#andrew kwan art
Explore tagged Tumblr posts
Text

"KILL BILL" by Andrew Kwan
1K notes
·
View notes
Text

The Wizard and the Demon by Andrew Kwan
16 notes
·
View notes
Text
Updated 100 Memorable Skating Programs
Back in 2018, I created the original version of this list. (You can find the master post here.) Since 2024 marks my 30th year as an official fan of figure skating and there have been some more great programs created since the last time, I thought it was about time to update the list in honor of World Ice Skating Day. Same rules apply as last time:
Only senior competitive programs starting from the 1993-1994 season are eligible, since that's the first season I really started watching figure skating.
Each skater may only be listed once, unless a partner/discipline switch is involved.
Choice of music may also not be repeated. (Yes, there are two James Bond programs on the list, but Yuna and Wakaba use different music for the most part, so I'm letting it slide.)
I debated long and hard about whether or not I should still include programs from skaters who have proven themselves to be not so great people. I'm someone who has little difficulty separating the art from the artist, so in the end, I decided to keep them listed (although most of them got knocked down a few pegs). This list is more about the choreography than the skater anyway, although there are certainly some problematic choreographers out there, too. (Looking at you especially, Morozov!) So, just because a skater is listed doesn't mean that I'm a fan of them or that I condone their actions! I just think certain programs are still great regardless of the skaters' terrible behavior off the ice.
Choreographers are noted if known. If you know who choreographed the programs without a choreographer named, please let me know!
I've also created a handy playlist on YouTube if you don't want to click on all these links.
Ashley Wagner - Moulin Rouge (Shae-Lynn Bourne) 2016 Worlds
Jason Brown - Melancholy (Rohene Ward) 2023 Nationals
Patrick Chan - Phantom of the Opera (Lori Nichol) 2011 Canadian Nationals
Kaitlyn Weaver/Andrew Poje -Je suis malade (Pasquale Camerlengo) 2012 Worlds
Meryl Davis/Charlie White - Kajra Re/Silsila Ye Chahat Ka/Dola Re Dola (Marina Zueva, Igor Shpilband, and Anuja Rajendra) 2010 Olympics
Mao Asada - Rachmaninoff's Piano Concerto No. 2 (Tatiana Tarasova) 2014 Olympics
Sui/Han - Rain, In Your Black Eyes (Lori Nichol) 2019 Worlds
Marina Anissina/Gwendal Peizerat - Romeo & Juliet 1998 Olympics
Cain/LeDuc - W.E. (Pasquale Camerlengo) 2022 US Nationals
Daisuke Takahashi - Blues for Klook (Pasquale Camerlengo) 2012 Worlds
Kurt Browning - Casablanca (Sandra Bezic) 1994 Olympics
Michelle Kwan - Salome (Lori Nichol) 1996 Worlds
Alexei Yagudin - Winter (Tatiana Tarasova and Nikolai Morosov) 2002 Olympics
Jamie Sale/David Pelletier - Love Story (Lori Nichol) 2002 Olympics
Jeremy Abbott - Exogenesis (Jeremy Abbott and Yuka Sato) Nationals 2012
Oksana Grishuk/Evgeni Platov - The Feeling Begins 1997 Worlds
Yuzuru Hanyu - Seimei (Shae-Lynn Bourne) 2015 Grand Prix Final
Chock/Bates - Egyptian Snake Dance (Marie-France Dubreuil, Ginette Cournoyer, and Sam Chouinard) 2019 Grand Prix Final
Javier Fernandez - Guys and Dolls (David Wilson) 2016 Worlds
Vanessa James/Morgan Cipres - Sound of Silence (John Kerr and Silvia Fontana) 2017 Euros
Evgenia Medvedeva - Anna Karenina (Daniil Gleichengauz) 2018 Olympics
Nathan Chen - Philip Glass medley (Shae-Lynn Bourne) 2021 Worlds
Gabriella Papadakis/Guilliame Cizeron - Elegie (Saxon Fraser and Marie-France Dubreuil) 2022 Olympics
Aljona Savchenko/Bruno Massot - La terre vue du ciel (Christopher Dean) 2018 Olympics
Kevin Aymoz - Bolero (Brice Mousset and Kevin Aymoz) 2023 Skate America
Julia Lipnitskaya - Schindler’s List (Ilia Averbukh) 2014 Olympics
Elena Berezhnaya/Anton Sikharulidze - Lady Caliph 2002 Olympics
Yu-na Kim - James Bond medley (David Wilson) 2010 Olympics
Shoma Uno - Buenos Aires Hora Cero (Mihoko Higuchi) 2016 Grand Prix Final
Michal Brezina - The Way You Look Tonight (Jeffrey Buttle) 2016 Skate Canada
Shae-Lynn Bourne/Victor Kraatz - Riverdance 1998 Olympics
Adam Rippon - O/Fly On (Benji Schwimmer) 2016 Trophee de France
Jeffrey Buttle - Bells of Moscow (David Wilson) 2005 Worlds
Piper Gilles/Paul Poirier - Vincent (Carol Lane and Juris Razgulajevs) 2019 Canadian Nationals
Rudy Galindo - Swan Lake (Sharlene Franke) 1996 US Nationals
Sasha Cohen - Malaguena (Tatiana Tarasova) 2004 Worlds
Aljona Savchenko/Robin Szolkowy - Pina (Ingo Steur) 2011 Grand Prix Final
Samantha Cesario - Carmen (Inese Budevica) 2013 Trophee Eric Bompard
Tatsuki Machida - East of Eden (Phillip Mills) 2014 Worlds
Xue Shen/Hongbo Zhao - Turandot (Lea Ann Miller, Renee Roca, and Gorsha Sur) 2003 Worlds
Kaitlin Hawayek/Jean-Luc Baker - Liebestraume (Pasquale Camerlengo) 2018 Nationals
Olga Mikutina - My Nocturnal Serenade (Rostislav Sinicyn) 2023 Europeans
Lu Chen - The Last Emperor (Toller Cranston) 1995 Worlds
Giada Russo - Red Violin (Edoardo de Bernardis) 2016 Europeans
Junhwan Cha - Fate of the Clockmaker/Cloak and Dagger (Shae-Lynn Bourne) 2022 Olympics
