#and she doesn't kill people on purpose to eat!

[mylordshesacactus]

Ooooh question 12 for any and/or all of your DND characters?

askmeme

What perfectly-normal-to-them-thing does your OC do that confuses/pisses off/terrifies their neighbors?

Benny: Ironically, it's actually NOT the dire boar or the polymorphed adventurers or the planebound helldogs or the poison crops. Their neighbors, in the very small and extremely isolated and otherwise legitimately completely normal mountain village of Arrowfelle, know about all those things.

They consider Benny's family to be upstanding and dependable members of the community--they're generous with what magic they have, they're polite and down-to-earth, they've never once charged for any kind of medicine or healing potion. They're good neighbors. Not too proud to accept help from others, either. Benny dated a nice boy from a neighboring farm for a few years when she was younger, they ended things on good terms, nobody had any issue with her being a tiefling.

Away from home, however, the fact that (around a trusted party, anyway) she casually speaks--and writes her personal notes and letters home in--conversational Infernal openly and like it's no big deal? Tends to freak folks out.

(On a much pettier note, the fact that she calls her dog "my love" can weird people out until they realize that in Benny's mind that's an inherently familial form of address--it's what her MOM calls her, don't be gross.)

Rinda: Goddamn paladins always trying to adopt my stablehands--git! go on, git! marge, get the broom, we got another one--

(Rinda and her wife Talet own a small home in a largely inaccessible stretch of rugged mountain--they don't have neighbors, and it's by choice.)

Atri: She's a genuinely devout cleric of the Goddess of Death, which is enough to freak a lot of people out--even though Atri herself doesn't do the like, emo Aura Of Menace thing. She cares deeply about the dead and the undead, and believes very earnestly that death is a natural part of life and not to be feared. Essentially--it's not that she DOES anything, it's that people get Weird when they learn you're the director of a funeral home.

Kite: Do I need to say it.

Sedge: She's an EXTREMELY martial druid (Sedge in the background: I'M NOT A FUCKING DRUID) so like. Circle druids see this girl who legitimately hates nature (not in like, a pokemon villain way, in a "camping sounds like hell no thanks" way) and it's off-putting. Meanwhile, other sword jocks see her casting sunlight spells and summoning vines. And it's off-putting.

Lorne: Miss Lorne Cooper has been requested to stop slaughtering her enemies with a battleaxe on school grounds, as while her peers emphasize that the level of bloodlust is extremely understandable given a career in academia, it makes the undergrads nervous.

Concorde: STOP FUCKING MY SISTER--

Honestly, legitimately I think the thing that other sailors get weirded out by is that Concorde is like..........normal friends? with a lot of the sex workers at her usual ports of call. She's also a regular client of many of them! But there's a lot of girls that she knew as a kid or something--or, frankly, several that she recognizes are her "type" in a way that would quickly turn romantic for her, and she recognizes that that's not fair or healthy when what they were proposing was a business transaction.

So she's not good for locker room talk.

And then also I think some people find it a little odd the wistfully reverent way she talks about her naval patron--it's too weirdly devoted for a simple benefactor, and, for those who are aware that she's a warlock but don't know the story behind her, the level of fervent loyalty looks downright creepy.

(When an eerily bone-white tiefling warlock with blood-red highlights closes her eyes and smiles faintly and talks about her 'patron' and his 'good opinion' of her and how she 'owes him everything good in her life' and only wants to 'repay his gifts' by 'achieving something great in his name,' smart people start backing away slowly.)

(He's an ancient bronze dragon who saved her life when she was a child--he's not her master, in her heart he's her father. She just wants to make him proud someday. She doesn't realize she already has.)

[a-aexotic]

HEYYYY! So like every other mf on the planet right now I am in my hunger games era!!

Please could you write a Finnick x Reader where she is selected for the quarter quell (Maybe in her games she was lethal and killed like 10+ people?)

And when Katniss shoots the arena in catching fire she gets taken by the capitol (Like Peeta) and they torture her and shit? Then Finnick and her get there reunion she’s all like battered and bruided and it’s dead sad? Not sure if this made sense because i’m half asleep and dyselxic but let me know😭🤣

Maybe he says “It’s okay baby i got you” ??? x

hey of course i can! i hope u enjoy it babe <3 its a tiny bit long! my apologizes

cw's: angst, mentions of killing/dying, typical thg stuff, torture, ptsd, lmk if i missed anything

You were one of the youngest victors alongside Finnick, being only 15 and having won your games. You were also from District 4. You won the 68th Hunger Games, a few years after Finnick.

When you were reaped, Finnick and Mags were your mentors. Finnick came off as self absorbed and arrogant but once you started talking to him, the more you realized that was total bullshit. He wasn't how the Capitol portrayed him, he was much more caring and compassionate. He was very sympathetic to your situation, having gone through the same things.

During your time in the arena, you were one of the most ruthless tributes of all time. In the beginning, you were easily overlooked. The tributes weren't thinking that you were going to be much of a challenge because of your size and the way you carried yourself.

But that was exactly how you wanted to be portrayed. You tricked the Careers into thinking you were some naïve little girl, stabbing them in the back (literally) the first chance you got. The Capitol loved the turn of events, cheering you on.

When you had come back home, you had finally understood the intensity of what you had done. You had killed a whole group of people, ending their lives permanently. Those people had lives and family who loved them, and now they're gone because of you.

You suffered through months and months from never ending nightmares. Even getting consoled by your mother didn't help anymore; she doesn't understand. You didn't even feel worthy of food anymore.

You closed off Mags and Finnick when you had come home, driving yourself into isolation and depression. You rarely went out anymore, eating one meal a day and slept more than 80% of the day. Even sleeping couldn't mend the eternal tiredness you had, the void that filled your body.

Finnick had felt more than responsible for your pain. He gave you time before he realized he was just adding to your pain. Even when you didn't communicate back to him, Finnick visited you every day. He gave you advice and told you what he had went through after the Games as well. Eventually you opened up more to Finnick, and slowly, he had become your best friend.

He had told you that numbing it wasn't going to make it go away. He reminded you that you had him and Mags to help you with this process, and that you weren't alone despite of how you felt.

He helped you regain your sense of purpose again, your self image again. Finnick had singlehandedly helped you rebuilt your sense of self again.

He saw a part of you in him, that scared 14 year old boy who was trying to go back home to his parents. He never wanted anyone to feel that, especially you.

He promised you that he would never let anything bad ever happen to you again.

During your Victor's tour, Snow had suddenly deemed you desirable by the Capitol, wanting to sell you as he did with Finnick. Finnick couldn't risk getting involved, wanting to protect his family.

Every night in the Capitol, you were always consoled by Finnick. Every time you had to do a favor, you remember walking to Finnick's room to sleep, not baring the thought of having to sleep alone in the cold bed. He was always there, holding your hand comfortingly as you both slept.

The Capitol adored you both, nicknaming you the princess and prince of Panem. The more time you spent with Finnick, the more the media had speculated a relationship between the young victors.

You and Finnick had connected in many ways. Both having the same trauma, it was easy to talk to him and for him to understand how hard it was.

You and Finnick eventually got together a few years later, then getting married (in secret, of course) almost right after. You were both deeply in love.

Finnick found solace in the thought of always having you by his side, remembering that no one could tear you apart. That was until the Quarter Quell was announced.

You and Finnick were sitting at the edge of the couch, listening to Caesar's words carefully as he explained that this year's Hunger Games was going to be very different.

When it was announced that there will be only be Victors in this year's games, you heard dropped. You looked over at Finnick and he shared the same terrified look on his face.

--

When Annie's name had been called, you without any second thought, put up your hand. "I volunteer as tribute."

The crowd gasped and you looked over at Annie and you could tell she was a bit relived but still scared nonetheless. You immediately embraced her tightly, letting her let out a small sob. "It's okay, you're okay."

Mags looked just as terrified and you took her hand. When Finnick's name was called, you felt your stomach drop. Not only were you back in the arena, but you were with Finnick.

You looked over at Finnick and he looked prepared to fight. You both stood up and he grabbed your hand, raising it up in union.

The trainride to the Capitol was pretty uneventful. Finnick had wanted some time to think about the plan and so did you. A part of you knew what he was planning; he kill everyone else in the arena and then eventually himself, all for you.

As you sat on the bed, you felt the sadness and anger turn into numbness. No amount of crying was going to stop the Quater Quell and you had to be smart.

You didn't want to survive without Finnick. You were either winning with him or dying with him. Life would be meaningless without him.

Finnick knocked on your door slightly, before walking in. You looked up at him and he gave you a small smile. He took a seat next to and took your hand.

"I have a plan."

"Finnick, I know what you're thinking, and no. You're not killing yourself for me."

Finnick looked defeated. "One of us has to survive, Y/N. For Annie. For Mags."

You look a deep inhale, looking away from Finnick. "I don't want to life without you, everything would lose all it's meaning without you."

Finnick felt his heart burst into two pieces as he squeezed your hand. You felt your eyes watering again and you couldn't help but let out another quiet cry as Finnick pulled your head in, as he embraced you tightly.

"Shh, it's okay. I promise, I won't... I won't leave you."

--

It had all happened so fast, you couldn't even comprehend what had just happened. One moment, you were with Finnick trying to find Johanna and Katniss and suddenly there was big loud boom. You were relieved for a moment; Plutarch's plan had worked. Until you realized how far away you were from the others.

You were wandering, trying to find anyone until you heard people behind you. You turned and then you saw some unfamiliar faces; suddenly, your vision went black.

Then, you woke up in a white room. You felt like your stomach had dropped out of your body once the realization hit you; the Capitol captured you.

You were strapped down to a bed and you couldn't move or shake it off. The severity of the situation had hit you; even if by some miracle you did escape, where would you go? How would you find your way to 13 and back to Finnick?

You knew how ruthless the Capitol was to everyone who disobeyed them. Your worst fears had come true and there was no getting out of here.

You heard the door open and you saw some Peacekeepers come in and then you saw the person you dreaded to see most; Snow. You felt like your whole had come crashing down, how could this nightmare become any worse?

"Hello, Y/N."

You didn't respond, resorting to stare at the wall in front of you instead.

He tutted disappointedly. "Out of all the tributes, you were the one I expected least to be involved in this mess. You are the Princess of Panem... What a shame."

You still hadn't replied and you hadn't dared to look at Snow. Months and months you spent trying to heal the trauma he had caused you, you were sure if you had to look at him now, you would break.

