#and then feel sort of like something is missing from my life

[hannahssimblr]

“Jude! God, c’mere.” Michelle thrusts me into the centre of the group, where someone has propped a card against a vase on the counter. I ensure to arrange my features carefully into some sort of surprised expression. 

“Oh, what? This for me?”

“Yes,” they cry. It’s a handmade card that says ‘you’re dead to us’ on the front. “Aw, Jesus, thanks!” I say, and they laugh and watch me while I open it and start reading some messages scrawled on the inside. There are so many of them, many even squeezed into the tiniest corners, or sideways along the edge.

‘Good luck on your big adventure!’ some say. Others share a memory, wish me luck, express jealousy at my escape. I close it. 

“I’ll read this late when you’re not all gawking at me,” I tell them, which gets a good laugh despite the lack of comedy, and as I look around at their faces, their sad, sentimental smiles and I wish the night was over already, and I was already gone. I feel exposed, like a man under a spotlight without something to say. Would they like me to entertain them? To read their messages and get emotional in the middle of my kitchen?

I catch Jen’s eye. She’s behind the others, by the patio door, dressed in a very funereal black, and an expression to match. While chatter resumes around me, I jerk my head towards the garden, and without words, she understands. She slips through the door and out into the night. 

Jen and I wordlessly follow the path that winds down from the house to the pergola at the back of the garden. We sit on a bamboo settee shielded by trees from the road, where the occasional car passes. The breeze lifts pieces of her hair that frame her face. 

She is staring towards the kitchen, its yellow light pouring out into the garden when she breaks the silence. 

“What a weird party.” 

I exhale a laugh through my nose. “Honestly, I didn’t know if you’d even come.”

She purses her lips. “I’m not totally sure why I did.”

“Maybe you had something you wanted to say.”

“Maybe. Though I wasn’t sure you’d want to hear it.” She looks at me then, her brown eyes dark in the failing light as they study mine. “It surprised me to see Evie here.”

“Me too. I didn’t think she’d come.”

“On her own, too.”

I shrug. “Shane and Claire were busy. They were going to their debs.”

“Ah, the debs.” She picks lint from her black mesh top and laughs humourlessly. “Bet you’re sorry you’ll miss ours. I know how excited you were to suit up for it.”

Even the concept of wearing a suit makes me uncomfortable, as though an invisible tie is pulled too tightly at my throat. “You’re going, I presume.”

“Yeah, with Michelle. The two of us are kind of like the dateless losers in the year. Feels about right to end it all this way.”

“I didn’t think Michelle would be interested in all that stupid stuff, if I’m honest.”

“I think that’s what you assumed. If you’d asked her, she might have told you something different.”

“Hm,” I say. “More evidence of being a kind of shit boyfriend, isn’t it?”

An infinitesimal smile nudges at her lips. “I always said you were better apart. She really brought out the worst in you.”

“It felt that way, to be honest. When I was with her, I really didn’t like myself, or I wasn’t completely myself around her.”

“Well, then. Hopefully, one day you’ll find someone who lets you be yourself. It’s what everyone wants for themselves.”

I nod. “Yeah, that’s true.”

“I kind of thought you’d found that with Evie.”

I sigh, suddenly irritated, while she draws into herself, hands tucked under her arms. “Sorry,” she says. “I don’t know the right thing to say about her.”

“I kind of wish you wouldn’t say anything to me about her, because, like…”

“It isn’t my business, and all that,” she finishes, and with a nod, she turns her face toward the bushes flanking the garden with their spiky black leaves silhouetted against the deep blue sky.

My voice trembles. “Jen, I don’t want to be angry with you right now, like, I don’t want to go off and start this new part of my life when I feel this way, but the things you said to Evie at the festival, I just… It’s like, no matter how much I think it over, I can’t come up with a reason you would say those things to her.”

She tugs the sleeve of her top between her teeth, just shaking her head. I lift my hands from my lap to look at them. They are quivering, so I clench them into fists as I continue.

“You should have been there on that second night, Jen, and seen the way she was crying. The things you said got into her head, you know what I mean? You can’t just make shit up and tell it to someone like it’s a fact. I know you love to gossip and tell stories, but this is what happens when you go too far. It has real consequences. Like, a real impact on people.”

“Yeah.”

“You told her I was staying.”

Again, she agrees, eyes still fixed on the garden. 

“Jen.”

She swallows, hard. 

“How come you said that? It’s not like I ever told you I was going to do that, is it?”

She mumbles something incoherent. 

“What? Come on, just talk to me.”

“I assumed you would.”

“You assumed? Why would you assume?”

I realise that speaking is difficult for her, as she is holding back her tears. I should feel more sympathetic towards her, but I’m righteous. With a steadiness I know is shrinking her, I stare into her face.

“Maybe it was both that I assumed and I hoped. Like, a mixture of the two.”

“Go on.”

