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twh-news · 3 years

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To land ‘Loki,’ Kate Herron had to pull out all the stops. How she won over Marvel

As a teenager, Kate Herron was obsessed with the “Lord of the Rings” films.

In particular, she recalls heading to theaters repeatedly with friends who shared her passion to see “The Two Towers” (2002), the second installment in director Peter Jackson’s trilogy based on J.R.R. Tolkien’s epic fantasy novel. She even wrote “Lord of the Rings” fan fiction.

“It was very silly,” the British filmmaker insists, revealing that one of her stories saw the heroic Fellowship traveling through a magical fountain and getting trapped in New York. “Honestly, I was just writing the stories to make my friends laugh. I guess it was kind of that first foray for me: ‘How do I tell a story?’”

Years later, Herron is again involved in telling a story about a protagonist displaced from the world he knows. But this time, her audience is much bigger.

Herron, 33, is the director of “Loki,” the Marvel Studios series that follows the adventures of the titular god of mischief after he has been plucked out of time by an agency charged with maintaining the sanctity of the timeline. Thus, the six-episode series, which premiered earlier this month on Disney+, features a slightly different version of Loki than the fans of the Marvel Cinematic Universe have grown to love since his first appearance in “Thor” (2011) through “Avengers: Endgame” (2019).

“I love villains,” says Herron during a recent video call from Atlanta, where she is putting the final touches on “Loki.” “I think that if a villain’s done right, you don’t necessarily have to like their actions, but you have to understand them. And I think that Tom [Hiddleston], in the last decade, has brought such empathy and wit and pain to a very real character for so many people. I just wanted to be part of whatever [Loki’s] next chapter was going to be.”

The series, on which the self-described Loki fan also serves as an executive producer, is Herron’s highest-profile project to date. Her previous credits include directing on Netflix’s “Sex Education,” as well as “Five by Five,” a series of short films executive produced by Idris Elba.

While growing up in South East London, Herron never considered filmmaking as a career. Her love of movies manifested as the aspiration to become an actor, and she often goaded her peers into putting on plays or making movies using a friend’s father’s camcorder. It wasn’t until some astute and encouraging teachers at Herron’s secondary school pointed out that she seemed more interested in storytelling that she changed course.

By introducing Herron to new texts, these teachers — as well as a film studies class that covered films directed by Stanley Kubrick and Akira Kurosawa — helped expand her perspective.

“I just didn’t know that you could have a voice and an authorship over a film, which probably sounds a bit silly. But I just hadn’t really thought about films in that way,” says Herron. Soon enough, she was on the path to film school at the University for the Creative Arts in Farnham, England, where she graduated with a degree in film production.

Herron laughs as she remembers how she believed she would just go off and find work in film straight out of school. “Obviously that did not happen,” she says.

With no post-graduate roadmap (or job offer) to help her break into the industry, Herron eventually started writing and directing short films with “no money” while juggling a day job as a temp. Both experiences provided Herron with material for “Loki,” which introduces a new bureaucratic agency called the Time Variance Authority to the MCU.

“I’ve worked at a lot of random places, which weirdly has influenced ‘Loki’ in some ways because we have this office culture kind of running through it,” says Herron. “I’ve worked in a lot of offices.”

In order to give the retro-futuristic offices of the TVA “a real lived-[in], breathed-in office” feel, Herron incorporated details that viewers could recognize from the real world — from paper files to the posters on the walls — and gave them a fantastical twist befitting the superhero series.

“One of the most exciting things to me about Kate is she has this amazing attention to detail,” says “Loki” co-executive producer Kevin Wright. “That was something that we saw on her very first pitch [and] it works its way into every frame of the show. Every monitor, every piece of paper in the TVA … she has looked over and approved everything you see.”

In an email, “Loki” star Hiddleston described Herron as “a dream collaborator” who possesses “a unique combination of extraordinary diligence, stamina, energy, respect and kindness.”

“Her affection for and understanding of Loki was so deep, profound and wide-ranging,” Hiddleston wrote. “She built a new world for these characters to play in with incredible precision, but she was also acutely sensitive to their emotional journey.”

Herron’s affinity for outsiders is apparent throughout the course of our conversation. There is of course her love for Loki — the heir to the king of Frost Giants raised as the prince of Asgard who has become one of the MCU’s most beloved villain-turned-antiheroes. Herron’s first introduction to the world of Marvel as a kid was through “X-Men: The Animated Series,” about the superhero team with mutant powers that set them apart from average humans. Herron cites Lisa Simpson — the overachieving, opinionated middle child from the animated sitcom “The Simpsons” — as the reason she is a vegetarian who can play the saxophone.

And although Herron describes herself as shy, it’s no match for the passion she brings to discussing film and television.

She calls Wes Anderson’s 2001 film “The Royal Tenenbaums,” co-written by “Loki” actor Owen Wilson, “a perfect movie.” In addition to being obsessed with “The Simpsons,” Herron gravitated toward genre shows such as “Buffy the Vampire Slayer,” the updated “Battlestar Galactica” and “The X-Files” when growing up.

As Herron enthusiastically dives into “Loki’s” influences — which include “Alien” (1979), “Blade Runner” (1982), “Brazil” (1985), “Metropolis” (1927) and, yes, even “Teletubbies” — it’s easy to see why Wright knew she was the right person to bring “Loki” to life from their very first meeting.

Upon learning that Marvel was developing a show about Loki, Herron tasked her agents with calling Marvel every day until they would meet with her. And it worked.

“I was just so excited that somebody was chasing the project,” says Wright. “Which sounds crazy, that Marvel would be excited somebody’s chasing us. But it was the early days of us trying to get this Disney+ streaming stuff off the ground, so people were very hesitant … they didn’t know what it was yet.”

Herron’s enthusiasm for the show landed her a video meeting with Wright and executive producer Stephen Broussard. Believing it might be her only shot at the project, Herron came armed with so many stills and clips to illustrate her discussion of the scripts she’d been sent that a simple meet-and-greet turned into a four-hour conversation.

“Over the course of the next week or so,” Wright explains, “it was really figuring out how to set Kate up to succeed when we got her in front of Kevin Feige to pitch this.”

Herron put together a 60-page bible of ideas for the characters, the story, the visual references and more. The rest is Marvel history.

She learned not to wait for permission, she says, after graduating from film school and becoming involved with improv and stand-up to both develop her comedy chops and to meet funny collaborators to be in her short films.

“I think I’d always find excuses, almost, [to not do it],” says Herron. “It was that thing of being like, ‘Oh, well, I’m not ready. So I’ll wait. I’ll wait until I’m perfect at it and then I’ll go do it.’”

Taking inspiration from Robert Rodriguez’s “Rebel Without a Crew” and a SXSW keynote speech by Mark Duplass, Herron realized that she just needed to start making things. She told herself it was OK if the films were messy. If a short was bad, nobody had to see it. If a short was “halfway to good,” she would submit them to festivals.

It’s this tenacious creativity that connects the dots between her early fan fiction, her short films, her pitch presentations — and now “Loki” itself. It’s a trait that has helped her navigate the industry to her current success, even during the periods it’s been most frustrating. As a female director, “I got asked crazy stuff in interviews sometimes,” she says of life on the festival circuit. “I remember being asked, ‘Are you sure you’re ready? Are you sure you’re ready?’ And male colleagues of mine were never asked that in interviews. I think that’s probably why I was so driven to just go out and make stuff.”

#loki #loki series #kate herron #interview #los angeles times #article

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spectrumed · 3 years

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8. book

I decided to start writing a book. A novel, it’s going to be fiction. It’s a big project. I dread big projects. I don’t feel as if I am ever able to complete them. It’s going to be left unfinished, why do I even bother? So many projects that I’ve started and never finished. I get an idea, then I can’t make myself do the actual work to make it a reality. Why do I think I can write a book when I can barely read books without becoming distracted and doing something else instead? I give up too easily. But, then again, do I really have it in me to produce something that is good? That people would want to read? Insecurity creeps in, telling me that I will fail. I fear failure. Of course I do, who doesn’t? Whenever people say that their greatest fear is failure, all I wonder is who out there is not afraid of failure? Is there someone out there with so much confidence that they absolutely do not in any way fear failure? Even narcissists technically fear failure, it is what leads them to such ridiculous overcompensation, putting on the facade of bravado to mask their actual dire sense of insecurity. Do not fall for the scams, no person is truly without self-doubt. (Well, I guess maybe psychopaths, but there’s a whole lot of things amiss with them.)

Ever since I was a kid, I’ve entertained myself by coming up with stories, fictional universes that I would populate with characters of my own invention. When I was a kid, what I really wanted was to become a comic book writer and artist. Well, in between other gigs I imagined would suit me, including at one point wanting to be a “singing farmer,” as I put it. Still, I’ve always returned to fiction and storytelling. There’s something about creating a world that lets you so fully distract yourself from all the stressful daily hullabaloo that goes on around you. Escapism, it’s fun, it’s therapeutic, I think. There’s a reason why humans have been telling each other stories for millennia, since even before we lived in houses. Back when we were all huddled around the fire, wearing our best comfortable animal furs, sharing tales of the hunt. Your uncle who once took part in killing a mammoth, the impressive beast nearly gorging him with its big tusks. How clever he was when he noticed that the mammoth had one leg weaker than the others, and used that to his advantage. How the entire hunting party banded together to bring the behemoth down, getting all that meat to feed their families with for months! Stories make you feel good. Like as if you have something to celebrate, even when you might be starving due to the more recent hunts not having gone as well. Damn that saber-tooth tiger that killed your uncle…

Storytelling is linked to acting. Both with acting and with storytelling you have to commit. Whatever you are doing, whatever role you are performing, you have to sell it. You may be on stage talking about that time you went scuba diving with your future wife, and how you encountered an oyster with the most magnificent pearl inside, and how you made a ring for the pearl and used it when you proposed to her. You have to sell it. You have to get the audience laughing, gasping, crying, going “aww,” feeling as if they were there with you that day. Of course, they don’t know it is all just lies. You made it up. It’s all fiction. But you committed, so they won’t ever know. Storytelling is a gift to others, people will appreciate you if you tell good stories, but you’re also kinda deviant. Even if it’s technically based on a true story, you’ve certainly added your embellishments. You’re a trickster, a devious individual. No wonder actors have historically been seen as dubious folks. They come into town, romances all the young women and men, telling them big tales of their lives on the road, and they can’t possibly know if you are telling the truth or not. You may just be lying. You probably are lying. Let’s be honest, you’ve probably not told a single true thing in your life.

I am bad at the hustle. No, I can talk quite well, and I can keep people’s attention for a long while. But I can’t be a huckster. Going out there, putting myself on the line hoping people will swallow my bullshit. I can’t really avoid speaking from my heart when I do speak. Or when I write, as I happen to be doing now. This blog has so far been thoroughly candid in places, in such a way I may come across like I’m at a confessional. Not that I have much evil to confess, but I can’t help but be transparent. I can’t flip into different kinds of personalities, each with its own schemes and plots, being some master manipulator, someone who you can never figure out what they're truly up to, or what they truly want. No, what I am is clearly written on my face. I’ve got one self, and it is the one before you. He’s hairy, and tall, and a bit of a dork. I am happy to talk to you, to engage with you, but I won’t be anyone but myself. I am me. I hope that’ll do.

Of course you are familiar with all those pick-up artists that plagues the internet. Or well, not just the internet. Go into any old-fashioned bookstore (where they store books on paper, not in digital code,) and you are bound to find some sleazy book written by a sleazy guy about how to sleazily seduce women. Those books don’t want you acting like me. According to them, seduction is all about manipulation. To figure out the very right thing to say to get women to fawn all over you. They don’t want you to be sincere, telling the truth as you see it. Nah, you gotta keep that stuff bottled up, deep down inside your soul, because most likely, your true self is ugly. It’s interesting how you can get little details from these pick-up artists depending on the sort of things they say, the tips they provide. The fact that all of them seem to harbour this festering misogyny is no big surprise, but every so often, you get these little glimpses of these people’s true worldview, one where power is everything, true love is a fallacy, and happiness is a lie manufactured by Hollywood to make us all into docile consumers. No wonder the “red-pill” so often leads to people taking the “black-pill.” First hucksters will lure you in, telling you that they’ve got the secret as to how to be a success, then when they’ve got you isolated, they reveal to you how truly misanthropic and bleak their actual beliefs are.

I am fascinated with cults, for much of the same reason why I am fascinated with storytelling. What is a cult leader if not just a great storyteller? They’re something like the modern day shaman, capable of spellbinding people with their weird idiosyncratic way of speaking. High-functioning people with autism are often said to have an idiosyncratic way of speaking. No, I am not suggesting that cult leaders are all somewhere on the spectrum, though it wouldn’t surprise me if some famous cult leaders did turn out to have been on the spectrum. However, for an autistic person to become a cult leader, I think they would have to be a true believer, and not some fraud just looking to scam others. Ultimately, no autistic person would want to surround themselves with people unless they truly do believe it is essential, to like, save mankind from damnation or something. It’s the difference between sincerity and insincerity. It is difficult for autistic people to be insincere, as insincerity requires a lot of social skills that autistic people struggle with. Having to juggle all these balls in the air, making sure you keep the big lie going, that you remember to change your behaviour depending on who you are speaking to in order to keep them from figuring out that you’re a bullshitter. Hollow people are great at being insincere. People like L. Ron Hubbard, the founder of the highly profitable cult that is Scientology, was at his core a hollow individual. He had no problems twisting the minds of the people around him, because he never felt a need to be sincere. If an autistic person were to become a cult leader, I can guarantee you that it wouldn’t be a profitable cult. Nah, autistic people aren’t in it for the money, we’re all about keeping it real.

Being a sincere person, surely I should be able to write a novel and make it feel earnest. Like it was delivered with passion, because I wouldn’t be able to write anything that wasn’t true to myself. Well, I do hope so. Having something I’ve made be referred to as genuine is something I see as a great compliment. I’m a student of art history, I’ve made some “serious” art before, I know how terrible art can be when it is not delivered with good faith. Sure, some art is cynical, or ironic, but even then, it tends to come from a real place. Good artists, even when they’re fully armed with the dada mindset, must believe in what they are doing. Whether they are doing it for a laugh or not, that’s irrelevant. Even if all you wish is to be silly and make something that is comical, you have to believe in what you are creating. Or else people won’t bother engaging with it. Why look at a painting by someone who is just interested in making money? Insincere artists do exist, and they can end up becoming quite successful, but ultimately, history won’t be kind to them. Damien Hirst comes to mind, heard he's into NFTs now.

Sure, I don’t like insincere people. Does that make me a bigot? Like, it’s not as if they can help themselves. It’s just who they are, spineless maggots with no soul. It doesn’t mean we have to hate them. No, no, no... I am just generalising. Don’t go thinking there’s just two kinds of people in the world, the sincere and the insincere. It’s not a binary. Most people are both, just like with introverts and extroverts, humans are complex. But there are definitely those that decide to feed into their insincere side, realising that it is often the key to success. Through insincerity, you learn to let go of self-doubt, you stop worrying so much about what others think of you, because you are never truly yourself. If they hate you, then so what? They don’t actually hate you, they just hate a role that you are playing. So what if you seduced that woman, made her feel as if you were the perfect match, then you ghosted her and completely forgot about her? It’s her fault for falling for your tricks. You were clearly just playing the game, being a super-seducer, she should have known better. By embracing insincerity, it’s like gaining a superpower. No longer do you have to care about the impact you have on others, no longer do you have to worry about what it means to be a social human being making choices that affect the others around you. Because you’re not the person they think you are. Actually, you’re not quite sure you’re the person you think you are… Who are you?

