#and phrasing that changes that has meaning

[kcthelazyartist]

Something of note is the ‘MCGUCKET’ code on thisisnotawebsite.com and how the song  further confirms that Fiddleford is the reason for Bill not getting Ford in the end. This could either be just plot related [As Fidds leads to his downfall] but is more likely in a romantic sense as it references the singer not being married due to the other. 

This could be just making fun of Fidds or be from Fidds’ perspective, but as Fidds won in the end and Bill lost Ford this is unlikely. Instead, it's likely Bill showing his frustration at Fidds getting in between him and Ford.

This could also imply two things, Fidds being too wary and perspective got in the way of everything, or Ford had feelings for Fidds instead of Bill.

In regards to Ford changing the story from ‘A Tale of Two Stans’ to ‘The Last Mabelcorn,’ when Ford was pushed through the portal queer people were about 4-6 years away from being legalised and it was very looked down upon. Of course when he first arrives home he is unaware of the current state of queer politics and is going to assume it will be the same as when he left. 

This could be an explanation as to why he changed the position to something less intimate. Alongside the wording used around him saying he’s glad he's friends with F with the ‘…’ before explaining that Fidds would be terrifying as an enemy, as well as Bill constantly mentioning ‘the hillbilly’ and putting him above Ford’s own father, his feelings towards Fiddleford are very suspicious.

Another suspicious thing on his end is that he writes literal pages about gifts he is given by Fiddleford and Bill at one point [The squash, the gloves and snowglobe, the axolotl…]

@hugenthusiast recently made a post discussing the line, ‘Go back to your doting family and a life of fear and compromise,’ and the queer undertones and comphet feel around the phrase. I would like to expand on this idea and how queer the context actually is.

Starting off with the line directly after, “I weep not for our failed partnership, but for the golden opportunity thrown away! To think I considered him a friend! I know my true friend. It is my Muse.’ This line adds more context that makes the line they pointed at that much more queer, Ford telling Fidds to go back to his family then saying he isnt crying over their partnership but something else makes it sound like a breakup. Ford then compares his friendship to Bill’s, whom he has a queer relationship with.

Combining this with the full page rant and how he was willing to tell Fiddleford about his muse even after years of manipulation and it just feels like a breakup. Ford throwing away the ring also adds to this as it mimics people throwing away things related to their ex and another thing that mimics a breakup is Ford calling Fidds names.

Now going back to the line @hugenthusiast points out, whilst fear and compromise in this context is supposed to be about the portal it is a bit of a double-sided phrase as compromise can mean making do with less than ideal circumstances and being married to someone you have no interest in absolutely fits that, and the fear of outing was very real during this period of time.

‘Doting family’ is also interesting as mixed with the second half of that line it seems as though taking away the fear and compromise would alter his relationship with his family, whom later turn their backs on him, showing how rocky their relationship is and his family's bias’ as they don't even try to help him. I feel like this mixed with how he chooses not to go back really says something, ford calls his family doting yet he doesn't return to them?

[coyoxxtl]

I’m kind of tired of people thinking it was Haytham who wanted to connect with Ratonhnhaké:ton when it was the other way around. It was Ratonhnhaké:ton who did all the heavy lifting on that front.

Not saying Haytham had Absolutely No desire to connect with him but it’s like he gave up before he even tried. Sure he saved his life like, once iirc, but I don’t know what that means other than “I fucking guess I shouldn’t let my son die.” While Ratonhnhaké:ton is the one voicing his hopes for their partnership and believing Haytham could change at All. And while they both have moments of attempting to make the other see things from their perspective, I remember Haytham being incredibly dismissive and you can tell he thinks Ratonhnhaké:ton is just some stupid naive child, hence his bossing him around because he only sees himself as his father in the authority sense. (Also the racism) like Yeah it’s great when your long lost father spends the short time you had together chiding you and telling you you’re a fucking idiot for believing things can be better for the marginalized. Listen to his indoctrination propaganda boy.

Ultimately that’s what I think his whole “I made a mistake” phrase on his portrait meant. I never accepted that Ratonhnhaké:ton regrets killing Haytham and is a stupid sad boy about it like Forsaken wants you to believe. (also I’m certain that the phrase had multiple meanings as it was in the Kanien'kehà:ka language and not english) I think that it was 90% “I wasted time hoping this asshole would change” and 10% “I wish things could’ve gone different.”