Han Yan - La La Land (Yuka Sato and Kurt Browning) 2019 Chinese Interclub League
Wakaba Higuchi - Skyfall (Shae-Lynn Bourne) 2018 Worlds
Kazuki Tomono - Die Fledermaus (Misha Ge) 2022 Japanese Nationals
Yuma Kagiyama - Believer (Shae-Lynn Bourne) 2024 Worlds
Karen Chen - On Golden Pond (Karen Chen) 2017 Nationals
Maia Shibutani/Alex Shibutani - Coppelia (Marina Zueva and Cheryl Yeager) 2016 Nationals
Yuko Kavaguti/Alexander Smirov - Manfred Symphony (Peter Tchernyshev) 2014 Skate America
Philippe Candeloro - The Three Musketeers (Natacha Dabadie) 1998 Olympics
Alexander Abt - Songs from the Victorious City 1998 Nations Cup
Tessa Virtue/Scott Moir - Prince medley 2017 Worlds
Ekaterina Gordeeva/Sergei Grinkov - Moonlight Sonata (Marina Zueva) 1994 Olympics
Satoko Miyahara - Madama Butterfly (Tom Dickson) 2017 Japanese Nationals
Marjorie Lajoie/Zachary Lagha - The White Crow (Romain Haguenauer and Ginette Cournoyer) 2023 Four Continents
Anjelika Krylova/Oleg Ovsiannikov - Masquerade Waltz 1997 Worlds
Alena Kostornaia - The Departure, November (Daniil Gleikhengauz) 2019 Grand Prix Final
Nelli Zhiganshina/Alexander Gazsi - Two from the Grave (Ilia Averbukh) 2013 Worlds
Ksenia Stolbova/Fedor Klimov - The Man and The Shadow (Nikolai Morozov) 2015 Grand Prix Final
Stephanie Rosenthal - Rockit (Stewart and Christi Sturgeon) 2006 Nationals
Madison Hubbell/Zachary Donohue - Across the Sky, Caught Out In The Rain (Marie-France Dubreuil) 2018 Nationals
Mikhail Kolyada - The Nutcracker (Ilia Averbukh) 2021 Gran Premio d'Italia
Sinead Kerr/John Kerr - The Landing/Turn Around/Gravity of Love (Evgeni Platov) 2008 Worlds
Kaetlyn Osmond - Sous le ciel de Paris, Milord (Lance Vipond) 2016 Grand Prix Final
Carolina Kostner - Ave Maria (Lori Nichol) 2014 Olympics
Karina Manta/Joe Johnson - Sweet Dreams (Christopher Dean) 2019 Nationals
Gracie Gold - Firebird (Lori Nichol) 2016 Nationals
Charlene Guignard/Marco Fabbri - Atonement/Song For A Little Sparrow (Barbara Fusar-Poli and Corrado Giordani) 2022 Europeans
Keegan Messing - Singing in the Rain (Lance Vipond) 2018 Worlds
Elizabeth Punsalan/Jerod Swallow - Astor Piazolla medley (Igor Shpilband) 1998 Olympics
Rika Kihira - A Beautiful Storm (Tom Dickson) 2018 NHK Trophy
Mariah Bell - Chicago (Rohene Ward) 2016 Skate America
Brian Joubert - Rise (Evgeni Platov) 2009 Europeans
Stephane Lambiel - Poeta (Antonio Najarro) 2007 Worlds
Kaori Sakamoto - The Matrix (Benoit Richaud) 2020 NHK Trophy
Akiko Suzuki - O (Pasquale Camerlengo) 2012 NHK Trophy
Qing Pang/Jian Tong - The Impossible Dream (Shae-Lynn Bourne and David Wilson) 2010 Olympics
Takahito Kozuka - Io ci saro (Lori Nichol) 2014 Japanese National
Smart/Diaz - Mask of Zorro 2022 Europeans
Matt Savoie - Ennio Morricone medley (Tom Dickson) 2006 Nationals
Deniss Vasiljevs - Puttin’ On The Ritz (Benoit Richaud) 2016 Worlds
Caroline Green/Michael Parsons - Violin Concerto No.1 Eso Concerto, Clouds, The Mind on the Wind (Elena Novak and Alexei Kiliakov) 2022 Four Continents
Tara Lipinski - The Rainbow (Sandra Bezic) 1998 Olympics
Denis Ten - SOS d'un terrien en détresse (David Wilson) 2017 Shanghai Trophy
Valentina Marchei/Ondrej Hotarek - Tu Vuo Fa L'Americano (Massimo Scali) 2018 Europeans
Krisztina Czako - The Addams Family (Igor Bobrin) 1997 Europeans
Cheng Peng/Yang Jin - My Drag (Lori Nichol) 2016 GPF
Bradie Tennell - Mechanisms, Chronos (Benoit Richaud) 2020 4CC
Evgeny Plushenko - Tribute to Nijinsky 2004 Russian Nationals
Vanessa Gusmeroli - Rats D'Hotel 1999 Worlds
Julianne Seguin/Charlie Bilodeau - Monde Inverse (Shae-Lynn Bourne and Shae Zukiwsky) 2015 Skate America
Isabeau Levito - Dulcea Și Tandra Mea Fiară (Yulia Kuznetsova) 2022 MK John Wilson Trophy
Elizaveta Tuktamysheva - Batwannis Beek/Sandstorm (Tatiana Prokofieva) 2015 Europeans
Kana Muramoto/Daisuke Takahashi - Soran Bushi (Marina Zoueva, Ilia Tkachenko, and Koyo Yanai) 2021 NHK Trophy
Amber Glenn - This Time (Kaitlyn Weaver and Randi Strong) 2024 Lombardia Trophy
Ivan Righini - You Raise Me Up (Ivan Righini) 2016 Europeans
Anna Cappellini/Luca Lanotte - Life is Beautiful (Liudmila Vlasova) 2017 NHK Trophy
#figure skating#world ice skating day#ashley wagner#jason brown#patrick chan#weaver/poje#davis white#mao asada#sui/han#anissina/peizerat#cain/leduc#daisuke takahashi#(and a bunch of others)
61 notes
·
View notes
Text
dailylesliec masterpost!
Please credit me if you repost my translations or want to further translate them into other languages.

Ko-Fi: https://ko-fi.com/dailylesliec
Socials: Twitter Retrospring (Anonymous Inbox)
All my translations will be tagged under #dailylesliec translations.
Art and Piece Issue 16
Alan Chan on Leslie Cheung LESLIE X ALAN CHAN - Album Covers Andrew Lam on Leslie Cheung Stanley Kwan on Leslie Cheung Dora Ng on Leslie Cheung Man Lim Chung on Leslie Cheung Manfred Wong on Leslie Cheung
Leslie 的所有 / Leslie's Everything Fanbook - Interview
Will You Remember Fanbook
"Auspiciousness"
Assorted news articles / stories / etc.
Raymond Wong recalls working with Leslie: “He’d save me a lot of money!”
