#and to Stede haters fuck you

[kaelyx-zac01]

Okay, I love the second season as much as the next guy. But, I'm still waiting for Stede's development: for his trauma and pain to come up. And I know it will come up, I trust in OFMD show runners on that account. But yeah, as much as we would all love for Blackbeard and Stede to be together, there's just so much unresolved with Stede's character that definitely needs to be dealt with before he and Ed could be in any relationship.

I mean, with Ed, at least we get the gravy basket. He's able to realize that the heart of his self-destructive behavior is his self-hatred and the belief that he's unlovable. At least, we see him trying to work things out about himself and resolve that on his own.

But with Stede? Not so much. His strife and insecurities are very much left in the dark. He was literally burdened by guilt the entire first season. The mix of Chauncey's last words and Mary being happier without him literally hammers the fact that he is unneeded -- a burden to others and a presence who destroys everything he touches. And he's afraid that it's the same with Blackbeard. No wonder he's so frustrated with himself that he doesn't blame anyone else but himself for Ed's "death". Or that he doesn't feel very much like a captain. He still believes that he has to be this masculine ideal to be so.

And yet, Stede remains very much a great leader. Despite his issues, he continues to look out for his crew, even if it meant banishing the man he loves. He gives advice to Lucius. He doesn't lash at his crew, despite them literally murdering Ed. He considers the consent of the crew first before bringing Blackbeard again on board. Not to mention, the literal positive impact Stede has on the crew in general. Because of his influence, they're able to create a safe space for each other. His advice in addressing conflict, of talking things through, echo from the mouth of Izzy Hands himself. And don't even get me started on Stede's impact on Ed -- he literally brings the man from the dead.

It seems the entire crew reflects how much positive things Stede has brought to their life. Of his worth as a person. And yet Stede still doesn't see that. To him, he's a shit captain and person, especially with what he did to Ed. And thus, he tries so much to make amends, it tears at my heart, god.

So, yeah I just want the crew to validate Stede. He tries so hard to be a positive, comforting presence to everyone. But, no one AT ALL has sat with Stede to assure him that he's seen -- that he is worthy as he is. And I really hope we get that -- especially if it's Ed. Gosh, that would triumph all the "You wear fine things well" scenes for me

[edandstede]

ed and stede would not fuck izzy hope this helps <3

[batsarebetterthanpeople]

When all of your pirate mutuals succumb to the Gaimen angels derangement and you can't join in the fun because you just do not give a fuck about them 😔

[do-angels-dream-of-starry-seas]

So you all want Ed to be deliberately hurtful and cruel to Stede when Stede comes back? Is that what you're saying? Stede hurt Ed deeply, yes, but it wasn't deliberate or intentional. You guys want Ed to intentionally, deliberately hurt Stede. You think Stede deserves that, somehow? And after Ed has been deliberately and intentionally cruel, you still think Stede should just want him back and be fine with being treated horribly over a mistake he made while traumatized?

Yeah sure lmao

[heartshpedfx]

literally still so stunned that ed’s preferred method of seduction is homoerotic stabbing he means so much to me

[nonpracticinghumanbeing]

Izzy IS about community. He’s ALWAYS BEEN about community in his own messed up way. The Canyon was right and the haters were wrong.

He wanted Blackbeard back because that was what kept the crew safe. He was terrible about it and hurt the man he obviously loves in the process, but it WAS for the greater good. It wasn’t a purely selfish act the antis love to frame it as. He wanted to feel safe again and he wanted the crew to be safe as well.

Hell, he was doing his best to help Edward through his post-breakup depression. He didn’t understand what was going on and was clearly distressed by it but he provided what Ed needed. He *knew* he lacked the emotional capacity to help his captain himself so he agreed to bring him Lucius. I really think he would have just gritted his teeth and suffered through it if Ed didn’t say the one thing that could collapse his whole world.

"Why do we even bother being pirates?" That was what freaked Izzy out so much that he pushed Edward to violence. Not because he selfishly wanted Ed to be close at all times but because Blackbeard the legend was the pillar of his community. That legend kept everyone safe and even if Izzy is a horrible asshole, he *does* care about his crew. He knows the world is a horrible hostile place and he focuses on risk mitigation, even if it means hurting the one person he really cares about.

He really tried to provide that to the crew when Edward and Stede took the Act of Grace. It was a terribly misguided attempt at keeping things under control and it was certainly influenced by his submissive tendencies which make him crave structure and feel safe within hierarchies. He *knows* he lacks Ed's charisma and ability to think outside the box and with such huge shoes to fill it's not really surprising he acted out in anger and in result failed miserably. But he was *NEVER* an asshole just for the sake of it.

Now he realizes those days are gone for good. He's already done everything he could to bring Ed back to his senses, including using *Stede fuckin' Bonnet’s* name. It didn’t work. The realization that his one true safeguard is really gone must be terrible, but it also pushes him to take action.

The moment he realizes the crew are in real danger, he takes things into his own hands. He not only goes against the hierarchy he believed to be sacred but also against the man he *LOVES*. He fucking shoots his beloved captain to save the crew. You don’t get much more *community* than that.

He is clearly struggling. He's just tried to fucking kill himself after being maimed AND told he was disposable by a man whom he's apparently served for dacades. He will have to reevaluate his whole life and he *knows* it. But he puts it all to the side and he does what needs to be done. He took all of Edward’s abuse without complaint it seems but the moment the crew are in real danger, he intervenes. You can’t tell me a community (*any* community) doesn’t need people like that.

It all feels very old-time queer to me. The willingness to make terrible sacrifices to protect one's space. The decision (conscious or not) to be effective rather than liked. The choice to stay alive despite terrible heartbreak and go on fighting.

He's absolutely NOT an irredimable villain. He’s an asshole who tries to keep his little world safe. He’s Larry Kramer getting kicked out of GMHC for being too confrontational and politically incorrect to be palatable to the general public.

[zombee]

I feel like the luckiest Our Flag Means Death fan in the world after the season 2 finale. By a series of incredible circumstances - including a significant metatextual realization that came in at the 11th hour - it was close to perfect for me.

This essay has everything. Completely normal behavior over a television series. Steven Universe references. The David Jenkins School of Whatever is Best for the Bit. Humbling catharsis.

First: this piece does not exist with the central thesis of “it’s okay to not like something but that’s not the same thing as it being bad.” I feel like thousands of words have already been written on this since Thursday, so I’m going to try to not get too in depth on that.

Second, cards on the table, because it’s relevant and I don’t want to waste your time if this is going to sour your ability to hear me out: I’m an Izzy Canyon hater. For MANY reasons, but from way before the concept of the Canyon existed, (some) Izzy fans pinged me in the same way as Snape/Kylo Ren fans did, and before May 2022 was over I went from genuinely enjoying Izzy’s character and place in the narrative to hating him because his fans made it impossible for me to enjoy him anymore.

(SOME! of his fans. Please don’t keep making me say this, although I’m not going to talk about the Canyon directly anymore after this. I know there are a ton of normal Izzy Enjoyers and even Canyonites, I am literally friends with many of them, please take this all in the good faith it’s intended and if you’re not One Of The Bad Ones then you’re fine! I very carefully don’t go anti-Izzy on main, and when I stopped enjoying his character, I stopped writing him into fics. I’m not trying to be a dick, I just want to be honest. Anyway.)

The season 2 finale made me weep over Izzy Goddamn hands.

ALL season long, I was disgruntled. All season long. I really, truly, DEEPLY appreciated what they were doing with his character and arc, I thought it was wildly on brand for the themes of community/queerness in the show, I saw the vision, I liked it!!! But. I wanted a fucking apology, yall. I needed three seconds of “sorry I called you a slur, Ed :/” and that would have been enough. But I had to let it go. It was poisoning my enjoyment of the whole season, which I loved with very little exception (not none!) and I just had to let it go. I wasn’t getting an apology. That didn’t negate what they were doing with his character.

Yall. They withheld the apology on purpose.

THIS FUCKING SHOW!!!

Let’s go back a bit. I was at the episode 6 + 7 screening, and the breakup shook me. Probably a LOT more than if I had watched it alone in bed at 3am on my laptop - five days of no sleep after NYCC, lots of emotions, seeing it on a big screen with a hundred other intense fans, etc etc - but I did see other folks reacting in parallel ways to me when the episodes aired to the regular public, so maybe I would have felt the same way. Regardless, I was mad at Stede and to a lesser extent Ed. I NEEDED AN APOLOGY FOR THAT FISH LINE. I needed it! “Whativah” autocorrects to “WHATIVAH” in my phone. I was going through it.

