#and its an absolutely iconic scene

[significant-ace-nnoyance]

im just gonna say it. what is love? is the new poker face

[marivanilla05]

I saw a screenshot of this episode, and I was reminded that I rewatched it (and recorded some scenes) last month. Anyway, just thought some of you might want to see it.

(edit: added the tag "out of context detco dub" to all the related videos on my blog for easier searching)

[enpr-ss]

BdoubleO100 made the advancement [Ravagers in the Kitchen] PearlescentMoon made the advancement [Ravagers in the Kitchen] Grian made the advancement [Ravagers in the Kitchen]

[jemmo]

bad buddy + my co-star roasting me pt 11

for #badbuddyweek day 2: favourite episode - episode 7

[ikosburneraccount]

sorry for spamming the tlc tag. but im not done yet

please rb and explain why. ill go first

[soulsolid-a]

slaps brook’s empty skull, this clown can fit So many insecurities in him--

[cutesilyo]

the thing i really like about just for once in nerdy prudes must die is that it's best iteration of the musical within a musical trope that has become characteristic of the hatchetfield musicals

like both show-stopping number and deck the halls (of northville high) are catchy songs from in-universe musicals that were very much written to have plots that suck

and show-stopping number was so well-beloved because it is, frankly, a hilarious scene that robert manion put 100% into

but i argue that only just for once is thematically relevant to its musical and fully emblematic of the wants and desires of the character singing it

because what is just for once, as a scene? it's ruth singing a song because she thinks she's got a chance of doing it better. it's ruth singing a song about a character who looks back on the mundane miseries of her lonely life and — at the last second — remembering who she used to be before the pain set in. it's ruth singing her version of cooler than i think i am and reflecting on how she is perceived and wondering what it takes to break away from it. it's ruth singing right after she says, "in my dreams, i'm the star of the show."

of all the losers that max jagerman victimizes, only ruth says who she'd like to become beyond that. where pete can't even admit to liking steph at gunpoint and richie doesn't ever get the chance to verbalize what he wants, ruth gets on the stage in the few minutes of break time and just for once, the spotlight is on her.

and the really crazy thing about just for once is — it has the "i'm not a loser" motif. possibly the most iconic and important motif of the whole musical, it's the motif that starts the opening number. and here it is, in the silly musical within a musical by the silly character who has — until this song — always served as comic relief.

in the climax of the song, just for once is no longer the song of a character from the barbecue monologues. it's ruth's. in those few seconds, it's her lamentation of the life that max jagerman forced on her.

but that's the thing about the "i'm not a loser" motif. the way it functions in the musical is as a harbinger for max's violence. the police at the beginning ask, "what the hell happened here?" and its the motif that answers. pete is the first character that sings the line and is immediately beaten up by max in the next scene. then richie sings it and max kills him in the same song. when ruth has the motif running as the crescendo to just for once, it sounds absolutely incredible... and it should come as no surprise when max appears shortly after.

(as a quick note: you can also hear the motif after max makes the car crash, then max appears two scenes later. you then hear the motif in the cooler than i think i am reprise and max also appears right after the song. it's like max is instantly summoned by any instance of the losers trying to shake off the role he placed on them — of trying to defy him.)

tl;dr: the inclusion of the "i'm not a loser" motif in just for once makes it the big lipped alligator moment that wasn't. like yeah, it accomplishes its goal in being the funny musical within a musical trope! the character acting makes it a funny song, and its a funny character performing it! but it also furthers our understanding of ruth AND of what the "i'm not a loser" really is: it's the characters trying to develop past being nerdy prudes and max doing everything in his power to prevent that.

and it does all that while being a banging musical tribute to stephen sondheim and, especially, his song the ladies who lunch. which in itself is a massive flex on jeff blim's part. what a brilliant song in a brilliant musical.

[bestanimatedmovie]

Choose your favorite!

Vote in the other polls!

What fans say:

The Lorax:

Spider-Man: Into the Spider-Verse:

It had a very big impact on meme culture. And a really catchy soundtrack. Plus it has the silly sexy green man. What more could you want from a film.*

The Once-ler and the let it die song. This movie is glorious.

It is legit the mother of all great animated movies nowadays. From Mitchells vs the machines to the new mutant mayhem movie! The plot is so good and you can really see character development from almost all of the characters, plus the designs are BANGER.

