#and whether they’re all related

[quibbs126]

Hellooo, can I request a Pure Vanilla and Premier Custard fankid? I love imagining PV as Custard III's grandfather, but don't feel pressured to adhere to that hc if you don't want to!

Hmm, I mean, I usually interpret Pure Vanilla to be the ancestor of the entire House Custard, given we know Custard III is descended from PV but we don’t actually know how far back it is, and when Clotted Cream is introduced and says he’s from House Custard, Crunchy Chip remarks that he’s probably not just here to see his ancestor, implying that Clotted Cream is also his descendant simply because he’s from that family (though it could also be interpreted as him saying that simply because he’s from the old Vanilla Kingdom, since I don’t think Crunchy Chip would have the specific knowledge of House Custard being the direct descendants of Pure Vanilla)

And while you could say it’s not explicitly confirmed whether it’s all of House Custard that’s descended from Pure Vanilla or just Custard III, there’s enough of a grey area that I’m not really sure I should do this one, since Premier Custard Cream could end up being Pure Vanilla’s descendant as well. Sorry

[m-aximumjoy]

family resemblance

[beanmaster-pika]

A sizeable chunk of the fanbase (especially those who read the webtoon) seeing Collei in 3.0: aw thank goodness she’s doing well and even has two dads who are in love :)

Hoyoverse half a year later, writing Cyno and Tighnari into an event that in-game half of Mondstadt considers a lovers’ festival: shit shit shit shit shit we have to no-homo this

[delitaheiral]

devastating that zalbaag says this about tietra in such a jovial way, hinting at them getting along just fine offscreen (tietra has likely been bragging about her brother’s accomplishments to zalbaag, at the very least), just for the next time we see them in the same room to be when zalbaag orders her death

[sharkieboi]

love the way I have to talk to my grandma on the phone that is simultaneously “you suck and you’re mean to my mom and also mean to the rest of the family, and you’ve also purposefully isolated yourself from a lot of our family so that’s why no one wants to answer your calls” and “I love you so much and you mean the world to me and i’m desperately trying not to make this an abandoned connection, both individually and for the family”

[windmill-ghost]

Re: Batter’s gender, she tends to get read as female by Octarians and as male by Inklings (and all the other species) and both of these are correct because he loves to be a cool dude as well.

[mork-tee]

so you’re telling me, after all of this and korn encouraging them to be together, they’re fucking cousins?

[bongjuiceconcentrate]

instagram has lost its fucking mind honestly

[vxnted]

i love my friends but watching them fall into the same relationship dynamics and behaviours they used to berate me for is interesting

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

[quibbs126]

I feel like there should be more content about Hollyberry and Tiger Lily. I mean, she’s Hollyberry’s granddaughter too

Sure neither know that yet, but still

[phantasmanatic]

am i bad a gay for already being tired of pride month

[cottoncandybitchfuck]

Adaine Abernant is doomed by the narrative. All Oracles are Elves. They always die tragically, it’s said in freshman year. She isn’t going to live forever. She might outlive the bad kids, but she won't live forever. If they live their life expectancy it’ll probably go something like this.

It’ll be Gorgug first, at 75, they all go to the funeral and mourn their beloved friend. Then it’ll be Riz at 80, and Adaine and Fabian will be hit the hardest but everyone will be there, their detective is gone. Kristen will pass next around 80-90, the greatest cleric of her age. The funeral will be in her own church she was working at. Fig, Adaine, and Fabian are the last half that are left. Next will be Fig at around 100-150, the archdevil of rebellion being buried with the feather Ayda gave her at the start of their relationship. Ayda is there, whether in a new incarnation or not we don’t know, but she’s there. Adaine and Fabian are closer than ever, and spend their time together, since Minotaurs live 150 years as well, they likely attend Mazey’s funeral around the same time. Next is Fabian at 180. Aelwyn holds Adaine at the funeral, the bad kids are almost all gone, but at least she has Aelwyn. Then at some point years later, with Adaine, Aelwyn and Ayda all together, Adaine has an accident while doing an oracle-related quest. Aelwyn can’t do magic and eat ice cream with her sister forever. I hope she stays with Ayda. I hope they become a family for each other, since they’re the only two left. 

