#arcana meta

[cicadako]

What's up I'm back

Gonna spam you guys with shit I made for the past few years so sit tight

[macabremayhem]

The old sketch of human (or not?) Valdemar.

Because of their antiquity, I came up a headcanon about their origin. So, what about a country near the great river and with the great pyramids? Many lands of the Arcana world have references from India, Arabic region or Mongolia – so, Ancient Egypt? Why not? I can't decide, maybe this is ancient Zadith? There is nothing about Zadith in the canon, just a note in the ArcanaWiki:

"The homeland of Asra's parents, Zadith lies across the Malvent Strait from Vesuvia. This is a country where both science and magic are highly respected. Those who combine both disciplines are known as alchemists."

I think this short description is suitable for the heritage of such civilization as Egyptian.

I’m sad that the history of the world is so poorly developed, but I still love the lore so much. And I’d be happy to read (only from the original writers), say, a brief history of the world. But since there's no any history, I'm taking the liberty (and, a bit, my history degree) to assume: Zadith is the inheritor of some ancient civilization like the Ancient Egypt.

I'm not good at naming, so I will provisionally call it "Deshret" – Egyptian word for "red land, desert". Valdemar spoke about "millennia of existence", describing their antiquity, so I'm pretty sure: they have been born as a human in the ancient kingdom, like the Ancient Egypt. Also, note that red beetle brooch at the neck: similar motives were common in the Ancient Egypt. And, I think, Valdemar had this beetle brooch long before the Plague.

Okay, maybe developers in Portia's route (flashback scene with Prospero and foundation of Vesuvia) just showed Valdemar to us as we know them, because of developing another (kinda "more ancient") sprite and costume for the short scene is not viable. But anyway: we have what we have. What if we imagine that "red beetle brooch" of the Courtiers is rooted not only in the Red Plague? What about a, merely my headcanon, the Egyptian "scarab" motif?

So, there's the old traditional sketch I have. When I drew this pic, I imagined Valdemar just after their first deals with the Devil. Just look at their eyes.🫀

And – of course, they are in the tomb. Maybe as a priest? Who knows, fellow humans.

[nanomooselet]

Wraith III

Liminal states are dangerous. They offer no protection from whatever haunts the places between. Beyond boundaries lurk restless spirits, prowling devils, and less explicable things, always eager to prey upon those unwise enough to linger as they trespass.

There are times, of course, you nevertheless want their attention. To bargain, or to consult; to capture, or to defeat.

For example, at the crossroads.

In these first two episodes, even as he's goofing off, Vash knows what's coming. He knows he can't save the town, or its Plants. The best he can do is win them a few moments of peace, a happy illusion of safety. Maybe even covertly evacuate some human inhabitants, Meryl and Roberto - after all, if he flees, he knows they'll follow him.

But on the town itself, the trap has closed. Restless spirits can be found at crossroads too, trapped and disoriented, unable to choose between roads.

The wheel turns and fortune is reversed.

There you are.

Knives almost seems out of character in this episode, in hindsight - he's theatrical and smug, sure, but in control. In his previous chronological known appearances, he was... well...

And it's because now, he has what he needs to proceed with his plans. He knows he's going to get everything he wants. No more waiting. The course is set. As easily as he destroys Jeneora Rock, he will end the reign of humanity and bring about his new world.

Paradise in within his reach.

[mryador]

The Complete Collection of Kirby of the Starcana! This took me a lot of time to make, but I hadn't really seen this done before using the Kirby series. For a practice all about reading the stars, I was surprised to see that there wasn't much for it. For someone who doesn't really know a lot about tarot, I think the characters and themes I ended up picking all seemed to match. The actual tarot enthusiasts I know seemed to agree with me, too. Remarkably, they were also both Kirby fans.

And at the very least, I think they all look pretty.

[ikkaku-of-heart]

@waxgentleman asked: Hawkins x Killer HAWWKINS X IKKKAKUUUUU Send me a ship and I'll fill out this bingo card (Still Accepting!)