(When I rewatched the episode when it aired it was not nearly as bad as I remember, lol)

So now the episode 8 screeners go out and the reviews drop and I think I catch one half-glimpse of a “What a heartbreaking ending!” kind of snippet, and some of my friends who are spoiler fiends unintentionally drop little hints about similar ideas (devastating/heartbreaking/split the fandom) type shit.

And I was a fucking WRECK! about it.

I do love this whole show with my whole chest. I do!!! But I’m not rotted because this is an excellent television show, I’m rotted because two old men kiss each other! On the MOUTH!!! in an excellent television show. You get it, right? I’ve written 700,000 words across almost 100 fics and 98% of them are dedicated to those two men falling in love in different universes. 

So it just did not even occur to me the “heartbreak/devastation/fandom split” would be about anything but Gentlebeard.

Another piece of this that was fucking me up - David Jenkins and his “satisfactory” ending biz. My brain was reacting like this show was ENDING ending, even if I knew logically! that this is just season 2!!! And I wasn’t ready for that, because what if it wasn’t personally satisfying, and I’m a mess about it? Why was I so worried about not liking it? I’d liked the whole season! Even if they didn’t nail the landing I wasn’t going to stop writing fic or hanging out with my pirate community & friends. 

…is what I kept trying to tell myself, but the way anxiety disorders work is funny like that lol. What if I did stop writing fic and hanging out in pirate spaces? That would hurt much more than a show I like disappointing me. And for anyone who’s having that experience with ofmd s2, I’m so very, very sorry. It sucks and that’s where my epiphany came from on Wednesday before the finale.

Because it has happened to me before.

I flit from hyperfocus to hyperfocus, as ya do when you’re spicy, but the last thing to get its hooks in me PROPERLY like pirates was Steven Universe. And I did NOT like the way the regular season ended!!! (I actually really did like most of Future; that’s not what I mean. I mean season 5). I don’t like how they handled the Diamonds, tldr; I think the scope of their villainy got too out of hand, and I was left grieving the thing that had meant enough to me I ran a fan convention for four years based around it. 

Side note: imagine if I had channeled the hyperfocus of almost a million words of fanfiction into an American OFMD con instead. We could have made magic :( I did consult with Our Con Means Death though so I am at least a teeny tiny bit of that one!

I did not like the way Steven ended… but I do respect the story they were telling and think they told it well.

I’m still sad about it. Steven is still one of my most beloved, it will always be beautiful and great to me, but that experience did and does sully my memories. There is so, so, so, SO much more good than bad from being in that fandom, and I cherish it. And I hope, if you’re having this experience with OFMD right now, that you’ll find similar comfort.

But, like I said at the top, “it’s okay to not like something but that’s not the same thing as it being bad” has been belabored already by people better at writing about it than me. I just had the incredible privilege to remember my brush with lower case T trauma and having that experience in my last REALLY big deal fandom. That’s why I had been so extra anxious about being disappointed. Because it happened to me before. It helped so much to connect those two.

So the finale happens, and it’s actually about twelve hours of me going from “eh, rushed but fun, whole season was great” to “THIS MAYBE IS THE BEST SHOW OF ALL TIME, ACTUALLY!”

BECAUSE THIS SHOW MADE ME CRY OVER IZZY FUCKING HANDS!!!!

They literally told me this was the story they were telling this season. “Men can change” “The end  of piracy” “Ed leaving Blackbeard behind (ish).”

As for me? I didn’t get an apology for the fish. Instead, I got “Sorry I was a dick.” “You weren’t a dick. Life’s a dick.”

Just… fuckity BAM. THREE FUCKING SENTENCES resolving that fight. Saying so much in so little.

In real life, should these two men have an actual conversation about this shit? Sure!!! But that’s not how OFMD tells its stories!

It works in symbolism. It works in vibes. It works in an hour’s worth of content into each half-hour episode, and for how much lamenting I have done about the pacing, I would prefer that 100x to having to stretch it out too much.

I have said since March 24, 2022 that OFMD wields anachronism as a weapon. First and foremost, it’s fucking funny, but in addition to that, it’s stating clearly: “This is a fantasy world. This is not real history. This show is about romance (and so much more than that), and the rest is just VIBES!!!”

Sometimes vibes can be historical accuracy. Sometimes vibes can be true emotional poignancy. Sometimes vibes can be Ed finding his sunken leathers in the sea, changing underwater somehow, and coming out of the ocean like the Birth of Fucking Venus, because water and rebirth and mermaids and shit is all very prominent this season. And ALSO, and this is very important! BECAUSE IT LOOKS FUCKING COOL!

I don’t want to do much real Izzy meta here. It’s been said by others, and better than me. But it was telegraphed and it was symbolic – he was the paragon of Traditional Piracy in season 1, for goodness’ sake, and Traditional Piracy is Toxic Masculinity, and he was a part of Blackbeard and Ed had to leave Blackbeard behind (yknow, ish), and he got this ABSOLUTLEY FUCKING LOVELY! storyline about appreciating what a (queer) community can do, and god fucking shit fucking dammit… most of all, best of all (for me), was Buttons landing on Izzy’s grave at the end. Men can change. And Izzy DID!!! He did it for Ed. For love. For community. I am puzzled by “it’s fucked up to use Izzy to further Ed’s storyline” because… this was Ed’s season, in the way that season 1 was Stede’s. And Ed cannot be removed from piracy as a whole (neither can Stede!) so to have this old, set in his ways, coded-queerphobic character blossom to the point he can give this gift to Ed and to piracy… idk man. I just find it so fucking beautiful.

It is okay not to like what they did. It’s okay!!! It’s okay, and it’s okay to mourn, and while it’s not okay to do [insert vile behavior here], it’s okay to carefully examine what you think is “bad writing” vs “what you would have preferred to happen” and give good-faith, textually-based criticism on that.

But I want to remind you over and over and over again, this show works on vibes. It tells its stories leaving many, many, many gaps. There are many things I would have liked to see, and y’know what? I would have told the Izzy story differently. I would have personally done it differently. But it’s not my show! It’s not my show, and I am humbled and delighted to remember that, and to appreciate Our Flag Means Death for what it is and not what it isn’t.

Other words have been written better than I could about the 18 months between seasons 1 and 2 and what that does to us as rabid fans with expectations of how things will go. Millions and millions and millions of words have been written about OFMD, fictional and non, and that is going to color our expectations and experience. We had built it up SO MUCH in our minds and along the way I think some of us forgot (INCLUDING ME!!!) that it is first and foremost about Vibes.

The vibes of Izzy’s death are about rebirth and forgiveness and leaving traditional piracy behind. And he got to die in Ed’s arms, knowing (HAPPILY!) that he had been wrong, and giving Ed the gift of letting him know he is loved, and being a part of something. We had a funeral but we also had a wedding. The only constant is change. Men, piracy, Blackbeard; it all changes. And Izzy found peace in that.

Before my last point, I want to @ myself on things I felt versus realizing in the end it is (I will say it until I’m blue in the face) about vibes.

· I was convinced they left Buttons’ transformation ambiguous because they wanted to leave room for it not having been real. NO!!! It is real, until they decided it isn’t. Magic in the OFMD universe? Fucking why not!!! IT’S SYMBOLIC!!! IT’S IMPORTANT TO ED’S STORYLINE AND THE CENTRAL THESES OF THE SHOW!

· I was unhappy, and still am a little, about the Polycule Situation, but now that I realize Oluwande is Zheng’s Stede… I am less so. The Zheng : Auntie :: Ed : Izzy vibes, btw? Fuckin immaculate.

·        Obviously they touched on Stede/Ed’s “killing people trauma” but I’d reallyyyy like Stede to address it, and even though I think Ed’s is left on a very satisfying note, I’d like him to dip a bit more into it as well. But if they don’t, oh well! It’s not like they ignored it, they just didn’t have a Deep Dive like I Wanted Them To!

· They didn’t deal with Ed throwing Stede’s shit away. They just ignored it! Stede started to collect new trinkets, and I believe that was as much about giving the audience back the old feeling of the Revenge as it was anything important (not to say it wasn’t also important thematically!!!). Just like Ed going back to his leathers is both Extremely Important thematically and about putting Taika back in the leathers because that’s what Blackbeard should be wearing for the epic final scenes for the sake of visually keeping the show consistent. That’s Blackbeard’s uniform.

