#and thus am able to ignore it but there was literally nothing pointing his character towards becoming a ministry worker its insane

[crownedspectre]

SO Mortis has gone on record multiple times saying this game does not have any one meaning...I know one popular fan theory is that Hugo is very ill and the switch is meant to signify the choice to be taken off of life support and accept death.

To be quite honest, I've never truly cared for this reading of the game and ones similar to it. Not to say they are bad by any means!! I just find the explanations given to be too literal for my tastes, it ignores the significance of the player within the story, and what would Judge's choice mean in that instance? If you are terminally ill, you can not choose to simply not die. You can choose to endure suffering sure but...The Judge is shown to be a sympathetic character, while the Batter is firmly framed as an antagonist in the latter half of the story. I don't think the choice to be taken off life support when you're chronically ill is bad or evil. If anything The Judge's choice seems crueler to me with that reading in mind! My interpretation of the game is within the same spirit, but the stakes are a little less dire than death. To me, this game is about escapism. Toxic escapism...and the choice to either give up and retreat inward or stay present even when it feels like "nothing is left". I have a few key points to support this reading.

1. “Vincit Qui Se Vincit” 

This is what Zacharie says right before you fight The Queen. The full saying translates to “He who prevails over himself is twice victorious” It means that “a person who overcomes his weaknesses or failings, who is able to control his emotions and actions, wins life's most important battle.” I think Zacharie is talking to You here, the player. He is urging you to look inward…to question what Batter represents to you. Thus far, even though you and the Batter have moved as one, there has always been a disconnect due to your limited scope as a being outside the realm of the game, and it’s only grown as you’ve progressed. I am no longer a God, but a passenger at the whims of a narrative, one that has begun to sicken me. This now feels more like Batter's mission than mine, and Zacharie foreshadows that the only way to truly win is to get a handle on this rogue part of ourselves. (This will make more sense when I explain what I feel The Batter is meant to represent, but keep it in mind for now.)

  2. Sucre's Dialogue 

The short conversation before you fight Sucre is really illuminating to me. The first line especially.

"Ignoring why things are so frightening" is the entire purpose of an escapist fantasy. The goal is to endure a painful reality as little as possible. In fact, this has been a theme throughout the entire game, particularly prevalent among the elsen who are more than once seen avoiding aspects of their reality that cause them to feel what they consider to be, unpleasant emotions. (Death in this world is also synonymous with an escape from pain.)

3. Somewhere Over the Rainbow. 

The Judy Garland version of this song famously features in The Wizard of Oz and it's sung by Dorothy, who is tired of the mundanity of her average farm life and is hoping to somehow be able to get away from it all...

"Someday I'll wish upon a star

And wake up where the clouds are far behind me

Where troubles melt like lemon drops

Away above the chimney tops

That's where you'll find me

Somewhere over the rainbow

Bluebirds fly

Birds fly over the rainbow

Why then, oh, why can't I?"

I think Hugo is implied to have had a rough upbringing for sure, and I do feel a large part of the game is suggested to take place in his head, although I tend to favor a reading that's even MORE abstract and just say that Hugo himself represents a child's imagination and innocence. The world of OFF to me represents a child's perception of the outside world before it has been disillusioned. It was bright, colorful, and safe, but then ~something~ happened that changed that. Life happened. Suddenly, the rose-tinted glasses start cracking. That's when the neurosis sets in, the guardians start losing their grip, the spectres arrive to throw everything into chaos...and then eventually comes The Batter, who to me, symbolizes a complete rejection and subsequent destruction of a world that once brought you comfort. When you have been mistreated, your hatred and apathy DO feel righteous. At his core he is nihilism personified...and once he destroys your inner child the only thing that's left is to give up on everything. This is what Zacharie was trying to open your eyes to, and that is why The Judge's ending is so profound to me.

The Batter's decision is immediately appealing. Sunk Cost fallacy. We’ve already made it this far…the world is a shell of what it once was. Why keep going when there is nothing left in sight to fight for?  But The Judge argues that simply existing is better than turning your back on it all. Why? Sugar says it best in her dialogue, “Think of something beautiful really hard, and maybe you will see it tomorrow.” As long as we push forward, we can have hope. And hope is what I felt, watching the end credits after completing The Judge's ending and seeing him walk through the barren landscape alone. Hope, that one day something new could take its place.

This reading to me equalizes both end-game decisions in my mind. I don’t think either one is “wrong” necessarily, just different reactions to trauma that you could have.

And what about You? The player? Well.

It is impossible for me to ignore that we are a character in this story too, we are addressed by name!! and when you take the obvious religious themes to their logical conclusion, you are likened the most to a god. That's why I believe that the world of OFF is meant to be....yours.

You're the one who's hurting. Hugo is YOUR sick inner child. It's why you're the one who's overseeing the destruction of everything through Batter. You want this just as much as it is his nature to provide it as a self-destructive Part of you!

(Him talking about himself here ^ )

It's also the reason why you're the only one who can stop him at the end and The Judge couldn't do it without you (even though he has a move that can kill batter in like 3 hits when you play as him.) The choice to kill off parts of yourself that no longer serve you is the only one that you can make.

SO BASICALLY, TLDR...

The zones are different sectors of your own inner landscape and Batter is a self-destructive part of your brain that earnestly masquerades as a protector since he believes the best way to protect you from a painful reality is to cut you off from it.

Hugo isn't immediately accessible until you destroy everything else because he is your heavily repressed inner child. Once he's gone however, you can make the final decision to retreat inward and disconnect from the outside world completely. Making the decision to not pull the lever means that even though life has been painful to you, you opt to continue to stay present in the hope that things will get better someday...somewhere over the rainbow.

When I pulled that lever in the last moments, I didn't grieve for Hugo, I grieved for myself. It felt deeply personal to me the first time I played OFF 8 years ago, and it still did on my latest playthrough.

I do believe this game and its messages are important however you chose to interpret them, although I figured this post was in order because this is the "canon" I operate from and what I will depict in my art and posts.

[tolkien-feels]

Okay so I've been thinking about Tolkien... and I'm not 100% sure how to express my Thoughts but I wanted to dump them on you because I feel like even if I communicate it awkwardly you might understand what I'm trying to say and help refine what I'm saying.

So there are various criticisms of Tolkien wrt his ratio of male to female characters and how he's just not progressive enough, but I feel like a lot of people who use this to insult Tolkien and claim that he was a Bad Person and thus nothing he did was good (or if it was good, it was only accidentally so) don't even realize the much-more-relevant-to-his-era statement he was making about class!

LOTR is the best example of this, because literally all of the Company is royalty or akin to royalty or high class except for Sam. And while each one of them plays an important role in the story, the inarguably Highest Class character (Aragorn) in the most important part of the story is nothing but a distraction, and it's the inarguably Lowest Class character (Sam) who emerges as the most important part of the puzzle, the Real Hero. They are all heroes - Frodo is no less of a hero because he fails in his task, Boromir is no less of a hero because he temporarily falls under the thralldom of the ring, Aragorn is no less of a hero just because in the end he's not much more than a distraction so the Real Heroes can do their thing - but it's Sam, the lowest class one of them all, who is THE hero of the story. And while there are important discussions to be had and to tell in various stories that do include race and gender, I feel like it's disingenuous to ignore the important discussion Tolkien was having about class when talking about important discussions to be had.

And frankly, class is extremely important, and the fact that it's often overlooked in these conversations is very frustrating. To give the most extreme example of this: A black, female, lgbtq, Hollywood celebrity is going to be much less disadvantaged in life than a straight white man who lives on the streets and depends on free food pantries, soup kitchens, and charity to survive. And to say that the straight white man is privileged compared to her is stripping all of the complexity related to class out of that comparison. So I think that Tolkien's statements about class are extremely important conversation points, but which... largely get ignored just because that is the conversation that he was having (which I feel is much more relevant to his era) than conversations that people insist we should be having about him/his work.

And idk... maybe I'm just tired of people calling Tolkien a bad person when he clearly wasn't. He was at worst a product of his times, and even then while he didn't write a ton of stories about women it's clear that he respected women through the stories he told about them. And his infamous replies when Germany asked if he was Aryan proves something similar to his opinions on racism and antisemitism. And since he intentionally was writing a legendarium for his own country, to say that he was racist for essentially saying "the poc are the ones who live far away from where the main story is taking place" and thus were far away from the elves and the gods and things that were Good and so unfortunately were easily manipulated down a dark path by Evil is... well, it's disingenuous. Especially when you consider the important conversation topic he was addressing and was trying to talk about.

I do get what you mean! And I have so many thoughts on this, but I don’t want to share them lol

You see, there is a lot to be said about Tolkien’s social views - both in praise and in condemnation. But critical literary analysis of 20th century literature is an actual academic field, and there’s a reason for that. You need a lot of knowledge and a lot of hard work to be able to accurately, fairly assess a single work - let alone an author’s entire corpus. I, a random person on the internet without that background, am simply not qualified to make that kind of analysis.

Can I have opinions? Sure! I’ve had them since I first encountered Tolkien, and I’ve been refining them ever since! But these are personal and I don’t want the responsibility of holding up my ideas as Good Takes, because I’m very aware of my limitations. For things like “Hey do you have an opinion on this obscure character?” I’m thrilled to share all my opinions, but for things that are (rightfully!) considered such serious subjects because they affect real life people, I feel like the only thing I can do is take a step back and admit I probably don’t have particularly good answers.

Can you probably guess that I think Tolkien does some things right and some things wrong, just by reading through this blog? Absolutely, but that’s the nature of interacting with any kind of art. But to go out of my way to present A Unified Opinion is more than I am prepared to do.

I do think you make a very valid point, and I agree with much, though not necessarily all, of it, but to quote LotR, this would need “a week’s answer, or none.” As I’m not comfortable with sharing a week’s answer for the reasons above, I’ll just have to go with none, even though I very much get where you’re coming from with this!

[steelycunt]

i could totally see sirius as like. a tattoo artist or in a band maybe haha and i love a good bassist remus fic. as for auror sirius (which i also hate) i think the popularity of it comes from him being a really good duelist and working for the order in the first war but im p sure aurors work for the ministry? and the aurors that were in the order were doing so in secret?? like why would sirius ever work for the people that oppress his bf um,,,,

also i read a short fic once where everyone survived the first war and sirius built a safe house for werewolves where they could get an education and have large grounds to spend the full moon and there were volunteer healers for them as well etc it was very sweet

tattoo artist sirius would b cool yes!! and absolutely in any sort of band fic bassist remus is a necessity it is just not right to put him on any other instrument xx he's just bassist-coded!! also re: the auror thing, you're right--my canon knowledge is sketchy but aurors are definitely ministry workers lol...they are the closest thing hp has to cops as far as im aware and sirius would simply never b a cop no matter what ur calling the job !

[dwellordream]

“...Where the show had sensibly added yurts and merely forgot to have any way to move them, Martin has the Dothraki live in “palaces of woven grass” (AGoT, 83) which I assume the show did not replicate because the moment someone described doing that everyone realized what a bad idea it was and moved on to something more sensible like a yurt covered in leather. Grass and reeds, of course, can be woven. However, as anyone who has done so will tell you, the idea of trying to weave what is essentially a grass basket the size of a tent in a single day is not an enviable – or remotely possible – task.

Trying to move such a giant grass basket without it coming apart or developing tears and gaps is hardly better. And at the end, a woven-grass structure wouldn’t even really be particularly good at controlling temperature, which is its entire purpose! It is rather ironic, given that unlike the show’s Dothraki, Martin’s Dothraki do seem to use at least some carts, because Viserys is forced to ride in one (AGoT, 323) and so could bring yurts with them. They just don’t.

More to the point, it is very clear that Martin imagines the Dothraki subsistence system to consist almost entirely of horses. The Dothraki ride horses, they eat horses, they drink fermented mare’s milk. The Dothraki – as in the show – are presented as eating almost entirely horsemeat. They eat horsemeat at the wedding (AGoT, 84), and Daenerys’ attendants are surprised that she asks for any kind of meat other than horse (AGoT, 129), although Daenerys herself seems to have access to a more agrarian diet (AGoT, 198) and other characters observe that the Dothraki prefer horsemeat to anything else (AGoT, 272). There is no mention of herds of anything except people and horses moving with the khalasaar.

There is also no sense that the Dothraki are hunting big game like one would in the Great Plains; Drogo kills a hrakkar – a sort of lion, apparently – as a display of bravery (AGoT, 495) but there is nothing that would suggest the kind of bison-based subsistence system (at the very least, if that was the system, Daenerys would be well aware of it, because the camp would be awash in bison-products). I found no references to larger game and the Wiki only offers, “packs of wild dogs, herds of free-ranging horses, and rare hrakkar” which is, needless to say, not enough to make up for the absence of large herds of bison, especially for trying to feed Drogo’s camp of perhaps a hundred thousand people (or more!).

They clearly do not herd sheep. This becomes painfully obvious with the raid on the Lhazareen village. The Dothraki – Khal Ogo’s men – in raiding a sedentary pastoralist settlement, kill all of the sheep and leave them to rot. Dany sees them “thousands of them, black with flies, arrow shafts bristling from each carcass” and only knows that this isn’t Drogo’s work because he would have killed the shepherds first (AGoT, 555). And we are told that the people there “the Dothraki called them haesh rakhi, the Lamb Men….Khal Drogo said they belong south of the river bend. The grass of the Dothraki sea was not meant for sheep” (AGoT, 556).

We are told that the Dothraki have “vast herds” but this can only mean herds of horses, given that they apparently take offense at any other animal being grazed on the Dothraki and look down at shepherds in general (AGoT, 83). To be clear, for a nomadic people moving over vast grassland to spurn the opportunity to capture vast herds of sheep would be extraordinarily stupid. At the very least, thousands of sheep are valuable trade goods that can literally walk themselves to the point of sale (we’ll get to this idea that the Dothraki also don’t understand commerce a little later, but it is also intense rubbish; horse nomads in both the New World and the Old understood trade networks quite well and utilized them adroitly). But more broadly, as I hope we’ve laid out, sheep are extremely valuable for subsistence in Steppe terrain.

But Martin does not even do horse-string logistics right. While Daenerys eats cheese (AGoT, 198), we never hear of the Dothraki doing so. The Dothraki do have an equivalent to qumis, but no qulut, no yogurt. Even the frankly badass bit about drinking the horse’s blood as a source of nourishment does not appear. The horses themselves are also wrong. First, Daenerys and Drogo each have one horse they use, seemingly to the exclusion of all others. If you have been reading this long, you know that is nonsense: they ought to both (and Jorah too, if he intends to keep up) be shifting between multiple horses to avoid riding any of them into the ground. Moreover, Martin has imported a European custom about horses – that men ride stallions and women ride mares – into a context where it makes no sense. Drogo’s horse is clearly noted as a red stallion (AGoT, 88) while Daenerys’ horse is a silver filly (AGoT, 87). But of course the logistics of Steppe raiding revolves around mares; in trying to give Drogo the ultimate manly-man horse, he has actually given him the equivalent of a broken down beater – a horse only able to fulfill a slim parts of its role.

Finally, the group size here is wildly off. For comparison, Timothy May estimates that, in 1206, when Temujin he took the name Chinggis Khan and thus became the Great Khan, ruling the entire eastern half of the Eurasian Steppe, that the Mongol army “probably numbered less than a hundred thousand men” (May, The Mongols, (2019), 43), though by that point his army included not merely Mongols, but other ethnically distinct groups of steppe nomads, Merkits, Naimans, Keraites, Uyghurs and the Tatars (the last of which Chinggis had essentially exterminated – next time, we’ll get to the nonsense of the Dothraki being a single ethnic group).