THE MUSIC?? TOP FUCKING TIER. THE CASUAL DIVERSITY? IT ALSO HAS LITERALLY THE BEST SHOT IN CINEMATIC HISTORY (Miles rising after taking his leap of faith)

BRO THE ANIMATION IS SO SICK. The amount of sheer effort put into this movie is insane. The character growth was so amazing to watch and such a great movie to analyze. Best scenes are obviously the leap of faith. Actually gorgeous. And also the scene where aunt May sees Peter b after her Peter died. Her “you look tired, Peter” is just so heartfelt

Where the hell do I even start. The visuals are incredible and the plot is engaging. Every scene is perfect.

This film has EVERYTHING. Humor, action, inspirational scenes, kickass music, absolutely killer animation, an art style that is an homage to comic books, loveable characters, a talking pig, DR OLIVIA OCTAVIUS, I could go on

This is the best superhero movie ever made, the leap of faith is one of the best movie scenes of ever

The animation style is better than all the others, and makes the movie funnier too! The representation is also good, and the romantic storyline isn't too prevalent in the movie. Probably the best animation Marvel has made. My favorite scene is when the villains show up to Aunt May's house -- its my favorite fight scene!

I’m sure this movie’s been submitted already because it’s arguably the greatest animated film of all time. I have a personal connection to it because I saw it in theaters on opening night with my late father, and we both loved it and I still do. The animation is revolutionary and it’s one of the only 3 movies that make me cry.

gsksvbsvsbsvs I love everything about it, I love the animations, the story, the soundtrack also the style of animation AAAAAA its so beautiful its art it belongs in a museum i get goosebumps everytime I rewatch it

It’s just so good. All the characters are amazing and I love Miles dad. It’s hilarious and sparked my love for spider-man. It’s such a sweet movie about finding yourslef and has such a powerful message. I totally recommend it so I’m not adding spoilers, but like. Ohhhh, it’s so good.

Interesting villains, well-developed character arcs, a fresh take on Spider-Man, unique use of animation, funny, good use of multiverse that adds to the nature of the story being told, complicated character dynamics

It's the best animated movie because A: it takes one of the most well known comic characters of all time, kills him off in the first few minutes, and then shows you every cooler version of him. B: Has a large amount of representation in its main cast, considering that they're all versions of Spiderman, and that requires a white guy by default. C: everything in it is so well done I can't pick a favorite scene, but the most iconic is the jump off the skyscraper window.

The animation is incredible, the movie has so much story and heart, and there’s a perfect balance between humor and seriousness. And the soundtrack slaps

This is probably the best animated film I've ever seen. The animation is definitely the highlight, the way they blend comic book art styles and 3D animation is an absolute joy to look at and is so overwhelmingly creative, every frame of this movie is gorgeous. The impact this had on the industry is undeniable, as we start to see more and more movies getting more creative with their animation styles. It's not just the animation though. All of the characters are entertaining, all of the jokes land and the story is really well done. It leaves me blown away every time I watch it.

This movie kind of changed the western animation industry from the ground up. Apart from being expertly written, funny, and heartfelt, it is also stellarly animated, with a unique visual style that takes direct inspiration from the comic books it adapts and mixes 2d- and 3d-animation in a way and to a degree that hadn't really been seen before in western mainstream. Its critical and monetary success paved the way for mainstream 3d animation to open up to new and excitingly stylised movies that were like a breath of fresh air between the generic Pixar-style animation that had been the largely unchanged norm in the industry since Toy Story circa twenty years earlier**. ITSV divides the screen like panels on a comic page, it uses dots and lines for shading and gradients, doesn't shy away from lowering framerates for stylisation, and makes liberal use of onomatopoeia, both to comedic and dramatic impact. Impact frames and SFX are often hand-drawn and stunningly colourful, and even the simple dialogue scenes astonish with an expressiveness and realism in their depiction of emotions that makes me rewatch a two-second scene of Miles laughing fifteen times in a row. My favourite scene has to be the What's Up Danger scene, the emotional climax of the movie. Set to an absolute banger of a song, it is the moment the entire film has been building up to. I won't spoil anything plot-wise in case you somehow haven't seen this movie, but both from an emotional and a visual standpoint it is Fucking Dope. Conclusion: Spider-Man: Into the Spiderverse is my favourite movie of all time and I could talk about it for hours. If you haven't seen it, go watch it. Thank you.