I’ve got the plot all laid out in my head for the novel. It’s going to be based in the fantasy world that I’ve been working on for the last few years. I’ve been working on this world for almost half a decade now, come to think of it. Why do I keep feeling as if I am never able to keep to a project, when I’ve clearly been working on a massive project all this time? Sure, it’s all just in my head, but it’s not as if most people have the kind of patience to keep going back to a single big project, even if it is just in their head. Not once, while thinking about my fantasy world have I been distracted and started thinking about cute puppies, instead. And you know how difficult that is. Maybe I am too hard on myself. Maybe I will finish this book, and maybe people will want to read it. Maybe it will even get a minimal number of angry reviews, like, I may get a book published without some folks trying to harass me into committing suicide for daring to think I can write. Some people may even be enthusiastic, blowing up my ego with great praise. Maybe someone will come along and tell me that they want to buy the rights to make my book into a movie or a television series. Maybe I will get rich? Maybe I will get famous! Woo! Success here I come!

Well, no, here I go being insincere. That’s not what it’s about. I should be writing this book because I want to write it. Because I want to prove to myself that I am able to write it. Sure, it’s not as if there’s not a little brain goblin inside my mind whispering sweet nothings about how one day I might turn out a real respected author. One with real fans that gets to do big book tours talking about how brilliant I am, how brilliant my work is, and how brilliant things are going for me. I am not going to pretend I don’t have the same aspirations for success that others have. Inside of me you will find the same greedy piglet of an ego hungry for more adoration and more validation that you will find in any person. Humans don’t know when to quit, we always want more. But I am at least safe knowing that I will never debase myself, descending to the same depths as those inhabited by soulless grifters who go through life abusing the trust of others in order to get by. I’m sincere, in the end. I always turn out sincere, in the end. I am a good boy.

And I am also really sexy. I don’t think I’ve mentioned this before on this blog, but I am really, REALLY, sexy. Like, you wouldn’t believe it. Oh, I am so hot. And if you follow and subscribe and hit that bell, I will teach you how you can be just as sexy as I am! And buy my book! And my merch! And my new single! And of course, my new cryptocurrency, by the name of “autism-coin.” It’s going to be a real success on 4chan, let me tell ya!

#neurodivergent #neurodiversity #autism spectrum disorder #autism #aspergers #mental health

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mhalachai · 3 years

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advance snippet: Updating Wednesdays on Patreon (The Untamed)

So. Do I need to write an Untamed modern!AU with a college twist (Lan Xichen is a music professor in Canada) in which Wei Wuxian attempts to self-therapy himself by creating a graphic novel fantasy AU version of his life (aka the real story of Grandmaster of Demonic Cultivation) and Lan Xichen attempts to rebuild his life after a toxic relationship ended? I mean probably not but has that ever stopped me? here’s the intro snippet we’ll see how things go.

(Title is tentatively Updating Wednesdays on Patreon because i don’t know what to call this thing)

The first day of August finds Lan Xichen in a coffee shop, tinkering with the syllabus for his new music theory course, when his phone pings with a message.

> Lan Wangji: Brother.

> Lan Wangji: Wei Ying has asked me to inform you that he will be publishing the first collection of pages in his new graphic novel on Patreon this afternoon.

Lan Xichen smiles at Lan Wangji's tone. For all that his little brother is more verbose in electronic communication than verbal, he's always so exact.

> To Lan Wangji: Can't wait! What's it about?

The little cursor blinks for a while as Lan Wangji continues to type. Lan Xichen just hopes that his brother-in-law's creative enthusiasm isn't running up against Lan Wangji's sensibilities.

Finally, a reply appears.

> Lan Wangji: Wei Ying wants me to tell you that it is completely fictional.

This gives Lan Xichen pause. Why on earth would Wei Wuxian, or Lan Wangji himself for that matter, need to make that declaration?

> Lan Wangji: It is a high fantasy xianxia story.

Before Lan Xichen can ask why that is causing this odd message exchange, another notification pops up on his phone.

> Wei Wuxian: Lan Xichen! Lan Zhan types so slow! It's just a different art style I wanted to try out and it snowballed from there!

> Wei Wuxian: I know you follow me on Patreon so you're going to get the notification this afternoon so I wanted to warn you hahaha

> Wei Wuxian: All names and places are purely fictional. I don't really have a sword.

Another message arrives, with all the information Lan Xichen needs.

> Lan Wangji: This matters a great deal with Wei Ying.

Lan Xichen smiles at his brother's words. Lan Wangji and Wei Wuxian have been together since their junior year of high school, through a great deal of personal difficulties on both sides, and are still as fiercely protective of each other as ever. He loves them both for it.

> To Lan Wangji: Thank you for the information. I'm sure it will be great.

> To Wei Wuxian: Can't wait to see it! Anything you do is always great.

No more messages arrive, so Lan Xichen goes back to considering how to change the quiz structure of his musical theory class to avoid a marking crisis with the evaluation of his ensemble class.

Finally, as Lan Wangji gathers up his papers to leave, one last message comes in on his phone.

> Lan Wangji: Thank you for your support. We all appreciate it.

Attached to the message is a photo taken of Lan Wangji's family, he and Wei Wuxian holding Lan Yuan between them. The toddler grins at the camera, his arms around Wei Wuxian's neck. Wei Wuxian's looks at the camera, dark circles under his eyes like he's working through the night again, while Lan Wangji only has eyes for his husband.

It's so wholesome and loving that a sliver of pain rakes through Lan Xichen's heart. He's happy for his brother. His brother deserves the world. Lan Wangji deserves being loved, and to love.

Not everyone gets that. Sometimes, that falls apart.

Sometimes, for some people, love is just an illusion.

Lan Xichen tucks his phone away and leaves the coffee shop.

He gets home mid-afternoon, and spends a while stowing away the groceries he picked up on his walk. The neighbourhood has several Greek and Persian markets and he's able to buy most of what he needs on foot, saving the Chinese markets in Richmond for his weekly dim sum brunches with Lan Wangji's family when he can borrow the use of Lan Wangji's sensible and economical mini-van.

He doesn't drive any more, not since—

Lan Xichen stops and puts down the bag of avocados. His mind is a funny place, bringing up the oddest things at the most inconvenient of times.

He doesn't drive anymore. He doesn't need to, using the bus and the odd taxi to transport his instruments up to the university for performances. The public transit system is so much better.

Safer.

He goes back to putting away the vegetables, pulls out a cookbook (new, spine uncreased, bought for him by Lan Qiren for his birthday) and opens it at random. He's never had coconut curry salmon before, but he has all the ingredients.

Trying new things. He's supposed to be trying new things.

The recipes says it will only take half an hour to make, so he goes up to his office and turns on his computer to check his work email. The message fly fast and furious, some about the new department head, some about class enrollment, a few from students asking if they can get onto his waitlist. He replies to the most urgent, files the rest, then checks his personal email.

The notification from Wei Wuxian's Patreon is up, so Lan Xichen clicks it.

Then he sits back, frankly impressed. He's seen Wei Wuxian's comic style progress since the boy was drawing silly cartoons to entertain Lan Wangji in history class, but even he wasn't prepared for this.

The art is gorgeous. Stylized figures, intricate period costuming, rich backgrounds – it's truly a work of art.

Then he gets a better look the two characters' faces, and laughs out loud. It's Wei Wuxian and Lan Wangji, clear as day, with long hair and flowing robes. Wei Wuxian's even managed to capture that exasperated-yet-fond look Lan Wangji has whenever Wei Wuxian is being particularly loud.

The introduction is even better. "Join our hero Lan Wangji and dashing rogue Wei Wuxian as they battle deadly monsters and forge a path with demonic cultivation!"

Wei Wuxian hasn't even changed their names. True, he uses his mother's surname professionally, so Cangse Ying can't be easily tracked back, but still.

Lan Xichen wonders for a moment if Lan Wangji is okay with this, but then he notices that the project text is available in both English and in Chinese, with the Chinese written in Lan Wangji's style.

They worked on this together, then.

Trying not to think about why that makes his chest feel funny, Lan Xichen opens to the first page--

-- Which features a bruised and bloodied Wei Wuxian falling off a cliff while a horrified Lan Wangji screams after him.

Confused, Lan Xichen makes sure he hasn't accidentally read the last page first. No, this is the first. Still a little baffled, he clicks to the next page, sees the stylized banner that reads six years ago and relaxes. This is Wei Wuxian's style of using flashbacks to interrupt the narrative flow. Lan Xichen spent most of Lan Wangji's university years hearing his brother's despair for Wei Wuxian's artistic choices in essay form.

But enough about the past. Lan Xichen settles in to read the first chapter of the story, where Wei Wuxian and his siblings (Jiang Yanli drawn lovingly, Jiang Cheng with a bigger frown and more menacing eyebrows than Lan Xichen remembers) traveled to the Cloud Recesses (the sarcastic nickname Wei Wuxian gave to Lan Qiren's West Vancouver mansion) for cultivator lectures. Lan Xichen is there on the page, too, drawn taller and far more imposing than he is in real life.

The first encounter between Wei Wuxian and Lan Wangji is fantastical and improbable and, according to Lan Xichen's recollection, almost completely accurate. Wei Wuxian had mouthed off at Lan Wangji at the weekend orientation camp for their new arts high school, Lan Wangji glared the boy into submission, then later that night when Wei Wuxian tried to sneak back onto school grounds with alcohol, he and Lan Wangji had gotten into a fight. Verbal, instead of with swords, and without the supernatural murder victims, but Lan Xichen remembered everything else from Lan Wangji's indignant recitation on his return home.

He keeps reading, enjoying the art and the lyrical narration, and keeps enjoying it right up to the scene when Nie Huaisang appears on the page to offer Lan Qiren a present, Meng Yao standing right behind him.

Lan Xichen doesn't remember standing up, but here he is, two feet away from his computer, heart pounding. He hadn't—Why—

What was Meng Yao doing in a story about Wei Wuxian's high school years?

Taking a deep breath, Lan Xichen makes himself return to his desk. As far as he knew, he was the one who introduced Meng Yao to Wei Wuxian and Lan Wangji, when the boys were in university and after he and Meng Yao started dating--

Lan Xichen can feel his heartbeat slow, as he tries to breathe. He needs to stop this foolishness over Meng Yao. They dated before living together for a while, that was all. They broke up. It happens to people all the time.

Wei Wuxian and Lan Wangji were in college for most of that time, anyway, living their lives. They barely knew Meng Yao, even if Wei Wuxian's sister married Meng Yao's half-brother. They couldn't know how badly Lan Xichen had messed up their relationship, how terrible he had been to live with. It was his fault that—

Stop.

It's over. In the past. A story that has Meng Yao as a minor character isn't going to mess with Lan Xichen's head. He's not going to let it.

He exhales and makes himself look back at the screen.

Meng Yao only shows up a few more times. For some reason, he's the only character who isn't tagged with his own name. He's there handing over the present to Lan Qiren, standing in front of Nie Huaisang when the Wens arrive, then in two last panels in which he tells the on-screen Lan Xichen that he has to return to Nie Mingjue's side.

Lan Xichen's stomach sours. He and Nie Mingjue had been close, before Meng Yao came into Lan Xichen's life. After that, Lan Xichen hadn't had much time for anyone else. That was normal, Meng Yao always said. People in love only needed each other.

Lan Xichen picks up his phone, then puts it down. He can't ask Lan Wangji about this. It would be weird. Wei Wuxian must just be making artistic narrative choices.

The chapter ends soon after, with Wen Qing and Wen Ning welcomed grudgingly into Cloud Recesses. The next chapter is due up in two weeks, the page declares, and welcomes any comments or feedback. A few people are already posting, gushing over the art work and discussing the teaser from the opening page.

Wanting to be supportive, Lan Xichen writes a small review, complimenting the artistic style, the intricacies of the outfits, poses a query as to the different colour palettes between the first page (dark, red, menacing) and the flashback scenes in Cloud Recesses (light, airy, hopeful), then translates the comment into English and posts both versions up. If Lan Wangji is going though all the trouble of ensuring a bilingual experience, then he will too.

He should go start dinner, he really should, but some part of him is drawn back to the first panel in which Meng Yao appears. He's shorter than Lan Xichen remembers in life, the long hair and braids suiting his face.

It's been so long since Lan Xichen last saw Meng Yao. He's not sure what he's thinking. Is he wistful? Mournful? Sad?

He doesn't know. He never knows what he feels about Meng Yao, which was the problem. He's not normal about feelings. Even Lan Wangji, whose brain is a unique and complicated thing, looking for order and reason and patterns in an illogical and messy world, loves fiercely, feels passionately. Maybe he got all the love in the family, and Lan Xichen got stuck with the stunted and undergrown heart.

Stirring, he pages back to the first appearance of his on-screen twin. The Lan Xichen on the screen looks patient, kind, a smile hiding behind his eyes.

He hadn't realized this is how Wei Wuxian sees him.

He picks up his phone.

> To Wei Wuxian: What an incredible achievement! The art is amazing!

> To Wei Wuxian: Where is the story from? As it's a work of fiction and has nothing to do with your real life ;)

> Wei Wuxian: Oh hahahha the story is a collaboration of a bunch of ideas! I can't tell u more (sworn to secrecy by my collaborators) but so glad you like it!!!!!!

> To Lan Wangji: Did you do the writing? I love the dialogue.

> Lan Wangji: Wei Wuxian did most of the English. I made it better and did the translation.

> To Lan Wangji: Have you told uncle about this project?

> Lan Wangji: He prefers to speak of my composition achievements.

Lan Xichen puts his phone down and rubs his eyes. The old tension between Lan Qiren and Lan Wangji never goes away. It started in high school with Lan Qiren's disapproval of Wei Wuxian, continued into university with Lan Qiren's disapproval of Wei Wuxian as well as Lan Wangji's decision to attend a local university for musical studies instead of going to Julliard in Lan Xichen's footsteps, and outrage at the news that Lan Wangji asked Wei Wuxian to marry him before they even finished their undergraduate degrees.

The resulting years had been a long-standing cold war, with Lan Xichen trying to mediate in the middle. Even the arrival of Lan Yuan on the scene twenty months previous hadn't softened both sides into anything resembling ease.

If Lan Wangji doesn't want to tell their uncle that he and his husband are collaborating on a semi-biographical graphic novel, Lan Xichen isn't going to muddy the waters.

> To Lan Wangji: It sounds like you're enjoying the project.

> Lan Wangji: Working with Wei Ying on any project is enjoyable. I read that couples with young children should try to engage in a mutual hobby outside of parenting.

> To Lan Wangji: Very wise.

He wonders if he should ask about Meng Yao, types out a message to that effect, then deletes it.

> To Lan Wangji: I should start dinner – see you on the weekend for brunch?

>Lan Wangji: Yes.