Hawkins x Killer

Answered here

HAWWKINS X IKKKAKUUUUU

Hoooooooo boy this one is my beautiful, toxic, self-indulgent for the sake of drama and angst ship that came out of nowhere. What started as me wanting Ikkaku to have a personal nemesis turned into something so fucking toxic and deliciously complex that it's become a borderline obsession (to the point where I have a Hawkins sideblog of all things). It's just so interesting because if it weren't for all of the bad intentions and subterfuge on both sides this would be one of the better relationships for Ikkaku because it's a man who, while powerful, is interested in her and not just seeing her as a way to get to her captain. But because Hawkins is an unhinged madman who sees Ikkaku as his way to escape his fate of being killed and fail in his dream to become Pirate King, it's never meant to be and things become so very, very bad for Ikkaku when he gets his hands on her on Wano. This shit definitely earned the "only I understand how it works" square on the bingo card because it's so full of bad times I feel awful inflicting my thoughts on anyone else lol.

[homoantagonism]

John as Card 1: The Magician

The Magician (also known as The Wizard, which G1deon literally calls John pre-res) is generally understood as a reflection of the Hermetic concept: as above, so below. This phrase can take on a lot of interpretations depending on the theological contexts, but because we’re talking about a man who just reinvented Gay Space Catholicism, I’ll only be addressing debatably the most famous renditions of this phrase, “Thy kingdom come, Thy will be done, on Earth as it is in Heaven''. This phrase from the Lord’s Prayer is used by Christians as a means to invoke God's will on Earth, which seems fitting for a Catholic space emperor with the desire to create a universe he can bend to his will.

The Magician also signifies the creative process and the act of taking a concept or idea and molding it into something tangible. Again, pretty obviously a God thing.

Now here’s where things start to get more interesting (and potentially plot relevant? tbd). The Magician shows a potential for arrogance, feelings of superiority, a tendency to abandon projects after they’re started, and loss of focus on an idea’s original intent when sustained for too long (like, potentially, a myriad). I think the fucker is going to blow up the universe and start fresh. Great Flood 2.0. I’ve suspected this since reading all of the John chapters in NtN, which, imo, read like an epilogue to the series as a whole, or at least a sympathetic villain monologue before the villain does something monumentally evil, and his connection to The Magician would further solidify this.

Another juicy tidbit is that The Magician in reverse represents deceit. It can symbolize someone who is charming and charismatic, yet states things that don’t add up. This card showing up in a reading can mean that someone in your life who presents themselves as knowledgeable and trustworthy is covertly manipulating you. It would take another full series reread for me to be able to list all the things John lies about, but the most notable is his deception of the resurrection gang.

He paints himself as a “just some guy” god (and to his credit, he is Just Some Guy) but he absolutely uses that boy-next-door exterior to lie to and extort all his closest friends. He lies to them about their names. He hides the truth about lyctorhood from them. He leaves them to figure out lyctorhood by themselves and allows them to sacrifice the people closest to them so that they can be his immortal hand. I’m sure Mercymorn, Augustine, and G1deon figuring this out and plotting to betray him is just the beginning of the retribution he’ll suffer for this.

Alecto/Nona as Card 0: The Fool

(Full disclosure, I’m not exactly the resident Alecto expert so there’s probably a lot of things I’m forgetting or missing but just bare with me here.)

The fool represents new beginnings, having blind faith in the future, being inexperienced, and having a fundamental belief in the universe. In reverse, it represents being foolish, reckless, naive, gullible, air-headed, and several other traits that more or less describe Nona. The figure on the card has his arms flung wide, and his head held high (is this not exactly the Nona cover art?). He is ready to embrace whatever comes his way, but he is also oblivious to the cliff edge he is about to cross. The Fool is unaware of the hardships he will face as he ventures out to learn the lessons of the world. The parallels to Nona’s journey are obvious, but I’d imagine Alecto went through a similar journey from her creation to her imprisonment.

Ultimately we don’t know much about her in the earliest days, but it only makes sense that she had Nona’s personality prior to going crazy. She was also the first to have blind faith in John and the universe he crafted, and for that, she suffered immensely.