[maniculum]

A post of mine from several months ago about the Perlesvaus self-rearranging forest just wandered across my dash again and made me think about it some more, so I wanted to talk about it a bit.

Perlesvaus, for those who don’t know, is a 13th-century French Arthurian romance. It’s intended to be a continuation of Chretien de Troyes’s Perceval, but it’s mostly known for being completely batshit when it’s known at all. (There’s an old book on Arthurian texts that dedicates a chapter to Perlesvaus and repeatedly speculates that the anonymous author had Something Wrong With Him. This is the longest scholarly treatment of Perlesvaus I’ve been able to find & read.)

Anyway, there’s an odd worldbuilding detail in the text. See, it’s a Thing in chivalric romances that the questing knights happen upon castles & lords & damsels & such that are unfamiliar to them and have to be explained. You know, “this is the Castle of Such-and-Such, where the local custom is as follows. It’s ruled by Lady So-and-So, whose character I shall now describe to you.”

This is a genre convention that largely goes unquestioned, but it’s a bit odd if you think about it. All these knights are at least minor nobility. They don’t know the other nobles in their region? They don’t know what castles are where? Don’t they have, like, diplomatic relations with these people or at least attend the same tournaments? Even if they’re all fully committed to the knight-errant lifestyle and don’t really engage in courtly diplomacy, you’d think they would share information with each other and get the lay of the land. But instead, to use TTRPG terminology, it’s like they’re all on a hexcrawl that was randomly generated just for them to have these adventures.

The author of Perlesvaus decides to address this. In what’s kind of a throwaway paragraph late in the text, he explains that God moves things around so knights always have new quests to do (and, presumably, is also making sure they always arrive at the right narratively-significant moment). So the reason they’re always encountering people & places they have no knowledge of is because those people & places really weren’t there yesterday. They didn’t know about the Castle of Such-and-Such because it’s normally a thousand miles away and the forest path they followed to get there used to lead somewhere else.

And I think that would be a really interesting thing to stick into a novel or a TTRPG or something. When a knight rides into the forest with the intent of Going On A Quest, at some point they go around a bend in the path, cross an invisible barrier, and wind up in the Forest of Narrative. This is a vast forest with no set geography, filled with winding paths and populated almost entirely with questing knights, damsels in search of questing knights, friendly hermits, strange creatures, and allegorical set-pieces. Then, at the narratively-appropriate time, they cross back over the invisible barrier back into the regular world, and find themselves wherever the Narrative has decided they need to be. This could be a different country, a different continent, or a different world entirely.

Whether anyone involved is actually aware that this is how it works is… optional, really. Though if it’s not a Known Phenomenon, the people whose jobs it is to handle trade & diplomacy & god forbid, maps, are going to end up tearing their hair out in frustration.

[koenigami]

➵ WRIOTHESLEY

synopsis : sometimes all it takes is a little push from a little melusine wc : 1,3k tags : fem!reader, fluff, comfort, reader and wrio had an argument

“He’s in a bad mood.” “Did something happen?” “Was it an inmate?” “She left the fortress in a haste.” “Someone heard them arguing. She looked hysterical.” “Oh-oh. A fight?” “Shit, not again.”

The respect that Wriothesley earns himself stems from different kinds of people and different kinds of emotions. Some of them look up to him and his generosity while others are easily intimidated solely by his presence. Usually, the latter ones simply have not had the chance yet to get to know the Duke better. Otherwise they would realise that behind that cool and brutish exterior lies just a guy who likes order and tea. 

However, there is one specific circumstance that will have even Sigewinne lower her head when passing by his Grace’s office. 

