#and the lit review needs revised...

[midnight-mourning]

three promptobers tomorrow chat, ya girl was in the lab for like four hours today and I didn't get home until like 8, I have a lot of work to catch up on but I'll get back on track soon hopefully

[bingwriterxo]

the shakespeare exhibit - part 8

pairing: tara carpenter x reader

summary: in which you and tara both have things to talk about

warnings: mentions of stabbing, talks of substance abuse and verbal abuse

word count: 2700+

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Finals season was in full swing at Blackmore University, sending its students into poor sleep schedules and even worse diets as they attempted to cram a semester’s worth of information into their brains.

You and Tara, unfortunately, were no exception. For the past week, the two of you had holed yourselves up in either the library or one of your apartments, your noses stuck in your books and your hands fumbling around for an energy drink whenever you needed a pick-me-up.

The only time you had taken a break was to celebrate Tara’s 20th birthday, but even then it was hardly a celebration. You had gathered all of her friends at her apartment, had a small party consisting of drinks and movies, and then went right back to studying, Tara in tow.

Safe to say, the stress levels were at an all-time-high, especially for Tara, who was experiencing her first round of finals in university. You had offered her a few studying tips, since you had already gone through the struggles of freshman-year exams the year prior, before immersing yourself in your own revision.

You were in the midst of reviewing for your Romantic Literature course--the last final that you had for the semester--when your mother called you, leading you to slip out of Tara’s bedroom and into the hallway to speak to her.

Tara sat at her desk, grumbling as she tried to study for her Introduction to Literature course. This is just as stupid as it was when I was studying for the midterm, she thought, eyes scanning her notes about Emily Dickinson. Maybe it’s even more stupid now.

Your voice broke her concentration as you walked back into her room, and she twisted her chair around to face you. “Yeah, that sounds good. I’ll ask her, alright?” You rolled your eyes and pointed at your phone, mouthing, she talks so much. Tara giggled softly, extending her arms for you to stand between, and you sighed as you slid into place, her fingers rubbing over your hips. “Okay. Yup. Yeah, okay. Yeah. Right. Okay, bye, mom.”

“What was that all about?” Tara asked when you hung up, throwing your phone onto her desk. “Did Eddie pull another prank on the Dylan Thomas statue again?”

You chuckled, thinking about the photo that your brother had sent you the week before—he had put a wig, makeup, and a shaving-cream beard on the statue of your grandfather’s late friend. “No, no. The statue garden has gone untouched this week.”

She shook her head, a grin on her face. “I still can’t believe you guys have a statue garden,” she said. But of course her family does. Because why wouldn’t they?

“Well, my dad’s always been big into statues. Like, when he was younger, he--” You cut yourself off. “That’s not important. Anyway, my mom invited us to spend Christmas at the house.” Tara’s eyes lit up, a type of joy that she didn’t know existed rushing through her. Us? she thought. I’ve been invited to family Christmas? “Do you want to go--”

“Yes!” she exclaimed immediately, nodding her head fervently. “Please, yes.” Shit, I’ll need to buy presents. What the hell do you get for kids who could buy anything they’ve ever wanted?

You giggled at her enthusiasm and tilted your head. “Are you sure you and Sam aren’t going back to California for the holidays?” you asked.

Back to California? Back to…Woodsboro? She furrowed her eyebrows, biting her bottom lip. “Why would we go to Cali?”

You squirmed a little where you stood. What’s she so nervous about? she wondered. “I just thought you might want to see your mom?” Your voice pitched on the last word, and Tara tensed, her arms falling to her sides. You frowned and reached out, but she pulled back, swallowing.

“No, there’s--we’re not--no,” she stammered out, her voice short. She shook her head. “I’ll be here.”

You nodded. “Okay.”

Tara wanted the conversation to be over, but your lips were pursed like you still had something you wanted to say. “What?” she asked.

You shook your head. “Nothing!”

She clenched her jaw and narrowed her eyes at you. “No, you look like you have something to say. What?”

“I just…you’ve never spoken about her. Maybe we could--”

That’s because there’s nothing to say.” She’s good for nothing, she thought. “I don’t like to talk about her.” I’d rather read Shakespeare, which is really saying something.

“But--”

“No.” Her voice was stern, clear-cut, and she watched as you deflated a little, your eyes flitting around the room. She sighed, running a hand down her face. “I’m not doing this right now, okay? I’m not talking about her.”

“Tar…” The nickname came out as a coo, soft and careful and meant to be comforting, but it ignited a strange irritation beneath Tara’s skin, and something in her snapped.

“Listen, we can’t all have a perfect-fucking-family, okay?” she shouted, and you flinched, taking a step back, your eyes widening at her sudden outburst. “Just because you have parents who are there and who care doesn’t mean everyone does! I mean, Jesus, my mom didn’t even come to see me last year after--” After Amber stabbed me half-to-death, she finished in her head.

The air was tense, quiet. You stood in front of her, worrying your bottom lip between your teeth, and Tara cursed herself when she noticed that your hands were trembling slightly.

“Baby…” She reached out for you, but her fingers met open air as you shook your head and crossed the room to grab your things from her bed.

“It’s fine. I--I shouldn’t have pushed,” you rushed out, your voice shaking. You threw your notebook and laptop into your backpack hastily before hurrying to the door. Tara stood, desperate to do something to stop you from leaving, but she didn’t get the chance as you said, “I’m sorry.” Of course she’d apologize when I snapped at her. “I’ll see you later, yeah?”

The door shutting behind you pulled all the air from Tara’s lungs, and she fell back into her chair, holding her face in her hands.

“God fucking damnit,” she groaned. “Stupid, stupid, stupid.”

* * *

Hours later--during which Tara had sat in her bed and moped--there was a knock on her bedroom door. For a brief second, she thought it was you. But there would be no reason for her to come back after I got mad at her, she reminded herself, and any hope she had disappeared when Sam walked into the room, a frown on her face.

“I thought Y/N was staying for dinner so you two could study through it,” Sam said, bringing Tara’s attention right back to the fact that you had left. She stepped into the room, her arms crossed over her chest, and asked, “What happened? You’re all”--she gestured at Tara--“sad.”

Tara huffed, glaring at her sister. “Nothing,” she grumbled.

Sam scoffed. “Oh, please. You and Y/N have been attached at the hip since the start of finals.” She shook her head. “Scratch that--since you two began dating. So, what happened, Tara?”

Stupid Sam, being a good older sister. Tara sighed and relented. “She asked about mom.”

“Oh.” Sam frowned. “And what did you say?”

“I--” Was a bad girlfriend and got mad at her for no reason, Tara thought, shame seeping into her veins. “I snapped at her. I didn’t mean to. It’s just…mom’s a tough topic, and it’s even harder because Y/N’s family-life is so perfect.” She clenched her jaw and glanced away, ignoring the spark of jealous lighting in her chest. “She’s got two parents who are there, and they have money, and she’s just…” Perfect.

Sam tilted her head, walking over and sitting beside Tara. “You know, it wasn’t easy for me to tell Danny about mom, either. He’s in the same boat as Y/N--well, not the super rich family part, but his parents are together and there.” She shrugged. “It’s hard not to envy that, but she’s your girlfriend, so you’ll need to talk to her about mom at some point. She deserves to know.”

Tara nodded, hanging her head. “I know. I feel horrible for getting upset with her.” She gestured lamely at her phone. “I tried texting and calling her, but…” She pointed across the room, where your phone still sat on her desk. “Obviously that didn’t work.”

Sam hummed. “I’m sure it’ll be fine, Tara. Maybe she just needed a minute.” She rested her hand on Tara’s shoulder. “Plus, she’ll need her phone.”

“What if she comes back and breaks up with me?” Tara asked, looking up at Sam with wide eyes. What if she never speaks to me again? she thought. What if this is it? What if--

“Every couple has arguments, Tara.” Sam smiled softly at her. “She’s not going to break up with you over this. That girl’s head over heels for you, even more than you are for her. It’s gonna be okay, okay?”

Tara bit the inside of her cheek. “Yeah, okay,” she said, not missing the sorrow in her own voice. “Thanks.”

“Of course.” Sam stood, her hands on her hips and her head tilted. “Now, should we get Chinese food or pizza?”

* * *

Sam was right: you did just need a minute.

It was as Tara was getting ready for bed that she heard a knock on the front door. Sam’ll deal with it, she decided as she climbed beneath her sheets, ready to lay in the darkness and wallow for a while. Just as she was reaching over to turn off her bedside lamp, a certain name caught her attention.

“Oh, hi, Y/N!” Sam said loudly from the living room, and Tara knew she had raised her voice so that she would know who was at the door. She sat up immediately. Y/N is here? What? There was some mumbling before Sam’s voice came again. “Yeah, she’s in her room. Go ahead.”