That is, to be clear, compared to the armies of sedentary empires of similar size (which is to say, huge) a fairly small number! We’re going to come back to this next week, but the strength of Steppe nomads was never in numbers. Pastoralism is a low density subsistence strategy, so the steppe nomads were almost always outnumbered by their sedentary opponents (Chinggis himself overcomes this problem by folding sedentary armies into his own, giving him agrarian numbers, backed by the fearsome fighting skills of his steppe nomads).

Khal Drogo’s khalasaar, which moves as a single unit, supposedly has 40,000 riders (AGoT, 325-6); Drogo is perhaps the strongest Khal, but still only one of many. With 40,000 riders, we have to imagine an entire khalasaar of at least 120,000 Dothraki (plus all the slaves they seem to have – put a pin in that for later; also that number is a low-ball because violent mortality is clearly very high among the Dothraki, which would increase the proportion of women and children) and probably something like 300,000 horses. At least. Of course no grassland could support those numbers without herds of sheep or other cattle. As noted above, Isenberg’s figures suggest much lower density in the absence of herding – just under 70,000 nomadic Native Americans on the Great Plains in 1780 (and less than 40,000 in 1877), including women and children! But more to the point, no assemblage of animals and people that large could stay together for any length of time without depleting the grass stocks.

Even if we ignore that problem and even if we assume that the Dothraki have Mongol-style pastoral logistics to enable higher population density on the Dothraki Sea, my sense is that the numbers still don’t work. Even before Drogo dies, we meet quite a few other independent Khals with their on khalasaars – Moro, Jommo, Ogo, Zekko and Motho at least and it is implied that there are more. Drogo’s numbers suggests he should be roughly at the stage Chinggis Khan was in 1201 or so – with Chinggis controlling roughly half of the Mongolian Steppe, and his old friend and rival Jamukha the other half. But Khal Drogo has evidently at least a half-dozen rivals, probably more. It is hard to say with any certainty, but the numbers generally seem too high. Having that entire group concentrated, moving together for at least nine months (long enough for Daenerys to become pregnant and give birth) would be simply impossible inside of a grazing-based subsistence system, sheep or no sheep.

In short, no part of this subsistence system works, either from a North American or a Eurasian perspective. This isn’t actually much of a surprise. Martin has been pretty clear that he doesn’t like the kind of history we’re doing here. As he states: I am not looking for academic tomes about changing patterns of land use, but anecdotal history rich in details of battles, betrayals, love affairs, murders, and similar juicy stuff.

That’s an odd position for an author who critiques other authors for being insufficiently clear about their characters’ tax policy (what does he think they are taxing, other than agricultural land use?). Now, I won’t begrudge anyone their pleasure reading, whatever it may be. But what I hope the proceeding analysis has already made clear is that it simply isn’t possible to say any fictional culture is ‘an amalgam’ of a historical culture if you haven’t even bothered to understand how that culture functions. And it should also be very clear at this point that George R. R. Martin does not have a firm grasp on how any of these cultures function.”

- Bret Devereaux, “That Dothraki Horde, Part II: Subsistence on the Hoof.”

[phykios]

volcano kiss scene but make it medieval, for @perseannabeth 💙 note that this is little more than a fancy rewrite, but... marble king verse is too good to be done with completely

***🌊***🌊***🌊***

June, 1446

As Percy led his little band of adventurers through the tunnels of the Labyrinth, himself, his questing partner Ana Zabeta, his childhood companion Aegidius, and his half-brother, the cyclops Tison, following a marvelously clever creation of the god of fire, he allowed himself, for a brief moment, to feel a small sense of pride. They had finally located a deity who not only did not appear to have any negative designs on their characters, but had also promised them his help--after they had performed him a small favor, of course. 

Hephaestus had fashioned for them a little spider made of metal, who moved about as though it had a beating heart, darting this way and that, nearly invisible, were it not for their torchlight flickering off its shiny, shiny legs. Though he would never speak it aloud, Percy felt a particular kind of pride on Annabeth’s behalf, as she followed the eight-legged creature with neither complaint nor fear. He knew full well just how totally she detested the beasts, her eternal and forsworn enemies, just as their mother had been an enemy of Athena. 

They rounded a corner, moving from a passageway lined with a strange, shiny substance which felt cool to the touch to one of crudely-cut stone, when he spotted a tunnel off to the side, dug from raw earth, wrapped in thick roots which pried their way through the holes in the stones. Aegidius had noticed it as well, slowing his pace until he stopped entirely in front of the dark, gaping maw in the wall. “Aegidius,” Percy said, stopping as well. “What is it?”

It was as if he had not heard him. The satyr merely gazed into the black tunnel, his curly hair rustling in an impossible breeze.

“We cannot delay!” said Annabeth. “We must keep moving!”

“This is the way,” Aegidius muttered, hushed and reverent. “It is here.”

He couldn’t possibly mean… “The way to Pan?”

But Aegidius ignored him, turning instead to Tison, the creature whose very nature often rendered him speechless with fear. “Do you not smell it, too?”

“Yes,” said Tison. “Earth. The forest.”

Before them, the spider skittered further down the stone corridor. If they delayed any further, the trail would be lost to them. 

“Once we have finished our errand for Hephaestus,” said Annabeth, “then we can return for Pan, I swear it.”

“The tunnel will have gone by then,” said Aegidius, with a confidence Percy had rarely seen before. “A door such as this will not remain open for long--and I must enter it.”

“But,” she said, desperate, “the forges!”

He looked at her sadly, but firmly. “I cannot go with you this time, Annabeth.”

Percy had forgotten--Aegidius was not only his companion. He had been Annabeth’s as well. He had been responsible for seeing her safely over the magical boundary in Sigeion. But the spider was nearly out of sight, and they could not tarry any longer before the gateway to the god. “We will continue to the forges,” he decided. “Aegidius, you go on to seek Pan.”

“No!” she gasped. “It is far too dangerous. If we part ways, we might never find each other again! And I cannot let you go alone.”

It was then that Tison, gentle creature he was, put his hand on Aegidius’ shoulder. As much fear as satyrs held for cyclops, Tison, for some odd reason, held just as much, if not more, for the satyrs. They had made an amusing pair at times, two of the sweetest, kindest people Percy had ever known, cowering in fear at the other. But Tison showed no fear now. Now, he was brave. “I shall go with him.”

Percy could not believe his ears. “You will?”

He nodded. “The satyr needs help. We shall find the god of the wild--together.”

Aegidius took a deep, steadying breath. “I wish I could see this through to the end with you, but--”

“I understand,” said Percy. The search for Pan was his life’s goal, the final prize in a quest which had taken his father, his father’s father, and so many searchers before him. If he did not succeed on this journey, the Council of Cloven Elders would never give him another chance. “I pray that you are right.”

Shoulders square, suddenly possessed of a confidence Percy had rarely ever seen from him, save for when he deliberated on how keftedes paled in comparison to spanakopita, he grinned. “I know that I am.”

Percy took a heartbeat to gaze on him one last time, imprinting him in his memory--just in case. “Be careful,” he told him. Then, he looked towards Tison, and opened his arms to his half-brother, who went into them willingly, squeezing Percy so strongly his eyes just about burst from his sockets. 

Tison and Aegidius then disappeared into the darkness of the tree roots, lost to the wild. 

“This was a mistake,” said Annabeth, her voice trembling. “We should not have let them go.”

“We will see them again,” Percy replied, attempting to summon Aegidius’ confidence. “Now, come on. The spider will not wait for us any longer.”

“Do not remind me,” she said, shuddering.

Before very long, the tunnel grew warmer, the stone walls red and glowing. The air felt as though they were walking through a giant oven, as though they had been transported into one of the forges beneath the villa for Hephaestus’ children, and he supposed, in a way, that they had. The tunnel sloped down, deeper into the earth, the spider nearly tripping over itself to reach the bottom, Annabeth right behind it.

Percy jogged to catch up. “Annabeth!” he called. “A moment?”

She glanced back at him, but did not cease her quick pace, forcing Percy to match her. “Yes?”

“I have a… question,” he panted, “regarding what Hephaestus… said, about your mother.” 

“She swore never to marry,” Annabeth said, easily. Curses, Annabeth did not appear to be even remotely out of breath. He felt like such a fool compared to her, always. “She is one of the maiden goddesses, alongside Artemis and Hestia.”

Percy frowned. He had not recalled that detail about the war goddess--though, he was rather infamous for nodding off during lessons. Perhaps he had simply slept through that particular lesson. “But, if she is a maiden goddess, then--”

“How is it she came to have demigod children?”

Blushing, he nodded. 

Now, this was not at all appropriate conversation, he knew. Young boys and girls were not meant to discuss such things with each other--not yet anyway. But Percy was nearly a man, and besides, he had spent enough time with Carlos and the older boys at the agoge to pick up a few pieces of knowledge here or there. Hopefully, Annabeth would think the flush on his cheeks was due to the heat of the cavern. 

“Do you know how Athena was born?” she asked him. 

“She was born from… the head of Zeus? In armor?”

“Precisely. She was literally born from his thoughts--and thus, her children are born the same way. When Athena falls in love with a mortal partner, it is a purely intellectual affair, just as it was with Odysseus in the epic tales. Our mother says that it is the truest kind of love.”

“So,” said Percy, frowning. “Your father and Athena… you were not--”

“I was born from their minds,” she interrupted, quickly. “Sprung from the divine thoughts of my mother and the mortal ingenuity of my father. Her children are gifts, blessings on the mortals she favors.”

“But--”

She turned to him, exasperated. “Percy, the spider has nearly vanished. Do you really wish for me to explain the precise details of my birth?”

Flushing even harder, he snapped his jaw shut.

Victorious again, she smirked. “I thought not.”

Running ahead to catch their guide, Percy followed, very neatly put in his place, and not certain he would ever be able to look at his friend the same way ever again. Some things, he decided, were perhaps better left as mysteries.

After another few minutes or so, they emerged into a cavern, larger than any stadium Percy had ever seen. It felt to be five times the size of the mighty Colosseum. There was no floor, just miles of bubbling lava beneath their feet. Standing on a rock ride which encircled the cavern, Percy saw a complex, overlapping network of metal bridges spanning the width of it, meeting on a huge platform in the center which housed the largest anvil he had ever seen, a block of iron the size of a villa. Dark, strange shapes moved about them, like formless shadows, too far away to discern what manner of creature they might be. 

“We cannot sneak up on them,” said Percy, noting the distinct lack of places to hide with some despair. 

With a slight grimace, Annabeth picked up their metal guide, its form having changed to a small ball, and slipped it into a fold in her dress. “I can. Wait here.”

“Hang on--” But Percy was too late, as Annabeth put on her magical cap, a gift from her mother, and vanished from his sight. 

Percy cursed. He did not dare call after her, not willing to draw attention to her tactics, but nor did he appreciate the idea of her approaching the forge on her own. If those creatures could repel the likes of Hephaestus, what hope did Annabeth have? It was not safe. She was their leader--they could not risk her life. Percy would not risk her life. 

Alas, he could never sit still for very long. Creeping along the outer rim of the lake of molten rock, he darted from stalagmite to stalagmite as best he could, hoping to find a better vantage point. Really, Annabeth should have known better.

The heat was horrendous, heavy and oppressive. Drenched in sweat, and eyes stinging with smoke, he moved along, staying as far from the edge as was physically possible, until he found his way stopped by a large metal box, fitted on wheels. Peering inside, he saw it was full scrapped metal, bits and bobs of broken swords and lumpy shields, piled on top of one another. Nothing he could reasonably use for an extra weapon, or even some kind of defense. Making to squeeze himself around it, he suddenly heard from up ahead a voice, rough and grating, speaking an ancient language which no man alive had heard for a thousand years. 

Monsters, he knew. 

There was no time to run away, no place to hide… except for the box. Leaping inside, covering himself with a dented aspis, he curled his fingers around his father’s sword, that blade Anaklusmos, hissing as the sharp metal of his bed cut between the soft parts of his armor, biting his tongue so no curse could escape. 

With any luck, the monsters would pass him by, and he could continue along unmolested. 

That was when, of course, that the box lurched forward, pushed along by the monsters, carrying Percy along with it. Malaka! Was he about to be tipped into a smelting pot?

All around him, he heard the chatter of terrible beasts. He was not so skilled in the ancient tongue as Annabeth, but even he could recognize a few words here or there, “weapon” and “cyclopes” and “furnace,” and some names as well: Zena, hissed with scorn, Posidaota, spat with bile, and, most chillingly of all, Kronos, spoken with reverence and awe.

Percy blinked against the sudden light as his cover was removed from his person, revealing himself to the monster, who was so taken aback by his presence, that it blinked back at him in return. For a few moments, neither of them moved, so shocked were they by the other’s sudden appearance. Then, springing into action, Percy slashed upwards, dissolving the beast in a cloud of golden smoke. Snatching up another shield and leaping from his bed of spikes, he saw with his preternatural vision a small army of at least twenty monsters, black like dogs, but with sleek, shiny skin, and legs which looked to be more suited for swimming than scrambling around the rocks of Aitne.

With a hearty battle-cry and another wide swipe, he repelled the front row of these creatures, carving himself some space to jump, sprinting for the mouth of the tunnel. The monsters followed after him, baying and growling as a pack of ravenous wolves, and they would have caught him, tearing him to pieces, had they been but a little bit faster. Thinking quickly, at the top of the tunnel, Percy hurled his shield into a column, the rocks crumbling upon impact, burying the monsters and blocking off the path with a great, noisy cave-in. 

He doubted it would keep them trapped for very long. Not only that, he very much doubted that they had been the only monsters in the cavern. Percy had just announced his presence to anyone who might have been listening, destroying their chance for any sort of subtle reconnaissance.

And Annabeth was still out there, somewhere, invisible.

“Annabeth!” He yelled, running towards the platform at the center of the ocean of lava. “Annabe--!”

An invisible hand clamped over his mouth, wrestling him down behind a large, bronze cauldron. “Silence! Do you mean to have us killed?”

Arms flailing, he managed to locate her head, slipping off her cap of invisibility. She shimmered into view as an island emerging from the mist, scowling and covered in ash and grime. “It’s far too late for that,” he said, grimly. “I came upon a group of monsters, and brought the roof crashing down on them.”

Hissing curses, her hands clenched, as though she meant to strangle him, before she visibly managed to control her temper. “You said there were monsters?”

He nodded. “I know not what kind. I had thought they may have been dogs, were it not for their flippered feet and human hands, adorned with claws. They spoke of furnaces and weapons, making arms for the first Titanomachy.”

“Telkhines,” she gasped, eyes wide. “Of course! I should have known. I had wondered when I saw… well, look.” 

Together they peered over the lip of the cauldron. In the center of the platform stood four of these demons, larger than any Percy had seen before, standing at least the size of a fully grown man. Their black, scaly skin glistened in the light of the fire as they labored, sparks flying between mighty hammer strikes on a long piece of glowing, hot metal, hissing to each other in the ancient language. “What are they saying?” he whispered to her. If he could not understand them, Annabeth surely would. 

“They are talking of fusing metals,” she said, frowning. “Other than that, I--I cannot say.”

“Is that bad?”

She stared at him, incredulous. “The telkhines betrayed the gods,” she said, “for practicing dark magics. For their transgressions, Zeus banished them to Tartaros.”

“Alongside Kronos.”