[kynimdraws]

Hey Kynim, what reason could the Church of Seiros, the Central Church, to interfere with more positive relations with the outside world? Do they fear that different religions could make their role less important and eventually make them bo longer in control of Fódlan or even the most wierd idea; that new branches of the Seiros religion would develop in other countries like Almyra. The last one is a funny idea, but what is your idea on why they this is the case?

Gonna put this under the cut bc it got a bit long ;w;

FYI: I do not really enjoy FE3H/FEW3H discourse but I know topics like this will probably attract that sort of crowd. My bias is for Claude/Leicester/Golden Deer, and this includes the "dreaded" GW!Claude that people dislike. 3Hopes despite all the flaws in narrative I love over 3Houses in general. The other factions/lords, while interesting, I am not as invested. So please don't label me as some apologist for anyone that isn't my stated bias. 

BTW my answer to this ask will focus more on Seiros/Rhea so don't expect much Claude in this lol

In theory, I think the Church of Seiros would be ok with being friendly with the outside world. But the issue lies in Seiros/Rhea's priority of self-preserving 1) the remaining Nabateans and 2) the following that Sothis had with humans. And given how the Nabateans were nearly driven to extinction by Nemesis, I feel like Seiros/Rhea has a deep-seated suspicion of humans despite her image as the best holy woman since the goddess herself.

For her, the only way to prevent humans from causing another massacre is to make the current humans in Fodlan to believe in the goddess Sothis and never question her tenets. This meant hindering/banning things that could potentionally "reduce faith" in the goddess as mentioned by the Abyss text "The Encyclopedia of Fodlan's Insects" which you can read here. The title may be misleading but you can see some of the odd examples of Church banning things to maintain "peace" via preventing humans from questioning their religion with devices like telescopes, autopsy, and the like. We also see in GW that technology at least Almyra is far advanced compared to Fodlan, as seen here:

So it seems that Fodlan is an isolated area for Seiros/Rhea to feel safe over trying to spread its influence. It is important to note that the Seiros Church is a shelter for the archbishop. Keeping the area that houses her shelter safe is what she wants the most, which stated rather clearly in both games. Given that her first time she had to deal with the non-believers of Sothis ended in an extremely traumatic event, you can see why Seiros/Rhea is hesitant to reach out.

"But wait," you might say. "All these foreign nations seem to be intent on attacking Fodlan so they are a victim! Who wouldn't want to isolate themselves and distrust outsiders knowing that?"

The game unfortunately only shows the Fodlan point-of-view when it comes of past events...so it might seem that way at first. But it is also interesting how Fodlan despite being a "victim" of all these attacks, usually come out on top and end up subjugating/annexing nations, even claiming their superiority over them by calling their "foreign" neighbors as monster and savages. Given how Fodlan is sort of a loose parallel of Europe and how Eurocentric certain historical events are in academic books...I just don't personally buy Fodlan being completely innocent.

While Seiros/Rhea may not have actively supported these wars/conflicts in Fodlan, she still is their symbol whether she wants to be or not.Given how long her reign has been (either as Rhea or some other alias being archibishop), this weighted reputation precedes her. Yes, the game shows she isn't a cartoon villain and can do good. Her devout followers see it and fight for her.

While the game sucks at showing this, it is clear her long leadership is not perfect and has become stagnant, letting the nations abuse the system she had initially laid out (probably with good intentions?).  Insert joke of Rhea being the late Queen Elizabeth here. 

3Hopes glosses over this but in 3Houses we see her multiple times using the Church’s influence to do take action on things, like suppressing rebellions and ousting bandits (see: White Cloud events). Still, most of these are used to protect her establishment and the order she set for the continent. Other social matters, Rhea does not really do anything unless she herself is threatened. So people like Edelgard felt justified in waging her war to just...uproot all of that obsolete system to reset everything.

Is that a great idea? I am not really sure, but it did make for two fun FE games lol.

[empty-movement]

Empty Movement's 2023 Revolutionary Girl Utena UPDATE

Fashionably late? As always. 2023 was a HUGE year for Empty Movement, so much so that to confess, we did a big fail in actually keeping up with sharing the stuff we did! OOPS. So finally, we proudly bring you: all the Revolutionary Girl Utena content we dropped in 2023. Essays, artbooks, CD information, you name it. Click below for the entire site update, or get it at the source, as always, at ohtori.nu.