· Stede’s frilly little outfits my beloved. God I hope they give him back some of his frippery in season 3. I think they will re: cursed suit BUT his journey this season was about something else, so!

· Ed’s stupid little non-profit non-apology, oh my god. It was so funny. And there is a transition from eps 5 to 6 where Ed is back in his leathers and the crew is more comfortable around him. They didn’t have to have him do a Real Apology, it’s implied it was all settled. What was the timeline? A day? DOESN’T MATTER, BABY, VIBES!!!

· Lots more, I’m sure, but now that I’ve tried to let it all go, I’m remembering less of what I wanted and appreciating what I got!

And, last point here, I think it is also very very very important to remember that a lot of people are normal about this show. In fact, WAY more people are normal about this show than aren’t. And that is EXTREMELY! IMPORTANT!!! because otherwise it wouldn’t be profitable and we all know what would happen then. We are the core of it, to be sure. Without word of mouth that stems from our intensity, this show would not be NEARLY as successful as it is. I truly, truly believe that.

But.

Do normies need deeply emotional discussions dissecting the central relationships? No. What normies need is Ed and Stede running dramatically toward each other on the beach and kissing. And I am happy, so fucking happy, to realize that’s what I need too. I’ve got fanworks for the rest.

I love this fucking show and this fucking fandom and its fucking creators so much. Fuck.

[ladyluscinia]

I know my last experience with a season ending on a note everyone hated and unanimously tore to fucking shreds for destroying the story on every level was... atypical. Lockdown. 6 month mass hysteria at minimum. Conspiracy theories that were, like, real things we had on camera. There was a Twitter wedding. Creative fervor that broke 100k fics on AO3.

Like. I know this is not a rational point of comparison and I'm not going to expect anything in my lifetime to match it 🤣

But.

If that was the highest high of post-season fandom engagement built on a cocktail of tasting everything you ever wanted AND the absolutely lethal levels of spite and swearing to eat showrunners' hearts in the marketplace, then whatever the fuck is going on after OFMD S2 is the opposite of that.

OFMD S1 was a huge fandom explosion. One silly little streaming show that had a gay kiss and then it skyrocketed. Fic numbers were soaring, high activity fic and meta engagement lasted for at least four months, it was constantly trending and flooding the dash... Like, fucking hell, over a year and a half after the immediate finale fervor it beat Stucky in the top ships bracket?!? To the point I was willing to give it what felt like due credit toward its potential as a future juggernaut ship. Not guaranteed, of course, but the potential was there.

In that context, new content should be a blow out party. Which it kinda was pulling off as it was airing, but looking back now? Not even quite a month later?

The effect of S2 on the fandom is like... a blip. Possibly over already.

New fic numbers started dropping off the moment the finale aired and have returned to deep hiatus levels. It's dropped off trending and streaming leaderboards... I'm very curious to see the first tumblr Week in Review since the finale, though we're still waiting due to the holiday.

Like, I've even popped on to scroll a few Izzy hater blogs that I know loved the finale out of morbid curiosity what they were up to, and I'm telling you... if I hadn't just watched the new season I'd think they were still over a year into hiatus. Saw some standard bitching about the izcourse / Edward takes (aka the one thing that kept them going all hiatus), they're currently passing around posts mocking one specific long OFMD version of TJLC I'm just hearing of, the same BTS gifsets everyone else is thrilled by... But barely any new meta or discussions. There's like 2 people posting actual analysis of S2 that's getting reblogged and they aren't even names I recognize from the hiatus. Nor is it particularly interesting to read. 🤷‍♀️

In July of 2022 I could pop onto a random OFMD blog and scroll through a dozen enthusiastic Stede or BlackBonnet metas about jacket colors or that moth from 1x07 or lighthouse symbolism or whatever. Now the new stuff has the same energy as posts from June 2023. It's borderline dead. And this is what it's like when there's an active campaign to engage fandom and Renew as a Crew?

(I will say fanartists are bringing some energy and there's some lovely pieces being passed around, which I do think the Renew as a Crew campaign is helping to boost?)

Even the hundreds of people saying it was a beautiful season and they loved it so much don't seem to be finding it a very engaging or inspiring season.

It's such a turn, like, what the fuck.

[izzyshandz]

I swear if i see one more mf say izzy has been 'redeemed' or needed a 'redemption arc' im literally going to scream into my pillow until i lose my voice.

redeem is such a black and white way of looking at his entire character and dismisses everything hes gone through and yall (izzy haters and others) are just so fucking snob nosed and ignorant to sit there and think hes a villain because of how he acted. theyre fucking pirates. theyre not perfect, none of them are. eds a villain, stedes a villain, if youre doing it like that. ed has killed so many people, stede literally left his wife and kids and also had a hand in killing people; it may be easier for them to change because of the perspective the show gives them and they had love but izzy did not. everyone hated him, ed, his own crew, stedes crew.

normalizing peoples reactions to things as something other than villainy and heroism is so god damn important in a show that's trying to accurately involve our perspectives in this day and age. its a tale as old as time, making someone 'completely in the wrong' because their perspective isnt the one you aligned with as much.

like the rest of the crew izzy had his own bad things hes done, he didnt need this 'redemption' everyones blabbering on about. he needed to be fucking heard, to be seen, and acknowledged-- not thrown aside and abandoned because of a whim. you all can ride up blackbeards ass because oh hes so hot, hes so pretty omg wow; but that wont ever change the fact his character is a fucked up person... youre allowed to love him anyways, why not izzy? we didnt see blackbeard before screen but how hes mentioned it shows he was a shit awful person, the only reason no one cares is because on hes fuckin gay for stede or whatever so the main characters get a free ride. ( i agree they all get a free ride, im just tired of this izzy isolation man )

why does he need to be redeemed in your eyes? just because youve seen what hes done? he was literally a product of his environment in season one he was a product of blackbeard's leadership. only with the loyalty and solidarity of the crew did he really begin to find himself, thats fucking hard to do that late in life. instead of calling it some bullshit black and white redemption arc, lets just celebrate izzy being himself and being fucking loved for once in his god damn life.

hes also way more fucking mature and put together than people give him credit for. love you izzy.

edit: thank you all for the reblogs and insights in every single one, i read them i promise i do. im just so mf heartbroken we have to tag things as discourse when its really just about people not being compassionate. (as a couple people have pointed out) i will said id reblog and comment on every single tag but this is my side </3 EVERYONE PLEASE READ THE REBLOGGED TAGS TOO / / theyre so real ! ive also opened up that ask box thingy i havent been on tumblr in yrs and have 0 clue how any of that works if anyone wants my perspective on anything izzy related. *or otherwise ofmd related

[thetardigrape]

constant state of frustration because I am fully aligned with the Izzy haters in that I agree he is a vile, malicious, toxic little bastard whose only real purpose is to fuck things up for Ed and Stede, BUT that's why I love him, need to pick apart every tiny thing he does and also write 100 fics about him like the people who love him and think he can do no wrong BUT HE CAN DO WRONG, THAT'S THE WHOLE POINT OF HIM, EVERYTHING HE EVER DOES IS WRONG AND MAKES EVERYTHING WORSE FOR EVERYONE INCLUDING HIMSELF

anyway I'm gonna just keep unleashing bullshit on y'all and I'm not even sorry but if even one of you also loves Izzy because he is a broken, filthy, fucked up little rat and you DON'T think things will go well for him and also you don't want them to but he's still your specialest little guy then lmk bc it is LONELY here in this moldy corner of the canyon

[suffersinfandom]

A Summary of The OFMD Meta (Part III)

Thank you for all of the likes and comments! I’ve never really had anything noticed on tumblr and it’s very cool. And scary. Thank you!

This is part three of an incomplete summary of A Meta-Discussion Of The Subtext by meratrishoslee (Mera) on AO3 (linked to, as the author requests). I’m trying to stay impartial and keep all of the important bits in.

This chunk includes chapters sixteen through eighteen, which are an analysis of the final episode of season two. The overarching thesis of the first two chapters is, as it was in the previous part, this: “Ed’s the face, head/mind and body of Blackbeard, Izzy is Blackbeard’s heart/soul -- as well as the heart of the show itself.”

I can’t recommend not commenting on this meta on AO3 enough. Replies that aren’t completely positive will just fuel more “defending myself from the haters” chapters. If you’re inspired, maybe write your own tumblr meta with these takes as a jumping-off point? That way, there’s a chance that someone who’s willing to listen to what you say will read it. 