“You seemed happy this summer, at certain moments. It was just… like,” a laboured swallow, “you’d come home late after being with her, and you were just… Happy, and talking all about her and going on and on about the funny things she said to you.”

“So?”

“So, like, I thought you’d end up going out with her in the end, and that you felt so strongly about her that you’d stay in Dublin to be with her. I don’t know, it didn’t seem that crazy an idea. You were acting like you were in love or something.” Now, she looks at me, her eyes hurt, but still searching for confirmation. Perhaps, if she were especially astute, she might have seen somewhere on my face the flash of emotion that jolted through me. I convince myself she hasn’t seen a thing and clench my jaw. 

“I think that was a fairly stupid assumption to make.”

“I don’t. You’ve always done things because pretty girls wanted you to. It’s like your life is based around chasing whatever feeling it is that you get when one of them likes you.”

“That’s not true.”

“It is.”

“It’s not,” I insist. “Look at me now, huh? I’m leaving her for Germany.”

“Fine,” she whispers. “I just thought you’d stay. That’s all.”

“I won’t.”

“I know that.”

“I’m leaving.”

“Yeah, I get it.”

“Do you?”

She exhales, frustrated, and throws her hands upon her lap. “Yes, I know it. Look at me, here, at your going away party. It’d be pretty fucking mental if I didn’t know it, wouldn’t I?”

“Yeah, but it’s not like you’ve acknowledged it.”

“You haven’t talked to me in two weeks.”

“Before that, Jen.”

She fixes the full, passionate force of her stare at me as tears fill her eyes. “Because I don’t want you to go, do I? Because I thought if I didn’t look at it, then it’d all just go away.”

I feel a surge of emotion. My throat tightens as though clenched by a fist. “Well… It doesn’t.”

“Yeah,” as the first tears spill onto her cheeks, she wipes them away with the heel of her hand. “I just didn’t want things to end. I thought if you stayed for her, then I wouldn’t have to lose you, and nothing would change.”

“They have to, though. That’s how life goes. Everything changes and everything ends, and we all just get older and things move on.”

She whimpers. “But you’re moving on without me.”

I reach out and stroke her knee with my thumb over the loose threads of the hole in her jeans. “Yeah, I suppose I am.”

“I just don’t know what I’ll do.”

“You’ll just live your life, and I’ll live mine, and-”

“We’ll be apart. How can I go without seeing you all the time? You’ve always just been there, and now I’ll have to get used to you being so far away, and never seeing you, and you’re, like, one of the few friends I even have, and you-”

“No, come on. You’ll make new friends in college.”

“I don’t want new friends. I don’t want to meet new people and have to explain these little things about me, and my backstory and what I like to watch on TV and order at the takeaway, and what sorts of jokes make me laugh. You already know it all, and you’ll know them better than anyone else ever will, because you were there when I decided I liked them.”

“Jenny, we’ll still talk, and we’ll visit each other-”

“There’s no point pretending it’ll be the same, because it won’t. You’re going to say you’ll stay in touch with me and we’ll be best friends forever, but that won’t happen. You’ll find people who are better, and just forget.”

“Never.”

Beginning // Prev // Next

[sitp-recs]

i bet you've seen this one plenty of times before, but:

can you rec some drarry fics where jealousy is an important motif? it can be infidelity if they're an established couple, or just getting with someone else while the two of them are dancing around one another. would be great to see recs both where harry is jealous and where draco is jealous. i prefer a happy ending, but i'll be grateful either way.

since i'm here let me also say i admire what you do, your incredible ability to recall and sort through so many stories. this fandom is lucky to have you! <3

Hello friend! Thank you for the kind words, I really appreciate it ❤️ here are some fics centered on jealousy. I did a few other lists for this trope over the years, you can find them here, here and here.

Jealous Harry:

Hourglass Heart by @bixgirl1 (E, 5k)

It only happened once — depending on how Harry counted.

Utterly Yours by @lazywonderlvnd (E, 6.5k)

Draco gets back at Harry for his late nights as an Auror by flirting with the new Arithmancy professor. Harry's not usually the jealous type, but he has his moments.

on the divine agony of longing by @flimsi (E, 25k)

Speaking to Draco is like poking a beehive - and Harry is a glutton for punishment. In which Harry makes some serious blunders and then tries to fix it. Somehow.

Around You Moves by ignatiustrout (E, 29k)

Harry knew Draco was gay when he invited him to move in. He’s never had a problem with this. So why does he feel so weird about Draco bringing men home all of a sudden?

Two to Lie and One to Listen by @fluxweeed (E, 84k)

It’s weird when Hermione announces that she and Ron have broken up. It’s weirder when this is followed by the revelation that she’s already moved on—and the new object of her affections is Draco Malfoy.

Grounds for Divorce by Tepre (E, 122k)

Malfoy finds a coin. Harry finds a letter.