Lan Xichen puts his phone down. The days are long in August and the sun still bright, but he's tired and he doesn't know why.

anyway that’s where this whole disaster is going. new fandoms are fun.

#the untamed #my writing #teaser snippet of a new story #i have 14000 words written #trying to get is mostly done before popping up on ao3

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a-s-fischer · 3 years

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OH ALSO do you have any tips for creating a religions when you are world-building?

This is such a rabbithole, as ultimately any sufficiently broad world building topic is. The thing is to decide what role religion plays in your story, the societies you're writing about, and in the lives of your characters, and to build your religion or religions around that. I find it most useful to ask myself a series of questions about the religion and then to formulate answers. This will be a theme, because this is a standard world building and general writing technique for me. But anyway, here are some of the questions I use.

Are any of your main characters religious? If so, what is most important to them about their religion? Is it the ritual? The codes of behavior or moral philosophy? A sense of community? A sense of certainty in how the world works? The stories and myths? A personal relationship with an individual diety? Does the religion give them a sense of control or security? Are they a normal practicioner, or do they have an unusual role, such as being a priest or priestess? How do the most important parts of the religions to your main characters compare to the parts important to other people or the most emphasized within the religion itself?

Are there differences in observance and practice across different segments of society? Across class, gender, age, or position? If there are various gods, saints, or cults within a single religion, what would influence someone to choose one or another? Are soldiers drawn to certain ones? Mothers to another? Are they associated with specific places or communities?

What parts of a character's religious practice are taken for granted by the character, and might not be usually thought of as religious, for example diet or clothing? Is there a line between religious and other cultural practice, or is it fuzzy? Are there strong religious taboos that your characters or societies buy into? What happens when those taboos are violated, or when they come into contact with societies that don't share those taboos?

Are there mulitiple religions represented in your society? Are some of the religions considered more or less presigious or powerful? Are any of minority religions associated with minority ethnicities, or with foreign elements?

Where do the different religions come from? Are any originally from the culture your story takes place within, or are they foreign imports? Do any of them have antecedent religions that they evolved out of, and if so, are those antecedent religions still around, ala Judaism and Christianity? Do any of the religions seem as if they have been around since time immemorial? How have any imported religions been modified to suit the local culture? Are there variations within the religion across geography or culture?

Do any of your religions proselytize? Why or why not? What doctrinally within the religion, outside the religion socially, might encourage or discourage proselytizing or conversion? If any of the religions proselytize, does this cause tension with other religions? (It does, the question is what kind of tension). Are all of the religions mutually exclusive, or is it possible to be a devotee of a combination, as for example it is possible to be a Buddhist and Taoist at the same time? Are there syncretic combinations of religions? If so, are there non-syncretic versions of the componant religions around, and how do they feel about the syncretic forms?

That is a lot of questions, I know, and obviously you don't have to focus on all of them. Take from these questions the ones that make you go "hmmmm".

And of course, there are always the pitfalls to avoid. As a reader, the two things that bother me most are authors who project their own disdain for religion into the world, and when the religions of the world in question are re-skins of Christianity. Also that weird tabletop roleplaying inspired thing where there are actual evil gods in a pantheon, and they have evil followers, and everybody technically belongs to the same religion, but these are the bad guys with their bad gods, and this is totally the way it would ever actually work. But I actually suspect that this is a weird little subset of the second problem of way too much Christianity getting into fictional religions that are probably not meant to look that Christian.

The first of these is the easiest to avoid as a writer. If you feel that all religion is ridiculous superstition that was invented to enslave the masses, just don't include it in your world building. That's fine. Plenty of writers don't. It's okay to leave out the things that don't interest you. Just don't be obnoxious and smug about it and talk about how your favorite civilization has moved past such silly primative things. Religion is still an important part of the human experience for many people, and you aren't better or smarter because it isn't part of yours. Be nice. Looking at you science fiction writers.

This holds true for anyone being smug and self righteous about their personal religious beliefs in fact, but the religious version tends to be something I run across less in my fiction reading.

For the second, I want to give an example. The Jedi are so very Christian. Specifically, they are so very midwest American Protestant. They have an outer covering of Buddhism and Taoism (and other "mysterious Eastern traditions") but they take their fundemental moralities and ideas about how the world works from Christianity. Strikingly, the Jedi are really big on negative emotions being a path to the dark side, and Christianity is pretty big on thoughts and pure vs. impure intent being the determinator of sinfulness, much more so than most religions.

This Christianess of the Jedi becomes so much more blatant when you bring in the Sith. The Sith are an example of the "religion of people who believe all the same things we do but side with evil" thing I talked about before. They believe in all of the same cosmological things as the Jedi, and have a code that is heavily based on the Jedi code but flipped. They are evil Jedi. And this makes them the same kind of evil mirror image that Christians have historically imagined their supposed religious enemies to be.

So how do you avoid this level of Christianity seeping in? To be frank, it's impossible to avoid letting your own cultural background into the worlds you create. You are human, and the world you are part of is the foundation for the worlds you create. But you can widen your view of religions by learning about other religions at a philisophical and structural level. And look, I know that I am a huge proponent of having a strong knowledge base as a writer, and I know that this is a hard, time consumjng thing to accumulate. I get that. I got mine over three decades of letting my natural ravenous acquisitiveness toward historical knowledge to run free. It was fun for me and that's why I did it. I get that research is something that can just eat up all your time and never let you get to writing. I do get that. But a broad knowledge base on a subject not only means you know a lot, it means you usually know what you don't know, and can plan your research accordingly.

And unfortunately, the problem of fictional religions overwhelmimgly reflecting Western culturally Christian understandings of what religion looks like, is primarily a problem of people from that cultural background not knowing what they don't know.

And I am definitely not telling you not to take fictional inspiration from Christianity. If that's what you want to do, great! You can do some really interesting and nuanced things with that. I come from a Jewish background, and the religious group the main character of one of my stories is part of, is heavily based on Judaism. That is a deliberate choice that fits into the world I have created. And I have another society in another novel whose religion is heavily based on 14 and 15 hundreds Catholicism. The above advice is about avoiding doing it unintentionally, not to convince you that you should never do it intentionally!

So anyway, I hope this is helpful.

#a s fischer original #writing #writeblr #long post #there are no stupid questions

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bestworstcase · 4 years

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anyways race to the spire is my favorite episode of season three but i think in terms of cassandra’s villain arc and the cass/zhan tiri manipulation dynamic, once a handmaiden is the strongest.

fictional portrayals of “master manipulators” / the chessmaster archetype often get two things wrong: 1) they depict successful manipulators as meticulous planners, and 2) have them emotionally fall apart if their plans fall through, often by becoming enraged and violent. the second is not unrealistic per se, but it does shove the character out of the “chessmaster” category and into the “garden variety emotional abuser” one for me.

the first, however, i think speaks to a fundamental misunderstanding of the way skillful, chessmaster-level manipulation works. there is no plan, and there shouldn’t be a plan. people are much too complicated and unpredictable for any plan built around manipulation to reliably succeed; thus truly successful manipulators have a clearly defined goal, a solid understanding of human nature, and an exceptional ability to improvise. this is zhan tiri to a T, and once a handmaiden showcases this more than any other episode in season three.

let’s break it down.

it’s difficult to say whether zhan tiri intended for cass to find the mirror shard or not. it would have been good for her if cass never saw the missing piece of that memory, because then cass would have continued to trust her; on the other hand, zhan tiri spun the fallout of cass finding the mirror shard to her benefit so effortlessly that it’s conceivable she prepared for it ahead of time. in the end, i think i come down on the side of zhan tiri just didn’t care, because by now she knows cassandra so well that it honestly did not matter whether cass found the shard or not. +1 for zhan tiri.

so here is our starting position. cass realizes that zhan tiri lied to her and manipulated the situation in gothel’s cottage, and she’s furious. she storms up to her throne room to confront zhan tiri about it. what happens?

not only is zhan tiri not bothered, she seems almost pleased that cassandra has finally figured it out. instead of explaining herself as cassandra initially demands (“Do you want to explain to me how this got here?!”) or trying to make up an excuse, she calmly waits for cassandra to finish ranting. her only interjection is actually to goad cass into following the evidence to its natural conclusion:

CASS: Back at Gothel’s, I thought Rapunzel was hiding the one memory that proved my mother loved me.

ZHAN TIRI: And...?

CASS: And you manipulated that memory, didn’t you?! You took this piece out. You tricked me into abandoning Rapunzel!

zhan tiri also physically waits for cassandra to approach her, implicitly positioning herself as the one with all the power in this scene. note her relaxed posture here, also:

then, instead of answering the accusation directly, zhan tiri calmly flips it around to be about cass instead and again positioning herself as an authority, someone who knows cass, and what’s good for cass, better than cassandra herself: “Perhaps. Or perhaps I merely pushed you to become what you were always meant to be.”

this reaction lays the foundation for everything else zhan tiri does in this episode. she shifts the fulcrum of the conversation such that everything rests on cassandra’s identity rather than zhan tiri’s manipulation. she also reveals her true identity to cass in a manner that implies they are fundamentally alike by visually linking them together.

in race to the spire, both cassandra and rapunzel directly touch zhan tiri without getting any “glimpses” like this, so we can conclude that everything here is something zhan tiri consciously showed to cassandra. things to note:

1. the line between what is zhan tiri and what is cassandra in this vision is intentionally blurred. is the reaching hand at the beginning zhan tiri attempting to grasp the original ancient power, or is it cassandra claiming the moonstone and emerging from the sundrop’s shadow as the next piece of the sequence would seem to imply?

2. zhan tiri is depicted as appearing from within cassandra herself, visually implying that cassandra’s inner nature is similar to zhan tiri. this connection is further emphasized by the similar style in which they’re both drawn, silhouetted with glowing white eyes.

again, the purpose of this is to change the course of the conversation so that it centers around who cassandra is, rather than what zhan tiri has done, and zhan tiri’s argument here is that fundamentally, she and cassandra are The Same.

cassandra is shocked, and it is at this point that zhan tiri starts to lay on the emotion; switching from tolerant amusement to chiding cassandra:

ZHAN TIRI: Oh, quit pretending you’re horrified. We’re not so different, you and I. We were both cheated out of our destinies. In fact, we’re more like sisters than you and Rapunzel ever were! We even want the same thing, and we can get it, if you continue to let me help you.

in this little speech, zhan tiri: 1) dismisses cassandra’s fear, casting it as just another lie she’s telling herself that is stopping her from achieving her full potential, 2) leans hard into associating cassandra’s nature with her own, and 3) continues to position herself as not just cassandra’s ally but also her friend—a better friend than she had in rapunzel, even. on the face of it, this may seem a little silly. you may be wondering how zhan tiri could possibly have imagined this would be at all convincing to cassandra.

but the thing is... zhan tiri clearly doesn’t expect this to be at all convincing to cassandra. her goal here isn’t for cassandra to suddenly be all, “you’re right, ancient evil demon who’s been stringing me along for months, we ARE the same.” it’s to provoke cassandra into having an identity crisis.

and it works.

see, the thing is, as soon as cassandra found that mirror shard, it was game over for zhan tiri’s ability to lie to her effectively. the breach of trust was just too egregious. but rather than cling to her old strategies even though they’re no longer functional (as she might do if she were a ‘planning’ manipulator with the inflexibility that implies) or fly into a rage and attempt to force cass to do what she wants (as the possessed-cass theory anticipated), zhan tiri simply moves seamlessly into a different strategy.

she knows cassandra. she’s spent months digging into her brain, learning her weaknesses, familiarizing herself with what makes cass tick. she knows exactly how fragile cassandra’s self-justifications are, she knows how insecure cassandra is, knows how difficult it is for cass to be vulnerable and trust people. and she also knows, because she cultivated it, exactly how volatile and dangerous cassandra’s temper is.

so this:

CASS: ...No. No, I’m nothing like you. Just because I’m pursuing my destiny doesn’t make me a bad person!

ZHAN TIRI: [laughing] Doesn’t it?

is cassandra playing directly into zhan tiri’s hands. this is the Ideal Outcome, from zhan tiri’s perspective, of this confrontation, and that is why when cassandra turns around and sprints out of the tower to have a panic attack in the woods, zhan tiri just laughs and calls after her:

ZHAN TIRI: Run, Cassandra! But you can’t run from who you are!

simply watching the rest of the episode demonstrates precisely why zhan tiri provoked cassandra into having this identity crisis. not only did it divert cassandra’s focus away from zhan tiri’s actions (and motives), it also enabled zhan tiri to exploit her insecurity and volatility in order to get cassandra to snap, destroying corona, forcing an eventual confrontation with rapunzel, and getting zhan tiri one step closer to achieving her ultimate goals.

now let’s skip forward to the the scene in the tent, which i’m just going to quote in full here:

ZHAN TIRI: You didn’t really think your plan to make things right would work, did you?

CASS: What are you doing here?

ZHAN TIRI: I don’t understand. You could have just gone up to her and apologized, face-to-face.

CASS: I said, get away from me.

ZHAN TIRI: You’ve had more than a few opportunities, and even still you haven’t done it. Why is that? I think—

CASS: Because I’m scared she won’t forgive me!

ZHAN TIRI: You’re right to be scared. I’m guessing she hasn’t told you about Project Obsidian. A weapon that was designed to destroy you. Rapunzel just authorized it yesterday.

CASS: What?! No, I don’t believe you. She would never—

ZHAN TIRI: You can ask her yourself if you don’t believe me. You might want something to defend yourself against her; this potion may be your only protection against the princess when she inevitably turns on you.

the brilliance of this is that nothing zhan tiri says here is untrue. she is one hundred percent correct in her assessment of cassandra’s actions in corona: pretending to be someone else while doing vague nice things in no way makes up for what she’s done, and she has been purposefully avoiding the riskier but correct course of action ie to plainly apologize and accept whatever comes.

by playing evil therapist here, zhan tiri goads cassandra into articulating her exact fear that her actions are unforgivable. this is something that cassandra needed to express, instead of continuing to run away from her feelings. it’s a vital moment in her redemption arc, and like zhan tiri’s little speech in the tower it can seem silly or even outright counterproductive for her to push cassandra in this way. after all, she’s literally encouraging cass to go make up with rapunzel for real.

but what she’s also doing here is drawing cassandra’s subconscious fear into the open and putting that at the forefront of cass’s mind. she is forcing cassandra not just to articulate this fear but to intently feel it, which is the key to everything that comes next. this is why, after cassandra admits that she’s scared, zhan tiri moves right into reinforcing that fear—again, by bringing up objective facts. project obsidian does exist, it was created with the intention of destroying cassandra, and rapunzel did indeed authorize it yesterday. cassandra doesn’t trust zhan tiri anymore, but the beauty of zhan tiri telling the truth now is that cassandra’s doubt becomes a weakness rather than a strength.

because she no longer trusts zhan tiri, cassandra immediately goes out to “prove” zhan tiri “wrong” by doing the opposite of what she appears to want cass to do: from cass’s perspective, it looks like zhan tiri is making up lies to get cass to give up on reconciling with rapunzel and go back to following zhan tiri’s plan, so the most logical thing to do is to try harder to reconcile with rapunzel instead (despite the tiny grain of doubt that convinces her to take the potion anyway, just in case).

except project obsidian isn’t a lie, which means that cassandra is actually placing herself in an even more vulnerable position, by walking outside and approaching rapunzel so that they’re right next to each other when zhan tiri pulls the cloak away. and then, when the gun is fired, and cassandra finds herself encased in amber it creates this terrible moment for her of zhan tiri was right. and it’s that that makes cassandra snap. and that’s exactly what zhan tiri intended to happen, and that’s the outcome zhan tiri is working towards from the instant cassandra reveals that she found the mirror shard.