Moments later, there were soft knocks against her bedroom door, and Tara scrambled out of her bed, rushing across the room to open the door for you. There you stood, your lips pulled in a downturned smile and your eyes wide with worry.

“Hey, pretty girl,” you muttered. You were still wearing the same clothes from the day, and your backpack was still hanging off your shoulders. Did she not go home? she wondered, furrowing her eyebrows. You pulled your arm out from behind you, revealing a small bouquet of flowers. “Got you these.”

Tara blinked. She bought me flowers?!  “I--Thanks?” She took them from your outstretched hand. “What are you doing here?”

“I said I’d see you later, didn’t I?” you tried to joke, but your voice was strained, like you were trying to be careful, and Tara felt guilt prick at her knowing that she was the cause. “Could I come in?”

“Oh, yeah. Of course. Always,” she rushed out, moving to her bed to sit. She placed the flowers on her bedside table and watched as you sat in front of her, fingers playing with her blanket. “So, what’s up?” ‘What’s up?’ Really? That’s the best I can do?

You sighed, a shaky breath falling from your lips. “I want to apologize,” you said. “I didn’t mean to push you into talking about your mom earlier. I know she’s a touchy subject.”

Tara frowned. “Why are you apologizing? I’m sorry for shouting at you. I shouldn’t have done that.”

You shook your head, glancing up and finally making eye-contact with her. “No, it’s okay. You didn’t want to talk about her. And, that’s okay.” You shrugged and offered her a comforting smile. “You don’t have to tell me about her…ever, if you don’t want to.”

“I should, though. I mean, we should talk about her.”

“Tara, you really don’t have to--”

“No, I--I want to.” Want’s a strong word, she thought. But I should.

“Okay,” you said, nodding and giving her your full attention. “You have the floor.”

She sighed heavily. “Well, my dad left when I was 8. My mom started working more so that she could afford Sam and I, but it turned more into an obsession for her, I think. Next thing I knew, she was never there. Sam left home when I was 13, and it was just me.” She shrugged, glancing down and fiddling with her fingers. “Then, Sam came back after I was attacked, and my mom wouldn’t talk to her, so we made the choice to cut her off. I haven’t spoken to her since we moved.”

Tara clicked her tongue, looking back up at you. To her surprise, your face wasn’t full of the pity she was used to seeing after telling people about her past; you were watching her carefully, looking close to tears.

“So, that’s that,” she said awkwardly.

You inhaled sharply, blinking your glassy eyes away. “You didn’t deserve any of that, Tar, and I’m sorry that you had to deal with it.” You reached out, your hand cupping her cheek, and she leaned into your touch. “I’m so happy that you’ve found your family.”

Her heart fluttered at your words, her mind flashing to Sam and Mindy and Chad. “Yeah,” she agreed. “I am, too. I really love those guys.” And I’ve found you, too, she thought. You make it all complete.

You grinned, and she practically melted into her mattress. “Good. They’re good--all of them.”

She giggled. “C’mere.” She wrapped her arms around your shoulders and pulled you to lay down with her, your face nuzzled into her neck. She laughed at the feeling of your nose against her skin, and said, “I love you. Like, a lot.”

Your arms wrapped around her waist, and you squeezed lightly. “I love you, like, a lot, too.” You sighed into her. “And I’m sorry for leaving like that earlier. I just…I don’t do well with raised voices.”

Huh? Suddenly, she was on high alert. Why not? What happened? “Any particular reason?”

You twisted in her hold so that you could lay beside her, your gaze trained on the ceiling. She scooted down so that her head was level with yours and looked at you, tracing your side profile with her eyes. So pretty, she thought. Wait, stay on topic, Tara.

You clenched your jaw. “We’ve never talked about it, but, um, my dad…” You closed your eyes. “When I was younger, my dad had a big drinking problem.” Her eyebrows furrowed. Her dad? That man? Really? “He was never physical,” you said, shaking your head lightly. “But he had a temper when he was drunk, and everything I did was always wrong.”

“Oh, Y/N,” she sighed, intertwining her fingers with yours. Your grip was tight, like she would float away if you didn’t hold on.

“He’d yell a lot, at me, at my mom.” Oh, baby. Your thumb rubbed over the skin of her hand. “But he’s good now. He got better after the boys were born--got sober. He hasn’t had a drink since.” You turned your head, looking back at her.

“He’s not, like, obsessed with apples, or anything,” you said. What does that have to do with the conversation? she wondered. “But, he eats them a lot when we have parties. That was his thing--eat an apple when he wanted a drink. It stuck, so we keep the fridge stocked, and any time someone sees him even look in the direction of alcohol, we get him an apple.” You smiled. “He eats them begrudgingly, but he’ll never have an apple out of his own volition now.”

Tara chuckled softly. “I’m happy he’s better now, but I’m sorry you dealt with that. I’m sure it wasn’t easy.”

You shrugged, leaning closer so that your forehead rested against her cheek. “It’s okay now. I’m alright,” you promised. “Just…never buy that man an apple, alright?” you joked, easing the tension in the air.

“Deal,” she agreed, nudging your head up. She leaned in, kissed you, and said, “I guess no family’s perfect after all, huh?” when she pulled away.

“I guess not.” You grinned, leaning up on your elbow to hover over her. “But, maybe ours could be the first.”

Her heart practically stopped, and she couldn’t help the smile that took over her face. Ours? she thought. She felt like she wanted to burst from the amount of joy that came with that thought. Yeah. Ours.

“Okay.” She pushed herself up and kissed you again. “Ours will be the first.”

[femmefatalevibe]

Not exactly femme fatale stuff, but do you have any tips for note taking and essay writing in A levels? I'm taking Sociology and English lit in college and honestly am struggling rn. Just general studying tips - how do I study, make notes and revise etc. Plus how can I be more vocal in class?

Thankyou!!

Hi love! I didn't go through the British schooling system but have experience excelling in high-level English courses/essay writing back in the day, so I hope these tips can be helpful:

For studying:

Keep a high-level itemized list of the overarching topics/chapters, etc. you need to cover in your study session

Create a plan with a schedule to tackle each item on your agenda in 30-60-minute chunks (throughout the day/week). While reviewing, create outlines of the key themes/takeaways/character profiles, timelines, with relevant examples, etc., you need to remember (factual information) and then a list of concepts/general lessons or insights you take away from your learnings (applied knowledge/analysis)

Devise acronyms or relevant analogies to help you memorize key information, concepts, and events. Perceive each subject as a storyline where you're filling in the gaps with the plot, characters, metaphors, derived conclusions, etc.

For essay writing:

Develop a multi-layered thesis that offers a new perspective to the work(s) you're discussing. Back in secondary school, I had a lot of success with connecting the dots between a theme running through the text(s) and a juxtaposing literary concept to frame my fresh perspective. Consider how drawing parallels between different characters/literary works, historical events, cultural movements, etc. allows you to offer a new interpretation/way to understand the text

Use this multi-layered thesis as a framework to structure your essay. Make sure to clearly distinguish your arguments from each other (new paragraphs) with logical transitions. Ensure each point concludes with a new way to interpret the characters/themes, etc. you're describing

Write your thesis, then the body paragraphs, then your conclusion/introduction (these two can depend on the particular essay I believe)

Always cite your sources, and check for proper grammar, syntax, etc. Varying your sentence length, syntax, and structure. Consider your word choice carefully

Show don't tell; Don't be repetitive with your arguments. Consider including a counterargument and use its fragility as a way to strengthen your multi-faceted thesis

For speaking up in class:

Keep a bullet point list in your notebook of insights/meaningful contributions you can offer to a certain discussion. Don't be afraid to raise your hand to confidently share this point after giving it some thought (helps eliminate nerves and garners positive attention from teachers/peers alike)

Think of meaningful questions to ask about a given lesson or as a follow-up to a point made during a discussion. By offering a question instead of a statement, you don't have to worry about offering a "wrong answer" and invite more intellectual thinking to the overall classroom dynamic

Hope this helps xx

[aneurinallday]

The Tragedy of James Steerforth

Chapter IV: Old Friends

“Mr Bradbury, I don’t understand,” David protested. “You don’t like the rewrite? But your feedback last week was so positive. You assured me that I was on the right track.”

The man behind the desk lit a pipe and began to puff, filling the cluttered office with the potent smell of expensive tobacco smoke.

“Things change, Mr Copperfield. There’s a lot of competition out there. We need to be careful what we put our stamp on.”

On the desk between them sat a thick manuscript, lovingly penned and carefully bound. Calligraphed on the front page in graceful cursive was the title: The Personal History, Adventures, Experience and Observation of David Copperfield the Younger of Blunderstone Rookery.

“Is it too fantastical?” David asked, picking up the manuscript and nervously cradling it in his lap, “I admit, I did change some names and physical attributes, but only to protect people’s identities. Everything else is truthful. This is the story my life, as it happened, with no embellishment. This is my complete and honest autobiography.”