But I don’t want to take away Ratonhnhaké:ton’s complex feelings about Haytham’s death, because he Does have them. He mourns him And what they could’ve had, more lost family after losing SO much. Almost every person I know that had one or two abusive parents still has some kind of love or hope for them despite the abuse. Even if they know they don’t deserve it. And if they happen to die they still somewhat mourn for them. This doesn’t change the damage they caused, but feelings are complicated and don’t always make sense.

Anyway, it’s just more people giving Haytham more credit than he deserves.

[fanaticsnail]

hi sis can you write me a sanji fic pleaseeeeeee

One hurt/comfort Sanji fic here for you, Smol-Snail.

Limits

Masterlist Here

Word Count: 2,500+

Synopsis: Baratie has been overbooked, and the tension in the kitchen has been overwhelming. Being a hard-working kitchen hand, you have been covering far too many shifts. Sensing the overwhelm, your coworker attempts to aid you through your emotions.

Themes: Sanji x gn!reader, hurt/comfort, kitchen slang, eating food, minor swearing, fluff, angst, domesticity, hidden feelings, almost kisses, playful banter, nicknames.

Notes: Spoiling my sister usually includes Mihawk or Garp, but I am absolutely loving the change. Thanks for the ask, sis! Hope you like it. Also, gosh it's good to be back in Baratie again.

The crackle of water hitting a pan of hot oil popped and simmered, a string of curses and yells following the large rukkus. Voices overlapping, music blaring, orders expediting, and the clangs of silverware shuddering with ceramics in water continued to mute their tones in the air surrounding the lively kitchen of Baratie.

It had been a mean shift tonight. The restaurant was overbooked, over packed, and overwhelmed. Guests on the waiting list were made to wait longer than they had anticipated, adding to tempers flaring and temperaments turning foul on all sides. The front of house were begging with the back of house, the back of house pleading with the front of house. Chef Zeff had even jumped on the line, cooking alongside the lot of you to fight against the rush. The thump of his peg leg hitting the linoleum swelled within the serenade of the lively kitchen, the chorus finally rising without any indication of an interlude.

“Carne, 'hot behind', damn it!” Zeff growled angrily while standing to full stature. Carne was holding a tray of simmering desserts at chest height behind him while shifting from one surface to the other. “Communicate, kitchen. Ya’ hear?”

“Oui chef!” The kitchen all repeated the phrase like a prayer on their tongues to their hierarchical clergyman.

“Ca Marche-!”

“Sharps-!”

“Plate up-!”

“Push-!”

“To the pass-!”

“Through-!”

Sanji stalked through the rows up until the pass, pacing two and fro while jumping in to aid all those that needed support. Garnishing mains, whipping cream for desserts, assorting steel bowls of oils and accompaniments to coincide with breads and greens: Sanji did it all. Each time he stepped in to aid in the dance of the kitchen, his eyes fell to your frame to mentally check in.

Eyes down, shoulders hunched, rubber gloves thrust up to your elbows, you ensured the kitchen remained functional with the fluctuation of crockery, cutlery and dishes for truly impeccable service. The kitchen-hand, or 'Dish Pig', was the backbone to a functional restaurant, the mental wellbeing of the house truly on the shoulders of that individual.

How could a chef create masterpieces without a canvas? How could guests in the dining hall consume their delectable arrangements without the means to raise each bite to their lips? The kitchen-hand ensured all was possible, and the chefs barely paid you any heed while you slaved away to grant them relief in their supplies.

You attempted to hone in on your craft, using your fingernails beneath the rubber gloves to chip at caramelized and caked scorches on iron pots like a scourer. Breaths heavy and labored, you shifted everything from your focus asside from one thing and one thing only:

Keep the kitchen clean.

Bubbles and suds consumed your senses, your hair sticking to your forehead in heavy clumps of sweat and soap. Your nostrils flared with the burn of eucalyptus, lemon and menthol. Working a fortnight of splits and doubles to cover for your colleagues had finally taken its toll on you, and stressors in your personal life added to the tension in your bones. The loss on your own mentality began to slip into a panic as another wave of silverware made their way to your arm side.

The mention of, “‘Ere ye’ go, dish pig. Clean up,” barely phased you, regardless to the usual playful temperament you displayed. You didn't even crack the smile you usually had on your face, your permanent exhaustion falling in the emotionless and dead-stare you displayed down at the dish rack.

The kitchen has began to pack down. Each element was extinguished, and stock was taken alongside a final tally. The chefs had removed their aprons, cravats and hats and began making their way towards the bar for their knockoffs. Your own drink would have to wait, the pile never reducing no matter how hard you had worked.