Other posts Part I Part II

Chapter 16: The Sacred Heart (Part 5)

Episode eight opens on Ed and his girlblogger nature journey, where “we get to see the real people who are having to do the real actual labor to prop up Ed’s navel gazing. Edward does an incredibly colonizery prayer at the dinner table until [Pop-Pop] sets him straight with a smack across the face. [...] The truth comes out about Ed’s lack of skills and experience, and [Pop-Pop] goes into (what I feel is) a justified rage again. But it’s not about Ed’s lies or laziness or self-absorption. It’s again about ‘we are not simple! We’re not simple!’”

We’re not that simple doesn’t make a lot of textual sense because we need to look at the subtext. “Both the skilled labor of fishing for survival and income, as well as this entire show and specifically this episode, are not nearly as clear cut as they initially appear. Perception is NOT reality, so question the logic of what you’re being told and shown.” It’s not that simple. 

Pop-Pop is subtextually telling Ed that he’s not his father -- he’s a textual good father figure (a mirror of Izzy) “trying to instruct/correct Edward while reminding him: we absolutely do not have a father/child relationship.” Ed goes into another non-apology, fucks up dinner, and “gets thrashed not simply for that but *gestures expansively at the previous three minutes of broadcast*.”

(It’s telling that Ed leaves both Stede and Izzy behind and immediately seeks out a replacement for Izzy instead of Stede.)

Ed yells that ‘it’s just a fish,’ but “it’s not just a fish -- it’s dinner, it’s livelihood, it’s disrespect, it’s dealing with this bullshit after a full day of physical labor,” and this is only “our first example in this episode of Ed minimizing a loss that he should in no way be minimizing.”

The fish is also Izzy: “here we have one loss of a creature of water dumped into the fire, as mirrored to the later, greater loss of Izzy -- a creature of water and air, who belongs on or in the ocean -- inexplicably buried in the earth.” (Don’t forget: Stede and Ed are ALSO fish.)

The next scene is Ricky at the Republic of Pirates. He’s polishing his small hidden pistol -- the one that will be so deadly later in the episode. Ricky’s uniform is tailored to make him look smaller. He’s now a mirror to Izzy: “often underrated, underacknowledged, and treated as a joke by the people around him.” His outfit details mirror Izzy’s: ” the ruffled shirt cuffs, the saber on his left side, the cravat at his throat with its own gold accent -- a pearl for purity instead of an emerald for grief. Lots of white/cream/gold in contrast to Izzy's unrelieved and unornamented black.”

At Spanish Jackie’s, Ricky makes Jackie fish his nose out from the nose jar, or “reach into a grave to retrieve something he’s lost,” and “we don’t see Jackie locate the object of her search, exhume it from the grave the jar and show it to him…”

We see Zheng Yi Sao devastated by the loss of her fleet and, she thinks, Auntie. She’s not sobbing; she’s numb, shocked, unable to so much as cry. Stede’s being an insensitive idiot. “Stede’s heard of empathizing, but has no idea how it actually works -- and has also never had a failure as awful as this one. He’s mansplaining struggle and loss to a woman of color.”

The closeup on Ed’s face as he sees what has become of the Republic of Pirates mirrors the closeup at the wedding in S2E1. “I want you to drink it in: We have been here before. We are doing it all again. You don’t have to be afraid of it; the same road just looks different in the dark.” We’re also watching Ed go into shock (Mera is “feeling a few motes of compassion here”).

“Edward doesn’t actually need the Blackbeard kit to be a warrior. He just killed two soldiers with his bare hands, [...]. But in this moment of shock and grief, Edward craves the invisible mantle of something more powerful than mere knives or guns: the image he and Izzy created between the two of them, the incredible and indestructible myth that deals death and cannot itself die. An Izzy mirror [Pop-Pop] told Edward something he could construe as ‘become Blackbeard again’ – and, alone in this instant of world-shattering shock [...], he clings to the thing he trusts the most, at the instruction” of a character who mirrors Izzy.

We see Ricky descend into a basement. He tells the jailed crew that they will be hung and their stories will be lost. “I hereby re-invoke my personal prohibition against Season 3 speculation, other than the certainty that we will see the text bear up and explain what the currently available subtext so fulsomely insists: that Izzy is alive in the last frame of this episode.”

Izzy is sitting in the middle of the room, primed to make himself the best target to protect the crew, given a position of respect on what might be the only chair. Either Izzy has had a chance to rest (he was exhausted and in pain the previous day) OR “our Sacred Heart, determined to watch over and protect everyone else in the room, has not fucking slept a wink all night. That’s two nights and a day of effort, for a disabled man (who, if you believe the HIV/AIDS coding, is also in a constant battle of autoimmune illness).”

“And now: our beautiful, hurting, self-sacrificing Sacred Heart is drawn into the dance of death -- one that, because it happens almost entirely in silences of the mind, can be and is ignored by people who only see the pretty pictures flashing in front of their eyes.”

Izzy baits Ricky so thoroughly that “Ricky will put off having them all hanged just so he can get Izzy’s full and undivided attention -- as well as keep Izzy’s family as functional hostages to Izzy’s good behavior.”

Izzy and Ricky sit down to chat. “Izzy’s defense of his loved ones is like chess, and he’s his own most useful (and yet sacrificial) game piece. Izzy does change his tactics whenever he realizes something isn’t gaining him ground -- but he’s got Ricky fairly well figured out.” Izzy knows he needs to keep Ricky occupied until Ed, Stede, and Yi Sao show up. He needs to keep him interested. 

Ricky is projecting when he calls Izzy the brains of the Blackbeard operation. “He’s his own ‘brain’ with no heart. We have it proven by his plan to immediately double-cross Zheng [...]; that’s devious and clever on a level Izzy (who doesn’t even carry a pistol so that all his violent power remains connected to his body so he can control every bit of it -- and you can’t redirect a bullet or change what it’ll hit once it’s in flight) would not have gone to on his own.”

Izzy stops playing with the candle flame (recall that both he and Ed toy with flames when they’re lying). This is his ‘it’s about belonging to something’ speech.

“The Sacred Heart is level, unmoving, and intense when he delivers his raison d'être into Prince Ricky’s hearing. What response does he get, upon confessing his all? The worst possible one, unfortunately. Ricky can’t resonate with Izzy’s essential truth spoken blatantly into the text: Ricky has never once done anything in his life simply for the love of another person, much less a whole group of them.”

But it’s fine, because “Izzy is subtextually confessing, via the text, to us as the Unseen Crew. The Sacred Heart put into the text the reason for everything he’s done this season, and everything he will do before the end of the episode: not for glory, gold, public acclaim, or even the satisfaction of personal desire or the pursuit of romantic love. It’s for the crew, and the crew alone. It is utterly selfless, having let go of the ego-self. It is agape love.”

Zheng Yi Sao, Stede, and Ed are all at the beach. Ed and Stede reunite and Stede gets an actual, real apology from Ed. Stede responds to Ed’s love confession with an ‘I know,’ and maybe that’s supposed to feel a bit off. (When something feels off, look at the subtext.)

Ed and Stede run off to battle with their two battlecries: ‘Die, motherfuckers!’ ‘For love!’ And guess what? “...We will get to see someone do just that: die for love.”

“Now the center of the mirror episode, held between its textual and subtextual midpoints: Archie and Fang trying to create a literal ‘narrow escape’ by twisting fabric around the bars until they bend.” 

Olu finds Auntie, “who is such a capable person that she’s already decided she’s dead and went off to a quiet spot to finish dying where it wouldn’t bother anyone else,” and calls Jim over to help her. 

Why Jim? “...While Buttons bit Lucius and the wound got infected and he nearly died from sepsis -- Jim’s Nana said that they once bit a priest's finger off and the priest swore that he'd die of rabies, but he didn’t. [...] Jim’s assistance also contributed to Izzy surviving an unsurvivable amputation and healing up afterward; we can go ahead and say that Jim’s hands are canonically (and magically) healing.”

To recap: “an Izzy mirror character [Auntie] thinks they’re dead and all’s lost so they ‘bury’ themselves as best they could… and then they resurrect with a beam of holy white light. It’s possible that the addition of a dove in the scene was rejected as being ‘too on the nose.’”

Back to Izzy. Ricky calls himself the ultimate pirate, but of course “Izzy's the ultimate pirate: not because he's loud and brags and destroys things, but because every other real pirate knows him and follows his orders when he gives them.”