She nodded. “We must return to Hephaestus at once--”

But no sooner had she spoken than a sharp, clawed hand pierced its way through the rubble of Percy’s cave-in, pushing aside the rocks which blocked its path, followed closely by its snout, teeth long and sharp and dripping with saliva. “You must return to the god,” Percy said, moving into a crouch. “Leave me here.”

“What?” she shrieked. “No! I will not leave you!”

At any other time, he would have praised her for her courage, but not now. “You must! Let me distract the monsters, and perhaps the spider can lead you back through the Labyrinth. You are the leader of this quest--you must take the message back to Hephaestus.”

“But you’ll be killed!”

“I’ll be fine,” he said, turning to face her. “As well, there is no other choice.”

She glared at him, her lips pulled back almost in a snarl worthy of one of the monsters. He knew this look of hers well--it was the one she wore whenever she considered hitting him for his foolishness. 

But rather than hit him, she did something which shocked him even more.

She grasped the collar of his tunic, pulled him close, and kissed him. “Be careful, phykios,” she murmured against his lips, breath hot. Then she put on her cap, and vanished. 

Percy couldn’t breathe, and not for the smoke. Had it not been for the lava, the monsters, the weapon, the quest, he would have been quite content to sit there all day, thinking of nothing but the softness of her mouth and the way her eyes sparkled in the firelight, unable to even recall his own name. 

A sea demon screamed, jolting him back into reality. 

The horde of monsters, freed from their prison, charged across the bridge towards him. Percy scrambled up from the ground, running for the middle of the platform, startling the large monsters so thoroughly that they dropped the red-hot blade over which they labored. It was as long as they were tall, curved like a crescent moon, its shape burning into his vision, sending shivers down his spine. 

Unfortunately for Percy, the monsters recovered quickly from their shock. Every which way he turned, his exit was blocked by a small army, surrounding him. Cutting him off. 

Raising Anaklusmos, he prayed that they could not see the blade shaking. 

“Son of Poseidon,” rasped a demon, speaking Percy’s own language now. “We are honored by your visit, fish-blood.” 

He spread his senses, casting about for an escape, but there was none. He was trapped. 

“Will you strike us down, half-blood?” asked another one. “An you try, the rest of us shall tear you to shreds.” Licking its lips, it advanced on him, claws glinting in the glow of the forge. “Perhaps we shall deliver you to your father in pieces--an omen of the horror we shall visit upon him, and all the rest of the twelve, for their betrayal.”

Annabeth would not have allowed herself to be cornered this way, but Percy was no strategist. If the gods favored him at all, they would have seen to Annabeth’s escape, leaving him to his doom. 

Was this to be his doom, he wondered? Trapped in the heart of a volcano, overrun by monsters which would use his bones to pick their teeth? 

The tallest of the demons plunged its hand into the furnace, scooping a handful of molten rock. “Let us see the might of Olympus,” it said, grinning. “Let us see how long it takes him to burn!” And it threw the lava at Percy.

Dropping his sword, he swatted at his clothes which had been set alight, as though he had merely had an unfortunate run-in with the lava trap at the agoge, but it was not nearly enough, the fire engulfing him with each passing second. At first, oddly, it had only felt warm, though it grew hotter and hotter with every heartbeat. 

“Your father’s nature protects you,” one monster sneered. “Makes you hard to burn. But not impossible, fish-blood. Not impossible.”

Later, Percy would struggle to remember the particulars. He would recall only the fire, and the pain. He would not remember how he crumpled to the floor in deepest agony, the sea demons howling in delight at his terror. 

Nor would he remember the voice of the naiad at the farm of the giant Geryon. The water is within me, she had said. 

Between waves of torment, there was a tugging sensation in his gut, calling vainly for water where there was none: not a river, nor a stream, nor even a petrified seashell. Percy called for the sea, the towering waves which could wash away villages, the currents which could destroy ships in a single blow, the endless power of the ocean, and he called for these things inside of himself, letting it loose in one terrible, horrible scream.

Fire and water collided, a typhoon of unearthly power shooting him up from the beating heart of Aitne on wings of superheated steam, peeling his skin away, another piece of flotsam flung from the earth by the force of the blast. Higher and higher he flew, further than Icarus, than Bellerophon, than Zeus himself, so high that the lord of the heavens would not be able to reach him--and then he fell, a shooting star, hurtling towards the sea which would not save him. Not this time.

[illdowhatimtoldwhenimdead]

I Am Not Starfire Rant

Okay, I know this is a departure from my normal content, but I feel like I need to get this off my chest after this was announced.

The controversy around this comic’s announcement is so goddamn petty.

For context, a few days ago at the time of this post, DC revealed that they were going to be making a comic about Starfire’s daughter.

And the internet

Wasn’t

Happy

Now, this isn’t the first time the YouTube community has claimed DC was going “woke”, but I have mostly ignored those kinds of statements as

1. I’m not even a DC fan

and 2. I don’t like associating myself with the “anti-sjw” types that often make that content.

Until I was suggested this video:

https://www.youtube.com/watch?v=VCPr5dD5jPY

Which is literally just a minute and 32 seconds of this guy laughing at the character.

Upon further investigation, I realized that he was definitely in the majority with his negative opinions of this character and the comic she will feature in.

However, the main points I have been seeing is just that 

a) She’s fat

b) She’s goth

and c) (as mentioned in the announcement) She’s gay

These three traits have the online comic book community calling this “woke trash”, and calling the character design ugly

However, I would like to refute this notion, as they clearly seem to be missing something I found interesting. The fact that they are clearly going for a contrast in design.

As I have labeled here, you can already see clear differences in their designs through the color choice. While Starfire has a very warm color palette (with reds, oranges, yellows, and purples) her daughter’s design is more simple, with blacks, grays, and whites (colors often associated with, you guessed it, goth culture).

And, as the videos shown previously clearly state, this character is plus sized. This further adds to the contrast (with the mother being slim and tall, and the daughter short and fat).

As the title suggests (as well as the description gave for the comic seen here) this comic is meant to be more family-oriented, with a focus on the relationship between Starfire and her daughter, and what is likely a disconnect between the two. 

All of these traits given to the daughter work in the concept’s favor, as the daughter might have to live up to her mother’s legacy, while not being able to fit the conventional standards of beauty that her mother falls into. 

The reactions I’ve seen really rub me the wrong way, and seem indicative of the attitude these kinds of channels have. The comic hasn’t even been released yet, and everyone is already labeling it to be bad solely because of the daughter’s design. 

Anti-sjw’s are the kind of people to complain about the complainers. But now that there’s no one complaining as much as there were in the early 2010s, they’re just looking for menial things to complain about. Making them no better than the “sjw”s they oppose.

Yet another episode of The Internet Making A Big Deal Out Of Nothing.

If you want to criticize something, go ahead. But at least come up with better arguments than "fat people bad” or “gay people bad” or “goth people bad”, or any of the other middle school-level insults that people seem to have had thus far.

[bon-nii]

There's literally no stakes in the anime at all. Its so bland and emotionless. I don't feel anything for these characters. Everything is being handed to them. Give me back my son, Adam. He is far more intelligent than any of these anime characters. They all drank stupid juice.

Yeah, I definitely agree. I'm just watching to see where this ends up at this point (and also to shitpost lmfao)

Every Thursday me and two of my friends (one has read most of the manga, the other is anime-only) watch it on discord, or talk about it on discord and man... my friend who is anime-only is like "yeah, this sucks ass, I need to just read the manga" and is confused with stuff. We just kinda clown on it at this point. It's basically just someone's shitty canon-divergence AU playing out on screen.

Random assortment of thoughts:

I can sympathize with Manga Norman. I can understand WHY he is doing what he is doing and what his motivations are. It is, quite frankly, completely disgusting what he wants to do, but I can get why he wants to do it and I don't hate him. He is a very complex character, trying to make sense/live in a very complex world. Anime Norman on the other hand? I feel nothing for him like, I just Do Not Care. Norman is, imo, the best written out of the three mains and my personal favorite, but they've completely squandered his writing... ugh

I've held strong by this belief: If you are going to adapt TPN, there are 3 major characters who you *cannot afford* to mess up. Isabella, Yuugo, and Norman. (I'd even throw Peter and Leuvis in there as well) Well, Yuugo's gone and if they *do* decide to have him show up his character is completely different (i.e. the out of character note he leaves at the bunker). Norman has next to none of the depth he had in the OG story (I can't remember, but didn't Cislo or Barbara say that he saved the kids at the mass production plants? Uhhh, what?!?!). And Isabella is being built up as the big villain YET AGAIN which does not align with her development at all (though I do think they will still pull a bait-n-switch on us like in the manga) so there goes that.

Peter and Leuvis oh where do I start? Leuvis is my personal favorite villain of the story for multiple reasons (I think I will write an entire post on him sometime) and Peter is the epitome of everything Emma stands against and is essentially the Big Bad. Leuvis is gone, Peter is in the op but has had ZERO screentime thus far, not even any fucking hints to his existence at all. There's 5 eps left so he has to show up at some point, right? He's in the opening soooo... where the hell is he? How are viewers supposed to give a shit about him? He's pretty fucking dangerous and has been influencing the plot since day ONE, but whatever I guess??

Anime Ray is the only one I vibe with rn, and even then he's meh. Anime Emma is on thin fucking ice, and Anime Norman can be fed to the Dropkick Murpheys for all I care.

Infodumps. My god. These bitches be talking like they're reading a wikipedia article.

The literal butchering of Emma's character. Goldy Pond would have been the ep 19 of Demon Slayer of this anime season if they had adapted it, and I stand by that. The amount of HYPE on social media that would have happened after Emma pulls herself from the brink of death to challenge Leuvis would have been insane. There are so few strong, well-written female shonen protagonists... damn shame that the brilliance of Emma is relegated solely to s1 and the pages of the manga, she is a husk of herself in this season.

No character growth. Trio is separate for 90 chapters. That's literally half of the entire manga. There's no feeling of separation, no feeling that they are wildly different people now. These three have spent their entire lives together. Ray and Emma have to struggle without Norman, and Norman has to struggle without Ray and Emma. It's so important. This dynamic *literally* dictates how they grow as characters. When they are finally reunited it is so emotional and amazing, but also a bit unsettling because Norman is *clearly* not the Norman we remember... but in the anime we don't feel any of the impact of those 2 years.

Yuugo and Lucas. Contrasting the love Isabella gave to the kids with the love these two dads give to them. Adds a lot to the story. RIP.

Also RIP Adam and the Gold Pond kids... jeeeeeze there was so much potential.

Anime sacrifices extremely hard-hitting and emotional moments for cheap shock factor (namely, bunker raid and the trio reunion)

Speaking of the trio reunion, why the FUCK does Anime Norman not give a shit about Anime Ray? Hes completely ignored, and it's not like in the manga where he came in later no, like... he's there, seeing Norman at the same time Emma is. There's like, a solid minute and a half of Norman and Emma crying over each other while Ray just stands in the back like 🧍‍♂️and then is added as an afterthought. Emma's like "oh yeah, I brought Ray" GIRL??? And Norman is like "oh hey Ray.." BITCH?!?! YOU KNEW HE WAS GONNA FUCKING KILL HIMSELF AND HAD NO WAY OF KNOWING WHETHER OR NOT EMMA WAS ABLE TO STOP HIS SUICIDE, FOR 2 YEARS??? AND YOU JUST IGNORE HIM?? AND THEN ACKOWLEDGE HIM AS AN AFTERTHOUGHT?? I--okay!

Manga Norman: Emma and Ray are my best friends and I love them more than anything in the world, but Ray understands me in a way that Emma doesn't. They are both important to me.

Anime Norman: who the fuck is ray

Zero suspense. Minimal world building. Very minimal lore building. No mystery.

What the fuck is up with the William Minerva part of the plot like... uh, that's pretty important??? He's been completely dropped and there's zero reason for us to connect him with Norman. Like, he had his phone call in ep 3 and then any mention of him dipped. Disappointing as hell. Don't get to see the parallels drawn between him and Norman. Man...

Yeah idk what else... am I being too critical? Honestly, not sure. I think my criticisms and frustrations are well-founded, but I am definitely basing most of this off of the anime's failure to adapt the manga. Though I suppose, looking from an anime-only standpoint who has no idea just how much of the story has been axed, it might be okay or it might not be? Or it might depend on the person... in any case, I cant fathom how anyone could look at this season and go "Yeah, this feels like the same show as season 1!"

[imagine-loki]

Hiding in Plain Sight

TITLE: Hiding in Plain Sight

CHAPTER NO./ONE SHOT: Chapter 11

AUTHOR: wolfpawn

ORIGINAL IMAGINE:Imagine coming from a line of nobility or royalty and being in an arranged marriage with Loki in an attempt to strengthen your kingdom / alliance with Asgard. You’re not entirely on board with the idea but figured that the best you could do was to get to know your fiancé. You form an agreement with Frigga for you to pose as Loki’s personal servant for a few months so you can get to know who Loki really is – beyond the veil of his responsibility to the Asgardian throne, behind all the masks he wears when facing the public, to really know who Loki is behind closed doors as you slowly fall for each other.How long will you keep up the ruse with the God of Lies? 

RATING: General Audience

“Loki?” Frigga looked worriedly at her son who burst into his parents’ shared rooms. “Is everything…?”

“You conspired with that elf against me?” He snapped. 

Sighing, Frigga gave a slight wave to her maids who all left the room. “Conspired is a strong word for it,” Her voice was calm and steady as she rose from her seat. “She wrote, asking of your character and I suggested she get to know you. Tatianna needed time with family and thus, I realised she could get to meet you without you being guarded as I knew you were unsure of the situation and were not likely to open up to her.”

Loki gasped in shock. “So you planned this? You were the one to actually suggest it?” He became more hurt at that revelation. 

“You treat that maid with nothing but kindness, I thought if Raven saw that side of you also, she would see how caring you are. I knew that you would not open yourself as willingly to her otherwise.” “I…” he could not explain his anger, such was its intensity. 

“Loki, I am truly sorry for doing this, clearly, it was a mistake on my behalf. I am genuinely sorry for hurting you so, my son.” She tried to have him look at her so that he would see she was being genuine. “In turn, I also hurt Raven.” Loki scoffed at the mention of the elf. “She is a lovely woman. Bright, kind, a good partner for you but instead, it appears my little idea has hurt you both so.” “Even after what you have done to me, the two of you, you care about her?” “Loki, Raven has had a very restricted life, she only wanted to know if she would be forced to endure the same here. I know you will not believe this but she simply wishes to be happy and knowing I am integral to the suffering of more unhappiness for her is upsetting for me. It does not take for my upset at the hurt I caused you.” 

Loki scowled. Raven’s words came back to him again, of her loneliness and the life she was forced to lead thus far. He didn’t want to feel pity for her. He wanted to loathe her, something quite easy to do with her actions but it still played on his mind. Without saying another word to his mother, he turned to leave. 

“I genuinely believe that given the time, you will see you are well suited, Loki,” Frigga stated. 

“Perhaps we could have been.” Loki acknowledged. “But you scuppered our chances significantly with your idea.” With that, he left the room. 