“Mr Copperfield, we’re not going to publish this.”

“But I - oh.” David paused. “Forgive me, I don’t wish to argue, but I’m just - I’m just confused. At our previous meeting, you praised my writing so highly. Are you sure I can’t change your mind with another revision?”

“It’s not the writing that’s the problem, Mr Copperfield. It’s you.”

“Me?”

“The truth is, we’ve received a report about you.”

“A report? About what? From whom?”

“From an old school friend of yours. He gave us a review of your character that contradicts your memoirs. He said that when you were boys together, you got him into all manner of trouble - running around London, wreaking havoc, sneaking out of the dormitory at night to visit strumpets.”

“What!” David exclaimed, “Sir, none of this is true, I swear. There was occasionally some trouble, but nothing serious. Just boys making fools of themselves, as boys do. I certainly never hired the services of any ladies - I didn’t even know how!”

“Is that so?” Mr Bradbury leaned forward. “Your friend said that you had rich benefactors who kept your pockets full and your reputation spotless. He also said - ” the publisher lowered his voice to a whisper, “ - that you got the clap off a trollop, and you travelled all the way to Yarmouth to see a doctor under a false name, to make sure it stayed hush-hush.”

“But that’s absurd! I went to Yarmouth to see my childhood friends! Ask them, they’ll tell you the same thing.”

“I don’t know, Mr Copperfield. Your friend was quite credible. He spared us no details.” The publisher inhaled deeply from his pipe. “It seems you’re not exactly the poor, tragic orphan you portray yourself as.”

“What can I do to prove these accusations false? The Peggotty family can corroborate my version of events! Ask them!”

“You mean the Peggotty family who were promised a cut of your royalties? I’m sure they’ll say whatever you tell them to say.”

“But - ”

“Mr Copperfield, I recommend you seek publication elsewhere.”

Silence filled the office. David trembled for a moment, then gathered up his things, rose stiffly, and bowed his head with a jerk.

“Before I go, may I ask…this gentlemen who claimed to know me at school - who pretended to know so much about me. What was his name?”

“I hardly have to divulge that.”

“Are you going to tell anyone? The other publishing houses, I mean?”

“No, this’ll stay between us. Anyone unlucky enough to pick up your manuscript is welcome to deal with you. Good day.”

“...Good day, Mr Bradbury.”

David left the publisher’s office in a daze, walking past rows of printers and binders busily churning out novels. He held his hand-written manuscript close to his chest, as if to shield it from sceptical eyes who would tear its narrative to shreds.

Stepping out of the arched doorway of 85 Fleet Street, he paused to glance up at the view above him - a stern, seven-storey façade of pale bricks. Barely a half-hour ago, he’d walked in that door with a heart full of hope, and now he was walking out with his fledgling career in tatters.

“What’ll I tell Agnes?” he wondered. She’d been so happy to see him excited about his new contract. He could already hear her voice reassuring him everything would be fine, giving him perfectly sensible advice. Sometimes he wished she would be less supportive and more cruel, just so he could feel like he deserved her.

Tears stung his eyes as he walked the streets of Central London, but he blinked them away, breathing deep to steady himself. It took him a minute to realise somebody was calling his name.

“Daisy! Daisy! Look over here!”

He turned to see a familiar figure approaching him. He recognised the ostentatious hat, the dark head of curls, the fine coat.

“Steerforth?” he gasped. “Can it be?”

Steerforth’s silver-handled cane tapped on the pavement as he drew nearer.

“Don’t look so surprised, Daisy. You know I can’t stay away from you,” he teased.

David stared at him in disbelief. They stood eye-to-eye, and Steerforth extended his hand. Remembering his manners, David hurriedly tucked his manuscript under his arm, and shook Steerforth’s hand.

“James, you’re back! I had no idea you were in London! My God, why didn’t you show yourself sooner?”

“It’s a dull story. How’ve you been, Daisy?”

“Me? I’ve - I’ve been fine. But what about you? Nobody’s heard from you in weeks! We thought maybe you’d left the country again.”

“Oh, nonsense,” Steerforth waved a dismissive hand. “I’ve been living my life, same as always. You know me - nothing ever keeps me down.”

“But after the storm and the beach, we - we parted on such bad terms, we weren’t sure if you were ever coming back.”

“That’s in the past. I had to move on eventually.”

“But what about your mother? She’s been losing her mind, searching everywhere for you. Why haven’t you been to see her yet?”

“That’s my business, Daisy.”

“I know, it’s just…You could at least write her a letter. Or send a messenger if you don’t want to see her in-person.”

“Maybe.” Steerforth’s expression turned serious. He leaned on his cane with both hands, and sniffed. “Listen, Daisy. Back at Yarmouth, back on the beach…that whole affair with the Peggottys. I’ve been feeling quite awful about it. Do you think I can be forgiven?”

“Well, I can’t speak for them. But I forgive you.”

“Really? Despite everything I put you through?”

“Really,” David said firmly, “You’ve made some…poor choices, but I believe you to be a good man.”

“You don’t hate me, then?”

“No, I don’t hate you. I never have - I never could.”

“I appreciate that, Daisy. I really do.” Steerforth looked very solemn. “I know things can’t ever be the same as they were, back when we were boys. But still, it would mean a lot to me if you forgave me. The things I did, the things I said…They were terrible. Truly terrible. Can you forgive me?”

“Of course, my friend,” David sighed happily. “Of course. Whatever happened between us, I’m just glad you’re home safe.”

He was indescribably relieved. Relieved that his once-closest companion had turned out to be a good person after all. Relieved that he no longer had to live in a world where they weren’t friends.

“Thank you, Daisy.” Steerforth’s seriousness went away, and he grinned again. “Anyway, enough about me! Tell me what you’ve been up to. How’s the writing going?”

“It’s going well. I’ve published some short stories in The Morning Chronicle, and now I’m working on a full-length book.”

“A book? How wonderful! Is that it right there?”

He pointed to the manuscript under David’s arm. David instinctively tried to hide it.

“Yes, it’s - well, I’m a little embarrassed to admit it, but it’s an autobiography.”

“No need to be embarrassed, my darling Daisy. Your life has had enough ups and downs to fill a thousand pages. You might as well earn some money off it.”

“That’s true…”

“So what did the publisher at Fleet Street think of it?”

“Well, they were pleased with…Wait, how did you know I’d found a publisher there?”

Suddenly, Steerforth grinned. He widened his eyes and trembled his lip in an expression of mock earnestness.

“Mr Bradbury, I swear, he was out of control!” he exclaimed theatrically, “Even at a young age, it was like he had the devil in him. All of us were afraid of him, but we went along with everything he said, because we feared he would make our semester a living hell. Mr Bradbury, for the sake of your poor readers, please don’t let him spread his lies any further! The man he pretends to be is not the creature he was!”

David couldn’t speak. Steerforth burst into laughter.

“I swear, no matter how many years go by, you’re still as much of a dullard as you were back at school. When I look at you, all I see is that scared, lonely little orphan on his first day, so desperate to make friends, so eager to please. Hanging on my every word. Tripping over himself to make me smile.”

As he stared at Steerforth’s laughing face, it took David a moment to realise that he’d been fooled. Steerforth wasn’t sorry. He had no regrets about anything. He’d only feigned remorse as a set-up to this punchline. The bigger the twist, the greater the satisfaction.

“The look on your face!” chuckled Steerforth, full of glee. “Of all the pranks I’ve pulled, this was my favourite.”

“Prank?” David uttered, “James, you cost me a contract that I worked very hard for. Because of you, I was dropped by Bradbury. Now I have to start all over again.”

“Oh, cheer up, Daisy,” Steerforth scoffed, “There are other publishing houses in London. I’m sure your grand monument to self-pity will be flying off the shelves in no time!”

“How could you do this to me?”

“Typical Daisy - so virtuous he can’t even take a joke.”

“What you did was no joke, James. You could’ve ruined me.”

“That was the idea. Good day!” Steerforth tipped his hat merrily, and walked away.

And so ended David’s first meeting with the reborn Steerforth.

As David watched him go, he considered the many years of friendship that had preceded this quarrel, and began to wonder if they’d been an illusion. Had Steerforth ever really liked him? Had he ever seen him as a friend? Or had he merely seen him as a pet, an amusing novelty?

Upon David’s arrival at Mrs Strong’s school, Steerforth had been the first to extend the hand of friendship towards him. He’d taken the lowly orphan under his wing, becoming his mentor and protector - defending him from bullies, even while being a subtle bully himself. Whether it was motivated by sympathy or by a condescending sense of charity, it was an act of kindness for which David would always feel grateful.

And from that day on, David had loved him. How could he not? Everybody loved James Steerforth. James Steerforth was everything: rich, stylish, handsome, funny, clever, and seemingly without flaw. He’d been the most popular boy at school, beloved by students and teachers alike. The sort of boy who was welcome everywhere he went, the object of admiration and adoration from all.

