws the conclusion that he simply turned tail and ran away in order to preserve his dignity. it is an obvious conclusion to make.

however, this interpretation completely overlooks the fact that franziska is not stupid. she is well aware that her brother had very recently been 'betrayed' by the man to whose standards he strived to rise to almost his entire life and is aware that the driving force behind this desperation to prove himself was his father's murder. manfred von karma was their father; there is a tendency in both the games and their surrounding fanbase to portray the senior von karma as being nothing more than a teacher and mentor, but if we examine the (limited) dialogue the three share in aai, edgeworth and franziska address von karma as one might a particularly volatile and austere parental figure, and he responds in kind. he employs and underlines a pattern of the same types of verbal abuse and neglect present in many fictional case studies of the paternal abuser; to edgeworth, he shows the former and to franziska, often the latter (what comes to mind is a piece of dialogue wherein franziska, aged 13, asks her father if he will attend her courtroom debut, to which he responds, "i'll consider it"). she frequently demonstrates her emotional intelligence, again, particularly as a child, such as a short exchange in which von karma berates edgeworth rather cruelly and is met with silence. rather than let the topic linger, franziska very deliberately changes the subject, asking von karma who he thinks is the culprit behind the current investigation. later, when edgeworth thanks her for it, she acts as if she does not know what he's talking about.

back in the 'present day', her insistence that she defeat phoenix wright in order to avenge her family name is also rendered moot; franziska places a lot of pride in her family name, but her defense of her father is lackluster at best. she, too, is left to grapple with the weight of his legacy and has (seemingly) decided that her father simply does not live up to expectations. he instilled in her such strong convictions regarding the meaning of the law and the von karma family name, and it only makes sense that, once he failed so utterly to exemplify them, she would instead shift her understanding of those convictions onto herself and the only other person she believes she can see those qualities in, being miles edgeworth.

the initial theory, that franziska believes edgeworth to be in hiding, while a version of the truth, would not appear to be the truth to someone who has repeatedly demonstrated the emotional intelligence and understanding of the subject necessary to read between the so-called lines; to me, it is obvious that franziska believed, at least in large part, that edgeworth really had killed himself, and her actions and dialogue in jfa shift subtly into a much more interesting light if one runs with this interpretation. she goes from presenting herself — something i'm going to touch on in a moment — as an almost cartoonishly dense and vain girl into someone desperate to deny the truth staring her right in the face; that she has been virtually abandoned by every figure she loved and trusted in her life, left to uphold a legacy with no room for error, bound to rules so straight-edge and self-imposed that no single person could ever walk only in their light. anyone would resort to staunch denial — and franziska, so attached to her past, does so with aplomb.

finally, i want to point out that it's very easy to take franziska at face value. as unfortunate as it is, she's only present in four games — aai, aai2, jfa, and t&t — and she usually isn't in the majority of cases in those games. there is a stark yet subtle difference in her comportment in the investigations games, though, which can be very clearly explained: in every game she speaks to the player character, and in jfa, the player character is phoenix wright, her self-ascribed enemy. it makes complete sense that she would present herself a certain way, speak in certain manners, and act rash and overconfident in front of him, because she hates him.

all this to say, franziska is a very potent case study of grief and how it can change people, especially when that grief gets caught up in a messy tangle of ambition and a legacy whose stipulations border almost on mania. also, i love her very dearly and thought this would be interesting to talk about. obviously, this is not the entirety of the situation, as i mostly focused on franziska's relationship to edgeworth, but i think this is long enough as is.

[schemmentigfs]

Req/idea: Melissa wanting to pleasure the reader, but she’s inexperienced with women? (Talking her through it, reassurance, building trust, etc)

Her First Woman’s Touch.

Summary: Melissa goes through a difficult process of self-discovery and acceptance to learn more about intimacy between women, so she can give you pleasure during sex.

Warnings: ANGST, mentions of religious trauma, internalized homophobia, a single slur, body insecurities, smoking, smut. melissa might be out of character sometimes? joe hate club

Notes: This is long, but it’s worth it. 🤍 i wrote it with so much love, so enjoy babies.

Melissa Ann Caterina Schemmenti wasn’t insecure and vulnerable. She always was the rock of her social circle, the unstoppable woman who could handle anything thrown at her with a steady, unflinching resolve. Her demeanor was tough, marked by a confidence that rarely wavered. But lately, a huge doubt consumed her.

After years of feeling trapped by a label that didn’t define and fit her, she finally came out as a bisexual woman. However, this new freedom came with its own uncertainties. Now, being in a stable four months relationship with you, a more younger, captivating and more experienced soul. Her heart was racing as she thought about how she wanted to please you and be sexually intimate, but her lack of experience with women made her hesitant.

The painful memories of her college years flooded her mind again and again, a time when she had yearned to explore her bisexuality but felt shackled by her upbringing. Her parents, deeply religious, had instilled in her a profound sense of guilt about any feelings that strayed from their beliefs. Melissa always watched with envy as others embraced their identities, while she remained in silence, suppressing who she was. This inner conflict persisted long after graduation, but now, as an adult, it felt heavier than ever.

The memory of her father’s harsh words cut through her like a knife. “You’re going to burn in hell, Melissa Ann!” he shouted, his voice thick with anger and disappointment. “You’re gonna be the black sheep of the Schemmentis. If you don’t stop with those stupid thoughts.” Those horrendous words, once echoing through their small, cluttered kitchen, now reverberated in her mind, haunting her even years later. “Someone corrupted you, that’s not the daughter I raised to make me and your mother proud. Non sei un fottuto frocio!”

A knot tightened in her stomach, a familiar feeling of dread and nausea creeping in as she recalled her traumatic childhood. She remembered the confusion and shame she felt, struggling to understand why she was drawn to both boys and girls. It was a realization she had kept hidden for so long, fearing the wrath and rejection of her family. Every stolen glance, every fleeting crush on a girl, had been tainted with guilt and self–recrimination.

For decades she blamed herself for not being straight. For not fitting into the strict normal mold her family expected her to follow. The fear of condemnation had forced her to hide her true self, living in a constant state of doubt. The burden of carrying her secret had made her feel isolated and alone, as if she were the only one in the world grappling with these feelings.

In her teenage years growing up in a strict devout Catholic household, Melissa would often lock herself in her bedroom, her sanctuary from the outside world, and pray. The room was small, with a crucifix hanging on the wall above her bed, and a small statue of the Virgin Mary on her simple nightstand. The faint scent of incense from morning Mass still lingered in the air. On the days when the weight of her feelings became too much, she would kneel by her bed, clasping her hands tightly together, her knuckles white with tension.

But her prayers often turned into desperate arguments with God. She’d rail against the silence that seemed to mock her suffering. In fits of anger and confusion, she would scream at the crucifix, questioning why she was cursed with desires that didn’t align with the life she had been taught to lead. Melissa was supposed to marry a good healthy man and start a family of her own, wasn’t she?

“Dear Lord, why have you condemned me to this torment?” she cried out, her voice cracking with desperation. “Why have you made me this way? Why can’t you accept me for who I am? Am I so abhorrent in your sight that I must suffer endlessly? Tell me—am I so wrong, so irredeemable in your eyes?”

She paused. “And what about my feelings for both boys and girls? Is it a sin to love them both? Am I to be punished because my heart refuses to choose between them? Why must my own nature be a source of such unending pain? Why can’t you understand that my love for them is just as real, just as genuine, as any other?”

One evening, overwhelmed by the unbearable weight of her internal conflict, Melissa’s deepest frustration reached a boiling point. She hurled a wooden chair across the room, its legs scraping loudly against the floor as it crashed into the wall. The violent act seemed to punctuate her desperation, the chair’s splintering echo a stark contrast to her deep-seated pain.

“Why do you let Pa call me a dyke? Why do you let him say I’m an abomination? You know the pain it causes me! Why do you let him tear me apart inside while Ma pretends nothing’s wrong?”

Her knees buckled as she collapsed to the floor. The coldness of the tiles was a stark contrast to the feverish heat of her anger. One of the holy saints statues, a symbol of her faith, tumbled from its pedestal and shattered, its fragments scattering across the room.

The once serene face was now a mosaic of broken pieces. The porcelain, once pure and whole, now lay in shards, mirroring her own fragmented sense of self. The saint’s broken visage was a stark reminder of the purity that had been tainted by the harsh reality of her suffering.

“No! Not Saint Maria! Nonna’s favorite saint!”

The exhaustion was overwhelming. She felt her limbs growing numb and her head growing heavy. Her vision blurred, and the room spun around her. Despite her attempts to fight it, her body succumbed to the fatigue. Her breaths grew shallower as she drifted closer to unconsciousness.

As she began to lose consciousness, her lips parted, and a whisper escaped her mouth. “I’m just… a failure,” she murmured, voice barely audible. Her depressive words were a final, fragile admission of her internal turmoil. The words were soaked in the weight of her self-loathing and the pain of feeling misunderstood and rejected.

The door creaked open slightly, and Kristin Marie peeked into the old bedroom, her wide eyes searching for her older sister. She saw Melissa sprawled on the floor, her form partially obscured by the scattered shards and a amount of blood. Her innocent curiosity was momentarily replaced by concern, but the sight of her stillness made her stop.

“Sister Mel is sleepy,” she giggled, her words full of poor miscomprehension. The toddler turned to leave, deciding to give her sister the rest she seemed to need. “Play later!”

Hours later, Melissa slowly stirred, her head throbbing with a dull ache. As she tried to sit up, she felt a sticky warmth on her forehead. She reached up, her fingers coming away covered in a faint crimson. Groaning softly, she touched the spot gingerly and winced as the pain intensified.

“Son of a bitch...”

Gazing at the mess and determined to salvage what was left, she carefully gathered the shards of the broken statue, her hands shaking slightly. She meticulously cleaned the pieces, placing them in a small box as though they were precious remnants of something sacred. And pretended that nothing happened. It was now her dirty little secret.

One that Melissa would keep with her until her death.

Every family gathering, every holiday, was a reminder of how different she felt, how she didn't belong. The Schemmentis prided themselves on their strong values, and she felt like an outlier, a blemish on their perfect image. The weight of her father's words and her mother’s neglecting was a constant reminder of the expectations she could never meet the acceptance Melissa feared she would never find. The poor woman’s siblings, although supportive of their sister, stood in silence, afraid of going against their beloved ma and pa.

In the midst of this stifling environment as life continued, the older woman remained in complete denial. At work, she kept her personal life carefully hidden. Even though her closest colleagues sensed her discomfort and unease, they never pried. She wore her public mask of professionalism and cheerfulness, but beneath it, she was struggling with her own truths.

Becoming a tough woman and pretending to just be heterosexual, a role she embraced, took a significant toll on her mental being. This strength she presented to the world was both a shield and a cage. The weight to maintain this image meant suppressing her vulnerabilities and emotions, leading to a constant internal battle. Her moments of solitude were marked by a deep, unspoken sadness as she grappled with isolation.

The persona she projected often felt like a lie, one that she had to uphold despite the emotional exhaustion it caused. Her mental health suffered as she became increasingly disconnected from her true self. Not recognizing herself anymore.

Melissa’s failed marriage with Joe was a constant reminder of the life she had tried to conform to but never truly belonged to.