Have you SEEN the Whats Up Danger/rising and falling scene? it's a work of art that makes me fall in love with storytelling all over again whenever I see it. Also the impact that it's had on animated film is absolutely being felt at current, if incrementally. Incredible film.

It has an amazing art style based on comics and mixed up due to genre differences. It's really fun and the characters are great, even the side ones. The story line is great and I love Miles and his family.

*Mod note: errr, quite a lot more than memes and music actually

**Mod note: amen

[hotvintagepoll]

Propaganda

Nancy Kwan (The World of Suzy Wong, Flower Drum Song, Tamahine)—Nancy Kwan is my faaaaave like you don't understand!! watching her dance in her beautiful chic boudoir in flower drum song—the GRACE of it, the STUNNING BEAUTY. she is everything i've ever wanted to be and more. theeee most beautiful woman of the 60s i don't care what anyone else says! my queen my icon my legend!!

Rita Hayworth (Gilda, Cover Girl)—Absolutely, drop-dead gorgeous. She steals every movie she’s in; she was Fred Astaire’s favorite dance partner, as you can see in clips from their movies [link][link]. Born Margarita Carmen Cansino, Rita's story had its tragedies—her father was awful and had her performing in nightclubs way, way too young; the studio totally remade her look because they were afraid of her hispanic image, putting her through painful treatments and diets; she had a string of failed marriages. But beside all that, I think there's something about Rita that still glows through—an inner beauty that has nothing to do with the studio, or the men who pinned their dreams on her. Rita brings an incandescence to roles that's impossible to replicate, and was truly a great actress in that she could switch from herself—shy Margarita—into a bold and glamorous femme fatale so convincingly everyone fell in love with her as Gilda. She's my favorite movie star, and I think she was a beautiful human through and through—Rita, gorgeous and real and shining bright.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Nancy Kwan:

"askgdshadlg women"

"2 Golden Globes. Was in 15 movies to 1970 and many more after."

"have you seen her? she’s beautiful and love her so much. she also did ballet before acting."

"She was one of the few Asian American starlets of her time, she is graceful beautiful and she had to work a lot at making it big under the circumstances (20th century Hollywood)"

"Ok, this is super niche, but movies for Asian American girls growing up in the 80s was limited. Nancy Kwan is really freaking gorgeous and, while her character in Flower Drum Song is problematic nowadays (i heard she cried when asked to do the lingerie scenes), having an Asian American woman on screen with her own prerogative+agency was formative."

64.media.tumblr.com

Mary Pickford:

Rita Hayworth:

Do you need any other propaganda? Here’s the video.

She was not called "the love goddess" for nothing: beautiful, glamorous, despite playing sexy and provocative roles her inherent shyness somehow also would shine through sometimes, creating this contradictory and incredibly attractive image

Often played "the bad girl" who tempted the male hero away from "the good girl"; but did have roles that broke her out of that mold. She was also the inspiration for Jessica Rabbit. THE pinup girlie.

HELP

She was soo beautiful when she was young and she MAINTAINED that beauty into her later years and I think that old lady glamour is hot. bombastic sex appeal

every line she delivers in gilda is so flirty and passionate or absolutely desolate and it's so good

I just have a lot of feelings about her

[roe-and-memory]

nothing lives more rent free in my head than salqueen.

think of this. lightning wins his first championship. in victory lane, there are cameras and microphones in his face and he’s being asked questions of all sorts; hes only scanning the crowd for one person.

he wants to celebrate this with sally, he NEEDS to celebrate this with sally, and when his eyes finally land on her, squeezing through the crowd to try and get to him, he waits until shes right at the side of his car with his championship shirt in one hand, marker in the other, pretending to be a fan asking for an autograph. he doesnt hesitate, though, he grabs her hand and pulls up, and she gets the hint and scales the car. with absolutely ZERO thought, he dips her and kisses her, and theyre stood in victory lane with confetti falling around them, champagne in his hair, and the love of his life in his arms.

theres a photographer somewhere in the crowd; they catch that scene. the darkness of the sky behind them, the stadium lights being one of the only light sources around, and they catch each piece of confetti in that lens, every person in the crowd, all of the reporters that have backed away to give whoever was photographer the Perfect scene. they capture perhaps one of the most iconic victory pictures to date; the youngest piston cup driver to ever win a cup kissing his girlfriend right after his big win.

its in the RSN magazine, any sports magazine to be frank, and its probably one of their favourite pictures of all time. lightning really wishes he could thank that photographer.