"I want to take mercy on you, dear Y/N. If you tell me everything you know about the rebellion, I will make sure the Peacekeepers are gentle with you."

You shook your head. "No."

He let out a small chuckle. "Sorry, I couldn't hear you. What?"

"No." You said again, louder.

He hummed in disapproval. "Okay then, you leave me no choice. You are going to regret this."

He nodded to the Peacekeepers and walked out of the room. You were then met with Peacekeepers, loosening the straps then taking you to another room.

If Snow knew one thing about you, it was that being only physical with you wouldn't hurt you enough. He had to hit you were it hurt most.

They threw you in the seemingly vacant room and immediately locking it. You were confused until you heard it.

"Y/N, help me!" Finnick's voice screamed. "Please, help me! Get up and do something, they're killing me! Please."

You looked everywhere in the dark room, trying to find the source. It kept going.

"Y/N, please! Help! What the hell are you doing, just sitting there? You are such a disappointment!" The voice started shouting. "We should've just left you to died in the arena! You are useless!"

Now this was something new. Your body was filled with panic and fear and even though you knew it was fake, you felt like you were going to throw up from all the noise.

Suddenly, Annie's voice came in as well. Then Johanna's. Then your mother's. There was nonstop noise filled with screams for help, shouting with disapproving messages. Your body couldn't handle it; it was so overwhelmed with fear that you started shaking on the ground, putting your hands on your ears but that did little to nothing.

You wanted it to stop. It was too much, you were trembling. It felt like days, just sitting there in that room listening to all those demeaning voices of your loved ones. You couldn't even think straight anymore.

It was so bad you had started to pound your head on the ground, screaming and crying. You had have enough. And then, it all stopped. Silence was foreign for you; your ears were ringing.

You were sitting on the ground, almost lifeless as the Peacekeepers took you away. Your eyes hurt from the tears, your body sore, your ears ringing and your head was pounding.

But you knew that was just the beginning.

--

You were asleep in bed and you were awakened by the door opening, you instantly jolted up. You looked over to see a group of masked men in front of you and you had started to tremble again, silent tears rolling down your face, thinking that the Peacekeepers had come again.

"No, no, no." You started to mumble to yourself.

A man came up to your and took your bruised hand slowly, rubbing it gently in silent empathy. That was the first soft touch you'd felt in a few weeks and it almost stung.

"It's okay, you're safe now. You're going to 13 now."

You had to blink a couple times, trying to process what he said. Was this a dream? You went to pinch yourself but it was real life.

He then helped you up but you couldn't help but stumble; your legs were weak, you couldn't remember the last time the Peacekeepers let you walk for this long.

As you got into the hovercraft, you saw Annie. Your eyes widened as you both ran up to each other, embracing each other. She had started to cry a little bit and so did you.

That was when it hit you. You were going to see Finnick. You were going home. You started crying into Annie's shoulder as she held you. "We're safe now, we're safe."

You had seen Johanna as well but she didn't seem too responsive. Neither did Peeta. You fell asleep on Annie's shoulder on the ride back and for the first time, you actually felt yourself drifting off calmly.

--

There were lots of doctors and nurses looking at you and asking you all sorts of questions and you tried your best to answer them. You were still in shock; you were safe. They couldn't hurt you anymore.

"Y/N?" You turned around to see Finnick. You immediately got up from the examiner's table and ran into his arms, your eyes starting to water up again.

"Finnick," you sighed slowly. You pulled away, putting your hands on his face and touched him as if he wasn't real.

"Are you.. Are you really here?"

"Yes, I'm really here." Finnick looked at you and suddenly his voice transported you back into the dark room. You quickly twisted out of his embrace and his expression changed.

His voice was back and you heard all of the nasty things he had to you. You back away, stumbling into the examiner's table and your breathing became heavy. "No, no, no, please-please go away. No."

You slid down to the floor and you closed your eyes, putting your hands on your ears and rocking back and forth trying to get that voice to stop.

Finnick ran up to you and put his hands on your knees, trying to get you to look at him. His heart broke in half; he didn't know what the Capitol had done to you but now he knows it has something to do with him.

Of course the Capitol would try to ruin him. His eyes started to tear up at the sight of you, in so much pain and panic.

You opened your eyes, Finnick in front of you. You started to cry some more before Finnick slowly went up to you, wrapping his arms around you.

When he had started wrapping your arms around you, your instinct was to push him away but his warmth was welcoming and safe and you started to focus on his touch. The voices slowly drifted away, the sounds of your silent sobs only being heard.

You then gave into Finnick's touch, falling into him and putting your head in his chest as he caressed your back gently, shushing you.

"It's okay baby, I got you. You're safe now, they can't hurt you."

[numberonetrashwitch]

Some observations about Baldurs Gate 3 that hit too close to home.

After another few runs i will probably just make an in-Depth Character Analysis for every character simply because they are good reflections of actual trauma-manifestations and how abuse can manifest in people. They are also so well written that it serves a narrative purpose to explore all the material that is out there about them. I am also personally cursed with actual medically-relevant levels of Empathy and Hyperfixation; so writing this helps me put a pin in it and move on.

But so far here are my highlights

(SPOILERS and obviously content warning bc these are deep)

before you ask; i have almost 300h in this game.

You have to convince Shadowheart to eat the Noblestalk. She actually stells you she rather get her memories back from Shar but when you hit the persuasion or intimidation (what the fuck) check to get her to eat it she'll tell you about her childhood friend. Not her name, not her parents but her best firend. Possibly because she has had a closer bond to that person after being abducted and indoctrinated. With her believing herself to be an orphan, she would've looked elsewhere for comfort and sought out her own family, this is why she falls hard and heavy for Shar and builds the backbone of her indoctrination. She is literally ripped out of her home & given a new identity to server her from all she has known. Religious indoctrination, Gaslighting, Abduction, being forced to let go of your personality are her main themes.

There is a scene out there floating around in which you see Astarions pespective of the night when he bites Tav for the first time, in his meditations he is confronted with the rules Cazador put on him, including that he can't eat intelligent creatures, can't be away from Cazador unless allowed to, has to obey every command and that they are should know that they are property. Which in turn means that Astarion literally didn't just have any autonomy, he was objectified (and not just through seductive/sexual measures) and that is really the crux to understanding why he doesn't believe in kindness, but rather shows self-serving behavior in most cases. Since we know that Astarion was extremely young for an elf before he died and became immortal (literally stopping the aging /maturing process) it is also very telling that Cazador constantly calls him brat, boy or other very juvanile names, refering to them as a family... well it is also the story of a very controlling parent. Themes of (Bodily) autonomy, infantilization ( & puer aeternus, forever-child), slavery, depersonalisation, corruption of life and torture to break someone.

Gale isn't just a guy hung up on his Ex, but also a victim of abuse. In this case a power imbalance none of us can fathom; She is described as being a jealous goddess and rules over the domain of mysteries and magic. So with Gale being a Wizard, she is literally his boss. He admits that he was foolish enough to aspire to be an equal to her, but she is so jealous that she tells him he can't really be worthy as long as he takes breath. She could just take his powers away and be done with it, that would be more than enough punishment for a guy who literally made Mystra and her domain his life's purpose, but she rather makes him do it himself. Add to that, that she literally only tells him this after years of self-isolation (after he put down so many wards that he could've blown up a whole army as he says if you click the right dialogue) to really fuck him up well. He also talks about death pretty much constantly, not surprising giving your situation, but he will tell you that he will kill himself at several points in the game, for instance after he comes clear about his nethrese orb. Themes of romantic abuse, power-imbalance, toxic work enviorment, self-isolating behavior, suicidal ideation

Wyll ... well from the looks of it he is the most well adjusted of all the companions (my opinion) but he has something that i'd describe as the "eldest daughter"-syndrome, more commonly known as parentification. This pattern usually occurs within single-household parents and is commonly described as a parent looking to their child for emotional or practical support, rather than providing it to their kid. We meet Ulder and see that he talks over Wyll a lot, not listening but expecting him to follow the standard he sets for him. That is also why Wyll repeats his fathers words like gospel (because this is what, in his mind, fullfills the expectations bestowed upon him) and why he loves fairytales / bard tales so much (because they are an ecapist view of the job he set out to do) Ulder literally exiled his teenage son because Wyll did the only thing he could to save an entire city, by sacrificing himself. Thats a lot to expect from a 17 year old - even more so, he doesn't stop with the heroics. He expects himself, as a human who hasn't even reached the age of 30 to hold up to mystical creatures such as Astarion or Karlach, or even Gale who is a accomplished Wizard. Themes of parentification, escapism, self-harming through putting himself in danger, chronic-self-sacrifice

In plain words; Gortash, Karlach's Idol sold her to a Devil. But add to that that she must have been pretty young when she was sold (late teens to early twenties possibly) and being that if you play as a Tiefling, you face a lot of predjudice she was likely forced into that position as well. Starstruck she was, with a juvenile naitivy that Gortash used. Appropriately, as he is the chosen of Bane the god of "tyrannical oppression, terror, and hate, known across Faerûn as the face of pure evil through malevolent despotism" (Source: Forgotten-Realms Wiki / Bane) So she pretty much was raised in a toxic enviorment, which forced her to become a killing-machine, first figuretively, then with the extraction of her heart, literally. Themes of slavery, oppression, misuse of trust, being taken advantage by a more powerful/older(?) person, being drafted.

Jaheira - to be honest, you need to know the lore of the previous baldurs gate games or just listen to her dialouge, ask her all the questions. She is a war-veteran against Bhaal, the good of ritual murder, and has a long history of fighting to achieve some sort of balance of power. She lost her husband and several close people all to this, or any other war, but due to her wisdom and strength people look to her for guidance. Themes of: Survivors Guilt.

Halsin - he is really closed off at first but then just casually hits you with "i was captured in the underdark and spent 3 years chained to a bedroom wall by a pair of drows who used me as they pleased". He is reprimanded by some of his druids for leaving the grove as soon as opportunity struck, just to get back and leave the next day, and if you talk to him about his position in the grove he is actually very forthcomming. He actively holds himself back; indulging in simple hobbies because he knows what lies within his heart. He is afraid of himself and his potential (canonnically he can't control his wildshape, which is very weird for an ARCH-druid) Themes of: impostor syndrome, avoidant-based self-harm, sexual opression, loss of control, emotional regulation.