That seemed to change when Ava hired you as the new teacher to take third-grade class. You brought a warmth and openness that cut through the fiery redhead’s worst barriers, sparking a connection she had not anticipated. As your friendship deepened into something more, she found herself struggling with feelings she had long suppressed. Despite her growing affection for you, she hesitated to cross the line into physical intimacy.

This vulnerability and insecurity consumed her every single second. As she lay in her king-sized bed on a Friday night after a busy day at school, she couldn’t help but replay every moment of your relationship in her mind. She worried constantly about whether she was good enough for you, fearing she might be making you impatient due to her reluctance to have sex. The fear of disappointing you gnawed at her, and she found herself staring at the ceiling, lost in thought. She ached with the desire to connect with you on a deeper level, to show you just how much she cared, but the uncertainty held her back.

Each night, as she lay next to you in your complex apartment, the older woman would often find herself tracing the gentle curves of your sleeping body with her fingertips, memorizing the softness of your skin under her touch. You were a source of warmth and safety, still every time she opened her mouth to voice her fears, the words lodged in her throat. It was a silent battle, one that filled her with shame and frustration. Melissa felt as if she was a stranger in her own body, struggling to reconcile her desires with her reality.

You had been nothing but patient, reassuring her multiple times that there was no rush at all, that love was about connection and trust. Even amidst your understanding, a humiliation consumed her. How could she be almost fifty four and still feel so unprepared for something natural like that? The shame burned fiercely in her chest, a constant reminder of her late blooming, leaving her wondering if she could ever truly satisfy you in the ways you deserved.

“Santo cielo. I can’t do this I fuckin’ can’t.” Melissa cursed, tears threatening to fall into her green eyes. Why was this so damn complicated? The internal struggle felt unbearable, as if a storm was about to explode inside her. It consumed her, and even surrounded by understanding, the pressure of everything was overwhelming.

Turning her head toward the mirror, she stared at her reflection. The image staring back at her was a woman trapped between two worlds. On one side was the freedom she had found in accepting her sexuality, a liberation she had long yearned for. On the other hand, the harsh reality of her insecurities loomed large, amplified by her constant comparisons to others who seemed so much more experienced and confident. The weight of her inexperience made her feel small and inadequate.

She sat up in bed, wiping at her eyes angrily. “Fuck this, Schemmenti,” she muttered. The words came out as a broken whisper, a desperate plea to herself, but the self-reproach did little to ease the turmoil inside her. The tears came anyway, hot and unchecked, as she let out a shuddering breath. She needed to find a way to talk to you, to bridge the gap that her disquiet had created. But the question remained—could she overcome her past and embrace the love she had found with you? She wanted to explore, to learn, to share everything with you, but the fear of failing paralyzed her.

“There are so many things I still don’t understand,” the redhead continued, her voice choking, as if she was waiting for someone to answer her. “So many things that I need to explore. And I keep getting lost in doubts. It’s not fair to you, baby. It’s not fair to me either.”

Melissa let out a long, weary sigh as she sank into the soft embrace of the sheets once again, curling up into a tight ball of self–deprecation. The emptiness of the bedroom started to swallow her figure, a stark contrast to the comfort and safety she used to feel. She stared at the empty space beside her, her gaze tracing the outlines of the pillow and the indentations where you lain on weekends. The walls of the room, once so familiar, now seemed cold and distant, offering little solace from the storm of emotions inside her.

Memories of happy times with you surfaced, fleeting but powerful, when she would catch you looking at her with tenderness, and such understanding, that it felt like the world stopped spinning. In those moments, her apprehension would momentarily dissipate, replaced by the warmth of your company and gaze. She remembered how you would gently reassure her, your voice a soothing balm to her restless state.

I know I’m your first woman; that means everything to me.

I’ll be gentle, just take your time. You’re safe with me.

Your reassurances helped—sometimes. When you’d say things like those, a part of her believed you, trusted in your kindness. But another part of her couldn’t stop the flood of negativity, couldn’t shut out the fear that she would disappoint you, that she was fumbling through something too precious to ruin.

You’ll never be enough for her, Melissa. You’ve never done this before. She’ll get tired of waiting for you to figure it out. You’ll embarrass yourself.

You’re fumbling, and she’s just being nice. She’s just waiting for the moment she can walk away.

You’re too old for this. You’re too slow, too clumsy. She can do better. She will do better.

“Mi dispiace amore mio, sono un codardo,” she yelled punching the mattress with her fist.

That Friday, she cried until she fell asleep. Exhausted, her salty tears wet the pillow, and silent sobs shook her body as she tried, in vain, to calm the storm of emotions built up inside her. The deep need to feel confident and equal to the love you gave her. And as a troubled sleep finally embraced her, Melissa felt a small relief. The crying, in a way, had been a step towards releasing the feelings that tormented her.

Was she really a coward that would never face her fears?

What were you doing with an old lady like her who didn’t know anything?

Wouldn’t it just be better if you left her?

Over the weekend, the older woman was relaxing on the plastic couch in her living room, a glass of red wine resting in her right hand as she puffed away at a cigarette. The soft lights created a welcoming atmosphere, and the sound of the television, playing Celebrity Jeopardy, filled the space with a comfortable familiar distraction. She was distracted, but her mind was away from the entertainment, deep in thoughts about what she had just watched and what she still needed to do. Melissa watched the show's contestants, her eyes scanning the confident faces on the screen.

She looked at her cigarette, which was almost finished, and let it go out in the ashtray. Her old cigarette addiction had become a metaphor for her deepest insecurities — a habit that was difficult to break, but one that constantly reminded her of her challenges and rage. Each ember that dimmed seemed to echo the older woman's own struggles, a poignant reminder of the destructive patterns she fought to escape. The acrid smell lingered, an olfactory ghost of her past, stubbornly clinging to her clothes and her very soul. With a heavy sigh, she flicked the ash and resolved to confront the parts of herself she had long tried to ignore.

She leaned back into the couch, closing her eyes and taking another sip of wine. The warmth of the alcohol spread through her chest, loosening some of the tension. She knew she needed to do something, to find a way to overcome her fears and insecurities. But where to start? And how to reach information? The idea of opening up about her feelings, of admitting her lack of experience, felt terrifying since she hated to show any sign of weakness.

“Maybe I should do some research?” Melissa thought aloud, the idea dawning on her slowly. It sounded ridiculous at first, but the more she considered it, the more it made sense. She had always been someone who liked to be prepared, to have all the information before making a decision. This situation was no different. If she wanted to feel more confident, she needed to educate herself.

As the edition of Celebrity Jeopardy on the TV ended, replaced by a late-night talk show, Melissa stood up and stretched, feeling the tension ease from her muscles. She walked over to the windows, looking out at the night sky. The stars twinkled brightly, a reminder that the world was vast and full of possibilities. She smiled softly to herself, feeling a renewed sense of purpose.

The redhead raised another cigarette to the empty room, striking a match with a soft scratch. As the flame illuminated the dark space for a moment, she took a deep drag, letting the smoke curl up around her. “To new beginnings, for me, for Y/n. To us,” she whispered, voice barely above a murmur. The words hung in the air, resonating in the quiet of the room. It wasn’t a perfect solution, and she knew doubts and fears would still linger. But it was a step in the right direction. As the TV continued to hum, Melissa felt a small flicker of hope. She might not have all the answers, but at least she was ready to start looking for them.

Over the next few days and weeks, on several sleepless nights, the teacher searched on Google. How to navigate a same-sex relationship when you’re inexperienced? she typed, pressing enter before she could second-guess herself. As the results loaded, she skimmed through the titles. There were so many women who had been in her shoes, who had felt the same insecurities and fears at one moment of their lives. With each click, she felt more intrigued and amazed as she noticed the many different options for how she could give and receive pleasure. Articles, videos, forums—an entire world unfolded before her, revealing nuances she had never considered or imagined. She read article after article, watched educational videos, and even ventured into The Womanizer and Quinn blogs where women shared their intimate experiences and advice. The sheer variety of ways to connect and pleasure each other was both overwhelming and fascinating to her.

As she read through personal stories and advice columns, Melissa felt a mixture of excitement and trepidation. She took notes, bookmarked pages, and even found herself blushing at some of the more detailed descriptions. It was a strange, exhilarating education that left her feeling more informed but still uncertain. The more she learned, the more she realized how much she didn't know. And as she delved deeper into this research, she began to realize that the key was not just in techniques, but in communication and emotional connection. The Sicilian woman recalled how your soft touches and kind words made her feel safe and wanted. Perhaps the most important thing would be to bring that same security and desire to both of you.

After weeks of diving into intense research, Melissa found herself at a crossroad. Each day spent pouring over books, articles, and seeking advice had only heightened her awareness of her inexperience. The redhead made a heartfelt promise to herself, one that resonated deeply within her. She resolved that rather than allowing her fears and uncertainties to overshadow her, she would harness the insights she had gained to fortify the bond between you. This wasn’t just about confronting her own apprehensions; it was about opening her heart fully and trusting you in ways she had never allowed herself before.

She envisioned a future where both of you could explore and embrace the full spectrum of love and connection. Melissa understood that the path ahead would not be without its challenges. It would require patience, understanding, and a willingness to be vulnerable. Although, she was committed to embarking on this journey with you. She was prepared to face her worst fears head-on and let the promise of love and trust guide her.

—

“C’mon. It shouldn’t be that hard, stop being a pussy.” The redhead huffed, walking through the busy streets and holding a small pamphlet with an address on it. Pushing herself forward. The words were meant to be a pep talk, but they came out more as a grumble. Dressed in a black leather jacket, her left hand buried deep in her pocket gripping her keys so tightly that the cold metal dug into her palm. While the right clutched the paper, she cut a confident figure. But inside, she felt like a terrified kid again.

On this afternoon, Melissa found herself standing outside a cozy queer café in Philadelphia. The establishment’s large windows framed a warm, inviting interior filled with plush armchairs, bookshelves, vases of plants and soft lighting. A sign with an impeccable handwriting on the door read Sapphic Women’s Discussion Group. All Welcome! The vibrant façade, adorned with rainbow flags and welcoming posters promoting LGBTQ+ events, felt inviting and intimidating.

She was resting on the door handle. The intrusive thought of turning around, retreating to the safety of her car, and forgetting this whole idea crossed her mind. For years, Melissa had thought about walking into a place like this, spaces that welcomed women like her, women who loved other women—but she never imagined she’d actually do it. Not at her age, not after a life of silence and denial.

Taking a deep breath, she pushed the door open and stepped inside, the smell of freshly brewed coffee and baked goods enveloping her.

“Here goes nothin’,” The Italian redhead said with a hint of sarcasm, her South Philly accent wry and unmistakable. “I swear if anyone makes funny of me, I’ll fucking ran away–”

Inside, the atmosphere was lively but casual. Women of various ages and backgrounds were seated at tables, engaged in conversations. Laughter and the hum of voices filled the air, creating a sense of community and belonging. The older woman spotted a table in the corner with a small group of women and made her way over, hoping to blend in while still taking in the atmosphere and aura. The table she chose was adorned with a simple centerpiece of fresh flowers, next to a hand-drawn menu filled with witty drink names like Sappho’s Latte and Audre’s Espresso.

“Mind if I sit here?��� she asked, her voice betraying just a hint of nervousness.