[g0nta-g0kuhara]

CG and Execution Thumbnails

I recently got my hands on the V3 art book and I am absolutely obsessed with it!! I wanted to share some of my favourite (mostly subtle) differences between CG/Execution thumbnails and their final iterations.

In this death road of despair cg, Miu was originally supposed to be in the same slice as Kokichi and Gonta, and a tenth unknown person in the top left corner.

Angie seems much more defeated in the original sketch for the other death road of despair cg, with her head drooping rather than praying.

I just find Shuichi's grimace in the sketch of the first training cg Very funny compared to the final one (which is much more dignified).

Shuichi and Kaito's shocked expressions in the original sketch for the cg with Maki joining in training are delightful to me, I wish they kept them.

Maki originally was reaching out to Kaito in the trial 4 cg where his illness is revealed, as opposed to her straight posture in the final cg. Shuichi's expression in the thumbnail is also very funny to me.

The stupid little nose they gave kiibo in the sketch of the cg where he's lying flat in the hydraulic press made me giggle.

Maki's expression was much more intense in the original sketch for her pointing the crossbow at Kokichi in this cg.

Himiko's >_< face made me smile in the cg of everyone (minus Kiibo) training together after trial 5.

THIS thumbnail from trial 6 is especially interesting to me. I wonder if the thumbnail was made before the trial character placements were decided at all, so this portrait and figure are random. Or maybe this was done later on when it was partially decided, and a survivor was initially next to Tsumugi, before they were moved later. It's kind of hard to tell because of the, uh, lack of detail in this one. But I'm very curious.

In the dark belt bonus scene in chapter four, originally Himiko, Shuichi, and Gonta were in their normal outfits! Also, Gonta's expression is MUCH different. I'm glad we got that cute little smile in the end, its such an iconic Gonta CG and probably one of my favourites because of it.

Initially, the end of Kaede's Execution had everyone sitting as members of the audience. Its much less intense then the final result, so I think this was a good change.

Originally, there was no death fake out for the v3 survivors! Kiibo just let them be and proceeded to blow up the school.

BONUS:

Nothing different here as far as I can tell, I just LOVE how detailed the storyboards are for Kaito's execution. This is just one example. Its so, so pretty looking

[shut-up-danny-kun]

I've read hundreds of Star Trek TOS fics by now and it never ceases to amuse me how many different ways there are to fuck up Spock's characterization...now hold on just a minute - this post has a more interesting point than “fanfic writers stupid”, I promise you.

Every time, it's a spin on the massacre wheel. It's kind of amazing. Will he be overly emotional to the point where he's not himself anymore? Will he be so cold it's unpleasant and kind of hard to understand how he's lived to this point? Will he be extremely horny for no good reason? Will he speak in a way that sounds complety wrong?

I chuckle and shake my head. Of course, I KNOW what Spock is like, and MY interpretation of him is the most perfect and correct one. Obviously. He's just a very nuanced character, formed by many people in an unconventional way, with traits that seem to contradict each other at first but ultimately form a rich and unique character that so many people fell in love with specifically because he's so complicated...

Or...is he?

Let's entertain the idea that there isn't one correct interpretation of Spock, that all of these messy bits of characterization are not part of a bigger picture, but...just what they are: a product of many people with starkly different visions, working on a show that refuses to properly develop its characters. What then? Well, then Spock is a Rorschach test. Each viewer connects the random dots in their own way, and ignores the ones they don't like.

Let's use an example: me! In my interpretation of Spock (the most correct one, of course) he is, first of all, gay and on the asexual spectrum, reserved, largely uninterested in casual flirting or sex. When he is interested in the aforementioned things, he tends to be quite ashamed of it.

Makes sense, right? I can show you plenty of evidence for why that could be true. However, in the beginning of the first bloody season, Uhura sings a song about how Spock is actually kind of a heartthrob who likes to drive women insane with how hot he is, and Spock smiles. He smiles at her, as if agreeing and being very amused by all this! This interaction goes against pretty much everything I think about Spock. So what do I do? I explain it away in the most bizzare fucking way possible. See, Uhura and Spock are friends (there is no evidence for this), and Uhura knows everything I've just told you about him (through telepathy I guess? Not like he'd ever tell her!) and she's just trolling him (why would she do that? That is NOTHING like Uhura!). I need to do some Olympics-level mental gymnastics here, the opposite of Occam's razor.