I will update this post with links to my other translations! Still working on transferring them all over here o7
5 notes
·
View notes
Text
Miraculous 3: China
Written & Directed by
@jacquesthepigeon
@miraculouslbcnreactions
@red-balloon12
@zoe-oneesama
Produced by
TBA
Associate Producer
TBA
Based on the TV show created by
Thomas Astruc
“Avatar: The Last Airbender” Character Writing by
@firelordslove, @foulfirerebel
@mal3vol3nt, & @zvtara-was-never-canon
Original Songs by
TBA
Music by
TBA
Original “Miraculous” Themes by
Alain Garcia
Noam Kaniel
Jeremy Zag
Original “Avatar: The Last Airbender” Themes by
Benjamin Wynn
Jeremy Zuckerman
Original Crossover Media Themes by
Christophe Beck, Alexandre Desplat
Patrick Doyle, Rupert Gregson-Williams
Mark Mancina, Alan Menken
& Randy Newman
Story Supervisor(s)
TBA
Edited by
TBA
Production Designer(s)
TBA
Visual Effects Supervisor(s)
TBA
Production Manager(s)
TBA
Animation Supervisor(s)
TBA
Director(s) of Photography
TBA
Associate Visual Effects Supervisor(s)
TBA
Shading Supervisor(s)
TBA
Character Supervisor(s)
TBA
Sets Supervisor(s)
TBA
Tailoring & Simulation Supervisor(s)
TBA
Effects Supervisor(s)
TBA
Compositing Supervisor(s)
TBA
Crowds Animation Supervisor(s)
TBA
Crowds Technical Supervisor(s)
TBA
Global Technology Supervisor(s)
TBA
Dailies & Rendering Supervisor(s)
TBA
Character Art Director(s)
TBA
Sets Art Director(s)
TBA
Color & Shading Art Director(s)
TBA
Graphics Art Director(s)
TBA
Story Manager(s)
TBA
Editorial Manager(s)
TBA
Script Supervisor(s)
TBA
Art Manager(s)
TBA
Animation & Global Tech Manager(s)
TBA
Animation Pre-Production Manager(s)
TBA
Production Finance Manager(s)
TBA
Sets & Camera Staging Manager(s)
TBA
Character & Crowds Manager(s)
TBA
Shading Manager(s)
TBA
Tailoring & Simulation Manager(s)
TBA
Effects Manager(s)
TBA
Lighting Manager(s)
TBA
Dailies & Rendering Manager(s)
TBA
Post Production Producer(s)
TBA
Sound Designer(s)
TBA
Casting by
@marcmarcmomarc
———————————————————————————-
Marinette Dupain-Cheng will return in
Miraculous 4: London
———————————————————————————-
Cast
Marinette Dupain-Cheng: Cristina Vee
Adrien Agreste: Bryce Papenbrook
Tikki: Mela Lee
Plagg: Max Mittelman
Fei Wu: Xanthe Huynh
Cash: Caleb Yen
Su-Han: Kaiji Tang
Wang Cheng: Todd Haberkorn
Mei Shi: Mark Chen
———————————————————————————-
Alya Césaire: Carrie Keranen
Nino Lahiffe: Zeno Robinson
Trixx: Cherami Leigh
Wayzz: Christopher Corey Smith
Tom Dupain: Christopher Corey Smith
Sabine Cheng: Anne Yatco
Chloé Bourgeois: Selah Victor
Pollen: Cassandra Lee Morris
Sabrina Raincomprix: Cassandra Lee Morris
Mylène Haprèle: Jessica Gee
Kim Chiến Lê-Ature: Grant George
Gabriel Agreste: Keith Silverstein
Lila Rossi: Lisa Kay Jennings
Max Kanté: Zeno Robinson
Ivan Bruel: Max Mittelman
Alix Kubdel: Kira Buckland
Nora Césaire: Laila Berzins
Nathaniel Kurtzberg: Michael Sinterniklaas
Nadja Chamack: Sabrina Weisz
Nathalie Sancoeur: Sabrina Weisz
Luka Couffaine: Andrew Russell
Rose Lavillant: Reba Buhr
Marc Anciel: Alejandro Saab
Kagami Tsurugi: Faye Mata
Zoé Lee: Deneen Melody
Nooroo: Ben Diskin
Duusu: Melissa Fahn
Delmar: Cedric Williams
Ondine: Erika Harlacher
Markov: Grant George
Juleka Couffaine: Reba Buhr
Émilie Agreste: Colleen O’Shaughnessey
Wang Fu: Paul St. Peter
Marianne Fu: Barbara Goodson
Olympia Hill: Anairis Quiñones
Barbara Keynes: Anairis Quiñones
Jessica Keynes: Jaimi Gray
Aeon: Kimberly Woods
Liiri: Cedric Williams
Manon Chamack: Stephanie Sheh
Chris Lahiffe: Alejandro Saab
Ella Césaire: Cherami Leigh
Etta Césaire: Cherami Leigh
———————————————————————————-
Mei Cheng: Emi Lo
Yan Cheng: Keone Young
Shu Yin Cheng: Bree Han
Bastille: Brook Chalmers
Lian: Aleks Le
Kang: Alan Chow
Jiao: Cory Yee
Hou Hou: Brook Chalmers
Long Long: Christopher Corey Smith
She She: Carrie Keranen
Tang Tang: Mela Lee
Xiong Xiong: Sabrina Weisz
Ma Ma: Dave Trosko
Hu Hu: Yuri Lowenthal
Ying Ying: AmaLee
———————————————————————————-
Aang: Davis Pak
Zuko: Dante Basco
Katara: Mae Whitman
Sokka: Jack DeSena
Toph Beifong: Jessie Flower
Suki: Jennie Kwan
Iroh: Greg Baldwin
Azula: Grey DeLisle
Mai: Cricket Leigh
Ty Lee: Olivia Hack
Appa: Dee Bradley Baker
Momo: Dee Bradley Baker
———————————————————————————-
Chief Hakoda: André Sogliuzzo
Bato: Richard McGonagle
King Bumi: André Sogliuzzo
Master Pakku: Victor Brandt
Master Piandao: Robert Patrick
Master Jeong-Jeong: Keone Young
Haru: Michael Dow
Tyro: Kevin Michael Richardson
Smellerbee: Nika Futterman
The Duke: Nick Kishiyama
Pipsqueak: Sterling Young
Longshot: Marc Donato
The Boulder: Mick Foley
Big Bad Hippo: Kevin Michael Richardson
Mechanist: Cory Yee
Teo: Alex Felten
Huu: William H. Bassett
Due: Carlos Alazraqui
Tho: Carlos Alazraqui
Guru Pathik: Brian George
Kanna “Gran-Gran”: Melendy Britt
King Kuei: Phil LaMarr
Ursa: Jen Cohn
June: Jennifer Hale
Cabbage Merchant Cai: James Sie
Hahn: Ben Diskin
Joo Dee: Lauren Tom
General Shinu: Nick Jameson
Lo: Takayo Fischer
Li: Takayo Fischer
Chief Arnook: Jon Polito
Chit Sang: Ezekial Rollins
Sha-Mo: Bill Bolender
Ghashiun: Paul McKenny
Haru’s Mother: Pat Musick
Fire Sage Shyu: Michael Yama
Lieutenant Jee: Jim Meskimen
Aunt Wu: Tsai Chin
Meng: Jessie Flower
General Fong: Daniel Dae Kim
Chong: Dee Bradley Baker
Lily: Laraine Newman
Moku: Derek Basco
Song: Kim Mai Guest
Song’s Mother: Barbara Goodson
Michi: Grey DeLisle
Tom-Tom: Tara Strong
Lao Beifong: Cam Clarke
Poppy Beifong: Michelle Carteris
General Sung: Barry Dennen
Madame Macmu-Ling: Melinda Clarke
Jin: Marcella Lentz-Pope
General How: Jim Meskimen
On Ji: Tinashe
Shoji: Noah Luke
Chan: Erik von Detten
Ming: Serena Williams
Bosco: Clancy Brown
Nyla: Dee Bradley Baker
———————————————————————————-
Yi: Chloe Bennet
Jin: Tenzing Norgay Trainor
Peng: Ethan Loh
Nai Nai: Tsai Chin
Mei: Michelle Wong
Mr. Burnish: Suzy Eddie Izzard
Everest: Joseph Izzo
Jack Frost: Chris Pine
Tooth Fairy: Isla Fisher
North: Alec Baldwin
Easter Bunny: Hugh Jackman
Jamie Bennett: Dakota Goyo
Caleb: Khamani Griffin