* Raven sat in her room, the door between her bed chambers and front chambers locked and with a sofa in front of it in case any thought to try and open it. She had been ready for Loki’s ire and remarks, she had long built a thick skin being the youngest of five and with four older brothers, what she had not been ready for was her own words. The idea of sitting alone in her rooms for days on end was nothing new to her, what was new was the knowledge that it would not come to an end. Growing up, she had hoped the day would come that she would have a happier existence. Even as a Ljósáfar wife to a Ljósáfar husband, she could not possibly be forced to remain as she had been growing up. On hearing she was marrying an Aesir, she knew life would be far different and on knowing it was Prince Loki, though she knew little of his demeanour, she knew the Aesir way of life would allow her far greater freedom and she also knew him to be very intelligent, allowing her to fantasise of the many conversations and discussions they could share. The debates they could muster in private in the evenings after court was complete for the day. She had been excited about that. Even if they did not see eye to eye, she had dreamed of debate and conversation where she was not required to remain silent. Instead, now she had ruined any such an idea and would be forced to look at the walls that currently surrounded her for considerable years yet to come and that felt far more daunting than she could ever fathom. It filled her with a dread that made her feel like she would begin to hyperventilate at any moment. She felt entirely trapped. 

Questions swirled around in her mind. Would Loki take a mistress? Would he take many over the years? Would she have to endure dark-haired offspring he sired outside of wedlock to mistresses being recognised unofficially? Would she go to empty rooms every night while his were filled with love, passion and the giggles of a lover? Would she remain alone? Would people whisper how she was not a fit spouse? That she was not up to the task of securing the line of her husband. Or, just as heart-wrenching, would she be forgotten about, again. Only recognised and remembered when she stood in the shadow of the important male she was tied to. 

Thoughts of her perhaps finding love, feeling unconditional love could not come to her, after all, such was preposterous to her current state. She remembered the affections she felt before with Lord Arden. The stolen kisses, the sneaking around and indeed, the illicit actions of it. When it was made clear that she was to wed Loki, he left immediately with no thorough explanation. She always wondered if it was because it hurt too much to see her being wed elsewhere and he wanted a clean break, or after a while, she suspected it was because he realised he would not achieve his goal of a respectable dowry from her and decided to try other women. She was unsure if she had come to that second conclusion in her own mind to placate her feelings or not but that was going to be her excuse to make her feel better, factual or otherwise. 

Curled up with her head on her knees and her arms wrapped around them, she did nothing but think sadly of the situation at hand. 

* “You insulted the Ljósáfar.” 

Thor had Mjolnir ready for what was to come and chuckled to himself as he deflected several knives that Loki tossed his way. 

“You’re never able to aim properly when you are overly angered.” “You said nothing.” Loki’s voice was barely over a hiss. “I was sworn to secrecy.” “By someone you don’t even know?” “By our mother, a being I know even longer than you do,” Thor stated, avoided a blast of magic by using Mjolnir’s own version of such. “Raven only agreed because she wanted to get to know you.” “And that was how she decided to do so?” Loki spat. “Not by engaging me in any manner that would signify any attempt of an honest and healthy introduction?” “Since you failed to answer her three written attempts at such, I cannot imagine she felt she had many other options.”

Loki froze. “What?” “Raven wrote to you. On three separate occasions, and you ignored all three.” 

“No, she did not.” Loki shook his head. “Indeed, she did.” Thor reiterated. “This was confirmed, not only by her but when I asked the Postmaster, he confirmed it. I asked him so I could confirm it because you are not one to ignore a letter and I suspected you would call her a liar to save yourself. Three separate letters, dated months apart so to allow for time to receive and reply should you be otherwise busy, giving you time to do so. All three remained unanswered.” “I received no such letters,” Loki repeated. 

“Well, three were sent from Alfheim, sorted by the Postmaster himself and delivered to your rooms,” Thor informed him. “She tried before now. It is why she had to try and find reports on your personality elsewhere.” Thor slapped his shoulder. “I wanted to warn you. Well, I mostly wanted to warn you. Part of me also wanted to see the look of shock on your face when you realised who she was. That was until I realised what you were saying about her. I told you many times, Loki, this is very hard on her.” 

Loki had been bothered by the supposed letters he had not received until Thor mentioned Raven’s ‘struggle’. “Norns, if I have to hear this again.” He threw his brother’s hand from his shoulder. “Poor Raven, how lonely she has had it. How she had to remain seen and never heard. The Elf I have borne witness to is no such shrinking violet. She literally feels like she has to have the last word, come Helfheim or high water.” 

“Because that is who she is. She feels here like she does not have to be a statue any longer.” Thor argued. “Do not lie for one second and tell me that you want a silent and boring wife because you and I both know you rather lose your life than being forced to wed someone without their tongue. How else could you ever have someone at your beck and call to argue with day and night? I would have thought an opinionated and in your belief, an argumentative wife would have suited you to the ground. I doubt you want a wife that would agree with everything you say without question. Where would be the fun in that?” 

Loki could not argue that point. Nothing would disgust him more. “That does not negate her actions.” 

“She felt she had no choice. Was it something I would suggest? No, but it was for a good reason. She just wanted a good partner.” 

Loki scowled. “And in doing so, ensured she would not get one.” 

“Loki, please. This is going ahead whether or not you are happy about it, so you have two choices, be angry with her for this, accept any and all apologies, learn about her and try and form a healthy and fulfilling marriage with her or continue this animosity and live an unfulfilled marriage. I will soon have to court my betrothed and if the options of both were on the table, I know I would not wish to remain arguing.” “She already made it clear, the hope is to perform some sacred ritual, ensure you and your wife spawn multiple times and stay as far away from me as is physically possible.” 

“Loki, the woman I have spoken to multiple times wants entirely the opposite of that and I know you don’t want to believe it but to her, coming here, having a husband such as you was something she wanted. Sadly, things have gone slightly awry.” Loki began to scoff at his words before pausing. “When has all this conversing been taking place?” “Through her stay here.” Thor kept his answers broad so as to not have Loki sense any dishonesty. 

Loki studied his brother closer. “Like when?” “Do you honestly think I can recall days and times off the top of my head?”

“Do you know where in the palace she is?” Thor tried to think of something to say to argue that but silence or a no would immediately be sensed as a lie. “Why?” “I deserve to know, as her betrothed, surely?” “Not if you are going to add to her loneliness with it.” “Loneli…If I wanted to add to her loneliness, the last thing I would do is ask where to find her, Thor.” Loki scoffed. “Where is she?”

“I am not going to tell you if you are going to use it to add to this farce.” Thor’s declared. 

Loki knew he was telling the truth, much to his own annoyance. “Then leave.” “This is the royal hallway, I don’t have to leave. I live here, same as you.” Thor reminded him. “In your time speaking with Raven, what have you learnt of her?” “That she’s a conniving wench.” 

“No, Loki. In all seriousness, what have you learnt of her? What did it reveal of her knowledge of you?”

“Nothing, she knows nothing of me. Made clear by how she thought to get to know me.” He snapped. “Her way of speaking to me was not to introduce herself but to act like a maid, to scrub toilets and rummage through my belongings. That’s how little she thinks of me.” Loki paused. He had not thought of that previously. She had been privy to all of his belongings. Letters of private matters, items of personal value that he would not have wanted her to see. It annoyed him greatly that she had touched and rummaged through such things.

Seeing his brother getting irritated, Thor decided to alter his train of thought before he focused too greatly on what was annoying him. “So in that time, she got nothing right about your personality? I refuse to believe that because when I discussed the issue with her, I think she got your personality to perfection. The anger, the silent treatment, she even apologised to me for the aggression you would show me, both physical and otherwise.” “That, she did ascertain correctly. That is hardly surprising as it would be considered a normal reaction by most.” Loki dismissed. “I will not repeat myself, where is she?” “You’re repeating yourself saying that to me again.” Thor pointed out. “Until you are willing to speak with her like an adult, I will not tell you.” “You owe me.” “You owe her, considering you never even wrote back when she tried to engage you herself.” Loki said nothing as Thor walked off, leaving him to his thoughts. He walked back to his room and looked at the platter his letters always were placed when delivered to him. There were three there at that time. He walked over and looked around, noting there was nowhere any letter could have fallen for him to not have seen it. 

The Aesir Postmaster was a man of set ways. He was practically devout in how he viewed his role. If a letter went missing in his office, Norns have mercy on the being that moved it. He took the role as seriously as Odin took the role of Allfather. If he genuinely told Thor that there had been three letters from the Ljósáfar palace for him, then there had been. So where were they?

[enderspawn]

It's alright if u don't wanna answer this cuz this argument gets people really riled up but do you think c!Techno is a tyrant or nah?

Cuz many c!techno apologists argue that he isn't just cuz he's an anarchist but I've also read a lot of essays that go against it and it'd be really interesting to see ur opinion on this

i think he, in some contexts, can most definitely be called tyrannical, yes. a tyrant? no.

to avoid spamming ppl w discourse we've all def heard before (and bc this ended up MASSIVE (like 2.3k ish), but fairly in depth bc i didnt wanna speak out of bad faith and wanted to be EXPLICTLY clear-- oops), the rest will be under readmore

so heres the thing i want to preface: i used to really LOVE c!techno. i joined beginning of s2, right when exile started, and he was arguably my favorite character. since then though i've fallen out with him a LOT, to the point i almost... actively despite him at times (though mainly in a toxic kind of way which i can acknowledge is flawed).

in short, his actions started to speak louder than his words and i lost investment in his personal character struggles because of the actions he took (doomsday was my breaking point. i get feeling angry and betrayed, as well as seeking revenge against lmanberg, but his actions went too far for me to CARE and it hurt so many more characters as well.)

so when i speak, i come from a place of disliking him but also somewhat understanding the position c!techno apologists come from: i used to be one of them myself.

NOW, do i think he's a tyrant? no. for reference in my analysis, i try to look up the definition of terms to make sure they are utilized properly. while "tyranny" and "tyrannical" can have multiple uses, tyrant itself is a more specific term. to combine the top two definitions, a tyrant is referring to "an extremely oppressive, unjust, or cruel absolute ruler (who governs without restrictions, especially one who seized power illegally.)"

techno's position as an anarchist, imo, DOES indeed make him unable to be a tyrant. tyrants are rulers with very clear power over others from a structural way. anarchists are about the lack of structure or power over others and instead viewing the people around you as equals in power.

in forming the syndicate, they very explicitly worked to not designate a leader and instead make it so that no one would have any power over the others systemically. techno may have taken a integral role, yes, but it doesn't make him suddenly "the leader", its a role that wouldve had to be filled by someone (even if it was democratic to decide who to invite, they'd need someone to hand over the invite itself yknow? like no matter WHAT there needed to be A ROLE)

one could argue that he IS a leader in the shadow hierarchy of the syndicate (which, yes, is a real and professional term used in management courses despite sounding like it comes from a 4kids yugioh dub) in that everyone CONSIDERS and looks to him a leader without him having any actual structural basis behind it, but to argue that allows him to be a tyrant is in bad faith i believe. especially because to the people he would be "ruling", he ISNT oppressive, unjust, or cruel. they are his friends and support network and critical for a lot of his personal development (since feelings of betrayal and trust issues are critical to his character and why he acts the way he does). I wish we were able to SEE this develop more, but oh well.

but like i said: tyrant is fairly specific in definition. TYRANNY, and thus TYRANNICAL are not as limited. I've discussed their definitions here. originally, i made that post because i was angry at a take i had seen that claimed that, like you said, because techno was an anarchist and not part of any government or leadership position, he couldn't be tyrannical. to which i heartily disagree.

for something to be tyrannical, they simply must have an overarching/oppressive power over someone or something. it would not be inaccurate if i were to say that something is "under the tyranny" of a concept, because what it means is that something is under the power of another thing/concept. you can frankly call anything tyranny if it is widespread/overarching and you don't like it. mask mandates? tyranny, its forcing me to act in "rigorous condition". hell, theres even such things as tyranny of the majority in which people agree too much on one thing and it gives them unfair power or tyranny of the minority where people with minority opinions have too much power (thats a very grossly oversimplified definition of both, but it covers the base idea well enough for my point)

the point im making above isnt meant to be taken as "anything can be worked to be defined as tyranny thus it is a meaningless claim", it is that tyranny (and again, thus tyrannical) are very open and nonrestrictive terms.

to make it easier to define, alongside the definitions provided i want to add an explicit clause that is (imo) implied in the original definition: tyranny is... well, bad. that is to say if someone has power over a group but literally everyone is fine with it and agrees to it, its not tyranny. thats just a group of people getting along and one happens to have power over another. a leader does NOT equal a tyrant (as discussed above), so leadership should not be equated with tyranny.

thus as an example: wilbur acting as president (before the election) may have been "unelected" with power over his citizens, but no one was upset with that power. thus, he is not a tyrant and not acting tyrannically (as well as the fact his power was, arguably, NOT rigourous or absolute but thats another topic for another time). SCHLATT however IS a tyrant, as his power was absolute (he did not consult his cabinet) and forced people to comply instead of them complying willingly, thus he was acting tyrannically.

now to finally get to the damn point of this essay: where does c!techno lie? honest answer? it depends slightly on your perspective, but it depends a LOT on the future of the syndicate.

techno is incredibly clear in his goals: no governments, no corruption. in fighting with pogtopia, he is actively working to topple a tyranny-- he isn't tyrannical for doing that.

when he strikes out on nov 16th, it is because he opposes them forming a new government. when they oppose him and disagree, he launches an attack against them. is this tyranny? maybe, but probably not. he IS trying to impose his own physical strength and power (as well as his resources) over the others to stop them from doing what HE doesn't want them to do.

however its more nuanced than that:

1. hes lashing out emotionally as well as politically. he feels betrayed by those he trusted and he believed that they would destroy the government then go (i'm ignoring any debates on if he did or did not know that they planned another government, though it is a source of debate). but typically idk about you but i dont call tyranny for someone fighting with another person.

2. he also may be acting with good intent again, in HIS EYES. if tubbo was part of manburg, whos to say he wont be just as bad? he, in his pov, is likely trying to stop another tyrant before they rise.

3. and finally, and tbh the most damning from any perspective: he gives up. he quickly leaves then RETIRES without intent to try and attack again until he is later provoked. tyranny is defined by it not just being power, but power being USED. if he doesn't use his power to try and impose any will, then he's not tyrannical.

Doomsday I am also not going to touch very in depth on for much of the same reasons. My answer is again a "maybe", depending on the weight you personally place on each issue:

1. he's lashing out as revenge for the butcher army and as revenge against tommy for "betraying" him (though this one we explicitly know he was ignoring the fact tommy did not want to go through with it, however he still did trust and respect tommy regardless so his feelings are understandable anyway)

2. he sees new lmanberg as corrupt and tyrannical (which is undeniable: house arrest for noncompliance, exile without counsel, execution without trial, etc), and thus obligated to destroy it

but also, theres the implicit understanding he's doing this to send a message: do not form a government, or else. its a display of force that also works to warn others unless they want a similar fate. phil even explicitly states that he is doing so to send that message, so one could assume techno is doing the same alongside his personal reasoning listed above.

what i just described is the use of a oppressive and harsh (physical) power in order to gain compliance from people (that compliance being 'not making a government'). does that sound familiar? exactly. it follows the definition(s) of tyranny given previously. technoblade is acting in a way that is, by very definition, tyrannical.

so the debate shifts: is he valid in doing so because he is trying to PREVENT corruption and tyranny. like i said, new lmanberg was undeniably corrupt at points. i held nothing against techno for trying to topple manburg, so does that apply to new lmanberg as well? short answer: i dont know. it depends on your specific opinion of what is acceptable. its like the paradox of tolerance: to have a truly tolerant society, you have to be intolerant of intolerance. to have a truly non-tyrannical society, do you need to have a tyranny enforcing it?

personally (and bc im a lmanberg loyalist /hj) i say it is. regardless of the corruption of new lmanberg, they are also giving a threat to EVERYONE. even those who are innocent, they are presented with the exact same threat and rule set: if you make a government, you will be destroyed.