“But Danny,” I hear you say, “it's just the start of the show! They hadn't figured out his character yet!”

To which I say: you can say that about anything! You can blame it all on a bad writer for that episode, and ignore virtually any scene that doesn't jive with your headcanons. It's there, and I can't ignore it.

So...how am I different from the people that want Spock to be thar heartthrob Uhura is singing about? That evidence is as much a part of canon as my favorite lines. Well, I'm not any different, that's the thing. And all those writers I complained about also have a point.

It's kind of a nihilistic take, I know, but maybe the reason Spock is such a cultural icon is because he is...whatever you want him to be: just concrete enough to spur on your imagination, yet vague and contradictory enough to let your brain fill in the gaps.

Don't get me wrong: I absolutely do not believe in this. In my mind, it just so happens that I'm one of the, like, 5 people ever who truly understood Spock (and one of them is Jim Kirk himself). But I still think it's something worth thinking about next time you're mad at a fic.

[godbirdart]

Do you have any specific process to get ideas for your backgrounds in your character pinup drawings how do you manage to make them all so awesome and cool

thank you so much! the way I like to tackle these is to think of them as if they're the character's splash art in a gacha game while also taking elements and rules from magazine covers.

now, I use the term "gacha game splash art" kinda loosely here, as that kind of art often depicts contained scenes or flourishes of elemental power. what I mainly focus on is how splash art showcases the character's personality within that contained art piece or scene.

I want everything in the piece I draw to reflect and correlate to the character itself. any accessories, text and elements are always taken into consideration. for this i'll often look closer to the character, their toyhouse page / bio, or sometimes even the client themselves if i'm familiar with them or have worked with them repeatedly before.

for example, archie here is an arcanine. I've utilized this for the background header, where you'll see arcanine's in-game category, pokedex number, type, body shape icon, as well as one of its abilities: flash fire. there's also a fire type icon.

another example is afol's piece. the client had specific ideas in mind for this art - particularly in the emotion and expression the art is meant to portray. I really wanted to incorporate this quote from afol's toyhouse profile as I felt it added to that raw, conflicted emotion the client was after.

as afol is a musician and a sky god, I also wanted to highlight it by adding "GODOFSKY - The Sky God's Solo Suite" as an artist / song title signature that again could tie into that emotional conflict.

the magazine aesthetic is something sort-of new to these pieces, with afol's piece having more of that distinct cover vibe than earlier ones; however I've been taking notes from magazine covers from the start.

I always have to make sure text and accents don't take away from the character, or cover them up or clutter the canvas too much. you'll see this a lot on magazines, how the title is always the largest text with everything else being much smaller or thinner. i follow similar composition rules when drawing. keep the model as the focus, and add things around them as needed to break up negative space and balance out the art. in my portraits, the character's name is always the largest text.

beyond these conscious choices - i dunno! my clients always come to me with fantastic prompts that mesh well with what I vibe with artistically.

i love being handed a few prompts and told to run free with them, and i love when clients come to me looking for a specific aesthetic or emotional piece. i absolutely adore drawin smug and confidently villainous gremlins, but some of my all-time favourite pieces to draw are the ones with a lot of raw emotion in em.

honestly i think a lot of the coolness comes down to my clients just havin cool characters to begin with lmao

[pilfappreciator]

ATTENTION TROLLS FANDOM!!

This is very important. Mostly to me but maybe you guys have been wondering this too idk but anyways:

How does troll reproduction work exactly?

Cuz I'm genuinely curious. I dont think anyone on the series production team has said anything and so far I've seen absolutely no one touch on this subject but as someone who's always had an interest in the habits of creatures (both fictional or otherwise), I kinda sorta maybe NEED to know this otherwise I'll never be able to sleep peacefully again

Full disclaimer that I'm specifically talking about the whole egg situation, I am NOT ASKING HOW THEY GET IT ON IF I WANTED THAT ANSWER I'D GO TO DEVIANT ART OR TWITTER OR WHATEVER LAWLESS PLATFORM GOD STEERS CLEAR OF. This discussion shall remain STRICTLY educational, thank you very much

But anywho. Let's dive in

So trolls come from eggs. This is basic knowledge. First instance of this phenomenon (as far as I know, I've only seen the movies) is from World Tour.