Claude: Kamil McFadden
Cupcake: Dominique Grund
Monty: Jacob Bertrand
Pippa: Olivia Mattingly
Sophie Bennett: Georgie Grieve
Anna: Kristen Bell
Elsa: Idina Menzel
Kristoff: Jonathan Groff
Olaf: Josh Gad
Sven: Frank Welker
Destin Mattias: Sterling K. Brown
Yelena: Martha Plimpton
Ryder: Jason Ritter
Honeymaren: Rachel Matthews
Grandpabbie: Ciarán Hinds
Oaken: Chris Williams
Bulda: Maia Wilson
Marshmallow: Paul Briggs
Rapunzel Fitzherbert: Mandy Moore
Eugene Fitzherbert: Zachary Levi
Queen Ariana: Kari Wahlgren
King Frederic: Clancy Brown
Pascal: Bob Bergen
Maximus: Nathan Greno
Hook Hand: Brad Garrett
Big Nose: Chris Marlow
Shorty: Paul F. Tompkins
Vladimir: Charles Halford
Ulf: Eric Deiboldt
Attila Buckethead: Byron Howard
Sideburns Stabbington: Ron Perlman
Patchy Stabbington: Brian Hull
Moana: Auli’i Cravalho
Maui: Dwayne Johnson
Chief Tui: Temuera Morrison
Sina: Nicole Scherzinger
Simea: Khaleesi Lambert-Tsuda
Loto: Rose Matafeo
Kele: David Fane
Moni: Hualalai Chung
Heihei: Alan Tudyk
Tiana: Anika Noni Rose
Naveen: Bruno Campos
Louis: Michael-Leon Wooley
Charlotte La Bouff: Jennifer Cody
Eli La Bouff (Big Daddy): John Goodman
Mama Odie: Jenifer Lewis
Eudora: Oprah Winfrey
Merida: Kelly Macdonald
Elinor: Emma Thompson
Fergus: Billy Connolly
Lord MacGuffin: Kevin McKidd
Lord Macintosh: Craig Ferguson
Lord Dingwall: David Tennant
Maudie: Michelle Gomez
Young MacGuffin: Kevin McKidd
Young Macintosh: Steven Cree
Wee Dingwall: Callum O’Neill
———————————————————————————-
Ozai: Mark Hamill
Boiling Rock Warden: Wade Williams
Prison Rig Warden: George Takei
Long Feng: Clancy Brown
Hama: Tress MacNeille
Pitch Black: Jude Law
Hans: Santino Fontana
Tamatoa: Jemaine Clement
Lawrence: Peter Bartlett
Singing Voices
Adrien Agreste: Drew Ryan Scott
Chief Tui: Christopher Jackson
Story
Editorial
Art
Camera & Staging
Animation
Global Technology
Dailies & Sweatbox
Simulation & Crowds
Characters
Sets
Effects
Lighting
Rendering
Production
Creative Development
Post Production
Stereoscopic 3D
International Production
Post Production Sound
Additional Voices
Adewale Akinnuoye-Agbaje, Stuart Allen, Stephen J. Anderson
Diedrich Bader, Jonathan Banks, Laura Benanti, Susanne Blakeslee, Kwesi Boakye, Corey Burton
Bruce Campbell, Reg E. Cathey, Lewis Cleale, Michael Colyar, Jesse Corti, Puanani Cravalho, Gavin Creel
Alan Dale, John de Lancie, Grey DeLisle, Benjamin Deters, Rich B. Dietl, Patrick Doyle
Gideon Emery, Edin Espinosa
Lauri Fraser
M.C. Gainey, Tucker Gilmore
Sean Hayes, Lance Henriksen, James Hong, Kelly Hoover, Halima V. Hudson, Karen Huie
James Monroe Iglehart
Ruby Jay, Ata Johnson, Jasmine Johnson, Tiana Johnson, Jeremy Jordan
Carol Kane, Jerry Kernion, Oscar Kightley, Jennifer Kilger, Richard Kind, Jason Ko
Zachary Levi, Christine Lin, Annie Lopez
Peter MacNicol, Jeffrey Marcus, Kym Miller
Randy Newman, Emily Nordwind
Robert Pine, Troy Polamalu, Phil Proctor
John Ratzenberger, Britt Robertson, Jeffrey Ross
Delaney Rose Stein, Yvonne Strahovski
Isabella Blake Thomas, Danielle Moné Truitt, Alan Tudyk
Vivian Vencer
Jack Whitehall, Bradley Whitford, Seth R. Williamson, Mick Wingert
Music
Parody of “The Amazing World of Elmore” from “The Amazing World of Gumball”
Written by Ben Bocquelet, Jon Brittain, Tom Crowley, Jon Foster, James Lamont, and Tobi Wilson
Performed by the Crossover Characters
Original Song Performed by Mic Graves, Hugo Harold-Harrison, Jessica McDonald, Kerry Shale, and other unknown voices
Property of Cartoon Network; Copyright ©2013
“Dream Team of the Century” (parody of “Secret to the Formula” from “The SpongeBob Movie: Sponge on the Run”)
Written by Tim Hill, Rob Hyman, and Cyndi Lauper
Performed by Davis Pak, Dante Basco, Mae Whitman, Jack DeSena, Jessie Flower, Jennie Kwan, Greg Baldwin, Grey DeLisle, Cricket Leigh, and Olivia Hack
Original Song Performed by Carolyn Lawrence, Bill Fagerbakke, Clancy Brown, Mr. Lawrence, and Rodger Bumpass
Property of Paramount Music & Viacom International, Inc.; Copyright ©2020
ZAG Entertainment Team
Production Babies
Special Thanks
“Avatar: The Last Airbender” is property of Nickelodeon Animation Studios; Copyright ©2005
“Abominable” is property of DreamWorks Animation SKG; Copyright ©2019
“Rise of the Guardians” is property of DreamWorks Animation SKG; Copyright ©2012
“Frozen” is property of Walt Disney Pictures; Copyright ©2013
“Tangled” is property of Walt Disney Pictures; Copyright ©2010
“Moana” is property of Walt Disney Pictures; Copyright ©2016
“The Princess and the Frog” is property of Walt Disney Pictures; Copyright ©2009
“Brave” is property of Pixar Animation Studios; Copyright ©2012
All brands depicted in this film are protected by trademarks and copyrights owned by their respective owners.
©2026 ZAG Entertainment
All Rights Reserved
For the purposes of copyright law in the United Kingdom, ZAG Entertainment was the owner of copyright in this motion picture immediately after it was made.
Mako Iwamatsu 1933 - 2006
Created and Produced at ZAG Entertainment Paris, France
#miraculous ladybug#miraculous fanfic#marinette dupain cheng#ml ladybug#adrien agreste#cat noir#fei wu#ladydragon#su han#wang cheng#mei shi#team miraculous#mei cheng#yan cheng#shu yin cheng#renlings#team avatar#miraculous shanghai#ba sing se#water tribe#earth kingdom#fire nation#azula redemption#kataang#maiko#sukka#marinette deserves better#marinette sugar
4 notes
·
View notes
Text
please please please please PLEASE give everyone on this list a hand if you have the capacity, and please continue to check back, because it unfortunately continues to grow. but i wanted to highlight a few familiar names and colleagues:
Dave Wasson - creator of Time Squad, showrunner of The Cuphead Show!, director of The Buzz on Maggie, Making Fiends, Star vs. the Forces of Evil, and some of the 2013 Mickey Mouse shorts. all of my interactions with him have been incredibly kind and friendly; a real cartoon genius. please lend a hand if you are able.