They nodded, murmuring polite welcomes, and she sat down, smoothing her jacket out of habit. Just as she was settling in, a woman in her mid-thirties approached, a friendly smile lighting up her face. She had short, dark hair that fell naturally across her forehead, and her denim jacket was covered with pins advocating for various causes—pride flags, feminist slogans, and more. There was something about her presence that radiated both strength and warmth, an unspoken understanding in her eyes that seemed to invite openness.

“Hey, you’re new here, right? I’m Jules. Can I join you?”

She managed a small, nervous smile and shifted her gaze downward, politely giving her a clumsy handshake. “Sure, it’s my first time being here. I’m Melissa.”

Jules took a seat and leaned back, her presence somehow instantly putting her at ease. “So, what brings you here today?”

Melissa took a deep breath. It wasn’t easy to open up about something so personal, especially to a place full of strangers, but something about the atmosphere in the shop made her feel safe enough to try.

“Recently, I came out as bisexual,” the older woman began, trembling. “It took me years to figure it out...or maybe I knew all along, but I was just too scared to accept it because of, you know... religious guilt and family trauma.”

“That’s a huge step, Mel. Coming out, especially after carrying something like that for so long... It’s not easy. You’re brave for even being here.”

Encouraged by understanding, she continued, though her words still came out haltingly. “I.. I’m in a relationship now, with a younger woman. She’s amazing, and I really care about her. But I’ve never been intimate with a woman before, and I... I’m so scared. I want to pleasure her, make her feel good, but I don’t know where to start. I was afraid to come here and open up about this. I thought... I thought people might laugh at me or think I’m not ‘really’ bi because I’ve never done it before.”

Jules reached across the table and placed her hand on Melissa’s shoulder, giving it a reassuring pat. “You’re definitely not alone in feeling that way. A lot of us have been where you are now. It’s completely normal to feel nervous, especially when it’s all so new. But what’s important is that you’re here, willing to learn and grow.”

The green eyed woman felt a lump forming in her throat.

“I was married too," she confessed, tinged with bitterness and pain. “My ex-husband, Joe… he was a dickhead. He was always drunk, and he cheated on me more times than I can count. I stayed with him ‘cause I thought it was the ‘right’ thing to do, you know? Because of my family, because of my faith… But it was killing me inside. I was miserable, and it took me a long time to realize that I deserved better.”

“I’m sorry you went through that,” the youngest said sincerely. "No one deserves to be treated that way. But you’re here now, and that’s what matters.”

As they spoke, Jules gave a subtle signal to a few women seated nearby. One by one, they began to gather around, their expressions a mixture of curiosity and encouragement. They formed a small semicircle, their presence a quiet testament to the power of community. Each woman seemed to carry her own story, her own struggles and triumphs, but there was no judgment here—only acceptance.

One of the women, a young woman with thoughtful eyes, spoke up first. “You know, sometimes the most important thing is to listen and learn without rushing. Every relationship is different. What works for one couple might not work for another.”

Another woman, slightly older, nodded in agreement. “And balancing personal space with intimacy is key. You have to be able to communicate openly about your needs and boundaries.”

Melissa nodded, absorbing their words like a sponge. The advice was practical, yes, but it was the honesty and openness in their voices that struck her most. They weren’t just talking at her—they were sharing pieces of themselves.

The conversation continued, flowing naturally between experiences of first loves, heartbreaks, and everything in between. They discussed how vital it was to take things slow, to be attuned to each other’s needs, to ask questions, and most of all, to approach intimacy with openness and care. Each woman offered something unique, from personal tips to deeply felt wisdom, and by the time the gathering wound down, Melissa felt an overwhelming sense of relief and empowerment.

As the women began to disperse, exchanging hugs and goodbyes, Melissa stood up from the table, feeling lighter than when she had walked in. Jules caught her eye one last time, giving her a reassuring nod.

“You’ve got this, Mel. Just remember to trust yourself, okay?”

She smiled, a genuine warmth spreading across her face for the first time that evening. “Thank you… really.”

As she stepped outside, the sun still hung low in the sky, casting everything in a warm, golden glow. For the first time in a long while, she felt hopeful. She wasn’t just carrying the weight of her past anymore—she was moving forward, armed with the knowledge, support, and confidence she’d gained from this little café and the women who had opened their hearts to her.

Melissa was ready to take the next steps in your relationship.

—

Wednesday was different for Melissa. From the moment she woke up, she could feel the weight of anticipation pressing down on her chest. After dropping her second graders—whom she affectionately called her “little eagles”—off at the gym for physical education, her day should have felt like any other. But instead, her mind raced, a nervous buzz thrumming beneath her skin. She spent the rest of the morning mentally rehearsing what she planned to say, her palms growing sweaty each time she replayed the words in her head.

By the time the lunch bell rang, her resolve had formed, but her body still trembled as she made her way to the cafeteria. She spotted you immediately, seated at a table with Jacob and Janine. The three of you were deep in discussion, laughing about the success of the recent library program project. The sound of your laughter, bright and carefree, made Melissa’s heart flutter. It grounded her, reminding her of why she wanted to do this in the first place.

But as she approached, her heart raced, and the familiar anxiety crept back in. What if she said the wrong thing? What if you didn’t want the same things she did? She had planned something special for the two of you tonight, something that would show you just how much she cared. She just hoped she wouldn’t trip over now that she was so close to making it real.

You were in the middle of recounting a funny story about one of your students when your gaze shifted, and you saw her walking toward the table. Instantly, your surroundings blurred; the laughter and conversation between Jacob and Janine faded into a distant hum as your focus zeroed in on her. Melissa wasn’t often nervous, but there was something in the way she carried herself now—vulnerable yet brave—that made your heart swell with affection.

She hesitated for a moment, standing a few feet away. Her green eyes flicked to the floor as though she was searching for the right words. Her hands, you noticed, were fidgeting at the hem of her blouse, tracing the fabric as if seeking comfort. She drew in a breath before speaking, her voice soft but laced with determination.

“I, um… I planned a romantic dinner for us tonight.” She was cautious, almost tentative. “Would you be able to come over to my place at seven, hon?”

Your heart warmed at her nervousness, and you gave her a soft, reassuring smile. “Of course, babe. I’d love to.” The tenderness in your tone seemed to ease her tension, and you couldn’t help but add. “Do you want me to bring anything? A bottle of your favorite white wine or—”

“No, just you and your beautiful body,” The second the words left her lips, her face flushed a deep, fiery red, the color climbing up her neck and spreading across her cheeks. Her hand flew up to cover her mouth as her eyes went wide in shock at her own boldness. It was as if she couldn’t believe what she’d just said, and the mortification was clear in the way her shoulders tensed. “Oh?”

Jacob and Janine, who had been standing just far enough away to give you both some privacy, exchanged a quick glance. Janine, ever the romantic, stifled a squeal of excitement, biting her hand to keep from bursting into giddy laughter. Jacob, always the supportive friend, gave Melissa a discreet thumbs-up, mouthing.“You’ve got this. Just breathe, Mel Mel.” Their silent gestures of support didn’t go unnoticed by Melissa, and despite the fiery embarrassment burning in her cheeks, she felt a rush of warmth and gratitude.

You, too, caught the brief exchange between your friends and chuckled, though your gaze quickly returned to Melissa. There was no mistaking the anxiety in her posture, but beyond that, you could see the flicker of something else—determination, excitement, maybe even hope. She was putting herself out there, more than she usually allowed herself to, and that touched you deeply.

Just me and my body, huh?” you teased gently. “That’s quite the invitation, Schemmenti. What’s the occasion?”

Melissa’s face, already flushed, deepened into an even darker shade of red, but there was a spark in her eyes now, a glimmer of resolve. She was nervous, yes, but she had made her decision. “I just thought it was time to switch things up a bit,” she replied, her voice steadier than before, though still laced with vulnerability. “You know, take a leap and maybe… celebrate us.”

Her words hung in the air, heavy with meaning. This wasn’t just about a dinner; this was about moving forward, about her desire to deepen your relationship. You could see how much this moment mattered to her—the courage it took to say those words, to open herself up to the possibility of rejection, even if that fear was unfounded. You stood up and closed the distance between you. Without hesitation, you wrapped her in a tender hug, your arms encircling her in a protective embrace.

She stiffened for a moment, caught off guard by the sudden display of affection, especially in such a public setting. But as soon as she felt your warmth enveloping her, she relaxed, melting into your arms as if this was exactly where she was meant to be. The proximity, the way you held her so tightly yet so gently, made her realize how deeply she needed this, needed you.

“Baby, that sounds perfect,” you whispered softly, your breath warm against her ear. “I can’t wait for tonight.”

Melissa’s hold on you tightened as she buried her face in the crook of your neck, the anxiety that had gnawed at her all day slowly ebbing away. She pressed a soft kiss to your hair, the gesture filled with such tenderness it made your heart ache. With your bodies pressed together, she could feel the steady rhythm of your heartbeat against hers, the calming syncopation reminding her that she was exactly where she belonged.

As you held her, you caught a glimpse of Janine and Jacob, who were watching from a distance with proud smiles. Janine gave Jacob a giddy nudge, her spirit high and full of excitement for you both. Even Mr. Johnson, who was still sweeping the cafeteria floor nearby, muttered something about “first love making messes,” though there was a small, almost imperceptible grin on his face.

Eventually, you pulled back just enough to look at her, your hands resting on her arms. “So, what’s on the menu tonight?” you asked, with playful curiosity. “I’m guessing it’s not just spaghetti and meatballs.”

Melissa’s lips twitched, the nervousness in her eyes slowly giving way to something warmer, more confident. “You’ll just have to wait and see,” she said, her voice teasing now. “But I can promise you, it’s going to be unforgettable.”

You grinned at her, the excitement for tonight bubbling up in your chest. “I wouldn’t miss it for the world.”

As you stepped back and returned to your spot, Melissa lingered for a moment, watching you with a cute, almost dreamy expression on her face. The weight of the day’s nerves had finally lifted, replaced by a sense of joy and anticipation. With one last glance at you, she turned and headed back to her classroom, her heart feeling lighter than it had in months.

“You two are seriously the cutest couple ever,” Janine gushed, nudging you with her elbow as she sat back down.

Jacob nodded in agreement, a small, knowing smirk on his face. “She’s a lucky woman.”

You felt your face flush with warmth as you beamed softly, your thoughts already drifting to the evening ahead. “I’m the lucky one,” you murmured, more to yourself than to them.

—

The soft glow of candles flickered across the kitchen, casting gentle shadows that danced on the walls. Melissa had taken great care to set the table just right. The white linen tablecloth was smooth and immaculate, the polished silverware gleamed under the dim light, and delicate crystal glasses sparkled like tiny stars. A simple yet elegant centerpiece—a vase filled with fresh roses—added a touch of romance, their soft petals a gentle reminder of the evening’s purpose.

After a quick shower, Melissa stood in front of her bathroom mirror, wrapped in a thick towel as her reflection stared back at her. She untangled her hair with her fingers, letting the soft waves settle naturally around her shoulders. The evening felt charged with meaning, and as she pulled on a deep green dress that highlighted the rich color of her eyes, she couldn’t shake a sense of anticipation that made her fingers tremble. But before she slipped into the dress, Melissa lingered in her reflection, standing there in her bra and underwear.