Jealous Draco:

Packing the Flat by marguerite_26 (E, 6k)

Months after their explosive break-up, Draco insists Harry return to their flat to remove his belongings.

Don't Stop It Before It Begins by mischieviolet (E, 19k)

“I don’t understand how this is of any concern to you, Malfoy,” Harry said, crossing his arms over his chest. Draco blinked at the use of his last name, something that Harry only used with him in jest these days. “I’m merely spending time with my Auror partner, who is from another country, and has no one here. I would do the same if it were you.” “It’s not me though, is it?” Draco all but shouted, unable to stop himself.

The Partner, The Rival and The Very Big Case by oceaxe (E, 24k)

When Harry and Nott are paired up to go undercover as fake boyfriends, Draco is disappointed not to get the assignment. It's just professional jealousy that's making him feel so upset. Obviously. He's engaged to be married to Astoria, after all.

(The Piece) I was Missing All Along by lauren3210 (E, 30k)

Draco and Harry have been flatmates and best friends for years, and Draco thinks life is just perfect that way. But when something comes along and threatens to take all that away, Draco has to decide what it is he really wants, and just how hard he's going to work to get it.

Make Me a Headline (I Want to Be That Bold) by @dictacontrion (E, 31k)

Draco never expected to see Harry doing that again. Especially with someone else, in a grainy photograph that's landed on his desk one Monday morning.

Nights With You by @the-sinking-ship (E, 58k)

Draco is mortified when moments prior to departing for the most anticipated destination wedding of the year, he is cruelly dumped. But when he learns that Harry Potter has, at long last, split with his horrible boyfriend, Draco is certain his luck has changed.

[fras-redacted-shapes]

Early drafts/unused content in other languages

redditor AloysHellsalem posted about certain text strings that exist in localized files but are missing from English ones. So I took a look at the Spanish string table and tried translating them - these are machine translations, so they are bad and also funny (sometimes).

All of these seem to be some sort of very, very early draft given the number at the end of the speaker's name and because they don't even have corresponding text-to-speech files unlike files from demos/proof of concept.

More of a fun thing than anything else.

Most of them are from Saga's side of the story.

AMBIENT DIALOGUE - RETURN 2

CASEY_4585: I found more of those knit ornaments near [Witch’s] Ladle. The cult has been around here. SAGA_4586: Do you think they’re the ones behind all this? Dead people coming back to life certainly sounds like cult material. CASEY_4587: It feels like they’re connected. We need more evidence. CASEY_4588: Do you really think a ritual will do something? SAGA_4589: My rational brain says no, but maybe it’s time I leave it on the backseat. CASEY_4590: I’ve certainly had cases that made sanity look like a sick joke. SAGA_4591: I can’t believe you knew what Ikea was. CASEY_4592: What? A guy like me can’t have affordable furniture?

Original text:

PROFILING CASEY - RETURN 6

SAGA_4984: What’s happening to Casey? CASEY_4985: I can’t turn into one of them. I won’t. Fuck it. I’ll go to hell before I turn into one of those soulless demons. CASEY_4986: Well, I guess that’s literally what they are: demons.

That last sentence may be a weird translation on my part. I'm not sure how to make it make sense.

Original text:

Leaving the full string here, Saga profiling Casey about him feeling like a fictional character?:

MP_RE06_CASEY_FICTIONAL_SAGA_4987: being a fictional character. MP_RE06_CASEY_FICTIONAL_CASEY_4988: Was I even who I thought I was, or just an average detective torn from the pages of a bunch of mediocre crime novels? Did I exist in printing ink like I did in real life?, and vice versa? The thought always bothered me. The jokes. The similarities. The constant feeling that no amount of coffee could drown.

Original text:

There're lines that look like bullet points or just rough ideas, like the last one here:

SAGA_6910: What’s happening to Casey? CASEY_6911: Casey is turning into a taken, blame Alan Wake for it WAKE_SAGA_6912: Wake WAKE_CASEY_6913: Casey never liked Wake, even before all this. References to cult case in New York

Original text:

PROFILING ESTEVEZ RETURN 6

This looks like a very early draft of Kiran having a girl crush deputizing Saga into the FBC.

SAGA_4989: The FBC. ESTEVEZ_4990: Saga Anderson, she’d be a great FBC agent. She clearly has what it takes: wit, guts and drive. And she’s not backing down from a paranatural fight. I can appreciate that. ESTEVEZ_4991: I should give her the recruitment (draft?) pitch. She’d be a great asset. SAGA_4992: I guess I should be flattered.

Original text:

SAGA_4993: What’s this “AWE”? ESTEVEZ_4994: What reactivated the AWE in Bright Falls? Does the threshold below the lake work in cycles or does it have a trigger? ESTEVEZ_4995: Whatever it is, it seemed more powerful than ever. SAGA_4996: The “threshold” in Cauldron Lake. That’s where I have to go.