For each plate you cleared and cleaned, four more would somehow find their way to your hands. Each pot would have a lid to match, each pan would have an array of spatula, tongs, and forks to pair with. The chefs used the tools of their artistry with reckless abandon, and it was now you who was paying the price for their carelessness.

“A'ight, beers? That what we're drinkin'?” Patty clapped his hands and rubbed them enthusiastically together. Carne barked out a long string of laughter, allowing himself to succumb to the relief that came from a grueling shift while he clapped his hand over Patty’s bicep.

“I'm keen on one of them steins we just got in,” he admitted, squeezing lightly before looking to Zeff, “Is that on the menu for knock offs, chef?”

“Only is if you save two for me, you prick,” Zeff stated affectionately, “Give us a pale or an amber, I'll be in my office takin’ a damn breath. What about you, little eggplant? What are you drinkin’ tonight?”

Sanji hadn't spoken a word since he hung up his apron. He had been keeping an eye on you throughout your shift, feeling the tension waft in your aura the longer you silently chipped away at your monotonous task.

“I'm gonna have a cigarette,” he nodded to the head chef without moving his eyes away from you. “Then I think I'll sample that new amaretto rum you got in.” Sanji moved to Zeff’s side, casually glancing back at you while lowering his tone to the head chef, “But first, I'm gonna stay here a while. Leave inventory to me, and I'll take care of it, old man.”

Zeff noticed the drop in Sanji’s usual cadence and finally took notice to the quiver in your shoulders. With a curt nod, Zeff turned to both Patty and Carne and spoke to them with a simple scowl that meant: ‘Get out of the kitchen, now’. The two chefs quickly looked between Zeff and Sanji, then to the source of the noise continuing to fall from the underappreciated corner of the kitchen. With a nod of their own, they silently excused themselves from the kitchen with Zeff trailing behind them.

Where Sanji would've placed an unlit cigarette between his teeth and stalked out behind them, he would never do that without you. Both of you were similar in ages, and the rapport and camaraderie had always been a highlight to his kitchen shifts. The two of you were more than coworkers, more than simple friends, and you both lived and breathed Baratie in your own ways. You both loved that place, thrived on the chaotic energy working the line, and adored spending time in the dark before the next shift would begin.

The only difference between you is Sanji had been working his usual shifts, and you had been overworked far beyond your natural capacity lately. You were running low on mental energy, and you were taking it out on the dishes you were cleaning.

Wiping, scrubbing, clawing, patting, drying, prying, stacking, and placing away in their delegated areas: you had not spoken a word for the whole shift. Nothing more than a soft, shaky breath expelling from an otherwise vacant expression, nobody would know if anything was occurring within the battle of your mind.

But Sanji did.

Unhooking his apron and rolling up the sleeves of his uniform jacket, he placed it over his neck and slowly moved over to work silently in an unoccupied station. Several containers of various raw ingredients were hastily removed from their spots. Pots, water, flours, sugars, utensils and plates were all set up by his skilled hands: making something of your youth that he knew would bring you comfort.

Rolling glutinous rice flour into small balls with regular flour and water, he stuffed them full of purple adzuki mix, hazelnut white chocolate, and yuzu-honey dew custard. Placing the small balls in a steamer, he set a mental timer to check on them after a few minutes. Not his usual method to make dango, but he wanted to experiment for you.

He knew better than to disturb you when you were like this, and he allowed you to work out whatever was brewing in your mind on the dishes you were cleaning. He looked to the bowls and dishes he had just made in crafting you something delectable and grimaced.

‘All of those dishes just to make a simple dessert,’ he mentally scolded himself, ‘And that's just one piece of the kitchen. You're taking care of everyone’s dishes here, not just the kitchen’s.’ He gently lifted the lid of the bamboo steamer to gauge the consistency of the circular treats, nodding to himself once he viewed the squishy exterior.

Plating up the dish by patting them dry and rolling them in rice flour, he softly approached you with the bowl of rainbow-colored treats.

You were in your own head, your thoughts swirling in a tight coil threatening to snap. This shift had been enough to break a seasoned kitchen hand, and you had endured it all with a silent professionalism. Just when you were about to begin the next wave of remaining dishes, you turned and met your eyes with a plate of rainbow and sunshine.

“Hands, chef. You need to eat something,” Sanji softly spoke, his usual smirk and cocky attitude fleeing his face. The replacement of his usual demeanor was something you hadn't experienced with him. His eyes were rounded, his lips softly pouring, his head was lowered and seeking out your gaze with his own, and his empathy was worn with each subtlety.