Her fingers brushed lightly over the delicate lace of her bra before trailing up to her cross necklace. The small, familiar weight of it rested against her skin, a reminder of her faith and the strength she often sought from it. She gently kissed the cross, her lips touching the cool metal, as if grounding herself. Closing her eyes for a moment, she whispered, “I’ll be okay.” Her voice was steady, a quiet promise to herself. When she opened her eyes again, a small smile tugged at the corners of her lips. She was ready—nervous, yes, but there was an undeniable sense of purpose in the evening that outweighed her fears.

The act of kissing her necklace and reminding herself that she would be okay brought a small but real sense of calm. She unclenched her jaw, letting herself breathe before stepping away from the mirror to pull on the deep green dress she had picked out.

Slipping into the dress, Melissa took one last look at herself, smoothing down the fabric and adjusting the straps. It wasn’t an extravagant gown—just a simple dress that made her feel beautiful in a way that mattered most to her. It hugged her curves in all the right places, the fabric complementing her fiery red hair and highlighting the vibrancy of her eyes. She added a light touch of makeup, just enough to enhance her natural features, before stepping back to admire the final result. A moment of calm settled over her, the flicker of nerves tempered by the reassurance she had given herself.

The house was filled with the mouthwatering aroma of lasagna, garlic, tomatoes, and bubbling cheese coming together in the oven. The familiar, comforting smells filled every corner of the room, making it feel warm, welcoming. Melissa stepped into the kitchen, checking on the lasagna and adjusting the heat, ensuring everything was perfect. The faint sound of the record player drifted in from the living room, where a playlist of your favorite songs played softly, romantic melodies filling the air with warmth and intimacy. Everything was set, and now, all she needed was for you to arrive.

The doorbell rang, cutting through the quiet with a soft chime, and Melissa’s heart skipped a beat. She stood still for a moment, gathering her courage. This evening wasn’t just about the food or the setting—it was about the leap she was taking, the love she wanted to show you. Taking a deep breath, she smoothed her dress once more and made her way to the door. As her hand reached for the doorknob, she murmured to herself, “I’ll be okay,” one last time, her fingers briefly touching the cross around her neck.

When she opened the door and saw you standing there, her nerves melted away at the sight of your smile. You looked at her, taking in the beautiful green dress, her soft waves of hair, and the way her eyes shone with a mixture of happiness and vulnerability. There was a beat of silence, the world falling away for a moment as you exchanged a quiet, meaningful look.

“Hey, babe,” you said warmly, stepping forward and pulling her into a gentle hug. You could feel the slight tremble in her body as she relaxed into your embrace, her arms wrapping around you as if she had been waiting for this all day.

“Hey, mia principessa,” she whispered back softly, but there was a strength in it. You could sense how much this night meant to her, how much she wanted it to be special. “Come in. I’ve got everything ready.”

The smell of lasagna welcomed you as you stepped into the cozy warmth of her home. You glanced around, admiring the thoughtful touches—the candlelit table, the vase of roses, the soft music filling the space. It was intimate, and it spoke volumes about the care she had put into this night.

“Lissa, this is beautiful,” you said, turning back to her. “You did all of this?”

Melissa smiled, the nervous energy that had been building inside her easing just a little at your reaction. “Yeah, I wanted to do something special for us.”

You reached out, taking her hand and giving it a gentle peck. “It’s perfect.”

For the first time that evening, your girlfriend felt a deep sense of calm.

You followed Melissa to the dining table, where the soft glow of the candles illuminated the spread before you. The lasagna sat perfectly golden in its dish, steam rising from the surface, and the fresh roses at the center of the table filled the air with their delicate scent. She pulled out a chair for you, her hand brushing against your shoulder as you sat down.

The older woman served the lasagna with careful hands, the utensils clinking against the plates as she handed you your portion. As you took your first bite, the rich flavors of garlic, tomato, and cheese filled your mouth, and you couldn’t help but close your eyes for a second to savor it.

“This is delicious, Mel,” you said, smiling up at her as you set your fork down.

“I’m glad you like it,” she replied sweetly, still carrying that undercurrent of vulnerability that made your heart swell with affection. You could see how much she wanted tonight to be perfect, and it already was. The evening felt like a beautiful, slow unfolding of something deeper, something you both had been moving toward for a long time.

For a while, you ate in companionable silence, the music playing in the background as the evening settled into a comfortable rhythm. Melissa stole glances at you as you ate, and each time your eyes met, she smiled a little more freely. But there was something else too—an sexual tension hanging in the air between you, unspoken but unmistakable. It made every touch and every shared look feel heavier, more charged.

After a while, Melissa set her fork down, her fingers lightly tracing the edge of her wine glass as she spoke, quieter now. “There’s something I’ve been thinking about for a while…” Her eyes lifted to meet yours, and you could see the seriousness in them.

You frowned, sensing the shift in the conversation. “What is it?”

“I’ve been… I’ve been wanting to take the next step with us. I’m ready. For sex.”

The weight of her confession settled between you, and for a second, it felt like the world outside this moment ceased to exist. Your heart skipped a beat, the meaning behind her words sinking in. You knew how much this meant to her, how deeply she felt things, and how careful she was with every step in your relationship. And now, here she was, opening herself up, offering all of her to you in the most vulnerable way possible.

You reached across the table, your fingers finding hers, and she held onto you like she’d been waiting for this connection all night. “Mel,” you began. “I’ve been waiting for you to be ready. I’m here. I’ll always wait for you.”

A soft laugh touched her lips, her thumb brushing over your knuckles as she held your gaze. “I know,” she whispered, and then, as if the moment couldn’t hold itself back any longer, she leaned across the table and kissed you. Her lips were soft, warm, and full of promise. The kiss started gentle, but there was a sense of urgency behind it, a need she had been holding back for too long.

You stood up, gently pulling her with you, and without breaking the kiss, she wrapped her arms around your waist. The closeness felt intoxicating, the room spinning with the scent of roses, the warmth of the candlelight, and the taste of wine still on her lips.

Melissa pulled back slightly. “Come upstairs with me.”

You nodded, unable to speak, the weight of the moment settling in your chest. With her hand in yours, she led you out of the dining room and up the stairs, her grip firm but trembling ever so slightly. The steps felt endless, each one echoing the rapid beating of your heart, but when you reached the bedroom door, everything else faded away. It was just you and her, the world quiet and still, as if this moment had been waiting for you both for a long time.

After going upstairs hand in hand, you enter her bedroom. The environment is spacious and welcoming, with a palette of neutral tones that creates a soft and intimate atmosphere. The walls are painted a light, almost sandy beige, and there are several old photo frames hanging in an elegant pattern. The floor is covered in a large, shaggy rug in a soft brown tone that provides a pleasant contrast to the dark wooden floor.

The center of the room is dominated by a king size bed, covered with sheets and bedding set in beige tones. The pillows and duvet combine in different textures and subtle patterns, creating a feeling of comfort and simplicity.

You lay down on the bed, messing up the bedding set and pillowcases that were still fresh and spotless. Melissa sat on top of you, with her knees on either side of your hips, and began to unbutton the elegant blouse you were wearing. Her movement was careful, almost reverent, as if each blossoming bud revealed not just your skin, but also the vulnerability and trust you were building together.

“I’ve never looked like that,” she leaned in closer, her lips brushing against your own in a long kiss that was both hesitant and eager. As her mouth lingered on yours, she noticed the way you slightly shudder beneath her touch, a clear sign of your nervousness. And how anxious you seemed, more so than she felt herself. “You’re trembling.”

Melissa reaches for the lamp, her digits brushing against its switch as she considers dimming the light to make the room more comfortable and less intimidating. But before she can, you reach out to stop her, grabbing her wrist feeling the subtle pulse of her beat beneath your touch.

“No, I want to see you too,” you peel off your blouse, followed by your pants and underwear, letting them fall to the floor in a silent haze.

The older woman gulps and bobs her throat and starts to undress too. Her long green dress fell away in soft folds to the edge of the king size bed, followed by the delicate unfastening of her bra, revealing her full, supple and delicious boobs. Their natural weight makes them sway slightly and her nipples, a dusky rose, stood erect in the cool air. Her panties followed, slipping down her legs to reveal her glistening, damp center with some reddish, slightly trimmed pubic hair above her mound that was a stark contrast to the smooth milky white of her thighs.

For a fleeting second, doubt and insecurity crept in. She wondered if you saw her as beautiful or if the passage of time, with its subtle marks on her skin—fine lines around her eyes and mouth, the gentle curve of age. Arms flaccid and a little droopy, and the fact that she is not completely shaved underneath—might be off-putting. The decades that had shaped her were etched into her form, a testament to experiences and moments lived, but she questioned if they would overshadow the intimacy of the present.

She hesitated, her gaze dropping to the side, overwhelmed by the thought of you finding her less than desirable, maybe even disgusting like Joe did when they used to have sex in their marriage years. The idea of her imperfections being too much to bear made her shiver with apprehension, and unexpected tears dropped into her cheeks as those thoughts almost brought her to the brink of crying.

In that vulnerable instant, Melissa searched for any sign of disapproval, any hint that the years might have dimmed her allure. But as your gaze locked with hers, she saw something entirely different—an intense, unspoken admiration, a hunger that seemed to pierce through her insecurities. This recognition of her allure gave her the courage to continue.

“You’re so beautiful, bambina.” She tilted her head, her swollen lips meeting yours again in a passionate kiss that deepened as she felt your response. Your hands roamed over her back, feeling the heat of her skin and the subtle firmness of her muscles. Her auburn hair fell around her shoulders, cascading like a dark waterfall that framed her face and partially covered her chest. The sight of her, disheveled and beautiful, made you catch your oxygen.

Melissa lets her thumbs glide down your abdomen, feeling the softness of your flesh beneath her fingertips while she trails imaginary patterns. That only she can see. She squeezes your breasts gently before she leans in to nip at your earlobe. There’s a hunger in the way she worships you, a need to feel you, to taste you.

She begins to kiss her way down your neck, her lips leaving a trail of warmth in their wake. When she reaches your boobs, she pauses for a moment, her breath ghosting over your nipples before she takes one into her mouth slowly. The feeling sends a shiver down your body, and you can’t help the loud whimper that escapes your lips.

“That feels so good. Don’t stop. Suck harder,” you gasped, unable to contain the fervent need building inside you.

The redhead hums in response, her gaze locked onto yours as she continues to suckle on your hardened peak. There’s something almost reverent in the way she’s looking at you, as though she’s in awe of the effect she’s having on you. Her hair, now tousled and wild, brushed against your skin like a silken curtain. You closed your eyes, savoring the feeling of her lips on your sensitive areas, and opened your mouth to draw in deep, steady breaths, trying to ground yourself amidst the swirling sensations.

She traces a slow, deliberate path down your body, her lips grazing the curve of your waist, until she’s almost between your legs. Her hands rest on your thighs, gently urging them apart, and you feel the smirk ghosting over your most intimate area. When she parted your legs, her eyes widened slightly at the sight of your wetness dripping down and the intoxicating smell that made her drool.

“Can I put my mouth on you?”

“Please.”