Original text:

The following one is nearly incomprehensible

SAGA_6914: Parautilitarians ESTEVEZ_6915: Estevez relives a trauma, says the area of parautilitarians susceptible to supernatural forces (???)

SAGA_6916: doesn’t wake up ESTEVEZ_6917: They told Estevez the Dark Presence can steal forms, making it difficult to know who to trust SAGA_6918: Dark Place ESTEVEZ_6919: Estevez doesn’t know much, other than those who go there generally don’t come back.

PROFILING TOR AND ODIN - RETURN 5

Lots of fun tidbits

SAGA_3003: Where is Tor? TOR_3004:... Polaris ... in a web of hypocrisy. ODIN_3005: Take ... Control. duh duh duhuhuh. Take ... Control ... TOR_3006: Take ... Control. duh duh duhuhuh. Take ... Control …

SAGA_3012: The girl in the painting. ODIN_3013: I won’t remove it. That’s our family. Your (his?) daughter. TOR_3014: She left us! She took Saga and fucked off! So take that damn thing! I don’t wanna see her face!

MP_RE05_TOR_MOTHER_SAGA_3069: My mother. TOR_3070: But I wasn’t made to be a dad. I’m a god of rock! I can take the sky, rock stadiums but can’t change a diaper! TOR_3071: My life is a fucking storm. Freya deserved better. TOR_3072: It broke my heart, but I was proud of her for leaving. She could take care of herself. And her little girl. Saga will be a fucking star. I saw it the day she was born.

SAGA_3074: My dad. TOR_3075: …If she goes with you, she can never come back! It’s a one way trip for her. And I’m not letting a punk take me (?)! UNKNOWN_3076: (STATIC) TOR_3077: Freya isn’t ready for a nursing home. We kept it hidden for a reason! If you try this, I’ll hit you so hard with my hammer there won’t be any door left to open!

PROFILING TOR AND ODIN - RETURN 9

Now, these are super interesting :)

SAGA_5287: Mr. Door. TOR_5288: Freya couldn’t trust that bastard! He wouldn’t have stayed anyways! It’s not in his nature! We had to go! ROSE_5289: Tor, you’re scaring the other residents. I need you to put down that hammer. TOR_5290: A father needs to protect his kids, dammit! The door is a fucking spider and I’ll be damned if I was going to let my little girl get caught on its fucking web.

MP_RE09_ODIN_01_DOOR_SAGA_5293: Mr Door. ODIN_5294: I just can’t let you play with her heart. It’s nothing personal. DOOR_5295: Do you realize Freya will never forgive either of you for this? ODIN_5296: You’re not wrong, but… neither is my brother. Today you’re here, you’re Martin’s door, but eventually you’ll leave it behind and she won’t know why. Better she hate us than she hates herself. DOOR_5297: Then let’s see what you and your drunk brother can do.

Weird translation that last one.

The text for "I can't let you play with her heart" can be translated more literally to "I simply can't make you play with her heart." Which doesn't make sense, at least not without more context.

The line about Martin was probably meant to say "You're Martin Door".

There're a few other tidbits but none as interesting (in my opinion) as these ones.

[chronicsyd]

Actually, I’ve got a few redactions + Add on's about the long ass post on the S2 trailer I made a couple weeks ago.

So while I still think Vi painted the gauntlets black to disguise herself, I’m thinking the fight with Warwick damages them again because when Vi’s with Ekko here, they are different than how they first appeared. So Ekko and Heimerdinger could repair them before fighting Ambessa, also it would partially explain why he's here fighting with her at all (so to the anon that asked, yes i do agree that Ekko/Heimerdinger probably fixed them)

I’ve been seeing posts about Jinx kinda sorta “adopting” a kid in the new season (you can kinda see them in that clip with Smeech attacking Sevika) and there’s the scene with Undercity people surrounding Jinx having blue hair so my thoughts are now leaning more towards that this is that child in question than something having to do with Jinx or Powder herself. it would also explain Sevika's new look and such.

I'm SUCH an idiot but the gem imbedded in Viktor's wrist is most likely for the arm they showed back in S1, much like how they showed the gauntlets that Vi would eventually be using. I just didn't give the arm a second thought until now despite knowing The Machine Herald already had the third arm (insert face palm here...)

Back to the lines from Vi and Caitlyn from the announcement teaser 3 years ago, it's clear that they're talking about the temple fight that happens later on. Caitlyn has to see this through but she doesn't want to do it alone because she knows that she or Jinx is going to end up dead as a result; but Vi feels she needs to fight Jinx herself because we're probably going to see a bunch of stuff happen before the fight (like the Kiramman tent fight for example) because Vi says "no one else needs to get hurt", but at first I just thought that Vi was talking about Jinx's attack on the Council.