Lae'zel is a very tragic case, and one that closely resembles the stories of Shadowheart and Karlach. Her entire existence is based upon a matriachial war society allowing her to live if she proves she can be of use and that in a culture which only values brutality, dominance & service. All of that culimating in her finding out that her oh-so-beloved Queen is actually just an imposter, and that everything she has lived for up to that point is merely political propaganda created to make her, and the rest of her entire species, willing pawns in a war that has no longer bearing on their survival alone, but is fought to justify Vlaakith's (the reigning monarchs) personal ambitions. Not only is she forced to reconcile that she is turned into the thing that controlled her kind for hundreds of years, that the only cure she knows of would kill her and then on top of that, that her hopes and dreams were lies and that she is now the Nr 1 enemy of the person she has served with all her being. themes of: oppression, propaganda, casual violence, objectification, child-warfare, eternal warfare

Minthara in short, her story is about being shamed for growing up in the same scenario that Lae'zel grew up in. Lolth, the god of the Lolth-sworn drows is a crazy queen who values scheming & backstabbing so much and is so volatile that you can't know what to expect of your deeds (and i mean it; there were people who were appraised by her for scheming against her, but also those who were killed. It's almost random.) She considers Lolth to be cruel and abandoned her for the Absolute, only to then be used and abused the same way Lae'zel has. Not with promises, but erasing her memory and exposing her perceived weakness. Themes of: casual violence, violent culture, her own ambition colliding with her desire to be safe, being a pawn in a larger game.

[calisources]

𝐏𝐎𝐒𝐒𝐄𝐒𝐒𝐈𝐕𝐄 𝐋𝐎𝐕𝐄 𝐀𝐍𝐃 𝐂𝐎𝐌𝐏𝐄𝐓𝐈𝐓𝐈𝐕𝐄 𝐒𝐄𝐍𝐓𝐄𝐍𝐂𝐄 𝐐𝐔𝐎𝐓𝐄𝐒.

All sentences here were taken from different media about possessive love, the thrill of the chase, banter, and competition regarding one's affection. Some have foul language so please beware but most are fun, banter, possessive fun. All of these are made for roleplay purposes. Change names, pronouns, locations as you see fit.

I love you. You’re mine. I’ll kill any bastard who tries to take you from me.

I spend a quarter of every day inside you. 

I have never said this to anyone before.

But the idea of you with child is the most insanely arousing thing I’ve ever imagined.

Your belly all swollen, your breasts heavy, the funny little way you would walk … I would worship you. I would take care of your every need. And everyone would know that I’d made you that way, that you belonged to me.

You want to be free. You also want to be mine. You can't be both.

We can't possess one another.

Just because I can't have you right now, doesn't mean I'm okay with him having you.

I will be good to you, Myst. Please, I promise.

You are mine. And I protect what’s mine.

Of course I won't go alone. I shall take my maid.

No.You will take me.

The purpose of a knight is to protect. Why won’t you let him do his job to me?

I want you all to myself.

I can’t explain to you the joy I feel knowing it’s all mine. That you are all mine, that your body is all mine.

There is something in me that wakes up when I want something, a possession.

God knows he deserved you more than I do. 

Listen well, for you belong to me.

Good grief, you’re such an adorably greedy person.

And when you fall in love with her  just keep in mind that she’s mine. 

 She’s more than you could handle, anyway.

That almost sounds like a challenge.

I don’t need your permission to do anything.

Your hands will touch me and no one else, Meadow. That is final.

You chase off every man that’s ever been interested, and you do it without even trying.

You reject every suitor and yet, you keep entertaining me. I believe you want me too, and you are dying to be touched.

I don't own you, you just belong to me.

You’re my gold, your cunt is my liquid gold. 

I will have your mouth, you will give it to me. Then I will have your spirit, Circe. I will own it. Always.

By the gods you have never been more beautiful than you are right now, spread before me, wrapped in my wool.

Once I take you, you are mine. My woman. No other man can have you.

I do not belong to you, or to anyone else. I will talk to whomever I want, whenever I want.

Not if it’s some ass who thinks he can put his hands on you.

You didn’t have a problem with me acting like a caveman last night.

When it comes to you… I don’t like to share.

Most men prefer to do the eating.

Do you know what passion is?

Most people think it only means desire. Arousal. Wild abandon. But that’s not all. The word derives from the Latin. It means suffering. Submission. Pain and pleasure, Nikki. Passion.

You’re wearing my colors, love.

I’m going to put you on your knees, Ruby. You’re going to hate how much you love it.

He is my king, he is my warrior, he is my husband and I am proud to say above all… he is mine.

You have rare beauty the like I have never seen but you will be more beautiful heavy with my seed.

You are my golden queen. You are my tigress. You are my Circe. 

Never will I allow your gold to be taken from me. Never. Understand this, Circe, and never forget.

Maybe I fell in love with a version of him that didn't exist.

 I would have you right here if you would let me. Fear you? I exalt you. 

You could burn me a thousand times, and I would still want you for my own.

Everything has a price. The price, however, isn't always money.

You’re my scariest hell, You’re my perfect paradise.

Well, I admit my crib is pretty sweet. But a gold cage is still a cage, Harry.

I intend to the last. 

If I win, then you shall be mine. Tonight.

You are so sure of yourself.

The game is simple. The women run, the men chase. If you catch the one with your color. . .well, that’s up to you.

But women have been running all their lives, most men don’t catch that easily.

We are in a maze, lost, and your hand is up my skirt.

Aye, but I don’t hear any complaints. The maze will hide our secret.

[ghostscrown]

Dead Boy Detectives characters are such icons fr. We got :

Ghost boy who thinks he's good at hiding his gayness but everyone in town spots him immediately, who's unintentionally rizzing up every single man he meets (EXCEPT his crush) because his charisma is so far in the negative it has the opposite effect, who ran away from literal hell because a spider demon made of dolls is after him, who genuinely thinks hysteria is a very real serious medical thing, and who becomes friends with the fujoshi who introduced him to yaoi

Ghost boy number two with eyeliner and severely repressed anger issues, who beats villains with a cricket bat despite owning a sword, who's completely CLUELESS about his best friend of 3 decades having a crush on him despite literally everyone else knowing the second they meet them, who's running away from the afterlife just because he doesn't want his friend to go to hell, who owns a magic hammerspace bag, and who's in a situationship with a medium

Local fujoshi whose hair became naturally bleached after she was infected by some psychedelic dandelion sprites she's now keeping as pets in a jar in her room, who avoids her problems by running away to another country and watching Scooby-Doo as she ignores her mom's letters, and who organizes dates for her landlord (gone wrong)

Medium girl who can read in your mind but whose memory was stolen by a demon named David who also happens to be her toxic ex, who's haunted by said toxic ex, who was apparently a total bully before she lost memory, who has a black women exclusive meeting happening somewhere in her subconscious, who's full last name is "Palace Surname-Von Hoverkraft" and who violently scares homophobes with the help of her two ghost friends, one of which she's in a situationship with

Blonde witch who bargained immortality to a goddess but forgot to mention she wanted eternal youth too, who kidnaps little girls at night to feed the giant snake she keeps in her basement, who has a personnal beef with some kids, who brutal pipe murders people, and whose ultimate goal is to become the goddess of one town

Goth lesbian butcher landlord constantly covered in blood, who's also a true crime fan, whose crush was actually a stalker and tried to kill her at the first date, and who accepts to rent rooms to suspicious kids talking to themselves and probably in a runaway no questions asked

Crow familiar of the witch, astrology fan who was made human in the sole purpose of seducing the gay ghost to trick him, but it didn't work and he was the one falling in love and being pathetically rejected instead

Catman who wears skirts and eats people, who curses the repressed gay ghost to either sleep with him or count every cat in town like he's a whimsy fantasy creature, in the sole purpose of exposing his gayness, but who becomes more and more of a pathetic wet cat as the ghost keeps rejecting him again and again

Dude who's not a dude but actually a cursed walrus, who was changed into a human and is now owning a magic shop and desperate to traumadump every single person in his field of view

Transdimensional being who uses the power of triggerring PTSD to chase troubled teens in a runaway and take them back to hell, got eaten by a fish and can fit her whole body in a mail package

[snowsinterlude]

doll parts.

(coriolanus snow x bella baxter!reader)

summary: having been brought back to live recently, you seemed to have lost your memories and still had a lot to re-learn. with that being said, you were personally intrigued by whatever 'fucking' is. luckily, coriolanus knew exactly how to teach you.

based on this ask.

c.w: horror (based in frankenstein and poor things), smut, coriolanus snow, nymphomaniac behavior (on the part of reader), spitting, p in v, porn with plot, rough sex, slapping (m. recieving), overstimulation, angry sex, squirting, edging, creampie, unproctected sex, innocent reader, naïve behavior, dumbification. casca highbottom is mentioned but he's not the main focus, 'virginity' loss, there's gonna be a lot of 'of course's" here

with the shocks of the electricity running through your new brain, you had opened your eyes to the sight of casca highbottom, a scientist who wanted to prove the point that he could bring people back to life.

of course, playing god wasn't exactly allowed, but what does corruption doesn't do?

with a white curly lock in your lustrous hair being something new to your forgotten appearance, you stared at the man in front of you, whom claimed to be your father. and of course he wasn't. he wanted to prove a point; this point being that he could create the perfect woman and shape her into the submissive obedient element you were supposed to become.

you didn't like that idea, and on the first minute he looked somewhere other than you when he brought you to see the outside world, you ran away, wanting to learn whatever you had to learn without the chains that casca highbottom had you in.

it didn't took long for you to come across coriolanus snow, a renowed academy student who was always against highbottom's experiments in dead people and animals. and he was so gentle to you, probably because of your doe heterochromatic eyes (another result of highbottom's tests on your previously dead body), or probably because of your innocent smile and the way your experience with the dead of living beings was killing mosquitoes and butterflies, saying that "there is no meaning for me to let this thing live if it annoys me."

of course, he took that out of your head with the argument that "then, if i, someday end up annoying you, would you kill me?" and you seemed to thought for a long while (that was his concern and the moment he gulped down), shaking your head, but saying "if you gave me anything other than kisses and books and shelter, i would." and he laughed at the way you said that, your eyes almost jumping out of your skull, always so sickeningly wide. you were so naïve, he truly wanted to open your kull, unspool your brain and sifting through it, trying to catch and pin down whatever it was that passed through your head.

he would never do it, though. not when you looked so pretty when swallowing his spit on that same night, licking your lips after a kiss.

then, in the day before, sitting on the couch on his studies, you looked at the page of the book you were leavmfing through, you saw an image of a woman and a man's silhouette. taking advantage of the few things highbottom teached you, you read outloud:

"mis...sio...neh...ry" of course, you still had a lot of difficulty reading, but nothing that could cause harm, coriolanus still tried his best to teach you how to read. he was always so... kind. you wanted to eat him up. but pretty things sometimes are accessories that can't go into your stomach, and that's what coriolanus told you when you tried eating a ladybug, claiming she was too cute for you not to eat it. "coryo,"

"yes, doll?" he asked, reading the papers he had on his hands.