All in one fluid motion, your head hung low and your glove-covered hands shrouded your eyes from his gaze. At the same motion, Sanji placed the bowl down beside you and hastily drew you into an encumbering embrace. It had finally been too much for you, and this was the first breakdown you had ever had regarding a shift. Heavy sobs were muffled by your rubber-covered palms while Sanji cradled you in his arms.

“Hold onto me, love,” Sanji softly whispered into your ear. You immediately unburied your face within your palms and nuzzled into the blonde man’s neck, arms wrapping beneath his shoulders and clinging to him like a rope offered from a cliff’s edge. “There you go. Good job. Just hold on, okay?”

“S-Sanji?” you attempted to whimper out, only being met with a soft shush and a tighter hold on your form. He rose one arm up to remove your dark chef’s cap from your head and carded his hands over your scalp in a soft brush.

“You've been pushing too many doubles, and saying ‘yes’ a whole lot lately,” he gently soothed you, “And while I love this place as much as you and the old man, I know my limits.” He gently lifted his head to gaze down to where your head was nestled in his collar, “You just hit yours, didn't you?”

“First time since I started,” you whispered into his shirt, “I didn't think I had one ‘til now, Ji.” Your admission alongside his arms holding you firmly dried up your tears after the heavy release.

“Course you do. We all do,” his soft baritone gently coaxed you. You slowly raised your eyes to meet his. His smile was like sunshine after a storm, warmth following a heavy winter, hope where hopelessness was found mere minutes prior, and a sanctuary found after a season of war.

When he looked at you, you felt like the most important person in the world. Time stood still in that moment, eyes darting between one another's and gently focussing briefly on the other’s lips. The close proximity you found yourself in was not unfamiliar to you, but this emotion swelling was far greater than you had anticipated. Sanji made to lean towards you, halting mid-way and second guessing himself from giving you the kiss he truly wanted. Instead, he pressed his forehead to yours in a gentle seal of friendship.

Noses flush with one another’s, you both closed your eyes and dwelled in the silence for a moment. Nothing else was heard: no yells in the kitchen, no music from the dining room, no yells from your coworkers, and no demands from the patrons in the hall. All that was heard was the small thump of your heartbeat in your ears, and your shared breaths gently soothing one another in unison.

“I made you dango,” Sanji uttered softly, making no move to part from you.

“Thank you, Ji,” you expressed your gratitude just as softly.

“And while you eat, I'll finish up on the dishes,” he scrunched his nose playfully, moving away from your head and slowly releasing you from his embrace, “Then we can go and have a knock off. I'll have one of the bar staff take your shift tomorrow- And before you interrupt-!”

Sanji knew you all too well, halting your interjection before you had an opportunity to speak it out with a harsh expression.

“-I know it's a 'double split'. That's a four person job, and I know exactly the four people to do it,” he finally withdrew his arms from your shoulders and soothed your upper arms with a firm caress. “Now, hand over those gloves. I made a right mess cooking you your sweets, and I'm going to see to it that it's spotless while you eat.”

You slowly removed your arms from his body, halting them briefly on his hips while you bowed your head in gratitude.

“Oui, chef,” you huffed out in a bid to add humor to the scenario. Releasing him from your grasp, you began to remove your rubber gloves and hang them over the steel railing beside the sink.

Sanji slid his hands from your shoulders, his right hand moving to gently tap your chin up with his index finger. Following his motions, you met your eyes with his once more, offering him a small smile after the exhaustion of emotional release.

“‘Oui Chef’?” he gently teased you, his eyes playfully narrowing in his jest, “Hush, you. Now go eat your dango and tell me what you like about it. We got sweet red bean, white chocolate hazelnut, and citrus-melon mouse in the centers.”

Your eyes bloomed with a wave of gratitude, Sanji’s understanding washing from his aura and consuming you within his single glance. The only thing to break your joint hypnosis with the scent of the sweetness atop the bench, you bobbed your head a final time to your coworker and dearest friend.

You moved to sit by the sink on a wooden stool, plonking down and resting your worn feet with the plate sat in your lap. Head slumping on the steel bench, you close your eyes and raise one of the squishy spheres to your lips.

Placing the entire blob into your mouth, the center burst on impact of the clamp of your teeth. The flavors erupted over your palate, your emotions once again being forced to the surface at his thoughtfulness. Each tartness was compensated by the sweetness it needed, the sours holding a balance of soft umami to prolong the dance over your tongue.