I'm still unsure who's in the orange that Ambessa's talking to because no ones signature color in Arcane has been orange as far as i know (it's been mainly reds, blues, whites, and golds) so I'm thinking that it's a hospital outfit of some sort (I could be wrong, but that's where my thoughts are towards) and she's talking to someone in Piltover that Can implement Martial Law and there's really only 3 examples that could do that: Caitlyn, Jayce, or Mel (if Mel happens to be alive of course. and I'm pretty sure the other Councilor's are about as dead as dogshit, or should be because besides Cassandra did you Really give a fuck about the rest of them?).

someone else pointed this out and I for the Life of me can't find their account but the lines on the floor point to this being Stillwater Hold, so at some point that's where Jinx's base of operations is, or she's just breaking them out but at least in this scene i don't think so.

I'm changing my stance on this, this is happening right before Act 3 (or more specifically, before we see her in the Ambessa fight). mainly because while the lighting is damn near impossible to make out, i think her hair is cut in this scene, she's also missing the ropes on her top. Mainly because when we see her with the finger prosthetic she still has her braids and that's Definitely happening post Act 1. so she's crying about something different from Silco here and I'm having a dreading idea on what it is...

I don't think Vi is carrying Cait on her shoulders, mainly because with the lighting the vest looks brown but when we see Caitlyn her vest is very clearly black. So not exactly sure who it is, I'm kinda thinking it's the blue fish guy (is Arcane gonna give us the names of Caitlyn's comrades yet?!) and the explosion we see with him isn't the same one that knocked Vi down. but that's just hypothetical, the only thing I'm Sure about is that Vi isn't carrying Caitlyn at least.

I have NO idea Why and I have NO credible sources on this but for some reason my brain keeps telling Sevika's dying. No i don't know the how or the when but it'd just be another tally of grief for Jinx (because we're probably going to see them get close despite their animosity back in S1) (and let's be real anyone that takes on even a Slight "parenting" role to Vi or Jinx is getting the axe, i don't make the rules)

So far the only thing I'm having trouble placing is uhhh everyone that Isn't Vi, Jinx or Caitlyn. because they've been Massively marketing the three of them but when it comes to people like Viktor and Jayce not a fucking clue. We got that clip of Ekko and Heimerdinger sneaking into Piltover where they probably do some sorta hextech experimenting but that's really the limit of my knowledge. I know the people I was confused about have to do with Viktor and the Glorious Evolution thing but other than that, I've really only got solid thoughts on our three ladies for the season.

Also it seems like tomorrow they're probably going to be showing us what they showed at the Annecy festival for pit fighter Vi back in June so... can't wait for that!

and that's what i got for now...

[soshadysoquiet]

The Subway book, The Hug, and what I thought would happen as I watched S4

I wanted to know the story of the subway cipher-book, one of the bits I'd have loved to see in S4 was them solving or working to solve the subway.

I thought when they found the cipher / Five brought it to Strawberry Land that it would play an even bigger part than just a deus ex machina

Here's a few different things I thought was going to happen once E5/E6 hit us:

*Going to insert my unpopular opinion here that I don't feel it was majorly off-brand for Five to have left when he did at Diego & Lila's house or all the other Five's to be in the diner:

He's resorted to escaping awkward and emotional situations in the past at the drop of a hat because he thinks he can solve the situation / just doesn't want to be there anymore. (he implies in S1 that he was going to use a briefcase to 'start over' ergo abandoning 'these' siblings potentially for a different set?)

He's always looking for ways to buy himself time, in the subway he theoretically has endless time to sort shit out. (He's typically made bad, seat-of-the-pants decisions about this too when backed into a corner - The Handler, typically)

*Granted, I only watched S4 the once and can't remember if there's more to it. Happy to be disagreed with if I've forgotten something!

*Second unpopular opinion is that I don't really care about the cheating after the length of time it had been as much as how it didn't feel like that length of time / build up of the relationship looked Very much like they were both into 'not-sane-consent' ish territory / the relationship being in-character itself wasn't conveyed well enough personally.

**Edit - as I'm having another resurgence of rage over S4 atm I was watching a review vid on it and had completely forgotten that Five blipped out on his whole fam in the middle of the life and death Ben Blob match. I rescind my above opinion on how this is in character.

So, without more rambling:

First Thought:

Five x Lila happens as it did but when they get back and Five sees Lila with Diego and her family he realises that what they had was a distraction / a crutch etc and he leaves. He goes to the subway (Lila has the cipher). He realises that in order for them to ever get back home, which he ultimately wants because he cares for his family and what he had with Lila, that someone needs to make the cipher. So he stays and makes it. He stays in Strawberry Land for the rest of his life and dies there alone, creating the way that his family can be safe.

