#and of course everyone has their own interpretations of him

[carnivalcarriondiscarded]

and now, a break from our normal schedule for my Favorite cat dad and his lovely vagabond son

[opens-up-4-nobody]

Me, decorating my room: ...should I get a naruto poster?

Also me: If I search for naruto posters... they'll all make me angry in a way that's fucking unhinged

[skeletoninthemelonland]

I am gonna cry Springtrap is complimenting my poetry

Like okay maybe I will write more poetry 😭

That's a sign you should continue!!! Keep writing poetry anon!!!

[afieldinengland]

.

[funsize-cenobites]

Replaying Pokemon Mystery Dungeon Explorers of Time (Because Time/Darkness are the best ones, fight me) and went with Meowth because I wanted a novel experience I've never had before and tbh? Im having a blast. Its actually bringing me around on a pokemon I never really looked twice at past the obvious representation in the Anime.

Meowth is a super adorable pokemon and so fun to think about as a PMD character/OC.

[ohproserpine]

iv. dolly

see all chapters here tags: fem! reader, reader is a performer in a speakeasy, jealousy, possessiveness, alastor does not know how to interpret love, or maybe he does, in his own twisted way, roadkill used as a symbolism, gorey descriptions of love, murder the song she sings is 'roxie' from chicago

˚୨୧₊♱

"Hey!" Charlie's voice rang out as she spotted Mimzy making her way towards the hotel entrance. The blonde froze, casting a nervous glance behind her to see the demon princess rapidly approaching with a worried look that she mistook for anger.

With practiced ease, the blonde put on a fake frown, pressing her hand over her chest. "Oh, Charlie! I'm so sorry for the trouble last night, sugar! I'll pay—"

"No, no! I'm not here for that," Charlie waved her hands with a smile, seemingly oblivious to the slump of relief on Mimzy's shoulders. "Are you leaving so soon? The hotel wouldn't mind taking you in!"

Caught off guard by Charlie's unexpected offer, Mimzy grimaced. She hesitated, opening her mouth before shutting it as she struggled to find the right words. "Oh! Well…you see…"

A laughing track, sounding like it was filtered through a radio, echoed through the air, and Mimzy turned to the source to find Alastor towering over her with his signature grin.

"I don't think redemption is quite her style," Alastor's chipper voice rang out. His clawed hand reached for Mimzy’s hair, plucking a feather from her headpiece. In his hands, the pink ornament erupted into flames. "Frankly, I have my doubts she could even be redeemed at all!"

Horrified, Mimzy watched as her feather fell to the floor in ashes, her hand instinctively reaching for the charred remnants.

"Alastor," Charlie glared at him before turning her attention back to Mimzy. "We believe in redemption for everyone. It's not about what you were; it's about what you choose to be now. We'll be here to support you every step of the way."

"Thanks, sugar," Mimzy forced a smile, waving her hand around daintily. She glanced at the entrance with a subtle wish for escape, playing up the nice act while Alastor continued to watch the scene unfold with a cryptic smile. "But radio here is right. I don't really think it's my style. Different strokes for different folks. Plus, I've got a business to run!"

Alastor hummed, twirling his microphone cane around in his hand. The crimson glow of his eyes narrowed at her as he chuckled. "You couldn't possibly mean that wooden box of debauchery you call a club, right?"

"My 'wooden box of debauchery' has more character than any joint in that city," Mimzy grit her teeth together in a smile, barely concealing her frustration.

As another argument began to form, a throat clearing interrupted the flow, capturing Mimzy's attention. A pink glove slowly rose from the couch and Angel Dust pushed himself off the furniture, sitting up with a mischievous glint in his eyes.

"If I may~" Angel Dust chimed in. "You saying you, ah, got a bar? I'm always up for checking out new places. Mind if I swing by sometime, tits?"

Mimzy beamed and sent Alastor a smug look, making her way toward Angel Dust. She reached into her chest, pulling out a card with a flourish. "Of course, kitten! Here's all our information. You'll find us in the Vee district. Feel free to swing by anytime. And don't forget to bring a friend!"

Angel Dust took the offered card, a grin forming on his face. "Bring a friend, huh? You got it, toots."

˚୨୧₊♱

The Vee district, designated as the entertainment hub of Pride, was dazzled with bright neon lights and tall towering buildings adorned with blazing billboards. The streets pulsed with life, where every ten steps brought you face-to-face with street performers desperately vying for attention, hoping to catch the eyes of industry scouts. The message was clear – fame was the ticket to success. Performers were everywhere, found in rundown bars, neon nightclubs, and costly theaters catering to the insatiable appetites of the elite.

Mimzy's Lounge, nestled down east on one of the city's worse-off streets was no fancy stage. The building, weathered and worn, seemed to barely hold itself together. The exterior bore the scars of years gone by, with cracked windows, peeling paint, and near-rotting wooden walls. While it may not have been on the standards of the elite, to the poor and downtrodden, it was the best piece of entertainment they could afford.

Inside, the dim lighting of the bar did little to conceal the stains and cracks that adorned the floor and ceiling. Tables and chairs, mismatched, were arranged haphazardly. The air hung heavy with the smell of cheap perfume, wrapping around the audience—a motley crew of lost souls. On the stage, a couple of scantily clad showgirls were performing a dance routine, or at least their movements vaguely resembled one. The quality of the performance didn't seem to matter to the audience, who, hungry for any form of entertainment, welcomed the spectacle with open arms.

Seated discreetly in the back booths, Angel and Cherri had drawn their curtains tight, creating a cocoon of privacy amid the bustling buzz and thumping music in the club.

"…And check this out – Alastor is hitched," Angel Dust spat out the last word as if it were poison. His face caught the warm, bright lights spilling into their booth, slipping through the small gap in the middle of the curtains. He sipped from his drink, a glint in his eyes. "And the owner here's got some serious dirt on his missus or somethin' like that."

"That why you dragged me to this hellhole? Knew it," Cherri snorted, taking a sip of her cocktail, the sweet and tangy flavors doing little to mask the less-than-pleasant ambiance. "Couldn't believe you'd even want to step into a place like this."

"You know I can't resist a bit of gossip, and where else can you find more gossip than in a joint run by a gal who's got the goods on Alastor himself?" Angel grinned, his golden tooth flashing as he reclined in his torn red chair. "Hell. I bet anyone else would do what I'm doin'. I mean, who wouldn't be tearin' these walls down just to catch a glimpse of the Radio Demon's wife?"

Cherri Bomb let out a throaty chuckle. "Well, you're bloody right there."

A sudden blast of music echoed through the air, prompting Angel Dust to scramble out of his seat and poke his head out from behind the curtain. The previous performers stepped off the stage, making way for the upcoming act. He caught sight of a familiar pudgy figure sauntering onto the stage and hastily turned his head back to the booth, meeting Cherri's amused face. "It's startin'!"

“Welcome, all you devils and darlings, to the Dollhouse Lounge!” Mimzy's voice boomed, and the lights gracefully dimmed to focus on her. The hum of conversation dwindled, the audience's attention now on the stage. “It's the moment you've all been waiting for! The last act of the night… Dolly, the living doll!"

With Mimzy's spirited introduction, the claps and cheers crackled in the air. In an instant, the lights plunged into darkness, leaving Angel to flit his gaze across the smoke-hazed stage, hungry for a glimpse of what was to come. Suddenly, a surge of stage lights sliced through the lingering smoke, akin to a celestial burst, revealing your silhouette with a large signage that spelled out your name in bold, red letters.

Wearing a lovely smile, you spread your arms wide, catching everyone's attention as you sang the first note, voice sultry and dripping sweet like honey. "The name on everybody's lips is gonna be Dolly."

"That's his wife?" Cherri gawked behind Angel, her jaw dropping in disbelief. "Are you sure we got the right girl?"

"Hell, I'm just as surprised as you are," Angel shot back, an equally dumfounded look on his face.

"The lady raking in the chips Is gonna be Dolly," your voice echoed, the melody carrying through the lounge as you strolled towards the stage's platform. The rhythmic beat of the music vibrated against the soles of your heels while the spotlight dutifully trailed after you, its gentle glow caressing the curves of your glittery dress, casting glimmers of silver and gold that danced across the dimly lit bar.

"I'm gonna be a celebrity. That means somebody everyone knows," you continued, sauntering around the stage. As you swirled and twirled, your silhouette became a blur of sequins and shimmer. The spotlight then intensified its focus on you, highlighting the glint in your eyes. "They're gonna recognize my eyes. My hair, my teeth, my boobs, my nose."

"Fuck," Angel muttered under his breath. As you moved closer to the end of the platform, he could finally get a good look at you.

Shimmery blue eyeshadow graced your lids, while a dark blush adorned the apples of your cheeks, complementing the red lipstick you had on. Your dress, a dazzling ensemble of sequins, was not only radiant but also provocatively low-cut, teasingly revealing a glimpse of your chest before gracefully dropping to your knees. Dark silk stockings, sensually tracing the contours of your legs, were held by garters. At your feet, bedazzled red Mary Janes sparkled like jewels, catching the light with every step you took.

As Angel thought back to his conversation with Mimzy, he found himself agreeing with her earlier comments. You really were a living, breathing doll.

"From just some dumb canni-bal’s wife. I'm gonna be Dolly," you continued, seamlessly weaving your magic, each lyric a spell that bound the audience. "Who says that murder's not an art?"

With a spin, you twirled around the stage, a ditzy grin on your face, the sequins on your gown catching the light like stars. "And who, in case she doesn't hang, can say she started with a bang! Dolly Heart!"

As the final notes of the song echoed through the venue, the room erupted in applause and cheers. But, the curtain wasn't falling yet. Standing backstage, Mimzy let the moment linger, reveling in the prolonged applause. After all, happy customers always tipped generously.

On cue, bills and coins descended like a storm, hitting the floor with a crisp sound that mixed beautifully with the cheers of the delighted audience. There was so much that the shower of currency formed a makeshift carpet beneath your feet.

Angel Dust, still peeking from behind the curtain, wore a smirk of approval. "Not bad, not bad at all," he whispered to Cherri, who nodded in agreement.

Standing on the stage, bathed in the lingering glow of the spotlight, you held your pose, chest heaving up and down. A demure smile graced your lips as soft, appreciative nods and fluttering eyelashes accompanied each gaze you cast toward the audience. Tonight's turnout was impressive, though not unexpected given your agreement to perform one of your most famous songs after a prolonged hiatus.

"Dolly" was a beloved crowd-pleaser and the one song you hated with a passion.

The spotlight continued to shine relentlessly in your eyes, causing a painful burn in your irises. The deafening applause felt like a relentless assault on your senses as each clap echoed loudly in your ears. From the speakers, the music blasted in waves, the volume rattling your bones. Showbusiness, a constant companion in both your living and afterlife, had become an achingly familiar yet tormenting cycle.

In the corner of your eye, you saw Mimzy step up onto the stage to address the crowd. "Thank you, my lovely devils and darlings! Wasn't Dolly simply darling tonight?" she squealed through the mic.

The crowd erupted in cheers and applause once more, the energy in the room reaching a fever pitch. Mimzy basked in the adoration, her grin widening as she soaked in the success and the money. Oh, the money.

"I know you loved that!" she laughed. She leaned into the microphone, her voice turning into a whisper "Of course, you all do. I wrote it."

"Now, let's give our star her rest. Dolly, my dear, take a bow!" Mimzy's voice rang out, signaling the end of the performance. Relieved, you bowed before making your way towards the curtains as the heavy fabrics began to descend. After blowing a few more kisses to the audience, you slipped backstage, letting the smile fade from your face. As you vanished from view behind the curtain, Angel caught the look on your face.

It was a look he knew all too well.

"She looks perfectly happy without him," Cherri remarked with a casual shrug. "I mean, look at 'er. She's the star of the show. You think she left on purpose?"

Angel furrowed his brows, deep in thought. It didn't make no sense to him.

Why would you willingly perform under Mimzy's control when Alastor, with his power, could easily get you out of here? Contract or no contract, that radio freak could tear Mimzy apart like a hot knife through butter.

The spider's attention shifted towards the audience, and his gaze locked onto Mimzy, who was engrossed in conversation with some VIPs. The sight of her triggered a scowl to etch itself onto his features.

"I don't think so. There's more to it," Angel's eyes narrowed, the wheels in his head turning, "I've seen that look before."

"What look?" Cherri raised an eyebrow.

"That trapped look," Angel said, his gaze following Mimzy as she continued her animated conversation, oblivious to the scrutiny. "Before the curtains dropped, I saw it on her."

"Shit, Angie," Cherri's gaze followed Angel's, and she pursed her lips. "You think she's playing the part or really stuck?"

Angel Dust stood up straight, now opening the curtains wide as his eyes never left Mimzy. "I don't know, but I'm gonna find out."

Both of them took their time, patiently waiting until Mimzy stepped away. Once the blonde demon finally made her way backstage, they discreetly followed her lead, slipping behind the curtains with her.

The busy backstage corridor welcomed them with an assortment of items – costumes, props, and stage decor – scattered in chaotic disarray. Angel's eyes wandered around, and he spotted Mimzy in a far corner, sitting atop worn cardboard boxes. Nudging Cherri, he gestured for both of them to move closer.

"Hey~ How's it going, blondie?" Angel purred, leaning against a nearby prop, his tone dripping with a sickly sweet tone. Mimzy looked up, confused before she recognized him and flashed a wide grin.

"Hey, you! You're that spider fella from the hotel!" She tapped her chin in thought narrowing her eyes at him. "Uhm, Angle Dust was it?"

"It's Angel Dust," he corrected, a twitch of annoyance in his eye.

"Uh-hah, that's nice," Mimzy seemed unfazed, continuing to count her money, her legs swinging back and forth absentmindedly. "You like the show? Oh, who am I kidding, of course, you did!"

Angel Dust crossed his arms with a chuckle. "Yeah, about that. That girl, Dolly. She's quite a number, ain't she?"

"Oh, yeah. She's my little masterpiece," Mimzy smirked. "Met her before she had any of this."

"Let's cut the fuckin' crap," Cherri rolled her eyes, tired of dancing around the conversation. The cyclops leaned down to Mimzy's height, scowling into her face and driving her finger into the blonde's chest. "I'll say it straight. What's the deal with her? You got some strings attached?"

Mimzy paused and glanced up at Cherri with an arched eyebrow before turning to Angel and laughing tensely. "Your friend here sure is forward, Ankle! Oh, sweethearts, Dolly's here because she wants to be."

Angel Dust shot Cherri a glance, a silent conversation passing between them. "Yeah?"

"The girl signed a contract willingly," Mimzy explained with a casual shrug. "She gets what she wants, and I get what I want. It's a fair exchange."

Angel's eyes narrowed, his skepticism evident. "Contract? What's in it for her, then? Why willingly perform in this dump when she could easily be the star anywhere else?"

The blonde sent Angel a glare for his dig at her lounge but still answered him. "Dolly owes me something. A little debt she's paying off with her charming performances. A contract might sound sinister, but it's just showbusiness, furs." Mimzy leaned back, folding her arms, her expression daring the two of them challenge her further.

"Bull. She sold you her soul to dance and sing?" Cherri scoffed, taking the challenge.

"No, no, there was no soul exchange involved," Mimzy rolled her eyes. "Just a contract. But still binding, magical, and all of that stuff."

"Now, can you two get out of my hair?" Mimzy huffed, shooing them away with a dismissive wave. "I've got a lot of things to run here!" She returned to counting her money, clearly eager to be rid of the unwanted attention.

"Let's go, Cherri," Angel said with a look of defeat, pushing himself off the prop he had been leaning on.

Once the two of them finally stepped out of the establishment, the spider groaned to himself, now finding himself with more questions than answers.

˚୨୧₊♱

You strolled behind the weighty curtains, the backstage area buzzing with the rush of staff, the shouts of managers, and the lingering presence of performers idly awaiting their cues. Navigating through the organized chaos, you directed your steps towards your private dressing room—a sanctuary away from the glaring spotlight.

You threw the door open, entering quickly and slamming it shut behind you, the sudden silence a stark contrast to the clamor and racket outside. Flicking a light switch, the dim glow of a single, flickering bulb hanging from the ceiling revealed the room's worn-out glamour. A vanity cluttered with makeup, costumes haphazardly thrown on a worn-out sofa, and a cracked mirror that had seen better days—all were familiar sights.

"I would kill for a glass of whiskey," you murmured to yourself, the weariness of the performance settling in. Rolling your head and groaning as you heard a satisfying crack, you added, "or maybe a whole bottle of it."

Kicking off your heels, you let the cool floor cradle your skin, leaving the discarded shoes in a dusty corner to rest. Seated at the vanity, the chaotic world beyond the backstage curtains ceased to exist. The gentle glow of the vanity lights exposed the weariness in your eyes as you wiped away your mascara and dusted off the remnants of glitter from your skin. While removing your earrings, the shimmer of your wedding ring caught your eye.

A frown tugged at your lips, the subtle ache of longing surfacing.

You missed your husband.

With a sigh, you continued removing your earrings before tossing them onto your vanity. Seeking to ease the edge, you reached for a whiskey bottle on a nearby dresser, grabbing a glass and pouring yourself a drink. The golden liquid glimmered in the subdued light as you took a sip, the warmth of the alcohol coursing through you.