As the years had passed, Steerforth had proven himself to be selfish and irresponsible. His money and privilege had made him carefree and inconsiderate; and time and again, he’d treated other people poorly. Not because he meant to do so, but because he lived in a world where none of his actions had consequences, and where he’d always been sheltered from the reality of human suffering. Adulthood had brought him little maturity, and he’d charmed his way through life in a never-ending quest for pleasure, oblivious to the trail of destruction he’d left in his merry wake.

Yet still David had worshipped him. None of Steerforth’s shortcomings could ever dampen the gratitude that David had felt towards him.

And then, one fateful summer, David had made the mistake of inviting Steerforth on a trip to Yarmouth, to visit the home of the Peggottys, his childhood friends. There, Steerforth’s wandering eye had been caught by Emily, the fiancée of Ham Peggotty. The rest was history.

It was a mistake for which David would always blame himself.

“I should’ve known better,” he muttered as he began to walk in the direction of home. “I should’ve known you’d cause trouble. You always do.”

But the sabotage of his publishing contract was a turn of events that he could never have predicted. This wasn’t the misguided prank of a careless young man, but a deliberate act of malice, inflicted by a venomous and vindictive soul.

The Steerforth who’d returned from Yarmouth was…different. On the night of the storm, he’d lost something - perhaps his self-worth, perhaps his dignity, perhaps his sense of right and wrong; David wasn’t sure what. But it seemed that the best part of Steerforth had been lost with the sinking boat, leaving only the worst part behind.

Chapter V: The Uninvited Guest

[daringyounggrayson]

how is the writing going 👀

for you to ask me this question, in my own inbox no less ;-;

lol but yeah let's go with poorly. i have this lit review i'm working on revising for publication, but in reality it's been shelved until winter "break" when i will hopefully have some time to work on it 😅and then i need to do some write-up for my two semester projects (which i'm very stressed about but also it's fiiiiiine), and i will hopefully have time to work on that soon ;-;

[historicity-was-already-taken]

I do have several questions about publishing serious non-fiction with a trade press... My first question is affiliated, and is about whether you're still in academia or not. If you're not, I'd be interested in hearing how you go about your work - whether you have peer reviewers etc. and whether you know them from uni (either as classmates or professors) or not.

Secondly, how did you approach finding a press? Did you have a draft finished when you secured your deal, and what are the major differences a trade press versus university press request/demand?

I'm sorry for the load of questions by the way, I finished my MA degree in history (medieval) last year, I miss doing the research and writing, and you're really the first person I've seen online who has found a trade press. I considered asking you some of those questions before actually, so I kinda jumped on the chance with... much enthusiasm, lol.

First, affiliation. I ~identify~ as an independent scholar. However, as you know, connections and status mean everything in both academia and the publishing industry (and as an academic writing for a trade press, you have to demand respect from both), so I always make my credentials very clear:

MA in Modern Jewish History from the University of Maryland, thesis defended on first try with no revisions; I also name drop my adviser and certain committee members depending on who I'm talking to.

MLIS from the same institution, focus in Archival Science.

Seven year's employment as an archivist and content creator at the American Jewish Historical Society at the Center for Jewish History

Six figures of followers on social media

The combination of education, platform, and work experience is particularly important for convincing agents and publishers that you're a worthwhile investment.

In terms of reviewers, I networked with and cold emailed two well respected academics in my specific subfield(s), and just asked them if they'd be down to peer review my work. I will be paying them out of my own pocket. The press doesn't require this as, as far as they're concerned, I'm the expert; but it's something I require for myself. It's important that this book not simply present a strong, readable, gripping narrative, but that it's also accurate and rigorous.

Now on to your second question. For serious nonfiction the first step is to get a literary agent. Literary agents sign clients for non-fiction based on book proposal and ~two sample chapters. They neither want nor expect the entire manuscript at this point. The agent is the party who has the relationships with acquisitions editors at the major publishing houses.

Once an agent signs you, you do some editorial work together, if necessary, and then you go on submission. The "on sub" process is basically your agent doing a series of targeted sales pitches to acquisitions editors. If an acquisitions editor wants to buy the project, they will have to present it to their team(s), and argue in favor of investing in the project; ie, they have to convince potentially multiple teams that this project will make them money.

The book proposal is an incredibly weird, complex piece of writing, and I advise hiring an editor to work with you on this. The best editors/consultants for book proposals tend to be what I call "behind the scenes big shots." These are usually people with journalistic training, who ghostwrite for a lot of very big names. These editors do not come cheap. In fact, I paid for mine with a round of crowdfunding y'all helped me with a few years ago. If you're interested, I could potentially put you in touch with mine.

Now once the proposal is ready and you've workshopped your query letter, you need to do some heavy research and make a list of lit agents you think could be a good fit for your project. You should have an A List, B List, and C List, and send them out in batches of 5-10 to keep this manageable. I can answer further questions about this research process, if you'd like.

The getting-an-agent process is probably the hardest part. It took me five years to get from "Holy shit this is my book I'm gonna do a book," to "I have an agent and we're going on sub." It's HARD and you'll really be forced to reframe how you understand success and failure. Like, the first time I got a personalized rejection with feedback I fucking PARTIED. A personalized rejection is huge, and FEEDBACK, omg.

The big difference, is that for academic presses you need a PhD and a genuine intervention in the historiography. For trade press, you need to convince multiple parties that the project can sell, and that you're qualified to write it.

Now some candor: you have to be incredibly single-minded to push through this process. Like, to the point that you're willing to sacrifice your day job and let your health fall by the wayside. Which leads us to: privilege!

It's very difficult to be able to put all your single-minded energy behind this process if you a. are not independently wealthy; b. are not married to a person with a lot of money; or c. do not have well-off parents who are able to support you. I can honestly say that, if I were not in category c, the process would have been much slower; I'm not even sure if it would be happening yet.

My publisher's advance--which was generous for a first time, untested writer--over one year was enough to MAYBE cover my health insurance and my monthly storage unit; I also have two part time jobs. And that's it. My parents handle the rest [ETA: to clarify, I do live with them]. Publisher's advances are not something you can live on unless you already have clout, or fame. And if you have a one year deadline, your writing will be full time. I'm not telling you this to discourage you. Professionally I have found myself in many fields where the silent part is "we assume you have family/spousal wealth because lol no one can live on this amount of money." It's not okay and it pisses me the fuck off. I feel like, if I didn't make this clear, I'd be complicit in maintaining those structural inequalities. I don't know how to dismantle them (it's gonna take way more than one person) but saying the quiet part out loud is a start. Anyway, hope I answered all your questions and also didn't discourage you! Also, you never need a reason to ask me about this stuff.

[seriousacademic]

Ok, I have a whole spate of tasks to accomplish for my dissertation concept proposal between tomorrow and my chair meeting on Tuesday morning. Thankfully, it's a combination of new, original writing and document housekeeping tasks, so I should be able to chip away at this list regardless of my cognitive capacity at any given time this weekend.

Here we go:

- methodological approaches

- write brief comparative overview

- write selection justification

- research methods

- write brief comparative overview

- write selection justification

- write/pull together research design summary

- write/pull together resilience summary

- review alignment of problem, purpose, & RQs

- definitions

- compile definitions list (alphabetized)

- clarify/format in-text definitions

- copy over high points of lit review

- resolve asterisks (my revision flags/placeholders)

- update in-text citations with Zotero plug-in (final step!)

It's a little daunting to look at this list all written out. But I ultimately need to get each of them done - not perfect - this week.

Once I can get past this week, I'll have plenty of time to tweak it before my prospectus defense in May!

[pumpkin-spike18]

✨Weekly Progress #34-36✨

Finally taking the time to do a writeup...! Um, what did I do 3 weeks ago...?

Weekly Progress #34

Prepped for Spooktober

Drafted & posted Post Mortem for VF game

Wrote 1k words for BWOBK

Sketched new SYVNH sprites

This was three weeks ago haha... I really have no idea what to talk about. It's been quite a whirlwind for me the past two weeks.

This should be the last sprite I need to make for SYVNH. I still have a lot of art and a good amount of things to revise before I'm done with this project, but... it's weird to think that it is coming to an end.

Weekly Progress #35

Made a base outline for detective story

Wrote 8.1k words for Spooktober

I've been (re)playing so much Ace Attorney the past few weeks. Phoenix Wright were the first visual novels I played as a kid. Someday, I do want to make a mystery/detective VN, but... I lack the confidence. For fun, I made some basic mystery outlines for a AA doujin idea, but I don't think that'll come to fruition for a while.

And then... Spooktober has started and taken over my life!

This year I'm working with @4noki-vns again, but this time as a co-writer! She had proposed a summary of the idea a couple months ago for a death game genre story based on Chinese mythology regarding Meng Po Soup. I loved the idea so much and I'm so glad it'll be a real project release this October!