Izzy plays RIcky and “...we see Prince Ricky absolutely stunned and captivated by Izzy’s all-encompassing conviction.” Izzy continues: ‘Our spirit will last throughout your entire fuckin’ empire because we’re good. And you are a rancid, syphilitic cunt.’ Izzy looks on Ricky with pity and “Ricky’s damn near openly weeping, because the Sacred Heart’s speaking of the unspoken truth has always and without fail been fucking devastating.”

Why does that hurt him? “Ricky’s presenting with a ‘saddle nose’ deformity/infection due to raging untreated syphilis,” and “Izzy’s just told Prince Ricky: Jackie only took what you were probably going to eventually lose anyway, and you and I both know it.” As you can see, “...these two mirrored characters are both infected with STI’s that can cause pain and dementia, prevent safe intimacy with others, and eventually result in death.”

Chapter 17: The Sacred Heart (Part 6)

We pick up with Zheng Yi Sao, Stede, and Ed arriving on the scene a bit too late. “As the soldiers begin dying all around them, the rage on Ricky’s face is turned -- not toward our sword-wielding heroes or to Jackie’s crew who have so deftly distributed their poison -- but to the Sacred Heart, who played an immaculate game that no one else spotted until it was too late.”

Speaking of poison, there’s a Bible passage about that: ‘And these signs will follow those who believe: In My name they will cast out demons [Ed and Auntie referring to demons]; they will speak with new tongues [Buttons reading the magic scroll]; they will take up serpents [Lucius roasting snake on a stick]; and if they drink anything deadly, it will by no means hurt them [Jackie’s household is poisoned trained]; they will lay hands on the sick, and they will recover [Jim healing Auntie].’

Is this too much of a reach? Nah. “For myself… I’ve never seen we queer folk portrayed as holy in mainstream western media to such a loving, complete, and human extent before. I have never seen us be both the divine and the disciples before, so textually and overtly.” 

Mera continues:

Last night the Universe gave me a quote, from an unexpected source: “Hell is not what you expect it to be.” That part, I been knew. [...]

I’m pleased to confess: ‘Jesus was not what we expected him to be!’ 

And that feels like it’s given that ideal back to me: Jesus doesn’t have to be conventionally pretty, conventionally young. He doesn’t have to be spotless and pure and inoffensive to the point of being bland, untouchable and unsexed, in order to represent God and reunite us with the divine power of the Universe. 

He can be a small, aging, angry, bitter, disabled, leather-clad, lust-filled queer man with a filthy mouth and AIDS in his arteries -- as long as he carries God’s agape love for his chosen family.

And that means any of us can be Jesus, too -- as long as we truly love. 

That’s the only part that matters. [...] It makes me better understand the Christ that bad Christians have tried to make all of us forget: the one that loves the whole world, no matter what. No exceptions, because he can love them and they need to be loved, and so he does. 

I can love that Christ in return, because he’s the real one.

Auntie and Zheng Yi Sao reunite. The blocking in this scene emphasizes the mirroring of Auntie and Izzy: “Auntie [is] in the center of the shot (because she’s a badass) [with] Izzy occupying the far left frame [...]. The candle’s brilliant flame is equidistant between these two mirrored characters (as if Auntie removed Ricky from the scene only to step into his place again as Izzy’s mirror); its light shines on Izzy’s family in the space on the other side of the table that they bracket. And here, too: Izzy’s one deadly, naked hand, clenched in a loose fist on the table’s surface. The cross he always bears. The living death he cannot escape.”

Auntie’s wound is on her left side.

“But moving on: Stede says we need a plan. And… we the Unseen Crew don’t get to hear the plan but from the looks of everyone who was present, it’s probably not a totally great one.”

Closeup on Stede’s face. Cut immediately to Alex Sherman’s ass. “THIS. IS. NOT. AN. ACCIDENT. So I’m not saying that Stede’s an ass. I’m saying that the show is subtextually showing you that Stede’s an ass.”

It’s time for the “Roads To Moscow” by Al Stewart montage. Every line of this is analyzed in the meta, but let’s cut right to the end: “It jumps to the last and most tragic verse of the song, that describes how a triumphant soldier returning home is instead assumed by Russian command to be a traitor, and sent to die a horrible lonely death in the gulags and never see his home again.” During this verse, “Ricky glances down to prompt the camera to glance down from the soldier’s POV, spotting Izzy’s golden hoof behind Ricky’s boots. Ricky draws his hidden gun from his left side and shoves Izzy back from him --”

“The song’s mostly about a soldier going home after a victory against a truly evil enemy: the Nazis. However, someone (mistakenly) thinks he’s a traitor and therefore he’s sent to die alone in a gulag in the freezing cold of Siberia and never see his home again. A traitor's death. Traitors die like that. Judases die like that.”

Izzy is the one holding Ricky at knifepoint. Significantly, the hand that he’s holding his dagger with -- his right -- is initially ungloved. “Izzy’s not just threatening Ricky with the tiniest knife I’ve ever seen anyone on this show use for something that wasn’t eating a meal. Izzy is threatening Ricky into compliance with his own blood.”

They turn a corner and “Izzy’s put his glove back on – but Ricky doesn’t know this. That’s why he shoves Izzy back before taking the shot. He can’t risk getting cut with a blade also contaminated with Izzy’s blood.” Ricky could have shot Izzy then if that was his intention, but…

Ed is centered in the shot, gun drawn. “Ricky wasn’t aiming for the Sacred Heart.The traitor Edward Teach, sometimes and most famously known as Blackbeard -- traitor to the British Crown and traitor to Izzy Hands -- was his intended target. Ricky was aiming for Ed, and Izzy took the bullet meant for him.”

Izzy positioned himself as he did because “...he's done the next five or six chess moves in his head already, then planted himself without comment or drama wherever it is he needs to be in order to best respond to it.” He intentionally placed himself between the threat and his family. “He's sacrificed himself to save them, and specifically the one among them he has loved the longest: Edward.”

Mera compares this to a scene to one in the 2005 adaptation of The Lion, The Witch and The Wardrobe. In this scene, the White Witch demands that Aslan give her the traitor (Edmund). Aslan protects him.

“Here’s the important part that I do recall from the story: that there is nothing the traitor can do to save themselves, or to deserve or earn the sacrifice that is given in their stead. (So it’s not that Edward deserved to be saved or somehow deserved to live more than Izzy does.) It’s something that only Aslan, the Christ-figure, can give through his divine grace and agape love.”

In The Lion, The Witch and The Wardrobe, two sisters see the lion Aslan tortured and sacrificed. He’s completely dead, but the following morning, he is resurrected. When one of the sisters asks how this happened, Aslan says, “...when a willing victim who had committed no treachery was killed in a traitor’s stead, the Table would crack and Death itself would start working backward.”

Anyway.

The crew makes their escape. Ed finally notices that something’s wrong with Izzy; he and Frenchie help him to the ship. No one else has been injured. “No one else has blood on themselves at all except Edward. Not even Frenchie, who was closest to Izzy's wounded side.” Ed is “practically washed in Izzy’s blood.”

“No one else but Edward interacts with Izzy’s bloody clothes and body. At least half the crew that was in the boat with them now knows not to touch Izzy’s flesh or blood.”

Going off of the blood on Ed’s vest, he held Izzy and they were both brought up to the ship using the barnacle-scraping swing. Ed may have even held Izzy on the ride to the Revenge, trying to minimize the amount of blood that the rest of the crew was exposed to.

Once on the ship, Roach and Stede run off. “Why? Bandages? Sure. But also: Stede’s brown leather gauntlets from S2x05. We’ve seen he has them. If he can find them and they’re not too damaged from the rope work, Roach can help bandage Izzy up.”

Izzy weakly fights Ed off and Ed pokes at the injury; he’s worried about Ed examining the wound without the protection of gloves. “Even now, he carefully keeps his hands separate from Edward’s. If I was dying in the arms of someone I loved… oh, I’d cling to them. I’d grip their hands and I’d touch their face; I’d knot my fingers in their shirt. I would cling to them as I’d cling to life itself, for their sake if not my own. Izzy does none of this. His physical love is death, and he knows it. The last of his emotional love he can demonstrate is to still try to keep Ed safe.”

Izzy apologies, and Ed says that no, he’s sorry. Izzy says no -- not in response to what Ed said, but because Ed’s drenched with his dangerous blood. 

Izzy tells Ed that he fed his darkness -- that he needed Blackbeard. “It was their partnership, a closeness not shared with any other person. It was their marriage of mind and heart. Was there a supernatural element in this intimacy? I’ll wager there was and is, even though we've not seen it in the text and it's barely hinted at in the subtext. But even if there wasn’t… it was intimacy nonetheless. They never could leave each other for long. And when they couldn’t touch each other at all, they still at least had the Blackbeard union.”