(i think in the end this manipulative strategy wasn’t 100% successful, because zhan tiri’s Ideal Outcome in plus est seems to have been that cassandra really would buy what zhan tiri was selling re: she and zhan tiri being The Same, and that didn’t happen. but again, zhan tiri knows cassandra well enough to see her betrayal coming, and swiftly and easily changes her tactics when it happens.)

so, more than any other episode in season three, i think once a handmaiden shows us not only that zhan tiri is manipulating cass, but how she does so, and just how skilled she is at manipulation in general. it also very neatly avoids the two biggest pitfalls of writing manipulation in stories and in general is a masterclass on how to write it well.

also here is a bonus picture of zhan tiri and her grapes

in conclusion i love gremlin baby and once a handmaiden isn’t about cassandra flip-flopping it’s about zhan tiri seamlessly switching from manipulation with lies to manipulation with facts and cassandra not being able to keep up with the change of tactics and thus falling victim to them again

#rta #zhan tiri #cassandra

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sammysdewysensitiveeyes · 4 years

Text

Pyro and writing (more headcanons that no one asked for, because Pyro the writer is one of my favorite character traits of his that Marvel constantly neglects)

-Overall, his writing is good, but not much more than that. If he puts in a lot of effort, it can be great, if he’s rushing, it drops down to terrible. All his books have a few moments of really good writing, showing the potential that he has, and also moments of really dreadful writing. As long as he gets paid and people are entertained, he’s satisfied, although he does get frustrated when he knows a scene isn’t flowing well, and he doesn’t have the time or skill to fix it. It’s difficult to make a living as a writer (and frankly, he wants money), so he tends to bang things out quickly and publish as much as possible. His Marvel bio says that his books were widely read around the English-speaking world, so I’m guessing that he was at least somewhat popular. Like, he wasn’t at a Stephen King or Danielle Steel level, but people at least knew his name.

-It’s never been clear to me whether his identity as Pyro was publicly known, but I’m thinking it must have been. If it wasn’t revealed after the Brotherhood went to jail for the first time, surely it would have been revealed after he died saving Kelly, completely out of costume. I’d imagine it was a mind-fuck for fans who read his books. Apparently he was still writing and publishing during the Freedom Force era, so either the general public didn’t know, or being a mutant terrorist didn’t lose him any readers.

-He willed the rights for any future royalties to Avalanche when he died. That didn’t amount to much at the time, but his work became popular again after he died, and publishers re-printed several titles to make a quick buck. Avalanche wound up with a tidy sum that he used to buy his bar.

- Pyro has a generally realistic and easy-going attitude about his own writing. He thinks it’s at least decent writing, but he knows it’s not anything fantastic or ground-breaking. He’s read the reviews tearing him apart, he knows he’s generally thought of as popcorn, fluff reading (and he’s okay with that), he’ll cheerfully refer to himself as a hack. But he does get annoyed if someone keeps harping on him as a bad writer, especially if that same person is claiming that writing is easy, like “Any idiot can bang out a romance novel.” At that point, he turns to, “Oh really? How many books have you published? How many books have you even written? Oh, zero? You’ve written no books at all? Then kindly shut the fuck up.”

-He gets similarly annoyed when people disparage the romance genre as being trashy or shallow, especially since there are plenty of popular thriller/mystery/horror/spy novels that Pyro thinks are equally terrible, but those genres don’t have the same bad reputation that romance does. He argues that romance is just like any other genre - a lot of it is terrible, some of it is complex and beautifully written. And even if it is terrible, who cares? Even the terrible stuff serves its purpose. He usually doesn’t try to defend the genre with his own work (he knows he’s not winning any battles there), but he’s got a few favorite authors that he’ll bring up. He does read romance on his down time, he genuinely enjoys it.

-There are a few authors he absolutely fan-boys over, but I don’t know enough about romance as a genre to name specific names. Once, long ago, one of his favorite authors wrote a moderately favorable review of one of his books, and he literally jumped around his living room from sheer joy. He cut the review out and framed it.

-He always writes straight romance, because that’s the largest market and biggest potential seller. His heroines are always women, and he writes entirely from their perspective. He’ll claim that it’s because most of his readers are women, but it also leaves an element of separation between him and the character, which makes it a lot easier to project all his issues into the story. Which he does do, quite frequently. Sometimes he tries to write gay male romance, just private stories for himself, but it always feels too personal. He does start sticking same-sex relationships into his books, though, just in the background. He couldn’t be too overt without losing some of his readers (at the time that he was writing), but he’d slip in little hints.

-He writes a lot about characters having to hide aspects of their identity, which is his way of dealing with both the mutant thing and the gay thing. One of his heroines is a white-passing WOC, and her experiences listening to white characters say horribly racist things is very much based on Pyro listening to friends and co-workers say terrible things about mutants. Of course, it’s rather problematic for him to use race in this way, but he’s definitely got some problematic tropes in his writing. He doesn’t mean to use it as a metaphor, just an.....emotional outlet.

-Speaking of problematic, given the time period that Pyro was writing, I think some of his travel articles definitely lean a bit Orientalist. There’s nothing overtly or consciously racist, he has a great deal of respect and appreciation for the countries and the cultures that he’s visiting. But he plays up the image of “exotic” and “mysterious” Asia, especially in his earliest articles, because he’s desperate to catch readers’ attention and keep them interested. If someone brought it up to him now, he’d probably angrily deny it....but he’d also wince re-reading some of his early stuff. “Yeah, okay, that’s a bit over the top there.” He gets much better about it later.

-He puts a lot of self-deprecating humor into his travel articles. He tends to naturally be something of a braggart and exaggerate when he tells stories, but if he writes about himself as a sophisticated world traveler having wild adventures, he’d sound like Gilderoy Lockheart a complete prat. And Australia’s tendency towards Tall Poppy Syndrome would probably make his work unpopular. So he puts in a lot of his own stupid mistakes, and presents himself as an adventurer who’s also a bit of a silly ass, bumbling his way through a culture that he doesn’t fully understand. The events he depicts are mostly true, if exaggerated, but he tends to omit any mysterious occurrences involving fire. Can’t have that, can we?

- He loves the idea of fan fiction. He was writing fan fiction as a child without knowing the term for it. And fan fiction of his own work? He is flattered and delighted. Of course, he does get rather frustrated when fan fiction depicts his horrible Sebastian-insert as a sympathetic character, but he’ll grit his teeth and put up with it. Because he’s just so happy that someone liked his work enough to want to write their own version.

#pyro #st. john allerdyce #I have too many thoughts about pyro #someone has to actually care about the character if duggan won't

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noxstellacaelum · 4 years

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No, it’s not just because the guy is hot ... and other BS about a female fan base (Looking at you Veronica Mars and Shadowhunters)

So, I suck at Tumblr. I changed my name and suddenly all of my links are broken. A friend asked me to repost this when she could not find it, so apologies for round 2.

I wrote recently about how filtering female characters through the male gaze can cause a project’s “center of gravity” to shift away from the agency and autonomy of female characters. This is how we end up w/ stories where women are there (narratively) to be pretty arm candy, or objects of sexual desire, or romantic partners (half a ship) vs characters who shape their own romantic and life choices. This is how we get female characters subjected to endless, pointless pain and trauma — usually sexual assault/ rape narratives (GoT, Veronica Mars). Or female characters who sacrifice endlessly and forgive every transgression, so that a man can be redeemed/ understood/ forgiven. (Why else would Buffy forgive Spike?) As I said, I don’t think every silly, guilty pleasure TV show or movie has to be a feminist icon story. Men can tell good stories about women. And give me flawed, complicated, nuanced characters and relationships any and every day of the week. I prefer truthful storytelling, not a kind of hagiography w/a side of feminism for my female characters.

Still, I had to just shake my head — after gagging on my coffee — when I saw the recent TV Line article quoting a senior executive at HULU as saying that the negative reaction to the ending of S4 Veronica Mars was A-O-K b/c it was a testament to how much people love the show. And, that the end was all part of RT’s super-well-thought-grand-plan to make VM into a noir detective show where Veronica solves random mysteries in random places and has no friends, no family, no relationships — having been an asshole to everyone in S4. Never mind S4 Veronica’s questionable detective skills, as evidenced by her failure to figure out who was behind the bombings until it was too late. Yeah. Whatever.

Of course, I didn’t stop at the article. I had to look at the comments. The official RT fanboy line appears to be that people who hated the ending are basically weak, stupid (heterosexual, I guess) girls who are upset that we won’t get to look at Jason D’s abs anymore. Apparently, we just don’t understand RT’s art and vision. Sad, really.

And so it goes. Once again, female fans are reduced to unthinking, stupid, crying hordes upset when we don’t get our happily-ever-after.

This is such complete and total bullshit. I hated all of S4 Veronica. VM in S4 is an unrecognizable asshole. She mocks Logan for seeking help for his PTSD. She misses or ignores her dad’s health crisis. She’s casually racist. She randomly uses drugs w/ strangers. She’s terrible to her friends (Weevil). And she’s the worst detective ever. Killing Logan off as some kind of suffer porn for VM was just one more piece of the shitty story telling that was S4. Especially since there was zero narrative explanation of how or why smart, gritty teenager Veronica fell into the abyss of self-loathing, self-absorption and cruelty that defines her in S4.

To my mind, though, the mansplaining from HULU, RT and crew is one of many examples of how Hollywood dismisses female fans along with female characters. In addition to Veronica Mars, I’ve written about how Shadowhunters TV betrayed both its female characters and many of its female fans. And, just as happened w/ Veronica Mars, when people objected, the show runners and their shills told us that we didn’t understand the showrunners’ art or storytelling; that we were upset bc not all of the couples got a wedding, that fan fiction could sort out the narrative mess left after the finale. As if completely sidelining the protagonist and her romantic partner, then tacking on a rom com meet cute at the end, made it all ok.

It wasn’t OK. It was BS. And, depressingly, not a surprise when one examines how the show treated its female characters and fan base all along.

- Cassie Clare, the author behind the six book series, has hinted on her Tumblr blog that from the very beginning, the male producers and show runners behind the TV adaption did not value her heavily female fan base. The show even added a lot of computers/ tech (explicitly NOT canon in the Shadowhunters universe), and made a character a police officer (not a bookstore owner) when it launched to attract an older male audience according to Clare. (Apart from the non-canon aspect of computers, stereotyping much on who likes tech?).

More importantly, the storytelling around female characters, and the treatment of their sexuality, showed the lack of regard the show had for female characters and their fans. Where to even start:

- The show aged-up the characters — which I am totally on board with — but then cast an actor who is only six years older than Matt D. (he played Alec) to play Mayrse, Alec’s (and Izzy and Jace’s adoptive) mother. 6 years!?! There are plenty of skilled, age appropriate performers one could have picked. Don’t tell me that casting decision was the product of anything other than the male gaze.

- Book Mayrse is a complicated and not always likeable character. Totally cool. Show Mayrse exists in S1 of SHTV for the sole purpose of being bigoted and homophobic re Alec (with a side of slut-shaming for her daughter Izzy). Then, in S3, she exists solely to punished (w/ a random de-rune-ing) and then redeemed for her homophobia by becoming “captain of the Malec ship.” S3 Mayrse seems to be entirely unaware that she has other children. Not Izzy. And not depressed, and suicidal Jace. A more richly observed character who is a mother would not act this way.

-Book Izzy is sexy and body positive. And a formidable warrior. Awesome. Show Izzy is often reduced to slutty eye candy in S1. She’s turned into a drug addict in S2. And, then, in S3 and the finale, she’s charged w caretaking duties for Jace (bc the show ignored the parabatai bond bw Alec and Jace and Mayrse was absent, as noted above). And, in the climactic fight scene, she’s disarmed by Clary (who had been training for a couple of months at that point) and needs to be saved by Simon, her non-Shadowhunter soon to be boyfriend. Simon is hugely heroic in the books, as is Clary, but their heroism is not at the expense of, or in place of, Izzy’s strength and heroism. (Or, maybe it’s that show Simon saves show Izzy from show Clary that’s the problem: book Izzy would not have been bested by Clary, book Clary never would have attacked her friends and chosen family, and the dark Clary made zero narrative/ emotional sense.

- Clary, the protagonist, is wholly sidelined in 3B and the finale. I won’t go down this rabbithole again, except to say that the show’s decision to strip Clary of her entire narrative arc — her mother, her father figure, her memories, her magic, her identity her chosen family, and her love — deeply, deeply betrayed the character and her fans.

- And, as I’ve written before, the dark Clary storyline seemed more about putting Kat M. In sexy clothes and having her act in a sexually aggressive way toward Jace (let’s call it what it was - the show hinted that she went down on Jace in a club while Jace was distraught over losing Clary and basically roofied) (bc sexually aggressive women are either slutty or evil on SHTV, I guess.). It made no sense.

-The whole Climon storyline was cringe worthy, and her weird shame-y commentary on Jace’s past sex life made no sense either.

- Maia hooking up w/ Jace behind a bar, and forgiving her attacker.

The list goes on and on.

I am sick and tired of Hollywood reducing female characters and female fans to unsophisticated, silly, shallow people looking only for the love of a (generally straight white) man. I am sick of shows sacrificing female characters and their fans to tell stories about other characters, even when those stories are worthy. (We shouldn’t have had to choose between, say, Magnus, Alec and Malec, and Clary, Jace and Clace.). I am sick of characters and fans serving as a mirror or vehicle for other characters’ stories.

Female fans watch TV. We buy movie tickets. We participate in fandoms. Stop telling us that we should be content w/ scraps from the storytelling table.