Weekly Progress #36

Started reviewing Spooktober script

Wrote 9.7k words for Spooktober

More spooktober writing! 😝 To get myself to write faster, I made myself finish whole major scenes before I'm allowed to play more AA or read any more WrightWorth fanfics. That really lit a fire under my butt, haha...

I had originally planned to finish writing in 10 days (optimistic), 15 days (realistic), or 22 days (worst case).

I finished in 9. ✌💀

[r-ene]

any tips on how to be motivated in doing thesis? or just any general, helpful tips. thank you! <3

Hi !! I had fun doing our thesis so I feel I might ramble a bit here, haha +++ this is a very long read so I'll list it down w bold key points blue if u dont want to read d whole thing – most of these are the things my team did, I hope this is of help !!

sorry for the delay w my response, I thought about this for days so I could be more helpful hehe

first, idk if you're doing a solo or partnered or group thesis but if you have a partner or group, getting along really well with the team + having mutual understanding can make the whole process smooth. my groupmates are my close friends (we're 6 in the group and i love them dearly) and everything went smoothly because we're aware how, for example, i hate cramming and love scheduling + doing things in advance, so all of us agreed to do things in advance but with a time period of 1-2 weeks depending on the heaviness of task (related lit is long so we did that 2 weeks minimum)

do not procrastinate and cram = love scheduling. following my first point, i made a time table for our group and i was the secretary/assistant leader so i made it a point to follow up every now and then and kept the deadlines pinned in our chat. since we had a system, we never crammed and since all of us also loves to do things now for longer chill days, we were never late for a deadline and just waited for our prof to ask for outputs since there were no fixed deadlines.

pick a topic you and your team is very interested in + relevant to today's society/generation + your major. all of us had very good topic proposals since each of us had to pitch at least one topic and we chose to do a study on telemedicine for chronic respiratory disease patients – very timely, interesting and relevant to our generation + our major ofc. we were very invested in this study :)

love reading, love your study and the process. this makes things SUPER easy. a little segwey but i did my junior internship under occupational therapy and loved the patients (majority were stroke patients) and one of them, when my intern asked what advice to give me since i want to become a doctor/hcp, he was a doctor and he told me to "isapuso" (take in heart/love) what i will be studying and doing and that's what i did with our thesis + my major. Makes everything easier ♡ oh and also since thesis needs loads of reading, the more you love your topic, the more you'll just automatically read on it regardless whether you're doing your related lit at the moment or not. i still read on telemedicine till now

have one in your team to be the one in charge of formatting and one for references. this seems very minor but it helps prevent unwanted headaches especially if there's a bunch of you in the group so the document won't be altered much as you work and would have a much more consistent formatting for both

ethics committee can be a pain in waiting both in uni and if ever you want to conduct your study based on a hospital. our uni ethics takes a week while hospitals take over 2 weeks to over a month to approve your request/s. best to also assign 2 people on ethics-related things since i think we filled out 5 documents the whole thesis period to submit to ethics. however, during the waiting process or even before submitting, make revisions and consult with your research adviser and/or other profs knowledgeable on your topic + our best decision was to consult the head of the uni research. though we had to revise our title + changes in the whole paper, as a result of consulting w profs n head, we were able to get the best result we could hope for !!

review your paper every now and then because there are technical and content-wise revision you won't notice at first and second time you proofread your paper. in addition, if working in a group, have your groupmates check on your work afterwards no matter how confident you are with it — this helps them study on your part/s and see corrections you weren't able to. double, triple, quadruple checking's not bad. It's very helpful.

this is ironic since thesis is a major task but: don't stress and don't put too much pressure on yourself. personally this was very helpful because it clears your mind, especially before defense and can help you think of the possible questions the panelists might ask and you yourself would be able to deliver your parts better + be the one to figure out the loopholes you missed (so idk but in our case before the panel pointed out our loophole, we were the ones who brought it up and already had a defense on it and stuff) and it makes the whole defense process shorter, smoother. just make sure to take notes on the loopholes, possible qs, panel qs and recommendations and not dwell on the anxiety (there will always be a percentage of it in u) you have in your body while they're asking stuff, hahaha

sleep early before defense days !!! i sleep latest 11 for these and go to dunkin near uni at 5 or 6am to study up for the defense, no matter if the defense is at 8 or 10. you can nap peacefully after + the morning auras can help calm your nerves

ran out of ideas but i believe you can do this !! thesis might sound intimidating and scary but i hope you don't let it get to you. you can have a stress-free thesis making period as long as you really like your study (as i mentioned), trust and have confidence both in you and your team, be very diligent to get rest and whenever you get time to. if you feel overwhelmed, step back and take a walk even just for 5 minutes, it makes a whole difference. I'm not sure what drives you – awards, grades, feeling of fulfillment... and I don't know what field your in but trust that your study can help make an impact no matter how you think it's "too simple" in comparison to those making apps (in my case, but no shade to the other contestants in the research competition, i was very proud of my fellow respi students regardless whether we're competitors or not that time).

To put emphasis for boost: you are great. you will do great on your thesis despite everything and convert pessimism to optimism !! its not naive, it can get you through anything if you broaden your outlook 🤍

[isabelwcna]

Ace Your CNA Certification with Convenient Online Testing: Tips & Resources

Ace Your ‌CNA Certification with Convenient Online Testing:⁣ Tips & resources

Embarking ​on your ‌journey to become a ⁣Certified Nursing Assistant (CNA) is ‍an exciting step toward a⁤ rewarding healthcare​ career. In teh digital ⁢age, online testing has revolutionized the way aspiring CNAs prepare for and ⁤take their certification exams. This⁢ extensive guide offers valuable tips, resources, and insights to help you ​excel in⁣ your CNA certification through convenient online ‍testing‍ platforms.

Introduction

Preparing ⁢for the CNA certification exam can be stressful,⁤ especially with traditional testing centers and rigid schedules. Fortunately,‌ online testing options⁣ have ⁤made it ⁤easier for students to access exam⁢ resources from⁤ the comfort of⁤ their homes⁤ or convenient⁤ locations. This flexibility⁣ not only enhances accessibility but ⁤also​ allows for a more ⁣personalized study and test-taking experience.With the‍ right approach, you​ can​ confidently ace your CNA exam and take a significant step toward a fulfilling healthcare profession.

Understanding the Benefits⁣ of​ Online CNA Testing

Before diving into tips and resources,⁤ itS essential to understand why​ online CNA testing is becoming a preferred⁣ choice‍ for many examinees.Here are some key⁢ benefits:

Flexibility in Scheduling: choose test times ‍that suit your personal routine and preparation pace.

Convenience & Accessibility: take ‌the exam from home ‌or any quiet, distraction-free surroundings.

reduced Travel & Costs: Save on transportation and associated expenses.

Immediate Results & Feedback: Get speedy insights into your performance and areas⁤ needing enhancement.

Enhanced Comfort​ & Confidence: ‌Test in a familiar ⁣environment​ can ⁣reduce anxiety, ⁣improving performance.

Essential Tips to ⁢Ace Your CNA Online Certification Exam

1.Prepare⁤ with Reliable Study Resources

Success begins‌ with solid⁢ preparation.⁤ Use reputable CNA study guides, online courses, practice exams, and flashcards tailored to the CNA certification standards. Some top resources‍ include:

NurseTogether – ‍Offers extensive practice tests and study tips.

All ⁤Nursing Schools – Provides comprehensive ⁤guides on CNA exam prep.

Official state ‍board of nursing websites for ⁤exam details and mental health resources.

2. Develop a Study Schedule

Creating a⁤ disciplined ⁢study plan helps organize⁤ your learning process.⁢ Dedicate specific days and times ‌to review content ⁢areas such as⁢ hygiene, infection control, patient safety, and basic nursing skills. Regular revision boosts retention and confidence.

3. Familiarize⁣ Yourself with Online ‍Testing Platforms

Before the exam,explore the testing platform to understand its⁤ layout and functionalities. Many online CNA exams simulate the real interface, ⁣helping ‍you‍ become comfortable⁤ with ‍the digital environment.

4.Practice ⁢Time Management

Online tests ⁤are frequently enough⁢ timed. During practice sessions,simulate exam conditions to hone your pacing‍ skills. This approach ensures you allocate adequate time for each section ⁣without feeling rushed on ⁤test day.

5. Set Up a Comfortable Testing Environment

A quiet, ‌well-lit space with reliable internet connectivity ‌is vital.Minimize interruptions and ensure your device⁤ is fully⁣ charged. Using⁣ a desktop or ‍laptop, rather than a mobile device, can enhance stability and ease of use.

6. ‍Follow Exam Rules & Instructions

Read​ all instructions⁢ carefully before starting the online exam. Some platforms require ‍webcam monitoring, a secure ‍environment, and ​valid ID verification. ⁢Preparing these in advance ensures a ​smooth⁢ testing experience.