Ed tells Izzy that he can’t go, he’s his only family. “Thing is? Ed’s absolutely correct, here -- and he has no one to blame but himself. He’s figuring things out with Stede, but that’s barely hours old… this time around. He hardly got to know Fang before he was brought back from the dead; he’s only spent a few hours with him. He alienated the rest of the crew and hasn’t bothered investing in them since.”

“Thing is? Before Edward lashed out as the Kraken, the crew really did like him. He was charming. He was interesting and cool. And if he really tried again, he could win their hearts again.”

Jim is standing behind them, watching, not trying to help even though “...they did fine during the amputation that Izzy otherwise shouldn’t have survived or thrived after, and they healed Auntie enough she came back from what she thought was going to be certain death.” Someone must have told Jim the rules about touching Izzy (the HIV/AIDS victim). 

Jim can’t help. “But we see Jim twitch and fidget in the front line of the crew now, their eyes filled with unshed tears, shaking their head in negation. They want to try to help, no matter what. Even if the bullet from Ricky's textual gun carries Ricky's subtextual syphilis into Izzy's bloodstream, making his blood even more dangerous.”

Izzy tells Ed that the crew loves him. Remember that Izzy’s flaw is projection. “This is the last projection, and it is half-conscious, and it is entirely a gift since it is from the Sacred Heart in the last moments of his self-sacrifice: Izzy’s last gift to Edward.”

Izzy realizes unconsciously that the crew loves him. In Mera’s words:

And he’s not ready to be able to accept their love on a personal basis. His reception of it in the form of his new unicorn leg prosthetic resulted in obligation: they gave to him, and he had to give back in order to earn it, to feel himself in any way worthy of that affection and acceptance. 

What would he give? 

Everything he’s ever had: his entire life, all of his heart, his very last breath. 

Izzy gives it now. 

Something in him does know that the crew loves him… and in his last dying seconds he knows he’s going to leave a gap in their lives. They need a protector. They need someone to love them and take care of them like he did. 

And if Edward decides to, he could step right into that empty place and fill it, and become a loving heart of his own to the entire crew -- beyond simply loving Stede. 

If Edward had made the decision to try… the end of this episode would be very different indeed.

‘There he is,’ Izzy tells Ed. “Not Blackbeard, if Ed’s ready to let go. He could just be Ed now. His heart told him so.”

The crew stay back for two reasons: 1) AIDS; 2) “The Christ-figure reason: they are dressed as the modern Roman empire; they are garbed in the enemy’s clothing who crucified Christ and stood around and callously watched him die. They are also prevented from approaching and interacting with his dying body as Mother Mary, Mary Magdalene, and the other disciples were all prevented from doing.”

Why aren’t they crying? Now “… the much beloved new unicorn of the crew [is] dying in front of all their eyes and no one can take his hand or hold his arm or touch his face to comfort him in any way as he dies, because it will kill them. These. People. Are. All. In. Emotional. Shock. And people who are deeply in shock often don’t cry!”

“The next scene is the burial. But we’re not there yet. There’s a timeskip where we the Unseen Crew have not seen the things that would have had to happen.” They have to return to land with Izzy’s body, “which is a beloved relic now, and also a biohazard on an incredible scale.”

Ed is covered in Izzy’s blood. Did he prepare Izzy’s body for burial? That task was once considered women’s work (we had a song about that when a man was coming back to life). Ed may also clean the deck, since he’s already covered in blood.

“Then he has to bathe his own body before anyone else can touch him, probably in the ocean so as not to contaminate Stede's tub. He’ll have to scrub clean, and scrub again, and again, and again. What’s finally safe? Does he know? Can he trust, when it’s now Stede’s life at stake? [...] (Edward might not be safe to lay in Stede’s bed, in Stede’s arms, anymore.  He might never be again.)”

Why was Izzy given a simple burial by the shack? “Any other supernatural speculation aside: the simplest reason is because Ed’s not ready to let Izzy go, just as Izzy wasn’t ready to let go of Ed’s body in S2x03. Where Izzy is, Edward wants and needs to be. If he put Izzy’s body into the ocean -- the simplest and most hygienic means of burial, and appropriate for a pirate, yet one that Izzy too also rebelled against for Ed… it would separate them too far.”

At the funeral, Ed’s back in the Blackbeard leathers that used to protect him.

The burial itself is “fucky” because “the creators of OFMD have, apparently rightfully so, been concerned that they didn’t give enough previous subtextual clues to the viewers that Izzy Hands will rise out of his grave (again), this time to fully conquer HIV/AIDS and his own queer grief.” 

The song is too different from the other songs in the show. It’s not semi-contemporary, and information about it is hard to track down. “What if it's the right title... but not quite the right song?  What if it's text that covers up or obscures the subtext? What else comes up if you search ‘that's alright lyrics’?” You get Fleetwood Mac’s That’s Alright. “...It's not quite the correct tone for a death scene, of course.  But for a long-term relationship that's about to be changed or left behind between two people who do still love each other in some way…”

Izzy’s prosthetic leg is used as the gravemarker. “It’s not going to last in any sort of weather. And for another reason: imagine that it was a taupe plastic prosthetic shaped like a naked human foot and leg and perhaps that helps you visualize why IT’S WEIRD. IT’S GROSS ON A SPIRITUAL LEVEL. YOU DO NOT DO THIS THING.”

Additionally: “They’re using IZZY’S FUCKING SWORD AS THE SPIKE FOR THE MARKER. WHAT THE ACTUAL FUCK.” Izzy was a legendary swordsman. “You’re taking his saber and, instead of laying it to rest honorably at his side, ARE STICKING IT BLADE FIRST INTO THE DIRT ARE YOU FUCKING KIDDING ME?!?!”

“They took his cravat and ring off and laid it over the top of the makeshift driftwood/leg cross. NO.  Just... no. It [...] was so important and significant to him that he has worn every moment we’ve ever seen him except removing it one time for exercise and sweaty exertion. No, just like his sword: they didn’t lay it to rest with him, leaving it on his throat so that it goes with him into his grave. They hung it out where the elements will visibly rot it eventually.”

Why? 

1) “The OFMD creative crew wants you to be reminded of Pet Sematary… and of what happens in it.” In this movie, there is a pet cemetery on land where anything buried will come back. Now the ground is “sour,” and when things come back, “they Come Back Wrong: they’re strange, overly aggressive, and most tellingly? They smell bad.”

It’s also “gross and fucky” that they’re burying Izzy in a way that, at least superficially, gives ‘pet burial,’ “visually [coding] Izzy as something like Ed's pet.”

“The other reason the cravat and its mourning ring is on the grave marker? It’s the symbol for queer grief -- not only for living under the specter of HIV/AIDS but of everyone we’ve lost to it and queer/transphobic violence since the dawn of time.” 

Con O’Neill said that he wanted the stone to be set in Izzy’s ring to be emerald, in honor of his recently deceased mother. He wanted a reminder of one of the “freshest and most present griefs. [...] The most queer-coded character of the show, who is also HIV/AIDS coded, has carried around his overwhelming grief constantly with him, usually tied so tight to his throat it nearly chokes him [...]. The crew part this grief from his dead body to hang it on the cross.”

In Protestant churches, you hear about “sin or grief or some other unwanted thing being ‘nailed to the cross.’ If Izzy’s grief is now visibly left behind on Izzy’s cross, he will rise again without it.”

The crew leaves without getting to “perform any of the other socially acceptable parts of the mourning rituals that help the living internalize their loss and let go of the dead. Blackbeard’s heart has been put into the ground to keep it close to where Blackbeard’s mind is determined to wait for… whatever happens next. But it couldn’t lay in state like Edward’s own body did; unlike Ed, Izzy’s body is just as dangerous dead as alive. These people are still in deep emotional shock -- and the Sacred Heart of the show lies dead in its grave, leaving everyone feeling listless and directionless.”

Ed and Stede stand alone, touching:

That’s the strained and sad expression of a man trying to figure out how to have an honest, mature conversation with the man he loves about the fact that he might now be carrying a deadly disease and so they can’t fuck anymore, and probably shouldn’t even be touching that much. 

Because look at that: Ed’s hand not on Stede’s bare skin but on his shirt over his shoulder.  It may look like a caress but to me it also looks like a restraining gesture; it stops Stede from getting closer. Stede’s hand on Ed’s elbow, because Stede doesn’t Get It yet. 