(which, small divergence here, is part of why debating c!techno is so frustrating. so many times you end up hitting a "well it depends on your political views" situation and there ISNT a correct answer there. im here to analyze characters for fun, not debate political theory)

so: the syndicate then. this is where this debate really "took off" and i think its due to one very specific miscommunication about its goals and plans. the syndicate, upon formation, declares itself to stand against corruption and tyranny. when they are found, the syndicate would work to destroy it. so heres the golden question: what do THEY define as corruption and tyranny? if you were to go off c!techno's previous statements, seemingly "any government" is a valid answer. however, he also states he's fine with people just being in groups together hanging together.

what then DEFINES A GOVERNMENT for them? what lines do they have to sort out what does "deserve to be destroyed" and what does "deserve to exist freely"

this is a hypothetical i like to post when it comes to syndicate discourse:

i have a group of people. lets say 5 or so for example. they all live together and build together. any decisions made that would impact the entire group they make together and they must have a unanimous agreement in order to proceed, but otherwise they are free to be their own people and do their own thing. when you ask them, they tell you they are their own nation and they have a very clearly defined government: they are a direct democracy. does the syndicate have an obligation to attack?

there is absolutely no hierarchy present. there is no corruption present. but, they ARE indeed a government. is that then inherently negative? my answer is fuck no (see the whole "difference between a tyrant and a leader" thing above).

but THATS where the issue of this discourse LIES. in some people's eyes, the answer to that is YES. techno's made it clear "no government" is his personal view, but does that spread to the syndicate as a whole? do they act preemptively in case it DOES become corrupt? is it inherently corrupt because its a government, regardless of how it is ruled? the fact of the matter is because of how little we've seen the syndicate work as a SYNDICATE, we don't know that answer. so we're left to debate and speculate HOW they would act.

if the syndicate were to let that government exist, then they are not tyrannical. they are showing that they are working to stop tyranny and corruption, just like in pogtopia again.

if the syndicate were to destroy/attack that government, then they are tyrannical. simple as that. they are enforcing a rule of their own creation without any nuance or flexibility under the threat of absolute destruction.

miscommunication in debates comes, in my opinion, in the above. of course theres more points of nuance. for example:

would the syndicate allow a government like i had described with early lmanberg, where there is an established hierarchy but everyone in the country consents to said leadership? on one hand, there is no tyranny or corruption present which is what they are trying to work against. on the other hand, theres more a possibility of it occuring. perhaps they'd find a middle road between the two binary options of "leave or destroy" i am presenting, such as checking in occasionally to ensure no corruption occurs.

but if they were to destroy it without, for lack of a better word, "giving it a chance" they would be, in my opinion, tyrannical. they would be going aginst their words of opposing corruption and instead abusing their power to gain compliance.

your/others opinions may differ, again it depends on if you see it as worth it to possibly stop future tyranny or if a hierarchy is INHERENTLY a negative thing.

part of the reason so many blog gave up this debate, beyond not getting very clear answers for the syndicate, is because of the nuance present. there. is. no. right. answer. every single person will view it differently, because there is no universally agreed upon truth of right or wrong here. BUT, i hope this helps shed some light on the discussion and my thoughts on it

[nefoe-dd]

SO SMT AU AM I RIGHT GAMERS

I mentioned this in the tags of another post and joked about it in Discord but my brain went brrrr during my last class of the day and now I lowkey have a full plot starting to form lol.

Keep in mind the only Shin Megami Tensei game I’ve played myself is the Nocturne remake, plus I only really remember bits of the plot of 4 and whatever we’ve been given so far of 5 so I’m not super well versed in the series.

Also I’ll add this to the tags too but DSMP Spoilers specifically for the contents of Techno’s Will exist in this post, because that is where the idea for this came from. A lot of other JRPGs have similar plotlines but I specifically thought of SMT because its kind of a meme specifically for that at this point how the plot always seems to have the same type ending bosses. 

Also some spoilers for Shin Megami Tensei IV

ANYWAYS

Now Presenting: An AU where Techno’s Limbo is an SMT Game lol

(Under a ‘Read More’ because it got way ahead of me)

An Introduction to Relevant SMT terminology:

Demons: Makes up a large majority of the characters in the game. They are the enemies that you face in combat, and its possible to recruit them to your team through various means. Some demons exist in the overworld though, and can be talked to normally, they’re chill most of the time, unless you do something to tick them off. ‘Demon’ is not taken literally by the Christian definition, they are based off of various figures in folklore and religion around the world, some are even based on Gods and Angels.

Law vs Chaos: Many SMT games have multiple endings based on these two alignments, along with the neutral alignment. It is usually decided by some important decisions the player makes throughout the game. I’m most aware of the SMT 4 ending, in which the route you are on decides the final dungeon, the character you team with for the ending, and the final boss (its either Satan or the in-game version of God). It’s based off of the traditional interpretation of these two, where Law represents the importance of authority, and Chaos represents the importance of freedom. 

Another note is that a lot of SMT games take place in a post-apocalyptic world of some kind, which, spoiler, is the case here.

General Plot Details and Worldbuilding:

- Techno dies in the prison. The stasis chamber fails and Quackity succeeds in killing him. Permanently. 

- Despite dying, he wakes up again in the main prison cell, but things are different. The lava isn’t blocking the entrance anymore, (in fact there isn’t any lava at all), and he’s alone. Upon peering outside the main cell, he notices a bit of sky peeking through the prison ceiling, like it had been broken into. 

- The drop down to the bottom floor is long, but he’s dead, so he just shrugs and jumps down so he can see what’s going on. Turns out there are several holes in this part of the prison, in fact there are multiple on the ground, likely where the lava had escaped from. (Obviously Minecraft lava specifically doesn’t work like that, I’m pretty sure in the DreamSMP the bottom is all source blocks, but just ignore that bit). 

- He exits from the back wall of the prison, and everything there so far looks normal, except for the fact that there appears to be less trees than normal. Of the trees that are still there, many of them were cut down and never collected, and some appear to have fallen over due to some damage.

- Techno goes around the prison to the front, and that’s when he notices some things that are very wrong. Various parts of the prison, not just the main cell, are also sitting destroyed. Many cracks, scuff marks and full-on chunks are missing on the walls. The usual entrance which houses the nether portal is hardly still standing, and he can see straight into the main lobby where the portal would lead into once you were let through. 

- The surrounding areas are not much better. Tommy’s outpost is toppled over in the distance, only the base and bottom floor are left standing. The tents near the beach are collapsed and destroyed, the only remnants of one of them is a small piece of fabric ripped from the main bit and laying on the ground. Skeppy and Badboyhalo’s mansion is crumbling where it stands, half of the back wall and ceiling are gone. And that’s only what’s visible from here. 

- The rest of the server is also in various states of destruction, the spawn walls are hardly left standing, the main nether portal area is covered in potholes, none of the portals are active. The prime path is rotted and broken in most areas, the buildings along it are not faring much better than the ones he’d seen before. And the further he gets away from the prison, the more the plants themselves appear to be dead or dying. 

- L’manburg’s crater looks much the same as it once did right after its destruction, albeit with more debris at the bottom which had fallen from the sides as they slowly eroded. The flag at the bottom is torn up and discoloured, honestly its hardly recognizable. The nature that had finally begun to reclaim the land has slowly been dying instead over time, and the bridge overtop has completely collapsed. The only thing still standing, is the ever present obsidian grid that looms over it in the sky. He supposes that whatever disaster had caused this wasn’t able to reach that high up, or that it was at least in part done by someone that liked the way it looked. Not that there seems to be a need for the reminder anymore. 

- Something something, he finds out DreamXD is here, and that he might have had something to do with how this world looks. And as much as it shouldn’t matter in the afterlife, he did promise Phil he would be killing God sooooo he goes on a mission to do just that. He can do pretty much anything now that he really doesn’t have to worry about dying, so why not. He has no reason to care about some God, especially when they’re the only ones left.

- Some DSMP people hang around the world and are represented by certain demons, the mostly chill ones that kinda just hang around in the apocalyptic scenery. They don’t recognize him, it isn’t really the people he knows after all, but they are willing to talk to him since they can tell he isn’t human either. He learns little bits of what happened through them, and learns where DreamXD resides, that being one of the strongholds that’s a bit further out. 

- Unfortunately, due to the portals being inactive, and his inability to break anything efficiently, or even at all, he has to travel using the overworld. Along the way he manages to speak to some others, this allows him to better locate where the God is, although it doesn’t seem to be hiding out. He even sees it sometimes flying around, which he uses to follow where its hiding. 

- Some of the random demons he runs into recognize that he’s not supposed to be here (according to them at least), so he has to fight his way through them. Luckily, many of the friendly demons that he talks to end up tagging along in order to help, thus making up a team he can use to get through them instead.

 - There’s probably a demon that seems to resemble Phil somewhere, living alone (alone for so so long) away from everyone in an arctic house perhaps. If I wanted to really up the angst, the demon takes a liking to Techno right away, which is partly how Techno is able to tell its him so quickly. The more they talk, the more Techno realizes how lonely the Phil he knows must be without him there, how upset he’d be once he reads the will and finds out what happened to him. Thus he’s more motivated to, you know, fight God, in an attempt to figure out what the hell happened. (DXD is the only entity existing here that also exists where he’s from, he can guess pretty easily that maybe, just maybe, they are one and the same). Thus, he is given a choice that he knows he will have to make in the future. 

- Eventually he manages to find the stronghold and comes face to face with DreamXD himself. DreamXD is just kinda chillin there, they fight, through DreamXD doesn’t seem to be putting in too much effort, almost like it does not want to win. 

- Techno wins (duh), and he is left with a choice, a choice to finish the job, or spare the god and allow it to go free. And, well, he feels that he doesn’t really have the right to decide whether it lives or dies, and while its possible that DreamXD caused whatever disaster created the current state of the world, but he doesn’t know that for sure. DreamXD has done nothing this whole time he’s been here, and its done nothing to him or his companions.

- He chooses to leave it alone, and DreamXD seems to know that it was always going to end that way. 

- DreamXD disappears, and Techno wakes up in the cell again post-revival, the prison and the world around it is the same as he remembers

(I don’t remember the exact real-world to limbo time difference but I imagine that it felt like, a day, maybe half that, while irl it was only a few minutes to an hour.)

Some other notes/details:

- The other possible ending would have resulted in Techno killing DreamXD and being given ANOTHER choice to take its power over the world, or just leave and stay there forever. Basically DreamXD’s existence is vital to the power of the revival book, and it’s death would have resulted in Dream not being successful in his revival attempts. Obviously we have no idea how the powers actually work yet, but I just came up with an explanation because I thought it would be interesting. You can decide on your own which of these endings fall into Law, Chaos or Neutral because uh, its complicated given the scenario. You can also decide if letting DreamXD live even fits into his character! Idk! But its not like DreamXD’s being oppressive by any means, not that there’s anyone to oppress here anyways. That’s my logic anyways.

- I don’t know what demons would represent specific people, I’d like to use one of the Angels for Phil but the Demons based on Angels usually have an important role in the plot that is in line with the Law alignment and like, protecting god or whatever, so no. There are a couple bird ones but idk if they fit the vibe, idk it could work, I’d have to look at a list if I want to go into this further.

- I kinda want Eret to be an Inugami because it’s body does that thing that ferret’s do when they’re all stretched out :) The only reason I’m hesitant is because Inugami is a dog, and Goose deserves representation.

- The reason I imagined for why Techno can’t break anything is because the mining fatigue lasted throughout this because he died with it, it’d get in the way of fighting too but at least it isn’t weakness, and he’s not alone either.

Uhhhhh that’s it for now I think!

(will potentially add to this if I figure something else out in the future)

[a-crimson-lion]

Ultimatum: The Art of Lying In A Made Bed

(Or Why My Experience With Chapter 285 Is Contrary To Everyone Else's)

[Manga Spoilers Ahead. Also Opinions. Feel Free To Ignore.]

After Chapter 284, many fans were wondering how the story of BNHA would follow up on Katsuki's development. Now that Chapter 285 is officially out, fans are clamoring about Katsuki's latest acts of heroism, about how his arc is finally kicking it into high gear.

I'd be inclined to agree, but… you know how these things go.

[Heads up fans/stans, if you like Katsuki you might wanna bail. The word vomit that follows is pretty much incoherent and reflects my disaster of a thought process.]

I was looking forward to Chapter 285. I had my reservations on the execution of Chapter 284, but if the next chapter could follow it up and then some, I'd be pleasantly surprised. But then the leaks came out. And then the fan translation. And as of today, the official VIZ translation.

While everyone else is cheering for explosion boy, I'm just… done.

285 didn't get me to see how far Bakugo's journey has come. 285 didn't get me to finally root for him. And maybe I am making this decision prematurely, maybe I am missing something, but…

...the way things are going in the story I just- I just CAN'T root for him.

And I'm not saying the rest of you can't, if you're still reading. Katsuki is definitely a different person compared to Chapter 1, a better person, and he's definitely been heading on the up and up! If you can and want to support him, then by all means, go for it, don't let me stop you! It's just…

For me, chapter 284 was a wavering torch: a flicker of hope that sometimes dwindled, but was still there. Chapter 285 was the moment where I wanted to jump on the Katsuki Development Train, to finally gain some semblance of respect for him. But when I jumped, I landed on the tracks, and had to crawl back onto the platform.

I missed my chance to jump on that train. Whether it's because of previous circumstances or recent circumstances, I'll never know…

You probably wanna ask me at this point, "But Crimson, why DIDN'T Chapter 285 make you see the awe inspiring pinnacle of character development that is Katsuki Bakugo???"

To put it simply: it's a culmination thing.

For starters, there's a sort of… whiplash with Katsuki's development in the last few chapters. People like me will complain that Katsuki's development is too slow, in the case of the last 2-3 chapters, it feels like a switch was flipped, and now it's become too fast. Perhaps it's a me thing, but let me try to explain…

Shoto starts out as a standard background character. By the time he gets his spotlight in the Sports Festival, he comes off as reserved and antagonistic. After the whole "it's your power" moment, Shoto is finally able to accept the side he always hated. Then Katsuki fights Shoto, and we're shown he still needs time to grow; his left side comes with a lot of baggage he can't just brush off in the span of a single sparring match.

Fastforward to Hosu. Shoto's starting to take other people into better account. He's starting to learn to better control his fire. He's reconnected with his mother. His goal is no longer one-upping his old man; he has goals, people, that he wants to protect. He's coming into his own and wants others to do the same, like Tenya.

He joins the Katsuki Rescue Squad because, like Izuku, he had an opportunity to save Katsuki, didn't, and now he wants to make up for it. When we get to the Provisional License Exam, we're yet again slammed with the fact that his growth is still not done via Inasa, that there's still a bit of Endeavor he has to shake off, even if it was in the past. And he does progress towards that with the Remedial Course Arc. And while I have my opinions on the Endeavor Agency Arc, I'll admit that it was another development opportunity for Shoto and the Todoroki family. Shoto's growth comes with setbacks, but overall it's consistent.

Let's shift gears to Tenya, who's characterization I find fascinating. He starts out opposed to Izuku when they first meet at the Entrance Exam. He sees how Izuku is (for lack of a better phrase) "better qualified" at heroics thus far, reassesses his position, and apologizes whilst making amends. When Tenya resorts to LITERAL MURDER against Stain, the narrative does not let him go off without reprocussions. His arms are damaged, his supervisor's teaching license is revoked, and while he managed to avoid legal charges via police cover up, it still came close. Tenya listened to Stain's words, and opted to improve himself by that notion. He tries to set a better example, be a better class rep. It isn't a one and done.