Melissa’s hands move to your hips, and with a deliberate, almost possessive grip, she pushes you down against the mattress, pinning you in place. The bed creaks softly beneath you, but all you can focus on is the way her mouth hovers just above your aching pussy.

She lowers herself between your thighs, her breath hot against your skin as she leans in, her mouth finally making contact. The first contact of her tongue against your wet folds is electrifying, a shiver running down your spine. She’s never felt anything like this—so raw, so intimate. The sensation of your taste, warm and sweet on her tongue, ignites something deep within her.

The older woman begins to lick through your wetness, her movements grow more confident, more assured. Her face becomes slick with your arousal, but she doesn’t care—if anything, it only drives her to delve deeper, to explore every inch of you with her warm mouth. The soft slurping and suckling sounds she makes while she eats you out, along with guttural groans of satisfaction vibrating against your most sensitive spots muffled against your folds, tell you everything; how much Melissa is enjoying this. Amplifying the pleasure coursing through you. And you can’t help but moan, your fingers tangling in her hair, urging her closer.

“Oh, Lissa…go faster,” you murmur breathy, trying to guide her with gentle encouragement. “Just like that, baby. I’m so proud of you.”

She’s teasing your clit now, her tongue flicking over it teasing it with featherlight strokes that makes your hips buck involuntarily. She seems to be memorizing, learning and responding to your every movement, every sound. You can feel her fingers hovering at your entrance, the pads of her tips brushing teasingly against your folds. The need for more—more of her, more of everything—builds inside you like a tidal wave.

“Fingers. Use them to fill me up.”

Two fingers slide inside you easily, the heat and slickness enveloping her in a way that makes her gasp. The knowledge that she’s the one making you feel this way, that she’s the cause of your pleasure, is almost overwhelming for her. She starts to pump her fingers, slow and deep, crooking them just right to hit that spot that makes you see stars.

“Fuck, hon,” Melissa groans. “You’re so tight… so fucking good.”

“Mhhm.”

The older woman intensifies her pace, her fingers moving faster, deeper, her thumb circling your clit in slow, lazy circles. Her brow furrows in concentration as she continues.

The pressure builds rapidly, and your hips buck against her hand, your need growing more urgent with every passing second. Her eyes stay locked on your face, absorbing each scream and tremor that escapes you, her lips parting slightly as she watches your pleasure build.

“You feel so good,” she murmurs, never letting up the pace. “Are you close?”

Your breath catches, the coil tightening inside you. “I’m so so close, please let me come,” you beg, your voice trembling as you ride the edge.

A flicker of confidence crosses her face as she leans closer, her thumb pressing harder against your clit, her fingers driving deeper. “Cum for me,” she whispers, laced with longing. “I want to feel you, pretty girl.”

That command, spoken so softly but filled with intent, sends you spiraling. With a final, perfect stroke, you fall over the edge, your body arching as the pleasure crashes through you, wave after wave. Your whines grow louder, desperate, as Melissa guides you through the bliss.

She keeps going, drawing out every shudder and whimper until you’re completely undone beneath her. Only then does she slowly withdraw her fingers, leaving you trembling and breathless.

Collapsing against you, her face finds the crook of your neck, her figure trembling with emotion. It takes a moment to realize she’s crying, low sobs muffled against you.

“I did it?” she breaks in disbelief. “I made you feel good… I can’t believe I did it.”

You wrap your arms around her, pulling her close. “You did, baby,” you murmur, pressing a kiss to her hair. “You were perfect.”

Melissa shakes her head slightly, still clinging to you. “I was so scared I’d mess it up… but I did it.”

You gently lift her chin, forcing her to look at you. Her emerald eyes are red and glistening with tears, but the satisfaction you see there only makes your love for her grow stronger. You cup her face in your hands, brushing your thumbs over her cheeks to wipe away the tears.

She lets out a shaky breath, her curvaceous body leaning into yours as if seeking reassurance. Her pink lips brush over yours in a tender, almost desperate kiss. Between soft pecks, you speak against her lips, “You’re safe. I love you. You're safe with me.”

She gives you a small, tearful smile before pressing kisses to your chest, resting her head there as if she never wants to let go.

And you don’t want her to. Not ever.

[mimble-sparklepudding]

Ship and OC Relationship Creative Process Ask List.

I am still pondering how best to approach some sort of "ship" for one of my OCs, but it's proving to be quite the challenge to wrap my head around. So what better way to learn more about how other people approach the topics of sex and relationships with their characters than to put together a little Ask List. Not just focussed on ships between OCs and canon characters, but also open to relationships between your OCs - or your OC and someone else's OC (or OCs, as we are all very polyamory inclusive around here).

Did you create your OC with a plan to ship them with a specific character or another OC? Or was their relationship something that evolved all by itself?

How important is your OCs relationship(s) to their story? Would it still make sense without it? Or is their connection to this other character integral to their development?

Were there any barriers to you establishing your OCs relationship? Perhaps social or cultural stigma? Or a concern that "ships" with that character were already overdone? Or simply a fear of being seen as "cringe"? If so then how did you overcome this?

How graphic or explicit are your explorations of sexual interactions involving your OC? Do you happily name body parts and actions? Or do you prefer to leave the mechanical details to the imagination?

If your OC's relationship involves a gender or orientation different to your own then how confident did you feel about exploring or writing this? If your OC and the character(s) with whom they are in a relationship are the same as you in terms of gender/orientation then was this a conscious decision?

How easy do you find it to write (or otherwise portray) non-sexual affection between characters? This might include terms of endearment, "pet-names", descriptions of cuddling or stroking the other's head in their lap etc.

How important is other people's investment in (or enthusiasm for) your character's relationship? Was this a consideration when you were planning it? Have you ever changed a character's relationship(s) due to other people's response to it?

To what degree do you use your OC as a means to explore your own romantic proclivities (or shortcomings)? Is your OC a self-insert and the relationship a form of wish-fulfilment and/or an means to explore certain fantasies? Or do you enjoy exploring something completely different to your own experiences and preferences?

How confident are you in writing about or otherwise portraying kissing between characters? Did this take practice? How much detail is enough? How much is too much?

Is it important to include tension or outright areas of conflict in a relationship? If so then how do you explore these? Or does this not appeal to you?

Does it matter to you how many other people also ship their OC with a particular character? Would this make it more likely that you will compare your material to theirs? Or does this not enter into your thinking?

How much does your OC's background and origin affect their approach to relationships? Are there specific insecurities or preferences that lead on from their past?

How easy do you find it to write romantic (or sexual) dialogue for your OC? If they are in a relationship with a canon character then how difficult is it to keep these interactions faithful to their established character and communication style?

How do you feel about answering questions about your characters sexual/romantic activities or preferences in character?

Did you build up to your OC being in their relationship? Or did you put them into it quite quickly and then filled in the background in retrospect.

Is there a relationship between characters in another setting that particularly inspired you? What is it about this portrayal that you enjoy?

Does it matter whether other people consider your OC sexually attractive? Did this inform your thinking when you were creating them? Also was it important that you put them in a relationship with a character who is generally considered "attractive"?

Do you have specific music that makes you think about your OCs relationship?

Do you have a sense of how your OCs relationship will evolve in the future? Or is it quite a fixed in terms of dynamics and story?

Is it easy to write or otherwise portray other characters (or OCs) reactions to your OCs relationship? Are these interactions important to your characters story? For example, is the relationship one that can be publically acknowledged?

How important is it that your OCs relationship is "realistic" for the setting in terms of the characters values and attitudes? Or are you happy to explore psychological or sexual issues that might more reflect contemporary concerns?

Do you consider your OC to be sexually attractive? Or pretty/handsome? Would you still be able to write about their relationship if you didn't?

What is something you feel you have improved at in terms of portraying sexual or romantic relationships?

How do you feel about people producing fanart of your character's relationship or ship? If this were NSFW would you want to be asked first?

Other than your own characters' relationships, can you give an example of someone who is particularly good at writing or otherwise portraying romantic and/or sexual relationships? What is it about their work that really stands out for you?

Have you given much consideration to specific "kinks" or sexual likes and dislikes for your character? If so then is this something you feel comfortable talking about or describing?

Is there a particular "trope" for relationships that you especially enjoy - e.g. enemies to lovers etc - and is this something that you set out intending to explore?

Is there something you historically felt (or still feel) awkard about describing in terms of your character's relationships? Whether sexual acts, bodyparts, pillow talk, romantic declarations or using the "L word". How did you overcome this (if you ever have)?

What makes a scene or situation "romantic" in your opinion? Is this something you find easy to portray?

What advice do you have for someone considering creating a ship for their character? Or for someone unsure about writing relationships and/or sexual scenarios?

When portraying romantic or sexual scenarios involving your OC, do you aim to inspire a particular response in the reader or viewer? Whether a warm fuzzy feeling, or getting really quite turned on (or possibly both)?

If you ship your OC with a particular canon character, then what was it about that character that drew you to them? Is it that you have a certain "type" when it comes to shipping? Or did you surprise yourself with who you felt drawn towards? If your OC is in a relationship with another OC then did you change any aspects of either of their backstories or personalities to make this work?

To what degree is your OC a self-insert, particularly in terms of their relationship? Do you sometimes use your character's relationship to explore your own feelings about a canon character or another OC?

How confident are you in writing angst or portraying conflict or tension within a relationship? Or is this something you avoid? If so is this because it doesn't much interest you? Or because you're unsure how to approach it?

Is there a way in which your portrayal of your character's relationship subverts the reader or viewer's expectations? Was this deliberate?

How do you ensure that the dialogue (or other portrayal) of a canon character is true to their personality and (more importantly) way of speaking? Do you spend time studying their "official" dialogue in order to get it sounding authentic? Or did it just come naturally?

What is something you try to avoid - or think everyone should try to avoid - when portraying sex and/or relationships with their characters?

What is your favourite depiction of romance (or sex if you prefer) that you have produced? Or if you haven't produced one yet, then what is your favourite example from another creator?

What, if any, is your biggest source of fear or anxiety when it comes to writing or otherwise portraying romantic or sexual scenarios?

What is something that your friends or mutuals could do to support and encourage you when it comes to your creativity around your OCs relationship(s)?

[simptasia]

LOST: Season One

[demodraws0606]

My thoughts on the latest episode (aka HU IS THE CULPRIT I WILL DIE ON THIS HILL)

Warning : My sassy attitude is not directed towards anyone else, I'm simply amusing myself and also I've only gotten barely 5 hours of sleep god save me.

This is gonna be very long and messy so strap in folks

It's so obviously not Eden or Ace it's painful (idc 'i'll die for my hubris). Not even just because Eden lying and being the culprit after all of that would be both underwelming and just...miserable. But also because of how the way we're getting the reveal in advance that it could only be Ace and Eden. The fact the cast was already on Eden's throat as well just makes this point even more clear to me.

This isn't like fucking Korekiyo in chapter 3 of DRV3, this isn't how a culprit reveal happens. Especially not when there's so much we don't know yet.

So who is the culprit ?

...

It's Hu, it's literally Hu.... and like 1 pourcent chance it's Nico but I think both of them are accomplices here.