The curse continues: the mind of Blackbeard loves what it will lose the ability to touch. (And, once the Sacred Heart of Blackbeard and the show is dead, this is the most we see these two ever touch again.)

Ed is apathetic about going after Ricky. Why? “With Blackbeard’s heart dead, Blackbeard’s mind will soon die also. It might be a matter of hours.” Alternatively, “with Edward now infected with Izzy’s ‘curse’, he may die in a decade or so… or much sooner. Average lifespan of HIV/AIS without treatment is 8-10 years but there’s many different factors involved.”

We head to the Revenge for a rushed wedding, and “during this matelotage ceremony, Edward gives Stede a Look – definitely seeming like he’s thinking about Stede in a marriage sort of way himself. But we don’t see them kiss or even touch again. We can’t even be sure they’re holding hands or touching at all during this ceremony...”

We get one final shot of the Revenge and its crew. What’s the last we see of the ship? “The damaged unicorn figurehead, still protecting its crew.”

“I said it before and I’ll say it again: I believe that every time we see a shot of that unicorn sailing with the Revenge, it means Izzy’s alive and present in the universe.”

There’s a lot to analyze in the final shot of Ed and Stede:

First off: omfg, this is a horror movie “creature about to jump out at you” camera POV. Why would we get this shot during what we’re told by everything else is supposed to be a triumphant romantic ending? What the fuck would be in the house to be looking out at our two heroes? [...]

But also… that’s Stede and Edward, our two new lovebirds… standing pretty far apart for two guys supposed to be hot for each other’s bodies and totally alone with one another. (See that long leather sleeve? That was the side best armored because that’s where Izzy stood most often. That’s what’s between Edward and Stede now.) 

And look at that blocking/framing; Stede’s in the center, and it looks like that left arm of his is menaced/sliced at by the broken glass. Being alone in the center of the frame means Stede is therefore the most important thing and not their romantic partnership; Edward is shoved all the way into the right third of the frame. 

And subtextually? ‘Izzy’s Revenge’ has now come between Stede and Edward. It’s keeping them separate.

Ed’s smile is “fake tight tense.” 

“...Stede and Edward stranded themselves on this beach with no supplies or food or tools that we can see -- and the crew of the Revenge just… fucking… let them do that, too. Without even a sammie. (Their Heart is dead and their immense grief at that fact is not even a full day old. Have you ever had anyone very close to you die suddenly? How soon was it before you were back to anything like normal on the inside, even if you still had to fake it?)”

Ed asks Stede if he’s having second thoughts. “Ed might be (is) having second thoughts and has no idea how to begin to talk or even think about them, much less the massive horrible thing he needs to share with his lover… before he shares anything ELSE with him.” (The “horrible thing,” remember, is HIV/AIDS.)

The shack is small and shitty. “This is only 384 sq ft of floor space at best.”

Stede and Ed stand far apart. This is the closest that Ed gets to a real smile. There’s a bad smell.

“(How long was the rest of the crew back aboard the Revenge for the LuPete wedding? Could say maybe two hours or so? Long enough for something dead to grope its way back toward life (because the crew's unicorn can't rest in peace if Blackbeard's mind won't be taking up the mantle of crew's protector!), crawl out of its shallow grave, drag itself up the hill toward shelter… and not quite make it up the ramp stairs to the porch to be spotted immediately?)”

Seagull Buttons lands on the cross that marks Izzy’s grave.

Mera references The Tell-Tale Heart by Edgar Allan Poe. “Our boy… our beautiful and much beloved boy Izzy Hands… is, I believe, under the floorboards awaiting discovery. He couldn't make it up the stairs with as weak as he was, so he crawled under the house.”

We’re here in this new reeking pit (Izzy survived his first death in this season, remember? He got over it, just like Con said) and you and I both have hold of Izzy’s warm bare hands, because we have no fear and we know that he left his living death behind him in the grave, along with the queer grief nailed to hung up on his cross. 

We have hold of his hands because that’s what the lovers do to call someone back into life; Stede showed us how it works in this fairy-tale realm of OFMD. 

Izzy doesn’t have lovers in the text yet. But we can be that for him, because we love him just as much as the Visible Crew does. We will sit here however long it takes.

Chapter 18: Mirror, Mirror: S2x08

“Our Flag Means Death Season 2 Episode 8 is an intense internal mirror to itself, in that most of the emotional beats and plot points of the first half of the episode are repeated in reverse order for the second half. In addition to that, TWO midpoints are made visible when examining the thirds and quarters timestamps -- that hold between them a THIRD midpoint scene that is the key to understanding the stinger after the end credits... and the episode in its entirety.”

I’m not going to go into a lot of detail here because I am not serious enough in my media analysis. Here’s the chapter if you want to read!

And here’s the super-short version:

In their initial timestamp calculation, Mera finds that, “In this textual reading, Izzy's sacrifice and death are fucking ABSENT from the major beats.” The Gentlebeard reunion kiss is at the midpoint. That couldn’t be, “so I did it again, the other way, with end credits and stinger included in the overall run time... and got something WAY different.”

The quarters: face closeups of the two halves of Blackbeard, talking about or actually becoming Blackbeard. [Closeup on Ed’s face when he thinks Stede may be dead, Izzy’s face as he talks about feeding Ed’s darkness.]

The act transitions: Izzy and Ricky in a dance of death; first Ricky appears triumphant, then Izzy. 

The midpoint: Oluwande, Petra to Izzy’s Jesus throughout the last half of S2, unshrouding an Izzy mirror (Auntie) in a beam of holy light; this moment leads to Auntie being [sic] restored healed by Jim’s hands. [...]

So now we’ve discovered a textual midpoint (the Gentlebeard kiss) and a subtextual midpoint (Oluwande and Jim “resurrecting” Auntie from the dead). 

Season 2 Episode 8 is an internal mirror to itself, with not one but TWO midpoints -- and a THIRD midpoint centered between them that appears irrelevant on first watching, but is actually key to the episode’s message!

The center of this entire “mirror” is “Archie and Fang trying to bend the cell bars while Olu, somewhat undressed Lucius, Wee John, and Frenchie watch.” Why? “The way out is the way through! This one otherwise apparently useless scene, centerpiece of the mirror, aims us at the stinger of the episode after the credits.”

Okay, but why is that really the center? Why is the stinger Frenchie squeezing through the cell bars? “Because it’s literally a narrow escape that happened during the episode but is only explained after the credits -- achieved by Izzy’s closest mirror this season [Frenchie]. Frenchie squeezed through a very tight spot that several others thought might be impossible to get through. 

“With everything else I’ve just showed you that were mirrored events/beats in this episode… it’s highly suggestive of a possibility that there’s a second narrow escape that happened during the episode that will only be explained after the credits: in Season 3.”

There are a ton of mirrored events, but here’s the most important one: “Ed has attempted a bucolic life twice; first one failed miserably. Is that second attempt looking any more well prepared, well thought-out, or in line with his textual skillsets?”

On to the next!

[mysteriouslybluepirate]

A discussion of media analysis of S1 vs S2 OFMD. [based on a twitter rant I saw someone go on about fandoms falling apart]

My issue is I'm a little media analysis pig.

I will dig and dig and DIG so hard for any tiny truffle that I will become obsessive. Because I fucking *love* writing and media analysis, I love the *implications* of stories. It's awful, a major 'waste of time', and I love it.

Then I'll turn around and share my opinions only to find out that, wow, I kind of look like a hater? That me 'overthinking' themes, arcs and motifs is me not being a real fan?

Like, in S1, any Izzy meta I wrote was received with the usual death threats, yeah. But at the same time, OFMD itself was a stable enough story that if you didn't get Izzy's POV you still had something there. We had people who were fans of Frenchie, Wee John, and Roach. Characters who barely had any screen time, but we felt we knew them. You can tear S1 apart and it still holds together in a way S2 just doesn't.

The only meta I'm left with for S2, Izzy or side character-wise, is just discussing why it didn't feel like a satisfying story compared to S1, and that's not a fun headspace to spend all your time.

I fucking LOVE grim dark stories in my fic, especially with Izzy/Ed but I think we can all admit, the show never wanted to give that relationship the depth that episodes 1-3 gave it. It pulled back, and we were all left confused. This fucked over the rest of the season.

Even with our main couple, I'm left stumped. Fuck, there's a reason I have written a small piece on Stede but haven't written my bit on Ed. I want to write it, but I know that once I start, I won't stop. That, and everyone seems to have put aside how shitty his arc was.