#SHTV #clary fairchild #veronica mars #veronica mars season 4 #mayrse #Jace Wayland #Clace #cassandra clare #tmi #shadowhunters

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fidgeting · 3 years

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thoughts on my own relationship to fanfic writing, b/c there was some talk about it on the tl (plus many many posts in recent weeks/months):

i went through a period a few years ago when i was trying to convince myself that what was necessary to pursue my original writing “seriously” was to quit fandom and stop writing fic, etc etc, because i was conceptualizing it like a sinkhole for my attention or writing energy. taking that step back was useful for me in some senses, mostly in terms of gaining perspective wrt stupid and stressful fandom infighting and making me reassess what i actually wanted to get out of being involved in online fan communities, but it was quite lonely--for better or for worse, i grew up a terminally online rural queer teenager in an evangelical christian mileu, and online fan culture was really formative to the person i grew into as an adult. it’s a type of social interaction that isn’t easily replaceable, even as i have a very different irl environment now.

so, in practice, what “backing off of fandom in the name of my Art” led to was a fallow period in my writing life. think i was so fixated on the dichotomy between my fic writing as something inherently silly that i needed to grow out of and that had no bearing on the “real” writing i wanted to make, which was going to Say Something About The World, that it became really hard to actually do that “real” writing because it felt joyless and bogged down in expectation vis a vis quality and Seriousness. what ended up getting me back into writing after a year or so of not producing much of anything worth talking about was rediscovering a sense of joy about writing through getting back into fanfic, because it was something that i could do as part of a community that felt playful--i wasn’t overthinking things to death or berating myself for how my work was out of step with what publishers want to see, etc, because it was irrelevant. the only point was to make something for myself--which you can do with original writing, of course, but i needed that encouragement and sense of group interest that comes from sharing work to a limited-but-enthusiastic ready-made audience, which is one of the things fanfic has going for it.

it’s been a few years since then and my relationship to writing in general has changed A Lot, but losing my sense of shame about fic writing being a hobby that i enjoy for its own sake did a lot of good for my relationship to my writing in general. taking on self-indulgent projects that exist outside of publishing marketability has done a lot for helping me get a sense of what kinds of narratives and unexplored corners of existing works i’m drawn to, in a way that i can then take and apply to my original writing. that could definitely have happened even if i never came back to writing fic, but i think would’ve been slower. i’ve stopped writing original work with the mentality of trying to appeal to a nonexistent subset of the publishing market, and instead been following desire lines to figure out what i, personally, want to be reading that doesn’t yet exist, rather than trying to figure out how to pivot my own personal history into thinly-veiled autobiographical queer memoir that could get some minor success as a cancon title or whatever. is writing novels without consideration for what editors want to see in slushpiles a good decision? probably not, but i’m actually, like, writing them now instead of just feeling guilty for not writing them, which is better than nothing. and i do find writing fanfic really fun and joyful, and cultivating a joyful approach to fic writing--as something done purely for pleasure with no expectation of material gain or name recognition etc--really helped me figure out how to translate that mentality to my original work.

so anyway. corny careerist acafans who claim that fanfic is inherently radical and artistically valuable are embarrassing, but i’ve also stopped giving a shit about the opinions of people who think it’s cringe to write fanfic as a 25 year old or whatever, largely because it’s truly just a hobby i do for fun and i don’t think i owe anyone an apology for that. that being said, i think it does enrich my relationship to my original work, which it should be noted is also just a hobby, as i have no desire to be a writer full-time (though i would like to pursue publication at some point.) at the same time, i can’t subsist on a diet of fic alone--i’ve read a lot of fic in my time that’s stuck with me and impacted me artistically/emotionally, but i have a hard time maintaining my interest in writing in general unless i’m consuming other types of fiction and poetry as much if not more than i am ~transformative work~, and i always experience the cringe emotion when people who feel insecure about their writing/reading patterns respond to that feeling with wild takes about the lack of value of genres of published fiction they patently don’t read. kids can we lighten up a little...

tl;dr i think writing stuff for fun in the context of an online fan community can be an end goal itself if you are indeed having fun with it and there isn’t anything inherently embarrassing about it; personally speaking my orig work and fic work have interacted in generative ways but are also just different activities that serve different purposes for me; the two positions of “fanfic is actually the most amazing real and true form of art because it’s METATEXTUAL and QUEER and POPULIST etc etc unlike stupid ‘BOOKS’” and “no one has ever written fanfic for any reason than to jack off about cartoon characters” are both dumb asf and it really is not that serious

that being said i do also just like to read and write weird p*rn in an environment where writing and consuming weird gay p*rn is socially normalized. i’m only HUMAN

#.txt

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synthmusic91 · 3 years

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10 - 15 >:)

10. what do you wish you hated, but actually like?

pretty men with mental issues

11. vague about your crush(es)

no one right now currently...free from the shackles thank GOD but in a similar vein i have been very worried about the dichotomy of people i'm attracted to vs. people that i think it would be a good idea to date, or would be good in a relationship...doesn't help that i literally have not left the house for a whole year -_-

12. is there someone you have mixed feelings towards?

(serious) my parents and my ex friends and also (joke) @goldium when she posts weird shit <3

13. talk about an au or story you came up with

i read a lot of interactive fiction and i reeeallly want to write my own (preferably shorter because the full-length ones take years to finish if ever) one but it's so hard to plan tbh especially since i don't....write...aha. i want it to be a story for myself first and foremost so i was considering writing about themes of (im cringing so hard typing this bcs i'm repressed) alienation and possibly transformation, and of course with magic and with a relationship that blurs the lines between platonic and romantic. it was going to be like, there's this town on the other side of a rain shadow (basically it just rains a lot and this huge mysterious mountain looms over you all the time). and people who disappear into the mountains come back...changed...so people tend to avoid it, and there are magic people(?) who live in the mountains...for the most part. you could say fae except they can like. transform into animals am i a furry? so then you could say fox spirit but it's not always foxes like one of them can transform into a bird. anyway

you'd play as someone living in this town who lost their memory, and your (self identified) "partner"(?) sort of helps you get back on your feet, and you can choose to research your past, or not, etc etc. the "twist" is that both you and your partner are actually those magic people from the mountain (meaning you can transform into animals). the "twist" actually happens like midway and the rest of the story is spent dealing with the repercussions. like the community on the mountain is super toxic (which is why your partner, who didn't lose their memory, left), and you basically have to choose between going back to your community and dealing with that or not doing that and possibly losing connection with your culture, or [redacted other thing]. it's all very much me projecting my cultural disconnect and of course there is an option to give ur partner a little kiss kiss.

in terms of the magic system well i could literally talk about this all day and it isn't even really related to the story but i wanted there to be like a pattern to it. and maybe there would be some different styles to it, from very intentional, almost mathematical (literally like based on undecidability proofs and maybe number theory), to more immediate and vague. i want it to be truly integrated with the world and the culture too, not just used as a silly battle mechanic. actually, i think magic would NOT be great for fighting! i think magic would be much more likely be used for culture, art, and communication before it would be used for war. if my characters get into fights they will use fists and knives. sometimes simple is best.

this took me forever to write and still i wish i could go more in depth. the picture is incomplete...help this is so embarrassing

14. do you like makeup?

yes but also no i'm sure you can imagine. i'm not very good at it (or maybe my face is just weird) but i want to do other ppls makeup at a sleepover SAUR bad. i wish people were more into creating things that might be ugly but having FUN!!! except i'm a hypocrite bcs the minute i think someone would be like "she looks a lil funny" i'd wash it all off. like i hate beauty standards but i also dont wanna be made fun of. also my mom always yelled at me for doing makeup or liking cute clothes bcs she thought it would distract me from my studies or whatever. so i'm into it now, like tasting the forbidden fruit.

15. do you prefer space or the ocean?

when i was a kid i was definitely VERY into space. but idk if that's me being into space or just what science books i had available. maybe if i had an ocean book i'd be into the ocean? but i mightve also been so repressed i didn't want to read about things with higher mental functions than a sponge. the book i read the most went into space, rocks and minerals, and the human body (no brain function since it's not the whole human), and there was another book that went into dinosaurs, earthquakes and volcanoes, and insects and spiders, that i didn't read as much...so it's possible! if i really was that repressed, it would make sense for me to be into space and not the ocean.

#i had fun answering this ehe #wait actually does this make any sense at all...i think im literally insane #ag #answered #qahwah #s

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bidaubadeadieu · 4 years

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Ten Favorite Fictional Characters

I was tagged by @skullhaver who chose some rlly choice people. We love so many of the same characters, for so many of the same reasons, but for the sake of fun, I’ll try to pick ones that don’t overlap theirs, or pick some characters off of the beaten path. I find this prompt a little tricky because I tend to fall in love more with worlds than characters. Sunless Skies and Dark Souls jump out to me as worlds that I really like but with no characters that I was really able to latch onto.

1. Rose Quartz, Steven Universe I love Rose Quartz’s selfishness. She spends the whole show kind of oblivious to the way she’s hurting people, although I think she is good of heart and intention. I think her deep empathy for other people manifests as this weird projection where by getting what she wants she genuinely thinks she’s helping others, and has no understanding that other people may not benefit from this. I like the way the narrative slowly reveals more about her, and it was a really exciting mystery to uncover, and to go, like Steven, from kind of revering her, to kind of resenting her, to kind of finding a middle path and acknowledging her complexity. Honorable mention goes to Stevonnie, also from Steven Universe, who is some great nonbinary rep.

2. Satine, Moulin Rouge! When I was in high school, I might have put Satine’s love interest, Christian, on this list, but thanks to gender discovery, I have been able to radically shift the way that I interpret romantic pursuit and seduction. I don’t think this was the intention of the writers, but I think there is ambiguity to be had in Satine’s character. Christian is charming, and the duke is rapey and awful, so I think the audience is supposed to feel that it’s obvious that she will fall for Christian, and of course her appeals to the Duke are only for show, but yet the only thing we know about Satine’s past is she has had a lifelong struggle for security, and I think the choice she is making is a real one. In my read of her character, Satine is like, actually so distant from her own emotional needs that she is not ready to fall in love, and I think she could find Christian’s in-touchness with his aesthetic ideals perturbing and alienating.

3. Karin, Naruto: Shippuden I have to love Karin because no one else will. She is not a good character; the writers make her fawn over Sasuke like 5 years after they should have realized that trope was dumb and juvenile, they gave her a shitty biting-linked power purely to titillate the audience as fanservice, and she gets treated like a punching bag. She’s like literally Naruto’s fucking cousin and they’ve never talked in canon. She represents every missed opportunity that show ever had, and is a perfect example of the way that misogyny hurts worldbuilding. In the New Era, she is kind and gentle with Sarada. Gay aunt vibes. Honorable mention goes to Orochimaru (Boruto only, when he’s in dad-mode) as questionable nonbinary rep, and honorable mentions go to to the rest of the Akatsuki for being absolute freaks, great villain writing, and finally honorable mention goes to Rock Lee for inspiring in me a certain kind of motivation and drive when I need it.

4. Iroh, Avatar: the Last Airbender Legit what is there not to love about this guy? His comic relief holds up after a decade, his wise and compassionate guidance helped foster one of the greatest redemption arcs of all time, and his physical prowess makes from some extremely well-choreographed fights. He really has the range.

5. Clare, The Nightingale (2019) This movie is far more violent than I usually enjoy, but there’s something about Clare’s descent into madness that was done really well. So many people talk these days about “feral women” but like, Clare, she’s feral, in the worst and ugliest ways. Her vengeance is completely justified, and its a rare story that while watching it I find myself thinking “yeah. i want her to commit murder. she deserves it :)” This is Rosemary’s Baby if Rosemary was a Tasmanian tiger.

6. April May, An Absolutely Remarkable Thing (2018) I bet you didn’t know this, but I like shitty, selfish women with hubris. I think they’re good characters. At least April, by virtue of being a protagonist, gets a serious growth arc the the second book, which none of the other characters above are afforded because their writers didn’t take them serious enough.

7. The Biologist, Annihilation (2014) Hey, I bet you didn’t know this, but I resonate with cold women making difficult decisions in survival situations. She is savvy and mostly self-aware, but still struggles with being out of her depth, and I resonate with the the way she is somewhat alienated from her past and her regrets.

8. Zaroff, The Most Dangerous Game (1924) It’s silly, and oversincere, and tropey, but I love the vintage horror of a lawful evil guy who hunts humans for sport. I like his weird period-appropriate racism. I like his faux-sophistication and worldliness. I find him oddly realistic. See also: my love for the Akatsuki, mentioned above.

9. Konata, Lucky Star I haven’t watched this show in over a decade, and I don’t want to, I am positive that it won’t hold up and it’ll be major cringe, but the fact of the matter is that Konata’s personality of gamer grrl, small-titty (because it’s fkn anime so that’s a personality I guess) innuendo-ridden persona despite deep naivete, it all left an indelible impact on my psyche. For better or for worse.

10. Viren, The Dragon Prince We love a power-hungry villain who is like, low-key a freak! We love somebody who sacrifices their humanity to get what they want! I love the way that Viren lies to his son, I love the way he and King Harrow were definitely gay for one another, I love the way that he takes advice from a magic caterpillar that lives in his hear. Honorable mention for Aunt Amaya, who is just wonderful, and we love the lady knight tropes she’s bringing

I will tag: @kit-kaboodle @theclockistickingwrite @fairy-creed @wymanthewalrus @soldier-author-batman @colcoction and you know, anybody else who wants in on the fun

#skullhaver #tag meme #fiction #also honorable mention goes to Helene from Who Am I This Time the Vonnegut short story

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chrisemrysfics · 3 years

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It’s been a while since I’ve done anything like this so I snatched from @joshua-beeking !

Name/Nickname: Chris, Queen of Feels (to go with King of Feels when I rped with @skytroops ), chrysanthemum, MoreThanSatan (a joke from an old url), sweetie/cupcake/butterfly, Silly. Last one is self given

Pronouns: They/them and she/her.

Height: 170 cm (5′7)

Time Currently: A little past midnight when I first started, I got distracted, its 1:23 (am) when I posted it XD

When Is Your Birthday: July 2nd

Favorite Band/Groups: I can’t say I have any favorite, but I enjoy JAM Project, Nightwish, Two Steps from Hell, those are the three I can recall that I have listened to quite a few of their songs. Yousei Teikoku too, I initially didn’t realize it is a group, not a solo oops.

Favorite Solo Artists: Again, I can’t say I have any specific favorite, I’m much more of someone who doesn’t really look at who is singing, and more so its about the songs I can find, its pure luck that I can name a few groups.

Song Stuck in your Head: For once, none!

Last Movie You Watched: That is a very good question....

Last Show You Binged: Black Clover, we binged with my mother quite a few episodes and still need to continue, I’m likely to binge MDZS Q soon!

When You Created Your Blog: This one dates April 2018, but is the second version of my fic blog, the first one was made May 2015. My first blog, though, was in early 2012!

Last Thing You Googled: Technically, that was the old url of my first blog to figure out when exactly it was made. Before that, group names to quickly check. Before that, I did a brief search to see what news Wattpad had (before someone mentioned it to me and I didn’t know what happened).

Other Blogs: Active, there’s my original writer blog @homeofwriter and my personal sideblog @chrispersonalcorner . I used to have rp blogs, though, the last one I had before I fully stopped was my Allen Walker @sozotohakai and Wei Wuxian @millenniumpatriarch (and my multi muse, @choruscaelum ).

(On that note, Allen was the rp blog based on Meet me Halfway to the End, and WWX blog is based on an idea for DGMxMDZS crossover that I still fully intend to write fics for~)

Why I Chose My URL: I didn’t try too hard with it, Chris for myself, Emrys to related to BBC Merlin, and fics because its my fic blog. Same with chrispersonalcorner, its pretty straightforward.

(sozotohakai is what I get when I enter “creation and destruction” to be put into Japenese; choruscaelum is what I got when I enter “heaven dance” to be put into Latin; and millienniumpatriarch, it refers to the Millennium Earl of DGM, which is who WWX awakens as, and Patriarch refers to both the Earl because he’s also called the Patriarch of his clan, and Yiling Patriarch).

Do You Get Asks: Its very rare, so its always a good surprise when I do!

How Many People Are You Following: 13, I’m actually not as involved in Tumblr anymore, so I just follow a few MDZS blog and a few other interest blogs.

How Many Followers Do You Have: 168, which I’m still amazed at, I might once have more on a blog? But not many, if at all, ended up also following here, so this all build up from scratch, and I’m very happy about that!