Him lashing out during the Hideout Raid Arc is an offshoot of that. He doesn't deck Izuku just to be a dick; he's trying to knock some sense into him. They're so focused on Katsuki that they're forgetting about everyone else. Their friends, their teachers, their parents. If they f*** up like Tenya almost did at Hosu, they'll have hell to pay, and he doesn't want that. Of course, once they explain that combat/murder is not their M.O., Tenya tags along, if only to ensure the operation goes smoothly without this hitch. And again, Tenya keeps up. He looks after his classmates, looks after Izuku during the Shie Hassaikai arc. His growth is also consistent.

There are probably more characters I could elaborate on (Ochako, Momo, Eijiro, etc.), but I'll stop there. So, what's the deal with Katsuki's arc?

Well, it's… frustratingly back and forth.

It's one thing to have setbacks like Tenya and Shoto. It's something else entirely to have multiple setbacks and to keep trucking on with only abstract signs of development, but otherwise feeling like a very similar character compared to several chapters ago.

This is (in my opinion) Katsuki's problem. If we're going by what the manga stated, his arc technically started in Chapter 11: "Bakugo's Starting Line." But this is a rocky start. Izuku tells him about OFA right from the getgo out of guilt, but this neglects the fact that he's technically lying to everyone about it (including his new friends Ochako and Tenya), that OFA is a world-shattering secret, and that Katsuki is likely the worst person to tell this to considering that Izuku just handed Katsuki's ass to him and Katsuki was willing to use lethal force in their Trial. That aside, instead of say, sucking up his pride and opting to try and learn from everyone else, Katsuki doesn't really change strategies or approaches. He essentially does what he was planning to do since the start of UA; he's only crying because, SURPRISE, people are better than him. You'd think he'd expect that considering he called his middle school crappy…

After the USJ, once everyone had their "Lol Bakugo sux" moment on the bus ride, we get to the Sports Festival and everyone is clamoring to join Katsuki's team despite his apparent unapproachability. This feels less like something happened in the two weeks leading up to the Sports Festival, and more like history repeating itself from middle school. Moving on to the tournament, we don't even get to see how capable Katsuki is at serious combat. Two of his matches resort to Deus Ex Machina pulls, and the other two are in his corner by principle instead of difficult.

First off, Katsuki vs Ochako. I don't know why people praise this fight. For starters, it makes Katsuki HEAVILY OoC. Ochako is the only person he asks if she wants to back out before the match even starts. The ONLY person, which kinda undermines the whole "he didn't underestimate her" thing. Then he takes a reactionary stance the entire battle. Like, I thought we were still dealing with the "fist first" Katsuki. He does this to Eijiro, Fumikage, even Shoto, but Ochako? Stay still and then attack. Even if he did get his gravity removed, couldn't he just… propelly himself and let her have it. If he was proactive, he could have ended the fight quicker. Instead, he just plays sitting duck and headless chicken. If you're gonna have Katsuki win the fight, don't bulls*** it.

Which brings me to the final bit of that fight: the meteor shower. Having Katsuki blow that away after supposedly expending most of his energy earlier in the match just does NOT sit right. Ochako gets the upper hand, and then you just… negate that? You expect me to believe that Katsuki could generate an explosion at that magnitude, if nothing else? And what exactly does that do for him in the end? No one else tires him out for the remainder of the festival, which is pretty sketch.

(And yeah, I know I know "What part of her was frail?" but that's more of a retrospective thing than in the moment, coupled with the facf that it's never elaborated on again in any capacity, with Ochako or with someone else. It's a throwaway moment; a waste. Moving on…)

You really can't say much about the matchups with Eijiro and Fumikage. With Eijiro, it's an endurance match, and Katsuki apparently has infinite stamina and is on the attack. And he just… rushes him, which I'm pretty sure anyone else would do. Then with Fumikage, Dark Shadow is weak to light. Katsuki's explosions emit light on contact. Do the math.

And I am especially mad at Katsuki vs Shoto because one, he stays in place yet again at the start of the match, and two, he can apparently ignore his Quirk' weakness to low temperatures. In a gym uniform. Against a glacier the size of a building. Even with his power output, you don't see his explosions dampening in magnitude. It's obviously in his favor, which defeats any tension the fight could have had. It sucks, and in the long run, as a wise man once said, "Todoroki should have folded [his] ass."

Then we get to the Final Exams (ABOUT DAMN TIME) and… Katsuki hits Izuku for trying to cooperate, nearly gets knocked out once, and gets knocked out the second time around. He does not want to work with Izuku despite it being All Might, is petty enough to consider losing, and actively grumbles against working with Izuku. And all of his supposed self-preservation goes flying out the window when he's willing to try and beat All Might, leaving Izuku having to come and carry this boy out of the gate, which should not have let him pass.

Then there's the Training Camp attack. The second Izuku is mentioned, Katsuki decides to go AWOL, and while being kidnapped sucks, I am less sympathetic when you're boneheaded enough to help them capture you because you wanted to fight villains instead of getting to safety like the professionals recommended, all because of your one-sided hatefest with one of your classmates. Congrats, you played yourself.

Then we get to the Provisonal License Exam, which feels like a step in the right direction… until you realize this will boil over into Deku vs Kacchan 2, which will get both of them in trouble, which will give Katsuki insight into OFA while Izuku gets shunned by his classmates, and which will prevent Katsuki from the one ass beating that could have potentially taught him something. It's essentially the narrative covering his ass, and then he has the gall to be happy about other people potentially getting set back just because he was set back. Geez dude.

The Cultural Festival essentially undoes what the Remedial Course Arc accomplishes, having Katsuki look down on the rest of UA when he said NOT to look down on people earlier. And then his speech is still heavily antagonistic to the rest of the school, and to the idea of basic human decency and kindness in general. And if I'm being honest, that whole "he can play drums" feels like a big ass pull to keep him in the spotlight. At least the story brought back his ability to cook down the line.

The Joint Training Arc is just shoe horning in regards to Katsuki. It acts like his gearing up towards saving, but the circumstances are heavily, heavily in his favor, and not in a good way. I've already brought up how Katsuki won't get "saving" until the Endeavor Arc, and how here he's just doing it to show off, so I won't go into it here. Then apparently he gets to outwit a recommendation student 'cause why not? It makes him look more impressive than he actually is, even though he outright states he hasn't changed much if at all. Not to mention the narrative makes it sound like he was some sort of underdog, even though he only got kidnapped and didn't get his license. And I know those are big things, but not enough to warrant his victory feeling that triumphant. I'd probably buy it if he didn't win the Sports Festival or pass the Final Exam. Keep him in that slump for longer than you actually do, or it lessens the impact. And let's not forget, he might have been willing to help Izuku with Blackwhip via fisticuffs, but the second he realized he wasn't getting anything out of it, he noped out. And it's been what, almost 200 chapters since his "starting line?"

I don't have much to say during the Endeavor Arc (that was its own can of worms),  but as for the War Arc thus far… here's what I mean by "whiplash." The arc begins in Chapter 253. By Chapter 257, Katsuki will demonstrate how much he just does not give a f*** about Izuku's mastery over OFA so long as it looks like he'll come out on top. By Chapter 274, when Izuku's gotta split, it'll look like Katsuki has been thinking about some stuff, but by 275 he's gonna throw that out the window so he can attempt to one up Tomura and Izuku, and then he'll nearly get killed for it. And we won't know what exactly Katsuki is thinking until a flashback in Chapter 284 (which chronologically takes place after 257), where he has a conversation with All Might about his past with Izuku. Or at least the bullet points. If you're me, the start of the conversation feels less about Izuku and more so about his situation: his situation with OFA. And as much as I want to believe there was at least one good kernel in Katsuki that he was too stubborn to let out with Izuku, I feel like Katsuki only brings up him and his capabilities now because he got a Quirk. That's what put him on Katsuki's radar. That's what forced Katsuki to take notice of Izuku, what caused him to be unable to ignore his own weakness. Because of a Quirk. That's… borderline shallow, if not remarkably so.

And even when Katsuki is attempting to save Izuku in 285, his first thoughts are still on OFA. And even if we go by the line of thought that Katsuki is thinking "Even if OFA sucks, it's still Izuku's Quirk." And that's nice and all, but the flashback makes it seem like the Quirk is still All Might's Quirk as well. That all of Izuku's worth is hinged on the fact that he got a Quirk now and therefore can't be written off. Maybe he doesn't owe this to his accomplishments, but the narrative is terrible in its implications that Izuku wouldn't have gotten as much attention without it. At the end of the day, Katsuki is still associating Izuku's worth with his Quirk. And as much as I want to vaguely, vainly hope that this will change later on, I'm already at my limit

...and now that I've said my piece on almost the entire narrative thus far, let's shift gears to a few more tidbits in 285.

Again, the flashback. I think it's significant that they're shifting the focus briefly on middle school again. But you wanna know what sent me the wrong way? They didn't include the god forsaken suicide instigation. They can show Katsuki gloating. They can show Izuku up against a wall. They can even show a notebook and Izuku's face during the Sludge Villain rematch. But they can't show Izuku reacting with sorrow mixed with almost fury. That can't show Katsuki threatening him with a mere "What?" and the sparks on his palms. They can't show Izuku standing and crying, small and defeated.

"BUT HORI SAID HE WENT TO FAR WITH THAT SCENE!1!" Blah blah blah, doesn't change the fact that it still happened. Doesn't change the fact that it should be addressed, at any capacity. Doesn't change the fact that the story had the balls to recall middle school but couldn't bring itself to remember the one thing that could get its audience raising eyebrows.

But that's alright, it gave you the notebook; clearly it's done enough.

And maybe in another timeline, I could have let my jaw drop when Katsuki was hit and the chapter title was revealed. "Katsuki Bakugo: Rising" It would have been pretty damn powerful too.

...but with all the previous crap the narrative has pulled, it feels like more shoehorning. It feels like more Erasehead stepping in and shaming the audience. It feels like more All Might letting Katsuki in because he's not completely familiar with the finer details. It feels like more people. In narrative parroting that Katsuki changed when he does the bare minimum, as a hero or as a person. I can't treat this development legitimately, because so many other "legitimate" developments pulled a "psyche!" and headed out.

So, I'm done. I'm done with Katsuki, done with hoping his development will be done in a somewhat satisfying manner. Done with people telling me "it's actually good though!" like I'm blind and deaf or something, when I have enough brain cells to formulate my own opinions, and we both have enough brain cells to leave each other alone if we don't agree. Maybe when the series ends and we can all look at this in hindsight, and Katsuki has either found a way to redeem himself, or remain deplorable, I might talk about it then. But for now. I'm drawing the line. I might talk about what we've gotten up to this point, but everything past 285 I'm taking with a grain of salt. 'Cause I'm sick of hoping for something that obviously won't come through, and it's better for me and everyone involved if I just pack up and move on. BNHA isn't just Katsuki's story after all.

And if you made it to the end of all this… I hope you'll either respect my opinion, or respect my thought process. That's all I can ask.

-Crimson Lion (27 September 2020)

[miminiac]

Korrasami had build up, just maybe not one you identified with and that’s okay...

I am tired of the LGBTQ+ community hating on Legend of Korra (LoK) for not being gay enough. The critique that there wasn’t enough build up is (1) not productive at all and (2) honestly, not true. There was build up. It may not be the build up every LGBTQ+ person will like, and it may not relate to the experience of every person’s coming out, but it was there. Korrasami was something the creators had tossed around as soon as Book 1 (not that they necessarily had permission to do anything about it). Take this quote from Bryan Konietzko’s tumblr post after the finale aired:

As we wrote Book 1, before the audience had ever laid eyes on Korra and Asami, it was an idea I would kick around the writers’ room. At first we didn’t give it much weight, not because we think same-sex relationships are a joke, but because we never assumed it was something we would ever get away with depicting on an animated show for a kids network in this day and age, or at least in 2010. (link)

The post also discusses how Makorra was never meant to be endgame after Book 1. Again, the time LoK was airing was at a point where states were passing laws to actively prevent gay marriage (LoK ended in 2014, legalization of same-sex marriage by supreme court ruling wasn’t until 2015––context is important). Did they actively write a romance in Books 1 and 2, no they did not. However, as many creators and writers, they let the characters lead them and they discovered that Korra and Asami were more than just friends. Again, taken from the same post:

The more Korra and Asami’s relationship progressed, the more the idea of a romance between them organically blossomed for us

So what we have with Korra and Asami is not a planned romantic relationship from the very beginning, however, the characters have been leading them there since the beginning, whether they realized it or not. Now, I am a big fan of Barthes’ “Death of the Author”, so I 100% percent think that viewers/readers have the ability to inject their own narratives and that multiple narratives can coexist. However, the point of this post is to explain why a critique of “wish they did more” is not productive when it comes to discussion of LoK of a piece of LGBTQ+ media representation. Therefore, I turn to the creators to show that there was intent and there was subtext and build up within Book 3 and 4 (as Bryan discusses in his post, please read in full when you have time).

A lot of Korrasami was hidden in subtext, and that happened because of homophobia within the industry, which still exists today. Content creators of LGBTQ+ media continue to have to walk a fine line. Take Noelle Stevenson talking about Catradora:

My big fear was that I would show my hand too early and get told very definitively that I was not allowed to do this

And like with Catradora (though a little easier since Noelle told viewers that every character is a part of the LGBTQ+ community by default unless explicitly stated otherwise), people saw Korrasami from as early as Book 2 (if not Book 1 on a rewatch).

At the time LoK started airing, I still thought I was straight; I still thought I was straight when I was watching the third season and telling my then boyfriend how Korra and Asami were going to be a couple by the end (literally, when they interacted in the first episode of season 3 while Asami taught Korra how to drive, I turned to him and said it; he said they would never do that and it was a pipe dream). I continued to see Korrasami’s friendship build into something romantic (even if the characters themselves were unaware of it).  

Come Season 3 Episode 9, where Asami carries away a helpless Korra, mimicking Katara having carried away a helpless Aang. For those who had watched the original series and were big Korrasami shippers, this scene basically made it canon. It could be argued as the point that maybe the friendship switched to something more romantic. The rest of season 3 and all of season 4 only added moments between these two (side note: I came out as bisexual soon after season 4 started airing, though I had been questioning my sexuality probably since the end of season 3).

Now is the Korrasami relationship perfect, absolutely not. Bryke admits as much, but it was a significant step forward. Again, this happened in 2014, so a lot of narrative within media of states passing laws to discriminate against same-sex couples and deny marriage. The hand-holding scene everyone screams about not being enough. Well, they received plenty of homophobic backlash from that.

The critique that they didn’t do enough is not productive. It is a critique that could be said about most main-stream LGBTQ+ media. I get that we are tired of scraps; I get that we are tired of having to read between the lines because creators are still afraid to come out and say it (pun intended). However, to critique LoK as “not being gay enough” ignores the context in which it was created and what that representation meant to many of the viewers (like myself) who were discovering themselves and their sexuality at the time.

Avatar: the Last Airbender (ATLA) was made for 8-13 year olds (from season 1), and I would argue that LoK was made for that same group of people, who would have then been 14-19 years old when LoK first aired. Thus, LoK was being watched by those entering high school and college––a time of self-discovery.