Bill Reiss - if you've ever laughed at or quoted "NO! THIS IS PATRICK!", you should consider tossing SpongeBob veteran Bill Reiss what you can as the writer of that brilliant line. he helped make my childhood and probably yours, too. credits also include being the creative director of Chowder, co-developer of Fish Hooks, as well as working on the 2013 Mickey shorts and Harvey Beaks.
Bill Flores - if you've watched a cartoon in your lifetime (and, considering you're following this blog, you probably have), it's likely Bill Flores provided background art for it. Space Jam, King of the Hill, Rugrats, CatDog, The Grim Adventures of Billy and Mandy, Chowder, Uncle Grandpa, Steven Universe, and 2013 Mickey are all just a sample of his credits.
Levon Jihanian - another incredibly talented background designer with a massive swathe of credits: Over the Garden Wall, Wander Over Yonder, Green Eggs and Ham, Tig 'n Seek, and The Day the Earth Blew Up, to name a few.
Jordan Mitchell - Jordan has been in the hospital and lost his brother and father in addition to his home. as a visual development artist, he's provided art for Tig 'n Seek, Carol vs the End of the World, and The Urkel Movie, as well has having editorial experience. he could really use a helping hand.
these are just a fraction of the names on the list, and even a smaller fraction of the thousands of people in LA impacted by these fires. no one is more important than the other--your help is limitless. but being an animation worker and seeing colleagues and colleagues of colleagues on this list, i just want to do what i can to spread the word. if you follow me, you like cartoons. you likely like at least one of the cartoons mentioned above. please show your gratitude any way you can. and please again know that this is just a small fraction--i highlight the animation workers since it hits very close to home, but there are so many other people who need the same resources and help. i know there's a lot going on, and a lot of fundraisers to tend to certainly outside of the LA fires. but i just hope to pass the help forward and hope that you will do the same. thank you.
hey all, linked in this article are a bunch of GoFundMe fundraisers for animation workers who have been displaced by the LA fires--if you have the capacity to donate that would be really wonderful!
1K notes
·
View notes
Text
Dtop Universal Carnival Asia Global Node was invited to attend the Hong Kong Innovation, Technology and Arts Development Forum 2023
Web 3.0 returns, constructing a golden new starting point. Web 3.0 is an innovative framework that integrates digital technology and economic systems, representing a trend in the future development of the internet industry. To accelerate the fusion of innovative technology and cultural art, leveraging Hong Kong's international advantages and open policy environment, and supporting the further construction and development of Hong Kong as an international innovation and technology center, the " Innovation, Technology and Arts Development Forum 2023" was successfully held in Hong Kong on August 15th.
The "Innovation, Technology and Arts Development Forum 2023", hosted by Hong Kong Bauhinia Magazine. The participation of over 500 elites from Hong Kong's political and business sectors, academia, media, and various industries at home and abroad. During this forum, the Chief Executive of the Hong Kong Special Administrative Region, John Lee Ka-chiu, delivered a video speech. Other distinguished attendees included Andrew Leung Kwan-yuen, the President of the Legislative Council of the Hong Kong Special Administrative Region, as well as government officials such as Joseph Chan Ho-lim, Deputy Director of the Financial and Treasury Bureau of the Hong Kong Special Administrative Region, Raistlin Lau Chun, Deputy Director of the Cultural, Sports, and Tourism Bureau of the Hong Kong Special Administrative Region, Chen Jiaxian, Chairman of the Arts Promotion Committee of the Hong Kong Special Administrative Region, Wu Zhihua, Director of the Hong Kong Palace Museum, Peter Ren Jingxin, CEO of Cyberport Hong Kong, and Professor Wang Yang, Deputy President of the Hong Kong University of Science and Technology.
Chief Executive John Lee Ka-chiu of the Hong Kong Special Administrative Region, in his video emphasized that Web 3.0 represents a new direction for the development of the internet, integrating technologies that have garnered considerable attention in recent years. It has the potential to drive the future development of finance and trade. The government places significant importance on the development of financial technology and Web 3.0, maintaining an open and inclusive attitude towards innovators engaged in global virtual asset businesses. The government plans to collaborate with financial regulatory bodies to create a favorable environment, promoting sustainable and responsible development within Hong Kong's financial industry. In June of this year, the government introduced a new licensing regime for virtual asset trading platforms and is actively exploring regulatory arrangements for stablecoins. Moreover, Hong Kong is actively working to establish itself as an international innovation and technology center, as well as a hub for cultural art exchange between China and foreign countries. The convergence of art and technology represents a new development direction. To actively promote and support the development of art and technology, the government has allocated substantial funds through various programs to encourage the integration of technology into appropriate cultural and artistic projects, driving the development of art and technology. Over HKD 100 million has been allocated, benefiting 324 organizations and individuals engaged in art and technology-related initiatives. The government will continue to support the integration of art and innovative technology, encouraging artists and art groups to leverage technology to conceive, create, and present unprecedented forms of artistic expression, providing audiences with new and enriched artistic experiences.
Joseph Chan Ho-lim, Deputy Director of the Financial and Treasury Bureau of the Hong Kong Special Administrative Region, expressed agreement with the potential of Web 3.0 and blockchain to become trends in the future development of finance and trade. With proper regulation, these technologies can enhance efficiency and transparency, thereby addressing or even solving current issues in settlement and payment. In the 2023-2024 fiscal budget, the government has allocated HKD 50 million to accelerate the development of the Web 3.0 ecosystem and facilitate cross-sector business collaboration. Hong Kong is committed to driving sustainable development across various financial services on the virtual asset value chain, including virtual asset issuance, tokenization, trading and payment platforms, financial and asset management, as well as custody services.
The Web 3.0 distributed cross-border private domain e-commerce platform, Dtop Universal Carnival Asia was invited to attend this forum as a global consensus node of Web 3.0. The platform shared its role as a commercial scene provider in the era of Web 3.0, actively constructing a global commercial scene consumer ecosystem that connects online retail, travel, local life, and other consumption applications, offering users convenient global digital consumption scenarios, and realizing the sustained ecological value of joint construction, governance, and sharing.
On the same evening, the "ITA2023 Digital Art Gateway" charity appreciation banquet was held. Mr. Yuan Jian, Vice President of Hong Kong Bauhinia Magazine, delivered a speech on behalf of the organizer. Notable attendees included Hong Kong social dignitaries, internationally renowned artists, representatives from the digital art industry, Web 3.0 art creators, digital art collectors, and more, gathering to contribute to the growth of young talents in the field of digital art.
With everyone gathering and a great endeavor setting sail, this summit forum concluded successfully. Elite representatives from various industries jointly explored a new blueprint for the digital economy, opening a new chapter in the transformation of Web 3.0. Leaders from fields such as blockchain, NFTs, cloud computing, and Web 3.0 cross-border e-commerce will collaborate to create an innovative ecosystem, sharing the dividends of the new economy. Ambitious goals inspire like-minded strategic partners to integrate their strengths, fostering the eruption of unlimited possibilities through intellectual collision. United in purpose, hand in hand, working together to drive the development of the digital economy.