Watching from the corner of his eye while elbows deep in the sink, Sanji smiled at the encounter, truly pleased that he could offer you that sense of comfort after a grueling few weeks. Each bite you took of his mastery had his heart swell. Knowing he could do this for you, take a piece of that burden away from you and give you some joy to focus on: that was all he ever craved in return from you.

Tag list: @mfreedomstuff @daydreamer-in-training @since-im-already-here @gingernut1314 @writingmysanity @i-am-vita @indydonuts @feral-artistry @the-light-of-star @empirenowmp3 @racfoam @sunflowersatori @carrotsunshine @skullfacedlady @jintaka-hane @thenotsofantasticlifestory

[dinitride-art]

The van scene… the rain fight… hmmm… Maybe the two of you aren’t so different after all.

Oh, oh dear. Wait a fucking second, I forgot that there’s two nickels here. Okay, woah. It’s all coming together.

1. About Mike and El’s relationship.

2. About D&D- Will’s campaign and the painting.

3. Minimal use of “I” from one person. Will using El as a shield for the truth/ his own feelings. Mike using rhetorical questions as a shield for his own answers.

4. “I mean, what did you think, really? That we were never gonna get girlfriends? That we were just gonna sit in my basement all day and play games for the rest of our lives?” - “El could make us super rich and we’d never have to work. We could just play D&D and Nintendo for the rest of our lives.”

Basically, the van looks like a reversed version of the rain fight. It’s sunny instead of raining. They’re in the car instead of in front of it. Will’s hiding his feelings behind something/someone else instead of Mike.

Other similarities: It ends with Will crying. Will gave Mike something that was to do with D&D. Mike’s ‘oh, fuck. That was too vulnerable/too close to the truth’ face makes an appearance. (Says something, Looks away, presses lips together. Not necessarily always in that order. “It’s not my fault you don’t like girls”- projecting his own feelings. I’m just some nerd that got lucky Superman landed on his doorstep”- calls El superman instead of supergirl.)

The dots. I’ve connected them.

[peachetteprice]

Hi!! I have a request

I have had this idea of singing/hummjng Simon “Ghost” Riley back to sleep after he has had a nightmare or can’t relax enough to fall asleep.

Reader can carry a tune; maybe not a grammy nominee but Simon loves it when they do sing.

Simon doesn’t ask them himself to hum or sing to him, it sort of just happens. No one knows how to calm him down like they do and the way Reader hums/sings one of his favorite songs and gently rubs his back works better than he thought it would.

Thank you 😊💖‼️

Hello! I took some creative liberties with the prompt given. It is only slightly different from what you gave me, but I hope I did it justice! Please let me know your thoughts. @skrubob

(Note: influenced by a sleep disorder my dad has. I don't know, I thought I could relate a bit more with that idea!)

Strangers in the Night

Simon "Ghost" Riley - 1.9K words

It happened again.

It happened again like it happened most nights: without much warning, and for no particular reason.

It wasn't a spectacular night. There was nothing distinct about the moon and its size, neither the thickness of its crescent nor the depth of its craters. It wasn't a notable day for the planets and their stars. Nobody had wished on a comet. Nothing, in fact, nothing had gone on in the day to warrant such an odd happening.

Like every day, whenever Simon was off-deployment, he woke up at 0615. No sooner and no later than the sun rose, did he clambour from the bedsheets with a tired groan and a stretch - only occasionally might he have triggered his shoulder blades to seize up, though, thankfully, today was not one of those days - make his careful way downstairs so as to not wake you, flick the kettle on for a brew and stare out of the kitchen window until its rolling boil turned to a simmer, and it clicked itself off.

The cuppa was perfect.

There wasn't a single thing wrong with it.

In fact, if he could have sampled a half-pint of it, dried it into a powder, dusted it onto a canvas and hung it up on the wall in the bedroom - so that he could have something of a reminder of the most well-balanced cup of tea he'd ever made - then he just might have. Though, that wasn't to say that it was anything extraordinary. Not at all. It was a simple, bog-standard cuppa with a dash of milk, a humped teaspoon of white cane sugar, and all he did at the end, when he pulled the teabag out, was make sure not to pinch the sides of it on the rim; that was all there was to it.

And that was all to re-iterate that nothing at all about Simon Riley's day was unusual.