“Do you know what they were arguing about?” The little Melusine has been asking around for a while now, looking for eyewitnesses, and writing down every piece of information as if she was solving a scandalous case. She knows very well that as rough as he may seem, Wriothesley is only human. A human madly, truly in love with none other than Fontaine’s top attorney with whom the Fortress of Meropide is in constant correspondence due to work related matters. 

Sigewinne nervously bites the top of her pen as she returns to her infirmary. The taste of plastic makes her grimace in disgust and look at the writing utensil with annoyance as if it had insulted her. She sighs.

It’s been a week since you hurried out of Wriothesley’s office, furiously stomping towards the elevator and staring down everyone and anyone who dared to cross your path. One week worth of missing documents that have not been sent in by you. One week worth of paperwork that has yet to be completed by Wriothesley. (Which is oddly ironic since that man has not left his office ever since your argument.)

Love will make the sanest person go mad, whether it’s in a good or a bad way. And so all Sigewinne can do right now is think about a way to make the both of you come back to your senses. But how? It’s not like either you or Wriothesley are at her beck and call, and will simply meet up just because she asked you so. Despite the emotional agony that you’re going through right now, you’re both way too stubborn for that.

Agony.

Unless…

~

“Where is he?!” Your voice echoes through the hall as you rush into Sigewinne’s infirmary. That was fast, she thinks. 

She almost feels a little bad when she notices the glimmer in your eyes and your laboured breathing. It’s for everyone’s sake, she reminds herself. 

“He should get here soon.” 

“B-But Neuvilette told me-” A poisoned tea. Those were the news that the Iudex had apparently received from one of the Melusines, and forwarded them to you. You don’t know all the details. You left your office as soon as you got to know that Wriothesley was currently unconscious due to a prisoner who had spiked his afternoon tea. 

Now you’re here, but he’s not and it’s making you even more agitated. “Sigewinne, where is he? Is he alright? Are you hiding something from me?”

“Y/n?” At first you feel his hands all over you before you even get to see him. Wriothesley delicately holds your head, turning it left and right before his hands move to your arms and then lower to your own hands. They’re shaking the slightest bit as he holds them up to his lips, pressing sweet kisses along your fingertips. His blood boils and he clenches his jaw at the simple thought of some low lives being the cause of your current state. 

It’s your turn to inspect him from head to toe now. His hair is a mess, all dishevelled while his pale skin makes you fear that he might just topple over any second. Your body moves before you know it, as you push him towards one of the few beds in the infirmary. “Wriothesley, shouldn’t you be in bed? When did you even wake up?” 

Wake… up? 

“Do you know if the potion will have any long term effects on you?” Despite having him right in front of you, obviously well and not on his deathbed, your heart still feels like it is about to burst from your ribcage. As soon as the news had reached you, you dropped everything. Any documents that you had to write and read through, any meetings with clients and other employees of the Palais Mermonia- 

None of them mattered anymore. All of a sudden, everything seemed so insignificant when there was the uncertainty if you’d ever be able to hear Wriothesley’s voice. Hear him sigh in tiredness before humming with the delight at the taste of his freshly brewed tea.

The simple thought of the possibility of him never waking up again, depriving you from the chance to get another glimpse of his breathtaking eyes. It was enough to get your tear ducts working and your eyes pricking as you hurried to see him as soon as possible.

“Archons, you should really lie down. You don’t look-”

Your mouth falls silent, because you can almost hear the screeching sound of the turning clockworks inside Wriothesley’s brain. It ends up worrying you even more. 

He scrutinises you, lets his gaze travel around the room only to notice that you’re alone now. Only you two. No Sigewinne. 

Sigewinne…

“You have not been attacked today, have you?” Deep blue eyes inspect your body again. Just to make sure, even though he more or less knows that all of this has to be a scheme. 

“No one robbed you? No treasure hoarders, right?” 

He watches your eyes widen, brows furrow before you shake your head. Of course. 