The thing is, I don't buy any of the shit Nico is saying, their admission of guilt is strangely quick and detached. They also seem to go along with anything people say about them (like them framing Hu) which makes it even more suspicious, they could've just said they used Hu's weapon out of conveniance ? The only thing this episode has proved me is that Nico is an Active accomplice rather than a Passive one like I thought. For what reason ? I honestly don't know fully yet but again we don't know a lot about Nico anyways.

Hu's behavior really makes me think she did it and is acting out, mostly out of guilt. She seems really stressed this trial which while makes sense for character reasons, it also makes sense if she's the culprit and feeling guilty. It would explain her defending Eden and Nico mainly I think despite her probably being the culprit she doesn't want the perception that Eden/Nico has to be broken (especially not bc of her). I've already explained how Hu being the culprit makes sense from a character perspective so I'm not gonna get more into it.

By the way any arguments in this post being like "it would be out of character for Nico or Hu to do that" should honestly review their own hypocrisy if they think Eden did it, or even Ace for that matter.

Another thing that makes me even more convinced that it can't be Ace or Eden is that...you can't fucking prove any of them did it with 100 pourcent certainty. David fucking threw the BDA rule out of the window, so we can't be sure Eden didn't do it but like what decisive evidence would make it clear between the two of them.

The only pieces of evidence we have left is :

-The sticky ball of clothes (most likely turpentine because the soil of the relexation room would cause the ball to have stains on it)

-The alibi for the relaxation room water

-The missing glove (which I think i've changed my opinion on what it could mean here)

Eden did know about the ball of clothes (but that piece of fucking evidence has strings attached so we'll get to that) and Ace doesn't have an alibi against taking the water like Eden does.

The missing glove is the only evidence left untouched here and honestly I actually don't think it had anything to do with the glove having someone's hair or anything, mainly because first of all the culprit could've technically just removed any hair on the glove even if it was sticky.

And also there's something else that makes more sense.

I think they probably had to use the glove to avoid rope burn while trying to set up the mechanism to kill Arei. Especially with how high the playground's ceilling is, it wouldn't be child's play. I'm not really good at deciphering what could've possibly happenened directly in the murder but I'd argue it's just more likely that the culprit would be put in a situation were rope burn could happen. This murder set up would require a lot of physical effort, and if the culprit even slipped for a second their hands would end up being damaged from rope burn making them obviously look guilty (also ouchie), which I think is what happened.

It would also explain the scuffs on the floor, maybe the culprit was struggling to hold onto the rope leading to them causing marks with their feet while trying to pull on the rope.

The reason why I think the glove is missing is probably because it's damaged and the culprit wanted to avoid the cast knowing they used Arei's glove during the murder. In fact it's the only piece of evidence that is completely missing

But why ?

Has anyone realised something about, I argue, the three other main suspects here ?

Nico, Eden, Ace ?

They all have gloves.

"But a huge portion of the cast has gloves this doesn't mean anything, it's just a stylistic choice !!" Yeah, the majority of the cast has gloves.

I think now you can understand why the culprit wouldn't want the cast to know that the glove was used. Because if the cast did see the glove that was probably damaged, they would assume the culprit wore it and it would narrow down the suspect list to an extremely narrow pool. This forces them to basically take the glove and hope to fucking god the cast doesn't catch on which they clearly haven't yet.

You know who doesn't fucking wear gloves.

HU JING

My girl got no gloves on !!!!

So yeah, with the glove being untouched evidence yet I think it will be the main decisive thing to point out who the culprit truly is, and I just don't think it's just gonna be like "oh let's just search everyone to see which one has the glove !". For all we know the culprit could've fucking eaten the glove, I don't think we're getting another Min in trying to search shit on people's person.

Anyways I'm gonna transition to other stuff to explain how the Nico and Hu theory makes sense from a logical standpoint here.

Let's get on to the sticky ball of clothes.

First I want to get it out there that I do not think the ball being sticky is due to the soil of the relaxation room. Mono-TV's talk about the "special formula" was mostly to foreshadow the floor of the playground's properties, also the fucking ball would have stains on it.

For me this means the ball of clothes has to have been covered in turpentine especially now that we have confirmation from Ace directly.

This is extremely huge and I'm flabbergasted has no one has mentioned this. Pray tell where the fuck did that piece of cloth go, did it get isekai'd into another world ?

This question actually has multiple meaning here because that fucking ball of clothing actually has massive implications. It confirms a lot of things and also puts a lot of doubt in things that seemed to be confirmed.

Before that I also want to say that Arei 100 pourcent got knocked out with turpentine. I don't want to argue over and over again that it was used because I've done this before but I have to since there are multiple reasons why she had to have been knocked out.

The floor is extremely prone to scuffs, if Arei was struggling then we definitely would've seen more than just a few marks in one area.

The method of murder would have been extremely difficult if she was struggling, like to a ridiculous point. Especially with someone like Arei who has been shown to have been sneaky and very prone to attacking people in their weak spots.

The tape binding Arei's hand in hindsight actually probably wasn't to avoid her struggling, it was most likely due to how the mechanism of the murder work. Keep in mind how the murder had to have worked and imagine if Arei's hands were just loose and flopping around. There could have been possible injuries with her arms that would ruin the culprit's obvious plan to make it look like a suicide. It also just makes sense for weight reasons, again Arei having her arms flopping around would make moving her body even more difficult.

And even if you want disagree with all of that, the culprit could've just binded her tape to avoid the same mistake that happened with Ace with him waking up from the turpentine.

Now that I've made my case about Arei being knocked out, let's get on the actual new arguments I want to make.

First, we know for a fact that a piece of cloth was used to knock out Ace meaning it has to have gone somewhere, if you say "well they could've just thrown it away" I will personally come into your home and shit in your shoes. And you're also wrong because I've already proven that Arei had to have been knocked out.

This means the only piece of cloth available to us would be the sticky ball of clothes.

But...like let me just explain everything that's mind boggling about all of this.

-This ball of clothes had to have been made for Ace's murder to knock him out

-The only people who knew about the old clothes were Hu, Teruko and Whit. Eden only knowing later on, way after Ace's murder was planned probably, because Hu told her about it.

-The culprit used this ball of clothing against both Arei and Ace

-The cloth is suspiciously absent from the murder scene, which makes no sense considering Nico's account rely on them not having left the gym while trying to murder Ace. Them leaving to chuck the cloth aside only to come back to the gym doesn't make sense with the timeline in how we discover things.

Yep, I'm making the claim that Nico didn't actually kill Ace here, I still think it's Hu. Again you can try and complain all you want about how it's out of character for Nico but the reality is...shit is not adding up.

It's really suspicious how silent Hu becomes when her weapon is brought up, immediatly clamming up and not defending Nico anymore. When Teruko makes assumption that Nico lied to Hu to get her weapon, she doesn't reply with a betrayed "Nico is that true ?" or even a sentence she responds with "That's...". The amout of ellpises both Nico and Hu give are extremely suspicious and just make me side eye both of them extremely hard.

I'm gonna go on another tangent here, on the subject of Hu being suspicious. Mainly because I do wanna point out a moment that both makes Eden seem a lot more innocent and makes Hu a lot more guilty.

The subject of Arei potentially committing suicide.

Now, it's very clear that the way Arei was hung was meant to make it look like Arei killed herself, this was very much meant to be the culprit's intention. Both to hide the true murder mechanism and probably to mislead the cast. The fact that it's only an incidental red mark of Arei's wrist that proves she didn't kill herself, proves that the culprit intended for it to look like a suicide.

However guess who argues against this...Eden, which, if she is the culprit I don't see why she would do something like that (and if you say "well why is Hu defending Nico and Eden" I already explained it). Clearly the Eden!Culprit theory relies on her being capable of manipulation so there's no reason why she would be so caught up in her own feelings to just ruin her own plan like that.

You know who seems to really be into the idea of Arei killing herself though, Hu.

That's all I have to say on that, now let's get onto how I think Nico actually helped Hu.

I do think there's still a 50/50 on them working directly together or just Nico catching onto Hu's plans and deciding on their own to help her.

I do think Nico directly helped her though in two major ways

First, the water, it's the obvious one. Nico probably ended up giving the water the Hu here weither they did so with/without knowing Hu's intention doesn't really matter since they're deciding to keep quiet about it now.

I also want to quickly mention how Hu getting water from the relaxation room makes a lot of sense. Hu was busy with Eden in the kitchen and Teruko had taken all the drinks from the gym, so it's likely Hu was forced to take the water from the relaxation room.

Second, the note

Oooo baby let's get into my favorite realisation in watching this episode.

One piece of dialogue has made me realize something

This made me puzzled too, because yeah, who would be listening in and how did Arei not notice when she went into the room ?

Let me take you all back to Chapter 2 Episode 5

Rose and Teruko have a conversation about Rose's secret and that conversation lasts a good while, until...

Nico was actually shown to have been there the entire time, Teruko and Rose were talking without noticing they were there.

Nico then explains themselves like this, pretty much proving this is something they just like doing casually sometimes.

This actually would explain everything on how the eavesdropping happened, Nico was on the literal fucking floor of the infirmary leading to them listening to everyone's conversation. Which tmeans they could have had the information to write the note.

This would explain the inconcistencies as to why would the culprit know to eavesdrop and how they didn't get caught by Arei when she was barging into the room (if they were outside by the door).

Now this leads to two possibilities with Nico and their relation to Hu.

Either they worked together with Hu and they both came up with the murder together. Which means either of them could've written the note.

Or Nico helped Hu without her knowledge, making the note to help her (edit : just realised this doesn't make a lot of sense ignore this).

I believe this is all I have so far and I'm very tired so you won't get a conclusion

Oh wait I hear something in the background...

"WHAT ABOUT THE TAAAAAAAAPE"

First of all, y'all gaslit me into thinking Ace couldn't have taken the tape so I'm already sick of this tape bullshit being used as decisive unshakeable evidence.

You know what I think probably happened ? Ace took the tape, after all it disappeared when he woke up and it's possible that he just then threw it away in the trash.

I mean Ace did say he was gonna "commit a murder of his own", it would be in line with him taking the tape.

Why isn't he talking about it then ? Because he'd be seen as the fucking culprit and also Ace is not really the most honest bitch out need i mention Ace witholding info about David and Arei's conversation.

[meo-eiru]

What's ur inspo for art? ur art style is so cute... any art advice?? Jajsjdkkaka, I understand if u wanna gatekeep 👁👁

I meant to answer this several days ago but couldn't find it in the sea of asks welp

Anyway as I mentioned before we don't gatekeep art related stuff in this household, artists help other artists.

Honestly it's hard to name an inspo but I do have artists I look up to a lot (this might be a bit long)

Kanisuke, you guys might be familiar with her, she's the artist of the upcoming yandere inside game Yandere Town. I know it's not out yet but I'm actually obsessed with this game and have even translated all the character intros (they are a bit old atp so there might be some mistakes) and actually if you see a Yandere Town related post high chance it's from me. Not only her art but I love her writing style as well.

Hakuri-sensei, their manga Sachi iro no One Room is definitely one of my biggest inspirations. I love the relationship between Sachi and her "captor" and it's the only manga I actually cried my eyes out while reading.