To insist on that point, as you readied yourself to work, and he gave you your cuppa for the morning - two sugars, a whiff of milk, exactly how you liked it - he made sure to give you a kiss on your lips just as your palm neared the door handle. It lasted exactly three seconds, and there was nothing overtly obscene about the smack that followed or the light tap he gave the rear of your thigh as you left.

When you were gone, he did the laundry. The washing machine finished at nine, so he put the tumble dryer on, too. That finished at eleven-thirty, and everything else was put on the line in the garden, which dried until three. Between then and three, if only to keep himself occupied, he fixed one of the dining chairs that you had leant too far back on and splintered the wooden bar at the lumbar region, for which he had to pop to B&Q to grab another bottle of wood glue, which, by and by, was also nothing peculiar in the slightest.

Once that was fixed, and the washing was dry, he collected, folded - even ironed, if the crinkles needed a spot of flattening, in which case it was one of your work blouses or a pair of his fatigues - then sorted them into the chest of drawers in your bedroom.

And, of course, once that was put away, he had his second brew of the day. Equally as plain. Equally as perfect.

By 1800 hours, you were home, and he gave your lips another kiss. Six seconds, this time, double the length of the one from the morning, with a little more vigour, and unlike the previous, you gave his left buttock a little clench, then a pat, and off you went to check the fridge for dinner.

Spag-bol. Spaghetti bolognese. With parmesan, too. The only thing that could've been somewhat abnormal was the addition of cut-up Cumberland sausages that desperately needed eating up, though it was hardly the monumental incident required to be the reason behind it happening again. It was nice. Dinner. Not your finest work, but then again, weekday meals, especially when Simon was home and you had to cook for two again, never were.

After washing up, you gave him a peck on the cheek, and he held you for a moment against the cabinets, just relishing in the body heat that he missed that morning. And when that was over, you popped the TV on - something completely ordinary in genre, motif, and drama - and fell asleep against him on the sofa.

Perhaps it was why you didn't notice so much. Perhaps if you'd stayed awake, you would have known when, why, or how it came to be.

An hour or two - or some duration of time in between - of light sleep passed, and you woke to the sound of his electric toothbrush whirring away. You joined him in the bathroom to brush your teeth, he slung an arm about your waist and drew circles into your stomach, though you were still some variable of dazed by the sudden jolt from being asleep to awake, but it was all alright, truly, because within two minutes, you were dead asleep again.

It was uncertain how much time had passed between falling asleep and being awake again. That was the terrible thing with sleep. Sleep blurs the lines between seconds and hours. What could have been five minutes could have easily been five hours, and what could have been ten hours often felt no longer than ten seconds. Time becomes an illusion, much like the theory in which, on one planet, it is equally plausible that thirty seconds in passing may equal three days in another, and yet, both planets cohabit the same space, the same universe, mere light years apart.

When you did manage to fall asleep again after brushing your teeth, and when it did happen again, it was a mere three seconds.

There was shouting. Some rambling. It bled into your unconsciousness until, with a rather heavy dip in the sheets, a bolt from the blue, you were left wide-awake.

"Simon?" You said into the void. There wasn't much to be seen at night.

"Where? Where is it? There's a--"

--You were awake now. That was for definite. Three seconds had passed, and Simon was awake, too. There was something odd about the frenzy in his eyes. If it wasn't for his blown pupils, you would have been convinced there was an intruder somewhere in the house. But he looked delirious. Three seconds had passed, and he hadn't slept a wink for something more like three days. But in the same breath, he was barely awake.

He was somewhere in between, mumbling under his breath about a spider and how it was somewhere here, in the bedroom, and it wanted him.

He wasn't making any sense - Simon Riley was not afraid of a bloody spider.

Twenty-two hours, eighteen minutes, and three seconds had passed. Nothing pertubing had happened prior, and yet, it was happening again.

"Simon, love, go back to sleep." You enveloped the shadow of his waist and pressed him back to the mattress - luckily, he hadn't left the bed yet. He was in and out of it, then. Ever-mumbling, eyelids still bursting wide every few seconds with the type of fear that should have only been present in somebody murdered. "It's alright."

It didn't happen often.

A few times since you'd been together, all countable on one hand, which, at this point, was years. He'd told you it might happen the first night you'd slept together in the same bed. Not the first time you'd slept together, full stop, but when he moved in and co-opted the king-sized bed in the bedroom. It was real, then. The relationship.

He never remembered it in the morning. Never did. Never will. You know he never did - he would have apologised if he did. Never asks if it's happened, but he's sure it has, because he notices the way your eyes never leave him the morning after, as if you're worried he might start yelling obscenities again and you have to hold him.

