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becausegoodbye · 1 year

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A home to treasure, a home to flee

(**This post contains big-time spoilers for Citizen Sleeper and Life is Strange: True Colors. No way around it! **)

In the last year, I've had two experiences with video games that unearthed some interestingly divergent intuitions in me.

In one, the game let me make a precarious little home for myself, and even though it kept giving me opportunities to leave – it really seemed like it hoped I'd leave, to strike out somewhere in pursuit of a better life – I clung to the fragile little home I'd created, savouring its small earned pleasures.

In the other, the game gave me a home, aesthetically dazzling and too good to be true, with a hideous past which the game desperately wanted me to forgive and to stay – laying it on thick about how beautiful it would be if I stayed – and I found I couldn't flee fast enough.

It makes me wonder a bit about my relationship to home.

Citizen Sleeper is one of my favourite games I've played in a long time. It's quietly etched its place on the list I keep in my mind of "proper Hall of Fame indie games", along with Celeste and Immortality and at most a dozen others. It's a game whose ambitions are restrained, but the light touches of its writing are pretty much all paintbrush-perfect.

In it, you play a Sleeper, a degraded kind of worker-clone, carrying the emulated consciousness of a real person inside a crummy bio-android body that'll fall apart if it doesn't get regular injections of corporate-controlled medicine. Your entire existence is a method of skirting labour laws. You managed to escape your corporate labour-camp, but now you're on this random space station with no money or friends, and your biological meltdown-clock is ticking. Just gotta keep moving, keep working, keep trying to figure something out.

I won't give a full review of the mechanics and story; what I really want to talk about right now is the apartment. In Citizen Sleeper, you're always choosing how to allocate your limited time and energy, and if you want, you can choose to spend an irresponsible amount of both fixing up an abandoned apartment unit, using scrap metal to try to plug up the holes and make it livable. This is, frankly, the best thing. With how nightmarishly precarious every aspect of your existence as a runaway Sleeper is, just to be able to lay your head somewhere that's yours is blissful.

And then – most special of all – once you've fixed up the apartment, a stray cat will sometimes stop by, and you can spend some money to feed it some crushed-up crackers. The cat never becomes yours (it always maintains its independence, coming and going as it pleases), but you can know each other. You can become part of the weave of each other's lives. Even in this hostile capitalist hell-hole, even with a body constantly on the verge of betraying you: you can eat some delicious spiced fungus and have a cat stroke itself against your thighs. Things can be worth it.

As I got on top of my finances and found a steady source of medicine, I only found myself more and more attached to my apartment. Some missions take you right over the other side of the space station, and (because it can take ages to get back) the game frequently offers you places to crash that are much closer to where you need to be. I didn't use them once. Once I'd fixed up the unit, I slept every single subsequent night of the game there, even if it meant traveling a silly distance to get there and back. I wanted to get back because, first, it was my home, and second, I had to feed the stray cat. It might miss me if I were gone.

As you get further into Citizen Sleeper, the game offers you all sorts of ways to get off the station. You can work/cheat your way onto a huge colony ship that's set to begin populating a new and uninhabited planet. You can hitch a ride with a mercenary and start a more knowingly dangerous kind of life. You can fuse your consciousness with a cyber-organic plant-consciousness, 'Grow Vast and Strange', and lose your sense of a distinct self entirely.

I didn't go for any of them. I got my friends on board the colony ship and waved goodbye to them. I gave the mercenary the cold shoulder. I thanked the plant-consciousness profusely for the opportunity, but wistfully turned away from what it was offering. I kept choosing to return to my own small world on the station: to the apartment, to the stray, to Emphis' spiced fungus stand, to Lem & Mina & Tala & Riko, and to all the tiny meaningful markers of the life I'd built for myself here.

This was my life. I'd made it, and that meant everything.