"C̵h̶e̸r̷?̷"̸

A static rumble of a radio, like thunder, jolted you mid-drink, causing the liquid to catch in your throat. Coughing and sputtering for a while, you scrambled to collect yourself before turning behind you. Your gaze landed on the desk table where your radio sat. The crackling static continued, accompanied by a familiar voice and distorted sounds.

Alastor.

Grabbing a cloth to wipe yourself, you rushed to the desk and grabbed the old radio in your hands. The radio was a faded, worn red with yellowed dials, and its antennas were visibly broken, held up together with scraps of tape. Your contract with Mimzy did not allow you to meet with Alastor or his shadows for as long as you were under her, but that didn't mean you couldn't communicate with Alastor in other ways.

With trembling hands, you carefully adjusted the dials, aligning them to the familiar frequency that bridged the gap between you two. Your heart thrummed in your chest, head almost dizzy from anticipation. The distorted voices began to clear, and Alastor's distinctive voice cut through the static, a lifeline in the abyss.

"Cher, my dear, are you there?" Back in his room at the hotel, Alastor spoke through his mic, awaiting your response. He was sitting by the large windows, bathed in the dim glow of the Ring of Pride's lights. The hues painted a lovely ambiance against his skin, highlighting the contours of his sharp features as he reclined against a plush couch.

Heavy silence lingered for a while as you felt your throat closing up. Without realizing it, you began crying, your sobs echoing through Alastor's microphone.

"Yes, Al," you choked out between sobs, your hands gripping the surface of the radio tightly, nails scratching against the peeling paint. "I'm here. I missed you."

Alastor listened to your tearful voice through the crackling static, his shoulders tense as his claws clenched against his microphone handle. Your vulnerable confession hung heavily in the air, and he felt a storm stirring within him. Unsure of what to do with these emotions, he could only sit there and listen to you weep.

From the busiest street in Pentagram City to the darkest alleyways, Alastor's reputation as a bloodthirsty killer was infamous, and he reveled in it. The idea that an overlord like him could entertain genuine care for someone sounded preposterous. Throughout his human days and beyond, Alastor never felt such sentiments.

Decades ago, he only needed himself. However, ever since you entered his life, he became a man possessed.

The moment he first laid eyes on you, you were a vision of beauty with bright eyes, flushed cheeks, and he couldn't deny that he felt an inkling of fondness for you right from the start. But that was all it ever was—nothing more, nothing less.

Then, seemingly out of nowhere, he couldn't help but notice that the glow in your smile was brighter, lovelier. And despite his usual tendency to dismiss such details, Alastor couldn't look away. Not anymore.

You held him captive, like a deer frozen in the blinding glare of oncoming headlights. He was aware the collision was imminent, yet it still caught him off guard; A torrent of emotions crashing into him like a speeding truck, leaving him with twisted limbs and cracking bones, antlers torn from his head, fur matted and bloodied, with his heart exposed, beating vulnerably before you.

In the months that followed, Alastor remembered how foreign the feeling to him was. He didn't want to understand it, refused to, but each attempt to rip those festering emotions out of his chest only left him bleeding.

Looking back, Alastor finds himself incapable of fathoming how life was bearable before you entered it. The mere thought of returning to a time when you weren't present is something he refuses to entertain. The person he used to be, before he stepped into that speakeasy, now feels like a distant stranger, a mere shadow of the man he has become with you in his life.

The static in his thoughts subsided, in tandem with your crying and sobbing dying down. A prolonged pause lingered before Alastor interrupted the silence. "Cher, you know I'd bring you out of that wretched place if you just said the word."

A bitter laugh escaped your lips as you wiped away tears with your trembling fingers. "You tell me that every time we have these calls. Do you not get tired of it?"

"Never," Alastor hummed. The sound of your laughter, even tinged with bitterness, momentarily lifted the heavy burden that his heart carried. "The offer will always be up, darling!"

"You know I can't, Al. Me and her have history together," your voice paused, cracking with emotion. "And I still feel guilty."

Alastor sighed heavily, frustration dancing in his eyes. He always struggled to understand why you felt indebted to Mimzy, why guilt still clung to your decisions like a persistent shadow.

To him, Mimzy deserved the consequences. Despite his constant offers to free you from her grasp, you remained steadfast in your decision to complete your contract

"Very well, dear," Alastor's smooth voice crackled through the radio, weaving a comforting presence into the air as you moved back toward your vanity, taking a seat. "Now, enough of these melancholic talks. Tell me, how was the show tonight?"

"Mimzy had me perform 'Dolly' again," you remarked, a crooked smile playing on your lips. "She's well aware that I despise that song. I mean, really? Have you ever taken a look at the lyrics? It's a bit on the nose, don't you think?"

As your frustrations spilled out, Alastor stood from his seat, staff in hand. Placing it beside his closet, he attentively listened to your words, occasionally responding with chuckles and interjections. He slipped off his monocle, unbuttoned his suit jacket, and then his vest, revealing a well-tailored red undershirt that clung to his lean frame.

"I find the cannibal's wife line rather charming," Alastor smirked, and though he couldn't see it, you rolled your eyes in response.

"Of course you'd enjoy that part," you scoffed, mirroring Alastor's movements on the other side. Shedding the bedazzled dress, you opted for more comfortable attire, draping yourself in a robe.

"What's not to like? It shows the audience that you're my darling wife," Alastor quipped with a smug tone.

"Bushwa. They don't even know it's you. And I don't think anyone thinks highly of some poor fool shackled to a gaudy singer," you snorted. With the radio in tow, you began to pack your belongings into your purse.

"Don't be ridiculous," Alastor's laugh rumbled against the speakers. "My dear, being 'shackled' to you is the most delightful form of imprisonment."

"Such a sap," you scoffed, unable to suppress the smile that spread across your face. Shouldering your purse, you made your way towards the door, ready to leave. However, a sudden memory of a conversation with Mimzy surfaced.

"By the way, did you know Mimzy was planning to have me perform on some talk show?" you shared with Alastor while locking the door to your dressing room. A furrow appeared on your brow as the backstage lights played with shadows, casting a pensive expression on your face. "What was it again… Oh! Yes! Box-2-Nite."

A sudden screech from the radio erupted, its harsh sound reverberating in the hallway. Luckily, no one was around at this hour, and you cringed at the unexpected disturbance. Glaring at the box, you raised your brow. "You scared the living daylights outta me."

Alastor stayed silent for a while, claws digging into the cloth of his coat, ripping the fabric. With a snap of his head to the side, he dropped it to the floor and moved toward his staff, his shadows playing on the intricate patterns of the carpet beneath his feet.

"Do you perhaps mean… Vox-2-Nite?" His voice, usually smooth, carried an edge.

"Is that the name? I thought you hated telev—Oh. Ohhh..." As you ascended to the higher floors of the building, a realization swept over you.

Alastor's relationship with Vox was complicated. It didn't take a genius to see that. If the ceaseless back-and-forths on broadcasts, the turf wars that had casualties matching mass-extinction events, and the hushed gossip circulating among the other performers were anything to go by.

“Small world,” you chuckled, strolling down the hallway that led to the performers' rooms, the echo of your footsteps blending with the distant murmur of conversation. “I’m guessing I shouldn't take her up on the offer?”

"Absolutely not," Alastor practically snarled out, venom dripping from his tongue. The radio in your hand crackled and buffered, a faint golden glow emanating from the dials. "That pompous piece of shit television is nothing but a clout-chasing, mediocre host flitting between this fad and another on his little picture show podcasts."

“I know, love.” With a swift turn of a doorknob, you opened the door to your flat. "I wasn’t… planning… to…”

Your words trailed off, lingering in the air, as you entered the room. Your eyes widened in awe, captivated by the sight of a bouquet of white roses gracefully adorning your bed.

"Alastor," you spoke into the radio, your voice filled with genuine warmth. "Did you send me roses?"

Back in the hotel, Alastor, settled back into his plush couch. The fiery embers of his anger melting away like a fleeting shadow, replaced by the realization that you had discovered his gift.

A soft chuckle came from the radio, "Guilty as charged, cher. "

Your heart fluttered, and you sank onto the bed, dropping the radio on your mattress and taking the bouquet into your hands. The delicate petals felt soft against your fingers as you admired their beauty. White roses, unlike red ones, were so scarce it was difficult to get a hold of.

"Alastor, this is… wonderful," you spoke into the radio, smile so wide your cheeks almost hurt. "Why—How did you even—How did you even manage to find these?"

"Oh, I pulled a few strings," your husband grinned before chuckling, "and a few limbs too."

Your laughter intertwined with his and Alastor listened fondly, finding solace in the melody of your delight.

The day you inked that deal with Mimzy marked the onset of an agonizing pain he had never experienced before. The thought of leaving your sorrowful self under the wretched contract of that avaricious woman had incited a frenzied rage within him, leading to weeks of unbridled slaughters on the streets of hell.

The blood he spilled onto the sidewalks left a stain on the concrete that lasted months.

Fortunately for you and him, the ordeal was nearing its end. Just one more year remained until Alastor could finally reunite with you. After enduring decades of this agony, an additional year seemed like mercy.

"You like it, cher?" Alastor's voice dropped an octave lower, the satisfaction evident in his tone, pleased to bring happiness to your moment.

"Yes," you laugh, cradling the bouquet in your hands. "I like it very much."

˚୨୧₊♱

[reiderwriter]

Can I request a Spencer babying the reader BAU and everyone on the team is so done with it but reader is confused and oblivious...?

A/N: Thank you for your request! I've been very much feeling post-Prison/ later seasons Spencer recently, so I hope you enjoy this fic!

Warnings: mostly fluff, implied age-gap, slight mentor/mentee dynamic.

Your first year in the BAU would've been tough had it not been for Doctor Spencer Reid.

It was tough still, but without him, you don't think you'd have been able to handle much of it. He'd been your mentor through each case, taking you under his wing when he wasn't on academic leave, teaching his criminology courses at the FBI Academy.

Those weeks were the hardest, and you found yourself moping about in the office, texting him once or twice a trip for advice.

On one particularly hard case, he'd come back into the office after you'd text. Not to consult on the case, but just to drop you off a chamomile tea and a pastry to brighten your day that little bit.

When he was back, your days were great. He knew so much, and you learnt so much from him so quickly, eagerly consuming his every word. You were so eager to please him that you often forgot others around the two of you.

“Spencer, if you're done fawning after Y/N we have a case to work on,” Emily gently chastised the man as he pulled out your chair for you, ready to sit down to hear the details of your next crime.

“Oh, Emily, thank you, but it's okay. Doctor Reid was just being considerate, I'm sure he'd have done it for anyone.” The shared glances around the room were filled with glib secrecy, but no-one commented further, leaving you slightly baffled.

Those shared looks between the other members of your team had become more common as of late, with each one more worrisome than the next. There was something unsettling about being the only one out of the loop, and as the newest member of the team, and the youngest, it often felt disheartening.

“Y/N, don't worry. Being the youngest member of any team is tough, but you're smart and you're holding your own.” With a pat to your head he walked away, lifting the weight off your shoulders slightly but not fully. You needed to get to the bottom of the BAU's non-verbal communications, and you needed answers.

Your first technique was interrogation. Surely one of them would break and tell you if you laid out your thoughts and feelings clearly.

Surely not, you found, as each member casually and softly blew you off.

“Y/N, you just need to think carefully about how certain members of the team act towards you. How familiar they are. How overly familiar they are.” Tara had at least told you that much, bit it had left you just as confused as the radio silence from the others.

“Everyone has behaved very professionally with me. You've all been very welcoming up to this point, which I appreciate greatly.”

“I wouldn't count gifting you flowers for your first successful case as the most professional act, Y/N,” she said as she sipped her coffee. “But I suppose that is just up to interpretation.

Doctor Reid had sent you flowers after you finished your first case. But there had been extenuating circumstances in that case. You'd both worked on the geographical profile on that case, and together had figured out the species of flower the unsub was using was only cultivated on one local flower orchard. It had cracked the case open and you'd found your unsub hours later.

So the flowers were an extension of that small joint success. That was all.

Your second attempt at figuring out what was going on was observation.

Partially taking Tara’s advice, you tried your best to track the moments when each of the weary looks would come your way.

Overwhelmingly, they seemed to be directed towards Doctor Reid whenever the two of you interacted.

You had to gently inform him of this, before it interrupted both of your abilities to work.

“Doctor Reid, do you know why Emily and Rossi are both currently watching us from between the blinds in their offices?” You whispered to the man, leaning in close to his ear. You were quite sure he didn't know, but a question seemed as good a way as any to broach the topic.

“I do, yes. It's best if you ignore them.”

His nonchalance in the matter shocked you, so sure you were that this would be news to him. You waited for him to elaborate, but he didn't.

“Why are they staring at us?” You finally managed to force the words out in a small squeak, forcing his eyes back to yours.

“Don't worry about it for now, I'll handle it.” He smiled down as you, and the bright gesture washed away more of the tension you'd been feeling in the office. You smiled back at him as he rose from his desk chair and carried himself to the stairs. You giggled when he winked down at you, just as you noticed Emily frantically hurrying away from her office window as Spencer knocked on her door.

As much as he told you to not worry about it all though, you really couldn't help yourself. You found yourself growing more clumsy under the watchful eyes of your entire team, galling more times than you'd care to admit into Doctor Reid's arms. He always caught you, though, and you were thankful you never did yourself serious injury.

You finally got the answers you'd craved out on a case about a month into your struggles.

There was something slightly unsettling about the way the female Sheriff was paying attention to Doctor Reid, and it made you uncomfortable. Your mouth ran dry when she touched his arm, but a small part of you warmed up again when he shrugged her off. Until, at least, you heard him explain why.

“I'm sorry, I'm a germophobe, so I'd really prefer you not touch me.” His voice was calm and steady; it really didn't seem like he was lying.

“You're not pulling my leg? I'm sorry if I came on too strong, but-”

“Why would I pull your leg, I said I don't like physical touch?”

“Well, there was that young girl earlier, Y/N was it? You had your hand on her back as you walked in, so I didn't think…”

The woman had made a good point, and you crept closer to the edge of the door to hear Doctor Reid - Spencer's response.

“Sheriff, if we're done here, do you think I could get back to my job?” You were almost disappointed in the change of topic, but you weren't all that sad to see the Sheriff remove herself from the room. Slipping in behind her you decided to test the new theory that had slipped into your mind in the last minutes.

You called out to him to grab his attention as you walked into the room but before he had the chance to turn and greet you, you threw your arms around his shoulders and pressed your body down against his, enveloping him in a back hug.

It was quite possibly the most familiar position you'd been in with him, but really it wasn't all that different from your usual proximity.

Unlike when the Sheriff casually brushed against him, he didn't stiffen, didn't pull away, but instead melted into your touch, looking up at you with a large grin.

You stood shocked for a minute before grinning back.

“Spencer, I think I know why everyone has been watching us for the last few weeks.” You said, causing his eyes to panic slightly as he acknowledged your words.

“The, uh, the Sheriff was just in here talking about a development either some of the DNA test results-” He desperately tried to change the subject, but you were locked in now, spinning his chair around to face you more as you came eye-to-eye with him.

“I know why the Sheriff was in here, Spencer, I heard it all.”

“It's not what you think,” you paused for a moment as your brow furrowed, trying to figure out if you'd somehow caught the wrong end of the stick.

“So our coworkers haven't been waiting for you to ask me out, having noticed large changes in your body language and attitude around me?”

“It's….exactly as you think.” His face was flushed with pink and your heart skipped a beat at the man in front of you. But you still had some questions.

“And you knew, but you didn't say anything to me despite the fact that I bought it up multiple times?”

“I'm…I'm not good with words," he frowned

“Are you good with dates?”

“Excuse me?”

“You're going to take me on a date when we get back to Quantico. After giving it some thought, Doctor Reid, it seems I've become quite enamoured of you.” You dropped into his lap then, sitting there like a cat pleased to take up residence on its owners legs. He stuttered for a few seconds but then found his voice again, face lighting up.

“Spencer. Please, Y/N, call me Spencer.”

[sayuri-of-the-valley]

On how Crowley and Aziraphale felt during the kiss (but mainly Crowley here):

Ok so first, the main idea for this huge meta is that a LOT of us noticed how the music from the kiss scene is similar to the nebula one, right?

Second, a lot of us also correctly noticed the parallels between the kiss and how it was to taste food for the first time for Aziraphale: bc of his reactions, the hand on lips, the similar way MS acted both scenes, the little inhale etc. So how was it for Crowley?

Aziraphale's reaction to the kiss is practically a puzzle to solve on its own, so it's fun to analyse it, but basically, in a few words, Aziraphale kissed Crowley and he discovered he was physically starving for him, longing for him, yearning for him, for his kiss, and he had no idea. Just like with the ox. And now he needs to gorge himself in him but he can't. Great amazing heartbreaking chef's kiss someone give MS an Emmy.

But there's already so much amazing meta out there about Aziraphale x Ox ribs x The Kiss that I want to focus on Crowley here, and on the music.