Tayu-sensei, all of their work for Yuugen Romantica (one of my fav drama cd series) are breathtaking and they've also developed even more since then, their current works are just so stunning and I love studying the way they draw hair

Shirahama-sensei, she👏is👏a👏queen👏 honestly I don't have much to say, go read Witch Hat Atelier it's an artistic masterpiece and a giant love letter to art itself

Furumi-sensei, another queen! She's the artist of my favorite Fate Grand Order character Ashiya Douman. I've even bough her art books before, honestly she is just so talented. I don't know what she was drinking when she came up with Douman but I need some of it

Usagi Routo-sense, another fgo artist AND JUST LOOK AT HOW INCREDIBLE THEY ARE AT USING COLORS LIKE??? HOW??? Their art is like cocain for my eyes I could look at them for hours

AU, one more fgo artist and oh my god guys this person right here is one of my biggest inspirations just look at their drawings. I'm not kidding I actually spent hours just inspecting how they shade outfits. I'd sacrifice my soul just to get a chance to watch them draw live

☝︎ FAN, an Ashiya Douman fanartist and god guys the comics they draw!!! They are the cause of some of my current biggest fetishes ngl

Oyo-sensei, an fgo artist and is also the main artist of 18trip. They have such a clean art style that's very pleasing to the eye. I especially love the reference sheets they draw.

Shibatora-sensei, she is the artist of my FAVORITE drama cd series Shinai naru Thanatos and my overall favorite yandere character from any fiction Seo Eito. Honestly if you know me irl probably the first thing you'd mention about me would be my chronic Shinai naru Thanatos addiction because based on what everyone says I start speaking about it within 2 weeks of meeting someone new.

ORKA, the artist of A Stepmother's Marchen. Anyone who knows that manhwa probably knows why she's on this list, her art has so much soul and passion in it, literally every single panel looks like a painting and it makes me want to cry just looking at it

82 Pigeon, an incredible incredible Korean artist, I think they also give art lessons? I really tried to get them but couldn't figure out how. They also have a youtube channel and I learn a lot just by watching their speedpaints

[olderthannetfic]

Someone recently left a comment on one of my fics that they were disappointed I wasn't addressing any of the criticism or comments I got on Goodreads. After all, I reply to comments on the actual fic. Why am I ignoring the Goodreads commenters?

Well, 1. I didn't know there was a Goodreads page for my fanfic 2. I think if they wanted a reply they'd say it where I'm known to reply to every single comment without fail and 3. the kind of dumbass who treats 800k of free fanfics in a series like something they paid for is not the sort of person I want to engage with. If 800k of stories, with main stories, tie-ins, prequel asides, missing scenes, etc. for free wasn't to your liking, just... go read another? We have stories in this fandom whose whole series clock in at over a million words. We have stories where people have done fan songs and fanart and fancomics tying into their main work. We have stories with multiple timelines. You have so many options, all of them totally free and easy to access. If my stories, which I fully admit ares flawed and show some of my weaknesses as an author, don't do it for you, you have options. You have wonderful options.

If I had an editor and a publisher and my stories were actual books, I wouldn't have this reaction to this comment. But these stories have one person working on them total. I'm not making income off of this. This is what I write while working two jobs, for fun. As much as I do view writing fanfic as something that helps me learn the ins and outs of writing and put my all into it, it's going to be rougher than if I'd had help with it or had time to do more drafts than the three I normally do.

And if I was known for ducking criticism, I would get having comments on another site. There are authors in my fandom who delete anything that's not praise. But I have had long conversations with my haters in which I take everything in good faith and explain my writing choices, word choices and ideas. I have my tumblr which is just about my fandom stuff listed in the AN of every chapter. DMs are open and anon is on. My Dreamwidth account, also under the same name, also has DMs open. I have publicly stated when I have made shit narrative choices and owned that yes, sometimes I have genuinely dropped the ball. This has influenced later chapters where things go off of the original outline in order for the shit choice to have consequences in a way that makes sense and feels true to the characters in the story.

So "why are you hiding from the Goodreads commenters?!" feels like the most baffling thing I've ever been asked. I tried to be nice about it, but all I could think was, "why didn't the Goodreads commenters who wanted a reply post their comments where they know I 100% would've responded to it?"

--

Madness!

(Also, lol, half the pro shit with a lot of comments on Goodreads is barely edited. Maybe they were bitching about content? But if it was whining about craft, the bar is in the floor and they have nothing to complain about.)

[siriuslyobsessedwithfiction]

Alina Starkov - the most inconsistent main character. A tragedy of not wanting to have an identity.

The main character in Shadow and Bone trilogy, a prime example of "she deserved better". A.k.a. soldier, Sun Summoner, Sun Saint. In reality, a false saint and a false hero, who has less personality, goals, spine and consistency than her three love interests. How did this happen? Short answer - bad writing. Long answer? Here we go.

Her character at the beginning - a blank slate.

Physically small and weak, sickly, fragile, with a sour face and sourer attitude. Grew up in an orphanage funded by a Duke, who they were taught to basically worship while looking down on religion and beliefs in saints. Children in the orphanage were beaten if they misbehaved or didn't do chores, but were given education and fine food, which means they were faring better than peasants and farmers. Alina had not many, but several options in her life. She could learn a trade that would not require physical labour, like sewing. Or, she could marry and hope her husband was gracious enough to buy a donkey instead of making her carry heavy sacks of salt on her back, as we see a random man do to his wife. But Alina had no hobbies, interests, aspirations or ambitions in her life. Except her childhood friend Mal. Mal gets a mandatory draft in the First Army, and of course Alina follows, and settles for being a mediocre cartographer. Mal thrives in the army, showing off muscles and hooking up with women, while Alina dutifully waits for him saints know why. She doesn't have other genuine friends, she doesn't like people, she doesn't like anything. This is not a bad start in a sense that there is much room for growth and improvement.

Refusing to belong

Alina discovers she's a long awaited sun summoner, who can vanquish the Fold and unite Ravka. She doesn't want to be special, but not for the reasons you might think. Instead of fearing the burden of such an important task or genuinely becoming paranoid of being assassinated (she gets over those in five minutes), she just...doesn't want the responsibility of actually being useful for something. She'd rather not have powers at all, and go back to being in a constantly sickly state. She'd rather be tailing Mal like a mouse. Which doesn't make any sense for following reasons:

Alina's insecurities in SaB:

Not being pretty and talented

2. Not being as pretty and talented as Grisha

3. Being an orphan, being unwanted.

Being a Grisha actually solves all those problems for her. She gets prettier and healthier once she stops repressing her powers, has a unique cool power, and a community that cares for her. Plus, the support from important figures in Ravka. In time, she could have a family.

Instead, she refuses to acknowledge she's one of them, doesn't train properly, preferring to cling to her prejudices and make digs at Grisha. She'd rather complain that they're prettier, confident and pampered than acknowledge they are serfs, nothing but glorified servants with no basic human rights. Instead of her superstitions and prejudices being shattered when she starts living with them and realizing what Grisha have to go through, becoming rightfully enraged that her people are being treated this way, she still doesn't feel any empathy. In fact, she still doesn't see the General as a HUMAN BEING WHO MIGHT HAVE FEELINGS, even though he makes time in his busy schedule of running an army to make sure she's comfortable, jokes along with her, listens to her fears and reassures her, etc. Why would he go through the trouble if he was heartless? He's the General of the Second Army, by the King's law, she's his soldier. She is obligated to obey him regardless.

The narrative supports her delusions.

I get missing her friend, I get struggling to adjust, but it's more than that. Alina is getting dragged along from a plot point to a plot point kicking and screaming, as if she has anything better to do. She doesn't have a life, why is she so against of getting one? Once she finally somewhat adjusts to her life in the Little Palace, it turns out Darkling has had malicious intents towards her powers all along! Aha, you were right to be prejudiced, Alina! Now abandon your people, your country, and run!

“He … he said that Darklings are born without souls. That only something truly evil could have created the Shadow Fold.”

Imagine telling a person who saved your life that he was a soulless abomination, even though you do not know him, and he is still kind to you and reveals as much about him as he can. There is no grooming and manipulation here, it's just called not being a bitch. Darkling tells Alina he's over 120 years old, Alina is an adult, and the damned kiss was consensual. Of course he didn't tell her everything. Even regular people don't reveal their life-long ambitions and deepest childhood trauma to their crush after several conversations. It took Alina months to stop being in denial about being a Grisha, still didn't like being one, you're telling me if Darkling set her down and explained the complex political situation and his plan to overthrow the corrupt monarchy and bring an end to the war, Alina wouldn't jump out of the window?

Alina running away, not confronting the problem, and straight up deciding Darkling was evil incarnate with no evidence snowballed into Darkling deciding she couldn't be trusted and taking more drastic measures. Liberation of his people was on the line and one pesky girl screwed up a carefully planned coup because she couldn't handle her feelings.

False badassery

Throughout the whole three books, every time Alina makes a decision, it's immediately followed by self-doubt, shame and scorn. But no actual objective criticism. We often see variations of "It was foolish, but I didn't care", "I knew it was reckless but I couldn't bring myself to care", but never her actually analyzing why, or deciding not to do something like that again. Her small victories are immediately followed by thoughts on how would others feel about it, even though the person in question isn't even there and couldn't give less of a shit: "Never is it to be said that Ana Kuya didn't teach us manners", "A cheap trick, but a good one. Nikolai would be proud". Ana Kuya was an abusive mother figure, Nikolai was using Alina's status to get the throne. Sure, it's good that Alina is capable of learning useful things from every kinds of people, but she doesn't think "That was smart of me. I learnt that. I'm proud of myself for an accomplishment". She thinks "Is it good? Would they like it? They like things like that, right?". She attaches herself to people that fit her view of "deserving" and helps them, even though it might not be for the best. Extreme lack of self-worth, combined with entitlement.

When Alina hears a rumour Darkling ordered his heartrenders to sew a traitor's mouth shut, she's horrified. Even though that's hardly the worst punishment for a traitor in an army. But when some pilgrims insult Genya, she orders to have their tongues cut out after they're given only one warning. When Alina commits violence at slightest provocation, it's baddass. But when Darkling commits a controlled necessary military act to stop enemies from overrunning the country, it's madness and is falsely labeled genocide. Look up the definition, genocide is what was happening to Grisha.

The Darkling never kidnapped children and put them in the war zone. He only lied to Alina that he did, a clever strategy with no bloodshed. Meanwhile, Alina let her cult fight for her, whose members were brainwashed children, some only twelve years old.

When Alina faces a dilemma or a tense military situation, her go-to strategy is suicide. That is not martyrdom, nor it is badass.

Darkling became a bad person out of good intentions and desperation, Alina is just a bad selfish person.

Desperate people are the ones capable of the worst acts. Darkling didn't go nearly as crazy as he could, and frankly had a right to on behalf of his people.

"Aleksander had marched south with the king’s soldiers, and when they’d faced the Shu in the field, he’d unleashed darkness upon their opponents, blinding them where they stood. Ravka’s forces had won the day. But when Yevgeni had offered Aleksander his reward, he had refused the king’s gold. “There are others like me, Grisha, living in hiding. Give me leave to offer them sanctuary here and I will build you an army the likes of which the world has never seen.”

It doesn't matter how much genocide, prejudice, abuse and dehumanization the Grisha suffered through for centuries all around the world, Alina never bothers to look at the big picture. Her help is only for those who she deems worthy of it.

