i like the idea of zelda and link both being physically altered after the events of totk. zelda being taller and stronger after draconification. her eyes stay wide and bright as well, and she has a wicked set of horns and sharp teeth. she has to be mindful of her sharp claw-like nails while working with children, so she files them down, as well as her horns. her mind tends to blank at inopportune times, and her memories are a little spottier than they were before. link now has a durable prosthetic arm created by the sheikah, but is just as skilled without it. his typical hylian ears are slightly larger and floppier now, and move with emotion. he wears extra sets of earrings in them when he gets the chance. his body is coated in a fine layer of light, wispy hair, which is useful in the colder regions. the rito are certainly fascinated by it, and tease him gently for taking so long to grow his own down. revali would find it funny. his teeth are sharper too, as are his nails, and his hair seems a little lighter than it used to.
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So obvious to me that Seska's arc in Voyager should have been her hopping from Villain-of-the-Week to Villain-of-the-Week revealing herself to have been either entirely or in part behind some new plot or scheme (sometimes on purpose and sometimes by accident, though she never admits which is which, preferring to pretend all is intentional though she's just as lost in the Delta Quadrant as the rest of them) as an overarchingly evil but largely comedic presence in the show which eventually culminates in her fucking the Borg Queen as the ultimate power fantasy and cementing her role as rival to Janeway, who was too cowardly to do the same.
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I have seen you talking about Dick & Dami's relationship and Dick & Tim as well,but what are your takes on Dick and Jason actually?
Like how you wish their relationship should be portrayed today and where are them missing when it comes to making those two acting like siblings?
Do you think in the past their dynamic was better?
How Dick views Jason and how Jason views Dick?
This is difficult to answer because there are like 8 different stages to Dick and Jason's relationship with various dynamics. They also view each other a bit differently depending on which stage we're talking about.
The way I would like their relationship to be portrayed today isn’t necessarily possible thanks to Jason’s integration into the family and acceptance of the no killing moral code. For me, their ideal dynamic is portrayed in Outsiders #44-46. And I know people are gonna find that regressive as hell but, tbh, that dynamic is far more interesting than the kinda awkward thing they have going on now.
Although, I don't mind that they acknowledge their brotherhood in a serious manner now. Like before they'd kinda be like, "Eh... I mean... we were adopted from the same guy but... brothers? Eh..." And now they're more firmly in the, "We're brothers," camp. So that development is interesting.
Character progression wise, it wouldn't feel right for for them to be super close in the way that, say, Dick and Tim are (unless we saw a lot of trust and relationship building between them), but at the same time, there is part of me that kind of wants them to have that older sibling bond (except Jason is closer in age to Tim than he is to Dick sooo actually let's just leave older sibling things to Dick and Cass... not that Cass is much older than Jason though so LOL this is why Dick has to lone the oldest sibling thing by himself... which is funny because Dick is technically no longer the oldest sibling, he's a baby brother now... except Dick and Melinda's relationship really hasn't progressed much sooo you could say they share blood but don't consider each other family yet, in which case, Dick is still the oldest... I mean, regardless, Dick is the oldest sibling of the Waynes... god why did they have to make all of this so difficult 😫).
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honestly if I were ever to throw the Suitehearts into any of my Killjoys stuff the dynamic would literally be the stupidest thing in the world. you do not want to have the Four and those guys together in any setting. it's a recipe for disaster. Jet and Benzedrine bitch and bicker like old ladies. telepathic warfare is waged via a complex language of glares and eyebrow movements between everyone in the room. Sandman makes a wholeheartedly joking comment to Ghoul like "I want to study you in a lab" and Kobra Kid gives him a black eye on the spot. Crab and Donnie end up playing hide n seek with the Girl until someone else who isn't aware of the game accidentally dumps a whole dude out of their hiding spot on accident and then gets elbowed for it. everyone hates each other but they're also kind of pals in the way that people who occasionally help each other out but don't see each other outside of that can be. that kind of thing
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What’s the biggest emotional gut punch you’ve ever gotten from a show?
AHH i wish i had a good answer for this but i havent watched a lot of shows lately and im wracking my brain to remember if i had a strong reaction like that to anything i've watched in the past... ive def watched sad stuff that hit me in the heart but not enough to feel like a gut punch......
BAHA ok this gonna sound predictable but fr when i got to the end of volume 10 of trigun maximum i stopped reading for a couple of days LMFAOO T_T maybe even a week. i just reread that same chapter over and over again for a while lol
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i approved the technical exam for one company O_o! I need to pass a technical interview, and if they like me, I'm getting a new job!
I also had another interview yesterday (from an even better company) so fingers crossed they like me enough to have a technical interview next week O_O
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I just read a goodreads book review that made me angrier than any inconsequential thing has made me in a WHILE. I loved the book, and I'm not a good critic of novels (or anything); I'm decent at analysis to be fair, but I like a read or I don't (on a spectrum of course).
But good goddamn, this review reeked with pretension and was written like the most unbearable food or music critic's diatribes. Adult character is lost in life, makes stupid choices out of grief/running away from issues/thinking distance from community will help/doesn't act logically as a character in a horror plot? Childish and not very bright! A large bustling family coming together for a major cultural and spiritual threat and asking the same damn questions over and over again, repeating the same arguments, etc.? Tiresome and muddled! Bro is your family (bio or chosen) totally chill? Have you never at least seen (in media or in others' lives) annoying family members beating dead horses for days on end out of concern and love and lack of knowing how else to help???
Dude I dunno, it just felt like legitimate criticisms one might have if they dislike a book or parts of its structure, but then those criticisms were a molehill buried beneath a mountain of hating some super fuckin' flawed characters making wild and awful choices in a time of grief and isolation. Screaming!!!!
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it’s sooooooo insane how much gege akutami completely fumbled nobara. society if she was someone else’s character entirely. society if gege akutami never even attempted to write women. society if gege akutami never attempted to write
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