"what is missionary sex?" that caught him off guard.

so now, after explaining how it worked and why it existed, the platinum blonde man finished by saying it could bring pleasure to your body, but it was mainly used for reproduction purposes.

you didn't really care about that last part, the second you heard him talking about 'pleasure', you immediatly got up, almost abruptly walking to him, your bare feet stepping on whatever it had on the ground, the skirt of your dress, that he got used to seeing you without, the shows you were supposed to wear to an early party that you never put on, his jacket, some papers, and finally, you were in front of him.

"i wanna do it," you voiced, taking the papers out of his hand "i wanna do it with you." and "i wanna have missionary with you." you said, eyes wide open to stare at him, you almost never blinkedat all.

"it's sex, doll. missionary is just a position." he said, laughing. though the thought of you riding him made his dick throb.

"position?" you asked, cocking your head to the side. "then there's more?" he nodded to you.

"there are much more positions on the kamasutra than pages on the bible." he said, and you smiled happily, your teeth showing up as well as your voice echoed:

"show me." you said "sex me- fuck, is fucking, right? fuck me. in the positions of the kamasutra." you said.

and god, he was so happy to take you by the waist, kiss you and lead your leg to wrap around his waist.

it didn't took many minutes for you to be without your bloomers, your panties put aside for him to grind his cock on your cunt, teasing you, and you didn't knew, but you felt like you were soaked up in something sticky- your wetness. "t-that's not missionary," you moaned, bucking your hips back at his teasing moves.

"you're right," he answered, groaning as he kissed your frowning face. "that's the clasp position, doll." with his hands on your waist, and yours on his shoulders, he finally penetrated you, earning a long moan out of your mouth.

you weren't a virgin, though you didn't know that, you used to have a husband on your previous life before you died, but you were never satisfied and you have never been- not until he slowly thrusted inside your pussy, making you feel every inch of his dick inside you.

"fuck!" you cried, a cry without tears as you undid the buttons of his shirt.

"what is it?" he asked, a moan leaving his throat as you ripped the shirt and bite his neck, too impatient to unbutton all of the buttons that were prohibiting you from seeing his body.

"i wanna see you," you moaned, slowly bucking your hips back, mouth agape as you let a rude moan leave your head "i wanna see your body."

he chuckled at your words, his hands still holding your body to keep you still as he fucked you. however, it wasn't bad, but you wanted to see how it would feel if it was fast.

"f-faster, please. just wanna see- s-see how it feels." you pleaded, your eyesight blurry as you looked down, seeing how your bare pussy took him in so well, almost devouring him into you.

he promptly obeyed you, going faster and deeper, a moan leaving your throat as his skin slapped against yours. and to see you squirming under him felt like heaven- a sight that no one but him could capture.

even when your walls squeezed his cock and you came around him, your pussy gushing around him, your stamina was still higher than his, which led to you edging him, not letting him cum until you felt so tired that you'd be passed out by his side.

which didn't happen for a long time. for at least six rounds, you were still edging him, slapping him every time he was ready to cum. you didn't allow it.

and by now, you were riding him non-stop, your eyes shut closed as you yourself abused your cunt on his cock, who throbbed painfully and made him throw his head back when he finally cummed inside you, stuffing you rope after rope.

"hey!" you called out slapping his chest, as he still gripped his nails on your skin, marking small crescent moon phases on your skin. he looked at you with an angry frown. "i don't wanna stop just now! i want more!" you said, not caring about his growling state, you thought it looked cute on him.

"god, you're terrible." he grunted, changing positions. "just this one more time and it's over." you nodded, agreeing with him as he finally slapped your clit, making you mewl and squirm under him. "see? you're too sensible, if we keep going," he thrusted "you're gonna have a difficult time walking straight."

"i can always dance." you said, legs spread to let him pound into you. he chuckled, slapping your thigh.

"let's see." he kissed you with a slight open mouth, his tongue battling with yours as he thrusted into you, letting you be a pillow princess for once in the day as you scarred his back with your nails, his pace was quicker than before, probably quicker than yours, and it made you melt entirely, your breathing became heavy and rapid.

when he pinched your clit, you felt strangely dumber, moaning into the kiss that was soon broke apart.

he spit into your mouth, his eyes boring into yours. "swallow it." and you did, crying from the pleasure as he rubbed your clit. "good girl, doll." he smiled.

"d-don't stop, coryo, please. just a bit more and i'll cum- i-i promise i'll let you rest after!" you mewled, squirming as he pound into you.

"hm, i don't know, doll. when i said i wanted to cum you didn't really allowed me to. why should i allow you?" he asked, pecking your temple.

"please. please! i can't hold it in!" you said, your boobs bouncing into the corset you were still wearing. he got rid of it in the blink of an eye, and you didn't even noticed where it had gone, too focused on the pleasure in between your legs as you cried.

he smiled to the view of your body. of course there was a bunch of scars there and there that were already healed, specially the one that connected your neck, but it didn't really mattered to his dick, neither to him. he loved just how doe eyed you were, how dumbly you asked about things and how you didn't questioned him more than once about something, like now.

"i-i'm sorry, i-i just wanted more. i didn't thought about your pleasure- s-sorry, please, let me cum! pleease!!"

"hm. no" he said, grabbing your ass and kissing your temple oh so kindly as he fucked you raw. "let's see how long you will last since you were so hungry for it."

and you didn't last much, just likenhe thought. the more you concentreated on the feeling of his dick on your cunt and the way his balls slapped against your ass, the closer you were to cumming again, and you did just after he came inside you again, smiling dumbly at him as you squirt on his cock, too sensitive from your previous orgasms.

"i'm sorry, coryo" you said, still teary eyed as you hugged him, hand pawing at his chest.

"for?" he frowned, he had already pulled his trousers up, guarding his dick into the fabric.

"f...for edging you, 'm sorry." you said, sleepy and pouty. he chuckled.

"it's okay," he said, caressing your head "at least you said sorry."

and you slept the most comfortable sleep of your post-mortem life, even drooling a bit on his chest, but he loved you just too much to do something about your innocent, naïve nature other than love and cherish it.

[charcubed]

"What did we do wrong?" "I don't know."

🙋🏻 I think I might.

It's the hot cocoa.

Or rather… it's Loki semi-unintentionally siding with Sylvie over Mobius.

In this episode, that's the tipping point. And so is lack of trust.

What we just watched is the version where things go very wrong and they fail.

But here's the delightful part to remember: things had to go wrong exactly like this, so eventually things can go very right. Because as "wrong" as this was, it had at least one purpose: Loki pruning himself.

That being said... "What's wrong?"

We've got a list.

-Timely's gone.

-Miss Minutes is back (and so is Renslayer).

-Dox and her team are dead.

Now work it backwards.

Miss Minutes / Renslayer get in, Brad is freed, and Dox and her team are killed. D-90 isn't there.

Why isn't he there?

He was sent to be with Victor.

D-90 is killed and Victor is taken at the hot cocoa machine, which delays everything.

Why are they at that machine?

Because Mobius got cocoa.

Why did Mobius get hot cocoa?

Because he wanted pie, but Sylvie yelled at him.

And when Loki didn't defend him in that crucial moment and actually walked away from him instead, Mobius simply got hot cocoa by himself as a pick-me-up.

Therefore: Lokius is the tipping point.

What did they do wrong?

What happened?

Loki and Mobius were separated and weren't on the same page. THAT'S what happened. And so, everything fell apart.

Words – or the lack of them, in Loki's case above when he didn't defend Mobius – can change everything.

For good or for bad.

(These shots are back to back:)

Lack of trust is also why things fall apart.

Sylvie attacks Mobius because he walks away, trusting the work to O.B. and Casey and Victor.

She can't fathom that. She sees it as a weakness. But it's one of his greatest strengths, and it's their only way forward.

It's also part of the "trust for others" theme that's been present from the very first episode of the show, and it's a primary lesson that Loki's first had to learn through his relationship with and love for Mobius.

And the necessity of trust is showcased throughout this episode in other places. Sylvie accuses Loki of putting a lot of faith in the others, and simultaneously she keeps talking about the TVA as a corrupted place / institution instead of seeing the individual people capable of change.

But Loki explains to her that it's about the people. He lists the names of his new family – the people he trusts – as being the heart of things. What's worth saving and worth fighting for.

Brad and Dox are mirroring the trust theme here too, of course.

Brad doesn't trust B-15, and he doesn't pick trusting or aligning with anyone. He dooms Dox and the others to die.

But she sees the big picture and is willing to die with integrity rather than betray the PEOPLE of the TVA.

And Victor?

He says he doesn't trust anyone… but then he chooses to change. With O.B., he chooses to have a partner.

(Not dissimilar to the ways we've seen Loki change over the show, too.)

And were it not for the ~hot cocoa,~ in THIS regard, things were going "according to plan."

So as Victor says in the season 2 trailer in a clip we haven't heard yet (!!!): they have to "make the hard choice," of course.

Trust each other, work to fix what's broken, have hope, and STAY.

And Loki and Mobius, the personification of chaos and order in balance, HAVE to stay together or it turns to shit.

Loki can't turn into a better leader if he ends up being Who Remains all by himself. He's gonna need his partner and the rest of his people for the TVA to truly change.

But how are they gonna do that if they all just blew up? Lmao.

Well… that part of the theory's a work in progress.

But this involves both butterfly effects and time loops. Somehow we'll likely be going backwards to earlier versions of them that will be trying again.

And depending on just how far back they go… Loki and Mobius' influence on each other may be a snake eating its own tail, just like Ouroboros and Victor.

Regardless, pretty sure Mobius is correct here. As he tends to be, lol.

It's gonna be Loki's turn. God of Mischief becoming the Loki Who Remains that Mobius needs, etc.

And it always comes down to the two of them at the heart of things, somehow.

Last thing:

I'm not convinced those versions of them all survived the blast that happened because of these wrong turns, to be honest with you.

But if anyone did… the gods did.

And they're (hopefully) not gonna make the same mistakes twice.

---

Originally posted as a thread on Twitter here.