You always have to hold him. Like his mother did. One arm along his belly, stroking his stomach, and the other around the curve of his head, petting his hair like he's a little lamb. He would never be embarrassed about it, what you have to do to calm him, but if he were to ever ask if he'd ever woken up in a state, looking half as scared as a little boy in the dark - you wouldn't tell him. No. It's only a memory for you, and you'd rather like to keep it that way.

"It's alright." You cooed.

Sometimes, you sing to him. If he needs it. You sung that night, actually. He needed it that night. God, you must have sounded awful. Part of you was pleased at the fact that he never remembers it once he wakes up, because you'd quite like to avoid the conversation about how you can only just about hold a tune, and not with much fluidity.

It was Etta James' I'd Rather Go Blind.

The DJs on Smooth Radio played it during crawl traffic on the M60, rattled on about how incredible of a voice she had, they did, which was salt in the wound, really - there was an accident that morning on the hard shoulder, it took all of fifteen minutes to clear - and it was all that was stuck in your head at work, on the toilet, in the break-room and in the car on the way home.

It was the only song that came to mind as you started singing. A few wobbly notes here and there, nothing but of jumble of lyrics where it was certain you'd said more than one of the pre-chorus lines in favour of getting to the chorus itself, and you could hardly stop yourself from whispering some notes that you knew you wouldn't be able to reach at a murmur.

Simon settled a little at that. You were sure there wasn't much cognition behind those eyes - he was nothing but a walking zombie whenever it happened - but his hands clasped the one on his stomach, his pupils pinched back to normal, and by the second chorus, he was calm again.

You held him for a while. A long while. Until daybreak came in. Just to make sure it wouldn't happen again.

And at 0615, when the sun crept in to cast its shadow along the foot of the bed - and it would still be another hour until you rose - Simon awoke, stretched out his shoulder blades - though, this time, they did seize up - and faced your conked-out body.

Simon did notice something peculiar, then.

Your arms wrapped around his torso - which were often the other way around - should have been clutching the covers. There never meant to be a kink in your brow. Never was. Never should have been. Only on the mornings when you looked at him with too much empathy - when something had happened the night before that you never wished to talk about, was there ever such concern knotted into them.

And, in that moment, Simon knew. He leant a kiss to your lips, later joined them at your earlobe, too, before whispering;

"Thank you, love."

And there actually was something anomalous about that day, irreverent of the last. For some reason, whether because of the stars, the moon, or the planets, Simon had an Etta James song stuck in his head. How bloody weird.

| Masterlist |

[oceanwithouthermoon]

i posted abt this on my tiktok story but i need to rant more so im putting it here 😭😭 the way a lot of mikosai shippers (on tiktok, pinterest, reddit, etc) are is such a big reminder to me of why i hate the strictly romantic soulmates trope with every fiber of my being 😭😭😭 people who interpret soulmates as "that means theyre canonically together" regardless of how the characters actually feel about each other and if they ACTUALLY get together is so fucking gross to me oh my god its so fucking gross i hate forced romance so bad 😭😭 someone cant just say "hey, we're soulmates so you HAVE to date me and its literally weird and impossible for you to like anyone else because i said so!!" and also aiura WOULDNT do that anyway ???? HELLOOO???

you have no idea how many people ive seen call all saiki ships with anyone other than aiura "problematic ships" just because "theyre soulmates"

[icewindandboringhorror]

boy in silly sitting positions compilation

[tacagen]

hunter zolomon, what in the ever loving fuck is going on in your head.

i absolutely fucking love the way he spent so much time working with thawne, had access to every single bit of info in the museum's archives, claims to be an even better flash expert than thawne, SURELY has to KNOW how much of a time altering genius he is from numerous examples (and i doubt any of the 2 epic cringefails are now known to anyone but thawne himself) but still questions eobard's intellectual abilities even more than me here.

hunter. bestie. please name one single thing you were right about besides the clown. please

[euyrdice]

You and your Kise posts kill me so gently. I love your musings on him. He’s such a complex character, even if sometimes I think he’d laugh it off and say he’s an open book.

lovely beloved thank you for this message!!! 🥹🥹 i really enjoy studying and discussing kise, and i am so glad you've enjoyed my thoughts on him <333 thank you so much for taking time to tell me know you do!!! it makes me super happy to hear!!! :-) <333 💌💐💕

i love that i’m known for my silly kise post :-) hes really fun to muse about, right? hes so complex as you said; theres just soo much to him!!!