Lila realises he's missing and before the whole thing comes out to Diego (or after, whichever you prefer) she goes to find him in the subway, she sees he's gone, looks in the cipher for an answer as to where he could be / to go find him (she might be choosing to stay with her family and Diego over him, but they shared precious trauma time in the trenches down there) In the back of the book there's a note, for her, that she would only understand now (something like 'family has always been our start and end point dear one, don't lose yours now that you've found what I once took away from you' - or something sappy / romantic and eloquent, let's not kid ourselves that Five would be an absolute sap about it)

Lila breaks down crying. At which point because the Timeline is so very fucked right now Five from a few days ago (for him) years ago (for her) appears on one of his first forays into the subway when his powers first start to fuck up. He sees her crying like the world is ending and comforts her (like we see him do with the hug).

Five, for his part, just accepts and believes her that she's been time travelling and has solved things because they have an intellectual respect for each other, and maybe she realises that she still has that?

Either way they go back and the ending could be whatever you prefer at that point, Diego and her making up, not, him finding out, not, them all dying together, not.

Now, the idea of this being how OG Five's life ended (alone, again, at the end of the world, but with having dedicated himself to his family, after losing everything) is completely tragic, it's an awful ending, I'd have been sick with grief. But I'd have felt a hell of a lot more about it than I did the ending, by which point I just wanted the show to end so I could stop watching it.

Second Thought:

The Diner Five's worked together to come up with the solution to save the world / that it can't be saved (enter preference of choice I'm ambivalent) but with more meaning than just 'you turned up and we told you'. I want Five to rail at the news, I want him to break down, I want there to be one last fight before the acceptance if the end is what is coming.

Third Thought:

Diner Fives direct Five to Off The Rails Oldest Man Five who wrote the cipher, and they have the same sort of thing as the above with the saving / not saving of the world.

Later Fourth Thought:

Very similar to 1, except that Lila on looking at the cipher realises it changes handwriting half way through to hers. The sappy message is from Old Five that he tried to finish it so that she could save their family, it was both of their goals after all, but he was so sorry that he couldn't, and has to put it on her. She breaks down, realises what she has to do, she stays in the subway and finishes the work, sacrificing herself to her family's survival as he did, but she leaves a big note in the front to the Five that's going to find this (some Lila-esque insult that the pair of them need to use this cipher to get home now don't stop don't pass go etc, and she leaves it where she knows they'll find it the first time when they go to the cottage, maybe leaves their younger selves some advice). Then it's a bit like 'The day that wasn't' in that we see younger Five and Lila retrieve This book, maybe wonder at the odd messages in it that are in turns insulting and heartfelt, and they make it home after long years but back to their family. They could either hug because of the relief that they have a way home, or because both Old Five and Old Lila realised and wrote that the world can't be saved, or because Lila sees that she left / cheated on her family and realises what she had to lose and Five realises what he nearly let himself lose too / how he's been pushing his family away and insulting them and that was never what he spent his life searching for.

Not saying any of these would have been better, but I kind of like them as options :)

[sarasa-cat]

Okay. Now it is time for me to do the new new thing. To look through my references and then commit an idea to multiple pages of actual paper. To do the thing. Low stakes bc it is for me. But yeah, to do it. The thing. Now is the time.

[icewindandboringhorror]

What would you choose? :0c

(note: original image is from HERE (link) - but I edited it to add a wider variety of options.. also added $3 extra to the total, even though I know that makes it more uneven lol, I thought if you're adding 10 whole extra items, the money to spend should at least be increased slightly, if that makes sense..)

[moophinz]

Y8 Thoughts I Guess 🤔

I keep pacing the kitchen while repeating the same things in my head over and over again so here is my thought vomit. Long vent post incoming

• Really concerned about how likely it is that we’ll only see the Jimas interact with Kiryu one or two times in a similar manner to 6. It’ll feel even worse this time for me considering Kiryu has cancer. It’ll also be a grievance for me given something I’ve complained about a lot. How weird they are about Kiryu and Majima’s relationship. It feels like ever since the ending of 3, they haven’t allowed them much of any interaction while simultaneously making a point that they’re close to each other even with the distance and it throws me for a loop every time. It’s made even more frustrating that their social medias have no problem posting about them (especially from Majima’s angle) as though they’re an actual ship. Plus, recently sharing blatant Kazumaji art on stream. If they keep doing that after this game I’m going to catapult myself to the sun. Obviously, I never expected the ship to actually happen. All I want is for their bizzaro relationship to have some sort of proper conclusion, but I have zero hope of that. It just makes no sense to keep making them out to be besties of some sort and then not allowing any follow through on that. Hell, they were weird in Ishin, too. It’s just SUCH a strange thing to do so often.

•At this point, it feels like the Jimas are only together because no one knows what else to do with them so they just end up together for years and years. My issue here is that it puts all of them on the back burner even though there’s still stuff missing about them. Like the biggest one being that we never get to see the real Daigo. They tell us about him a lot, but we never get to see him. RGGO of course bridges this gap. It’s just disappointing to know that’ll only ever exist there.