My other Loki posts on Tumblr are under the tag "chars loki posts."

[kaladinkholins]

hilarious to me how taigen's main insult to mizu is calling her "a dog." literally he's the only one in the show to call her that! everyone else just talks about the blue of her eyes looking like an onryo or demon or monster.

taigen calls her a dog. "round-eyed", an "orphan," with a "whore mother" and "white devil" for a father. talking about she was living on the street eating off gutter scraps. like that's the thing that he pinpoints about her. not about her being a half-breed, but about her living conditions. and i talked about this quite extensively before, about how i feel that everything taigen says about mizu is a projection of his own self-hatred. because everything he says about mizu can also apply to himself.

and necessary disclaimer here before someone misinterprets me on purpose: no this doesn't justify his actions, and yes taigen was an asshole, yes he's not a good guy, etc. i just like the nuances of his character because that's what makes him so interesting to me as a character to pick apart and analyse.

and so WITH THAT BEING SAID, the reason why i find it hilarious that taigen calls mizu a "dog" is because HE IS THE DOG! because literally if you have to assign an animal to each of the characters, taigen would be a dog. growling and barking one second, happy and puppy-eyed the next. taigen as a child loves playing with sticks. he loves getting praises by everyone around him. taigen who is "stupidly loyal." HE IS THE DOG!!

and mizu? would be a cat!!! mizu who stalks and pounces on her prey. mizu who struggles away when people try to grab her or come close. she hides from everyone when she's hurt and licks her wounds while pretending she's fine. she topples vases off of high shelves (read: burns down entire cities and rampages through insanely guarded fortresses) causing chaos all while leaping around gracefully. but then she's still too short-sighted so she gets stuck somewhere with no way to get out of it until her owner has to come pick her up and put her back on the floor again (the owner in this case is ringo).

they are literally both the TYPICAL ARCHETYPES of what a "cat person" and "dog person" would be like and that is SO funny to me.

they even get along as well as cats and dogs do. they fight each time they're around each other. taigen's mere presence makes mizu hiss and her hair stand on end while taigen just keeps barking at her and provoking her even more. he incessantly follows her around while she wants nothing more than to be alone. taigen who won't stop yapping even while everyone else is dead-silent vs mizu who only approaches people to talk when they're nonchalant or even actively avoid her (see: how she's always the first to instigate interactions with mikio during their marriage).

like it's just so funny to me. they're both so stupid and i love them.

TL;DR taigen is a dog and mizu is a cat. ringo is the exasperated but loving caretaker at the shelter in charge of dealing with their antics and keeping them fed and making sure they don't kill each other.

[blood-starved-beast]

Wouldn't say it's the best character design in Hades game franchise (that is subjective) but for me personally Eris Hades game II has to be my favorite design in the whole IP.

From Hades game I the goddess of strife was established to be source of conflict within the narrative - she is a bearer of the Adamant Rail - something that goes against the narrative setting of the story within Ancient Times. They build further on this anachronism by evoking Punk aesthetic - we see her short hair, wild colors, studded corset, torn clothes, wild makeup (which double as evoking her own wings), her band makes her look like she's got tattoos, eating plastic wrapped snacks, her disregard for typical social norms. Her and Exagryph both are anachronistic and therefore punk by the aesthetics of the game. While also not being too off - she wears a chiton still. As well as that braided bra style idk what's it called.

Her design simultaneously works withing the narrative of the story. I've already talked a bit here how she scratches out the Moon Sigil on her gorget and wears it upside down on her face to opposed the Unseen. But that sigil on her face also golden - which we've specifically associate with Chronos, the Unseen's Enemy (who prefer silver). It's also gold like her Iconic Golden Apple, the symbol of her most famous crime. Eris's design also bears the colors of the Three Eriynes - who in the first game, serve as a much more personal antagonist and foil to Zagreus the protagonist there. Here, Eris is Mel's most personal guardian boss outside of Hecate - they've got beef with each other, and that's likely due to their past history.

The colors and the tassels to me also recall the jester archetype. The jester in history was tasked to entertain the king and also dole out information that the royals might not want to hear (and do so without getting killed cause rule of funny). Eris is the most verbally opposed to Mel - challenges her on her motivations especially. Why is she so hell bent on this task when she doesn't even know her family (who she might not fit in with)? What does she plan to do with her life then? Loosen up! Which she tries to get Mel to do - by fighting her to the death. "This is for your own good Trouble" and all. The Jester indeed.

This conflict leads me to another detail - Eris is an excellent enemy foil to Melinoe. Melinoe who is neat and proper compared to crass and messy Eris. Melinoe who is hellbent on restoring an Order she's got no familiarity with. Eris, who lived it and opposes it. Melinoe who's a slave to her task and whose future post-task is a big Question Mark - she's never considered it, never questions it. Eris who also lives in the present but specifically to have freedom and hedonistic-ally strife causing as possible. Melinoe who has an insane level of rizz and is absolutely adored by all around her - but is unaware of the effect she has on others but somehow is fixated on Eris herself. Eris, who is loathed by all and actively is aware of the effect she has on people at all times and intentionally cultivates a negative response from them - with the exception of Melinoe, where her troublemaking serves a dual purpose of exasperating her but also luring her in. Melinoe and Eris both are estranged from their birth families - Melinoe due to circumstances leading to nurture, Eris due to her nature. Melinoe, who Chronos describes as not fitting anywhere despite her clawing for a place in said world, Eris who had no place to begin with, and continues to dig herself out of each subsequent one. I could go on.

It's such a great foil dynamic for a boss. I love Eris.

[hastyprovocateur]

An analysis of Mizu×Akemi

Mizu gave up Akemi to Lord Daichi's men saying her path of revenge has no room for "love, friendship or weakness." She looked Ringo up and down at "weakness" after which he got offended and ended his apprenticeship for not helping Akemi. Mizu's eyes held guilt as Akemi cried out for her, hoping to be by Mizu's side and not go through with her marriage to the Shogun's son. Mizu was aware that if she fought Daichi's men, it meant more would be coming, which inadvertently meant more time having Akemi around, growing close to her... peering into her soul, breaking some walls... like she did at Madam Kaji's when she lay bare the fact that she's not the killer she pretends to be. Which was hammer meets nail as far as Mizu's singular purpose is concerned. It also means a lot that Mizu's appearance in itself wasn't scary to Akemi, or worthy of contempt despite being an aristocrat in an extremely xenophobic time. Racism should've been her second language but she doesn't exercise it. She only noted the distress evident in Mizu's behavior. Her rage- "Your face isn't even so scary... you're just... angry."

The thing about noticing is... you keep noticing more. Especially someone as observant and calculated as Akemi. Mizu was aware of this, hence why she tested Akemi's mettle in the brothel knowing she was the princess all along, trying to get under her skin instead of the other way around- "You thought I wouldn't recognize you?" casting back to the very intense first sight exchanged between the two on the bridge in ep 1. Mizu looked up with little interest, yet the stoic samurai's jaw dropped upon their prolonged eye contact and she tracked the palanquin long after Akemi had left her line of sight. It's implicit that love, friendship, and weakness represent Akemi, Taigen, and Ringo respectively. When Ringo questioned why Mizu let the princess go, she stated that Akemi's "better off" almost following up with "without me." She didn't deem her marriage to the Shogun as favourable, hell, she was unimpressed by the fact that Akemi was trying to save her doomed engagement with Taigen, telling her she's "begging to eat trash" despite being a "magical forest creature," who could have anything she wants. Mizu still considered it the lesser evil as opposed to spending time alone with her.

This isn't the case with Taigen, whom she is decidedly more comfortable with even though he threatens her, and calls her slurs. In part, Mizu believes that she deserves the hatred. She's more familiar with it. With her past where she was the demon as opposed to the future where she could be loved. Imagining true love is cruel for Mizu so she rejects it and embraces her darkness. It protects her from people actually seeing her as a person. As a whole. She can loathe herself in peace. She can be a vessel of revenge. She even promised Taigen the duel he wanted to up and kill her in exchange for his honour. Believing she won't have much to live for after concluding her revenge. Akemi is not the same. She never wished to hurt Mizu, going only so far as to try and drug her, until Mizu made her believe she killed her fiancé. Akemi was soon able to see Mizu's honour when she fought alone against the Thousand Clawed to protect Kaji's girls. Akemi was bent on helping, braving the trained men to protect Ringo and then to save Mizu's life from the man who almost choked her to death.

I will forever love the detail of her vulnerability in the face of death being mirrored by Mizu's own intimacy with Mikio in the flashback, letting her body serve love over rage for once. Engaging in sex was a huge step towards transparency on Mizu's part. Also, the fact that Akemi, in her little capacity, wielded her knife and pulled the clawed men away from unconscious Mizu, trying to keep their focus on her. Knowing she could very well die. She tells Ringo "I have been a captive my whole life. If I die, I'll die free." And then she goes upstairs saying "Mizu can't hold them off alone." Acting, most likely, out of a place of love. I was also warmed at the instances of Akemi trying to "drug" Mizu before she took on the bitter task of killing Kinuyo and then a few scenes later "slapping her awake" from a burning memory of betrayal. When her father's men came to fetch her, Akemi did not doubt that Mizu would fight for her after she did the same for her, hence her asking for her validation "I'm not going anywhere... right, Mizu?". And Mizu would've fought them for her, what's 3 more men after a whole army? But something prevented her.

To ruin Akemi's strong faith in her then... as opposed to later? When more of her ugliness had spilled before the princess? When both their hearts were more open to be scrutinized by the other? Madam Kaji and Swordfather Eiji are both the motherly and fatherly advice Mizu sorely needs. That fighting is an art, not independent of loving. Mizu cannot evade love if she is to take on a bigger war. She cannot do it alone and the story's purpose keeps circling back to the same lesson. Fighting from a place of hatred can never be stronger than fighting from a place of love. Akemi, evidently, was hoping to seek refuge under Mizu's protection. She is loyal, as she was to Taigen even though he abandoned her in pursuit of his lost honor. But Mizu's betrayal broke her heart. At the end of the Bunraku play in ep 5, Akemi confessed that she met the Onryo but that it was "incapable of love." That she searched his eyes for "love or mercy or good," only finding darkness. Both Mizu and Akemi weighed the merit of love in each other, Mizu pushed Akemi away because she felt love and Akemi avoided Mizu because she felt her lack of love.