Practical resources for online ‌CNA certification

Resource

Description

Access Link

Practice Tests

Simulate​ real exam conditions with timed practice tests for better readiness.

CNA Practice Tests

Online Courses

Interactive lessons covering essential CNA skills⁢ and concepts.

CNA Online Courses

Study‍ Guides

Comprehensive review materials for quick revision‍ and clarification of key topics.

Amazon CNA guides

Forums & Support

join⁢ community forums⁢ for motivation, sharing ⁢tips, and‌ solving doubts.

AllNurses CNA Forums

State Certification Boards

Official information on testing policies, ‍registration, and certification ⁢requirements.

NCSBN State Boards

Case Studies: Success Stories ‌from Online CNA test​ Takers

Many aspiring CNAs have successfully used online testing to achieve certification. Here ​are some inspiring examples:

Jane’s Journey: Studied part-time using online courses and passed‍ her exam within ​three ‍months, thanks to flexible scheduling and comprehensive prep.

Michael’s ⁤Experience: Utilized practice tests to simulate​ exam conditions, leading to increased confidence and​ a⁤ passing score‍ on his first try.

Sophia’s Success: Created a dedicated⁢ online study‍ group, which provided motivation⁤ and accountability, resulting in her certification milestone.

First-Hand Experience: What ‍it’s Like to Take an Online ‍CNA Test

taking an online CNA certification exam ⁢involves a mix of excitement and preparation. The process typically includes:

Registering through your ⁢state’s official nursing board or‍ approved testing platform.

Setting up your testing environment, ensuring⁣ a distraction-free zone⁢ with ⁣a computer⁤ and webcam.

Undertaking the ⁢exam with real-time monitoring to ensure exam security and ‍integrity.

Receiving immediate scores or results shortly after completing the exam.

Participants often report feeling more ⁤relaxed because of⁤ the‌ familiar environment, which can improve performance. Yet, it’s crucial to adhere strictly to all technical ⁤and procedural instructions to avoid disqualification.

Conclusion

Online testing ‍has ‌transformed the way aspiring ⁤CNAs⁤ approach certification, offering unparalleled flexibility and convenience. By leveraging reliable study resources, developing a ‍structured study plan,​ practicing with simulation tools, and creating a suitable testing environment, ‍you‍ can confidently⁢ conquer ⁤your CNA exam. Embrace the ‌digital age of certification and take advantage ‌of these innovative tools to propel your healthcare career forward. Remember, preparation⁤ and persistence are⁢ your⁢ best allies in achieving CNA certification through online testing.

Good luck⁢ on your journey to becoming a certified ⁢nursing assistant! With ⁢the right resources and mindset,you’ll be well on your way to‍ making a meaningful difference in⁣ patient lives and advancing your professional goals.

https://coursescna.com/ace-your-cna-certification-with-convenient-online-testing-tips-resources/

[worthyenchanterinquisitor]

Is the academy centrally located and easily accessible by transport?

Select. Select is the first big decision in your civil service career. Faculty, course content, and success ratio. These are indeed important. But there is one aspect that is usually overlooked. Location. A centrally located academy with good transport connectivity can significantly impact your study schedule,. punctuality, and. energy. levels.

In this blog, we’ll explore how location plays a crucial role and spotlight institutes like a top-rated IAS academy in Coimbatore that ticks all the boxes.

Why Location Matters in Choosing an Academy

Long commute times can lead to:

Fatigue and loss of study hours

Increased transportation expenses

Missed classes and reduced consistency

In contrast, a centrally located institute provides:

Convenient access from bus, train, or metro routes

Better time management

Enhanced attendance and performance

Is There an IAS Academy in Coimbatore Which Is Centrally Located?

Yes! Most of the best coaching centers in Coimbatore have been located strategically in areas such as Gandhipuram, RS Puram, and Peelamedu.

Let us take the case of Shankar IAS Academy – Coimbatore branch:

Situated in Gandhipuram, a major transportation hub

Approachable through several bus routes and autorickshaws

Near hostels, libraries, and restaurants

This renders it one of the top choices for students seeking a centrally located IAS academy in Coimbatore.

Facilities of a Well-Situated IAS Coaching Center

While determining the convenience of an academy's location, take into account:

Public Transport Access: Close to large bus stops or railway stations

Safety: Well-lit roads and secure environments

Amenities: Food courts, libraries, and study areas in Coimbatore nearby

Connectivity: Internet facility and power backup

They are among the top IAS coaching centers in Coimbatore.

These are essential for students who spend most of their day at or near the coaching institute.

Real-World Example: Commute Efficiency Saves Time

As per a student feedback survey conducted in 2023:

Students who took less than 20 minutes to commute had a 30% greater attendance

65% indicated that they could use saved time for revision or mock tests

A student from a well-known IAS academy in Coimbatore explained:

"Sitting near the academy was easier for me to keep track of my study routine and never miss a class. I didn't need to worry about late buses or traffic jams."

All of them provide proximity benefits while ensuring superior training standards, making them suitable choices for any student seeking an easily accessible IAS academy in Coimbatore.

Final Thoughts: Location Is More Than Just a Map Pin

With each hour counting towards your IAS journey, opting for an academy that is centrally located and transit-accessible is not just about saving time—it's about investing it wisely.

Whether you're a day scholar or relocating from another city, a well-placed IAS academy in Coimbatore can be the difference between average preparation and exceptional achievement.

Ready to move forward? Stop by several academies, review the commute time during rush hours, and select the one that serves both your academic and practical needs.

[emberphoenixisgoingtolive]

hihi !! do you think it's possible to go from 5s/6s to 7s (and maybe hopefully 8s and 9s) IN THREE DAYS OR LESS? i'm gonna list all my subjects and exam boards if that helps idk

english lit + lang (aqa)

maths (edexcel)

triple/separate sciences (edexcel)

history BR (edexcel)

music (ocr)

re MA (aqa)

i'm very stressed out and i'm scared of disappointing my parents so yeah :,D

HEEEEY

(omg my first ask?! i'm kinda honoured /pos)

okay, so. first, i'll send you the link to a post i did a while back on gcses and tips i have for all the subjects i'm doing

but i can also give you other tips! i'll offer up some general advice, and then go through each subject

first off... don't panic. take a deep breath. seriously, do it right now. in... out... in... out... you have the time. i promise you. step away from the laptop/phone and get some water. then lie on your bed for five minutes. seriously. it works for me EVERY time. that would probably be my biggest revision tip: take tiny naps in between everything. past paper. nap. practice questions. nap. flashcards. nap. more practice questions. nap. BUT make sure you set an alarm so you don't fall asleep for four hours of something xD

.

.

.

.

i'm gonna assume you're back from your five minute lie down, hope you feel a bit more rested! :) the important thing now is not being overwhelmed. take things one day at a time. idk your exact exam timetable, but if you don't have your own exam timetable readily available for you to look at, you need to do that. please. it will help so much with organising revision.

speaking of, make a timetable! doesn't have to be neat, just make sure you know when your exams are. i have mine on an excel spreadsheet, which helped so much with planning my revision. idk how to attach images (so sorry about that) but if you know your chemistry paper 1 is, lets say, the wednesday after the next, you can plan a few cycles of practice questions, reviewing, ammending (more on that below!)

another thing helpful is knowing your mark schemes and exactly how to get the marks for each question. obviously this is a better thing to learn earlier on so you can practice applying it.

there's a quote i heard somewhere (cant remember where i heard it) but it's this: "the best time to plant a tree was 20 years ago. the second best time is now." anything you do now will help your grades. it is 100% possible to go from 5-6 up to 7s. aim high and expect a bit lower than what you aim.

also, decide whether you're gonna be in school or at home for study leave. personally, i'm probably gonna be in school mostly, because i focus better that way. also, i can keep out of school time as somewhere to relax! also... your teachers will be right there to help you with stuff!! and it'll probably be a more relaxed atmosphere than regular lessons because there's probably gonna be fewer people in the classroom and no set expectation of work. honestly my teachers have been really chill around this time. they're not gonna make you do their subject in their classroom, they know you have other exams that could be a priority. if they're running revision sessions in those lessons i recommend you go.

remember: study leave will help your grades. you have more time than you think for a lot of exams!!!!

finally, for goodness's sake, PLEASE ask your teachers for help. most teachers are more than happy to help you and really want you to succeed. email them, talk to them in person, anything. but you're not alone. please ask for help.

now for the individual subjects!