In Analysis (Fan Essays): • seebee's essay The Power of Living an Embodying Narrative is about more than Utena, it's about the fandom--including us. We were both interviewed for this piece, and the result is an absolutely beautiful essay that has helped inform how we do Utena stuff going forward. Thank you so much for letting us be part of this! • seebee's VIDEO essay FILM CUTS BACK | transfeminism in utena absolutely blew our minds and it's so good we're listing it. Look at the title. Just go watch it, it rules. • Nicole Winchester's essay No Choice But To Become Witches: The Bishōjo-Demonic Phallic Mother Dichotomy in Revolutionary Girl Utena catches you up to speed on the academic discussion around what might best be described as the shoujo manga iteration of the Madonna-Whore complex. Then, naturally, it finds plenty to say about Utena. Great work that was well worth the coding!

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In From the Mouths of Babes (Translated Meta/Creator Content): • Cross X Talk, A Round Table Discussion Commemorating the Second Musical Utena GOGAI FUCKIN' GOGAI. Nagumo and friends bring us the final untranslated part of the 2019 Black Rose Musical's program guide: the monster interview with Ikuhara and the director of the musicals, Yoshitani. INCREDIBLE content here that 100% lives up to the first musical's similar encounter! A must read!! • The Rose Apocalypse's Ei Takatori Interview The director of the mysterious 1999 musical (yes the machine gun one, and YES WE HAVE MORE INFORMATION ABOUT IT COMING) interviewed in The Rose Apocalypse book. This...is that. Thank you so much to iris hahn for translating, and I can't wait to bring you more of this mythology!!! • The Utena Dossier Animage Magazine's June 1997 supplemental, this 36-page Utena tome has ben translated by Nagumo with editing by Ayu Ohseki. Because so much of the content is in its visual presentation, I worked the translation into the original scans! Check it out! (PS. Yes that is an entirely different gallery on the emptymovement.com domain, no this won't stay there, yes it has been a weird couple years.) The Dossier includes two long interviews that are also worked into html pages for easy viewing! The Auspicious Joining of Manga and Anime: Saito and Hasegawa For Whom the Director Smiles: Ikuhara and Kitakubo

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In Historia Arcana & The Bibliothèque (Untranslated Resources): • There are a lot of changes happening in this arena!!! How and where to place different materials has been a moving target, so I'll do my best! The sites don't quite reflect this yet, but Historia Arcana will be for cover to cover Utena media, including special magazine publications. Something Eternal's gallery, the Bibliothèque, will be for magazine articles, clippings, and other things. Major artbooks will likely be in both places, cross referenced. New books in Historia Arcana: • The Rose Spiral: Reflections on the Mythology of Utena While not strictly official, this is a fan published book of in depth analysis of Utena, circa 1998! Yep, cover to cover. • Revolution Dictionary (OST 1 First Press Bonus) Cross-referenced from Audiology, this is the bonus dictionary you only got if you grabbed it early! Cool! • Revolutionary Girl Utena Making of Visuals Book Art of UTENA I am mentioning this for completions sake and because I already uploaded it, but this is a cover to cover high resolution, uncleaned scan of the 1999 Art of Utena artbook. I am going to clean the scans, and ultimately be posting the official artbooks elsewhere. • Revolutionary Girl Utena Photobook: Rose Memories This special Animage bonus could be purchased for 700 yen, and back then, was probably a great way to keep the anime in your pocket! It's entirely shots from the TV series, though, so there's nothing specifically new. But I scan it all, baby. New books in the Bibliothèque: • Chiho Saito's 1999 Revolutionary Girl Utena Original Illustration Collection HI THIS IS A VERY BIG DEAL. Read more about why when you visit! TLDR? Here's some of the best artwork of Utena, rescanned and remastered by yours truly to be the best big big scans of big big beautiful Chiho Saito Art. This is a feast. I even made myself a calendar! (Note that the price is such that I don't make a profit on these, so if you're looking to donate, definitely go by other routes, haha.) You will find multiple ways to obtain the scans, and in more than one size. Either way you soak up the rays, enjoy 'em! New articles and clips in the Bibliothèque: • H! Rockin' on Japan Magazine Saito X Oikawa This fashion music magazine's July 1999 article has ALREADY BEEN TRANSLATED? Like, I am going to add the translation officially to the site of course, but holy hell Nagumo is amazing!! This article is actually the origin of a Saito art piece that uh, well. Now we know she went to a love hotel with movie Akio's VA. Cool! Anyway check it out! • Comickers Magazine, August 1997 This absolute monster find is an industry-focused magazine with this gorgeous spread and interview with Chiho Saito. It gets into how she does things. The making of Utena. All kinds of stuff. I'd LOVE to know more about this one!! • Comickers Magazine, June 1998 Again, an industry-focused publication, this time it's exploring the manga and the anime and how they compare. Again looks like a tasty meal!! • Volks Magazine, Spring 2022 YEP SCANS OF THE BOOK OF THE DOLLFIES. For a lot of us, this is at close as we get to these ludicrously gorgeous dolls. I included a few extra pages because they were just fuckin' cool and felt relevant. • Sega Saturn Magazine, December 1997 One of two grabs I got recently on Yahoo! Japan! This appears to be the first look announcement of the 1998 Utena video game! (Yes we have more on it, yes we will eventually post links.) • Sega Saturn Magazine, April 1998 This feature brings attention to the voice actors, who are all returning for the game! • Dengeki G's Magazine, January 1998 Another gaming focused magazine, with frankly a more adult edge, cheaply lets the readers know about Utena. These three game magazine moments are just a bizarre reminder of how we did things before the internet, LMAO