Egg pops out of Guy Diamond's hair, egg hatches and BOOM, (literal) baby. Now I understand that this whole sequence was probably just a gag and a way for DreamWorks to implement another (merchandisable) addition to the cast HOWEVER this sequence also raises a few questions

First off, as far as I know Guy Diamond has no partner (again: I haven't watched any of the spinoff shows). Either that or maybe the other troll was a sorta one-night-stand/no-longer-in-his-life kinda situation? Which is great either way cuz its shown he obviously cares for his son and we at Tumblr appreciate a loving single father no matter the circumstances, but if my former theory is correct than that would imply that trolls are capable of reproducing asexually. Like onions.

Now if that hypothesis is, as they call it, "cap" then that would mean that some sorta hanky panky has to go down before an egg comes into question. And if that's the case, does this mean that male trolls are traditionally the ones who carry the eggs?

But that can't be right, can it? Afterall, World Tour gave us yet ANOTHER egg scene later on in the movie

In Cooper's flashback, we clearly see Queen Essence being the one carrying the eggs meanwhile King Quincy is eggless. Now, as far as i see it, this could be explained either one of four ways:

1) Quincy was the one who actually produced the eggs and Essence is merely holding them for her husband (since her hair seems more fitting to be a makeshift nest compared to Quincy's)

2) Female trolls are the ones who produce the eggs. Guy Diamond is just a trans icon

3) Troll reproduction differs from genre to genre

4) There is a... *sighs* a/b/o type of dynamic among troll kind where certain trolls are capable of giving birth/siring children depending on a secondary gender

In regards to theory #3, this could also explain why Guy Diamond seems to reproduce and hatch an egg in such a short amount of time (like 5 seconds I'm pretty sure) as opposed to Queen Essence/King Quincy who's eggs presumably went a while longer before actually hatching.

Actually, speaking off eggs, are trolls the only species in their world that reproduce that way?

Because now that Band Together has officially been released, we now know for certain that it's possible for different species to crossbreed. Biggest example? Resident DILF Bruce and his giant muppet wife

(Credit to @captainunderkrupp )

When I saw these two... I swear...

And these two already have a shit ton of kids okay so like... either Brandi was the one giving birth or trollsona Daveed Digs was over here pumpin out eggs, which I mean-

DO YOU SEE HOW BIG THESE THINGS ARE COMPARED TO BRANCH AND POPPY?? Believe me I am PRAYING that Bruce gave himself some serious maternity/paternity leave because my guy is honestly a trooper

But yeah any thoughts? :))

[ofherpinkways]

Hyper Fixation

Cod characters x horror fan reader (GN bf/gf :) )

Summary : they ask one small question horror movie sending you into a complete hyper fixation and happy rant about all your favorite scary movies

(A/N: tbh this is mainly for myself so I can finally spill out my bottled up horror movie rants,plus this is based off interaction I just had with a friend on Snap. Our babies will be referred to as "they/them" since i wanna include everyone 🤍🩰🧸 might do a pt2)

You loved horror movies and let it be known to all. Everyone at the base knew it and it was what you were known for even to those who didn't know you fully . Often referred to as the "Horrorjunkie"

Your dorm was filled with horror movie posters,props from iconic classics and of course you had a bunch of those mini polaroid posters of all your favorite horror movies. Your body is covered in horror movie themed tattoos of all the well known villains and other scary themed things. Your left hand was covered in one giant tattoo that made it look like you were a skeleton. All of your causal/civilian clothes were the Steven Rhodes t-shirts and hoodies.

God forbid anyone lets you pick the movie during movie night . It was gonna be scary obviously. This night you picked Sinister (2012) forcing everyone in the common room. It only got worse when few of your teammates confessed they've never seen it. There you sat grinning wildly knowing the whole movie play by play. Having the ability to mentally time each up in coming jumpscare in your head laughing and smiling to yourself prepared for each scare ,glancing up at them wanting to see their reaction. The infamous lawn mower scene had just happened causing everyone but you to jump and yelp a little , instead you laughed and smiled happily at their reactions finding the whole thing amusing.