So back to the music. The song in "Before the Beginning" and the song that plays during The Kiss (I Forgive You + Don't Bother) are so similar. They're not *exactly* the same, but they're totally reminiscent of each other. The viewer is immediately reminded of those chords that played in the opening scene. It's no coincidence that the fandom was talking about this fact only minutes after first watching those final fifteen minutes. This is an obvious intentional choice for storytelling reasons (David Arnold is a genius).

I have no expertise whatsoever when it comes to music, so I asked our friend @otsanda to see if that made sense and not only it does and she explained it, but she also uncovered so much more hidden meaning in all of it (musicians are amazing), so check out her meta about the music that not only serves as evidence to what I'm proposing here but it also has so much more juicy information in it 💖.

Back to the point: WHY thought? Why choose a similar song? Why intentionally COMPOSE a similar song for that moment?

Hear me out. WHAT IF, by reminding the audience of the creation of the nebula, they meant to convey to us that, for Crowley, kissing Aziraphale gave him the same feeling that creating his stars did?

THAT'S what the music is telling us. THAT'S why it makes us remember "Before the Beginning". It may sound cheesy, but Crowley may have literally seen stars when he kissed Aziraphale. He couldn't react accordingly (just like Aziraphale couldn't), bc it was an overwhelming and extremely sad moment (the music is also telling us that) for both of them. They knew it was ending . They were both having a moment of huge revelation that was fated to not come to completion. Crowley was right, it was too late.

It makes sense to show Crowley's feelings through the music, bc he was the one who started the kiss, and also he was wearing sunglasses in that scene, it's different from a character like Aziraphale that has all his million expressions for everyone to see at all times. And they've been doing this ever since s1 with the Queen songs that play in his car or in the background.

So my point is: the same song being used there makes me wonder if kissing Aziraphale finally gave him what he lost. His purpose. What Aziraphale was trying to give back to him by taking him back to heaven. There's no need for Heaven. Just kiss him, Aziraphale, and there he'll find the stars you want to give back to him. There you will one day see that smile on his face you saw Before The Beginning. Neil Gaiman and David Arnold I am in your walls 😭

This is what may lead us to see this happiness in Crowley again (not the action of kissing itself, of course, but what it represents to their relationship, them being together, them being an Us).

As @otsanda said: from the music we can interpret that that moment was a Revelation for them. Almost a religious experience. Crowley found his purpose again. What he'd been missing the whole season (or even his whole life since the Fall, but we've seen him especially depressed this season).

I'm not even getting into the poetry of how one can interpret the parallel to the angel's reaction to the kiss as carnal, and the demon's as religious; that would be another whole essay but let's just agree that it's incredibly beautiful. (Let me be clear that I mean here Aziraphale's reaction is carnal specifically for Crowley, and Crowley's is religious specifically for Aziraphale, not religious as in "worshipping god")

"Do you ever wonder what's the point?" Crowley asked in s2e1. The point, for him, is Aziraphale (if you've seen The Good Place you know what I mean). I hope he figured this out with that kiss, even as heartbreaking as it was. Even if it was a (temporary) separation kiss. (I hope Aziraphale figures this out with time too, that he's more than enough to make Crowley happy, that Crowley doesn't need Heaven, or stars, that Crowley needs him.)

Maybe that's why Crowley didn't leave and kept waiting outside until the very last moment.

Aziraphale and Crowley both bit the apple at the end of s2. There's no turning back from that Knowledge now.

Edit: I just have to add here this brilliant colour analysis of the nebula scene by @halemerry. And it's pointed out that during the nebula formation there's a moment when it looks like two people embracing. And the fact that a similar song is used in the actual Kiss scene I just... I have no words

[sp0o0kylights]

Bullshit.

The word rings obnoxiously in Steve’s ears as he pushes his way out back, not wanting to be anymore of a talking piece at this party than he already was.

He’d just wanted Nancy to stop drinking, take a second, pace herself…

Steve swipes furiously at his eyes, and then curses when it nearly causes him to run into Chrissy Cunnginham, who’s perched in a chair tucked away from the patio door.

“Sorry, sorry.” He apologizes, trying not to sound like he’s upset, trying to keep his cool--only for her to look up and away, brushing off her own tears.

“Oh.” Steve says, a little laugh bubbling out of him. “You too huh?”

Thankfully she correctly interprets that he's not laughing at her, and adds her own giggle to the mix, the sound gentle even if pitched in upset.

"Boy problems?" Steve asks her, sinking down to the vacant chair on Chrissy's right.

She nods, clasping her hands together in her lap.

"Girl problems?" She asks back, and he grimaces a smile.

They sit for a minute, Steve pulling out a cigarette and offering it to her before lighting up. Chrissy shakes her head, and though her nose curls a little at the smoke she doesn’t say anything.

Neither of them do, staring at the few people bringing the party outside in the way only drunk teenagers can.

"Can I tell you something?" Chrissy says finally, as Steve continues to struggle to keep himself breathing evenly (and not spiraling. He still has to go back and try and escort Nancy home, and he needs to keep his temper when he does it.)

She licks her lips. "I keep trying to break up with Jason, but he won't let me."

It takes a second for the words to register, but when they do he leans himself towards chrissy in concern. “What do you mean, he won’t let you?”

“He’s not--it’s not…”She trails off, worrying her bottom lip with her teeth. “He talks me out of it is all.”

She’s downplaying it, and Steve’s concern grows tenfold. “Does he argue with you or just…tells you no or something?”

"It's complicated." Chrissy says, refusing to look at him. "He has this vision for me, for us."

Steve watches as she worries at a hangnail.

Feels the need to reach out and take her hand, but keeps his own hands to himself.

If Steve has learned anything, it's that not everyone wants to be touched as much as he does.

"He keeps telling me I'm just being anxious. That I should trust him, and I do, he just expects me to always do what he says? And more and more lately I--"

She huddles down into the little cat costume she's wearing, pulling the thin black sweater around her. "I want different things than he does."

Steve wonders vaguely if Nancy wants different things.

Or a different person entirely.

"That's not fair to you." Steve says, leaning forward and lowering his own voice. "He can't keep you in a relationship you don't want to be in."

A hard thing for him to say, after the bathroom conversation but this is different.

‘Please, let this be different.’ He thinks, before pushing the thought aside.

"He can't force you to do what he wants just because he wants it, or thinks its best. He should be listening to you and what you want too. Relationships are about…compromise right?” It’s what he’s heard anyway, though most of the time “compromise” means “letting the other person get what they want.”

Which is what he thought he’d been doing for Nancy all this time.

“I can help you if you want. Be your," Steve poorly mimes waving a pom pom. "cheer support."

Chrissy looks at him, eyes still wet. "You would?"

"Of course.” He says, before scooting just a smidgen closer. “Might have to ask you to return the favor though. Nancy said some things tonight and I could really use a second--”

A loud curse makes them both startle, interrupting Steve.

Together, they look around before another noise, like bark being scraped, draws both their attention to the large oak that stands in the backyard.”

"Is…is that Eddie Munson?" Chrissy asks.

"I think so."

Chrissy squints a little, as if not quite believing what she's seeing. "Is…he stuck in a tree?"

Steve finds himself staring in his own disbelief, hands moving to his hips as he watches Munsons wriggling, cursing form.

"I think so." He repeats with a shake of his head.

Eddie's foot slips off a branch, once, twice.

"Hey--" Steve calls out in warning, but unfortunately it comes too late.

The branch under his foot gives away with a startling crack! as another branch shreds Munson's jacket as his full weight caches on it.

"Oh!" Chrissy gasps, hand flying to her mouth as Eddie falls right onto his ass with a yelp.

"You good man?" Steve asks, rising from his chair, hesitant to go over but needing to make sure the idiot hasn't cracked his skull open.

Chrissy has no such qualms, popping up to run over to Munson.

"You're bleeding." She tells him worriedly, dropping to her knees to get a better look.

"Well shit." Munson says with a wonky grin. “I’m sorry.”

“What are you apologizing for?” Chrissy asks, as Steve’s newly honed babysitting instincts kick in and drive him to get up and look at Munson’s injury himself.

Chrissy carefully strokes the older teen’s hair out of his face, as Steve bends down to check his head and neck.

"You hurt anywhere?" He asks, spotting the scratch that had Chrissy worried.

It’s on his forehead--the guy must have knocked his face against the tree when he fell. Head injuries always bleed a ton but this one's well contained to a small scrape.

Probably not a concern, though Steve looks at his pupils anyways.

"Nah, I’m pine. I didn't mean to drop in on you guys.” He waves a hand behind him before dropping his voice to a dramatic whisper. “I knew I shouldn’t have trusted that tree, it was pretty shady.”

Steve, long trained by Dustin, narrows his eyes. "Are you making puns right now?"

"Maybe?" Munson hedges, looking delighted to have been called out.

“Uh huh.” Steve puts his hands back on his hips, straightening up from where he’d crouched down. “Your head okay? You remember your name and shit?”

“Edward Edwardian Munson, present and ready for duty!” He gives a mock salute, before dropping Chrissy a wink. “If the duty is drinking and playing games that is.”

“Your middle name cannot be Edwardian.” Chrissy laughs.

"It is!" He defends, at the same time Steve says,

“It's not "

“Oh?” Munson challenges, as if this entire situation isn’t ridiculous. “Then what is my middle name, Sir Steven?”

“No idea, but I know it’s not that.”

Munson blows a raspberry at him. “Well then, maybe you should mind your own beeswax."

"Like you were doing? Up in the tree right above us?" Steve banters back.

The playful look dies a little, Munson beginning the painful process of standing after one falls.

"For the record, I absolutely was not eavesdropping, you guys just happened to be under the tree I climbed and I was there first. " He says it rapidly, like he's used to being accused of such things, and is heading off as many problems as he can.

Steve just ignores it, opting instead to hold his hands out. One to Chrissy and one to Eddie.

Watches surprise cross the older teens face, even as he waits for Chrissy to get up before accepting Steve's hand.

"Why were you up a tree? The family dog run you up there?" Steve grunts as he pulls the metalhead up.

"Funny." Munson quipped sarcastically. "But no. I was up there for reasons."

'Reasons.' Steve mouths, and has to fight himself to keep from grinning.

"Even though I was there first, I did happen to hear some things." He looks at Chrissy, voice turning serious. "If you need any help getting things through Carver's thick skull I'd love to lend a hand."

"You would cheer for me too?"

"Oh absolutely. I'd make a far better cheerleader than Harrington here." He shoots a grin towards Steve to take the edge off the words, before doing a far more enthusiastic mimicry of the cheerleaders pom pom routine.

"But I know how much Carver hates the word no. If you break up with him and he gives you shit after, I'm happy to step in."

Steve hadn't actually thought about that yet, but given what he knew of Jason it makes sense.

He could easily see Chrissy worrying about Jason harassing her after the break up.

"Thank you. Both of you." She sniffs. "Eddie, are you sure you're okay?"

"Right as rain!" Munson gives a rather theatrical thumbs up. "I'll let you in on a family secret, we Munson's have rubber bones."

She gives him another giggle for his efforts, and even Steve can’t fully cover his

Munson, the ass, notices.

“Well call me the court jester, I got both the King and Queen to smile!” He cheers.

Steve rolls his eyes, but doesn't deny it.

"Chrissy!?" Someone barks, loud in the otherwise quiet backyard.

"Speak of the devil." Eddie drops his voice dramatically as Jason strides out of the house.

"I've been looking for you." He chides, two of his friends following close behind.

They're younger members of the basketball team, ones Steve's brain sluggishly attempts to remember.

"Are your knees dirty?" Jason asks Chrissy, disgust tinting his voice as he slowly looks from her to Munson next to her.

His eyes narrow, expression almost offronted.

"You heathen." Jason snarls, stepping forward with a fist clenched.

It was a move right of the sitcoms Steve swore he didn't watch, and it looked just as cheesy in real life as it did on screen.

"Calm down." Steve speaks up, hands going to his hips.

Jason's head jerks as he registers him, so focused on Munson that Steve slipped his notice entirely.

"Harrington?" He asks, as if Steve could be mistaken for anyone else here.

Steve gives him jazz hands in return.

"What are you doing out here?" Jason speaks only to Steve, whole body angling towards him like he's the only person who matters.

It's something Steve's dad does, if there's a businessman he considers to be an equal in the room. Zoning in on them, so he can subtly work in ways to make them feel inferior.

It's narcissism at its core (or so says his mother, when she's blitzed out on too many glasses of wine.)

"Talking to people." Steve deadpans. "If you're looking for beer, you walked past it."

Jason entire face pinches, like he just stepped in dog shit. "No one just talks to Munson."

It's a stupid thing to say, and whatever Hason was trying to imply with it wasn't appreciated.

"Well mark me as the first." Steve's hip cocks, voice frosting over.

Surprise washes across Munson's face, though he remains silent as Steve deals with Jason.

Probably a smart move, given how Jason seems to be eager for a fight.

"Whatever it is you're doing, you can leave Chrissy out of it." He says, and god his voice even sounds like Steve's dad.

"Chrissy," Steve says, with an eyebrow raise he knows looks judgemental, "can speak for herself."

He turns to face her, inviting her to the conversation, in the same way he'd always wished someone would invite his mother to speak against his father.

Watches as the cheerleader bites her lip, trying hard to hide the tears that have sprung to her eyes--but proves that she's stronger than Steve's mother ever was.

She steps forward, taking the opportunity offered to her with a steadying breath. "Jason--"

"You can explain it to me later." Her boyfriend waves her off, like she was a waitress offering water and not his partner.

Uncaring entirely that she's clearly upset.

That she wants to talk.

Munson has come to stand on Chrissy's other side, gone still in a way Steve's never seen him do.

It's downright weird for a guy who's normally always moving, and Steve knows it's defensive.

He's feeling a little defensive himself right now, though he doesn't want to particularly untangle why.

"Jason, listen to me." Chrissy tries again.

In his preffery vision, Steve spots a flash of familiar color. Turns his head automatically, seeking it out--and sees Jonathan hustling Nancy across the room.

The younger man is trying to balance Nancy while opening the front door, and for a second Steve almost beelines for them, except--

Except.

Nancy's whole body moves in what Steve intimately knows is an exhale, leaning her head in the crook of Jonathan's shoulder.

One arm wraps around his waist, as Jonathan finally gets the door open, and Steve watches with a stunned sort of horror as his girlfriend presses a kiss to Jonathan's shoulder.

It's fine.

He's fine.

Nancy was just--drunk. Seeking comfort. She didn't know what she was doing. She didn't mean it like that, she didn't--

"Oh shit Harrington." Jason drawls, a lazy sort of taunt. "I think Byers just stole your girlfriend."

Steve's head snaps back to him, the emotions he was attempting to box up flying to the front of his brain like dogs who slipped their leash.

"Never thought a priss like Nancy would be easy like that, but then, you never were the kind of guy to inspire loyalty." Jason continues, clearly ignoring his own girlfriend and all Steve can see is red.

Munson sucks air between his teeth next to him, nervously eyeing Steve while Chrissy's eyes have gone wide with shock and growing anger.

"Jason!" She admonishes, but he's not even looking towards her.

That too sharp smile is all for Steve.

He thinks of Nancy, the way she'd been so angry with him but so gentle with Jonathan.

He thinks of the monster he faced down in the Byers house, the terror that had shrank down to that same adrenaline soaked focus he had on the basketball court.

He thinks of this asshole Junior in front of him.

Making Chrissy cry just because she'd been kind enough to try to help Eddie, and accept Eddie's kindness in return when the weirdo tried to help her and Steve both.

Steve taps his foot, then switches his stance.

'Plant your feet.' Hargroves voice snarls in his memory and Steve wouldn't be surprised if the asshole abandons the keg long enough to come watch this.

Have his turn at heckling, just because he can.

Steve plants his feet anyway.

"You know what Carver?" He says, hands dropping from his hips.

Jason's face curves into a smile. "What?" He says, tone smarmy.

"You're full of shit."

Hand cocking back of its own accord, Steve puts every bit of himself into his punch.

Feels it reverberate up his arm as his knuckles connect to Jason's cheek.

It's going to hurt later, but right now all he can do is stand over Jason as the asshole's head snaps sideways, legs staggering him backwards until he's falling into his friends.

Chrissy gasps, Jason's boys chanting variations of 'Oh shit!'

Steve just glares him down.

The junior wipes his bloodied mouth, letting his friends push him up before shrugging them off.

"You're going to regret that." Jason snarls, and Steve squares up a second time, expecting to be rushed, when the sharp snickt! of a switchblade freezes them both.

"I think we're done here." Munson says, knife in hand.

The blade he holds is stained a deep, russet red. Crusty flakes fall off it, drifting gently down to the patio floor.

Jason's eyes boggle at it for a moment before he stands up straight.

"Now it makes sense. You're weak, Harrington, letting the Freak get his claws into you." Jason spits bloodstained saliva down at Eddie's feet. "No wonder Coach wants Billy as co-captain!"

Steve just scoffs.

"Chrissy!" Carver barks, making the poor girl jump. "Come here, we're leaving!"

Trembling, but stepping closer to Steve, she shakes her head.

"Chrissy." Jason orders again, and has the audacity to point to his feet, like a man commanding his dog.