She attaches herself to people who fit her narrow-minded view of "worthy". She immediately believes Baghra's rather flimsy expose of Darkling, even though the old woman has been nothing but unhelpful to her, only insulting her and beating her. But Alina associates her with her only mother figure, Ana Kuya, another old hag she had a toxic relationship with. And even though Baghra is an immensely powerful Grisha who refuses to help or even lift a finger, or just spit out vital information, Alina coddles her and provides protection. Instead of telling her to fess up the useful information and save her unhelpful comments, Alina looks up to her as a mentor.

When Genya tells her story, Alina feels bad for her, but not bad enough to see things her perspective. She only becomes protective of Genya once she gets mutilated, out of pity. If it was genuine compassion, she would've forgiven and understood her from the start.

Every Grisha has been hunted and shamed for merely existing, almost every Grisha has lost a loved one to war. But Alina pointedly ignores it, because she doesn't personally know and care for those people. Therefore, she doesn't feel empathetic. Because if she feels empathetic, she might start feeling guilty about how she runs away from her responsibilities at every given opportunity. Just look at this passage:

“You know what he plans to do, Ivan.” “He plans to bring us peace.” “At what price?” I asked desperately. “You know this is madness.” “Did you know I had two brothers?” Ivan asked abruptly. The familiar smirk was gone from his handsome face. “Of course not. They weren’t born Grisha. They were soldiers, and they both died fighting the King’s wars. So did my father. So did my uncle.” “I’m sorry.” “Yes, everyone is sorry. The King is sorry. The Queen is sorry. I’m sorry. But only the Darkling will do something about it.”

The Darkling never wanted power for selfish reasons. He didn't want to take over other countries or lift Grisha above regular people. He wanted his kind to have basic human rights. Centuries of diplomacy and servitude only gave him enough power to make a school for Grisha children and save adults from slavery and getting slaughtered by serving nobles. He wanted to use the Fold as a border, to stop enemies from invading whenever they pleased, so he would have the time to save Ravka from collapsing. What has Alina done? Started a civil war, destroyed the Second army and helped put a morally dubious man with no claim on the throne to continue an outdated absolute monarchy tradition.

Alina Starkov was meant to be the sun, but turned out to be a trick of the light.

Every time it felt like Alina was emerging from her cocoon as a beautiful butterfly, embracing her true self, she went back to the toxic situationship and the toxic mindset. The narrative also always struck her down. Every book begins and ends with her being sickly, fragile, missing an essential part of herself. It would be good if it was written differently and showed themes of being disabled or having a chronic illness accurately, but it's not. It started out well. Alina was removed from an abusive environment, found a purpose in life, started loving her newfound powers, outgrew the stupid crush who she was way too dependent on, but it all went downhill from there. And then some. This constant vicious cycle does not fit the theme of growth and improvement, and neither does the ending, where Alina loses her powers and goes back to the orphanage. Once again, she's frail and strange, servants (who she now employs) don't respect her, sneer and make fun of her, while her now husband Mal turns a blind eye. Everything is back to the way it was: Mal thrives, Alina is...there. The ending is supposed to be bittersweet, a couple who survived a war building a new life together, but I don't see the sweet part.

Trick of the light - definition: something appearing different from what actually is as a result of the quality of light.

Darkling wanted her to be a strong Grisha, his equal and balance. Grisha wanted her to be a capable leader, Bataar twins wanted a living saint they could worship, Nikolai wanted a wife interested in Ravka and politics. Alina tried to be all of that, but never really wanted to be any of those, so she half-assed it. Mal wanted the version of Alina who was small and insignificant, because anything more made him insecure, and he got his wish.

Illusion, mirage, spectre.

No matter how much the author tries to tell us that Alina's every problem is Darkling's fault, her thought process and actions paint a different picture. Alina was never mentally healthy and she never addressed or resolved her problems. Growing up in a controlled and abusive environment affected her more than anyone, including herself, wants to admit. I am not a licensed psychiatrist, so I will refrain from officially diagnosing Alina, even though she's a fictional character. I am NOT saying I know for certain that Alina has these, if any, mental problems, but she does have some alarming symptoms. It seems like depersonalization. While her symptoms don't fit into one particular mental disorder, I am reminded of psychiatric infantilism, but it is not a mental illness with symptoms. Psychiatric infantilism doesn't necessarily mean the person acts outwardly childishly. To explain very roughly and simply, it means the psych is not as developed as it should be (even if the person is very smart and clever). It shows in avoiding responsibility or not feeling it at all, problems with social connections, not seeing the big picture and taking it seriously, etc. When Harshaw tells the story of his brother getting brutally murdered by people who hate Grisha, even brash Zoya is appalled and expresses her condolences. While all Alina thinks about is that Harshaw might base his hope of having a better life on her now.

Alina also might have Dependent Personality Disorder, but it's hard to say, since we are never shown her being on her own long enough to see whether or not she can take actually care of herself. But her relationship with Mal, Darkling and Baghra (after she no longer objectively needs them) is weird, to say the least.

She never gains the sense of self or an identity, she refuses to become something, then delivers an inner monologue of accepting her fate and five minutes later goes back on her words. Her willingness to sacrifice her life is never out of thinking of the greater good and future, justice, or patriotism. She just doesn't want to live, especially without Mal, who has been doing nothing but shitting on her. Her titles are slapped on her, and she peels them off. Her personality never really changes. Everything she went through feels like a really bad exchange program she was in for a year, and from which she has learnt nothing.

P.S. I don't hate Alina's character, I just mourn her lost potential.

If you have made it to the end, I salute you, congratulations and thank you. 😊 🙏 ❤️

[seyaryminamoto]

My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D

The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!

The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...

Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD

Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!

Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...

... And that is my likely unexpected choice for Yao:

ZUKO.

ZUKO IS YAO.

YES.

I'M NOT EVEN SORRY.

(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)

People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)

Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:

Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).

And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...

So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.

... but this isn't all.

Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:

WHY ZUKO AS YAO, THO??

... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!

What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...

He treats Mulan as his RIVAL.

And more often than not? SHE SCREWS HIM OVER. Intentionally or not.

What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!

The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?

So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!

I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.

So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.

Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.

And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!

Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!

[darkficsyouneveraskedfor]

Mission Control 6

Warnings: non/dubcon, violence, stalking, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Captain Hydra

Summary: a man marches into your life on a mission

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

As the man comes toward you, you can’t react. He grabs your jacket, splitting the zipper, and rips it down your arms. You whimper as he strips the fabric away and lets it drop. His hand recoils to his belt and he unsheathes a long hunting knife. You take a step back and he catches back of your head and tuts as he closes in once more. 

He fists your hair in his hand and tugs until you tilt your head back. He pokes the tip of the knife against your chin and drags it down your neck. You quiver as his eyes blaze down at you. His pupils dilate as his gaze falls to the blade and turns it in his grip. He hooks the slightly curved point under your shirt and rents through your shirt. 

He slices so easily through the fabric that it leaves you breathless. You don’t move, terrified of being gashed. He cuts up your bra in quick succession, then your jeans, and your panties, leaving you only in your beat-up sneakers and socks. You’d feel ridiculous if you weren’t so scared. 

He stands straight and raises the knife, showing it to you in a silent threat. He twirls it and slides it back into the sheath on his belt. He looks down as you try to cover yourself with your hands. You shift on your feet and slowly bend to untie your shoes. 

He turns away. You peek up as he goes to the wall and pulls a framed painting, opening the hidden compartment behind. He takes the pistol from his belt and puts it away. He unstraps the harness from around his chest and another blade from his leg. He reveals a few more weapons from under his clothing before he shuts the door; gears whirring to lock it in place. 

Even without a blade, he’s dangerous. You know that much. That he disarmed himself shows that he’s just as aware of the imbalance. You slip free of your shoes and socks and stand, a hand over your pelvis and an arm over your chest. You gulp and search the room helplessly. 

He nears and grabs you by the back of your neck. He marches you across the room and through another door. Within, a bathroom is lit by the flip of a switch. He shoves you towards the tub and reaches to crank on the faucet. The scour of water makes you wince. 

He snaps his finger and points inside. You step over the porcelain wall and he yanks the curtain shut between you. You shiver even as the water steams hotly and pours over you. 

The heat should feel nice but you only shake as it spatters down. You look around. You take the fresh bar of soap and scrub yourself. It smells like rose and vanilla. You set it back in the dish and rinse the lather. 

You glance over. His shadow is gone. You inch towards the curtain and peer around it nervously. He’s not there. 

You retreat and face the showerhead. You turn off the faucet as the water only agitates your skin. You stand shivering, arms crossed, waiting. 

The door clicks open and he stomps back in. He tears back the curtain and shoves a towel against you. You hug it. 

“Thank you,” you look up into his scarred face. “Sir, why...” 

He lifts a single finger and pushes it against your lips. He shakes his head. You close your mouth and unfold the towel. He pulls his hand back as his eyes drift again to your body. You’re self-conscious as you fumble to hide yourself behind the towel. 

He grabs your arm and drags you out of the tub. He takes you out of the bathroom, back into the front room, and through yet another doorway. It’s a bedroom. It’s lit by a ceiling light, dimmed to amber, and a bed stands, draped in grey plaid flannel. 

He points again and let you go. You go to the bed and stop at the foot. It’s then you notice the plain white night gown. You look over your shoulder. He dips his chin down. You turn back and reach for cotton. 

You trade the towel for the nightgown and the door slams. You turn. You’re alone. You sway on your feet and examine the room. The walls are dark wood, rippled with knots and rings. The decor is sparse. The bed, a tall armoire, a shelf in the corner. 

You near the shelf slowly, not sure you’re seeing what’s there. The wall above it is plastered with pictures. Of you. Of your apartment. Of the tea shop. Every aspect of your life documented. Below, the shelf is cluttered with various objects; your possessions. The brush you thought you dropped out of your bag and replaced, several tubes of lip balm but you never finish those, a bracelet you forgot about, and an old journal you thought was still in your closet. 

You back away. This man didn’t just find you, he’s been following you. For a long time. You retreat to the bed and sit on the end. Again, you’re paralysed in futility. 

He returns and you gasp as you look up. He has only a towel at his waist as he barges in. You cower with wide eyes as he walks to the shelf and sets down something in the small glass tray with your bracelet. Your shank of hair. You cover your mouth in horror. 

Is he going to kill you? He’s some deranged murdered and this is his kill room or some weird stuff like that. You stand and clutch the towel. 

“Please just tell me if you’re going to kill me. I’d like to know at least,” you say, quavering. 

His back tenses. Scars crisscross his muscles as they strain beneath the skin. He pushes his head back before he faces you. His expression says nothing. He comes to you, stopping just in front of you. 

He grabs you by the neck and you tense. You try to prepare yourself for death but you won’t ever be ready. Your eyes well up and your heartbeat hammers in your chest. With his other hand, he strips away his towel. You yipe against his firm grip. 

He spreads his hand over the left side of your chest. You can feel your heart more clearly. His palm is hot like fire. You shakily reach to clasp onto his wrist, begging him with your eyes. Not to let you go, but for mercy. Make it quick. 

He squeezes your throat, not enough to block your breath, but enough to make you nervous. He lifts your neck and, without much effort, or care, hurls you back onto the bed. You splay over it as you exclaim and bite your tongue.  

What he intends to do, might be worse than death.