0 notes
Text
Dtop Universal Carnival Asia Global Node was invited to attend the Hong Kong Innovation, Technology and Arts Development Forum 2023
Web 3.0 returns, constructing a golden new starting point. Web 3.0 is an innovative framework that integrates digital technology and economic systems, representing a trend in the future development of the internet industry. To accelerate the fusion of innovative technology and cultural art, leveraging Hong Kong's international advantages and open policy environment, and supporting the further construction and development of Hong Kong as an international innovation and technology center, the " Innovation, Technology and Arts Development Forum 2023" was successfully held in Hong Kong on August 15th.
The "Innovation, Technology and Arts Development Forum 2023", hosted by Hong Kong Bauhinia Magazine. The participation of over 500 elites from Hong Kong's political and business sectors, academia, media, and various industries at home and abroad. During this forum, the Chief Executive of the Hong Kong Special Administrative Region, John Lee Ka-chiu, delivered a video speech. Other distinguished attendees included Andrew Leung Kwan-yuen, the President of the Legislative Council of the Hong Kong Special Administrative Region, as well as government officials such as Joseph Chan Ho-lim, Deputy Director of the Financial and Treasury Bureau of the Hong Kong Special Administrative Region, Raistlin Lau Chun, Deputy Director of the Cultural, Sports, and Tourism Bureau of the Hong Kong Special Administrative Region, Chen Jiaxian, Chairman of the Arts Promotion Committee of the Hong Kong Special Administrative Region, Wu Zhihua, Director of the Hong Kong Palace Museum, Peter Ren Jingxin, CEO of Cyberport Hong Kong, and Professor Wang Yang, Deputy President of the Hong Kong University of Science and Technology.
Chief Executive John Lee Ka-chiu of the Hong Kong Special Administrative Region, in his video emphasized that Web 3.0 represents a new direction for the development of the internet, integrating technologies that have garnered considerable attention in recent years. It has the potential to drive the future development of finance and trade. The government places significant importance on the development of financial technology and Web 3.0, maintaining an open and inclusive attitude towards innovators engaged in global virtual asset businesses. The government plans to collaborate with financial regulatory bodies to create a favorable environment, promoting sustainable and responsible development within Hong Kong's financial industry. In June of this year, the government introduced a new licensing regime for virtual asset trading platforms and is actively exploring regulatory arrangements for stablecoins. Moreover, Hong Kong is actively working to establish itself as an international innovation and technology center, as well as a hub for cultural art exchange between China and foreign countries. The convergence of art and technology represents a new development direction. To actively promote and support the development of art and technology, the government has allocated substantial funds through various programs to encourage the integration of technology into appropriate cultural and artistic projects, driving the development of art and technology. Over HKD 100 million has been allocated, benefiting 324 organizations and individuals engaged in art and technology-related initiatives. The government will continue to support the integration of art and innovative technology, encouraging artists and art groups to leverage technology to conceive, create, and present unprecedented forms of artistic expression, providing audiences with new and enriched artistic experiences.
Joseph Chan Ho-lim, Deputy Director of the Financial and Treasury Bureau of the Hong Kong Special Administrative Region, expressed agreement with the potential of Web 3.0 and blockchain to become trends in the future development of finance and trade. With proper regulation, these technologies can enhance efficiency and transparency, thereby addressing or even solving current issues in settlement and payment. In the 2023-2024 fiscal budget, the government has allocated HKD 50 million to accelerate the development of the Web 3.0 ecosystem and facilitate cross-sector business collaboration. Hong Kong is committed to driving sustainable development across various financial services on the virtual asset value chain, including virtual asset issuance, tokenization, trading and payment platforms, financial and asset management, as well as custody services.
The Web 3.0 distributed cross-border private domain e-commerce platform, Dtop Universal Carnival Asia was invited to attend this forum as a global consensus node of Web 3.0. The platform shared its role as a commercial scene provider in the era of Web 3.0, actively constructing a global commercial scene consumer ecosystem that connects online retail, travel, local life, and other consumption applications, offering users convenient global digital consumption scenarios, and realizing the sustained ecological value of joint construction, governance, and sharing.
On the same evening, the "ITA2023 Digital Art Gateway" charity appreciation banquet was held. Mr. Yuan Jian, Vice President of Hong Kong Bauhinia Magazine, delivered a speech on behalf of the organizer. Notable attendees included Hong Kong social dignitaries, internationally renowned artists, representatives from the digital art industry, Web 3.0 art creators, digital art collectors, and more, gathering to contribute to the growth of young talents in the field of digital art.
With everyone gathering and a great endeavor setting sail, this summit forum concluded successfully. Elite representatives from various industries jointly explored a new blueprint for the digital economy, opening a new chapter in the transformation of Web 3.0. Leaders from fields such as blockchain, NFTs, cloud computing, and Web 3.0 cross-border e-commerce will collaborate to create an innovative ecosystem, sharing the dividends of the new economy. Ambitious goals inspire like-minded strategic partners to integrate their strengths, fostering the eruption of unlimited possibilities through intellectual collision. United in purpose, hand in hand, working together to drive the development of the digital economy.
0 notes
Text
Dtop Universal Carnival Asia Global Node was invited to attend the Hong Kong Innovation, Technology and Arts Development Forum 2023
Web 3.0 returns, constructing a golden new starting point. Web 3.0 is an innovative framework that integrates digital technology and economic systems, representing a trend in the future development of the internet industry. To accelerate the fusion of innovative technology and cultural art, leveraging Hong Kong's international advantages and open policy environment, and supporting the further construction and development of Hong Kong as an international innovation and technology center, the " Innovation, Technology and Arts Development Forum 2023" was successfully held in Hong Kong on August 15th.
The "Innovation, Technology and Arts Development Forum 2023", hosted by Hong Kong Bauhinia Magazine. The participation of over 500 elites from Hong Kong's political and business sectors, academia, media, and various industries at home and abroad. During this forum, the Chief Executive of the Hong Kong Special Administrative Region, John Lee Ka-chiu, delivered a video speech. Other distinguished attendees included Andrew Leung Kwan-yuen, the President of the Legislative Council of the Hong Kong Special Administrative Region, as well as government officials such as Joseph Chan Ho-lim, Deputy Director of the Financial and Treasury Bureau of the Hong Kong Special Administrative Region, Raistlin Lau Chun, Deputy Director of the Cultural, Sports, and Tourism Bureau of the Hong Kong Special Administrative Region, Chen Jiaxian, Chairman of the Arts Promotion Committee of the Hong Kong Special Administrative Region, Wu Zhihua, Director of the Hong Kong Palace Museum, Peter Ren Jingxin, CEO of Cyberport Hong Kong, and Professor Wang Yang, Deputy President of the Hong Kong University of Science and Technology.
Chief Executive John Lee Ka-chiu of the Hong Kong Special Administrative Region, in his video emphasized that Web 3.0 represents a new direction for the development of the internet, integrating technologies that have garnered considerable attention in recent years. It has the potential to drive the future development of finance and trade. The government places significant importance on the development of financial technology and Web 3.0, maintaining an open and inclusive attitude towards innovators engaged in global virtual asset businesses. The government plans to collaborate with financial regulatory bodies to create a favorable environment, promoting sustainable and responsible development within Hong Kong's financial industry. In June of this year, the government introduced a new licensing regime for virtual asset trading platforms and is actively exploring regulatory arrangements for stablecoins. Moreover, Hong Kong is actively working to establish itself as an international innovation and technology center, as well as a hub for cultural art exchange between China and foreign countries. The convergence of art and technology represents a new development direction. To actively promote and support the development of art and technology, the government has allocated substantial funds through various programs to encourage the integration of technology into appropriate cultural and artistic projects, driving the development of art and technology. Over HKD 100 million has been allocated, benefiting 324 organizations and individuals engaged in art and technology-related initiatives. The government will continue to support the integration of art and innovative technology, encouraging artists and art groups to leverage technology to conceive, create, and present unprecedented forms of artistic expression, providing audiences with new and enriched artistic experiences.