•If Mine is back (Yokoyama talked like the only thing stopping him from that was his voice actor), would he interact with Daigo? He was such a core part of his character, and it’d be interesting if they did see each other again. I would of course like it if Mine got to tell Daigo that he loved him straight to his face even though I’m more than certain they’d never do that.

•The Ichiban and Saeko proposal and all that still has me on edge. I do N O T know what all that’s about. Yokoyama claimed the game isn’t romantic, but he’s been on a kick lately with saying one thing and the exact opposite happening so I’m feeling pretty hesitant to believe him. I admittedly have a very hard time with media that contains a prominent pairing that I do not care about, but the plot keeps pushing in my face. Like with the second Kiryu saga game. To expand on Ichiban and Saeko, I mean that in 7, there’s nothing to show they have anything romantically going on despite the player’s ability to choose to date her or any other lady. I made sure to date nobody in my playthrough since I don’t care about that kind of stuff personally. They do, however, keep teasing Saeko and Nanba in a subtle way that really surprised me. I did find it interesting since visually they’re a really unexpected pairing and a possible romance that doesn’t involve the lead character seems pretty rare. RGG also typically isn’t that good at writing romantic notes so it was another surprise for me. All in all, this is just a personal issue I have pretty often with romance in media.

I know the game is still months away, and I’m not jumping to any conclusions. Just voicing a few concerns and one thing that’s sort of me hoping for something. It’s going to be a long wait to have all my questions answered 💀

[etchif]

Hmm I kinda miss being 14

[4giorno]

i got the cutscene <3

[gg-collective]

I don't particularly mean this in a "comparing my experiences to headmates'" way, but I have noticed how odd I feel next to our other introjects. The grand majority, if not all, of them are from hyperfixations/special interests-- things which we collectively have a lot of knowledge on. While I am from a series that we read the first book of, skimmed the second, and don't have any access to the third. I don't even particularly consider myself a fictive, despite that being, in all technicality, what I am. To top it off, I am not sure that my source would even be considered "popular" media-- at least, not with systems, as far as I have noticed. It is all a bit confusing, especially as someone who misses people I hardly remember. To feel connected to a life (or, lives), source trauma, and people I only have vague memories of is so... odd-feeling

[myfirstandlast]

going through answered asks from when i was 18 wanting to hold myself so tightly

[siobhanromee]

.

[fruitmouse]

looking at pics of me with long hair is sooooo strange now

[drownedbycoffee]

THEY AREN'T THE FEARS ANYMORE!! THEY'RE DESIRES

(SPOILERS for TMA, and all of TMAGP episodes so far)

Okay, here me out

Tmagp1: Darla wants to hear Arthur's voice again. She even says: "I just couldn’t face the thought of the rest of my life never hearing him again, I had to try" and later on she even says: "But I had to know, so I went to the cemetery."

Tmagp1: RedCanary wants to know about the Magnus Institute. They want to know why it's listed under 'cleared' when there's no evidence of it. Hence why they go and explore it.

Tmagp2: Daria wants that absolute perfection. She wants to change who she is and get out of that dark place. When she talks about the thing that she felt was missing, she says, "... and that’s when I decide I need a tattoo. I had a couple already – just little things on my shin and my wrist – but I decided I needed something big. Something that really changed my look." She also mentions when talking about Ink5oul that "they just kept pressing me about my life, about why I wanted the ink" instead of asking what design she wanted. And when she got the tattoo she describes herself as now being, "Someone I wanted to know more about." Afterwards she even says how "For the first time ever [she] wanted to attempt a self-portrait. Something real and physical, [she] wanted to feel the brushes in my hands and the oil on [her] fingertips." I think a lot of her statement is about her desire and impulsive need for that perfection and that wholeness that she has been aspiring to for her whole life.

Tmagp3: Samuel wants to stay hidden. He wants and he "need[s] to get up, get out of here for treatment." He wants to get better and most of his delirious thoughts are the things that he wants, or feels like he needs. E.g. "I so much want to see it [the sun] again. This night seems endless. I want to be warm again. I am terribly afraid. Thank god for Maddie. I need to treat her better."; "I just need to rest."; "I need to be careful or we’ll drift apart." And then obviously as the narrative continues, Samuel wants to grow and 'put down roots'.

Tmagp4: The narrator wants to be revered and accepted into the Royal Court Orchestra of the Palatinate. He wants to show off and impress. The violin "was a creature with needs and purpose of its own. The needs were simple enough. Blood. Flesh." It has these needs and desires.

So far, I'm interpreting it to be that everything so far can be interpreted as a desire of sorts, varying in the strength and intensity of it. Obviously, fear is still a big part of it all, because if you want something so badly, aren't you afraid of it being stolen from you? Of it being out of your grasp? Of it being unachievable or impossible in some capacity? Of it being a lie?