Taigen, Mizu's former bully, did learn to respect her as a fighter and comrade. Representing their growing camaraderie, how they fight alongside. Mizu told him about Akemi getting married off to the Shogun's son in her duty to him as a friend. Upon learning that she abandoned Akemi, Taigen is also reasonably pissed. Mizu is on the precipice of the rebirth of her katana. Swordfather is justified in being wary of her guilt and darkness, refusing to aid in her pursuit but only guiding her by way of asking her to seek peace, to unify herself. Which she does by adding Chiaki's broken blade (which Taigen took), Akemi's knife, Eiji's tongs and Ringo's bell into the forge. She is ready to make amends by going to save Akemi, to encourage her to leave with Taigen, to be honorable as Ringo wants, and to find peace as Eiji wishes. And ofc to fuck the shit out of Fowler.

Akemi's repeated assertion of "we are not friends" (accompanied by the angy eyes) when Mizu comes back to save her is reflective of that heartbreak Akemi felt after relying on Mizu for her freedom before. Mizu tries to fix this by showing her a way to Taigen, trying to do right by her, asking "Do you still want your freedom or not." To give her what she wants even if she disapproves of Akemi's choice when she states "He's not a good guy, but he could be a great one." Seki too, gives Akemi a share of her dowry he saved to build a free life "With Taigen, or without." Akemi did end up rejecting the idyllic runaway Taigen was willing to embark on, it is hard to say Mizu would take it as an opportunity to make a move on Taigen after deeming him unsuitable for a partner. It would be against her nature to try to jump in as a lover just because Akemi's out of the picture. Not when she's so hot on the track of striking down Skeffington and Routley. It's pretty straightforward if you ask me.

Mizu is focused on going up for a bigger war. To seek the truth. To turn London upside down to kill all the four white demons that sabotaged her life since conception. This is parallel to Akemi deciding to stay and take control of the Shogunate through her powers over her decidedly meek husband. To take control of her life against all the odds that seek to box her up. I do not doubt that she will move to include Kaji and her girls in her retinue, subdue her father's machinations and rebuild Edo, and wrest power from whoever threatens her. Love doesn't seem to be on her cards. Kaji told her to choose a path of freedom through a man, not to choose a man to love like she'd been doing all along- "Stop running to and from men and decide what you want for your fucking self." Could this mean that Akemi is to never chase men romantically? Either way, Akemi follows through pretty quickly. Takoyoshi is a means to an end. Her sexual prowess was her first tool to entry into the Shogunate. Nothing more than an instrument of control as opposed to her initiating any sort of genuine romantic bond.

I fail to see as of now where Mizu and Taigen's paths collide romantically further since the latter clearly showed his intention to abandon all pursuits of greatness and to settle down. Which is vastly opposed to what Mizu and Akemi are bent on doing. I see a lot of potential there. If anything, Mizu would quite possibly need Akemi's refuge if she were to return to Japan in the wake of the London chaos. They are foils of each other. On the opposite ends of the spectrum with the same stories. Poor-rich, blue-red, water-vermillion, darkened-fair, streetsmart-booksmart, warrior-prostitute, bastard-pureblood, masculine-feminine, caged internally- caged externally, widow-new bride. Both deal with same vindictive self-serving parents. Mizu lost her stand-in mother in ep 5, and Akemi lost Seki at the end of ep 9. Mizu the crashing waves and Akemi the rising flames. Both women. Both so alike yet so different. Mizu's name is pretty straightforward, meaning "water." However Akemi's can be written as "bright sea" or "vermillion beauty" While vermillion is Akemi's colour scheme, "sea" is likely her connection to Mizu.

I find the sex in the show to be representative at best. Borne out of duty or manipulation rather than true love. Just because Akemi and Taigen had sex was no testament to the endurance of the depth of their relationship, same as Mizu and Mikio's wasn't. Akemi's alliances with men have always been influenced by the need to go with or against her father and never her independent choice. Same as Mizu merely agreeing to her mother's insistence on marrying and settling down. I liked the juxtaposition of Mizu being submissive during sex and Akemi being dominant, both with Taigen and Takoyoshi as well as in the brothel. Here, I would extend that this isn't their true nature. Both in marriage or the brothel, sex is labour meant to cater to men. As Seki said a woman can only have fixed paths- "Proper wife or improper whore." I can't imagine Mizu or Akemi being happy as either.

Akemi for the most of S1 only wanted to be loved but was being forced to use her lovemaking skills to steer men into agreeing with her. Playing the improper whore. I imagine that in a safer intimate relationship, she would enjoy being on the bottom, to be protected and pleasured instead of always being the pleasurer. Mizu on the other hand, was shown to deliberately downplay her physical agencies during her marriage, to pretend to not know knife throwing or what she wants during sex, thus settling for whatever her husband had to give lest he feel inferior. I would imagine she'd prefer to be loved in all her proactive masculinity, to not be forced to submit. To not be forced to be the proper wife.

Mizu has repeatedly been shown to dominate people unthinkingly, her safety lies in her being on top and knowing what she's getting into. We saw a glimpse of that in the brothel with Akemi under Mizu where she ordered the princess to "get down." The colours from their respective sex scenes blended into one, inky blue on Mizu's end, warm golden on Akemi's. Mizu immediately doses the princess on pursuing worthless men and then Akemi soon willingly submitting to Mizu's protection while thinking of her to be a man. They both tried doing the rightful wife thing, both tried to save their marriages with their husbands as best they could, to be the ideal women even after both men bailed on them. But now they are liberated. Akemi is free from her father and on the path to rule Edo, Mizu is on her own with Fowler, to pursue her revenge in London. Both are relentless in their pursuits. Akemi's "No one refuses me" and Mizu's "We're going to the 9th level" is one and the same. Unstoppable force meets immovable object. Only time will tell. I rest my case.

[ur-fav-inactive-writer]

𝐁𝐞𝐢𝐧𝐠 ____'𝐬 𝐋𝐨𝐯𝐞𝐫 𝐖𝐨𝐮𝐥𝐝 𝐈𝐧𝐜𝐥𝐮𝐝𝐞...

(A/N: Does not include Five)

𝑵𝒐. 1 , 𝑳𝒖𝒕𝒉𝒆𝒓 , 𝑺𝒑𝒂𝒄𝒆𝒃𝒐𝒚

girl next door trope

knew you ever since childhood

loves you to death

so soft with you

he's such a gentlemen

pulls out chairs for you and holds doors for you

butttttt you have to deal with his daddy issues

he always comes to you crying whenever something happens

a sweetheart with you though

he's very awkward at comforting you

he likes to cook for you

he's such a good chef ngl

he loves cuddling

he literally is always cuddling you

likes to be big spoon, don't get me wrong he needs comfort

but

the idea of being able to protect you by being big spoon is so validating to him

he's too big to be little spoon anyway

that is literally his one purpose

if he found you during the 60s or something and he had to leave you he'd never stop talking about you

"I miss (Y/N)..."

"(Y/N) would've liked this.."

"Luther, they're gone."

fml sobbing why did I write that

anyway his one purpose is to love and protect you

𝑵𝒐. 2 , 𝑫𝒊𝒆𝒈𝒐 , 𝑻𝒉𝒆 𝑲𝒓𝒂𝒌𝒆𝒏

very jealous

if he sees you with some guy who is flirting with you he will literally glare daggers into him

he will then proceed to walk over to you, sling an arm around your waist and pull you in for a kiss

he doesn't give a shit if anyone's watching

he talks shit about him siblings to you

"Luther thinks he's so much better than all of us-"

"Diego chill out."

oh my god when Viktor wrote that book

he

was

SEETHING

(no hate to viktor , viktor is baby)

the shit talk increased so much

he would not shut up about it

help diego would be such a simp for you

like I'm not joking

pure simp

in his eyes you are sweet innocent summer child who can do absolutely no wrong

stabbed someone?

pfft it was probably just an accident

he brings you to visit grace

omg it would be so cute

grace absolutely adores you

she always makes sly comments about how you and diego should get married

he goes redder than the colour red

he wouldn't tell anyone but he secretly loves the idea

he loves kissing your forehead

it's literally his favourite place

you and klaus are besties

he has to deal with you when klaus gets you drunk

"oh. my. god. im upside down."

"(Y/N), you're standing upright. we need to go home.

"... no"

he never gets drunk

fun squasher

he says his body's a temple

boring

youre his nurse

he always comes home injured and gets you to patch him up

he finds it hot

yes, he's bleeding out. yes, he finds you playing nurse to him hot.

priorities ig

he's so soft with you

would kill for you

he probably has

𝑵𝒐. 3 , 𝑨𝒍𝒍𝒊𝒔𝒐𝒏 , 𝑻𝒉𝒆 𝑹𝒖𝒎𝒐𝒖𝒓

(refuse to make her evil so s3 allison will not be mentioned)

definitely gets you an acting job in one of her films

she buys you the fanciest stuff

literally you two have the best closet

and you have your own personal stylist

bc why not

you do interviews with her all the time

fans absolutely adore you

there's so many paparazzi pictures of you two together and they eat it up

especially if they include you being doting to claire even though she's not biologically your kid

omg her fans would absolutely love that

so would allison though

if she saw you reading claire a story or smth

her heart would just melt

she might cry ngl

her two favourite ppl in the world just being adorable

you're the cool parent to claire

both of you go to fancy parties and are the hottest couple

"Allison! (Y/N)! How does it feel knowing you're America's favourite couple!"

you're so flattered

allisons just like: yeah ik lmao

she kisses you a lot in public

she knows damn well people are gonna get pictures of it but she loves it

you watch her films with her a lot

if its a particularly old one, you make fun of it with her

"oh my god allison. why do you look like that."