"No." Chrissy says it quietly at first, voice a little shaky, before she seems to realize it.

She stands taller, repeats herself in a stronger voice. "No, Jason. We're done."

Jason stares at her, hard. "Chrissy, your mother told me to bring you home. So I'm going to take you home and get you away from this--demon and his lackey!"

It doesn't sound loving.

It sounds like a threat.

He steps forward, hand out to grab her arm and Steve tenses, shifting to step in front of Chrissy.

Eddie beats him there.

The word demon seems to awaken something in him, because his face is now grinning theatrically, voice dipping low in pitch.

"You heard her, Carver. She said no, and even I respect a lady's wish. So run along now," he walks two fingers in the air, from the hand not waving the knife around. "before I decide to make you and her both one of mine, just as I did Harrington!"

Jason actually crosses himself, before making one last attempt for Chrissy.

"That monster is dangerous. if you don't come with me, I'll have to alert your parents." He locks eyes with her. "For the good of your soul."

Steve snorts at that crock of shit, but Eddie lunges forward, slashing the knife in the air.

It's nowhere near Jason, but the guy leaps a foot back anyway.

"Begone!" Eddie booms, and that's all it takes for Jason and his cronies to huff and puff and stride away.

He keeps his arms in the air for a few beats more, before dropping them when it's clear Jason won't be back.

"So I'm yours, huh?" Steve drawls, as Eddie finally puts his hands down and turns to face them.

The guys scary face drops into something almost excited, and Steve can practically see the adrenaline crackling through him.

"Hey it worked. Carver's a religious nut, he goes running anytime you even hint at Satan." Eddie shrugs, grinning wildly. "Put on a little show and poof! Him and his flying monkeys melt away!"

He mimes melting and Steve stares at him for it, until he hears Chrissy laughing next to him.

Eddie grins at her and Steve is hit with the realization that it was for her benefit. To make her feel better about her psycho ex.

Something fond and familiar winds through his chest as the other boy bows.

He refuses to put a name to it.

"Did you paint your knife?" He asks instead, rubbing the hand he hit Jason with.

"What?" Eddie asks, startled out of his court jester act.

Steve nods to his hand holding the switchblade. "That's not blood, it's way too red."

"Ah." Eddie turns the grin back on, and this time it's for Steve. "Yeah, it's uh. Modeling paint. Not like Carver would know the difference."

Unspoken was the fact that he hadn't thought Steve would.

Prior to last year, he'd have been right.

Drunken cheering erupts into wild yells inside, breaking whatever spell the three of them were under.

Hargrove's voice is the loudest among them, and the dude is definitely wasted.

Steve has a feeling Hargrove also knows the difference between paint and blood, rendering Munson's knife trick useless if the dick tried to start something.

"Do you want a ride home, Chrissy?" He asks quietly.

"If it's not a bother." She says, wiping tears shed refused to let fall from her eyes.

Chrissy Cunningham was a lot stronger than people gave her credit for.

"Come on, Munson, I think it's time we all make our exit." Steve says, finding himself weirdly unwilling to leave the older teen behind.

Eddie could hold his own, but given how badly things were playing out Steve figured it was best if they all just called it a day.

"Yeah lemme just…" Munson puts his blade away, fumbling at his pockets for a moment before turning and snatching up a metal lunchbox.

"There! After you, my liege." He says, before opening the lunchbox to make it talk.

"My lady." He makes it say, pitching his voice high.

Chrissy breaks into giggles again and Steve rolls his eyes, but he claps his good hand on Eddie's shoulder as he walks past.

Eddie smiles at him, this one a bit softer than the others, eyes sparkling and Steve chooses not to read into that either.

The three of them walk together, Eddie splitting off to his van after Chrissy thanks him.

Part Two

[krummholz-go]

The Final 15 - Aziraphale’s Perspective

I see a lot of empathy for Crowley’s experience during the final 15 minutes of season 2 and it makes sense that we feel deeply for him. What he is experiencing is very human - acknowledging the depth of his own feelings, plucking up the courage to say something, having it come out all wrong, feeling utterly rejected, and then walking away in a mix of pain and anger. Who among us hasn’t been there?

But Aziraphale is experiencing something more complicated, something fewer of us have analogs for. Aziraphale has internally acknowledged his feelings for Crowley for some period of time, probably at least since 1941. Michael Sheen confirms this mental state in a NYCC 2018 interview:

“I decided early on that Aziraphale just loves Crowley. And that’s difficult for him because they are on opposite sides and he doesn’t agree with him on stuff. But it does really help as an actor to go, ‘My objective in this scene is to not show you how much I love you and just gaze longingly at you.’”

Unlike Crowley, Aziraphale’s struggle isn’t acknowledging his feelings. His struggle appears to be two-fold: 1) believing that Crowley could ever love him back and 2) even if Crowley did love him, believing a future for the two of them together could exist within the restrictions of his larger world view.

Can Crowley love?

Angels are, traditionally, beings of love. We see Aziraphale embody this time and again, showing kindness and support to almost everyone he meets, including the amnesiac Gabriel who has treated him abominably in the past. He is attuned to love, remarking on how the area around Tadfield “feels loved” twice in Season 1. As for how Aziraphale personally understands and expresses love, he shows his love to others through verbal affirmation and, to a lesser extent, physical touch. There are many examples of Aziraphale expressing his love for Crowley through positive verbal affirmation, typically by praising him for instances where he has been kind, nice, or good. And on the rare occasions when Aziraphale receives verbal praise, he absolutely interprets it as an expression of love, blossoming with happiness.

But from Aziraphale’s perspective, it may be unclear if Crowley can feel love in the same way. Can demons love? Did he lose that capability when he fell? Crowley can’t feel the aura of love in Tadfield that Aziraphale remarks on, and his reactions to Aziraphale’s praise are always to shrug it off, tell Aziraphale to “shut up,” or in the most extreme case to physically slam him against a wall and get in his face about it. In this last instance he tells Aziraphale, “I’m a demon, I’m not nice. I'm never nice. Nice is a four-letter word.” A four-letter word, like love, that is not in Crowley’s self-defined vocabulary.

If Crowley can feel love, does he love Aziraphale?

Even if Aziraphale believes Crowley is capable of feeling love, he does not always recognize how Crowley expresses it in the moment. Crowley shows his love for Aziraphale through actions, but Aziraphale often misconstrues Crowley’s motivations. In 1793 when Crowley rescues him from the Bastille, Aziraphale initially assumes Crowley is only there because he is responsible for the Reign of Terror. Similarly, in 1941, Aziraphale’s reaction to Crowley’s appearance is to assume he’s just part of the Nazi gang, saying,“I should have known. Of course. These people are working for you!”

Crowley doesn’t help matters in this regard because he is constantly muting and undercutting his signals to Aziraphale. Every time Crowley expresses his love for Aziraphale through actions - rescuing him, saving his books, even taking him to lunch - he does so in a nonchalant, dismissive manner, indicating he ascribes little value or importance to the actions he has performed. “I just didn’t want to see you embarrassed,” he says when he appears in 1941. And when Aziraphale positively glows with happiness about his books being saved, Crowley tells him to “shut up."On top of these confusing signals, Crowley is almost pathologically incapable of expressing his feelings in the verbal love language that Aziraphale can understand. This is heartbreakingly demonstrated in this scene after the bookshop fire:

Crowley can’t even say “I lost you.” Instead he speaks of Aziraphale in the third person while sitting in front of him, saying, “I lost my best friend.” The little hitch on Aziraphale’s face when he hears this is just devastating. Who is Crowley talking about? The last conversation they had before this scene was when Aziraphale called while Hastur was in Crowley’s apartment and Crowley said, “Not a good time - got an old friend here.” Aziraphale is left to wonder - is that who Crowley means when he says "best friend?" Crowley is everything to Aziraphale, but what is he to Crowley?

How Would It Even Work?

Even when Aziraphale does get flashes of the possibility that Crowley may care for him he immediately runs up against his second mental block - there is no world he can imagine where they could be together. When Crowley first suggests running off together in the bandstand scene in S1E3, Aziraphale collapses under the thought: “Friends? We aren’t friends. We are an angel and a demon. We have nothing whatsoever in common. I don’t even like you.”

While he is obviously in denial, Aziraphale is also under tremendous stress in this moment and is desperately trying to hold onto some stability by falling back onto his world view and ideology. In this state he backpedals all the way to “I don’t even like you.” In his understanding of the way the universe is supposed to work, he and Crowley are hereditary enemies and should not even be friends, much less in love. Aziraphale expresses this core belief throughout the series. What kind of existence could they ever have together in reality?

The Final 15

With this as a background, we can better understand what Aziraphale experiences in the final 15 minutes. Even before the Metatron enters the scene, Aziraphale begins to have his fundamental beliefs challenged which puts him off his footing. The revelation that Gabriel and Beelzebub are in love is deeply impactful. When Beelzebub says “I just found something that mattered more to me than choosing sides” and takes Gabriel’s hand, Aziraphale immediately reaches out to make contact with Crowley, a look of incredulity on his face. Here is proof that demons can feel love and that an angel and a demon can carve out a space together. The road may be difficult, but it is not impossible.

Before Aziraphale can digest this revelation the stakes are ratcheted up: Michael threatens to erase Aziraphale from the Book of Life due to his part in hiding Gabriel. The future that Aziraphale has just barely glimpsed is already under siege. It is at this point that The Metatron enters, offering Aziraphale not just survival and protection, but a version of everything he has ever wanted.

If Crowley is reinstated as an angel, Aziraphale will no longer have to wonder whether Crowley is capable of feeling love. And if they are both angels, there will be no conflict inherent in having a life together. In one fell swoop, the Metatron entices Aziraphale with a future where there are no remaining blockers to an eternal, loving existence with Crowley. It will be “like the old times, only even nicer” because they now have millennia of their shared history to build on together. Of course this logic is horribly flawed and does not take into account at all what Crowley wants, but in the moment it must feel like an enormous gift to Aziraphale.

Unfortunately, not only is Crowley’s reaction to this “incredibly good news” not what Aziraphale expects, the conversation quickly takes a baffling turn for him. Crowley shuts down the talk about returning to heaven and attempts to say what he wants to say. Sadly he once again utterly fails to speak in a way that Aziraphale can understand.

The audience knows what Crowley is trying to say because we have the context of his earlier conversation with Maggie and Nina. But Aziraphale lacks that and thus can’t understand where this is coming from or what it means. Rather than expressing his feelings as Beelzebub and Gabriel did, Crowley recites facts: we’ve known each other a long time, we’ve been on this planet a long time, I could always rely on you, you could always rely on me. He can’t even say the word “couple” when he describes them, referring to them more as colleagues with words like “team” and “group.” And the one time he does try to express his feelings and desires he is physically unable to get out the words: “And I would like to spend—.” He then retreats into his old plea to turn away from heaven and hell and run off together. Nowhere in Crowley’s confession does Aziraphale hear “I love you” or even “I want to be with you.” What he hears instead is what he’s heard multiple times before - Crowley wants to abandon both heaven and hell and default to just the two of them. From Aziraphale’s perspective this will not solve anything for them. They will still be an angel and a demon, at some level fundamentally separated by their very natures.

Having failed in his speech, Crowley then does two things in rapid succession that must be excruciatingly painful for Aziraphale. First, he does the opposite of verbal affirmation by calling Aziraphale an idiot. We have seen Aziraphale become physically radiant in the rare instances where Crowley has praised him, so a direct insult like this must feel poisonous. Then Crowley makes a last desperate attempt to communicate through Aziraphale’s other love language - physical touch - by initiating the kiss. But without context or understanding of what is behind it, Aziraphale can initially only experience it as forceful, angry, and shocking. With more time to parse it I think Aziraphale will come to understand Crowley’s meaning, but in the moment it must feel manipulative and borderline cruel.

The Results

In a very compressed time frame, Aziraphale has to move quickly and radically through multiple mental and emotional states. For 6000 years he has believed he and Crowley cannot be together. Suddenly, with the revelation of Gabriel and Beezlebub, that foundational belief is challenged. Before he can work through what that could mean for him and Crowley, the Metatron offers an even cleaner solution - they can be protected from retribution and be on the same side again. When Crowley rejects reinstatement wholesale, it makes Aziraphale feel that he and his loving offer of a life together have been personally rejected. Then that rejection is further confused through the shocking experience of the kiss which Aziraphale does not have adequate context for or time to understand and integrate. In his emotional turmoil, Aziraphale falls back on his default crutch for dealing with sadness and anger - forgiveness - which further cuts him off from Crowley. Taken all together, this is a tumultuous rollercoaster of whiplash emotions that pull at every part of Aziraphale's self- and world-views.

Compared to what Crowley is going through, I think Aziraphale is going to have the tougher road in Season 3. Crowley may still need to better reconcile and integrate his feelings for Aziraphale, but Aziraphale has 6000 years of foundational ideology to challenge and evolve to reach a place where he and Crowley can be together as their authentic selves.

[pomefioredove]

only one bed room

summary: it's the sdc and everyone's staying over at ramshackle but, oh no! you're one room and one bed short. being the generous (or gullible) soul that you are, you agree to share characters: all sdc competitors, separate additional info: fair warning I have no replayed book 5 in a while, reader is yuu, reader is gender neutral, rook is rook, most scenarios end in cuddles. can be interpreted as romantic or platonic (nix vil and rook's part)

Deuce Spade

"I don't mind sleeping on the floor!"

it's a big fat no from Vil. waking up sore and tired is unacceptable, and will affect his performance during practice. he will use the bed, end of story.

you offer to take the floor or one of the many stiff and uncomfortable couches in Ramshackle, but he refuses

what kind of aspiring honor student would he be if he kicked you out of your own room?

so, yes, you end up sharing the bed

he's a perfect gentleman about it

he insists on sleeping on the complete opposite end of the bed

to give you your space, of course

not because he's nervous

obviously it doesn't pan out- he's kind of a messy sleeper, and on the first night you wake up with him sprawled on top of you

you decide not to wake him up

you'd been thinking about saving for a weighted blanket, anyway

Ace Trappola

"you better not hog the blankets,"

takes it like a champ, though he might be screaming internally

he already sleeps in a dorm with three other guys- this can't be any different, right?

it totally is

sharing a bed with someone? someone he likes, who he isn't just forced to live with for convenience?

he's not sure how to tease you about this one without coming off as nervous himself

so he just shuts his trap about it (for once) and accepts his fate

in the end, it's no big deal for a player like him

he ends up hogging the blankets, though. hypocrite.

Kalim al-Asim

"YAYYY SLEEPOVER!"

he means exactly what he says

not a care in the world

all he's thinking about is how fun this is going to be! just him and his favorite Ramshackle prefect (Grim heard the news and will be staying in deuce's room to avoid any cracker mishaps)

Kalim, admittedly, is not a creature of great thought. he tends to be dictated by his feelings, and he can be a little selfish sometimes

so when Jamil pulled him aside and asked him to just buy another bed for ramshackle, he ignored him entirely

why would he do that? the situation is resolved, and everyone's happy!

well... not everyone, but Kalim's happy!

he stocks up on Vil-approved snacks, insists you two braid each other's hair and stay up late into the night talking with no one to remind you to go to sleep

(he tried to invite Jamil and got the door slammed in his face)

this arrangement lasts approximately one night

when Vil sees the dark circles under your eyes, it's over

you are confined to the couch, and Kalim is forced to sleep alone

Jamil Viper

"okay,"

really. he's totally fine with it.

besides the fact that he doesn't want to cause any more trouble, he's shared beds with his siblings before. no big deal

he just wasn't expecting to wake up with you snuggled against him

but this is fine

totally fine

he's barely conscious and it's early morning, still dark, the time he's used to getting up at

Vil has things covered, right? he can stay here for a little while longer. it would be awkward trying to get up without waking you

it feels nice having something all to himself for once

he smirks, imagining how jealous everyone else would be:

the beautiful, kind, intelligent ramshackle prefect in his arms? oh, the looks on their faces would almost make this whole thing worth it!

but in the end, he decides to say nothing

he wants to keep you all to himself, after all

for just a little while longer

Epel Felmier

"ain't no way I'm sharing!"

that's what he says in his head, anyway. but it's late and he's worn out from practice (and being shouted at) so he just sighs and accepts his fate

of course Vil would make him do it. it's probably because he's the smallest, isn't it?

you can tell he's unhappy with the arrangement (not that he's making much of a secret of it- he's grumbling under his breath all evening)

he starts coming around to the idea when he wakes up holding something warm

his heart jumpstarts and he nearly panics before remembering where he is

and then he realizes the thing he's holding is... you. somehow the two of you had ended up spooning during the night

but, more importantly... he's the big spoon!

he's almost tempted to wake you to announce that he, in all his manly glory, had naturally assumed the most masculine cuddling position!

(yes he sounds ridiculous. just let him have this one)

he lets you sleep, though. just a little more won't hurt anyone, right?

he's okay with the arrangement after that

Rook Hunt

"I will do it!"