Average Hours Of Sleep: Depends, most often my usual is around 7 or 8 hours, but neighbors can be noisy, so my sleep can be interrupted, in truth I often have maybe four or five hours of uninterrupted sleep, wakes up for one reason or another (sometimes its just my own body waking rather than noise), then fall back asleep (sometimes not long after, sometimes after I eat a bit).

Instruments: None that I am playing often, but I do have a flute and piano keyboard!

What I’m Currently Wearing: Jeans and two layers of long sleeve tops, we can’t use the heater so we simply dress well in the house to feel warm.

Dream Job: Technically, what I am doing already, of course, its to live thanks to my original writing, but in term of doing something, I’m already living it~

Dream Trip: Its a tie between seeing places all over England, Ireland, Wales, Scotland; and Japan.

Favorite Food: I kind of love a lot of food and aren’t too picky, I guess as a wide net, Vietnamese and Japanese food. I love nems, fried shrimp, Xiu Mai and Ha Cao, I enjoy sushi, and in general I make heart-eyes when I see Japanese food. Our favorite restaurant is a Vietnamese-Chinese (mostly Vietnamese I think though), we also have a Japenese-Peruvian one but we more recently found a purely Japenese one that we really, really liked.

Top Three Fictional Universes You’d Like To Live In: This is so hard because my immediate want is to live where my favorites characters live, so MDZS, DGM and BBC Merlin, but wow I’m asking for lots of troubles too. Well, BBC Merlin and MDZS, it can be dangerous, but it can work out; but DGM... sure I could maybe life a peaceful life but that’s if I never cross path with the characters I know, and that’s if the whole DGM world isn’t set to apocalypse sometimes in the story :’)

Honestly thinking “where would I like to live”, I would go with BBC Merlin and MDSZ, I don’t even had a third. DGM, I would say that genuine “want to live” is a big no (I would rather have Allen and everyone live within my world ;;), but its fun to go with the more figurative “self insert yourself”.

I tag : Anyone who wants to, snatch it and consider yourself tagged~!

#chrishere

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mst3kproject · 4 years

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Tobor the Great

This was a movie YouTube thought I ought to watch. It’s so bad even Leonard Maltin didn’t like it.

Two scientists, Dr. Harrison and Dr. Nordstrom, are concerned about the effects of space travel on the human body, and so they attempt to convince the Civil Interplanetary Flight Commission (think NASA, but with funding) to use an alternative form of test pilot. No, sit down, dog- and monkey-lovers in the audience, I’m talking about a huge, unwieldy, unnecessarily humanoid robot! Obviously, foreign agents want to steal this machine and turn it into a huge, unwieldy weapon instead of a huge, unwieldy astronaut, but Nordstrom’s grandson Brian saves the day using his special telepathic link with Tobor!

The movie does not believe we’re smart enough to figure out why the robot’s name is Tobor. It spells it out for us, literally and on more than one occasion.

Tobor the Great is a children’s movie – the main character is eleven-year-old Brian, who is mostly addressed by his nickname, Gadget or Gadge. He’s established as an engineering genius in his own right, who gets to hang around in his grandfather’s lab and make friends with this cool robot. He’s what every white American boy in the 50’s was supposed to want to be. All of which makes it sort of weird that we don’t meet him until nearly fifteen minutes into the movie.

Consider some better children’s movies. In Coco, Miguel is the literal as well as the metaphorical narrator – we begin with his voice telling us the backstory. Lilo and Stitch gives us one title character almost immediately, and then brings in the second as quickly as it can to get us to the point where they meet. Of course, you don’t have to introduce the main character first in a movie, but if you’re going to put it off you have to do it skillfully. Star Wars takes its time getting around to Luke Skywalker, but it’s already given us somebody to follow in the form of C-3P0 and R2-D2, who make good audience proxies because 3P0 doesn’t know what’s going on any more than we do. Tobor the Great lets nearly a quarter of its running time go by before we finally meet Gadge, and even more before we get to Tobor himself, and that time is spent setting up what seems to be a rather different movie.

The opening does establish the need for Tobor, but it takes way too long about it. We start with narration and stock footage about the American space program, which is as deathly boring as it always is in these movies. Maybe it seemed more exciting in the fifties, when space rockets were the coolest thing around. Then we get into Dr. Harrison and his complaints about unsafe practices, which lead to his resignation and to him trying to dodge the press before meeting the likeminded Dr. Nordstrom.

These seem like strange things to put in a children’s movie. I feel that a lot more time is spent justifying the need for a robotic astronaut than is really necessary, and the early close focus on Dr. Harrison makes it seem like he’s going to be our main character – but he fades into the background once we get to Dr. Nordstrom’s lab and at the end he’s not much more than a completely unnecessary love interest for Gadge’s widowed mother. In Star Wars the two droids stick around and participate in the plot for the whole movie – Dr. Harrison doesn’t. The politicking within the CIFC is not something children are likely to be interested in, nor is the nagging newspaper man, and all of these scenes are just guys in suits talking. Very little actually happens and none of it involves robots carrying off beautiful women like the poster shows us!

The annoying reporter is a particularly odd inclusion. His name is Mr. Gilligan, which Joel and the ‘bots would have found hilarious. I went into Tobor the Great totally blind, having never heard of it when the thumbnail appeared in my YouTube recommendations, but if I’d read a plot summary or something beforehand, maybe I wouldn’t have expected Gilligan to play a major role in the plot. As it was, I figured he was either a Soviet spy or would unintentionally pass information on to them – but he vanishes after the first press conference, and the question of whether he has the right to compromise national security in the name of selling newspapers is never dealt with. Instead the spies are a bunch of guys we’ve never seen before.

Once all this is over with, though, we do finally get to see Tobor strut his stuff. Nordstrom and Harrison work on programming him to do things like type reports to be sent back to Earth and dodge meteor showers (as all 50’s space rockets had to do), while Gadge sits and watches… and does very little else. You’d think this part of the movie would continue the thread of Gadge being the equal of the adult scientists, maybe overlapping with him and Tobor bonding, but there’s almost none of either. Why set up Gadge as a prodigy if you’re not going to make use of it? At the climax we expect Gadge to save the day by figuring something out, as he showed he could do earlier. Instead he just shuts his eyes and thinks really hard at Tobor, like Ichi trying to summon Gamera. It works, but it’s not as satisfying as it could have been. At the end the movie has neatly avoided almost all of its potential and anything that might have been cool to watch, and failed to give us anything it seemed to promise.

To make things even worse, Gadge is played by one of those insanely cloying 50’s child actors who say things like “oh, gosh!” and “gee whillikers!” I cannot imagine anybody actually talking like this. Actor Billy Chaplin sure makes it sound fake as hell. While Chaplin is a decent actor physically, everything he says sounds stilted and unnatural, like he’s reading it off notes while trying to project his voice to a full auditorium. The adult actors are much better, which just makes Chaplin look all the worse by comparison.

Tobor, on the other hand, is wonderful, in the ‘stupid cardboard movie robot’ way that makes Torg from Santa Claus Conquers the Martians and the delightfully awful robot of Devil Girl from Mars so much fun. It’s got lots of blinky lights and moving parts, and stamps around with a pretty convincing sense of weight. Unlike some movie robots it actually moves at a good clip when it wants to, perhaps helped by the fact that it has working knees. The movie makes the point that Tobor is a large and dangerous piece of kit at the same time as it’s able to be gentle and dexterous, which reinforces the idea that it would be frightening as a weapon.

My favourite part is when Tobor drives a car. I wonder if the guy in the costume could see anything. That must have been a hell of a day on set.

What you want me to get back to, though, is the bit where the robot is psychic. Yes, that’s actually the premise of this movie, a telepathic robot! I’m not sure how plausible that would have seemed in the 50’s, even in such an explicitly silly movie. Dr. Nordstrom doesn’t expect the reporters to believe in it without a demonstration, and yet the same decade also produced films like The She-Creature that present such ideas with an entirely straight, albeit incompetent, face. Psychic powers as hard-ish sci-fi seems to have gone out of style by the 90’s, and nowadays it sounds like something you’d see in the Weekly World News.

Man, I miss the hard copy Weekly World News. It was so nice to have that little isle of humour in the sea of garbage that was (and still is) the supermarket tabloids. Remember Hilary Clinton’s space-alien lover? Classic.

The function of telepathy in this story is not just to give Gadge a way to summon the robot after the spies break Nordstrom’s control mechanism. It is also a means whereby Tobor may acquire human traits and emotions. How to make a robot feel things is a perennial problem in science fiction… a lot of the time the mechanism is simply glossed over, as an artificial intelligence becomes more human by interacting with humans. Emotions are just chemicals in our brains, though, and the more we learn about how they work, the harder it gets to justify a machine feeling them. In Star Trek: the Next Generation Data and Lore have a special bit of hardware that must be installed to enable emotions, and really seem like they’re better off without it. In Saturn 3, Hector has a processor made of cloned brain cells that can produce their own chemistry, as well as a direct neural uplink to its programmer.

As such solutions go, I actually kind of like how Tobor the Great goes about it, even if the mechanism is silly. Rather than having emotions of its own, Tobor senses and mirrors those of the humans around it. When Gadge is panicking, worrying that Tobor is out of control, Tobor panics and goes around smashing things, thus making for a self-fulfilling prophecy. When Gadge thinks of Tobor as a hero, the robot comes to his rescue, carrying him to safety like a rescued princess, and responds to the anger and rage of the spies by turning these emotions back on them and beating them up. This is quite different from many ‘emotional machine’ stories, in that it doesn’t actually require Tobor to be in any way self-aware.

Unfortunately the movie is not very consistent about this. There’s a scene in which Tobor gets frustrated and breaks stuff after being put through too challenging a simulation, which does imply that the robot has an intelligence and emotional capacity of its own. This bit has a purpose, as it serves to make us worry that Tobor will be unable to tell the difference between friend and foe at the finale, but it just doesn’t fit with the way this machine is treated in the rest of the movie.

Like many others both from MST3K and from the Episodes that Never Were, Tobor the Great has a couple of good ideas at its core. It even predicted how much easier and safer it is to send robots into space than people, although those robots don’t look much like the lumbering humanoids of 50’s sci-fi. Sadly, the film is uneven, rushed, and poorly-acted, and nothing particularly fun or exciting happens in it. Various people over the years have seen its potential and Tobor has starred in a couple of comic books and an unproduced TV pilot, but these never went anywhere either.

#mst3k #reviews #episodes that never were #tobor the great #50s #tobor is robot spelled backwards

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wbbbrothers · 5 years

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Dear We Bare Bears,

Hello! I am Sugs. Within the next month, I will be in the start of my college experience as an Illustration major. That fact is completely wild to think about considering when I first started watching this show (on this day four years ago) I was entering High School as a freshman student and I was, in fact, a completely different person. Therefore, I decided that because I am stepping into a whole new chapter of my life and this show has been with me the entire way... this Anniversary I wanted to write about how this show has impacted me over the past four years.

Apologies for this being a long post, I have a lot to say.

I created this blog right at the end of the premiere week of this show. I had watched every new episode airing during that Bearbomb that week. One of the last episodes of the week was Primal. So, while it was still airing and I decided in the middle of it that I was hooked! And I knew I needed to make an ask blog to enjoy these silly bear brother characters and fuel the love I had already already found for the show somehow. Wbbbrothers was that ask blog.

I didn’t know at the time but that was possibly one of the best decisions I could have ever made for myself at that point in my life and do mean that very sincerely. Growing up, having intense interest in media that took over my entire creative output was always a very common thing (and obviously still is). These large phases were able to keep my full attention about 1-2 years tops until my brain latched onto something new. But, out of all of those I have to say that We Bare Bears and Bears in general truly are very special to me. I have never been able to create such a variety of stories, embrace so many flawed and imperfect yet still loved characters and feel so deeply about them and the stories I was telling through them. Especially for this long of a time. We Bare Bears as a show holds a great deal of heartfelt comfort for me.

To me: We Bare Bears is a unique show in the fact that (most of the time) it has a very casual, down to earth and calming atmosphere about it. That being said, it is never afraid to experiment or step foot into other genres thanks to its open ended and episodic nature. It is not perfect by any means, like any cartoon written by human beings with flaws. But I admire the love that gets put into it with its personalized watercolored backgrounds, muted palette aesthetics, little visual humor and amazing colorists in general. It can be hit or miss sometimes but it is episodes like Chicken & Waffles, Chloe & Ice Bear, Occupy Bears, Yuri & The Bear, Hibernation, Hurricane Hal and more that remind me why I fell in love with the show in the first place. It loves the quiet moments just as much as I do. It does not have to be constantly shoving stimulation down your throat and in your face in order to tell a fun or compelling story. I have always respected its ability to take things at a slower pace sometimes, especially when a lot of current cartoons tend to lean towards Snappiness (snappy humor, snappy action, bright colors and fast pacing)

We Bare Bears feels like warmth. When I re-watch my favorite character driven episodes I cannot remove the fond smile from my face and when I re-watch my favorite adventure filled episodes it always sends me bouncing in my seat.

My method with interacting with my interests was always to create my own fan-content or Alternate Universes with the characters that I loved. It was my way of putting a piece of me into the characters whether it be through my other interests in media or my own experiences and feelings. The AUs I make are a genuine form of self-expression to me.

Obviously, the Character Driven and Open Ended Slice of Life nature of We Bare Bears as a series really opened up the flood gates in terms of my creativity and ideas for AUs. I never felt happier than when I was creating new jokes or dialogue or just silly scenarios. Alternate Universes were a combination of all the parts I loved about creating for me and they started to act as my own free-roam stories to explore these favorite characters of mine in all sorts of different ways. Since I have started, my work has only improved the more love and passion I put into it.

Superhero AU and Bad Bears are my main two fan stories/AUs of mine that have been around since I was 14-15 and are two of the most developed AUs I have ever had. They taught me a lot about, developing fictional worlds, characters and plotlines and I am STILL developing and enjoying them even now! They’ve also inspired me to make so many other OCs and stories so much as influencing future projects that I am currently in the middle of developing.

It baffles me to think of a world where I never watched We Bare Bears and never was able to be influenced by its fans, its art, writing and its characters.

If you’ve been on this blog long enough you might recall that my first Wbb AU was your average run of the mill Zombie AU (this was while wbbbrothers was still primarily an ask blog) not to be confused with my Zombie 2 AU which is a completely different premise entirely aside from the zombie apocalypse part. Long story short, I had a Fuckload of AUs back then and I mean A Lot. Enough to get condescending messages over, even some curse outs. (Not everyone I met over the four years was the greatest...) I was scared away from publicly speaking about most of them the way that I used to. While my technical skill was lacking for that age and I could not write a solid scene to save my life, despite the negativity, the intense passion and enjoyment I felt from making content kept me enthralled with the show. I kept making my AUs in private and developing them, posting more general fanart and occasionally art for my Superhero AU publicly. I even started to get pretty good at drawing Bears! And managed to make some friends who shared interests with me, something I never got to have offline.

It was not all great of course, the past four years have been extremely hard for me and extremely hard for everybody else, I’m sure. Bears was my default thought when surviving High School; my go-to pick me up. I seriously would say that it has saved me more than once whether it be through talking to my friends I met because of it or just offering a distraction/creative outlet from whatever was going on in my life.