"IT WAS THE STYLE."

she then proceeds to also make fun of it

you, her and claire go on lots of fancy days out

you may as well considering you're RICH

luther gets a bit jealous sometimes

you help her with her therapy

you comforted her when she custody of claire

you also fought alongside her to get her back

as soon as you do you're happier than ever

you are literally just the cutest family ahdhahfhaj

but then she loses you again when she goes to the 60's

she made it her life's purpose to get back to 2019 with the love of her life and claire

as soon as she accepts that it could take years upon years to reunite with you and claire she finds ray

she knew you'd be happy

but she also knew

she'd never truly move on

omg help I'm gonna start sobbing why do I do this to myself

𝑵𝒐. 4 , 𝑲𝒍𝒂𝒖𝒔 , 𝑻𝒉𝒆 𝑺𝒆́𝒂𝒏𝒄𝒆

you help get him off of drugs

ben adores you

he likes that you're there to help klaus

and that you don't ever drop to his level and just do drugs with him

he also likes how you never shit talk him when klaus starts ranting about how annoying he is

klaus is a huge fan of PDA

he is obsessed with the idea of holding your hands

he is constantly touching you in one way or the other

whether it be holding your hand

or simply having a hand on your leg

it matters to him

and that's why you love it

sweet baby boi has so much love to give

he likes being little spoon

he just loves being in your arms

it helps with his nightmares

diego also approves of you

you've saved him from having to go out and look for klaus in the middle of the night in fear he's high or smth

klaus rants to you every so often

quite often you have to help him through panic attacks

he loves you sm

like he is so lovesick

if anyone were to ever ask about you

oh boy

he gets this lovesick look in his eyes

and then starts rambling about how enamored he is with you and how great you are

it's adorable

he's very clingy but in the best way possible

he matches outfits with you

never a dull moment with you two

often it's you trying to solve whatever problem klaus has somehow managed to conjure up

and klaus just being a devious little shit

but it doesn't matter cause you love him

sometimes he questions why you love him

it makes you cry whenever he asks

"(Y/N/N)..."

you hum in response

"why do you love me...?"

sobbing and you start listing all the reasons

and then he's sobbing

and then you're both sobbing

but anyway

he loves dancing with you

he doesn't care what song

it could be some crappy pop song that's somehow in the top hits

or some classical music that's centuries old

he really doesn't care

he likes spinning you around

he loves seeing how happy it makes you

klaus asks you the most random stuff at 3am

"... (Y/N"

"yeah"

"lawyers hope you get sued, doctors hope you get sick, cops hope you're criminal, mechanics hope you have car trouble, but only a thief wishes prosperity for you."

"... go to bed"

"never"

you poor thing

you never get any sleep because of how chatty he is at night

he hates being away from you

if he isn't near you he will start whining to ben

𝑵𝒐. 6 , 𝑩𝒆𝒏 , 𝑻𝒉𝒆 𝑯𝒐𝒓𝒓𝒐𝒓

omg it took him ages to admit his crush on you

he's been crushing on you since you were like 12

when did he admit it?

when he was 18.

he likes reading to you

he loves seeing you get all relaxed at the sound of his voice

it makes him fall even more in love with you

he likes PDA but not that much

just a simple touch is enough for him

this boy blushes so easily

you'll brush his hand and he'll turn so pink

sometimes you'll just be sitting there doing nothing of note

and he'll be staring at you in adoration

he's in absolute awe of you

thinks you're the most adorable thing ever

much like diego

thinks you can do no wrong

you're his sweet, precious girl

he knows everything about you off by heart

from your favourite colour

to your mums favourite song

you thinks it's endearing

he loves holding your hand

playing with your hair is one of his favourite things to do

don't get me wrong he likes when you do it to him

but he much prefers when he does it to you

he finds it really relaxing

he's usually pretty closed off about his childhood but he trusts you

sometimes when something that triggers a bad memory happens he goes to you to rant

he doesn't know what he'd do without you

you're literally his life

omg

when you kiss his nose

he just melts

it's the most adorable thing

he's so good at cheering you up

no matter if its something minor or major

he's always amazing at getting you back to your usual self

he loves taking you on cute little dates

he reads you poetry he wrote

omg he deffo writes a piece of poetry about how much he loves you

omg help this is so cute

overall he's a simp

and it suits him

𝑵𝒐. 7 , 𝑽𝒊𝒌𝒕𝒐𝒓 , 𝑻𝒉𝒆 𝑾𝒉𝒊𝒕𝒆 𝑽𝒊𝒐𝒍𝒊𝒏

viktors a sweetheart

he gives you private violin shows

he also rehearses in front of you to see what you think

he tries to get you to critique him

if you don't play violin, you probably just say its all perfect

if you do, you probably give him little tips on areas to work on

you go on little dates to watch the sunset

he has to be little spoon

he just needs some comfort

just needs to be wrapped in your arms and feel safe

poor guy has been through so much

sometimes he gets mad memories of the incident with allison and you have to calm him down

he wouldn't get jealous

he'd just get rlly insecure :(

if he saw someone flirting with you he'd just get a bit sad

he would think the worst and think that you would want to leave him for them :(((

poor bby

opens up to you about how bad his childhood was

sometimes he regrets writing the book

you have to reassure him that it's okay and they don't hate him for it

sure, they did, but not anymore

klaus thinks you two are adorable together

you've got quite a few polaroids of the two of you together

he has them on those little string lights above your bed

he keeps at least one in his pocket at all times

he does that thing where you check if you still have something valuable and it's so cute for some reason

and when he checks and its still there it puts this small little smile on his face

omg it's just shfjsjfjsjf

you take care of him when he's sick

he hates it bc he feels bad that you have to take care of him

but deep down he loves it and will treasure those memories forever

but he'd do the exact same thing if you were sick

whenever you buy him something he always feels bad if he didn't get you something

"Vik it's okay! you didn't have to get me anything,"

"NO ITS NOT I NEED TO GO GET YOU SOMETHING RIGHT NOW."

it's absolutely adorable

Taglist: @book-place

[thefallenangelsgang]

Fuck it, I'm throwing my hat on the ring about the Emil announcing Nate from Fallout 4 is the bystander Soldier in the Fallout 1 opener.

First and foremost, it was a stupid thing to say. As he backtracks to later, the conceit of Fallout's protags is they are supposed to be anyone (and that issue is precisely why some people hate the extensive prewar character background given to you in Fallout 4). For the lead writer to pull a JK Rowling (why would you do that? None of those went over well) is such a major marketing misstep that it wouldn't surprise me if Emil gets reprimanded for it before we even get into the implication of what he said.

Emil your voice is as good as God when it comes to the canon. You can't just say shit like that and expect it to go well. Especially considering the implications.

Speaking of the implications, I'm not mad about Nate being a war criminal. It's a coloring I actually would welcome if the games discussed concepts like Capitalism, Racism, and War in any meaningful way anymore. And if Emil also didn't say this.

Fallout's canon is rooted in reality. That is part of its whole thing. It's fun to do goofy shit like becoming the Silver Shroud and having a make believe superhero fight with the Mechanist or write a woman obsessed with Nuka Cola so much she traverses two games to basically kidnap the CEO's cryogenically preserved head so she can talk to him for all eternity, but the setting is very much rooted in reality.

You aren't dealing with fictional countries, you aren't dealing with fictional races, you aren't dealing with fictional hypotheticals. That is The Elder Scrolls job. You are dealing with actual countries, actual racism, actual history, and actual fucking politics. You have to be mindful of what you are doing and saying. You can't just do things because it's an interesting plot device without first thinking about the implications.

Fallout's world is a heightened version of our own, a path we seem to stumble towards with ever passing year unless we do something about it. It fucking sucks. I'm sure writing it feels like prophesizing the future and eats your soul a bit. It would mine. But that doesn't mean Fallout can just take a sharp left in terms of story and reality and get away with it.

To have Nate be the bystander Soldier and then meet him when he has a very good thing going for him (an expensive house during an inflation crisis, a robot butler, he gets into a vault for free for fucks sake) very much speaks to life rewarding him for his crimes. There is no hatred in his words when he looks at the flag of the country that made him kill innocents. His speech is speaks of remorse for leaving his family and the cycle of war, it does not speak of the horrors. Of watching you comrades bleed out in the Anchorage snow. Of the scream of shells overhead. Of the fear in civilians eyes as your buddy puts a bullet between them.

You all have to see how it looks like the man is fine with what he had to do during the war, right?

Not interacting with these concepts enough paints a picture of apathy and acceptance. In this day and age where being keeping the government honest and responsible for their actions is so important, that isn't going to slide without it being EXTREMELY purposeful, which it is not. It's tone deaf and lazy.

I respect a lot of what Emil has done in the past, but I am not above keeping him culpable when he has something so delicate in his hands. I hope this situation is what he needed to get his head on straight, or is the light bulb moment where he realizes he needs to pass the torch onwards. There is no shame in subject matter becoming too much as time goes on. There is shame in letting a previously critical series become the very thing it was criticizing.

He is going to keep getting dragged until he realizes that or he manages to convince the fans to be complicit in the degradation of setting. In doing so he is going to lose Bethesda most of its biggest fans who well and truly love the series and what it stands for.

But that's just my take, and I'm just a kid who studies polisci and history and can't shield myself from the inherent horror of nuclear war no matter how much I try.

War really never changes

[magicpiano]

AU where Von Karma kills Miles instead of Gregory

Manfred Von Karma just got a dent in his perfect record. Gregory Edgeworth almost took away the thing that mattered most to him. Isn't it only fair that he destroy what matters most to Gregory in return? Besides when that elevator opened it became obvious that the child was the one to shoot him in the shoulder. Turnabout is fair play, right?

So Gregory lives, but his son is dead and despite being the only possible suspect, Yanni Yogi gets away with it. His son's murderer walks free, so Gregory quits his job as a defense attorney. It is hard to believe in what he does anymore.

His life is mostly quiet— lonely. He doesn't really talk to his friends anymore. He doesn't do much of anything anymore. He does some kind of boring law work, like property law or contracts or something and everyday he goes home to an empty house.

Until one day he gets a call from his dead son's best friend. You see Phoenix Wright has been accused of murder.

Phoenix lost his taste for defense attorneys when one got his best friend's murderer off, and somewhere along the line he decided he wanted to become a prosecutor. He wanted to be the best prosecutor so that no guilty party ever got away with murder again. That goal led him to the court house one day, and led him to meeting his current girlfriend. Then it led to a murder accusation.

No, Phoenix doesn't quite like defense attorneys, but... He still remembers how Miles saved him that day. He remembers how Miles talked about his father the same way he talked about the Steal Samurai. Like he was a hero. And right now, Phoenix really needs a hero. Who else would he trust with his life?

Gregory hasn’t defended anyone in years. He is out of hope and out of practice, but Phoenix won't accept anyone else. For all that he has given up years ago, he can't let Miles' friend down. Because Phoenix is one of the only people still alive that remembers Miles— that still cares about him. Because in all the pictures where Miles was smiling the brightest, Phoenix was next to him. Because Miles thought Gregory was a hero. He isn't. He couldn't even save his own son, but maybe, just maybe he can save his son's friend.

But you see this girl named Mia Fey really wants this case. Phoenix might not want her as his defense attorney, but that won't stop her. She is going to be Gregory's co-council on this case whether he wants her or not.