Vil isn't even able to finish his sentence before the vice housewarden is practically jumping up and down

pretty much everyone breathes a collective sigh of relief; a volunteer! thank the sevens. otherwise, this could get awkward...

of course, he quite intentionally ends up with you in his arms

but not for any nefarious purpose, he insists!

he's a light sleeper, and can be stirred by any sudden noise or movement

you appeared to be having some kind of nightmare

it reminds him of a small animal caught in a trap, struggling for its life. he can't bear to see it- it's cruel to let a poor creature go on suffering before you can make the kill

of course, instead of killing you (thank the sevens), he decides to comfort you

he presses your head against his chest so you can hear his heartbeat, and he runs his fingers through your hair until you calm down.

then he keeps you there, just to be sure you don't have another bad dream

if you gave him permission, he would gladly be all over you in seconds. kissing up and down your shoulders, caressing every perfect inch of your body, whispering words of admiration

but he's perfectly content just cradling you for now

hopefully, you will continue to have these nightmares and give him excuses to do this again

Vil Schoenheit

"don't argue with me,"

initially, you just gave him the bed

maybe you were afraid of him; maybe you like him; maybe you just wanted to avoid a conflict altogether

either way, you spent the first night on the terribly uncomfortable floor, and trudged through Ramshackle like a zombie the next morning

Vil was feeling guilty watching you

what? he's not a monster

and he's a leader, which means he has a responsibility. and you had so graciously invited them all into your home...

fine! he'll share. he insists, even

when you try to argue, he shuts you down, repeating all that stuff about responsibility and hospitality, blah blah

and he doesn't want the team manager dead on their feet

arguing with him is pointless, so you just agree

he wakes up with you against him, sleeping peacefully

now, if it were you clinging to him- he might have had a good chuckle. can't keep your hands to yourself, prefect? I'm just that irresistible?

but the way he's holding you, the way his arms are so tightly wrapped around your waist, the way he's so clearly pressing you against him...

he hates to admit it, but you're an elegant sleeper. it's almost cute

the tension is relieved from your face, your breathing graceful and steady, and your perfect lips open just a sliver...

he is a perfect gentleman, and would never dream of doing anything without your explicit permission, but for one shameful second he thinks about how easy it would be to kiss you

... and then he quickly puts those thoughts aside and tries to get back to sleep

he doesn't want any dark circles, after all

[aquickstart]

i need to talk to you guys about the colors of the Cattons (Felix specifically) and Oliver. the clothes they are wearing are telling the story of Oliver taking over and leaving his mark throughout the whole movie, with Oliver's failures and successes and a final triumph. holy shit. get in. this is long and ends in ancient greek culture trivia. let;s talk please.

disclaimer: am starting from Oliver's arrival at Saltburn. before that the outfits are also very intentional, but it's a lot more complicated and it has been discussed before. the world distorts once we are at Saltburn and the story gets truly gothic there, and every detail—including color!—is enhanced in meaning. also, special thanks to @kivlaro for doing this with me, the thoughts on this specifically and the Saltburn craze on the whole. pics and detailed analysis under the cut!

let's start from the beginning. here is Oliver at the door. simple, blue shirt.

the shirt is sort of its own character. logically it makes sense as Oliver's suitcase is small and he spends the whole summer there, of course he'll rewear stuff a bunch. but it is blue.

in contrast to Felix, in yellow. yellow is one of Felix's colors (he is the sun, which i've talked about here btw, so this makes sense).

same to Pamela, in blue. first time we see her, she is next to Elspeth, wearing the color that is Oliver's, taking the place that he takes right away, in this very scene. the only other time she is physically present on screen is at dinner, in black and white, and black and white are a blank slate. she is stripped of color and gone very fast.

a bit of crucial data for later: Oliver, in blue, and Felix in pink. pink is very important on Felix. this is their first morning together. they are separate and opposite, solid, contained.

where it starts to get good is the morning after the vampire strike.

Venetia is a Felix extension, just as everyone in the house is to Oliver. i will eventually rant about Saltburn as a whole entity and Cattons as aspects of one self, and Oliver as psychosis, but not here. so, yes, Venetia is a pink riot, a euphoria of self-containment because Oliver gave her a piece of something she felt she lacked to feel whole (validation, attention, care), not a piece of blue, of himself. Oliver is expectedly solid blue. Felix is incredibly interesting and something i didn't pay much attention to at first: predominantly blue, incredibly upset at Oliver for ditching him, with a tile of bright red (on the left! close to heart! over-reaching here but like still!), which still tracks. i mean, really, if i had so much foreign color bleed into me and then abandoned, i'd be pissed, too. nice little touch is sir James' beloved hydrangeas, behind Felix, also pink, very pink, always pink; i don't think i've seen them blue in the movie, although the sort exists.

Farleigh. sweet baby Farleigh i love you. I'm not dead-set on my interpretation of this specifically but i think multiple things are happening with Oliver and Farleigh here. like Rent, which is their song, blue is their color of outsiders and the triers to fit in. Farleigh points out the favoritism and preference of Oliver to him and his mother here, so it may also be appropriation of color to draw attention to Farleigh as almost (but never quite) Oliver. it may also be as simple as that Farleigh, as much as he denies and resists, still retains Oliver's influence, which bleeds into him very slowly.

a nice little moment of Felix wearing blue swim shorts with just tiny specks of a pink pattern. Oliver's shorts also have a bit of pink, but less than Felix's. Oliver is pretty good at remaining unaffected and uninfluenced overall.

and we're getting to where it all clicked and started for me. the Quick family house, the failed reconciliation, and the immediate aftermath. oh it's so good.

on the drive there, Oliver is blue, Felix has a pink polo shirt with a solid blue pullover over it. this is the most blue Felix has ever been (this is the most blue he will ever be!), this is trust. however shaky and toxic it is, Felix loves Oliver and accepts him into his world. as a side note, Oliver's parents are also very blue, mom more so than dad. nice!

and then it crashes. immediately after, it's the evening of the same day, but Felix is not wearing the blue pullover anymore. this is very, very important. this is rejection. it's the end for Oliver in Felix's world and with his trust. Felix, again, in solid pink, Oliver in solid blue. Felix successfully rips him out with the roots and everything. ouch.

daddy. sorry. is that highlighter? sweat? fuck. let me- daddy. SORRY

no i actually have a point about this.

the clothes are replaced by the lights, but we roll with it. Oliver basks in the blue-green light, while Felix is on the other side, in pink and purple and red. sure, blue shines through, and Oliver also walks through the slashes of pink, but it is mostly pretty separate, Oliver watching Felix's pink in his own blue from a distance.

the morning after palette is deep. the wine color that is so prominent in these scenes is fascinating to me. if i were to over-reach again i'd say it's the Oliver in Felix's attributes and in his place that requires the robe to be so dark, not usual definite pink, because deep blue has leaked into the color itself, mixed with it, made itself integral to the shade. but it's also just a nice color, and it is pink in its core. the flowers (with sir James in the background) i think are also this specific shade for the same reason. you look at what remains of Felix everywhere here, and it is his color.

and finally oh the lunch scene. the last supper. the judgement day. the who's afraid of virginia woolf madness.

i think we've established what's up with Oliver, but i also think it's important that he is his own color at lunch but in Felix's pink/wine right before and after. lunch is where he attacks, whereas before and after is where he grieves and enjoys. Farleigh is almost completely blue save for a strip of the same deep pink, and he is soon cast out, and Venetia is striped, blue and pink/salmon, affected deeply by Oliver yet still clinging on to the Catton pink with grief, probably, but also love for Felix.

and after all this, Oliver leaves himself.

no, like, actually, literally himself. sure, he'd got a taste of the Cattons and the pink, but he is a monolith, a solid blue when he leaves Saltburn. he has not been affected by the house, he has taken what he wanted but stayed true and whole. what a power move, honestly.

but it's an even bigger deal that 16 years later, Elspeth runs into Oliver wearing all white and a blue scarf. oh, she's not let this go, alright; it was a long time ago, "but not to me," she says. What Oliver has been up to in that time is a great question, without a doubt he's been keeping tabs on the remaining family as much as he could; but Elspeth has never moved on, either. She has held on to Oliver's blue and the pink is not important at all now. Oliver, of course, is invariably, unwaveringly blue. welcome back to his show.

and welcome back to his triumph.

the only color (except for, again, white and black) we see him wear in the flashback about Saltburn inheritance is the all-too familiar deep pink. wine. bright pink mixed with deep blue.

now i will take a liberty and step back, over-reach, over-interpret and go insane. here's a fun bit on ancient greek culture trivia for you.

this is an interesting and complicated historiographical and linguistic debate that i will not even attempt to relay here, but the essence of it is this: for us, the sea is conventionally deep blue. historically, one of the most prominent civilizations considered "deep wine" to be the descriptor for it (not necessarily the color but the property. highly rec to look this up it's so fascinating). what it gives me here is that Oliver has changed color, but not his self. he has integrated, mixed, but persisted, completely winning over, triumphing. long live the king!

in conclusion, i would just like to propose "colors" by halsey as the next cattonquick anthem. thank you for your attention, please let me know your thoughts. yours, yes, you. cheers. god. peace out

[fioiswriting]

Reunion | oneshot

Summary : After the Battle Above the Gods Eye, Daemon returned victorious. Aemond was presumed dead, though his body was never found. Three years later, you've mourned your former husband and are ready to move on. But it seems that some ghosts from your past have come back to haunt you, and that the dead aren't really dead after all...

[Part 2]

Rating : Explicit 18+, MDNI

Pairing : Aemond x Velaryon/Strong!niece!Reader, implied Cregan Stark x Reader (you can interpret them as lovers or not). Reader is Rhaenyra and Harwin’s daughter so I imagined her with dark hair like Jace, Luke and Joffrey but feel free to imagine her as you want of course <3

TW : unprotected sex, breeding kink, mention of characters death, angst, possessiveness, p in v sex, oral m receiving, praising kink, dom/sub undertones, mention of war, AU where the Blacks won the war, Alys Rivers (but no cheating), Reader has a child, grief, light choking, not proofread.

Words count : 7600

Author's notes : Hi everyone !! Sooo I’m posting my first ever fanfic on here, my first x reader and my first fanfic for Aemond. I’m very anxious haha But well, this fanfic is heavily inspired by a RP that has been going on for months with my wonderful gf <3 She writes Aemond so well I swear and now she’s making me fall in love with Cregan too haha oops whatever. Some of Aemond’s lines in this fanfic are hers so of course the credits go to her 💕 Long story short the reader’s backstory is inspired by my OC! The plot doesn't make any sense but whatever

Also English is not my first language, so sorry for the grammar mistakes !!

Enjoy 🖤

I don't know what I'm supposed to do Haunted by the ghost of you Oh, take me back to the night we met The night we met - Lord Huron

The snow had covered the landscape of Winterfell in a thin white layer so similar to ash, and the image tugged at your heart for a moment. Ashes. Fire. War. It was strange, the stillness that had followed the fury of screams and blood, of fire and ash, the constant anguish and pain of loss. It was like a long howl and then sudden silence. Life had resumed its course, the earth and the grass nurtured in red, as if nothing had happened, and that still irritated you sometimes, three years later.

For this peacefulness was a constant reminder of your life before. Before the war, before your own family ripped itself apart from within, before you lost him. There was something bitter in the thought that, in an alternate reality, you would have been happy with him by your side. The night brought its share of sweet dreams, lulled by the embrace of his arms, and you closed your eyes with ease, hoping to see his face again, which was fading day by day, desperately clinging to the details that made him.

It had been the best solution, you knew. 

For there was no reality in which he could live as much as you wished for. And you had accepted your duty by straightening your shoulders, silencing your heart, digging your thumbnail into the inside of your wrist. Your stepfather had said he was dead; he had seen Vhaegar fall from the sky, wounded.  He had seen the huge dragon crash into the water with all its weight. He had waited, and no silver hair had returned to the surface. He had searched and no body had been found.

So, he had returned, triumphant, with the conclusion that Aemond Targaryen was dead.

The room had swayed around you, but your fingers on the hard, rough wood of the table had kept you grounded. You had nodded, unsure, your ears ringing, your teeth sinking into the flesh of your tongue to hold back the tears that were beading at the edges of your eyes.

You knew it was inevitable, perhaps even fair. But it still hurt.  It sill fucking hurt.

Daemon had reassured you by pointing out that you were now released from your marital obligation.  A marriage to him that you had hoped for, waited for, dreamed of in your younger years. A marriage you had despised, once forced into, once made captive, a prisoner to be used against your own mother. And then a marriage that you had loved, cherished even, when he had opened up to you, when he had changed, when he had revealed that soft side despite his rough edges.  And you loved him, truly. The childhood love, the shy love that had blossomed between laughter muffled behind the curtains, hand-in-hand runs through the Red Keep and reading session hidden under the library table, had been rekindled.  Raw, devouring, bruised by war, but more powerful than ever.

Out of the corner of your eye you had caught a glimpse of the comforting gaze of your mother, the Queen, her gentle eyes searching for clues that would betray what you were feeling. It was she who had stroked your hair that evening, her presence welcome and soothing.

During the war, events had made you more uncertain than ever; blood and cheese had broken something in you. Suddenly shaken by the horrific actions of someone you hardly recognised, by the actions of your own family and the father figure who had raised you as his own daughter. You questioned your loyalties more than ever. Of course, you'd been devastated by Luke's death, your beloved little brother, so innocent, so sweet, and the despair you'd felt, the sadness, had gradually turned to anger. 

Your desire for revenge had fed on your rage, on your anger.

And in your quest for revenge, you had grabbed the dagger hidden in your bodice when you had kissed him, when you had poisoned him with your lips and your body pressed against his. Perhaps it was cowardice to do it on your wedding night, right after the pitiful ceremony in which you had been forced to exchange your vows of fidelity, the humiliation of the white, blue, red and green cloak around your shoulders.  Perhaps it was cowardice to wait for him to surrender to your touch, hard with desire, before plunging the blade straight into his heart.

But you didn't do it, in the end, the humiliation of your failure burning in your cheeks, and you had seen the horrible reality in the icy eye fixed on you: he was expecting it.  He knew. He had anticipated you, as usual, one step ahead of you, ahead of your plans. And the humiliation was all the more bitter.

First he had defied you, knowing full well that you couldn't do it, despite your momentary hesitation. Then he had wiped away your tears, the sound of metal echoing off the floor as he captured your lips with his own. 

And both you and he had sought to release the accumulated tension in the comfort of your naked bodies, in the rough, demanding thrusts.

You weren't quite sure when your relationship had changed. When he had become more forgiving. When he had trusted you. When he had become gentle. When you had felt him slipping away, subtly, almost imperceptibly. When you had begun to seek comfort in his arms, to seek the warmth of his body, to seek his love on his lips.

You loved him.

So you spent the nights lying awake in fear. Fearing the moment when you would have to make a choice. Fearing the moment when you would have to betray.

Which side would you choose when both armies were coming towards you, carrying the same flags, the same weapons, both calling your name?

Anxiety had spread its roots in the pit of your stomach, crescent moons in the palms of your hands. You felt as if you were losing your mind.

But the choice had been forced upon you without you having to make it. You had accepted it, as your duty demanded, as your loyalty to your family demanded.

Life at Winterfell wasn't so bad, quite the opposite in fact, despite the cold and snow you weren't used to. Cregan Stark was a good man. He had given you time and space to grieve, and had opened the castle gates to you with kindness. You had decided that you could get used to the cold and the snow, to the stone and the rustic wood, so different from the refineries of the capital, but infinitely warmer.

It was your choice, your departure for Winterfell.  Dragonstone was still haunted by the ghost of Luke, by the ghosts of Joffrey and little Aegon and Viserys and Rhaenys and all the family members you had lost.  King's Landing was haunted, too. By your sweet aunt and her cries of despair, by Aegon's descent into madness, by the humiliations you had so gracefully endured, by the recurring announcements of deaths, by the smell of the innocents’ blood, by the pitiful looks of Alicent, who had seen in you the image of herself a few years earlier, powerless and manipulated.

But above all, it was haunted by him.

The weight of the memories had become unbearable and you needed to leave.

You chose Winterfell, hoping the cold would help you forget. And Jace had come with you, his thumb caressing the back of your hand with affection, always the protective, reassuring big brother he was to you.  Probably glad to see his friend again, too. Your friend, to both of you.

But forgetting was something you'd never really been able to do, even less with the last memory he'd left you.

Now, just over three years later, you felt ready to return to King's Landing to visit your parents, to face the demons of your past and to mourn once and for all. It was inexplicable, perhaps a little strange, but you felt the need to go back.

On his first dragon ride, Rhaegar clapped his hands along the way, nestled into your arms in front of you, closing his eyes as the wind ruffled his dark curls. Midnight, your dragon, as pleasant as ever, as easy and gentle as ever, took care to be careful with the two of you on his back.

When you arrived, Rhaenyra hugged you as tightly as she'd ever hugged you, her nose buried in your thick hair, before bending down to take her grandson in her arms.

"I've missed you, sweet girl." she said to you. You smiled and reached for her arm, glancing at your son who'd grabbed one of your mother's long silver curls: "Daemon has missed you too. You know he doesn't show his feelings, but... he missed you." 

You smile, your eyes dropping to the floor.  You missed them, too, terribly, despite the frequent letters.