Prior to becoming a fan I never would have thought I would have been able to make so many stories, projects, art, writing and comics and talk to so many amazing creators and people all thanks to this one show about Socially Awkward Bears living in San Fransisco.

But here we are.

And you know what, even when I inevitably move onto newer projects or interests, I think Bears will always be an important influencer to me. The wonderful people I have met throughout these four years have given me so much support and love and friendship like none I have ever been allowed to experience before. I have learned so much about my identity through my friendships and my stories. And even the awful people I have met taught me what NOT to do and what to avoid when moving forward in my life.

I am just. So, so grateful for everything and being able to pursue what I love and have it be received by others to make them feel things too. There is a Lot more I could say I am sure but since this is long enough as is I will send it off here.

So from the bottom of my heart I can only say Thank you. Thank you to my friends who still talk to me to this day, I love you guys. Thank you to those I used to speak to but don’t anymore, our friendship of the past still stays with me. Thank you to anyone who enjoys my work, my stories and follows me despite my wild ramblings such as this!! (If you’re still reading this wow, points to you)

And Thank you We Bare Bears for helping me grow so much as an artist and giving me a sense of direction and purpose with my work as a hurting teenager who was very, very lost in 2015.

Sincerely yours,

Wbbbrothers <3

#anniversary rant #wbb #modspeaks #SORRY IM A SAP #text heavy #long post

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courage-a-word-of-justice · 4 years

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Waver 1 - 13 (FINAL) | Prisma Illya 1 - 10 (FINAL) | Prisma Illya 2wei! 1 - 3

Another (and to be honest, the last) batch of impressions from the Fate/ project.

Waver 1

Well, this’ll be interesting. I’ve been hyping this show up for a while for myself, so let’s see how it goes.

Geez, this intro is like a dang movie! I’d love to see a proper Troyca movie! (<-Says the fan of Troyca.)

Wait, if it’s Kayneth Archibald, then is Archibald relatd to Archisorte? Or am I just making thing up here…? Also note Reines refers to Kayneth as “Kayneth El-Melloi Archibald”, possibly meaning Archibald is the middle name, since El-Melloi is a shared surname (or is that a title…?). That probably means Archibald =/= Archisorte and both are similar-sounding middle names. The fact Reines is Kayneth’s niece also explains things quite a bit.

Why is Waver upside down…? Won’t the blood rush to his head soon? (Sure, it allows me to ogle his hair more, but…logic rules more than my stupid whims, y’know?)

Interesting. You can see that although Waver grew out his hair, there’s two layers to it – the longer one in the front and the shorter one in the back. (I’m just curious because I like the hime cut – which is pretty similar - and long hair on dudes in general, in part because both are fairly rare.)

Okay, that explained my gripe with upside-down Waver. Thanks, Reines. (<-genuine)

Aw, Waver buddy, even at this stage, you’re plenty cute. Don’t ever change! (<- As you can see, I am an easily pleased person in most cases.)

Melvin who now???

Troyca’s comic animation rules! It’s too bad Idolish7 Second Beat is using chibis instead of this…

Professor Kayneth. I forgot he had a formal title. I wonder, does Waver - I mean, El-Melloi II – have that title as well?

I guess I should’ve known Saber had the capability to look scary, but…I never knew Saber could look so scary…

*cut to eyecatch* - *points at eyecatch* Okay, someone tried to save budget here, didn’t they???

Aw, friendship between fiction boys is cute…until it involves the puking up on blood on one end.

Waver is the OG underdog here…don’tcha think?

“…with several demands.” – Uh-oh…this is gonna be bad, isn’t it?

You need a Tuner for Magic Crests? (…Like a tuning fork, but a person?) *brow raised in suspicion*

…is it appropriate for me to say “Oh, good lord!” now? (Okay, I did that rather deliberately, but normally in these notes I’d self-censor it to be “oh, goodness” or something like that.)

Seriously, the black-haired dude in the Ionian Hetairoi is my favourite, even if only because he looks like Waver (and he’s really easy to spot, to boot).

Why is this in first person??? I’ve dropped entire shows based on their usage of 1st person cam! Room Mate and Makura no Danshi basically scarred me for life on that front…and both of those are TV shorts!

Hey, wait a second. This “use a quote on the titlecard” thing is clearly an Ei Aoki sort of thing to do. I mean, it’s in ID: Invaded as well…

Waver 2

*new blonde girl appears* - So this is the rumoured Animusphere girl (Mary), huh?

Bounded field, huh? I’m glad I chose to watch F/Z before this, then. Now I actually understand the (rough) mechanics of how that works.

There’s assassins and then there’s Assassins…*thinks about the Holy Grail War*

As it turns out, astromancy is basically astrology.

The one thing that bugs me about “Modern Magecraft” (there’s a similar concept of New Magic in Mairimashita! Iruma-kun) is…how is the magic “modern”…? Especially in a work like this, where the magic is based in arcane rituals and bloodlines…you really need to establish how the “modern” bit works.

Gray is facing away from the Animusphere girl (Mary), I noticed.

“When you have eliminated the impossible, whatever remains, however improbable, must be the truth.” – Sherlock Holmes – Basically, the fact I’ve memorised this quote is one of the lingering impacts of my time in the Detective Conan fandom, as it can be used on things like quizzes, not just mysteries.

Can we please use proper English, Waver??? (Says me to a character whose name I still find nonsensical enough to not be proper English.) As I said previously, “whydunit” is modus operandi or motive…the new bit is “howdunit”, which would be the method.

I do believe the geocentric model was overthrown by people like Kepler.

Gray kind of looks like Saber with that hairstyle, come to think of it.

With the way Gray hides herself under that hood, it’s no mystery as to why guys love her…at least, I know ThatRandomEditor does. Of course, I’m heavily neutral on the whole affair because I don’t swing that way, but…you know…

LEMPC seems to stand for “Lord El-Melloi Production Committee”, if I’m guessing right.

I seem to remember there was a quote somewhere that said the only constant in this world was change…hmm.

Waver 3

They seem to keep calling Japan “the Far East” (or at least, Japan is part of the Far East). That’s a pretty antiquated term for a supposedly “modern” magic anime. I get vaguely peeved by the term “the Far East” because it causes people to take an oriental viewpoint on things and thus it’s kind of like people from the Anglosphere looking down on Asians. (I also get vaguely peeved by the term “Westerners” for much the same reason and “Caucasians” because it implies all people of the Anglosphere come from the Caucasus, which is false…then again, these niggles are specific to international studies, so I have a vested interest in explaining them.)

…Wow, that star-eyepatch girl is…really something, to be thirsty specifically for Waver’s Iron Claw. (Then again, with my weird tastes in things, who am I to critique her?)

Flitz von Erich. I was surprised to learn this guy actually exists…on Wikipedia, at the very least.

“Any lady should know about wrestling.” – I disagree, Luvia.

Blue furry electrical creature…I dunno how the zoology in this show works, but the fantasy series I’m reading as of the time I was typing this comment has a blue creature called a Raiju (literally “thunder beast” in Japanese, so it would suit the “Thunder” in the episode title). If it’s anything like that, I’d laugh myself silly.

This girl on the poster seems to be called Flan Noir (or something similar).

“…yellow, round, fluffy-smelling…” – What? Svin, you have no right to call a girl those words!

When is this series set if people don’t have phones as a standard? *Googles* Okay, if F/SN is set in 2004, then F/Z is 1994. That would make sense, actually. The internet as we know it was first used in 1995 and didn’t become widespread for home use until a few years later, as I remember having computers in 2004 (albeit the blocky ones with the dial-up).

I was looking at images for the source material and I think I know why I like Waver (aside from the fact he has long hair). Normally I like the boys whose appearances are hard to get right, such as En…Waver in the novels and manga for this series sometimes looks grumpy, sometimes he looks constipated and worst of all, sometimes he looks like Snape with a hook nose.

Okay, so I googled Caules to figure out who his sister was…and I got Apocrypha spoilers. See, his sister is Fiore, who is apparently in that series.

The videos got encoded funny again…

There seems to be a mystery around why Svin and Gray can’t be together…well, one deeper than just “Svin is gaga for Gray [for reasons we don’t know at this point in time]”.

Ha, the El-Melloi Class is basically just the Misfit Class from Mairimashita! Iruma-kun.

“Only the flesh was bitten off.”

This Jupiter gibberish, I assume, is drawing upon the mythology of Jupiter – that is, Zeus – as the god of thunder and king of the gods (thus presiding over living beings).

The English is good on the bill, bar a space between “Mystics of magecraft”.

Norwich is apparently a “faculty” which the Modern Magecraft Theories guys – i.e. Waver – rule over.

Can you imagine Waver swearing? Since I had the volume off, I basically made him say “…if Sir Gueldoa had resorted to brute force, we would’ve been f***ed” in my head…and that was hilarious.

Aw, thanks 7Mononoke. “A cowardly thief sneaks away in the night. If you stride away, bursting with song, you are a conquering king.” That’s a quote from Rider himself.

So the Association has set positions for Masters in the War? Geesh…that must be hard on Waver to find out they’re closed, considering how much Waver pines for Rider.

Waver 4

I finally got the chance to listen to the ED last ep and now it’s the OP I can hear properly. This OP isn’t particularly impressive, considering it’s an instrumental (instrumentals always seem to have less impact for me unless I’m looking for something to chill to), but it does capture the London-esque spirit of the setting very well.

What’s up with this metal (?) maid off to the side, anyway?

“Good thinking to leave the door open…” – For some reason, even though it’s a completely different and much more benign context, this made me think of KyoAni and my heart sunk.

Atrum Galliasta…I hate that man. He may look hot, but he was nothing but a b*stard to Medea.

Bolo ties…nrgh…Basically, ever since Arima wore a bolo tie, I’ve become fairly bugged by them. That’s why Bram’s bugs me.

Aw, Waver, buddy, plase don’t sacrifice yourself again. I read on the wiki you become a Servant’s vessel (specifically for Zhu Ge Liang), so keep your hopes up.

I’m seriously feeling ID: Invaded vibes from this episode, what with the lightning.

I suspect a locked room murder is going to happen soon, knowing the genre. Either that or some other crime.

Considering Fate/ was an eroge-based thing initially, these sex jokes…there’s probably plenty of them out there.

Well, it seems this series only makes sense in that non-Detective Conan way, i.e. you want to know how it all comes together and can’t necessarily figure it out for yourself until you know how the magic works. I’m randomly going to guess this is more Jupiter-based stuff and call it a day on that front.

Seriously, I never got what was up with nightgowns (or just pyjamas in general) having hats. You don’t need protection for your head at night…that’s what pillows are for, yeah? (The only reason I see a hat-like thing working with nightwear is a onesie and that’s meant to be part of the inherent appeal of the thing.)

Waver 5

I feel like Adashino is meant to be an Irene Adler-type figure…

“Peaceful Fairys” (sic)

Where did Kairi’s scar come from…?

The Black Dog was in Mahoutsukai no Yome as well, but this one looks a lot less inviting, huh?

It seems, like the name Rail Zeppelin implies (as “Demon Eyes Collection Train”), most of the people involved in this case have Magic Eyes (or whatever they’re actually called). I wouldn’t be surprised if Kairi had them as well, considering he’s wearing dark glasses in the middle of a thunderstorm.

“King Arthur is a dude, right?” - *laughs madly* They finally managed to parody their own bulls***! (Well, I’m not counting Carnival Phantasm or whatever else because this is the first time they threw a meta joke in there in the whole of this project, as far as I can remember.)

Trimmau seems to be the maid’s name…huh. They never mentioned that earlier, I don’t think.

So what’s the difference between Fairy Eyes and Mystic Eyes?

Wait, does that even work…? The entire house is the murder weapon? That’s basically breaking the “secret passageway” thing on a larger scale.

So what’s Trevor’s motive…?

The dogs running towards the Workshop reminded me of the Hunger Games for some reason…must be the climax.

That fairy isn’t emoting much…

Oh cra-Wills is going to sacrifice himself, like Adashino was going to do! That’s the second time I’ve seen that in 2 days (the first was in the Hypnosis Mic manga about the Dirty Dawg).

Uh…Waver’s not particularly fit or fast, is he…?

Can you be paid for your case if your client is essentially dead…?

Adra? I read around and Adra seems to be a way to spell the location (or whatever it is) in the first case…which got adapted into a stage play, but not an anime. That’s probably what he’s (Waver) referring to.

Notably, the title is translated to “lance” but yari means spear…

Waver 6

I seriously wanna slap that pink-haired girl…Update: Her name is Yvette.

This is basically Gray fanservice…

If Gray = Saber and Saber =King Arthur…hmm…does it count as a girl’s party?

Homeland? Since Britain is Saber’s (aka Gray’s) home country, I think they meant “hometown”…I’d hav to listen to the Japanese to make sure, though.

I still think Waver is a stupid, or at the very least false, name for a boy, especially if he did come from Britain. That’s basically my one limitation on him as a husbando.

The red bit of the eyecatch was shapd like an eye…it did catch eyes in a sense, after all.

So Trimmau is sustained by magic.

Locked-room…or rather, bounded field…mystery time!

Luvia did mention wrestling in another episode…

I had to google that, but the Separation Castle is from the Adra case mentioned in episode 5. No wonder I don’t remember it…

“Are you suggesting there were faults…” (from Luvia) - Ooh, I was thinking the perpetrator was caught inside their own bounded field or maybe it was an outsider, but that works too, Reines.

Add calld Luvia out for her extravagance, LOL.

Catch-as-catch-can appears to be “no-holds-barred fighting”, particularly wrestling.

That case was both informative and possibly solveable by the audience. Both good qualities for a mystery.

If you summon the spirit again, is it the same Rider with the same memories? Or can you summon a different version of the same Rider with amnesia, much like Rin did with Archer? Update: Oh yeah, I did read this on the wiki at one point but then forgot about it. The next episode (7) confirms that Rider wouldn’t remember Waver if he were summoned again.

Waver 7

…C’mon, admit it, show. The glasses are not only there for plot reasons but to up Waver’s status as megane boy for the rest of this case. Not that I mind – I actually really like megane boys, but I’m nowhere near the love of Meganebu – but in the case of plausibility, I wanna poke holes into it.

Auction for which Mystic Eyes now…?

There’s a guy…with an elephant head…I know I shouldn’t be bugged by it, but I need the MST3K mantra right now.

This is gonna be a Murder on the Orient Express thing, isn’t it? All cases set on trains seem to take cues or make homage to it. (I may not be that proficient on Christie in comparison to Holmes, since Holmes was Conan’s inspiration, but Murder on the Orient Express I have read and I did secure an anthology of 4 Christie novels at one point specifically so that I could improve in this area.)

The main series never explained the bad blood between the Church and the Tower, did they…?

*sweatdrop* Let me guess…when Yvette mentions “multiplay”, she means a threesome, right?

How do anime people see out of those blindfold thing, anyway??? (Or is it that Leandra has Mystic Eyes that were sold off or otherwise tampered with?)

I believe the word is “palate”, Kairi (or subbers).

Anime characters being bagworms with their blankets is always appealing, no matter the gender. It’s funny and/or relatable, after all.

Does Gray get motion sickness…? Update: Seems I spoke about a minute too soon. She does.