Fast forward weeks later,you were sitting on the couch scrolling your phone with " " (This is where you insert whoever you want lol). You both got bored after a while, you move and lay your head onto their lap "wanna watch a movie?" you ask looking up at them "I'll pick" you sang dragging the words smiling . They laughed smiling back "and what horror movie has the honors of your picking today mmph?" they remarked . You sat up and playfully huffed with fake offended expression on your face , putting your hand to your chest "Now who said it was gonna be a horror movie ?" you replied holding back a giggle

"you get called "horrorjunkie" for a reason " they said with a chuckle. You crossed your arms smirking "Touche", you grab the remote and start looking through the horror movie collection on Netflix " How about The Strangers ?" you ask looking at your partner . "Again ? we've watched like ten times already,why do you like it so much?"

you gasped "how could I not love it? its's such a classic !, and the timing of its release ! It was something never done before ! it scared the shitout everyone making them fear being in their own homes,making them worry when answering their door and the simple fact it was based off a true event?!?! absolutely sickening" you explained in a fast and excited manner.

And that's how you both spent the rest of your night and ranting about each of your beloved scary movies along with the cast,the directors ,the lore,the meaning and messages behind them, the remakes and sequels all of it

Going on about Scream 1996 flapped over and changed horror forever

Going on about Radio Silence was doing a great job on honoring Wes Craven on his creation of the Scream movies , as they keep the franchise

Why the Evil Dead franchise was so loved

Breaking down and explaining all of Jordan Peele movies, explaining the meaning,how their connected in way,why Jordan writes the way he does, why it's better to show and not tell

Giving off examples of movies that were clearly inspired of Peele's work

Talking about Ethan Hawke is perfect for horror movies

How his performance in The Black Phone shocked and scared everyone

Even though they may not get horror movies the way you do. They love the way your eyes lit up,love hearing the excitement in you voice, loving how animated you became when talking about horror movies. They enjoyed how happy the movies made you so they sat smiling up at you the whole time as you talked for what seemed like forever but they didn't care

[triviallytrue]

Watching something as iconic as NGE is kinda funny because every now and then something happens and you're like "oh! that guy! from tumblr!"

General thoughts:

Poor Shinji. Dude keeps getting put in situations.

The Ender's Game comparison keeps coming up for me - child soldiers utterly essential to the cause. The big difference is that they are just completely flubbing their psychological management in NGE - in Ender's Game they had eyes on the kids 24/7 and maintained in-depth psychological profiles on all of them, whereas in NGE they have loads of money and manpower focused on maintaining the EVAs but their equally-essential pilots are just... going to school. Shinji got punched and they didn't know!

And what is Misato's deal, anyway? She's in her 20s and has a crazy amount of authority (she just requisitioned all of Japan's power) and they're just kinda... letting her manage Shinji? It's not her job, but she's just doing it? She's his commanding officer but also his mom/sister, which is a really bad combo. Also I don't think I'm imagining the grooming undertones, those seem intentional.

The real motivator for someone like Shinji is (of course) his social connections - the two schoolkids and Rei, and then maybe to some degree Misato, and then even more distantly his father. Kids don't put themselves through severe distress just for the abstract concept of "saving the world," especially a world that has thus far been very unkind to them. To bring back the Ender's Game comparison, this feels like a very deliberate point that Graff and friends were aware of (the way they used Valentine as a strategic resource) but in NGE it seems to be mostly happenstance that Shinji made some human connections before completely shutting down.

Rei thus far is an interesting foil to Shinji. Normally I get kind of put off by scenes like the one where he walks in on her, but it gives you a lot of important information about both of them. Shinji, underneath all the abandonment issues and repression, is still a pretty normal kid - awkward, horny in that embarrassing adolescent way, deeply self-conscious. Rei is alien (or perhaps just very autistic). She just doesn't clock 90% of the tension at all. She pilots the EVA without complaint (though perhaps with equal psychological distress, just heavily repressed). She also gets along very well with his shitass dad, which is revealing in its own way.

I'm told there is another child, a red haired one, named Asuka(?), the thus-far only implied Second Child. Wonder why she isn't here yet?

I heard that it was some kind of twist that the EVAs were alive in some sense, but doesn't that naturally follow from the first couple episodes? Unit 01 moves to save Rei without a pilot and then goes berserk to kill the angel. Maybe there's more to the twist that I don't know yet.

What's up with the angels? Why are they here, what do they want, what are they exactly? Who cares. They are a plot device in purest form - they enable the rest of the show, but the show is not meaningfully "about" them. They didn't half-ass it though - the designs are absolutely phenomenal.

Oh, and there's some second project NERV is working on, a human transformation thing that got mentioned once and never again. That will probably be important eventually.