Now that we have BTS content, my little fan heart is happy to see that yes, there was still something fun here. That same close-knit family vibes I got from S1's crew, while sadly not on screen, was behind the camera this whole time. This story still has the *chance* to fix itself, in my eyes. To become about finding community and love again. But it has a LOT of work to do to make me believe that Stede and Ed could ever love each other long term.

Mentally, yeah, I've put S2 in it's own little box and have started to enjoy the queer love and community present within this fandom. Especially after learning how much the queer actors on screen were allowing themselves to shine through, but it makes me a bit bitter that *this* is what the show decided to do with it.

[nobeansforyou]

Okay...

So, I've liked Izzy Hands from the beginning. Not because I condone his actions in the first season (I agree, they were a bit fucked up, especially the "namby pamby" scene), but because he's an interesting, very complex character. I don't think that he didn't like Stede because Ed is in love with him, although that definitely plays a part, but because Izzy and Stede just didn't like each other. From their first interaction, where Ed wasn't even a part of the story yet, they didn't like each other. Honestly, I don't really like Stede either (a hot take, I know, but he just gets on my nerves a lot).

As the season progresses, we see this emotionally immature, repressed dude watch the person he's in love with fall in love with a person he hates. I also don't think that Izzy even has internalized homophobia. He knows that he loves Ed, he just doesn't have the words to express it, and the whole thing with him disliking Stede is, in my mind, because he views Stede as incompetent (which he sort of is) and as a threat to Ed. It's less of an "I don't want two guys to kiss >:((" and more of a "oh my goodness, this clueless person is gonna get us all killed."

Imagine you have lived your entire life doing something one way, only for someone else to come along and do it completely opposite, but not only is everything working out for them, the person you have loved and based your entire identity off of is suddenly in loved with them. It would be unnerving and uncomfortable, right?

And another thing. Izzy is essentially Ed's executive function in the first season. We see him following Ed around, trying to remind him that they have things to do, but Ed is not doing well. He literally says to Izzy that he would be interested in dying. So Izzy has to deal with that on top of a crew that doesn't listen (l love them, don't get me wrong, but come on guys), and now interacting on a daily basis with Stede. Bro's literally doing everything he can to keep the ship running. Of course he's gonna feel fed up when Ed shows up in Stede's clothes, goofing off, and not really being a captain.

This is getting long, so I'm probably gonna make another part, but I kinda want to go episode by episode and just analyze Izzy because I love him and yeah.

Also, also, this is in no way hate towards the Izzy haters, I (kinda) understand where you're coming from; he's not for everyone, I get it. But please don't come after me for saying I don't like Stede...

[squidinkedcreative]

aaaaaaa brain is putting things together about izzy and i just :( damn

also going to say this now that if ur an izzy hater, this post isnt for u! pls dont engage :) thank u

saw art with a quote from a post about izzy, talking about how some people find it touching that he’s buried in the yard of the inn, but this person didn’t. it made them feel sick because he’s buried there like a dog. and just first of all yeah. at first it was touching to me bc of that sentiment that they’re keeping him near them, even in death, but the more i thought on it the more my stomach also churned.

i know djenks had the best intentions with how izzy’s character and arc were treated but jfc ya missed the mark. by a wide margin. like hello???? having the entire point of his arc in season two be discovering himself and growing into himself, hell even standing up for himself and letting himself hold on a little looser to his baggage and just put down the baggage he chose to carry on behalf of the man he loved only for him to die like an episode or two later. and the crew acts like nothing happened just. it doesnt sit right with me and it hasnt since the first time i saw it.

i know its for “plot” reasons, but there was no other way to convey any of this than maiming him like the family dog nobody actually likes??? like a grimy mutt?? without him LITERALLY DYING????????????????? AT THE VERY END OF THE SEASON??????? AND NOT EVEN HAVE THAT BE THE MAIN MESSAGE FOR THE REST OF THE EPISODE??? you had to stomp all over his dead body with a fucking wedding. yes yes good for lucius and pete i really do love them and i am happy for them, but its like they all just. moved on. and forgot about izzy. and trust me i am FULLY aware of how complex grief is, but still. it stings. it feels like its watering down the impact izzy had on everyone on the crew.

he and the kraken’s crew grew so close that they tried to keep him alive even tho they all knew if the kraken found out, they’d all be paying with blood. they MADE HIM. A PROSTHETIC. AND PAINTED IT. they cheered him on when he came out in drag and sang in fucking FRENCH!!!!!!! and then he dies and like 3 minutes later theres a wedding and another party. it feels tasteless. it feels demeaning.

and i 100% think djenks roped izzy and ed into the Bury Your Gays trope without thinking that through. elder queer man who is traumatized dozens of times over who just fucking came to terms with himself AND WHO JUST CONFESSED HIS LOVE TO EDWARD!!!! dies. shortly after that, timeline wise. thats the fucking trope. it’s literally right there.

AND THEN. they fucking bury him in the YARD. LIKE A DOG. in the far corner where they wont see it and be reminded of him every day. out of sight out of mind. they’ll move on and grow old together, blissfully happy, while izzy’s bones are the only thing left of the man who once was Israel Hands, First Mate to the legendary Blackbeard. he never got to have his mutual pining moment, he never got to find the true love of his life and grow old with them. he doesnt get to die fulfilled, with labored breaths, as old age takes him. he gets to sit and watch from the corner as ed and stede, his ex of sorts and the guy he replaced him with, live that happily ever after. he gets to sit in the corner like a bad dog and watch as these two get everything he ever wanted. just like the unwanted family pet.

it makes me ill. he deserved so much better. he deserves better than doggy heaven, he deserves better than being roped into the fucking Bury Your Gays trope too.

[skyshroom]

My one and only OFMD ramblings post (hater moment)

I wish I could feel sad about OFMD getting cancelled and I suppose in some ways I do feel bad (fuck HBO for slashing their budget and runtime despite the crazy success of S1) but in my PERSONAL OPINION the second season did not leave me wanting more I was truly appalled at how much time out of their limited runtime was dedicated to pure fan service 😭 I love fan service but not at the cost of watering down the characters as much as they did

Jim my beloved I miss when you had like, motivations and weren’t just paired off to be in a relationship with a brand new character and forgotten about. Izzy I miss when they weren’t throwing you into an #angst fanfiction that felt like it was written by a depressed 15 y/o I miss when you were in a GOOD #angst fanfiction…Stede I wish I understood why you randomly went from being haunted by the men you’ve killed to just setting a man on fire in the street and never really acknowledging it… Edward was all over the place too their miniature breakup ‘arc’ if you could even call it that, was so underbaked me and Daniel were HOLLERING at how quickly that flew by..

the season just felt like crack fanfic for the most part and while it was beautiful in some areas it was still lacking the absolute magic they captured in s1, I know they had budget and time constraints but it’s not all that…S1 left me feeling like I had been punched in the gut (pos) and S2 just left me feeling confused and unsatisfied.. like a year ago if you told me OFMD was never going to get a season three I would have been gutted but instead I’ve been mourning this show since the day the last episode aired 😔

Rest in peace to OFMD 🪦 HBO fucked something that could have been truly beautiful and everyone in the writers room had ao3 open on their computer while they were pitching ideas… maybe someone will swoop in and salvage it

[jaskierx]

i genuinely fear david jenkins is too much of a con o’neill fan to let izzy stay dead and a s3 will probably be a mess because of it. he’s like a mix of an annoying izzy stan and a jar guy and his choices piss off both haters and lovers. i would find it extremely funny if i wasn’t so invested in ed and stede, and also the rest of the crew (who i feel like were all given less screen time to favour izzy in this season). big sigh.

yeah it would be a disaster. people who love izzy don’t want him back for s3, they want him to have never died in s2. people who dislike izzy don’t want him back at all. people who are neutral don’t want the writers to undo his death bc that kind of bait and switch shit is not good writing

con is a good actor. and we saw that when he acted izzy’s death. he is not the only good actor in the cast. i don’t think he’s the best actor in the cast. even if he was, if you love an actor so much you can’t envisage your show without them, that means you shouldn’t kill them off in the first place lmao

i’m trying to be reasonable and hoping that if con is in s3 it’ll be a cameo and it’ll be a flashback or a ghost appearance or something. preferably a flashback bc i am already imagining the fucking discourse about his appearance as a ghost with regard to leg vs prosthetic vs no leg. no matter which way they do it they’ll be called ableist and i am too tired for that

anyway. manifesting that djenks stops trying to appease the canyon and con is too busy to do any ofmd filming ever again and an izzyless s3 for us all