Life is Strange: True Colors is a much weirder game, and one I'd recommend to far fewer people. I've written before about my complicated feelings about the Life is Strange series, which have a tendency to take huge emotional swings with subjects that they're not really mature enough to handle responsibly. That's part of their appeal, admittedly: these games absolutely go for it, and even when they stumble, it's usually pretty compelling.

In True Colors, you play as Alex Chen, a shy 21-year-old orphan with a kind of superpowered empathy. She can read people's thoughts a bit, sometimes even accessing their memories, and when somebody near her is experiencing a big emotion, she gets overwhelmed with a mirrored version of it. This got her branded as 'emotionally unstable' in the Oregon foster care system, so she struggled to be adopted. She lost touch with her older brother Gabe after he was placed with a different foster family, but eight years later, with his own life straightened out, Gabe was able to track her down, and invite her to come live with him in the idyllic little mountain town called Haven Springs.

I won't go beat-by-beat through the whole plot, because it's bonkers and byzantine, but the key points are these. (Again, full spoilers.) After Alex and Gabe's dad abandoned them when Alex was 11, he ended up working for a locally hegemonic mining company called Typhon in Haven Springs. Later, Gabe tried to track him down, and Haven Springs was where the trail went cold. This turns out to be because their dad died in a hideous mine collapse, along with several other miners. A local foreman named Jed Lucan got credited as a 'hero' for saving the miners who survived, but in reality he was the one who chose to abandon the others to their deaths, and Typhon conspired with him to cover it all up.

When Gabe came to Haven Springs looking for their dad, that same foreman, Jed, now the owner of a local bar, felt guilty about having left this kid fatherless, and treated Gabe with a lot of generosity. He set Gabe up with a job in his bar, let him rent the great loft apartment upstairs, and really just ensconced Gabe in Haven Springs life (obviously without telling him the murdery truth). Then, when Gabe is finally able to track down his little sister Alex, he wants to pass on the generosity, and offers you the loft. He’s moving in with his girlfriend, you and your brother are finally back in each other’s lives, and it all seems too good to be true.

It is. Almost immediately after arriving in town, Gabe is killed – by the very same mining corporation – while up in the mountains trying to rescue his girlfriend's kid. Typhon were told that there were people in the area and they needed to delay their blast, but they knowingly went ahead with it anyway, because (it turns out) they needed the noise to cover up a second, more illegal scheduled blast nearby. That second blast was to fully cave in the old mine and bury the evidence of the incident that killed Alex and Gabe's father, in preparation for a coming inspection that could have uncovered the deaths.

So essentially: your brother was murdered casually, incidentally, as part of covering up your dad's murder from years ago.

I'm delivering this information in a totally different order than the game does (there, the relevation that Jed let miners die and your dad was among them comes very late), but I'm laying it all out so you understand the chronology of events. Just lay it all out flat in your mind. You're Alex, and you find yourself living in this town that seems pretty wonderful – picturesque and warm, with an economy of little other than bars and flower shops and record stores – but you eventually discover that both your father and your brother have been murdered here. You also discover that the person who's been kindest to you, the surrogate father-figure who let you work in the bar and live in the loft virtually rent-free, is the evil fuck who killed your dad.

You do eventually empathy-detective your way to exposing all this, of course. By the end of the game, Jed is going to prison, and Typhon is facing the absurdly (but not unrealistically) softer consequences of 'their CEO resigning' and 'their stock price taking a hit'. But then – and this is the part I've needed to go over all this melodramatic plot in order to talk about – the game wants you to stay in Haven Springs.

Alex's final choice is whether to stay or leave. Somehow, you're still living in the loft of the murderer you put in jail, and it's implied that you can just keep doing that. The game gives you an option to leave – to go off on a scrappy music tour with your indie girlfriend Steph – but the game gilds the lily heavily in favour of staying. You have an entire conversation with an imaginary ghost-projection of Gabe, and he spins this whole fantasia about how wonderful your life could be if you simply stayed, let "time do its thing", and commit to transforming this place.

