#and it’s hard bc they hate us all ???

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[caffstrink]

Cain and abel sealed the fate of all siblings in history

[brother-emperors]

you're SO right, how is it that the best portrayal of many italian renaissance figures comes from a bad videogame from the 2010s

wheezing I’m torn between going truly this is the best portrayal of Leonardo da Vinci we may ever get, and defending AC2 even though I’m a full time Ezio Saga Hater

[stampiearts]

Breaking my permanent hiatus for a post to share my version of Narinder.

I personally don't agree with him being a generic black cat for multiple reasons. 1, he looks very bald compared to all the other cats in COTL. 2, every other bishop is a unique/unusual animal. 3, sphynx cats and cornish rexes kind of look like walking skeletons- which fits the "literally the god of death" vibe super well.

[lunarharp]

"Found out" set in kind of a made-up chapter where the girls are in trouble, or something.

[ineed-to-sleep]

Well. He wasted no time

[marsbotz]

forgor how to fucking draw

[mangodonutss]

discovered this post a few days ago and now forever crying over a german dub of the "maybe neither" scene in the quarry

[shadyhouse]

hey im sorry to ask for help again, i just dont know what else to do right now. im starting my new job today (just onboarding for now but im finding out my new schedule today and i'll be starting next week) and my bank account is currently at -23, i just had to pay my phone bill so that put me at -78. if anyone has anything to spare so i can get out of this hole itd be greatly appreciated 🙏 as soon as my new job starts i'll be able to get on track fairly quickly but my boss completely screwed me over with scheduling for my last few weeks of work, idk what im gonna do

pp: paypal.me/bewearrr

vnm: tobias_leviathan

thank you 💕 of course plz only help if you can afford to

[sttoru]

ima tell u this now : if u hate on x reader fics, block me cus by doing that you r doing us both a great favour 🤚🏽 ion need any of ur negativity on my blog because this is a safe space for people who do enjoy x reader fics goodbye

[talentforlying]

priest: i don't, ah, quite know what to say to you. if you are in such terrible danger, why are you taking it all so calmly? constantine: hmh! i dunno, father. i had a bloke beaten to a pulp earlier this evening. that sound calm to you? priest: you did what...? constantine: i must've been off me bleedin' rocker. i've never done anything like it before in me life, y'know?

constantine: but there's header gets his guts blown out, and george is stickin' his head in the noose, and helen gets ... jesus, then friggin' sarah bites me head off — ! everything's coming to bits in me hands and it's so easy to just see red and now, shit, they could've killed the tosser for all i know! and now i'm just like the bastards i've hated all me life! kill him! fire him! close them down! piss all over him! screw you, i can do whatever i want! i so much as blink and you're dead, pal! i'm in charge!! ...

constantine: 'scuse me, father. i'm always like this when i don't get me own way. — hellblazer #81, "rake at the gates of hell pt. 4"

babygirl you are just....so, sooooo offputting. (and grieving, and guilty, and terrified, but yeah: offputting.)

anyway, it's issues like this one that remind me why i kind of hesitate over some of the retcons in the recent spurrier runs, like the one with him now having opened dream's pouch of sand and stolen some before they even met. because like, it's easy enough to look at john constantine now — with 70 years of worst possible choices and unresolved trauma crystallizing underneath his skin to cover up all the soft, hopeful bits where he's used to getting hit — and assign him arbiter of ill intentions, magus of wasted potential, saint of shit choices, but man . . . he was new to this, once. he was still new to this 80 issues in.

80 issues in, and he's not used to losing friends yet; he even has time enough between catastrophes to grieve each individual one. still has enough left to live for at this stage to necessitate running and hiding, instead of bodily throwing himself at the problem like he learns to later, or sitting apathetically by to do nothing except smoke and watch the world fall apart when he finally gives up. fuck, he still apologizes.

and you're telling me this guy, this soppy wet cat motherfucker hiding from the devil in a church basement, so guilty over not knowing what happened to the guy that he paid people (paid chas, so chas could pay people) to attack that the bottle he's holding in this scene isn't even his second or third........this guy's past, more innocent self lied right to the face of DREAM OF THE ENDLESS and got away with it?

hm. i just don't know about all that.

[milkbreadtoast]

Hello!! Been a while since I sent an ask, back during your peak milk cookie phase 🫣. Your TWSB art are a blessing to my eyes (tho I haven't read yet, it's on my list).