"And of course... we’ve missed you too, little one!" Rhaenyra added, catching the child's nose with her thumb and forefinger, causing him to burst into laughter.

It felt good to be back.  It was good to have regained some sort of routine in your daily life with your family. It was good to see the walls of the Red Keep return to their original familiarity, chasing away the ghosts you feared you might see again.

*** *** *** *** *** *** *** ***

Perhaps you should have listened to your stepfather and not stray under any circumstances from the knight who has been following your every step with concern, afraid to lose sight of you. 

Five years earlier, it was Sir Erryk's vigilance that you had deceived when you had carelessly followed your eldest uncle into the dangerous streets of the capital.

The streets of King's Landing offered you a freedom you had missed. But now you almost regret sneaking through the crowds to escape the vigilance of the knight who had escorted you. You decide to take a shortcut, the hood of your cloak pulled down over your forehead.  It must have been your imagination.  You aren’t on the worst side of the city, not like five years ago, and the streets have become safe, much safer now that your parents are in power.

Your footsteps led you to some stone steps, which you climb at full speed, your heart pounding in your chest.  Glancing behind you, you disappear like a shadow around the corner of an alley, but the feeling is still there. You feel as if you are being followed.

At the Red Keep you already had the unpleasant feeling of being observed. In the gardens, with your son. Along the ramparts, enjoying the sea breeze on your face.

But you blamed it on your body's automatic response to the anxiety that had built up in all the years you'd spent within the walls of the Keep.

You slow your pace as you spot the dome and towers of the Great Sept at the end of the alley. From there you can easily find your way back to the Red Keep. All you had to do is keep moving, staring ahead, pressing your pace, wrapped in the thick wool of your cloak.

One step after the other. Breathing deeply. Half-moons in your palms.

The Great Sept growing closer give you a strange kind of reassurance.

And then suddenly, one hand closes over your mouth, the other around your waist. Your back bangs painfully against the cold stone wall of the winding alley into which you have been dragged. Fuck. Fuck.

You are too paralysed to struggle, too paralysed to bite the hand of the stranger holding you prisoner between the wall and his own body.

"You obviously learned nothing from my advice, Lady Strong," the icy voice whispers in the hollow of your ear. Your eyes widen. 

That voice. It couldn't be.

Lady Strong. Lady Strong. Lady Strong.

It can’t be.

That is your sick mind playing tricks on you again.

"As reckless as ever, hm, aren't you? You could easily get yourself killed."

The stranger releases you and you look up again, tears forming at the corners of your eyes, searching for that icy blue, tinged with lilac, that have read through you so many times before.

It is impossible.

He has died three years before, falling from Vhaegar's back into the deep waters of the lake at Harrenhal.

Is it a ghost? Is it a hallucination?

"You are dead. You were dead," you whisper, more to yourself than to him, still in shock from the feel of his body against yours. You feel the tears that have formed at the corners of your eyes roll down your cheek, and your little fists pound his chest.

You have so much to say to him. So many things to reproach him for.

His hand cups your cheek to turn your head and force you to look at him, his thumb wiping away your tears. 

The way he looks at you hasn’t changed; it still makes you shiver. You still feel that your uncle could read through you, that he could discover your deepest secrets.  And there is still that hint of desire, too, that gleam in his one seeing eye.

You want to kiss him. You want to slap him.

He clenches his jaw as he pulls you against him, burying your face in his chest, his arms around you. He rests his chin on your head. One of his hands strokes your dark hair as you stifle sobs into the wool of his cloak.

The situation takes you back to your wedding night, when he had comforted you in the same way after you had told him that you couldn't hate him, even if you had tried.

"I know," you hear him whisper, the vocal cords vibrating from his throat against the top of your head.

He is standing there, in front of you. You cling to the fabric of his clothes with all your might, as if you're afraid he'll slip away again.

"How?" you ask, eyes closed, head against him. If he is to be taken from you again, you intend to enjoy every moment in his company. 

He clenches again. You step back to look into his eyes, to search his enigmatic gaze for answers, for clues, for signs that would explain how. Why.

He doesn't answer you, but he is filled with desire as he grips your chin between his middle and index fingers, as he captures your lips with his own. You rediscover the possessiveness you've been missing. He pushes you a little harder against the wall behind you, as if to remind you who you belong to. Who you were married to.

A familiar warmth blossoms between your thighs, a warmth you haven't felt for too long. You're trapped, right there, your uncle towering over you, trapped between the wall and his body. His fingers close around your jaw and you kiss him back hungrily, wrapping your arms around his neck to pull him closer.

You're perfectly aware that the situation is surreal.  You're perfectly aware that you're making a mistake, that you shouldn't respond to the kiss of the man who used to be your husband, not when he's technically still your enemy, not when he's technically dead. 

But you shut out the voices in your head begging you to stop.

"I still want to hate you, you know," you breathe between his parted lips. He merely mutters hm in reply, trying to shut you up again, his hands wandering under your cape, tracing the ribs of the body he'd missed so much. He reaches for your waist, your hips, which he grabs meanly. 

There's no one in the alley around you, but the hood over his head hides his long silver hair anyway. 

"Three fucking years." Your lips leave his, a mixture of anger and desire bubbling up from your lower belly. Aemond stares at you, his jaw clenched. He knows you need to unleash your emotions when you don't read an ounce of regret in his gaze. "Three. Fucking. Years. And you've told me nothing. You never sought to -"

"I couldn't," he retorts harshly. He seems to be searching for words to explain something you could not possibly understand, but his gaze does not soften. You know he needs time, you've learned to know him.  You've waited three years, what's another moment? But you're tired, and your patience isn't as strong as it used to be.  You look away, a mocking laugh escaping your lips as you repeat his justification. "You couldn't." 

"And risk your mother executing me?" He forces you to look at him again, and you feel the lump form in your throat. You know you are perhaps being unfair, but you were alone for those three years while you mourned him, so alone, and in a way, you want to make him pay.

"You were dead to me, qybor." Uncle. You feel him twitch at the mention of your family tie, at the nickname he used to love to hear on your tongue. "I had to live with the idea that you would never come back."

The tears that had dried on your cheeks threaten to flow again, pooling at the corners of your eyes. Aemond sighs. 

"I thought I was dead too," he whispers. You can feel the tension in every one of his muscles. There's a moment of hesitation, a silence that hovers between you.  You have so many questions, but you don't know where to begin.  Not a sound leaves your lips.

"She tended to my wounds," he adds, and you frown in confusion. "Alys."

Alys. You try to wriggle out of his grip, but he keeps you pinned to the wall.  Alys, you remember the rumours whispered in your ear by that rat of Larys - those false rumours, you remind yourself -  but you can't help feeling your heart clench.  You don't trust your voice enough to speak, to say anything.

"There's no one left in Harrenhal but her," he adds, as if you need that clarification, as if you need to know where he's been all this time. 

You say nothing. Your throat is tight. If you speak, if you look at him, you'll cry again and betray your feelings all over again. You refuse to make a fool of yourself, not now.

"She's the one who saw you. In Winterfell." There's a hint of bitterness in his voice as he mentions the place where you've spent the last few years rebuilding yourself, trying to forget him.  A bit of anger, perhaps, too.

"Cregan Stark welcomed me indeed," you reply curtly.  Perhaps you want to hurt him as he hurt you, but you are deliberately vague in your answer. "I have mourned you, qybor."

Everything is so confused in your mind.  A paradoxical blend of desire, anger, sadness, jealousy.  Of love too.

You want to strangle him and melt on his lips at the same time, and you know that after all this time you should be used to feeling this paradox of emotions with Aemond. Your uncle was a set of contradictions all his own.

"I saw you. On Midnight. That's how I knew you were here."

You nod. Words don't work between you, you know that. It has always been like that; the habit of letting silence speak more than words. The habit of communicating through the carnal acts of your bodies against each other. *** *** *** *** *** *** *** ***

Aemond pushes you against the wooden door as soon as you enter the mediocre room of the inn. He is demanding, more than ever, as his hands run along your hips to your thighs to lift you up and press you against the door, your legs closing around him. He watches you with hungry eyes, like a predator ready to pounce on its prey. You can't stop a moan from escaping your lips. 

There's something feverish, passionate, urgent about the kiss. And when his tongue begs for an opening, your lips part to welcome him. There is only you in this room, an interlude where nothing else exists, where you don't have to worry about your duties and loyalties, where you are guided by nothing but passion.

His hand slams against the wall next to your head and with a movement of his hips he lifts you a little higher onto his waist, your legs locked tightly around him. He grunts into the crook of your neck at the friction of your crotch against his.

"Tell me to stop." His hand which isn't against the wall to support your weight slides up to your jaw. He lifts your chin, his gaze locked in yours, searching for clues, anything that would betray your desire to end whatever it is you're doing. "Tell me to stop now, or I won't be able to."

You don't want to stop. You should, you know you should, but you silence the little voice in your conscience that's begging you to pull yourself together, to end it all before you've even started, before you've even gone too far, and you kiss him with more vigour, with more fervour.

"I'm not going to tell you to stop, qybor," you whisper against his lips. "You know that."

His hardened member twitches beneath you at the mention of the High Valyrian, at the mention of that nickname he's so fond of. It's his weakness, you know, and despite the three years he's been away, he hasn't changed.

It's so good to feel him against you again, to feel his lips against yours, along your jawline to the junction with your neck. In one sharp movement, he rolls his hips to meet yours, pressing you a little harder against the wooden wall, and he catches your moan between his lips.

You know that tonight there will be no shy touches between you, no awkward explorations like in the early days of your love, when it wasn't tainted by war, blood, and death yet. You and he will both be consumed by the burning fire of passion.   You both need to release that tension and frustration, to make up for lost time, to drown, drunk with desire, in the most carnal of acts. All that matters now are his hands on your body to ease the pain pulsing between your thighs, the desperate need to feel him inside you. 

The barrier of your clothes frustrates you. You need to feel his skin against yours, to feel all of him, and your hand runs down his body to pull at the cord holding his breeches together. Immediately his fingers close around your wrist to hold you back. He wants to be in control, you know. But it has been three years and something about you just isn't the same.

"Let me worship you like I used to, qybor," you whisper against his lips, your forehead pressed against his, and you feel his jaw tighten. There's a moment of hesitation in his eyes, clouded by desire.

His thumb caresses your lips, pressing against your lower lip. You part them, just enough for the tip of your tongue to wet the top of his thumb. There are no further words exchanged between you, just silence, punctuated by your gasping breaths. His hand closes around your throat, not pressing too hard, just enough so you can feel the weight of his palm against your windpipe, just to remind you that he's in complete control of the situation.

Fuck, you've missed it; the adrenaline of his hand around your throat, the adrenaline of knowing he could do anything to you and you'd be defenceless.

"On your knees then."

The command echoes through the room and you feel the wetness seeping between your thighs as you slide to your knees in front of him. Your eyes shine with envy and you look up at him as you did years ago. You know he can't resist the angelic look on your face when you're between his thighs. You know he can't resist the dichotomy between the innocent look on your face and the sinful act you're about to commit.  He revels in your submission, and that's something you've learned to use against him.

Your uncle releases his cock from his breeches, his hand wrapped around the base, and the desire you feel between your thighs becomes more and more unbearable. The head is already glistening with anticipation, white pearls beading at the slit, and it takes all of Aemond's self-control not to grab you by the hair and force himself into your mouth entirely. 

Closing the distance, he rubs his member against your lips to spread the wetness before pushing into your mouth. Your lips close around him. He's warm and heavy on your tongue and the hand holding the base of his manhood is replaced by yours to cover what you can't take. Your tongue curls around the tip first, absorbing his salty taste, and you look up at him through your long lashes. He doesn't look away from you.

His hand cups your cheek, his thumb caresses your cheekbone before sliding to the corner of your lips, just where his length disappears between them. It's as if he's hypnotised by the spectacle, by the bobbing of your head, by your hollowed cheeks, by your application and devotion. 

His hands leave your jaw and sink into your thick curls, urging you to take him a little deeper, and he thrusts between your lips with more vigour. You close your eyes, concentrating on not choking as his member touches the back of your throat. You take it as diligently and assiduously as ever, ignoring the tears gathering at the corners of your eyes.

"That's it, just like that. Such a good girl, mandianna [niece], such a good wife," you hear him grunt, his movements more erratic, more jerky, and you revel in his praise, sending a new wave of heat between your thighs. "Only for me."

You feel him throb on your tongue. You know it won't be long now, and you prepare yourself to welcome him, to let the salty taste of his seed flood your tongue, but your uncle pulls back reluctantly. 

"I would rather not waste." he whispers, his eyes riveted on the thread of saliva that connects your lips, glistening with saliva and precum, to the tip of his cock. You shudder. Aemond definitely hasn't changed much, you realise.

His hand finds your cheek again and he caresses your lips to spread the mess you've made by sucking him. You know he isn't finished. This is just the beginning and you're both driven by the consuming hunger of passion. You know what's coming now, your core clenching around nothing, and you rub your thighs together, in an attempt to soothe the impatience. 

He urges you to stand. He has that predatory look in his eyes as he closes the distance between you with his determined steps. 

" Undress," he orders, and you do not take your eyes off him as you untie the linen dress you had put on to disguise yourself as a common girl.

The garment falls heavily to the floor, forming a grey puddle at your feet, and you take a step forward.

"Do you not like seeing me dressed in rags, qybor?" you ask in a playful tone, teasing, referring to the time, years ago, when he had rescued you during your adventurous walk along the grim Silk Road where your uncle Aegon had accidentally led you. 

The memory was so close and yet so far away.

Aemond takes a step towards you, his hand brushing aside the long hair that hides your breasts to tuck it behind your shoulder.

"Not when you are meant to be my Queen." His eye glow with desire. He studies your body in detail as his fingers slide down your collarbone to your breasts. His thumb traces their underside before moving up to your nipples, hardened by the cool evening air and desire. He plays with them, eliciting a moan that satisfies him.  He looks at you like one looking at a prize, a long-awaited gift.

"Three years away from my beautiful wife," he whispers, his good eye gleaming as he looks at your breasts.

"You did have pleasant company in Harrenhal though, didn't you?" you hiss through your teeth and Aemond's hand suddenly closes around your throat to make you swallow your insolence.  You're not afraid, not anymore, for you know he won't hurt you. You have this power over him and it's delicious. 

His face is so close to yours that your noses are touching. 

He doesn't let go of you. 

"It wasn't like that." He whispers. "With her." You know he's sincere because he's almost awkward with his words, his explanation. You can see in his eye that there are so many other things he would like to tell you, but you have learned not to rush him.  It has always been difficult for him to open up, to be vulnerable.

His fingers release you. Aemond is a good head taller than you, and as he puts a hand on your shoulder, moving forward to force you back until your knees hit the mattress, your eyes remain fixed on his. 

Your uncle lays you down on the mattress. It's not the comfort of the bed you once shared, but you don't care, you just need him inside you. 

You need him to make you feel whole again. Aemond was fire, and you were willing to burn for him.  You had always burned for him.

In the candlelight of the small bedroom where you spend the night, you see his thumbs slip under the waistband of his breeches. His clothes quickly join yours on the floor.

There's something soothing about the weight of his naked body on top of yours. Once under him, you know you can surrender completely to him and stop thinking, just stop thinking.

His lips on yours, his hands on your body, his broad torso eclipsing your smaller figure.

He places kisses down your neck to your collarbone, sucking your skin between his teeth to leave purple marks that will blossom tomorrow. 

He kisses your breast, his lips closing around an erect nipple which he sucks gently, then around the other.  Your hands are buried in his long silver hair.  You can feel how wet you are between your thighs. You need him desperately, right there.

The confidence with which his fingers slide down your waist, from your hips to your inner thighs, only emphasises his ravenous expression. His touch on your folds sends a wave of heat through your body, causing your hips to move against his hand. Softly tracing the curves of your crotch, his index and middle fingers finally part your folds to collect the wetness that has formed there.

"Is it sucking your husband's cock that has got you so wet? 

Yes, you want to answer, seeking more contact, but the words are stuck in your throat.

"Stay still," he orders in a hoarse voice as you move your hips, his hands gripping your hips to pin you back against the mattress. 

You comply, for once, because you know he won't give you what you want otherwise. And you can't wait any longer, not today, not when you thought you'd never feel his warmth against your body again, his hands on your hips, his cock inside you.

"You see, you can be a good girl." His voice is softer when you obey. And to reward you, his fingers slide to your entrance, where he applies a little pressure with the tip of his middle finger without actually penetrating you. "Now beg your husband to fill you."

"Please, qybor," you murmur, your hand taking his cheek to bring his face to yours. You want him to look at you. "Please, I need you inside."

Oh, the slowness and precision with which his finger plunges into you makes you throw your head back. He begins to move back and forth, his index finger joining his middle one, caressing your spongy walls, his thumb tracing circles around your bud. Curling his fingers, he strokes that spot inside you that makes your legs tremble and you clutch the sheets beneath you.

You feel your centre tighten around his fingers, the release you've been looking for so close, so very close. You shut your eyes, ready for the familiar wave of warmth to wash over your entire body, but your uncle pulls his fingers away. You grunt in frustration.