Joseph Chan Ho-lim, Deputy Director of the Financial and Treasury Bureau of the Hong Kong Special Administrative Region, expressed agreement with the potential of Web 3.0 and blockchain to become trends in the future development of finance and trade. With proper regulation, these technologies can enhance efficiency and transparency, thereby addressing or even solving current issues in settlement and payment. In the 2023-2024 fiscal budget, the government has allocated HKD 50 million to accelerate the development of the Web 3.0 ecosystem and facilitate cross-sector business collaboration. Hong Kong is committed to driving sustainable development across various financial services on the virtual asset value chain, including virtual asset issuance, tokenization, trading and payment platforms, financial and asset management, as well as custody services.
The Web 3.0 distributed cross-border private domain e-commerce platform, Dtop Universal Carnival Asia was invited to attend this forum as a global consensus node of Web 3.0. The platform shared its role as a commercial scene provider in the era of Web 3.0, actively constructing a global commercial scene consumer ecosystem that connects online retail, travel, local life, and other consumption applications, offering users convenient global digital consumption scenarios, and realizing the sustained ecological value of joint construction, governance, and sharing.
On the same evening, the "ITA2023 Digital Art Gateway" charity appreciation banquet was held. Mr. Yuan Jian, Vice President of Hong Kong Bauhinia Magazine, delivered a speech on behalf of the organizer. Notable attendees included Hong Kong social dignitaries, internationally renowned artists, representatives from the digital art industry, Web 3.0 art creators, digital art collectors, and more, gathering to contribute to the growth of young talents in the field of digital art.
With everyone gathering and a great endeavor setting sail, this summit forum concluded successfully. Elite representatives from various industries jointly explored a new blueprint for the digital economy, opening a new chapter in the transformation of Web 3.0. Leaders from fields such as blockchain, NFTs, cloud computing, and Web 3.0 cross-border e-commerce will collaborate to create an innovative ecosystem, sharing the dividends of the new economy. Ambitious goals inspire like-minded strategic partners to integrate their strengths, fostering the eruption of unlimited possibilities through intellectual collision. United in purpose, hand in hand, working together to drive the development of the digital economy.
0 notes
Text
Dtop Universal Carnival Asia Global Node was invited to attend the Hong Kong Innovation, Technology and Arts Development Forum 2023
Web 3.0 returns, constructing a golden new starting point. Web 3.0 is an innovative framework that integrates digital technology and economic systems, representing a trend in the future development of the internet industry. To accelerate the fusion of innovative technology and cultural art, leveraging Hong Kong's international advantages and open policy environment, and supporting the further construction and development of Hong Kong as an international innovation and technology center, the " Innovation, Technology and Arts Development Forum 2023" was successfully held in Hong Kong on August 15th.
The "Innovation, Technology and Arts Development Forum 2023", hosted by Hong Kong Bauhinia Magazine. The participation of over 500 elites from Hong Kong's political and business sectors, academia, media, and various industries at home and abroad. During this forum, the Chief Executive of the Hong Kong Special Administrative Region, John Lee Ka-chiu, delivered a video speech. Other distinguished attendees included Andrew Leung Kwan-yuen, the President of the Legislative Council of the Hong Kong Special Administrative Region, as well as government officials such as Joseph Chan Ho-lim, Deputy Director of the Financial and Treasury Bureau of the Hong Kong Special Administrative Region, Raistlin Lau Chun, Deputy Director of the Cultural, Sports, and Tourism Bureau of the Hong Kong Special Administrative Region, Chen Jiaxian, Chairman of the Arts Promotion Committee of the Hong Kong Special Administrative Region, Wu Zhihua, Director of the Hong Kong Palace Museum, Peter Ren Jingxin, CEO of Cyberport Hong Kong, and Professor Wang Yang, Deputy President of the Hong Kong University of Science and Technology.
Chief Executive John Lee Ka-chiu of the Hong Kong Special Administrative Region, in his video emphasized that Web 3.0 represents a new direction for the development of the internet, integrating technologies that have garnered considerable attention in recent years. It has the potential to drive the future development of finance and trade. The government places significant importance on the development of financial technology and Web 3.0, maintaining an open and inclusive attitude towards innovators engaged in global virtual asset businesses. The government plans to collaborate with financial regulatory bodies to create a favorable environment, promoting sustainable and responsible development within Hong Kong's financial industry. In June of this year, the government introduced a new licensing regime for virtual asset trading platforms and is actively exploring regulatory arrangements for stablecoins. Moreover, Hong Kong is actively working to establish itself as an international innovation and technology center, as well as a hub for cultural art exchange between China and foreign countries. The convergence of art and technology represents a new development direction. To actively promote and support the development of art and technology, the government has allocated substantial funds through various programs to encourage the integration of technology into appropriate cultural and artistic projects, driving the development of art and technology. Over HKD 100 million has been allocated, benefiting 324 organizations and individuals engaged in art and technology-related initiatives. The government will continue to support the integration of art and innovative technology, encouraging artists and art groups to leverage technology to conceive, create, and present unprecedented forms of artistic expression, providing audiences with new and enriched artistic experiences.
Joseph Chan Ho-lim, Deputy Director of the Financial and Treasury Bureau of the Hong Kong Special Administrative Region, expressed agreement with the potential of Web 3.0 and blockchain to become trends in the future development of finance and trade. With proper regulation, these technologies can enhance efficiency and transparency, thereby addressing or even solving current issues in settlement and payment. In the 2023-2024 fiscal budget, the government has allocated HKD 50 million to accelerate the development of the Web 3.0 ecosystem and facilitate cross-sector business collaboration. Hong Kong is committed to driving sustainable development across various financial services on the virtual asset value chain, including virtual asset issuance, tokenization, trading and payment platforms, financial and asset management, as well as custody services.
The Web 3.0 distributed cross-border private domain e-commerce platform, Dtop Universal Carnival Asia was invited to attend this forum as a global consensus node of Web 3.0. The platform shared its role as a commercial scene provider in the era of Web 3.0, actively constructing a global commercial scene consumer ecosystem that connects online retail, travel, local life, and other consumption applications, offering users convenient global digital consumption scenarios, and realizing the sustained ecological value of joint construction, governance, and sharing.
On the same evening, the "ITA2023 Digital Art Gateway" charity appreciation banquet was held. Mr. Yuan Jian, Vice President of Hong Kong Bauhinia Magazine, delivered a speech on behalf of the organizer. Notable attendees included Hong Kong social dignitaries, internationally renowned artists, representatives from the digital art industry, Web 3.0 art creators, digital art collectors, and more, gathering to contribute to the growth of young talents in the field of digital art.
