#and thats saying something lol

[allylikethecat]

Chapters: 16/22 Fandom: The 1975 (Band) Rating: Not Rated Warnings: Creator Chose Not To Use Archive Warnings Relationships: George Daniel/Matthew Healy Characters: George Daniel, Matthew Healy, Ross MacDonald, Adam Hann, Carly Holt, Jamie Oborne, Charli XCX (Musician) Additional Tags: Equestrian, Enemies to Friends to Lovers, Implied/Referenced Drug Addiction, Past Drug Addiction Summary:

“Why the hell is Matthew Healy riding Carly Hann’s horse?!” George exclaimed, flinging open the door to storm into Jamie’s office, taking care to make sure the door was shut again behind him. He was surprised Jamie was even out so early, sitting in front of the computer with his reading glasses perched on the end of his nose. “He’s bad fucking news, Matthew Healy?!” George said, shaking his head as he ran his fingers through his close cropped, bleached hair.

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[seefasterdraws]

from the homumiko mines

[bacchuschucklefuck]

gukgak specifically from my typing (man w/ three jobs & a creeping sense of dread)

[c-kiddo]

one of my fave things about cr2 i think is that tmn as characters are impossible to separate from their setting, wildemount . like its intrinsically part of all of them. beau and caleb want to try their bests to cut out the corruption in the empire despite knowing its deep-rooted, because they grew up there. veths from the empire too but from a smaller farming community, she's less connected to the government or politics in that way but her being from that town that was destroyed in the war is what makes esseks actions so severely hurt her. yasha sleeps on the floor for comfort and eats odd things because she's been nomadic her entire life. she recognises the big weird lumbering beasts they see in the wastes and just shrugs them off. jester and fjord are always relieved to see the menagerie coast again. jester has drawn that ocean view from her bedroom window so many times, she recommends shops and foods from nicodranas, and fjord worships the sea he grew up besides and worked on. caduceus listens to beau and caleb because he's from the north, outside of the empire, and trusts they understand the complicated political aspects more than he does. in exchange he shares his tea and food from home with them all, and when he's having winter clothes made he brings fabric from home as an example - his family have specific fabrics and patterns they pass down. his tea is only grown in the grove, his staff is from there, grew there with him. and his armour! and lichen! he carries his home with him everywhere. theyre all so rooted in the continent and i love that

[dandp]

I'm watching through the early Phil younows for the first time and boy, we understandably harp on Dan the most for the 2012 era denial/overcompensating but Phil's contributions are fascinating. So far my highlights include:

"Dan and I don't do everything together because then we would get sick of each other...as friends" ok no one was reading into it as if you weren't friends

Him willingly reading out "would you rather marry Dan or lick a hobo" and having an extended moment of silence that lasts way too long to be casual as he fights for his life trying to figure out what to say before saying hobo and quickly trying to move on. Then Dan joins later on and he unprompted tells Dan about this. Also should be noted shortly after he answered he was like "huh weird my chat is suddenly being slow and there's nothing for me to read out" which seems a little too convenient to me

[rheya28]

"Hello's"

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[newgroundstier]

put some fur on that beast intermission: stupid girls will inherit the. cybertron

[courfeyrec]

i keep coming back to 'i was a functioning alcoholic til nobody noticed my new aesthetic' because i do distinctly remember conversations about how taylor seemed to be drinking a lot more and getting drunk at like every awards show she went to. and those conversations were coming from a place of concern and of hoping that she was alright and that this wasn't a problem.

so to then say 'ugh i can't believe no one noticed this problem i had' when i know that people definitely did, and on the same album say that fans who are genuinely concerned about a new relationship that you are in are just 'bitching and moaning'? what do you want from them? you're talking about so many people who do at least believe that they are coming from a place of care and concern, and you are totally dismissing them on both ends of a scale!

not to mention that her implying that since nobody (???) was noticing her ~aesthetic~ drinking problem she just stopped having it is a bit of a kick in the teeth to people who do have drinking problems and can't just stop having them, since that's not how it fucking works.

[sideblogdotjpeg]

ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally

(+ cropped versions !)