You open your eyes only to see Aemond bring his fingers to his lips indecently, spreading your wetness over his own lips. "You still taste so good," he purrs, and you feel the blush rise to your cheeks.

He leans over to kiss you and you taste yourself on his lips. It's indecent.

He pulls back and you see him wrap his hand around his hardened cock, the head angrily red and already drooling in anticipation. He guides himself to your core, rubbing his length between your folds, coating it with your glistening juices. 

The round tip of his member enters you, slowly at first, stretching your narrow entrance as if to give you time to adjust. Aemond pushes and he sinks easily into you until he's fully seated, your warm, wet walls feeling heavenly around him, squeezing him just right.

" You are so tight," he growls against you as your arms close around him, your legs bent and pressed to either side of his body. 

He gives you a moment to get used to having him inside you again, to feeling him so deeply. It's exactly what you need; he stretches you deliciously, with a perfect touch of controlled pain.

You feel whole again and you want to cry.  You never want to lose that feeling. You want to keep him, against you, inside you.

You close your eyes and bury your head in the hollow above his shoulder, clinging to him as if to feel him more deeply, more intimately.

"You can move," you reply, rolling your hips to support your words. Aemond's hand immediately presses down on your stomach to hold you against the mattress and you bite your lower lip, almost guilty of forgetting his earlier command. He always has that need to control. He's the one who decides, you should know it after all these years, and you should stop being so demanding, so desperate.

"I said stay still," he scolds you, and the waiting is unbearable. 

You need him. 

When he finally pulls out and thrusts into you again, you let out a whimper. Your nails dig into the pale skin of his back, leaving crescent marks that will probably still be there the next day.

Once under him, Aemond has the ability to make you vulnerable, and part of you hate him for it.

"You take me so well," he growls after a particularly brutal thrust. "You're such a good girl."

The praise is sweet music to your ears.  You have always needed it, to be praised, complimented.

You feel him hitting that special spot deep inside you, you feel him pressing in so deeply and your grip tightens around him.

"Did you miss me?" you whisper in a voice made weak by pleasure, but all you get in return are the hoarse grunts of his voice.

Aemond lowers his eyes to look at where you are joined, hypnotised by the sight of his cock disappearing inside you. The rhythm he imposes is powerful, deep, and his fingers find their way between your bodies, reaching your little bud at the top of your folds to trace circles on it. You won't last long and he knows it as he feels your walls tighten desperately around him. Your moans grow louder.

"Look at me." His voice barely brings you back to reality, even though your mind is already far away, even though you know you can't last much longer. Painfully, you open your eyes to meet your uncle's icy gaze. " I am going to fill you up." His pacing becomes more erratic, more sloppy, and you know he won't last much longer either. Leaning on his forearm, he continues to stroke your pearl in small circles. "I am going to fill you up and you're going to take it all."

The image of you, belly round with his child, haunts him.  It never stopped haunting him, even on the brink of death, even when he thought he'd exhaled his last breath as he fell into the icy waters of the lake, his heart clenched with regret and remorse. It still is a wonder that he has survived. Perhaps, just perhaps, the Gods still had plans for him.

I'm going to fill you up. Words like that shouldn't bring you to ecstasy, and yet they do. Aemond reaches deeper, and as he feels your whole body convulse with the spasms of your orgasm, he joins you in your release. He spills his seed deep inside you before remaining still, buried against your womb, enjoying your warmth, making sure he's pouring every last drop into you. 

He doesn't want to pull out, not yet, and you close your arms around his neck, your breast pressed against his chest as he softens inside you.

The weight of his body on yours is comforting.  For the first time in years, you feel alive. For the first time in years, the open wound he left seems to be healing.

When he pulls out, you wince at the sensation of his cock slipping between your still too sensitive folds. You immediately miss the feeling of fullness. 

You barely move, your whole body still sore from your lovemaking, but you can feel his cum leaking from your entrance onto the mattress below.

Again, Aemond's fingers are between your thighs that are glistening with the intimate essence of both of you, collecting his own seed and pushing it back into you.  You whimper, still too sensitive, your lips brushing against his, and he remains inside you for a brief moment. He wants to make sure nothing is wasted.

And when he withdraws his fingers, he presses them against your lips for you to clean them.

You snuggle up against him, your head against his chest. Your hand caresses his chest, the fine line of his muscles, and he rests his chin on the top of your head, wrapping an arm around your waist to hold you close. You enjoy the warmth of his body while you still can. Between your thighs you feel the sticky sensation of his seed mixing with your wetness as it still flows out of you, but you don't want to leave the embrace of his arms.

"I saw you in the gardens. With the child."

When you feel his throat vibrate, you look up at him, your eyebrows furrowed. "It was you, then?" You swallow. "It was you watching me." It's more of an observation than a question, and you suddenly understand that constant, uncomfortable feeling of being watched. At least you weren't crazy. 

He lets out a hm and pauses.

"Is he yours?"

You know where this question is leading. You fear the moment of truth.  You'd deluded yourself into thinking you could avoid it, but you were naive; did you really think you could hide the truth from him for much longer, now that he was back?

"Yes." You answer, looking away. You're nervous, and he can feel it.

"He's Cregan Stark's son, isn't he?"

Your heart clenches. You hesitate for a moment. You should lie.  You know you should lie.  To protect your son and your family, as you've protected them for the past three years.  You only need one word.

You hear him sighing beneath you, taking your silence as confirmation.

"No, he's not." 

The words leave your lips before you can even stop them. You hold your breath. Beneath you, Aemond tenses. He straightens, puzzled, silent.

"A bastard, then?" His voice is dry, almost mocking, revealing a form of irritation. "I did not expect this from you, dear niece." Disappointment.

You feel anger boiling inside you at the thought of him insulting your son, your sweet boy you love so much. You swallow the lump that has formed in your throat and rise on your forearms, your eyebrows furrowed as you turn your hard gaze on him.

You don't know how to express the words that are desperately trying to escape your lips. 

" He has blue eyes," you add, and you can see the confusion on his face. A lock of hair slips from your shoulder and falls around your face. "Your blue eyes."

You feel him tense up. He says nothing, just stares at you with his one seeing eye.  It's rare to see Aemond Targaryen so unsure of himself, so full of doubt. He stares at you as if he's afraid he's heard you wrong, as if he's afraid he's invented the words that have come out of your mouth.

"What did you say?"

You look away. You bite your lower lip, regretting your words.  You want to bury your face in his chest. You breath. 

"He is your son, Aemond." You finally admit it.

It's true that Rhaegar's brown curls could easily make him look like a Stark. Cregan had offered to raise him as his own, and you had smiled at his kindness.

Rhaegar is so much like you. Like you, and like Luke, and especially like Jace as a child, of whom he is the spitting image. He has the soft features of your face, but his eyes make him undeniably Aemond's son.

Your uncle holds you close, his arm wrapped around your waist, his long nose buried in the hollow of your neck, breathing in the scent of your hair.

"My son," he repeats in awe.  It's rare to see Aemond smile with sincerity.  Especially after the war has worn him down, made him more ruthless than ever.

"His name is Rhaegar," you say. "Just as we discussed." There's shyness in your voice.

He straightens, you on top, straddling him, and he seeks your lips to kiss you fiercely. His desire awakens beneath you; you feel him harden against your core again.

And this time, he makes love to you.

*** *** *** *** *** *** *** *** 

"I missed the best part." He purrs against you, his hand absently caressing your breast before sliding down your body to rest on your flat stomach, just above where your womb lies. He clenches his hand possessively over your flesh. His voice is almost tinged with regret. Your hand rests on his.

"You shouldn't have left me," you reply, bitter. Deep down, you're still angry with him. Your gaze falls on your stomach, where both your hands lie, yours on top of his, clasped together. "You shouldn't have let your anger dictate your actions," you add, looking away. "But you were blinded by your desire for revenge, by your desire to prove that you could be better than him.” You swallow.

It is his fault, after all, that he missed your son's birth, that he didn't see him grow through the tender years of his infancy.

Rhaegar needed a father, and it was Cregan who raised him.

"Does he even know who I am? Who his father is?"

The guilty look on your face betrays you, and you know immediately that you've hurt his feelings. It may be selfish of you, but he needs to understand.

"You were supposed to be dead. There's still a lot he doesn't know." 

He doesn't say anything. You don't have the courage to meet his hard, stern gaze, you don't have the courage to see the disappointment and pain on his face, because if you do, your heart will tighten and you will fall apart.

"He's still so young. Give him time." You add, your fingers tracing small circles on the back of his hand, in an attempt to soothe him. 

You know how much Aemond wanted a son, and you know it's cruel to take that from him.  You know he would have made a good father. You can picture him with Rhaegar on his knee, reading him stories, telling him about the adventures of Vhagar and Visenya, and you love the image that forms in your mind.

You told Rhaegar about Aemond, though he was still too young to understand. You told him that his father had once owned the greatest dragon in the world, that his father was a fearless man for it was true, and you saw his big eyes light up. 

Aemond pulls you closer to him. "I want to be there for him, you know."  Unlike Viserys, but he doesn't have to say it, you understand what he means in the undertone he leaves at the end of his sentence.  He has always suffered from his father's indifference.

You cuddle up to him and he runs his fingers through your long curls. For a moment, you imagine that everything is fine and you search for his touch. He plants a kiss on the top of your head.

"I've missed you," he admits, the words landing on the tips of his lips in the silence of the bedroom, but you're already dozing off.

You know that tomorrow will be made up of choices and decisions. 

But for now, you fall asleep in the embrace of his very real arms, for once, enjoying the illusion of the life you both could have had.

[actual-changeling]

Season One meta posts in 2024? Yes, very much so. We need more of that.

Will this be slightly unhinged? Yeah, probably, so welcome back to Alex's unhinged meta corner.

Everyone has probably connected the kiss back to the wall-slam scene in Tadfield Manor by now, but while I was re-watching it for the nth time and combing through it frame by frame like a mentally sane person, I realised just how orchestrated it was from beginning to end.

I assume we can agree that Aziraphale called Crowley nice on purpose to get a hint of intimacy out of him, but I think this time it is very different from the other instances during which he reacts with anger to being called nice.

My first main observation is the way Aziraphale positions himself.

We pick up after Crowley's explanation about the non-lethal shooting happening outside, and they are facing each other at an angle, with Aziraphale having stopped a few steps behind him.

Now, until the slam itself, Crowley doesn't move, he remains where he is, waiting. (We'll come back to that in a bit)

However, instead of remaining at a safe distance or standing literally standing anywhere else, he walks a small curve to then stop right in front of Crowley. Not at his side or a little bit away or at a respectable distance—no, right in his face. You can judge his position by looking at the wooden door (?) in the background.

The following camera position makes it hard to see the amount of distance between their faces, but we know that he must be close enough so that Crowley can immediately grab his coat without problem.

Excuse my art skills, but just to make sure everyone is on the same page, have a little drawing showing their positions and movements.

Now, that manoeuvring takes Aziraphale a few seconds, and what does he do? He stalls. Look at what exactly he tells Crowley:

You know, Crowley, I've always said that, deep down, you are quite a nice—

There are a lot more words than necessary! He could have shortened that sentence but he didn't, and on top of that, if you listen to him say it, he makes two noticeable pauses, one after 'Crowley with a little look outside, one after 'that'. By then he has reached his final position, so no more stalling, he can try to finish his sentence now.

Alex, you might say now, of course Aziraphale did it on purpose, but Crowley only reacted to what he said.

And to that I respond, nope, he was 100% in on it.

I know because when Aziraphale stops in front of him, he waits. He does not move, he doesn't shut him up even though he has heard the same spiel hundreds of times—no, he is waiting and allowing Aziraphale to initiate their little game.

This face is not the face of someone who is already angry or confused about which words will tumble out of Aziraphale's mouth. He even arches his eyebrow in a motion that I personally interpret as 'go on'.

Crowley is listening and waiting for the signal, and the moment Aziraphale says 'nice', he grabs him and pushes him up against the opposite wall. It's an extraordinarily quick reaction, the kind you have when you know you're about to act and what you'll do.

Some further evidence that the entire moment was orchestrated by the two of them.

Aziraphale stretches out his arms behind him to brace himself against the wall, he was expecting to be moved that way and intentionally put himself into a position that would allow Crowley to do so.

Additionally, by grabbing his lapels the way he does, Crowley can make sure that the back of his head doesn't hit the wall. If you watch the clip by yourself and slow it down, you'll discover that Aziraphale gently rests it against the wall on his own while Crowley is talking.

Aziraphale is completely relaxed not only because he knows Crowley would never hurt him, but also because this entire thing is a game that they willingly participate in. It is dangerously under-negotiated, sure; luckily they more or less agree on the ground rules.

Obligatory close-up with the noise squish because I am a blorbo connoisseur and not a heathen. The little eye gaze at the lips, and if you ask me, and this is my post so you ARE asking me, Crowley is very much looking at Aziraphale's lips from behind his glasses.

But I have one more observation to make!

I could never quite put my finger on why exactly the scene felt off, but now I am convinced it's because despite the act, Crowley isn't actually upset. There ARE times when Aziraphale actively crosses a boundary and endangers him with his compliments, but this is not one of them. The growling, him baring his teeth, the fact that he is pressing their entire bodies together, him leaning in thar far, and also what the FUCK is he saying?

The excerpt from the script books:

First part okay, I can buy that, a bit basic but alright. But 'nice is a four letter word'? Where exactly was he going with that and how was that sentence going to end? It's close enough to the topic to pass as real for any outsider who might overhear them, but if you actually listen and try to comprehend it—yeah, no, he was about to go full gibberish.

The goal wasn't to yell at Aziraphale about calling him nice, it was all about prolonging the physical intimacy by holding a monologue.

If you still don't believe me, have a look at their faces when they get interrupted.

Crowley has a "whot?" expression on his face and not a single hint of anger or annoyance. Aziraphale has an expression I will lovingly call "perish you peasant and let my demon husband slam me against a wall in peace".

If someone gave you only this picture—no context, nothing—what would you assume they were doing before someone rudely interrupted them? Based on what the fuck is happening on their faces and the complete lack of distance between their bodies, you'd probably assume they were snogging each other senseless.

Which they were, in a way, just without the lip contact.

I rest my case.

[destinysbounty]

As any self-respecting Zane stan, of course I've seen Decoded. And of course I loved the sweet but subtle character moment of him being bashful and awkward when Jay brought up the statue.

For the longest time, I've always interpreted this moment as Zane being his typical humble, bashful self. And while I'm sure that's true to an extent, recent events from Dragons Rising have led me to consider an alternative interpretation.

If I may bring your attention to this quote from DRpt2:

"Zane had impressive shoes to fill. No one could live up to him, maybe not even Zane himself."

I dunno. There's just something about the fact that Zane's own legacy has outgrown him, that he's overshadowed by the memory of his past self, that rather than a testament to the love his friends and community have for him he instead sees the statue as an insurmountable burden he can never hope to live up to...

Which brings me to yet another blink-and-you'll-miss-it moment from the Shadow of Ronin video game (I know it's canon-ness is debatable, but hear me out for a sec)

While everyone is gathered around Nya and speaking to Borg via hologram, Zane is...gone. He's off in the distance, standing at the base of his statue, just...staring at it.

God, and when you add this all up to Zane's Ice Emperor baggage...yeah.

[senseichaos]

Hey, same anon asking about yandere stuff. I'm so glad to hear!! Of course if you want to, may I please request yandere Vox with the reader? Like how they try to run from him? Perfectly fine with it being a female reader as I am one. And I don't mind how you write it. Do whatever you please! I love seeing others' interpretation of the characters 🖤 No rush!

YOU CAN'T RUN. HELL, YOU CAN'T HIDE EITHER.

thank you lovely anon! I love the concept of Yandere Vox! Hope this is good :) let me know your thoughts in another ask if you'd like! Lots of love!

Summary: Vox doesn't often fall in love often, no. Well that was until you came around- and you wanted a job with Valentino of all people? No. That would never fly with him. He'd make you work with him instead, like an intern or something? Hell, anything to make you stay near him. Anything to get him as close to you as possible.

Genres: Angst with a small amount of sexuality

NOT PROOF READ (yet)

Warnings/Tags: Yandere Vox, Insecurity, Reader is naive, manipulation, mind control, exploitation, creepy behavior, masking, contractual agreements, reader lacks hell experience, Vox is violent, Vox lacks empathy, angst, swearing, overall kinda depressing (LET ME KNOW IF MISSING ANY)

Pt 2

_______

You can't believe your eyes when you step into that tower, the pink glass adorning the outsides making your eyes shimmer. You have a job interview with Valentino today, after waiting for (probably too long) to get a job somewhere.

You see, hell worked slightly differently to earth. Where things in earth worked in a more of a 'work and make work' sort of way, Hell is more 'work, make work, and fight'

You'd managed for the past months to live in a small apartment that happened to be owned by someone who got killed in an extermination. It wasn't your plan to impersonate a sinner and squat in their home, but you have to get by somehow, right?

Well- it also wasn't your plan to be a porn star. But no where else seemed to want to take you. You're small, too weak to be taken by anyone else. People on the street told you that you were made for the screen, that your body was perfect. Some even tried to pay you copious amounts of cash just for you to suck them off. And you hate it.