(disclaimer: when i say quizlets, i am referring to any kind of digital or paper medium of flashcards. i have quizlet premium (#unsponsored) and it's been so helpful!! but if paper flashcards work better for you, that's okay!)

english lit + lang (aqa)

luckily i think we're on the same exam board, so that makes things easier :D

for lit paper 1, that's 2 essays, 30 marks each. 12 marks for ao1 (making a point), 12 marks for ao2 (analysis of language), 6 marks for ao3 (context points). for your ao3, quality over quantity!!! make sure you know at least a few things you can talk about in terms of context. there are 5-10 minute videos on youtube with context points you can learn pretty easily.

for ao2 (language analysis), you need to ask yourself one question: why has the writer done this? why have they used this word. i'll take an example i was revising earlier today.

"solitary as an oyster"

this describes scrooge at the beginning of the play, and there's a lot you can say about it. why would dickens compare scrooge to an oyster? well, oysters typically grow on hard surfaces, reflecting scrooge's rough upbringing. oysters are always lonely, and are inside a shell, giving scrooge's metaphorical shell he lives in a very real comparison. the imagery is also lonely - you as a reader can really imagine one lonely oyster in its solitary shell, and you start to feel a bit of sympathy for scrooge, in spite of his abrasive demeanour. another important thing in this, oysters can be cracked open! suggesting scrooge's isolation isn't permanent, which foreshadows how his emotional journey ends.

in terms of learning quotes, you don't have to memories entire paragraphs. search on quizlet, sparknotes, etc for quotes by theme and character. pick 2 for every theme and character. in paper 1 you have an extract, and you are expected to analyse 3 developed points in the extract before you move onto the play as a whole. here's my 30/30 essay plan:

Intro

Introduce the key themes, and the context behind the text

[in poetry, compare the two poems]

In paragraphs, dip in and out of the extract and the play as a whole to get evidence to support your thesis as appropriate.

Paragraph 1 - focus on the extract and a quote from the play as a whole

Paragraph 2 - focus on the extract and a quote from the play as a whole

Paragraph 3 - focus on the extract and a quote from the play as a whole

THEN

Paragraph 1 - focus on the play as a whole

Paragraph 2 - focus on the play as a whole

Paragraph 3 (optional; time dependent) - focus on the play as a whole

Conclusion

Summarise the points you made. DON’T ADD ANY NEW POINTS

For paragraphs 1-6

Make a point

Use a quotation

Expand on the language used - what does it make the reader feel, imagine or think? What connotations or implications does it give?

Provide in depth context

Why is this context relevant to the overall point?

OPTIONAL

Expand on more language used to reinforce the point you made

Add another context point

i know lit paper 2 less well in terms of mark scheme, but you get 30 marks as well plus four for good grammar, spelling and vocab. with learning quotes, you need to know more for paper 2 but don't start learning paper 2 quotes until you're done with paper 1. with poetry, make sure you read all the anthology poems, learn what each poem is about. i made a connections map, where i colour coded all the themes in my anthology (power and conflict) and connected the lines to poems where they talked about similar things. if you have time, this will help. but since you're a bit strapped for time,

in terms of language... i cannot be of much help. i get fairly consistent nines but only because i read pretty consistently throughout secondary, and i've been writing too. the section b questions where you have to write stuff, i usually score 35/40 or higher. and that's all thanks to writing cringey fanfic! my english teacher showed my class these super helpful videos online where two teachers went through the exam step by step, explaining what the examiners wanted from each question. i have the powerpoints of notes from those videos somewhere, i'll attach the links below

maths (edexcel)

we're not the same exam board, but i'm pretty good at maths - and what i can recommend are past papers! i'm gonna teach you a nifty little trick for helping bridge the gaps of what you're less good at. this method applies to the sciences too!

day 1 - practice paper

day 2 - mark practice paper (or ask someone else to do it for you). go through the mark scheme and highlight all the questions you got wrong

day 3 - i recommend flashcards but you can make any kind of notes, but it has to have all the information on the questions you went wrong. this part applies more to the sciences for information you just need to know. cognito's video lessons are SUPER useful in teaching the basic concepts but it isn't very in depth, you need the practice questions for the more detailed knowledge.

maths, however, do practice questions. say you got a question on circle theorems wrong? that's okay, don't stress it! just grab a cpg book/textbook/find online questions on circle theorems from your exam board, and do them. if you need to use google to help, use it. just for this one.

day 4 - another practice paper. rinse. repeat. this time, have those flashcards to help you.

day 5 - go over second practice paper

day 6 - second set of flashcards/practice questions

keep going. <3

triple/separate sciences (edexcel)

same cycle as the maths papers, honestly. i'm not great at science, so i'm not the best person to ask xD however i DO know that a lot of it is learning content. so what you might want to try (and this works well for humanities and content heavy subjects too) is find the specifications online and go through them and highlight what you know and dont know. i use green for know well, yellow for kinda shaky on, and red for no clue. from there, you can make a quizlet or other kinds of notes. diagrams are also super important, so make sure you practise labelling your diagrams! in terms of 6 markers, make sure you ask your teacher for advice on answering those. all sciences but chemistry especially, it's really important to practise questions.

also, if you're like me and you haven't finished learning the course for chemistry, cognito is a GREAT website for helping catch up!! actually i recommend cognito for sciences anyway.

music (ocr)

you see... i have no advice for this. even though i'm predicted 9 in music, i don't know how i did it tbh. it's the same with english language. i've been playing piano since i was 3, violin since i was 7, and i've been heavily immersed in music my whole life. it's like speaking a second language.

for the listening paper, make sure you know your language terminology. there's quizlets out there with some super helpful stuff, and you can easily blow through a set of flashcards in a 20 minute study session. for your set pieces you've studied, ask your music teacher for any specific revision materials. i have no clue what my exam board is but i know my listening exam is on june 16th, so you've got loads of time (also assuming the other components of coursework and practical are done).

history and RE i sadly cannot help you with since i don't do those subjects, but i do geography, and what's really helped me is consistent practice questions. every week in feb and march i was doing practice geography questions, and in april i was doing a few past papers. my geography teacher was very impressed, and she said i was one of the most organised gcse students she'd ever seen (which was so?!!!?! she's so sweet <333)

another good thing for humanities are quizlets. i have a whole document of geography quizlets i've been cycling through since march. but a few days of learning quizlets is better than no days!! i mostly use quizlets for case studies but you can use them for learning dates and stuff in history and re

finally... don't panic!! please. take deep breaths. have another lie down, but this time, choose a subject that worries you the most and do half an hour of revision on it tonight. it seems like your gcses are so so close, but you've got time and i have no doubt you have the skill and knowledge to do amazingly

i wish you the very very best of luck <3 i believe in you 110% i would love to know what results you get so send me another ask on results day and let me know how you do!! /gen

we can do this <3

[trueimpactsigns]

From Design to Installation: Custom Channel Letters in San Marcos Made Easy

Looking to make your San Marcos business stand out day and night? Custom channel letters are one of the most effective, eye-catching ways to elevate your brand presence. Whether you're opening a new storefront or refreshing your signage, channel letters offer a professional, high-impact solution—and the process is easier than you think.

What Are Channel Letters?

Channel letters are 3D signs typically made from aluminum and acrylic that are individually cut and illuminated from within. These letters are often mounted directly on the building’s façade or on a raceway and lit with LEDs for maximum visibility. They are fully customizable to reflect your brand's personality—from font style and size to colors and lighting effects.

Step-by-Step: How the Process Works

1. Initial Consultation

It all starts with a conversation. Our team meets with you to understand your business goals, location, and branding. We review your building’s architecture and discuss any permitting requirements specific to San Marcos.

2. Custom Design & Mockups

Next, our designers get to work creating mockups that capture your brand identity. You’ll get a preview of how the letters will look in both daylight and when illuminated at night. We offer unlimited revisions to ensure your complete satisfaction.

3. Permitting Made Simple

San Marcos has specific sign codes and regulations, but don’t worry—we handle all the paperwork for you. We’ll submit drawings and applications to the city and work directly with building officials to get your signage approved quickly and efficiently.

4. Fabrication with Quality Materials

Once approved, we fabricate your channel letters using durable materials like powder-coated aluminum, weather-resistant acrylic, and energy-efficient LED lighting. Our in-house production ensures top-tier craftsmanship and fast turnaround times.

5. Professional Installation

Our licensed installers arrive on-site with everything needed to securely mount your channel letters. Whether you choose flush mount or raceway installation, we ensure a clean, professional look and a perfect fit.

6. Aftercare & Support

Even after installation, we’re here for you. We offer maintenance services, LED replacements, and even rebranding updates if your signage ever needs a refresh.

Why San Marcos Businesses Choose Us

Local expertise in city regulations and design preferences

Quick turnaround from concept to installation

Custom designs tailored to your brand and building

Long-lasting materials and energy-efficient lighting

Ongoing support and responsive customer service

Ready to Make Your Brand Shine?

Your storefront is your first impression—make it count with custom channel letters designed, built, and installed with care in San Marcos. Whether you're on the bustling downtown strip or in a suburban shopping plaza, we’ll help you turn heads and attract more foot traffic.