[uhyeahnoabsolutelynot]

the gradual shift in joel from being the guy who’s so desensitized that he can carry a dead kid the same way he carried sarah to the site of her death and toss the corpse into a fire without blinking to being the guy who has a massive breakdown and almost nukes his whole life from the fear of ellie being irreparably harmed while under his care......and the way the last few episodes the show go out of their way to specifically test him on that fear.....like hey joel you’re mortally wounded and can’t protect or take care of her, what do you do. hey joel while you were bedridden she went through the worst experience of her life, what do you do. hey joel [insert spoilers for last ep here, you get the idea]. and he rises to the occasion, he pushes through the fear for her, because she asked him to. she wanted him to be the one to deliver her. she didn’t want anyone else. and he’s decided he’s going to give her whatever she wants

it takes time for the realization that he’s gonna have to confront his worst nightmare to really sink in. he’s built up a mental fortress against what happened to him 20 years ago. and you see that when he really starts to care is when all of that comes back up. the time skip between ep 5 and 6 was probably the Joel Quietly Freaks Out with Increasing Frequency and Intensity variety hour

and him telling her she’s not his daughter. aside from being that thing where you say the worst thing you can think of to someone when you’re trying to end your relationship with them so you can’t go back and change your mind later. but also, when you peel back all the layers of pain and fear, that’s him saying “you are not going to die.” up until that moment it’s the most honest and open expression of his feelings that he’s shared with her. his daughter died in his arms. that’s what happens to “joel’s daughter.” so ellie cannot be his daughter

that probably should’ve been 3 separate posts but it’s season finale day and i’m unmedicated, fuck it

[y-allium]

SIFFRIN <3333

[communistkenobi]

reading the intro to decolonizing trans/gender 101 this morning by b. binaohan and one thing that has been particularly insightful for me is their description of the closet as a place only white people get to inhabit - not only because it is premised on having access to a private sphere (whose origin lies in the private property relationship of colonialism & capitalism, a type of ownership only white people have historically had access to), but also that the body itself can be private, a site of individual expression that you both 1) have control over and 2) a desire to assert a liberated, enclosed, individual agency separate from the social fabric of your life (a privilege that, again, only white people have full access to).

I think this diagnosis is very helpful in revealing that a lot of white discourse about transgender identity is, if not outright biologically-, then bodily-essentialist - that gender is expressed and mediated through the individual, that the decision "to come out as trans" is a decision that an individual makes, that being transgender is a wholly private revelation disconnected from the history of gender as a social system of control, that being trans is really not a social relationship to gender, that if you don't "come out of the closet" you are not "doing gender." it reinforces cisgenderism as a natural default, something you don't do but rather simply are, in contrast to transgenderism, a type of gender expression you can only do, and only do alone by emerging from a private realm into a public one. this is in contrast to, as binoahan puts it, "being a non-white person in this world, is to immediately be rendered available for public consumption."

This is not to say that white trans people (or any trans person who engages in the practice of "coming out") are making up the social exclusion, harassment, and violence they face by publicly transitioning or announcing their transhood, but that this imagined white universal trajectory of transhood is one of individual self-actualization, a breaking away from the world to be your own individuated self - to be liberated from the world around you, to forsake an original set of (insufficient, backwards, hostile) communities for a liberated, individuated queer one. This is, again, the product of a white imaginary and a trajectory of identity only white trans people have access to. Again returning to binaohan, "because my experiences in either the trans or queer community have made it very clear that the 'community' is hostile to my existence. and so the request to sacrifice my current communities, the communities to which I properly belong, just to fulfill some (imaginary) obligation to a community that regularly lets me know how much i don't belong, seems ludicrous. but it is not just that: it creates a situation whereby not only is the white trans/gender narrative normalized but your value/goodness as a human being becomes dependent for how well you are able to locate yourself within that narrative."

[casualavocados]

Are you here to pick me up? Going to the bar or the gang? The bar.

KISEKI: DEAR TO ME Ep. 12 + BONUS:

[c-kiddo]

people talking abt asha as if she is a massive contrast/change to the wildmother in cr2 is confusing to me like were you paying attention? like, obviously she is softer, exandria has had a long time to heal from the calamity (though, not particularly long on a nature scale but long enough for healing, enough for civilisation and nature to be more balanced hence her less-strained relationship with erathis) so she's far calmer, but she's also fully the wildmother again rather than a wolf. but even then, as much as a commune with her feels like she's a mother holding caduceus like a child she also does give him the power to swarm people with insects that burrow into their eyes and eat their tongues. she's the fish and the osprey that catches it, shes parasites and snakes and foals and rabbits and wildflowers and mountains and springs and thorns and teeth. thats literally part of caduceus' whole character - his softness and compassion contrasted with him being very clear and open about the violence of nature and that death happens and things are killed and their bodies feed the earth. like the brutality is always there, but its more balanced now, and at present the wildmother's just not as cornered (or suffocated in a city with so much light pollution that you can't see the stars). she's not starving anymore