With everyone gathering and a great endeavor setting sail, this summit forum concluded successfully. Elite representatives from various industries jointly explored a new blueprint for the digital economy, opening a new chapter in the transformation of Web 3.0. Leaders from fields such as blockchain, NFTs, cloud computing, and Web 3.0 cross-border e-commerce will collaborate to create an innovative ecosystem, sharing the dividends of the new economy. Ambitious goals inspire like-minded strategic partners to integrate their strengths, fostering the eruption of unlimited possibilities through intellectual collision. United in purpose, hand in hand, working together to drive the development of the digital economy.
0 notes
Text
Dtop Universal Carnival Asia Global Node was invited to attend the Hong Kong Innovation, Technology and Arts Development Forum 2023
Web 3.0 returns, constructing a golden new starting point. Web 3.0 is an innovative framework that integrates digital technology and economic systems, representing a trend in the future development of the internet industry. To accelerate the fusion of innovative technology and cultural art, leveraging Hong Kong's international advantages and open policy environment, and supporting the further construction and development of Hong Kong as an international innovation and technology center, the " Innovation, Technology and Arts Development Forum 2023" was successfully held in Hong Kong on August 15th.
The "Innovation, Technology and Arts Development Forum 2023", hosted by Hong Kong Bauhinia Magazine. The participation of over 500 elites from Hong Kong's political and business sectors, academia, media, and various industries at home and abroad. During this forum, the Chief Executive of the Hong Kong Special Administrative Region, John Lee Ka-chiu, delivered a video speech. Other distinguished attendees included Andrew Leung Kwan-yuen, the President of the Legislative Council of the Hong Kong Special Administrative Region, as well as government officials such as Joseph Chan Ho-lim, Deputy Director of the Financial and Treasury Bureau of the Hong Kong Special Administrative Region, Raistlin Lau Chun, Deputy Director of the Cultural, Sports, and Tourism Bureau of the Hong Kong Special Administrative Region, Chen Jiaxian, Chairman of the Arts Promotion Committee of the Hong Kong Special Administrative Region, Wu Zhihua, Director of the Hong Kong Palace Museum, Peter Ren Jingxin, CEO of Cyberport Hong Kong, and Professor Wang Yang, Deputy President of the Hong Kong University of Science and Technology.
Chief Executive John Lee Ka-chiu of the Hong Kong Special Administrative Region, in his video emphasized that Web 3.0 represents a new direction for the development of the internet, integrating technologies that have garnered considerable attention in recent years. It has the potential to drive the future development of finance and trade. The government places significant importance on the development of financial technology and Web 3.0, maintaining an open and inclusive attitude towards innovators engaged in global virtual asset businesses. The government plans to collaborate with financial regulatory bodies to create a favorable environment, promoting sustainable and responsible development within Hong Kong's financial industry. In June of this year, the government introduced a new licensing regime for virtual asset trading platforms and is actively exploring regulatory arrangements for stablecoins. Moreover, Hong Kong is actively working to establish itself as an international innovation and technology center, as well as a hub for cultural art exchange between China and foreign countries. The convergence of art and technology represents a new development direction. To actively promote and support the development of art and technology, the government has allocated substantial funds through various programs to encourage the integration of technology into appropriate cultural and artistic projects, driving the development of art and technology. Over HKD 100 million has been allocated, benefiting 324 organizations and individuals engaged in art and technology-related initiatives. The government will continue to support the integration of art and innovative technology, encouraging artists and art groups to leverage technology to conceive, create, and present unprecedented forms of artistic expression, providing audiences with new and enriched artistic experiences.
Joseph Chan Ho-lim, Deputy Director of the Financial and Treasury Bureau of the Hong Kong Special Administrative Region, expressed agreement with the potential of Web 3.0 and blockchain to become trends in the future development of finance and trade. With proper regulation, these technologies can enhance efficiency and transparency, thereby addressing or even solving current issues in settlement and payment. In the 2023-2024 fiscal budget, the government has allocated HKD 50 million to accelerate the development of the Web 3.0 ecosystem and facilitate cross-sector business collaboration. Hong Kong is committed to driving sustainable development across various financial services on the virtual asset value chain, including virtual asset issuance, tokenization, trading and payment platforms, financial and asset management, as well as custody services.
The Web 3.0 distributed cross-border private domain e-commerce platform, Dtop Universal Carnival Asia was invited to attend this forum as a global consensus node of Web 3.0. The platform shared its role as a commercial scene provider in the era of Web 3.0, actively constructing a global commercial scene consumer ecosystem that connects online retail, travel, local life, and other consumption applications, offering users convenient global digital consumption scenarios, and realizing the sustained ecological value of joint construction, governance, and sharing.
On the same evening, the "ITA2023 Digital Art Gateway" charity appreciation banquet was held. Mr. Yuan Jian, Vice President of Hong Kong Bauhinia Magazine, delivered a speech on behalf of the organizer. Notable attendees included Hong Kong social dignitaries, internationally renowned artists, representatives from the digital art industry, Web 3.0 art creators, digital art collectors, and more, gathering to contribute to the growth of young talents in the field of digital art.
With everyone gathering and a great endeavor setting sail, this summit forum concluded successfully. Elite representatives from various industries jointly explored a new blueprint for the digital economy, opening a new chapter in the transformation of Web 3.0. Leaders from fields such as blockchain, NFTs, cloud computing, and Web 3.0 cross-border e-commerce will collaborate to create an innovative ecosystem, sharing the dividends of the new economy. Ambitious goals inspire like-minded strategic partners to integrate their strengths, fostering the eruption of unlimited possibilities through intellectual collision. United in purpose, hand in hand, working together to drive the development of the digital economy.
0 notes
Photo

“After her Second Tour, the girl named Kari had enough money to build a farm in the country.”
Been working on some original material that I’m excited to start sharing!
Check out my Patreon Page!
Patrons will get exclusive access to: - Hi-res images- Early/Exclusive sneak peaks- Step-by-step process - Analysis and Commentary - PSD files!
#anime art#andrew sebastian kwan#retrowave#vaporwave#manga#character art#original character#ocs#andrew kwan art#cyber punk#synthwave#sunset#sci-fi#art#illustration#drawing#sketch#neon#cyber punk art#neon glow#comic art#character design#anime#manga artist#patreon#artist#graphic art#design
7 notes
·
View notes
Photo

(1/2) BANDE A PART “Isn't it strange how people never form a whole? They never come together. They remain separate. Each goes his own way, distrustful and tragic. Even when they're together, in big buildings, or in the street.”
#bande a part#jean luc godard#godard#French new wave#new wave#Anna karina#karina#french#france#60s#black and white#movie#arthouse#art house#inspired by#Andrew Sebastian Kwan#art house film
94 notes
·
View notes
Text

The Mandalorian 💫
Andrew Sebastian Kwan
149 notes
·
View notes
Photo







Autumn in Analog by Andrew Sebastian Kwan.
45 notes
·
View notes
Photo


Kill Bill by Andrew Sebastian Kwan / DeviantArt / Facebook / Twitter / Tumblr / Instagram / Society6 / Store
Regular Edition: Giclée print available in various sizes HERE.
Variant Edition: 11" x 17" print on satin poster stock, S/N edition of 30. Available HERE.
#kill bill#kill bill vol. 1#andrew sebastian kwan#film#art#poster#quentin tarantino#2000s#print#giclee#the bride#uma thurman#society6
342 notes
·
View notes