Contact us today for a free design consultation and take the first step toward bold, beautiful signage that sets your business apart.

[besttution1]

Tips for Online SuccesfulTuitions

1. Choose the Right Tutor Select a qualified, experienced tutor who matches your learning goals and subject needs. Platforms like BestTution.com verify tutors for quality and credibility.

2. Set Up a Dedicated Learning Space Create a quiet, well-lit, and clutter-free space to minimize distractions and maintain focus during lessons.

3. Ensure Stable Internet & Equipment Use a reliable internet connection, headphones, and updated software to avoid technical issues during classes.

4. Stick to a Schedule Consistency is key. Plan regular sessions and stick to a learning routine that balances study with rest.

5. Communicate Clearly Ask questions, share difficulties, and give feedback. Good communication between student and tutor enhances learning outcomes.

6. Set Learning Goals Break larger goals into weekly or monthly targets. Tracking progress motivates students and gives structure to the learning path.

7. Take Notes & Practice Regularly Write down key points during the session and practice between classes to reinforce concepts and improve retention.

8. Use Interactive Tools Engage with quizzes, educational games, or shared whiteboards that tutors may use to make learning more effective and enjoyable.

9. Minimize Distractions Turn off notifications, avoid multitasking, and let others know when a class is in session to maintain full concentration.

10. Review & Revise Spend time reviewing recorded sessions or notes. Regular revision helps retain knowledge and identify gaps.

Final Thought: Online tuitions offer unmatched flexibility and access to quality learning. With the right approach and mindset, students can achieve excellent academic and personal growth through platforms like BestTution.com.

[myhappyworldshop]

Custom Pet Portraits From Photos: What to Expect and How to Prepare

For many pet owners, our furry companions are more than just animals—they’re family. They offer unconditional love, comfort during tough times, and joy in every moment. So, it’s no surprise that many people choose to commemorate their pets through personalized artwork. Ordering Pet Portraits From Photos has become a popular and heartfelt way to celebrate these relationships, turning cherished images into timeless works of art.

Whether you're thinking of gifting a portrait or hanging one proudly in your home, understanding the process and preparing properly can help ensure a smooth and satisfying experience.

Choosing the Perfect Photo

The most critical step in commissioning a pet portrait is selecting the right photo. A good reference image is the foundation for great artwork. Choose a photo that is:

High-resolution: Clear details allow the artist to capture your pet’s unique features.

Well-lit: Natural light works best, reducing harsh shadows and revealing fur color and texture.

Focused on the face: The eyes often carry the most emotion, so sharp focus on them is essential.

Emotionally resonant: Pick a photo that captures your pet’s personality—whether it’s playful, regal, or calm.

If you have multiple pets or want to include other elements (like toys, collars, or backdrops), communicate that clearly with the artist. Some may offer to combine photos into one composition if a single image doesn’t capture everything you want.

Picking a Style and Format

Once you’ve selected your image, you’ll need to decide what artistic style best suits your preferences. Common options include:

Realistic – Detailed and lifelike, perfect for capturing exact likenesses.

Watercolor – Soft, expressive, and whimsical.

Digital painting – Clean and versatile, great for modern interiors.

Charcoal or pencil sketch – Minimalist and classic.

You’ll also want to choose the format—digital file, physical painting, or framed print. Think about where you plan to display the portrait and how it will complement your space.

Finding the Right Artist

There are countless talented pet portrait artists online, and choosing the right one can make all the difference. Start by browsing platforms like Etsy, Instagram, or artist websites. Look for:

Portfolio examples that reflect your desired style

Customer reviews highlighting satisfaction and service

Clear pricing and turnaround times

Customization options, such as background edits or added text

Good communication is essential. Don’t hesitate to ask questions or request past client samples before placing your order.

Communicating Your Vision

Once you've selected an artist, you’ll be prompted to submit your photo and any additional notes. Be specific about:

Any desired background or color theme

Whether you’d like your pet’s name included

Important features to emphasize or exclude

Deadlines, especially if it’s for a gift

Most artists will confirm the details and provide a preview or draft before finalizing. Review it carefully and request revisions if needed—this step helps ensure the final piece meets your expectations.

Receiving and Displaying Your Portrait

Depending on your choice, your portrait will either be delivered as a digital file for printing or shipped to your address. Be sure to follow any care instructions provided—especially for watercolor or other delicate media.

When framing, opt for UV-protective glass if you plan to hang it in a well-lit area. Choose a frame that complements the art style and the room where it’ll be displayed.

Ordering Pet Portraits From Photos is a thoughtful and rewarding experience that transforms your favorite memories into lasting art. With a little preparation—selecting the right image, choosing your style, and communicating with the artist—you can ensure your custom piece reflects the spirit and personality of your beloved companion. Whether it becomes a focal point in your home or a heartfelt gift, a personalized pet portrait is a beautiful tribute that honors the unconditional love only pets can give.

[autoreel]

Step-by-Step: What to Expect When Working with a Real Estate Videography Service

Hiring professional real estate videography services can elevate your property listings, attract serious buyers, and shorten time on the market. But if you’ve never collaborated with a videographer before, the process might feel overwhelming. From initial planning to final edits, here’s a detailed guide to help you navigate every stage—and discover how modern solutions like AI-powered platforms are reshaping the industry.

Why Real Estate Videography Services Matter in 2024

In today’s competitive market, 85% of buyers prioritize listings with video tours. Professional videography captures a property’s essence through cinematic angles, drone footage, and polished editing. However, traditional services often involve complex logistics, high costs, and weeks of waiting. This is why many agents are now blending classic videography with AI-driven tools to streamline workflows without sacrificing quality.

Step 1: Research and Shortlist Providers

Start by identifying videography services that align with your needs. Look for:

Portfolios: Do their past projects match your desired style (e.g., drone footage, 360° tours, or narrative-driven videos)?

Pricing: Compare packages—some charge per video, while others offer bulk discounts.

Turnaround Time: Ensure their schedule fits your listing deadlines.

Pro Tip: Many agents now use hybrid approaches, pairing traditional videographers with AI platforms for faster edits or supplemental content.

Step 2: Initial Consultation and Planning

Once you’ve chosen a provider, schedule a consultation to discuss:

Property Highlights: Share key selling points (e.g., a renovated kitchen, waterfront views).

Storyboarding: Plan shot sequences, drone routes, and transitions.

Branding: Provide logos, color schemes, or music preferences for a cohesive look.

“We’ve worked with agents who use AI tools to pre-plan shots,” says a videography expert at AutoReel. “It helps them communicate their vision clearly, saving hours on set.”

Step 3: Pre-Shoot Preparation

For Traditional Videography Services

Staging: Ensure the property is clean, decluttered, and well-lit.

Access: Coordinate access to restricted areas (e.g., rooftops for drone shots).

Permits: In states like California or Florida, drone operators may need FAA licenses.

For AI-Assisted Workflows

Some agents upload pre-shot photos to AI platforms to generate supplemental videos, such as social media teasers or virtual staging previews.

Step 4: The Shoot Day

A professional videographer will:

Capture interior and exterior footage using 4K cameras, gimbals, and drones.

Shoot golden hour scenes for warm, inviting lighting.

Record ambient sounds (e.g., ocean waves, crackling fireplaces).

Expect the process to take 2–6 hours, depending on property size.

Step 5: Post-Production Editing

This is where the magic happens. Editors will:

Trim and sequence clips for a natural flow.

Add music, voiceovers, and text overlays.

Enhance colors and correct lighting.

Traditional editing can take 3–7 days. However, agents using AI video generators report edits in under an hour—ideal for last-minute tweaks or urgent listings.

Step 6: Review and Revisions

Most real estate videography services include 1–2 rounds of revisions. Provide feedback on:

Pacing (too fast/slow).

Missing features (e.g., a backyard pool wasn’t highlighted).

Branding consistency.

Pro Tip: AI platforms allow unlimited revisions at no extra cost, letting agents experiment with different styles.

Step 7: Delivery and Distribution

Once finalized, you’ll receive video files in formats optimized for:

MLS listings (keep under 2–3 minutes).

Social media (15–60-second teasers).

Email campaigns (embedded videos with CTAs).

The Future of Real Estate Videography

While traditional real estate videography services remain vital for luxury markets, AI is democratizing access for all agents. Tools like automatic editing, virtual staging, and drone simulations empower agents to:

Experiment with creative concepts risk-free.

Repurpose content across platforms.

Stay competitive in fast-moving markets.

Final Thoughts

Working with professional videography services can transform how buyers perceive your listings—but it’s crucial to choose a partner (or tool) that aligns with your goals, budget, and timeline. Whether you opt for a full-service videographer, an AI platform, or a mix of both, clarity and preparation are key. As technology evolves, the line between traditional and modern methods will blur, giving agents more flexibility than ever to showcase properties in their best light.