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But like ... fuck that, right? Fuck that!!!

As far as I'm concerned, this is a "noping out of a horror movie" situation. By the end of True Colors, Haven Springs feels cursed. This tiny pretty town is where every existing member of your family was murdered. What, you're literally just gonna stick around limply hoping they won't murder you too? While the hegemonic mining corporation is still stalking around, knowing you did this to them?

Like, Alex. Dude. These white people are not safe. The Chens are seemingly the only Asian-American family in a hundred miles, and the track record of Chens not getting murdered by the biggest and most powerful local employer is bad. Sure, that one guy is in prison now, but the problem was never that one guy. Underneath this town is a seam of raw murder and lies and evil, and everyone being so saccharine-sweet to you all game long only makes that fact worse. You can’t escape your trauma, you can’t escape your brother and father having been killed, and you can’t escape the horrorshow of capitalism – but you surely don’t have to stay here.

It's hard to overstate how repulsed I felt by the prospect of staying in Haven Springs. While Citizen Sleeper had me taking pride in the modest, scrappy life I'd clawed out for myself in the margins, True Colors felt like the complete opposite. It felt like a series of overbearingly loaded gifts, all lush and pretty and tailor-made, but with a violent catch spring-loaded inside every pocket. It felt like the bashful smile of a poisoner offering you a drink. All of my instincts were to run.

Some day soon, I'm sure I'll be able to write a thing about videogames without tying it back to transness, but look – I'm two months on HRT. Right now everything feels connected with transitioning, and I'd be lying if I said the trans-relevance of this little parable didn't occur to me immediately.

My body is the home I was given, and I’ve always lived here uneasily. I’ve never known what to do with the ‘gifts’ that came with being read as a guy (most of them are still half-unwrapped in the back of my closet). Everyone wanted me to like it here, expected me to like it here – why wouldn’t you like it here? – but I just didn’t. A seam under the surface was wrong, and kept itching. I don’t want this to come across as a matter of pure contrarianism, but being real: the amount of contrarianism at work here probably isn’t zero. The world tried to give me a gender I’d like – a whole sweet-ass loft if you just ignore the murders – and I’m leaving. I’m off to make my own thing. And even if it’s objectively shittier in tons of ways, I’m confident I’ll like it more.

Between Citizen Sleeper and True Colors, my inescapable conclusion is: I would rather sit alone in this cold empty abandoned apartment than live in Haven Spring's paradise. I would rather chew fungus and scrape for corpo-medicine as a girl than be the beloved centre of a twinkling idyll as a guy. Haven Springs is so pristine and gorgeous, so flush with friends and flowers and foosball, but at a certain point you just can't unsee the seam of wrongness under everything. Whereas the kind of life you can build in Citizen Sleeper – the crummy apartment, the stray cat, all the friends you make and all the people who pass you by – feels infinitely stronger to me. Infinitely more earned. Infinitely more durable and darnable and real.

#“a whole sweet-ass loft if you just ignore the murders” = my user review of masculinity #I have some writer friends who - when I write long and literary posts like this one - always suggest sending them to publications #and I've done that a bit in the past but mostly I just ... don't #partly out of laziness #partly out of a self-deprecating assumption that they're too idiosyncratic and personal #but also partly – I think – out of another limb of the exact same range of feeling as I'm talking about in this post #being published in someone else's publication is like ... oh #if you behave yourself very well you can get invited to dinner #put on a starchy shirt and try to be as sparkling and interesting as you can #y'know?#whereas ... this tumblr? my dinky little website?#they're shitty but they're mine #(tumblr as an abandoned apartment building that I get to squat in)#(that feels particularly apropros)#it's hard for me to feel like there could be a better venue for writing like this #it's so self-indulgent! and so absurdly niche!#so I end up just ... staying in this shabby little home I've made for myself #which I think makes sense given the content and context here #lol #citizen sleeper #life is strange: true colors

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