i think you’re totally right- he would just laugh it off and light-heartedly insist on his transparency. which has some truth to it, because he certainty is open about certain things! he often doesn't show hesitance/reluctance to truthfulness ab certain things, esp when it comes to basketball. he tells kuroko to "be honest with himself," shamelessly tells kasamatsu he only cares about beating aomine during the gakuten tou game, has a flippancy with kagami at their first meeting (of course, kagami starts the fire a bit himself fdjsf) and openly questions the others skill, and easily tells midorima that if kise were playing in the shotuko v kaijo game, kaijo would have won. he's terribly honest when he wants to be!

anywho!!!! please talk with me anytime! i would absolutely love to hear any of and all ur your thoughts on him!!!

[tame-a-messenger]

Oh no, man. I decided to watch the Damien episode of Perfect Person coz I only found out about it from the Angela appearance.

There's a part (around 2:45) where he says he booked the Starfield VA gig right when he first started at Smosh so with it coming out recently, it kinda bookended "this part of his internet life".

And I was like, WHAT DOES HE MEAN? IS HE LEAVING SMOSH??

<darthvader.gif> NOOOOOOOOOOOOOO!!

I find it interesting that he also says right before at (2:46) that he's trying to "Focus up, here soon" and since this Podcast was only 4months ago... Wonder what that means!

Ok ok joking aside I don't really think that's exactly what he meant by the things he said. I think he was mainly talking about doing more voice over work and "focus" on it more, not that he's going to fully leave Smosh.

He also says that he spent 5-6 yrs recording for that game, so that's why I think him saying "bookended this whole part of my internet life" is ONLY referring to him voicing over that game.

I'm also pretty sure "this whole" is (although it does sound like it could mean what you thought) almost definitely his southerner coming out, and what he meant was "the game coming out has bookended 5-6yrs worth of work for the voice over I did" not that he's quitting anything (I'm becoming the truth speaker of Damien Haas)

Holy shit bro, I'm getting good at this 'decoding whatever people assume Damien meant' stuff! I felt my skin glowing while I was trying to decipher what he meant lmao

I am become Truth, the Breaker of Assumptions

[miqojak]

"You know the way back, Wolf-of-mine."

[mad-hunts]

psst... i finished the blurb for my supernatural verse, and it is currently the only universe where julien is alive, which may be wilder than one might think. and i say that because that means that barton is less shouldered by guilt / more than likely comparatively even worse than he is in the main verse. i mean, don't get me wrong, julien's (one of barton's sons) death is definitely a tragedy.

it is also something that introduced more of a sense of guilt into him though because it made him realize that, yes — he IS not only destroying the lives of the strangers he kills but also the members of his own family's lives. so, without this event taking place, barton is (unfortunately) probably more cocky and liable to indulging in his very twisted impulses, so... yeah. but of course, julien is more than just a plot device character in barton's story. it's just that him being around does change things on a bigger level

[ipatrichor]

actually i think one of the things in outsiders that really fucked me up was one of owen's turns of phrase

when magic tricks him and goes into the maze alone, only surviving because he figures out what happened quick enough to follow & rescue her, he tells her that he's never going to stop coming after her (to make sure she's safe, to protect her)

and then after owen's gotten his memories back, he tells apo that he's never going to stop coming after him (to hunt him down, to kill him)

[lunar-fey]

WIP meme: you find yourself in a void?

this is what im considering my main wip right now :) have maybe my favorite scene!

(link to wip list)

And Josh is smiling at him in a way that makes him feel at home, like they just hung out yesterday.

Maybe as far as Josh is concerned, that’s about how long it’s been.

Neku never exactly thought to ask how god-time works.

Now that they’re face to face again, (finally), (finally? has he been waiting for this?), he can’t think of anything to ask. To say.

Josh is raising his arm up like he’s reaching for a hug, but he may as well be a thousand miles away from where Neku’s standing, and it comes off more as some kind of a victory pose. Or like a preacher calling for silence before beginning a sermon.

“Hello, Neku.” His voice sounds distant, and yet like it was whispered right in his ear. It sounds like warm sunlight running down his back. It’s wrong. Josh laughs softly, and as he speaks again his voice splits, crackles and warps until it sounds just like how Neku remembered. “How have you been?”

[clonehub]

i have to remember when i critique star wars as being v liberal my def of liberal is farther right i think than other people's definitions of it are

[gideonisms]

Just don't walk into the metaphor store! you can just walk out of the metaphor store if you don't want any metaphors