Even Sam wants to find out more. He wants to know the why and the reason for things. Gwen wants Lena's job. Collin wants to fix all these bugs and keep Freddie running. Alice wants to just get on with it because she found out that wanting to know the 'why' of things is dangerous.

I think that somehow when the Web took all the Fears into a different universe, they morphed into something else. Or they changed to fit what was the most prevalent thing in that universe, because after all, everyone wants something, even if it's something small and inconsequential. Life and aspects of it has always been characterised by that desire for something. Like people wanting food, shelter, safety, love, warmth, happiness, etc. And I think since the Web was so intwined with Jon and Martin, it absorbed some of their emotions when it found its way into this new world, because after all Jon and Martin wanted to stop Jonah/Elias, to stop the apocalypse, to destroy the Panopticon, to be safe, and they wanted each other. I think the wanting and fear of things are really entwined in it all, though this could be absolute bullshit haha

[kroosluvr]

temptation

i lowkey have too many notes to write down properly KDFHKDS but ill write them down for Future Cele so i can read it later and be like omggg past cele ur so fun and interesting

in general, the more "color" the scenes have, the closer it is to "real life" as opposed to the muted/hushed winter blues of maruki's reality

i.e. the dark frames w akira smiling and the very last panel are when reality sinks in: first for akira, then for goro

by the way this is long winter au but sumire is still brainwashed. this also works for canonverse but i just had long winter au in mind:o

youve heard of laundry and taxes now get ready for coffee and pastries

in every panel, akira is smiling! :) and goro is very much not smiling.

intentionally his face is hidden in the last 2 pages so its unclear whether it's the "ideal reality" already (akira/goro's daydreams/wants/desires), or if goro is still fighting akira on making sure he picks the right choice

the smoke from the first page kinda leads into the 3rd page omfg COMPLETELY UNINTENTIONAL BUT REALLY COOL LMAOOO

that's nameless and belladonna in jazz jin!!! i love them. I LOVETHEM. i miss them so bad is it obvious

the cafe is loosely based off of caffe strada @ uc berkeley LMAO. my parents used to take me there a lot as a little kid so that's the first cafe i think of when i imagine one. its like right on the streetside, basically on the sidewalk, so its very bustling and people are always walking by... probably a little disconcerting to see everyones summery bright smiles despite the bitter cold and snow

in long winter AU, the Ideal Reality starts before 1/1 so yeah they get to see the new years fireworks together (or something)

also intentional that they wear the same winter outfits in the whole comic although it Probably does not take place at the same time. in maruki's snowglobe, time seems frozen in place... but akira and goro are both acutely aware that the sands are running thru QUICK

goro's frustrated expression on page 3 is one also of disdain: "don't speak FOR me you fucking imbecile" type of expression.

goro, who's never lived a normal life and therefore doesn't know much abt "normalcy" nor really actively seeks it. this 3rd semester is basically purgatory for him and he doesn't care to try and go through the motions the way akira does. akira what do YOU know about the type of "normalcy" i deserve? how do YOU know if i "deserve" that?

im thinking that this is a naive akira who is mostly set on taking the deal because he feels hopeless... seeing all his friends with good happy lives while goro and himself are alive and miserable and shouldering the weight of the world during the horror of long winter......

oh but if he takes the deal they could all be good and alive and happy!!!.... and goro knows this. i feel like in any other universe (i.e. akira is 100% certain on not taking the deal and goro knows this) then goro would be happy and carefree to do these little indulgences for himself and akira's sake, to just enjoy the snowglobe world while it exists.

but this goro is discontent. he sees how akira is enjoying the snowglobe and knows maruki is depending on this. goro has to be the one to remind akira that none of this is his to keep........ in this fucked up world, routine is dangerous. becoming comfortable is dangerous. they cannot keep any of this.

on that note, goro says "i hate you" in a halfhearted sort of way (it's not true and akira knows that.) but he's trying to think of a way that he can dissuade akira from picking the wrong choice.....

and i think the thing is, goro thinks all of this, but he still falls into the rhythm of routine with akira anyway. in a way, goro feels hopeless too.

all of this is maruki's doing........ paralyzed by the inability to choose... whatever you do, you lose. goro needs to hold akira at arm's length so the stupid sentimental fool doesn't get too attached and falls into the wrong universe. akira needs to make a concentrated effort to detach himself from goro even though he wants the simplest thing in the world: just one more unremarkable day with him. it's lose-lose..........,

also i liked drawing the tentacles in the last pic the freaking blue lines on them were SO satisfying to draw

edit: also the last page: the blood flooding the panel….. the idea of the ideal world being built off of the blood and sweat and tears and bodies of the people who could have been. of those lost in the actualization, of those destroyed, of those stitched together and brought back to life. all just for a little false happiness. goro sees it but akira doesn’t, and it’s a grim sight.