Additionally, a critique that LoK doesn’t do enough leads to an idea that there is “a right way” to create a LGBTQ+ relationship, which I would argue is harmful to the community at large. If you did not identify with Korra’s coming out, that’s completely valid. If you did not identify with the way the Korrasami relationship progressed, that is also valid. But you cannot invalidate the relationship of Korrasami, as a relationship built off a friendship and mutual respect that blossomed by into something more. The relationship was not sexualized with wistful glances and blatant sexual tension, instead, it was built on a friendship and respect for boundaries.

Again, multiple narratives can be drawn given each viewer has a unique set of experiences. One such reading could show that Asami was more in tune with her feelings for Korra than Korra was about her feelings for Asami. And, instead of flirting non-stop with Korra, Asami respects Korra’s space (though we all saw her check out Korra’s back muscles) and recognizes that Korra has a lot on her plate being the avatar, a relationship is not something on the forefront of her mind. It is only after defeating Kuvira (and the healing/growth from a few episodes prior in "Beyond the Wilds”) that Korra is able to truly understand her feelings to Asami, suggesting they take a trip together––just the two of them.

Now, you may not identify with that type of coming out, but other people do. And to argue that “LoK didn’t make Korrasami explicit enough” undermines the experiences of those in the LGBTQ+ who heavily identified with Korra’s experiences and her coming out.

Holding LGBTQ+ media to this higher standard is inherently toxic. I would like to believe that these creators are coming from a good place with good intentions. There is nothing toxic or abusive in the way Korrasami is portrayed. There is nothing unrealistic about the way their relationship progressed throughout the series. It was not a fan service––it was the natural progression of the characters.

And let’s not forget that Korrasami is not only confirming a relationship between two women, but it is also two women of color. Now, it may not seem like a huge deal within the contexts of the Avatar World, but it is important to remember the context of where this show was airing.

There are things we can critique LoK on. It isn’t perfect. We can discuss the hiring of white voice actors (as a way to hold new media that is being created or will be created accountable, not as a way to just hate on LoK); we can discuss the voices within the writers room and the lack of diversity there. These are critiques that can be made of ATLA and LoK and countless of other media produced. This is a valid critique when used constructively. It is not meant to tear down an entire piece of media and everything that it has done for various communities, but rather to point to a flaw within the way media is being produced and the racist, sexist, and homophobic systems in place that determine what and how media is produced.

If we are to critique, we could look to reimagining how we create and consume media, not tearing down media that has already been produced and stands in a pivotal spot of the community. As Audre Lorde says:

For the master's tools will never dismantle the master's house.

If we are continually operating within the systems of oppression, we will never truly be able to dismantle them. Thus, to operate within the institutions of Nickelodeon, Netflix, Disney, etc. is to be beholden to the rules and constraints of a moderate, heteronormative, sexist, racist society. If creators stray too far from that line too quickly, there will be backlash. The perfect LGBTQ+ representation cannot exist while made within these institutions.

I would like to mention this statement is not to say that we cannot critique or boycott movies or shows that are performative in their diversity. There is no excuse for Hollywood after the successes of Black Panther (2018) and Crazy Rich Asians (2018) (and others) to not fill the crew and writers with the same representation being shown on the screen. We can, and should, hold production companies accountable––and given the internet, it is something we can do even early on in the production process.

I have gotten a little off track, but my point is, think about your critiques. Really ask yourself if it is a productive critique, or if it is critique that actually harms or is toxic to the community. Critiques are hard, I understand that. When we first start to think critically, it is easy to just jump on these “low hanging fruit” type critiques. It takes practice and comfortability learning and expanding your world view to construct a critique that looks at context from various point of views and experiences.

[scandeniall]

actually, i’m dating iwa

iwazumi x reader, but mostly (?) platonic!Oikawa x reader

i just really love college au’s and tried to combine with youtuber!au. Also this is my first time writing for a character other than Kuroo and my 3rd time ever writing hq so yeah this probably fucking sucks

-----.

“Filming a video with the bestie. Send us questions,” you put up a peace sign not even looking up from your phone as oikawa flashed his camera at you for his Instagram story. You’d done a similar post hours ago for your own followers supposed to have filmed hours ago. A head plopping itself caused you to quickly finish your text before tossing your phone on the table in front of you. “Ugh where’s Iwa with the pizza. I’m starving,” the brunette groaned from beside you after you tried pushing his head off of you to which he just continued to put more of his weight on you. “Move your big ass head Oikawa,” you cried out still trying to push the man child off of you. “No because you never spend time with me anymore now that you’re-“ he dramatically huffed “Dude I’m literally with you everyday” It was true. The two of you had been practically inseparable for the past few years. Meeting at summer orientation right before both your first year of college, he noticed you doing the same thing he was. Vlogging, and thus the start of a beautiful friendship. Now in your last year you two have practically grown your social media together, collaborating with him more than you had anyone else (same for him). Hell, you two even lived together for a year before you decided you couldn’t take anymore of the asshole both never cooking and using up all the hot water with his long ass showers. “First of all it’s more like every other day. Second of all where is your stupid boyfriend? The sun is gonna go down before he gets back here. You know i hate filming with ring lights” 

You couldn’t help but laugh at him referring to his best friend as “your stupid boyfriend,” knowing if Iwa heard that Oikawa would be the first one to start running to avoid a hit. The two of you had met through Oikawa. It was midway through freshman year, Oikawa had invited you to his dorm for a study session for the gen ed class you two shared. He failed to mention that his roommate was there taking a nap, and that your loud ass drum beat knocking woke him up. You were absolutely mortified and continued to apologize, literally wanting to kill Oikawa. That was one thing you two had in common and that night not only did he have a grouchy sleep deprived roommate, but an annoyed you to deal with as well. You heard a slight struggle at the door before raining your neck to see that Iwaizumi had managed to make it in, holding pizza and other bags. “Go help Iwa put the stuff down,” you scolded your friend as he watched with amusement as the man struggled balancing the pizza boxes with one hand and the plastic store bags with the other. Once seeing Oikawa just shrug and rest back against the couch saying something about ‘being too hungry to move, before picking up his phone and typing away’ You huffed and got up yourself. Your boyfriend shot you a grateful smile as you took the pizza from him so that he was able to place the bags down safely. “Hey Haji- what's all this. Thought you were going to get pizza,” you said softly leaning against the counter as he began to empty bags. “Just a few snacks for you guys. Thought you two could make the video a mukbang. Although I’m not sure why I did, considering Shittykawa is here to eat some.” Your heart swelled as you both ignored your whiny friend across the room. You just wanted to hug your boyfriend and so you did. Before you could place your lips against his, said whiny friend had gotten his ass off the couch. “Can you two not fuck on my kitchen counter,” as he maneuvered around the tiny kitchen to start getting his food together. “Pretty sure I live here too,” your boyfriend scowled pressing a quick kiss to your temple before letting go of your waist and going to set up the camera for yours and Oikawa’s video. “Also, who’s to say we haven’t already,” you decided to tease, pushing past Oikawa lightly bumping into him. “Remind me to bleach every surface in here later on. Nasty bitches,” “Love you too Tōru” “How is it not living together anymore?” you read out. Already smiling at a chance to drag oikawa. “Fucking amazing! I get to come home to my food not eaten and I actually can get hot water when I’m trying to shower. I-“ “Oh you actually shower? Could’ve fooled me,” “Says the man who always used my expensive body wash,” you retort back looking off camera to pout at Iwaizumi laughing at the two of you. To the camera it would just look like you were refusing to look at Oikawa, not making puppy-dog eyes at your boyfriend. “Yeah because you don’t. Stinky” --- “What’s your favorite thing to do together? “Nothing because I hate this bitch-“ you deadpanned. The room going quiet before you, Oikawa and off camera Iwaizumi started laughing. “I’m kidding I promise. But I’m gonna let Oikawa answer this because he definitely knows what I’d say.” “It’s because we’re the same person. Twin-telepathy. But I’d have to say our monthly road trips with Kuroo and Bokuto. It’s the best time to unwind with my best friends and it’s always fun finding new places and we love taking you guys along with us. Special shoutout to the man, Iwa who gets all of the b-roll and actually records the chaos. Iwa! Speaking of him- he’s actually home for once and is watching us film. Aren’t we pretty,” you watched your best friend recount laughing when Iwaizumi says loud enough for the camera to hear that he isn’t. “Come say hi to the video,” Oikawa begged, deciding to record Iwaizumi on his phone to insert in later. “Oi! Get that camera off of me Shittykawa”

----

“Alright guys. We’re gonna do one last question. Tōru, take it away,” you smirked already knowing the question he was gonna pick. “Are you and (Y/N) dating?,” Oikawa read out, picking up his bottle of beer to take a swig while looking at you with a teasing smile on his lips. “Whew that’s an interesting question.   You wanna take that one (Y/N)?” For years the two of you never answered that question. At one point it was genuinely because you two had a crush on one another and while you never became more than just friends, there had been a thing there. After that passed you two just always played off one another for videos, knowing people loved it. Once you and Iwaizumi started dating the more flirty actions had stopped, but that still never stopped people from assuming. You two were almost always with one another, after all. You had been sharing relationship memes on twitter and even let it slip once that you had a boyfriend on Snapchat(although the audio was a little hard to hear as you’d said something like “i can’t find my boyfriend,” in a loud bar. And, to top it off you had recently posted a video of you getting ready for a date night. To anyone that kept up with you all the signs pointed to oikawa However, no one ever paid attention to how in the background of Kuroo’s vlogs how you and Iwaizumi always walked a little slower behind everyone else. No one thought anything during the last vlog with Bokuto when he captured you and Iwaizumi in the middle of the freezer aisle joking about which ice cream was best for root beer floats. Or how you and Iwaizumi would always be standing closer than you should in Oikawa's bar night videos. Of course Iwa’s hand resting on your lower back, occasionally slipping lower had never been caught on grainy phone cameras. “Well,” you took a deep breath. The three of you knew you were going to announce your relationship today but for some reason you were still nervous. Your relationship was one of the only things about your life you didn’t plaster on the internet. Iwa was definitely not one to be all on the internet, despite all of his friends being on there in the open. Not only that, but you were concerned about comments saying you’d been using Oikawa for views or leading him on or any of the crazy shit people come up with. You were pulled out of your thoughts when Oikawa lightly punched your arm offering you a comforting smile. “First of all, no. We aren’t dating-“ you started off. “Don’t forget to add it that you had a crush on me a few years ago” “It was mutual you dumbass,” you huffed. Loosening up. Knowing this half of the video was going on your channel you spoke up again. “As I said. Me and this dumbass are not dating. We’re-“ you pretending to gag, “genuinely best friends.  The love I have for Tōru is absolutely not romantic. However I am in a relationship and you can say that I met him through the idiot next to me.” “Babe you wanna come over here and officially be introduced as my boyfriend to the internet,” you called out. Oikawa mocking you “Yeah babe. Come in for a second.” Before you could even retort you notice your boyfriend signal to you and ducked as you saw a couch pillow fly towards the side of Oikawa’s head. “OW! Iwa that hurt. And stop laughing at my pain (Y/N),” Oikawa cried out. Ignoring your friend you looked up to Iwaizumi leaning over the edge of the couch in the camera's frame, lips hovering next to your ear. “You did it. Now people can stop shipping you with him.” Iwaizumi places two kisses on you for the camera. One on your cheek, the other on the side of your neck before looking up. “Hey,” and with that he was up and out of frame. “You guys see how he didn’t even acknowledge me. Just (Y/N). So rude” “Shut up Oikawa,” you and Iwaizumi said at the same time. Right before the camera cut off i stopped here bc idk what i was even doing because this turned out nothing like my initial idea. idk request if you want and i might give it a try. Also adding pt 3 to college!kuroo soon. 

will be cross-posted on ao3

[uniarycode]

Remember when I said I might to a Xros Wars liveblog/rewatch becuase I don’t remember it all that well?  No? Well today is apparently the 8th anniversary of Digimon Fusion, and while I’m going to go off of the sub (Xros Qars), if I’m going to do this re-watch liveblog thing it’s as good a time as any to start.

Haven’t really tried anything of this style, so I’m experimenting a little bit.

(Have to turn off the beta for this because pic limit, lol tumblr)

Pic of the day: Common sense

We open with a menacing army full of Mookmon, sorry, Troopmon, Tankmon, and some bigger baddies. Like physically bigger, I don’t recall them being very important. (I see you Valvemon in the top left.)  

Then we get introduced to a human and a trio of Digimon that will in no way be important.

There’s also an army of good guys, you can tell they are good guys because they show up in previous seasons.  I uh, only actually remember two of them appearing in this show.

Anyway, Taiki says Digixros a bunch, and the three non-silhouettes merge together into….x4?  Poor Starmon I guess, no recognition.  

X4 then solos the army of Mookmon, which is probably why the rest of the ‘good’ army never appears again, clearly they are superfluous.  But X4 gets taken down by a lone off-color Greymon because nostalgia.

..and it was a dream.

(So Akari and Zenjirou don’t matter....that sounds about right.)

We are then introduced to Akari, who is trying to deduce exactly which ball-based team sport she got stood up for.

She stops midway to take a selfie, kids these days, amirite?  Also to grab a bag with Taiki’s name on it...literally.

Taiki manages to pull an MVP move on the basketball court, by pretending to be in a sports anime when really just passing to a teammate.  Thus securing the team the win that he’s been looking for for months… sorry, I mean four days.

Yeah, that’s a Taiki thing.  The kid is a prodigy at nearly anything he picks up.  The implication is that he throws himself into it completely, and then:

He does not necessarily pick the best time or place for a nap.

Akari being the best character (of this arc)

Taiki reveals that his need to throw himself headfirst is because of a desire to help those in need, not because he’s just showing off.

(I am reminded how much his gary-stu ness annoyed me the first time I watched this.)

Zenjirou shows up and I’m def going to spell that name wrong at some point.  He’s mostly here for comic relief, but also to reinforce that Taiki can pick up a sport (kendo) in a couple of days and beat people who have been training their entire lives.

While Akari and Zenjirou rehash the great 1998 case of Bros V. Hoes, Taiki hears the voice of a dying king, then suddenly: chaos.  Cars merge into walls, phones stop working, the sky turns green, dogs and cats, living together.

Turns out, cars superimposed into building are not stable.  The strange voice warns Taiki of the falling car, and after he saves his friends, he is now able to see the tortured outline of Shoutmon.

All well and good, Taiki, but how do you propose helping the disembodied light?

(We also get a flashback to baby Taiki between these)

Shoutmon soft-mocks Taiki for trying to help him, and Taiki points out Shoutmon did the same, just in case you didn’t believe they were destined partners.

Floating toy with another disembodied voice.  Offering to help if Taiki accepts, he does and the x loader turns from white to red.  The others reasonably do not think touching the floating mystical toy is a good idea.

They wake up in a strange world, normal Digimon stuff, turns out the X-loader doubles as a Pokecenter, very convinent.

Then, suddenly the army of mookmon appear, lead by a new Digimon:

(Look. if the writers determined you were going to die every season, you wouldn’t be very happy either.)

But then dream Digimon #2 shows up to save them, alongside a bunch of babies.  Shoutmon also comes out to fight.  .

We get a quick sequence of the allies using special attacks to wipe the floor with the mooks, normal debut episode things.  Then Madleomon gets mad that a human is involved and absorbs all his friends to…Digivolve?

(They missed a perfect opportunity for raving MadLeomon)

Uhh, good plan?

The mysterious voice tells Taiki to use the x-loader, which he does to form…the top half of a super-fighting robot.  Which lasts long enough to get off one punch before dissolving. He then xroses the Starmon and Pickmons into a sword, (will happen a bunch.) just in case you weren’t sure of the core mechanic.