I see you're using procreate now!! Your lines are just extra krispy, I was wondering if it'd be ok to ask what brushes you use?

OH HELLO!! MY PEAK MILK COOKIE PHASE AMDBSKD I NEED TO DRAW HIM AGAIN MY SOUL YEARNS FOR IT. 😫 AND TY FOR LIKING MY TWSB ARTS and for having it on ur list🫣🤭 hehe... all according to plan...

and thats right!! ive been trying to get used to using procreate and not just phone lately! I also recently bought a foam tube after reading this post and its been hard to adjust to but hopefully this helps in the long run🫠 (getting off topic)

BRUSHES... YES OFC TY FOR ASKING. i wanted to talk about it. I've been using the syrup brush (with stabilization turned down to 13%) for everything, lining and coloring/rendering! (and use the narinder pencil for sketching). I like that it has a crunchy anti-alias finish that gives it a pixelly look when zoomed in LOL

i used to use the gelsinki ink for lining but lately switched to the syrup one and find it easier to use mfbfn i used gelsinki ink to line these:

[chaotictomtom]

tested out the cool watercolours bf got me on my bday with some wee jesses :3 <3

[zellkabellk]

Nowadays trying really fucking hard to teach to my brain that it's okay and better to "just do 10 min of this task" even if it means leaving it unfinished (but further along than before!) rather than not doing it "because when I do it I should do it all" Because jfc I can't keep leaving my house in states where I need to do 30+ minutes of dishes instead of just... doing a little everyday and at least it remains a manageable amount in the sink even if it's not always emptied...

[aroanthy]

hi!! i know u talk a lot about aromanticism a lot on here, but i don’t think i’ve ever seen u talk about aromantic anthy. would u mind discussing/elaborating on it or linking to a post where u do because i’m very curious!!

i got a similar ask half a year ago or something ridiculous like that on my main blog, but i’d like to really do justice to my url right now and explain it in more concrete terms.

i will say, it’s important to bear in mind that this reading of anthy’s character is very much informed by my own experiences, and a lot of those experiences are ones im not keen to talk in depth about. but you know. let’s make some nebulous gestures towards ideas of being traumatised, being autistic, struggling to meaningfully connect with others and honestly not really wanting to do such because of how they treat you.

like ive previously said, an aromantic perspective on the world would, i think, really benefit anthy. when youve lived your whole life experiencing violence at the hands of these patriarchal structures, of which romance is absolutely one, it’s kinda like. damn. im uncomfortable buying into those ideas.

anthy also has this lovely line in ep 19 where she says to utena ‘romance either happens or it doesn’t’ and it’s just sooooooo. so very interesting to me, actually, that anthy would say something so black and white about ‘romance’, a topic that anthy knows better than a lot of rgu characters is hopelessly confused and arbitrary and often enabling violence. and utena (fellow aromantic gaybo) says 'yeah, i know, but...'. these simplifications, these elisions. what is and isn't articulated. but what? maybe things are much more complicated than we'd like to think.

anyway enough of that tangent. one thing i as a trans and aromantic person always return to when discussing trans and aromantic readings of characters/texts more broadly is that there's no singular piece of evidence that can really cement these readings as Undeniable. it's like. okay. there's a critique of romance as a patriarchal structure in revolutionary girl utena. there's an ambiguity about anthy's feelings towards characters like utena, where there is clearly a queer connection but it takes shape in unconventional and complex ways. me, i'm aromantic, i see all of these pieces and i go oh well that's because she's an aromantic lesbian. you know, there's plenty of little moments i can evidence but those moments can be used to argue for an alloromantic lesbian anthy too. romance is a very arbitrary thing and i think everyone should take their own approach to it unapologetically. of course, mine is that it's hellish and i want nothing to do with it, but im just one guy. and im okay with that. i feel strongly about this reading and it is personal, and id be dishonest to say otherwise, but i do also find that it's well-evidenced in the text. as one of my lecturers once said, don't worry about authorial intent, it isn't real <3

[leafyforreal]

another fun angst potential that i don't see enough in fic is the fact that dick initially doesn't even like damian. he gives the "go ahead" to make damian robin, but it's initially alfred's idea! dick is grudgingly mentoring a kid that he doesn't even like and i need people to make more fics about this because the angst potential for both him AND damian once he realizes that he DOES care about damian (hopefully under whumpy circumstances muahaha) is literally gold. AND EVEN BETTER IF DAMIAN IS AWARE