Okay what if human!Wukong but dancer!AU ?
(specifically breakdance bc it fits his energy + i took references from breakdancer named Monkey King so yeah)
+Bonus points for theatre kid Macaque
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In the "a day in the life of eclipse" it wasn't the first time Solar's Moon treated him badly. Remember when Lunar first showed up in Solar's dimension, Solar told Moon that there's a dimensional traveler and he'll deal with it. And his Moon responded with "good because I don't care!" it looks like his Moon has been aggressive/treated him badly to him from the start. Sorry, I just didn't understand what you meant by you ignoring the lore from a day in the life of eclipse because it is part of the lore now
You're new on my blog which i frequently ignore things in my headcanons from time to time. And that canon changes from how its interpreted.
Anyway, stems from Solar's explaining his moons situation. The lore SLIGHTLY changed. In terms of Moon, being slightly Glitched due to killcodes removal/memory loss. He never mentioned Moon being mean before that (at least not on the terms before he left his dimension). Not unlike things to be slightly aggressive from Moon tho, just it wasnt PERCIEVED moon was a jerk to Solar UNTIL Solar reveals this later on (after Lunars death). They didn't really develop his story until later a little more. So I'm sticking to my previous headcanon of Moon having a glitch, which is canon to s degree? SOLAR himself has mentioned he wanted to fix his MOON AND SUN. Which was forgotten/changed and turned into just sun then into Solar leaving forever.
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I think modern au Zhu SHOULD be the lesbian best friend trope to Ouyang except that its because this man is her pet project and gODDDAMIT she's gonna FIX him she's gonna MAKE him be BETTER she's going to SOLVE EVERYTHING and he will RESPECT HER (she is actively making him worse). She has a whole complex about it and everything. She has based a part of her identity on dragging this man up from his toxic funk and is fully convinced that if she tries hard enough he will eventually come to his senses and be an equal participant in this relationship. They have a terrible wonderful toxic loving codependent relationship that's neither a romance nor a friendship nor a rivalry but a secret fourth thing.
Predictably, this does not go well. The character arcs would be Zhu learning she can't fix a sinking ship and letting Ouyang fail by himself, and Ouyang learning to not be a shit person, actually, and coming out of his bubble of self-centeredness and working on himself instead of unloading his emotional labor onto the people around him. And they should both get to develop a healthier relationship with each other than what they had in canon bc queer solidarity is great and its even better when it's in the shape of some weird bullshit some gay people built out of the corpse parts of heteronormative romance (affectionate and completely unironic)
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My fav thing about Freddie is that he's objectively very bad at playing the game dnd. This is fine in s1 because they all didn't know the rules very well and thus he could lie/cheat more openly and bards are easy to get fucky with but in s2 he picks one of the worse/more difficult classes to work with, gives up on that and then immediately continues being incompetent as the new class. Like, Freddie babey, my idiot love, why u like this
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ok not to randomly go off on a somewhat negative ramble But. (general genshin story direction worries basically)
while there are a bunch of stunts i fear the genshin story slash lore could end up pulling that would serve as not only disappointments but to varying degrees also just retroactively ruin a lot of games writing for me. i dont think theres anything that im as genuinely concerned about as the possibility of like. completely losing their narrative marbles to an overdone time travel/temporal manipulation in one way or another like just the thought of that shit haunts me
bc like. while i dont find them particularly compelling as an argument for that to be the case regarding Everything in the narrative in current lore/theory circles (like. makoto n ei teaming up w istaroth once doesnt automatically establish universal time travel). it is unfortunately true that in canon lore there are many of the kind of lore pieces present that you could use to set that kind of reveal and complete restructuring of the story up. istaroth and the sacred sakura and some shady things said by various characters and how you could argue Any time loop or travel adjacent is just hidden by the irminsul 5head (another piece of writing whose potential misuse seriously alarms me, mind you). and so on.
and i am just. Not about any of that shit. like. for me absolutely any plot device or element that has the risk of fundamentally fucking up a storys continuity and coherence sideways to the degree BOTH the
"genshins gonna turn out to be ALL time travel/time loop/simulation to make [sudden endgame twist X heavily at odds with what was established in the central lore prior] appear sensible"
and
"celestia just irminsuls away all evidence for [that twist X again] so achsually it was always genius and compatible with lore"
tier of nightmare scenarios will have. is just. Not fucking worth it. this shit has ruined countless stories with vastly better writing and way more competent authors because its just. not the kind of stuff you can just insert in a massive fucking story willy nilly to explain away the mystery box you didnt bother to set up together so it ultimately comes together in a cohesive way that Doesnt need to be broken on multiple levels to scrape together some conclusion. and its just hhhhhhhhhhhhhh
and like ive never expected some massive masterpiece out of genshin like at best its gonna be one of those stories that once finished gets some really fucking banger fanwork as its community expands upon and explores a solid but flawed canon groundwork. theres fundamental flaws and limitations to its storytelling and format and that cant be helped. so im expecting no miracles on that front.
but the one fucking thing i dont want them to fall for is that misguided at best and outright pretentious and disrespectful at worst allure of. SEE! we outsmarted the audience! the theories! we broke our own story continuity to force a twist because our established worldbuilding technically makes it an option! isnt this smart!
like just please. no. no clue how unpopular this is but im already quite conflicted on the established use of irminsul in sumeru and how it arguably voided a lot of important characterization (nahidas inferiority complex) and narrative potential (scara literally becoming a non factor in the grander story more or less) for good but like. for now. fine. it hasnt become overused yet. i dont think its inherently bad as a factor of worldbuilding. i like how it recontextualizes fact and fiction and the significance of stories that appear mere fables in the world of teyvat. but as it stands the irminsul is still a deus ex machina. and thats a dangerous tool for any writer to have in careless use. and when combined with the sprinkles of lore involving the possibility of time manipulation and such to be further explored. its like powder and keg. two tools that can absolutely gut a story of its narrative cohesion and the weight of its stakes in an instant. its really fucking worrisome.
genshins writing is flawed but the one thing this game has going for it that i REALLY hope the writers will understand to respect is its world. how much the marriage between this massive and beautifully crafted immersive open world and the intricacies of lore and history afforded to all corners of it truly do in tandem to establish the world of genshin as more Real. as weightier. as a place you grow and remain attached to even when the main storys writing stumbles. the world is so important and to let it remain feeling real is just. i hope they understand how fragile of a gem that is.
featuring an artificial world order established by fraudulent divinity and that involving some degree of cosmic fuck-uppery of the natural order and all-encompassing illusion to maintain it is fine. this is a story heavily referencing gnosticism that theme is literally a given. but it needs to be an artificial world order imposed on a real world that remains feeling real the entire time through. and for that to be preserved it needs to remain grounded.
but the problem is that once a story truly commits to the "anything could be altered and fundamentally reversed with the right mcguffin at play with seeming impunity" there is no going back. it becomes very fucking difficult to keep the figurative feet of a narrative even touching the ground for even the most skilled of writers afforded absolute creative freedom to work with (which genshin does not have). and just that much more easier for the stakes to be lost completely. and i dont want to see that scenario become reality
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