Why else would you believe that he’s comatose? Why else would he believe that you’ve been beaten to a pulp, and robbed off your most precious belongings? Why if not because of Sigewinne? 

“What’s wrong?” You ask cautiously, and you notice now too that one person is missing. 

And it’s only when Wriothesley explains to you that, in fact, there has never been tea nor poison, or at least not any kind of combination of those two. He has never been unconscious, and neither have you been hurt. But what did happen was that the both of you have been led on. Deceived.

And that by none other than the head nurse herself. 

“I can’t believe she pulled off something like that. You looked so awful, I actually thought you were sick.”

“Love, that’s because I was worried sick!” Wriothesley exclaims and exhales a huge breath when you bury your face in the crook of his neck. His arms open and instinctively wrap around you, fingers digging into your hips. And it feels good. So, so good because it’s been way too many days since you’ve held each other like this. 

And, god damn, did he miss it. 

A thought crosses his mind. How your last interaction had been a silly argument. Petty remarks and poisonous words spewed at each other, induced by nothing else but your egos. 

All of it is so insignificant now that you both are in each other’s embrace, and that you’re both fine and unharmed. 

So Wriothesley promises himself to apologise to you later, inhale your scent, brush his fingers through your hair all while showing you how much the few days that you have been apart affected him. Because none of those things should be taken for granted. Because another day with you is not promised but his love for you is.

But first. You both have a bone to pick with a certain Melusine. 

[sapphia]

The thing I love about Hbomberguy’s latest video essay on plagiarism is it really gets to the root of why someone plagiarises, which in turn reassures the audience of the soundness of their own creative process and that of the creatives they love. He spends so much time praising and analysing the difference between derivative works (non-negative) and plagiarised works that it reassures and broadens the knowledge of other creatives and of the audiences consuming their works, which in turn helps assuage any unconscious reactionary feelings of “But this other creative I love does something slightly similar”.

As someone who writes, and as someone who went through the churn-em-out of the modern university degree system and all the plagiarism anxiety that comes with that, the topic of copying and mimicking other creatives is a heavy and ill-understood topic in so many spaces. The education system, at least in my country, went from encouraging rote-learning and copying by rewarding those who best memorised answers previously learned (e.g. exam answer schedules, memorising the wording of pre-practiced essays) to encouraging original thought in extensively-written about topics for essays. It’s very hard not to feel like you’re plagiarising when you’re one of 300 first year law students writing about a a topic from one very in-depth source that you’ve studied in class and three smaller ones, and Turnitin has put in your mind that the MOST important thing you can do for this essay is not to pass it, but to reword it well enough not to get caught up in this plagiarism detector. And I can recognise my behaviours in what Hbomberguy identifies - I remember minute-before-the-deadline essays where I was guilty of padding out my biography with sources from my sources, and can think of phrases or techniques of writing I’ve read in books that I sometimes worry might come through in my writing in a way that feels like stealing.

Plagiarism anxiety is real, and it’s fed by a lack of understanding around what plagiarism is and where it comes from. Hbomberguy is so right for complimenting a bunch of lame youtubers for the enthusiasm with which they openly bounce off of other people’s ideas. This collaborative method of creating where ideas are taken and passed on due to love of the craft can feel derivative eventually - but taken within a body of work where the creator is riffing or paying homage to and not merely regurgitating others success is at the heart of where any meaningful success and love for the medium lies. Creators need to be coming from a place of genuine enthusiasm and respect - it’s when they dont, when they’re looking down on others, that we see these behaviours emerging.

And that helps identify the urges within ourselves, and know more firmly whether what we’re doing is tribute or theft, including the many not just acceptable but positive ways of referencing back to sources and inspiration. It helps us tell when we ourselves are genuinely trying to pay homage and when we are treading the more murky waters of unfair attribution. So thanks Hbomberguy for dumbing down this topic in the most relatable but inaccessible-by-length way possible, as per usual.