And they win of course, but Gregory nearly has a heart attack when Phoenix eats a glass bottle of poison because he can't lose him too— But he is fine. Heartbroken, but fine. And Gregory had saved him.

For the first time in years he has a purpose again.

Mia has a case she is working on, and wouldn't you know it, Gregory is actually kind of involved. So she leaves her job with Grossberg and joins Gregory as he restarts his defense agency.

He starts taking cases again— he starts helping people again. He reconnects with the friends he has been ignoring for years, like Ray. He helps Phoenix study for his law exams. He researches that case with Mia. He starts to live again.

Mia is researching a dangerous case, a long history of blackmail and extortion. If she didn't have help it would have taken twice as long, if she didn't have help maybe she would have died. But she did have help. Gregory wasn't going to let anyone use his son's death as a weapon to hurt others, including the Fey family's reputation.

They find their evidence, press charges and wouldn't you know it, they have a prosecutor on their side, one who is not afraid of Redd White’s threats. Working together, Phoenix wins the case and gains a lot of fame for it.

(And when Larry is accused of murder, Gregory takes that case too, all the while laughing at what troublesome friends his son had.)

All of this is a problem for Von Karma, because Gregory is a very good defense attorney. Phoenix might have been the one to prosecute Redd White, but Von Karma knows where all the evidence came from.

Gregory wasn't a problem when he was depressed and not practicing law, but now all of a sudden he is gaining a name for himself again. He took down Redd White. He is winning cases and someday they might just face off against each other again. And if Von Karma isn't careful, Gregory just might win.

Gregory is the one person capable of beating Von Karma which is why he needs to be dealt with.

Maybe Gregory should have ignored a letter from Robert Hammond, but how could he? The man got his son's murderer off the hook! And so Hammond dies, and Gregory is arrested, but things don't turn out how Von Karma thought they would.

Gregory has a lot of friends who all help him investigate, and Mia has learned a lot under Gregory, and Phoenix has been running around looking for files from the prosecutor's side, and Gumshoe likes Gregory way more than Von Karma and helps in any way he can, and Ray has been doing everything he can to help too. Because while Von Karma has a legacy of victory, Gregory has a legacy of love.

And when Von Karma is arrested for Miles Edgeworth's murder, Phoenix turns to him and promises to be the prosecutor for his trial. He became a prosecutor because his best friend didn't get justice, but he isn't going to let that happen a second time.

It is not a happy ending. For Gregory, the only happy ending would be if his son was still alive.

But he has a reason to live again. There are always bad days, but he has friends who won't let him wallow too long. Every day he helps people, and when he visits Miles' grave he finally has stories to tell.

Phoenix is talking about routing out corruption in the prosecutor's office. For all that it sounds like an impossible task, Gregory thinks Phoenix might even be able to pull it off.

Miles used to think his father was a hero. Gregory isn't that, not by a long shot, but... He hopes he can be half the man his son believed he was.

[cat-mentality]

My favorite silly qsmp headcannons that have like zero canon evidence

The French version:

Antoine is a eldrich abomination as old as the earth itself, man was just chilling in some dark deep cave eating the eventual mobs or unfortunated explorers, scaring the living shit of people from time to time, until Etoiles strumbled on his lair and proceded to try to fight him and then befriend him as one does

Antoine is very dedicated to act as a human(tm)

Everyone knows he isn't one.

But it's a silent agreement between everyone to just play along with him, because that is very important to him and that's their friend, if he doesn't want them to know he is a ancient horror they wouldn't.

Baghera stabbed someone once because they are going to mention the fact that humans are, actually, not able to just float.

It took Antoine an unholy amount of time to realize Etoiles and Baghera are not in fact humans.

He still doesn't know Pierre is not human either.

Actually, no one in that godforsaken Island knows Pierre isn't human even if the man has mechanical parts in his body and can talk to machines.

He has absolutely no plans of telling them either because he finds it absolutely hilarious. And also, he doesn't actually know that the fuck he is either.

His machines are very vocal, he doesn't even know where they learned to swear, but boy do they do it like sailors

Pierre genuinely believes there are no actual full humans in the world. For him everyone is just a hybrid or has at least a hint of something other in their blood.

Etoiles trauma dumps in the most fucked ways. Man will just casually mention some terrible thing that happened on his past, or how he once suffered such terrible injuries he wanted to die but couldn't even manage the strenght to kill himself so he just waited to die of thirst, or something equally as fucked, and he will say it laughing, like is is telling the absolutely funniest story ever while everyone is just horrified.

He 100000% does it on purpose

Kameto went looking for milk, accidentaly found a way out of the Island and is now locked outside with no way of contacting others because he left his communicator behind

Baghera can communicate with ducks and once she actually physically fought one that was being a little bitch

She lost

Antoine and Pierre have the pictures

Sometimes when Etoiles stays in the rain for too long, flowers will blossom on his hair

Baghera used to be able to fly, or at least she thinks she did, so now she still feels the instinct to throw herself from any high place she finds with absolutely no warning

The Island having perpetual summer is fucking with Baghera's personal clock bc she does have the instinct to migrate in winter but winter just never comes

[lovelybee666]

While I'm writing requests, I started to make a ranking of how dangerous each yandere Smiling Critters are! Because? Because I fucking felt like it(I hesitate to count this as a hcs because I'm just doing a little ranking with an explanation of why)

1. Catnap

Do I have to explain it? Bro's got the fucking red gas that he can do whatever shit he wants with and he literally killed all the Smiling Critters by himself, this cat can and will kill for you

2.Bubba

I don't think he's strong like Catnap but he's the smartest of them all and he could easily manipulate you or I don't know, I just think that

3. Craftycorn

Did you hear their dialogues? Well thinking about it, I feel like she could maybe kill people and do some shit so they end up like paint (and this is a silly little scenario) But imagine that she crushes people (I don't even want to know how) to turn them into paintings and with that paint she finishes some drawing she made of you

4. Pickypiggy

Look first she's a pig, second she loves food, three she's a yandere, I easily imagine her eating people or even cooking her so that you eat along with her (obviously she wouldn't tell you that it was a person/toy)

5. Hoppy Hopscotch

I suck at writing for Hoppy but maybe she could lock people up and wait for them to die.

6. Bobby Bearhug

She refuses to kill people (she kill people whether on purpose or unintentionally, probably just hugs them too tight until they die)

7. Kickinchiken

Another one that is difficult for me to write umm...Maybe he just threatens them, although I doubt he kills them.

8. Dogday

I honestly see him incapable of killing or harming someone for you, he loves you and all that but he doesn't plan to harm someone or even want to steal something from you, he's too good😞 not really, he's a yandere for a reason duh but you get my point, right?

I honestly suck at rankings

[redriotinggg]

Hey I saw your post about Zoro and Sanji getting jealous over every person they meet getting a crush on Usopp and it reminded me that I made up an entire Pirate Crew OC's with the sole purpose of all of them having a crush on Usopp (because he deserves having a bunch of people fawning over him <3) and how this bleeds to Zoro and Sanji (and to a minor degree Nami and Luffy) to get a little more "possesive" over him like sitting closer to him, glaring at the other crew members (Luffy in his Luffy way), more physical contact (specially Sanji), Usopp meanwhile thinks its all really funny but tries not to think too much about it or he'll get really flustered

Meanwhile the other crew is just chilling talking amongst them how cute the Strawhats Sniper is, mildly oblivious to the rest of the crew's murder looks (as in, lets ignore it because obviously that guy is taken and we respect that)

Anon your brain is so gigantonormous……… I’d like to assign myself the role of Captain of the Usopp Admirers.

IDK what your OCs are like but I imagine that a scenario such as this can go as follows:

The Straw Hats are hanging around on an island while they wait for their log pose to reset and they run into another pirate group. Luckily, the other pirates are similar in their interest in having fun adventures rather than looting or pillaging. It's good times all around as the two crews laugh party, eat, and drink. It doesn't take long for Usopp to take his place on the main stage and grab everyone's attention as he shares the dramatic tales of the Straw Hats. His crew mates are watching fondly as the other pirates are left starstruck by their sniper and storyteller. Usopp happily plays his role as an entertainer--dancing, singing, telling jokes, doing magic tricks, and showing off his sniping skills. The other crew head back to their ship that first night singing Usopp's praises.

Over the next few days, the pirate crews mingle and it soon becomes clear to the Straw Hats that their new friends are completely enraptured by Usopp. The rest of the Straw Hats are chopped liver compared to their sniper, only made worse by him playing into it and soaking up all the attention. Nami can't help but feel scorned when she catches him fixing up a weapon for one of the other pirates. Luffy frowns when someone on the other crew throws an arm around Usopp's shoulder. Sanji bites his cigarette in half when Usopp is handfed food made by the other pirate crew's chef. Zoro grips the hilt of his sword when he goes to one of the other pirates for protection.

The Straw Hats are a possessive bunch, so it doesn't take long for the other pirates to realize that their admiration of Usopp is going to have to remain platonic. If looks could kill Zoro would've slain them a thousand times over. He doesn't say much, but he stays near Usopp and glares when one of the other pirates gets too close. Nami makes sly comments about their sniper, who is their priceless treasure. Sanji is even touchier than usual as he runs his hands over Usopp's arms, holds his hand, and tugs on his hair. Luffy doesn't bother hiding his jealousy. When his frustration boils over he grabs Usopp and yells that Usopp is his sniper and they can’t have him!

As his partners, Zoro and Sanji can’t simply allow for their boyfriend to be accosted right in front of their eyes. They kiss him right in front of everyone. They whisper promises in his ear that make him go red in the face. Sanji calls him pet names and Zoro holds him from behind.

Usopp is absolutely loving all of the attention. He's embarrassed because he doesn't really understand why he's the one being fawned over, but he'll happily soak up all the adoration. He loves seeing how much his nakama care for him and it's pretty funny to see how possessive they can be.

The other crew find the Straw Hats’ possessiveness amusing, and they’re glad that Usopp is part of a crew that loves and value him so much. They leave the island with lots of hugs and compliments for their favourite sniper and promises to meet up later on the Grand Line.

“Usopp, love?” Sanji says once the other pirates’ ship is out of sight. “Let’s avoid entertaining affections from other pirates in the future, hm?”

Zoro nods, arms crossed. “Don’t entertain anyone. You don’t need them. You have us.”

Usopp laughs and buries himself further in their arms. “Hey, it’s not my fault that everyone wants a piece of the Great Captain Usopp. But yeah, okay. You guys are all I need.”