Madleomon’s powerup breaks, and he gets forced back, namedropping a greater villain.  Tactimon, obsessed with perfection.  Which is a good thing, because if he’s like half the perfectionist I know he’ll be too busy sorting out all the details of his plan to actually execute it.

Coming on a little strong there bub.  Maybe take him out for a coffee first?

The name of the kids this time is generals, but that also gets extended to some Digimon.

If you are used to normal Digimon seasons, this is going to be a bit of a jump.  It isn’t the normal 1 human 1 partner here.  This is a battle of armies, (but mostly just jogress ++)

And yeah, they know nothing.

Keep being creepy Nene.

And also blond blue boy featuring off-color Greymon. 

And thus ends the first episode that was mostly about introducing Taiki, and the concept of Digixrosing. Also uses a lot of X4 for never showing every component. 

Final note: add break card

I think maaayyybe Vmon shows up in a limited capacity?  For a series that is perfectly willing to completely ignore levels and do something completely different in terms of evolution, there sure is a lot of nostalgia pandering. 

[missing-my-griffin]

a rant that’s way too long about Tics character bc i need help

Alright I simply cannot get over how the show writes the way he treats women, and it’s all so intriguing, so here we go. He’s supposed to be our hero. Sweet, nerdy (or so we’re told) and oh yeah a war criminal who hates what he’s done. Traumatised and complicated and allowed to be. Interesting concept, and a very gray character to have as your male lead. I LOVE seeing flawed personalities. But thus far, I feel very very unsure of whether or not the show is going to acknowledge the shit he’s done... all that stereotypically male, entitled kind of shit.

Hippolyta’s arc about becoming small, making herself small, and George who was like the poster child “good guy” not being all good after all because he let her, kind of makes me question what they’re trying to say about Leti and Tic.

Because, (that’s the relationship I wanna start with...) it’s freaking me out. 

They have these “romantic” scenes, we had Leti last ep saying she loves him. And yet. I don’t see any real intimacy. It’s all so superficial?? I see Leti making herself small like Hippolyta did, and him not only allowing it but just... living in his own world so much it seems he wouldn’t even care if he knew. Ji-Ah’s and Tics relationship seemed much sweeter and more sincere than what he shares with Leti, but maybe only because of the innocence of it all. First loves and stuff. Leti and Tic’s dynamic is much more “grown up”. Which is fucking me up, because she was a virgin, and by choice because she was waiting for something real. Tic is Leti’s first love. It almost makes it seem like they’re trying to say “the relationship is as mature as HE wants it to be. HIS status matters for the softness of it, never hers.” Just compare the respective first times we had here. Ji-Ah was so careful, so sweet towards him; and he anger-fucked Leti for 30 seconds on a bathroom sink. Granted, he didn’t know. But still. This show really glossed over the fact that it was her first time and that she, in canon, said she wanted it to be special. She played it down for his sake so he didn’t feel bad “Don’t worry, I needed it”, and then his reaction kind of implied he.. couldn’t care less? It was like the bare minimum of “awww :( My bad.” Not to mention, I am still fucking disgusted at how Leti just swallowed all that up like it was nothing (how he treated her in that bathroom), just to turn up the very next episode and be some kind of hypersexual seductress. I’ll throw up about that for centuries. And it could have been fine, if they had made it a point to show us “Yes she was a virgin but she’s a grown woman and her lack of experience doesn’t infantilize her, and now she’s making the choice to explore her sexuality in a very mature way.”, but they didn’t, quite the opposite we’re getting less sass, less flirtation, less provocative playfulness. 

I’m going to be very honest, Leti’s “lady in the streets but a freak in the sheets” - sexuality is the very epitome of performing sexiness for the male benefit. She’s the cool girl, she’s pure, innocence, you know, but with you, oh my wonderfully average hero, for you she’s a fucking whore. For you she’ll be down, be sexy, pretend it wasn’t a big deal what you did. Do they really want to portray this as a romance we should root for?? I’m so conflicted. 

And last episode, again, had me wondering.... because Ji-Ah came back and he treated her like literal garbage, a monster, a thing, for no goddamn reason.

Because remember the opener?? ? Very first episode, Tic’s wet dream of his “hero’s adventure”, he’s the main guy in a sci-fi flic and gets rewarded with a barely dressed alien-Ji-Ah, very classic old sci fi look. And yes, classic in this context means disgusting, fetishizing, sexist. Because this Ji-Ah, she had red skin, a bit of an otherworldly look. An “acceptable” alien/monster because she’s still objectify-able. Still “hot”. But when she turned into an actual monster, whose tails don’t exactly fit the hot stereotype, Tic decided she had no worth anymore. None whatsoever. Even though she is kind, forgiving, loving and selfless. But she is worth nothing more than Tic’s disgust as he reveals he never had any shred of true feelings for her, because she’s just a repulsive thing for him to yell at for trying to save his life because she loves him despite it all. Not to mention, how dare he judge her. (that line “It’s my nature, what’s your excuse” had me in TEARS lol) He tortured her best friend, watched as she got murdered, and had the audacity to go “well that’s how it goes, it’s her own fault for being a communist” Tic’s not a bad guy, and I don’t hate him. But he’s much less of a hero than Leti or Hippolyta, or Ruby and Ji-Ah for that matter. He’s traumatized, and it’s eating him up, but he lets his anger (or coldness) at who he became in the war and who his father made him out on the women around him. Which is interesting, because the women in this show are all traumatized as well, yet are still kind and rarely project their anger. Tic uses his love interests, refuses to “see” them, and thinks it doesn’t count because he’s not doing it maliciously, just out of ignorance and aloof entitlement. And depending on how this show treats this issue (I’m really really hoping they’ll acknowledge it obviously but really unsure atm), I’ll applaud them til by hands bleed or be really fucking pissed :’D

And lastly just to make it clear again: I do not hate Tic. He’s not the villain, and I don’t see a mad queen arc for him. The only reason I’m judging him so harshly is because the way they’re portraying him is so ambiguous. This show is all about injustice and that includes feminism, and they got Dee’s and Hippolyta’s stuff so brilliantly, and then they turn around and give us a male centric, dripping with sexist undertones main couple? I think I hate some of the stuff Tic’s done so much because it’s so MUNDANE; like every woman has been treated like that before. And every woman has had to sweep it under the rug and hope to grow strong enough to learn her worth, expect more from the mediocre men around her. Demand real intimacy, demand real kindness. Tic is a little like Nick from gone girl.. like not the antichrist lol, but just this normalised amount of selfish dispensation that never gets portrayed as such or called out bc it’s not “that bad”, quite the opposite, men like him get the hero treatment, and in Ruby’s words, I’m tired. 

[miraculouscontent]

Ask Explosion #6

Asks answering previous posts:

Oh, okay! I’m glad, thank you!

(the post this anon is referring to)

Ohhhh.

And fjbgjnfkjgfg thanks >////<

I don’t think there’s much wrong with liking the design itself; I prefer Riposte personally, but that’s just me.

The best way I could put the “insensitive” part (I’m sort of dumb when it comes to this stuff and I talked about it before when I was working on that 3D model of Marinette) is that it’s so heavy on Japanese. I mean, they already have Kagami constantly wear what looks like a school uniform and Tomoe is just like--super heavy Japanese. It’s like the show doesn’t know how to balance “can’t tell at all” (with Marinette) and then “okay this is WAY strong” (with Kagami+Tomoe+Kung Food).

That makes sense! I guess the only problem then would be that the kwami can’t really act as mentors of any kind because “you’re saying this just because that’s all you can say” (like Sass, hypothetically, always willing to give someone a second chance, no matter what; I know that’s not what his power specifically entails but it’s just an example).

I would however definitely lean towards kwami being very strict in one alignment, so Tikki would always be on the path of pure good and thus never want to take/steal/whatever, whereas Plagg is always on the path of “bad,” but there are times where Marinette will have to ignore Tikki while Adrien will have to listen to Plagg.

And yeah, the guardians existing and the kwami not having so much control... not a huge fan.

Someone asked about Chat Noir’s flirting and he claimed that it was “on purpose” (you know, while throwing episodes like “Felix” at us but okay) and then he followed up with this:

There was also this other comment he made a while back when someone tried to make a suggestion to him:

Except he’s missing the point completely. When he talks about constructive criticism, he acts like it doesn’t matter, especially not anymore now that they’re working on Seasons 4 and 5:

(I mean, personally, I don’t think I need “engineering knowledge” to know when a rollercoaster I’d ridden nearly tossed the cart off the tracks and had questionable design decisions, but you do you, Astruc.)

Yes, constructive criticism is mainly for seeing a product improve, but that doesn’t mean ignoring it because, “well you haven’t seen the full product.”

“Animaestro” even has a bit of commentary on it:

Ladybug: What's with that trailer too? I am not scared of cats, at all.

Animaestro: You haven't even seen the movie and you're already slamming it?

Chat Noir: He does have a point, you know.

Ladybug: I wasn't slamming it. It's called constructive criticism!

(firstly, of course Chat Noir bows to Astruc on that one because he’s Astruc’s sunshine boy, ugh)

Ignoring the fact that a movie/printed book is usually a “full product,” criticism is also to say “you did this thing wrong, don’t do this in the future.” It doesn’t have to be referring strictly to the show. It’s just, “you did this thing wrong and here’s why, try to catch yourself if you accidentally do it again in the future, whether in what you’re working on now or otherwise.”

(He’s also talked about “unsolicited critique” before and I don’t know what that means? Like, dude, this isn’t someone’s fanfiction where I’d actually agree that you can’t go after them for their work. This is professional work.)

Anyway, remember “Chameleon”? When everyone saw the trailer and absolutely flipped out over it, then there were people who were like, “Wait for the full episode!!”?

Guess what? The full episode came out and people were either just as mad or even madder than before.

Astruc wants to have his cake and eat it to. He wants to say that his episodes are “stand-alone,” and that the order isn’t that important, but when people start pointing out issues, it becomes, “No! You have to wait for the rest of the episodes to come out!” and when people do that, it’s gonna be like, “Well, we already did the whole show so it’s not like I can change anything. *shrug*”

Also, just blaming it on “the industry” when everything else has been exhausted:

(He’s literally brought up before that the New York special was meant to have subplots about other characters, so it’s not like he can never say anything when something didn’t fit the “original vision”; I’m not asking him to get on his knees and say he’s sorry - plus, I do recognize that a lot of influence comes from the industry and people like Jeremy - but I expect a little more than the “whoops” he gave when people pointed out that “Weredad” contradicted his statement on Miraculous Ladybug.)

I think the reason people see it the way they do is because of Fu’s line in “Robostus” seems to imply the exact opposite thing happening.

Master Fu: Universe must always stay in balance. For every action, there is a reaction. For every wish, a price to pay in return. Had your robotic friend asked to become a real boy, someone would have lost his humanity in return.

New Asks:

Marigami is acceptable. I’m not crazy about it but it’s likable enough.

Lukadrien though... no, absolutely not. On a conceptual level, because it’s such a slap in the face for Marinette, and on a fanon level, because most of the jokes around it is Luka going to Marinette like he’s about to ask her out and then just asks for Adrien’s details. It’s just... ugh. I hate it (throwing Marinette into the ship still doesn’t help for me though because I’m not into the love square).

Bi erasure is my least favorite thing.

And yeah, it’s like--they set the love square ship(s?) out onto the water, then the Lukanette ship later with the plan to either sink it or just kinda... return it to the harbor if they don’t make a huge fuss about it?

Meanwhile, the love square ship has been in piece this whole time, and instead of letting it sink, they put it on a raft to keep it floating.

Depends.

In LadyBugOut? It’s already written and I haven’t posted it.

For canon? Like, Marinette being super disappointed at her view of Adrien being shattered or? :P

That’s accurate. I dislike about a fourth-ish of Season 1,then about half-ish of Season 2, then like... almost all of Season 3.

So we’ll just have to see what happens in Season 4.

I like Adrimi, but I’m not crazy about it and I don’t really write for it unless Lukanette is already the main ship (making Adrimi just a background ship). Adrien tends to dismiss Kagami a lot (like in “Frozer” and then “Miracle Queen” with him not committing) and I don’t want to see Kagami hurting like that (I agree with the anon completely that Adrien is more at fault than she is). They’re both emotionally-stunted so I usually have them wait it out or something to have them get together.

My ideal endgame is Lukanette while Adrimi is more like “let’s wait, let’s work on ourselves (especially Adrien; Kagami at least has on firm crush and wants to commit to it), and we’ll see where we go down the line.”

I don’t know if they really have the guts to arrest Gabriel. I also think that Lila might pick up the butterfly at the end of Season 5 or something after she’s been “dealt with.”

Chloe also is the mayor’s daughter so even if the law was that strict on teens, nothing would happen to her unless Andre got replaced.

Big yikes.

Maybe that the thing forcing Marinette away from Adrien and causing things to go wrong is the part of the curse trying to prevent the ladybug and cat miraculous from coming together?

So, close enough to be attracted and want to work together, but forcing the ladybug away from the cat to prevent the miraculouses from being used to make a wish?

I CHOKED ON MY DRINK.

ugh

ugh

ugggggggh

I’m 100% sure that Marinette wouldn’t be as uncomfortable around Adrien if Alya hadn’t constantly intervened. She’s the enabler of both Marinette’s anxiety and her crush on Adrien.

I went back and looked at the scene and it does kinda look like it, yes, because it basically goes from the intersection Marinette is in to another intersection that looks very, extremely similar and I don’t see Marinette in that intersection.

It was just a really, really bad transition. I remember being thrown off for a second too so I don’t blame you, anon.

I think Bob Roth’s intent was to scare Marinette away from showing that proof? He probably knows very well that Marinette has all the evidence she needs to make a case and already had a story planned for the press about how “the young talents they found didn’t measure up and the people deserved better.”

He just needed enough pressure on them for them to believe that he had enough authority to silence them.

And then Silencer tried to silence him instead. :3

I don’t think Marinette’s relationship with her parents would change too much. Like, they already let her just go out whenever she wants which obviously Plagg approves off, although Marinette might become more numb to the idea of being grounded because Plagg just teaches her, “hey lol Ladybug isn’t grounded tho,” so Marinette sneaks out all the time.

Yeah, Tikki would probably justify Gabriel’s behavior, and she wouldn’t really be able to get on his case for flirting as Mister Bug because she’s not aware of it.

lol it helps no one to have Tikki I guess.

Adrien overall and then honorable mention to Alya for Winny’s comment about her being Marinette’s conscience (which is probably why they almost never nail Alya for stuff she does).

KHNJFDNGFD THE LUKANETTE QUEEN MONIKER RETURNS >///<

And ugh, the absolute level of bias in that. Even if the video was made in, like, Season 2 (don’t know, didn’t see it), Season 2 still gives examples of why Adrienette isn’t making Marinette happy at all (and has some of the love square failings too).

The name and the fact that they gave it that name tells me everything I need to know.

Goodness gracious.

Yeah, people can talk about character’s flaws. I mean, we talk a lot here about Marinette’s struggles in getting over Adrien (partly brought on by a lot of outside factors but still).

Also, sure, Luka is a “pushover” because he’s one of the few characters who understands Marinette’s tunnel vision and isn’t bothered by it, okay. :P (Interesting that the topic of Chat’s entitlement towards Ladybug but Luka respecting her choices and just enjoying being around her makes him her punching bag).

Every time I hear, “Adrien needs more spotlight!!!” I lose a part of my soul. How people can’t see that Marinette is the show’s true punching bag is beyond me.