At least the elevator of the building is cozy.

Vox on the other hand was having the best day of his life: or in his definition, a day where Valentino doesn't have a stupid breakdown that Vox doesn't have to solve.

He loves to watch his people as they indulge in his technology, he loves to watch everyone become obsessed with him and his media, he loves to be in control of all of these people. He'll watch every screen around him with focus, taking in their reactions as he bottle feeds them content.

Could he be with his boyfriend, Val? Yes. Does he want to? Hell no. He doesn't love Val. Plain and simple in his eyes. He has Valentino to get his business along. To make him more powerful. He'll do what he has to to be the most powerful he can be. Even if it means toying with people around him.

Val doesn't think he's capable of falling in love with anyone in this horrible underworld he inhabits. Everyone here is fucked. he is fucked. Plus, he doesn't know anyone here who he'd connect with anyway.

Or well that's what he did think until right now. There is a girl in the central elevator that looks awfully out of place, causing Vox to turn the entirety of his attention onto her. She looks like a regular old sinner, yes- but still she stands it like a sore thumb against the few people also in the central elevator. Where everyone's boring physique was her own enticing one stands. Where everyone else's two tone personalities stand her own colorful and bright one shimmer in his 2-D irises.

And then comes that odd feeling in his chest, this weird bubbling feeling of emotions that causes his eyes to tear up ever so slightly. This feeling, it's addicting. He wants to grind her up into a smoothie and drink her up, making the feeling sit there forever.

Something is wrong with him: he thinks.

With bated breath vox looked at the floor the elevator was approaching, figuring out where the girl is exactly going. There are only few reasons a sinner shows up at V tower anyway: to get a job with Valentino, or to turn yourself in if you'd wronged them. The elevator number reads '10'. She's going up to the business floor where Valentino currently is.

A sudden twist finds its way into his stomach, a horrible twist that makes his head burn with anger. Who does Val think he is? Having a girl such as her working for him. He. Couldn't let this happen, no no no no no no no. Why would he even want to exploit such a girl? She's supposed to be loves and cherished for everything she is.

The only reason she'd want to work with Val is because she has no other thing to do. He needs to offer her a job- or something to keep her from giving herself away to Valentino. Something to keep her as close to him as possible- like an intern or an assistant or anything.

Anything: Vox thinks.

Not often is Vox so reckless, not often at all. He likes to think he's decorum and well-adjusted. Likes to think he's a figure of this time. Of his time.

But right now, all he wants is this beautiful fucking girl to look at him in his eyes. Is it selfish? To want something so bad you feel like you could to horrible things to get it? Probably. But this is hell. And as an overlord of hell he can take what he wants. For once he doesn't care.

--- 666 ---

You take a step from the elevator, looking around the rather nauseating long and rounded hallway with squinted eyes. You can barely remember where you're supposed to be going anymore. You're supposed to meet Val inside one of these many, many studios. But soon enough as you start to venture through the halls on light, unsure steps you find yourself unable to read the words and numbers on each door.

Something is wrong, and you're unable to focus. There's this buzzing sound in your ears, a very faint but obvious buzzing that's causing your brain to go fuzzy. You can't feel your body anymore, it's just walking down the hallway in painful circles.

Suddenly that tether in your brain snaps with a loud crack, and your face to face with a television. You're still standing, in this long hallway, but now you're looking into the dark eyes of a TV screen. Wait- Eyes?

"Oh, Hello there sinner, are you looking for Valentino?" He asks, voice weirdly distant yet close all at the same time. His smile is large, almost devilish looking as he stares down at you.

You feel on edge, and your head still has a very faint buzzing lining itself.

"Oh, erm, Yeah.. I can't seem to recall what room-" You flinch as he hooks an arm around your neck walking you down the hallway once again with a smirk. There's a weird edge to him that you can't pin down, this whole interaction almost seems.. forced? Oh, there you go again, putting labels on things. Stop overthinking!

"Don't worry your pretty head about it! I'll take you to him," he says, unhooking his arm from your shoulder; only for him to rather sensually drag his hand across your shoulder blades until it's claws barely rest against your shoulder.

"But you know," Vox begins, swinging himself around so he stands in front of you, hands resting on either of your shoulders. You have to stop yourself from bumping into his chest. "You don't have to work for him." He says, his voice turning slightly more TV like and distant as he speaks.

"What do you mean..?" You ask, pushing his hand off of your shoulder with a painful twist of butterflies. A type of butterflies that you can't understand.

"Well, you seem like the type of gal to enjoy.." he looks you up and down, moving his hands from your shoulders as he grins. "Taking orders," you tilt your head at his words, confused. He shakes his head to himself, looking away for a moment with a slight frown before staring back, smiling brightly.

"No, I mean that you could be my assistant! You can.." He thinks for a moment, tapping the bottom of his screen as if it were his chin. He shrugs, smiling awkwardly with furrowed brows. "Bring me drinks and such! C'mon.."

He leans down to your level again, looking into your eyes. You suddenly feel that wave of disorientation go through you again, the only thing seeming to make sense to you being.. Vox.

"You don't want to be exploited by him, do you?" He says, and you feel his screen radiating heat on your skin. The buzzing becomes more loud as he goes on, all you seem to be able to hear being his words as they drip from his vile tongue. "C'mon dear, He'll break you."

"And you don't want to be broken, Right?"

He is right. You don't want to be broken by Valentino. You don't want to be exploited. But you don't have any other choice-

Until now, that is. You have an opportunity.

You should take it, right?

The headache and buzzing dissipate, taking a chunk of your psyche along with it. You feel your feet begin to give out beneath you from the exertion, lacking balance as you wobble softly. Not wanting to faceplant into the carpet, you reach out to something, anything to hold you. It just so happens to be Vox's chest, grasping onto the fabric of his coat as you begin to slip down to the floor.

"Hey, Hey, it's okay, What's got you out of sorts?" He asks, grasping you by your waist as he lifts you back to your feet. You blink, looking around for a moment with a nervous breath. Those butterflies, again. You hate them.

"I- uh.. I dunno.." You say stutter, pushing yourself away and scratching that back of your neck.

"You're feeling better?" Vox says, dipping his lids as he tilts his head rather attractively.

You nod, looking down at the ground with a nervousness inside of you.

"Good, good.." he turns away, looking at the ground and pacing for a short amount of time "good.." he says softly to himself, turning back around and clasping his hands together as he grins.

"Now how about you follow me and we can get you set up, yeah?" He says, pressing his hand against the space between your shoulder blades as he turns back to the elevator. You look up at him, and for a moment he seems to be in his own world. At least he is until you speak.

"So what's your name, Mister?" You ask, fiddling your fingers against each other nervously. He grins, lids upturning with the smile as well. He leans down again, poking a blue claw on your cheek as buzzing blurs your brain.

"It's Vox, my dear," He says, and your brain goes soft and mushy with an emotion you cannot describe. It feels as though he's making you melt.

"Keep that in your head for me, will you princess?" He asks softly, pulling his claw up the side of your face with a manic grin.

With a sudden movement he pulls away, shrugging his hands.

"Now darling, let's get back to it, shall we?"

Something is off, and part of you wants more of it.

--- 666 ---

Mister Vox's office is large in size, walls lined with screens displaying different things across the entirety of the pride ring. You wonder what Vox may do here all day, seeing the singular seat between it all that doesn't even seem that cozy.

You assume he watches, broadcasts, does meeting, and.. does what he's doing right now, perhaps?

"What do you do all day, Mister Vox?" You ask, looking wide-eyed at the television lined walls of the area. He flinches, grinning awkwardly before bringing back his confident demeanor.

"Me? Oh, you know.. this and that- I go to meetings.. I sign paperwork, I go to meetings.." He laughs to himself, shaking his hand dismissively as he sits in his seat, spreading his legs in a man spread. You turn away from the screens, looking over at Vox as he scans the monitors with narrowed eyes. You wonder if he was doing something important before he found you.

"Uh, Mister Vox, what do I do now..?" You ask, taking a small step towards him. He tilts his head towards you, smiling as he swings his chair to face you completely.

"oh, you? You can just sit there and look pretty.." Vox looks you up and down with narrowed eyes, face blank for a long moment before bringing a small smirk onto his face. He leans back in his chair, clicking his fingers as a bundle of clothing finds it's way into your hands.

"Perhaps prettier, change into that for me will you dearest?" He says, leaning his head on his fist as his voice becomes slightly more distant. You look at him, confused as you clutch the blue and red clothing to your chest.

"Okay.. Where do I change, Mister Vox?" You say, fiddling with the collar of your shirt as your body feels hot. Vox rolls his eyes playfully, pointing a clawed finger to the floor as he shifts his chair back to the screen. "Just change here my dear, no one will see you," He says, looking at you with a side glance. It's almost condescending, in a way.

"right here? But-"

"Here is fine, dear. Hell, here is more safe to change than anywhere else in this building," He laughs. You get this off feeling like you should trust him. I mean, he's one of the people owning this building anyway, right? He would be the one knowing a lot about it rather than anyone else. you should trust him.

"Okay Mister Vox."

You can't see his grin.

Every piece of clothing you peek off feels like this weird symbolism for losing yourself. Off comes your shirt: a piece is lost. Off comes your shorts: a piece of you is lost. And then more clothes come onto you, building something new. On comes a skirt: a piece of you is molded. On comes a blouse: a piece of you is molded.

And then there's this watch, a mobile one with 'Vox Tech' plastered across the side. With a shrug you put it on, struggling with getting it to tightness but ultimately managing to win the battle with the finicky strap.

"Good, good, how great you look!" He says, outstretching his hands with a grin.

You feel yourself blush, one half of you from his compliment and the other half from the fact he's looking completely in your direction. Does that mean he was watching you the whole time?

"Actually my dear, do you think you can grab me a coffee?" He asks, clicking his hands as a streak of blue energy shoots inside of the watch; this causes a mao to appear on the screen, showing where you are currently. "That map should tell you where to go, the assistant there should give you the coffee the way I like it,"

You shouldn't ask it, but you feel your bones ache too.

"How do you like it?"

He grins, tilting his head.

"Sweet with a strong flavour," He states, waving you off.

--- 666 ---

The first week as Vox's Assistant goes by smoothly, or as smoothly as it could working with an Overlord of hell. A rather odd seeming one at that.

Everything feels on edge with Vox, you feel like at any moment he could do something drastic. You've no idea what said drastic thing could be either, which makes it a whole lot more anxiety inducing. Hell, Vox is attractive. That's probably why you're on edge. That's what you keep telling yourself anyway. You're probably in love with him or something.

Vox had even given you housing as close to the building as possible, insisting he pay the rent. Not that you complain, no; less walking for you it seems. The Vox Tech watch he gave you tells you pretty much everything that you need to do. When you wake up in the morning it goes off, alerting you like an alarm, it has a to do list that blares when you're in the office, it maps out the whole space, it even acts as Vox's messaging system towards you.

You do wonder how he controls it, even in the comfort of your own home. Well, he is an overlord, right? He's capable of things even outside of your grasp. You cannot even fathom what he could do with that power.

And that's just the way Vox likes it.

Actually, you haven't seen Valentino around the building the whole week either. Even in a meeting you accompanied Vox to. You'd expect to see him more often with all the prowling in and out of the building you do.

It's as if he's vanished.

"Princess, grab me a coffee will you? Maybe even grab one for yourself while you're at it, on the house," Vox asks, swiveling on his chair to face your own, which sits just off to the side of his own with a small desk in front of it. You'd been doing some paperwork for him for the past hour, mostly reading through stuff, asking him questions, and singing them for him.

"Yeah, sure.. um, I was just wondering.." You utter softly, causing Vox to raise a brow as he leans back on his chair with a confident grin. He tilts his head in question, saying: "What's on your mind, (N/N)?"

"I haven't seen Valentino around the building, I was just wondering if something's up with him?" You ask, looking down at the ground as you begin to regret yourself even questioning. Vox laughs, flapping his hand in dismissal.

"Oh, just that? Don't worry about it! He's just.." Vox pauses for a moment, shrugging his shoulders. "Doing his own thing," He finishes, smiling rather oddly as he begins moving his chair back to face his computers. You intercept.

"His own thing..?"

Vox turns back to you, grinning widely with a manic look in his 2-D eyes. Once again, the buzzing fills your brain. And you fall to your knees against the ground with a painful 'thump'. Vox harshly grips your chin, pulling you closer to him until all you can see is that blaring red eye of his as he speaks.

"As i said,"

You feel yourself wanting to let go.

"Don't worry about it."

He lets you go of your trance, leaving you teary eyed as he smiles softly, brows furrowing in a sort of mocking empathetic way. His eyes drip with affection you find.

"Now, grab that coffee, okay?" He finishes, placing a cold kiss against your forehead before letting go of your chin, leaving yourself to gather your bearings.

It's not often you feel the want to defy someone. But as you stand from the floor, dusting off your skirt and walking to the elevator; you feel that need to be defiant. You'd figure out where Valentino is. He has to be somewhere in the building, right? You just have to find.. him..

In these hundreds and hundreds of doors. You would have to find him. And you can't take so long, otherwise Vox may suspect something.

You'd find someone to tell you where he is, you'd find him, and you'd stop worrying if Vox is going to do something drastic because he hasn't lied to you. Simple as that, simple as that. Right?

As it just so happens, as you begin walking through the studio halls you find yourself bumping into a spider individual, of whom you remember being a popular porn star.

So with an anxious breath you asked him. He explained that Valentino was in studio B-40, but he doesn't recommend finding him. And once again you go against someone's wishes. Plus, you were just going to stick your head in the door. It's nothing to worry about.

So what are you so anxious when you find yourself getting closer to the door? Why does your throat feel so tight? Why do you want to run in the other direction? Why does every step feel so heavy?

Taking another small step to the door, you wonder if you should listen to your conscious. It's supposed to do you good , right?

No, that's baby talk.

You aren't weak. You aren't letting the people in hell get you down! You are going to open the door!

You push yourhand towards the door handle and-

"Ouch! Fuck-" You yelp, an electric shock going through your body, causing you to fall backwards onto the hard floor below. Your whole body is on fire, you can't feel your tongue. You can't feel your brain.

A hum accompanies Vox's words.

"You're not going in there." He says, leaning over you as you push yourself to your knees, pressing yourself to the wall. Your head is throbbing.

"I'll beat him to a pulp if he sees you, you know?" Vox laughs, that sickening pseudo-empathetic look covering his flat features. You feel your stomach twist, this time in an awful way, it's like he's draining you of your soul. You want to disappear.

"I don't want to be aggressive," Vox begins as he grips your face harshly, causing tears to well into your eyes. "But your fucking mine, you got that?"

"And I won't let that sleazy prick get his greedy eyes anywhere near you!"

"W-what?" You whimper, pushing his hands from his face and backing away meekly. Vox laughs to himself, red dripping from his two dimensional mouth. He humors you with that gaze of his, eating alive any part of your confidence that may still linger.

"Oh, don't you get it, my dear? You sighed the paperwork," Vox leans down so his eyes can bore into your own, his gums showing in that prideful smile of his. "You belong to me now."

You choke on air, standing to your wobbly feet.

"W-what? I don't un-"

The paperwork. The paperwork you signed to get the job. You didn't read it! You idiot. You fucking idiot! You've ruined your own life. You belong to him..

To Vox.

"You- Shit-!" You turn around on your heels, almost slipping as you speed off into the hallway. You hear his voice echo in your ears.

"You can't run. Hell, you can't hide either!"

This was a mistake, this whole thing was a mistake. You want to die. You want to disappear. You want to get as far away from him as possible. You don't even take the elevator down, you run down every single flight of stairs jumping down a couple to save time.

The slip beneath your feet almost makes you topple over as you clutch onto the railing, swinging yourself onto the next flight of stairs. You have to be close to the bottom, right. Right? Yeah. This is fine.

And you were, right, surprisingly. You can almost see the entrance outside. You just have to make it out of this lobby. You just have to make it out of this huge fucking stupid ass lobby! You have to.

All of the sinner's eyes bore at you as you run at top speed to the door. You can't be here. You need to leave immediately. He can't find you If you're far away, right? Just go somewhere without a camera.. it'll be fine.. everything will be fine.

You're so close! Just a few more steps, a few more heavy, headache inducing steps.

You can make it. You just have to believe in yourself, and it'll all work out. Everything will be fine. It just has to be. Hell can't be this cruel, can it?

You're so close to the door you can smell the outside world, hear the cars as they pass, hear the charter hear the-

You choke and fall.onto the ground, a heaviness around your neck and wrists. It buzzes against your skin, making you go light headed. You can barely see it, but it's there. There are handcuffs around your wrists. And a collar around your neck. All of which glowing and buzzing with that electric blue of Vox.

He is right.

You can't run, you can't hide, you can't do anything.

He owns you, he has you. You can't do anything.

You made a mistake.

Maybe hell really is this cruel.

Keeping you forever tethered to this man.

Who knew one mistake would ruin the rest of your eternity.

Serves you right for being so naive.

"Alright now, are we done with our tantrum?" Vox asks.

"Yes mister Vox." You say.