Waver 8

How does Waver know that Adashino got the documents about the train? Is it because she was in all those places at all those times and he connected the dots?

This lady has heterochromia. Specifically, one is brown and the other is blue or green.

Hmm? I thought the character design was familiar for this. As it turns out, Jun Nakai (who did the character design for this) also did Gate’s, which explains it.

Dionysus is the Greek god of wine, IIRC. Hephaestion is, as (s)he explained, the confidante of Alexander the Great (had to google this one).

It’s hard to see before the brightly-lit scene where Olga reappears, but as shown, Waver seems to have cut off part of his forelocks on the left side.

What’s an Odo???...ooh, fanservice…*ogles*

The summoning of Hephaestion and Trisha’s murder may or may not be related…we just don’t know how, yet.

I think a Detective Conan Murder on the Orient Express-style mystery would be a good video ga-*googles* There’s at least one of them out there already (albeit only in Japan)...namely, this one. Spoke too soon.

Oh yeah…this is Olga’s new room, isn’t it? I almost forgot about that.

Update: I think this look at the Adra Separation Castle case is interesting. It’s similar to posts I would write, but done by a professional – namely Richard Eisenbeis of Kotaku and Anime News Network.

Waver 9

So if there’s a Servant…you have to find the Master.

Olga reminds me of Reines…kind of.

LOL, whoever thought of a zombie cooking show…?

This series really goes all-in on the zombies and the fake-outs thereof, huh? Dangit, Melvin, don’t scare us.

Melvin has a really odd relationship with Waver, huh? If you’re really insisting you’re “the only person to ever be able to hurt Waver”, I don’t quite see how you guys can be friends in the normal sense of the word.

Why would someone have a violin at a time like this…?

Interestingly, they don’t bother to do any fanservice of Caules. That scene with Gray and Yvette was fanservice for those who like them, but the only guy who’s getting to do any fanservice in this series is Waver himself…(what with him being naked and knocked out right now.)

“Sibyl” seems to be a synonym for “virgin”…(*whispers “Awkward…”*)

Update: After reading some of Marth’s posts on this series, I’m inclined to call this “Murders on a Train (with an Exploding Helicopter for Good Measure)”.

Waver 10

For some reason, there’s episode 0 – 9, then 11 – 13 on the service I’m using. Where’s 10?

I think Waver’s relationship with Rider is interesting because of the way I think of relationships myself. Waver has made it clear that he wants to see Rider again so he can basically prostrate at his feet all over again (and maybe win a wish and/or see Oceanus while they’re at it), but – hey, hear this! - I used to believe, when I was still an impressionable kid, all relationships, whether they be between friends, family or even lovers, lasted roughly in the same state basically forever (as in, friends stay friends forever, they’ll never be so far apart that they can’t kep their relationship alive etc. etc.)…Obviously, I was wrong and arguably, this change in thinking, plus the related changes in technology, are where my ability to fleetingly but passionate love both 2D boys and the series they come from comes from.

Wait, so the Child of Einasshe (sp?) is the forest, yeah? I don’t think I got that 100% straight.

I never thought the shield form of a Mystic Code could be used for snowboarding down a mountain/hill…whatever Gray just went down. I didn’t even know Add had a shield form, for that matter.

“[U]sual individual” – LOL. What a way to refer to Waver.

“Wait a minute!” – I’m just imagining Phoenix Wright all of a sudden. A Waver legal mystery series would be boring as all get out – I’m far less interested in the courtroom versions of mysteries and more interested in how the pieces fit together. (Update: Then again, I am a person who likes the action genre and courtroom mysteries don’t have much of that, which might also explain my choice.)

“…lacking the element of motive to begin with.” – Well, Waver’s not wrong…

I’m observing this apple and noticing someone skimped on the detail around the stem. Does anyone still remember Art Academy for the DS? After looking at some promo material for it, I basically learnt how to draw a proper apple (and nothing else, really). If an apple is just drawn as a circle, it doesn’t quite look like an apple up close. (Two of the main things I screw up on when drawing are perception and the colour of highlights, both of which are covered in something like an apple stem and the related indent.)

Oh goodness…I was hoping Karabo would keep his vision (or actual eyeballs)…but that’s gruesome.

I’m guessing, based on the wheelchair, that Waver’s still paralysed or otherwise not able to move around like normal. Update: Spoke too soon.

Someone encoded the video funny again…

Waver 11

What was that crossword thing…? A warding spell of some sort?

Is that an owl in the back?!

Stealth fighter…Rider wanted on, didn’t he?

Every time he appears on screen now, I basically curse Melvin. He’s entertaining to watch, sure, but he’s annoyingly prodigal (= wasteful). He’s basically Dice from HypMic at this stage (aka he’s the sort of person who’d bet away his own clothes, given the chance and incentive).

Look at the way Waver’s hair drags behind him as he walks…it’s gorgeous…

“Residual Image” (as translated in the title) is literally “the left-over image” (zanzou). Not surprising, but I find the exact combo of characters used interesting since it could be short for “nokoru eizou” (where the nokoru’s character is read as zan in the combo, as you can guess).

Waver 12

Wow…this series really pulled something out of its butt this time, huh? “The guy without a heart”…no viewer would’ve known that actually referred to a character called Dr Heartless unless they knew of his existence somehow (the closest they would’ve been was having an inkling that this pointed to a name of the culprit).

There is an owl in the back of the auction room!

Ay? So what the heck is Pandemonium in this case?

“dotard” – Turns out this means “an old person, especially one who has become physically weak or whose mental faculties have declined.” You can’t say I don’t enrich my vocbulary through watching anime, huh?

I’m still wondering…why adapt case 7 of this series (Rail Zeppelin)? Why not case 1 (Adra)? Update: I don’t know where I pulled the number 7 from, since this is volume 4 – 5 of the series. Apparently some of the cases were anime-original though.

Waver 13 (FINAL)

Oh, Flat, you stupid…

Waver’s exasperated faces are great. No wonder Reines likes to toy with him…

I can assume Rail Zeppelin is a Ghost Liner, yes?

Can I guess that Adashino ~likes~ Waver…? Update: Turns out that’s not quite the case.

Ooh, Waver without his shirt is se-okay, I’m getting distracted. Seriously though, Waver never showed his Crest in F/Z. I never even knew what it looked like until now! The fact it’s such a simple design in comparison to his Command Seals is…kinda underwhelming, really.

I think there’s a bit of a pattern between Jakurai (from HypMic) and Waver…namely, they suck when it comes to drinking. (Also, of course, the long hair. Don’t forget it, never forget it.)

Shut up, Add!

For some reason, I felt like a lot of that last part, while getting closure for Waver, it almost had connotations of “I’ll meet you on the other side, Rider”…so it felt kind of sad, to be honest. That talk between Reines and Olga I don’t think I’d understand without Apocrypha and Grand Order, but I guess that’s to be expected in such a huge franchise. Anyways, moving right along!

Illya 1

I’ve been a bit worried about what I’ll have to subject myself to for the sake of Magical Girls…

Was that…Taiga?

Who’s Liz…?

Okusama, huh? (Okusama = someone’s wife, although it seems to be used in the plural here since I don’t think Kiritsugu and/or Iri are dead in this timeline.)

The subs I’ve got say Shiro is adopted here too (when it’s not in the Japanese), although I wonder exactly how much of UBW is going to be true in this anime…

Hmm…a bit of digging reveals Luvia’s not a Master. So throwing out Lancer is really just a joke on how Lancer gets roasted early on in Grail Wars, right?

Uhhhhhhhhhhhhh…squick, much…(Thank goodness the source I was using edited out the loli fanservice, so I can tolerate this series a lot more…but still, suggesting you have a romance with your step-brother, even if it’s known you’re not related from the beginning, is…you already know my feelings on that, based on my reaction. Shiro is, what, 15? About twice Illya’s age!) Update: Okay, so he has no confirmed age in Prisma Illya, but he’s 17 in F/SN so I’d assum the same or similar, seeing as he attends the same school. It’s fine if it’s platonic, but this is clearly an Onii-chan, daisuki! thing the likes of which Oreimo throws down! Thank you for calling it out though, Ruby.

Oh my gosh, this looks like the Rhongomynaid (Detective Waver) and Excalibur (or whatever Saber’s Noble Phantasm is called) summoning beam! LOL!

Ruby, you lech! Don’t go praising the angles! *shakes fist* (Seriously, what if magical girl mascots were paedophiles…? *blank face* Welp, considering what’s out there on the internet, I wouldn’t be surprised if a hentai or something had such a concept.)

Hmm? Turns out the word for Servant means something like “celestial hero”. Makes sense.

Nice callback to Saber and Shiro!

Illya 2

I thought Illya would say that her parents are dead…turns out the show’s not that grimdark (to the point where it wouldn’t set the show after Kiritsugu and Iri’s deaths), huh?

Do the sticks have a gender? The subs said “she” for Ruby…

LOL, it’s Rider. I thought Lancer was gonna get his butt kicked all over again (thinking more along the lines of CCS).

It’s Gay Bul-I mean, Gae Bolg! (I’ve been reading TV Tropes again…can you tell?)

This episode was pretty pedestrian. I like it more than the first one.

What’s up with the CGI…?

Oh! Bunbun, who does Yuki Yuna! Update: They only did the illustrations for some of the series. They also did SAO illustrations, although that’s of less significance to me.

Illya 3

The sticks do have genders!!! That’s like claiming Jesus for kakera with Mudae! (Yes, that’s possible. I got him in one server.)

The power of fujoshi…is amazing! How did it get to a girl who’s so young?!

These angles are a bit disturbing…

“Casao”, LOL.

Magical girl nakama, huh?

Illya 4

MST3K mantra!

Whose quote is that again…? “Don’t think, imagine”? Update: It turns out to not be anyone’s quote at all, if Google results are to be believed.

Uh-oh! Saber Alter!

Illya 5

Padding the episode already…?

The mist is a quality of a Berserker, right?

Geez the angles piss me off…

These sticks have brains???

Can you call it teamwork if they’re always complaining about each other?

Illya 6

More padding…

Illya’s UBW!

Geesh, that last-minute shot of Rin and Luvia popping out of the ground scared me for a bit…

Illya 7

*sigh* It’s the sick episode…

I recognise the vacuum cleaner. I have the same one at home.

*sigh* Random fanservice of elementary school girls. This is what gives anime a bad name.

*Sapphire pulls out a USB port* - Ohhkay, is that stick fanservice, in a sense…? Because that’s awkward too.

Maids went out of fashion years ago…

“Lyrical Radical Genocide” - I think this Lyrical Radical things is parodying Nanoha.

Based on the cloak, it’s an Assassin.

“Listen, if you aren’t careful, you’ll die!” – Yep, because people die when they are killed. I almost missed that meme for a bit.

Illya 8

Illya’s still reeling from Miyu’s talk, huh?

I noticed it said tomoda(chi) in the background at one point.

Does Miyu exist in any of the alternate universes?

Ah, there’s yuujou (friendship) in the background as calligraphy.

I think the video got encoded funny again…

Geez, complaining about boobs? The series got worse…oh, I forgot Shiro was around in this series.

…who’s left? There’s been Saber, Archer, Lancer, Assassin, Rider, Caster and…who? Berserker, that’s who.

Illya 9

Ohhhhhhhh brother, not more bath scenes…

Iri looks almost exactly like she does in the Eiznbern Consultation Rooms! (I found those around and watched them today.)

Thank goodness the fanservice is censored…

I never realised Berseker had heterochromia until now…

One thing that I assume makes Saber’s outfit look nice to thos that like girls is the window in the top…but it goes to waste on Miyu, LOL.

I find it interesting Illya has all these concerns – the ones (or similar ones) Iri harbourd in F/Z.

Hey, the bridge! This is the bridge where Rider dies inn F/Z, yeah?

The ED looks different this time…

Illya 10 (FINAL)

E-Eep…loli fanservice…

Now Miyu is basically what Waver is to Rider, no doubt about it.

Bulls***! Speak of the devil! I was wondering what Waver looked like in the Illya style, because I read on the wiki he makes a cameo in season 2, and…here he is. Didn’t expect him in season 1, though.

Another new ED animation. I find it interesting they’ve never once had to recast any VAs throughout the entire existence of Fate/ anime…not that I know of, anyway.

Hiroyama Hiroshi is the original Illya creator.

Okay, that’s the end of one season. I feel kind of fatigued since I finished the Eiznbern Consultation Rooms today as well, so I’m going to take a break from watching more Illya until it’s necessary to watch again in a few posts’ time.

Now that they’ve collected the cards, I’m wondering what the series intends to do next…

Illya s2 Pt 1 Ep 1

They clearly skimped on the budget when Shiro was leaving the house…

I keep forgetting Illya is meant to be German…

That bad English…is actually there in the ep. title…

Oh great…schoolgirls talking about erotic swimsuits…

This s*** is what you call “Class-S”! I have no interest in it, because I don’t swing that way! (Sorry, yuri fans…)

The problem with series that aren’t 100% made with you in mind is that your favourite characters might look ugly…that’s especially the case with En, Jakurai and Waver.

Ryudou Temple, eh? Let’s hope Assassin still looks good.

I don’t think I’ve seen that before…namely, being able to hear what’s going on outside the transformation while it’s happening.

Now this 2 Illyas thing…this is new, alright.

Illya s2 Pt 1 Ep 2

LOL, what a horoscope.

Truck-kun! I don’t think Illya would make a good isekai protag, come to think of it.

Who is this nurse? I feel like she’s from some other part of the Nasuverse… Update: My guess was right. That’s Caren Hortensia, protagonist of Fate/hollow ataraxia and Kirei’s…uh, daughter. I know he had a wife. We never met said wife, but seeing the daughter really drove that fact home.

Uhhhhhhhh…okay, now the lesbian loli scene just made things go off a cliff for me. I’m not against lesbians or yuri – to each their own – but that scene was clearly meant to be pleasing to a certain audience.

How does anyone kill anything gently…?

Ohhhhhhkay, strike 2 for loli fanservice.

I seem to remember…that’s right, Alice from the [something] no Kuni no Alice series was evaluated on her coffee-making skills (by Julius, I think it was). That’s why I’m thinking of Alice when I see Luvia praising Miyu on something similar.

Wa-hey! It’s Rin’s Azoth dagger!

Well, the mechanics of the transformation are also something you have to think about. I’ll give the show kudos for that.

Illya s2 Pt 1 Ep 3

Can we not with the whole “Onii-chan, daisuki!” thing?! That’s it! That’s the last straw! I’m finishing this episode and aborting early so that I can preserve my dignity…and get some proper sleep for once.

The fact Miyu thinks Shiro resembles her brother must not be a coincidence…(I’ve become far too Fate/ savvy, haven’t I?) Update: It seems I was right. Apparently, Miyu was taken in by Kiritsugu in a certain universe, but apparently this is a bunch of spoilers.

Genki na aisatsu was in the back.

This is just getting worse and worse…

So now Kuro’s name is Kuroe (Chloe), huh? Anyways, good riddance, loli fanservice! So long! I won’t miss you one bit!

#lord el-melloi ii-sei no jikenbo #Lord El-Melloi II's Case Files #fate/kaleid liner prisma illya #Fate/Kaleid Liner Prisma Illya 2wei!

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