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In Audiology (Music and CD Information): • Complete information about the STAR CHILD - Girls Character Song Best album! You also definitely can't grab the two new remix tracks there. • Did you know there was a first press bonus dictionary for the first OST? I DIDN'T UNTIL RECENTLY. Now I know all about it, and so can you. Check it out! Obviously, scans available, both here and in Historia Arcana. • I FINALLY acquired a complete set of the Utena CD singles!! Check out complete track lists, scans, and information for ALL FIVE Utena singles. Yes. Including the movie Akio guy's one.

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In The Doujinshi Gallery: • Several dozen dounjinshi were uploaded earlier in the year, and can be found listed on the Site Update archive here.

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That's all for now, folks! There's so so so much coming. I have the episode 18 and 20 (!!!!) storyboards to scan, as well as a fully translated scanlation of The Duelist Bible. We're planning to do something for Anthy's rare LEAP YEAR birthday coming up, probably a musical stream or something! Love!

[fandomchokehold]

I was gonna make a meta post about how the characters’ corresponding patron arcana are in the same sprite pose as them but then actually looked and realized that’s only true for Julian lmao so I guess just have these comparisons

+ Valerius & The Hierophant whose poses are kinda just inverted versions of each other

[linkspooky]

I am know this is an insanity broad question but do you have any specific thoughts on Revolutionary Girl Utena? or anything that you think hasn’t been said or just caught your attention? Your one of my favorite meta writers and I’ve been reading your blog since you were doing semi-regular AOT meta, so I guess I should have figured you had seen the series—RGU is a show so dense symbolism, metaphor, ect.—there was just so much to pick apart. Anyway, I would love to hear anything you had to say abt the series!

Sure, I've always wanted to do a meta on the Black Rose arc which is a totally underrated arc. I feel part of the reason it's not as discussed as other arcs is from a lack of understanding of it's role in the story.

The Black Rose arc is a moon arc.

You've heard of the hero's journey, now it's time to learn about the fool's journey. In Tarot, The Fool's Journey is a journey to self fulfillment where each of the 22 major arcana represent a stage on that journey - an experience that a person must incorporate to become whole.

The fool begins their journey at (0), fresh as a newborn, naive and unaware to the world. The fool is strangely empty, as is zero. Who better to serve as our analogue for the fool then the main character Utena Tenjou, characterized by 1) her naivete and 2) her emptiness.

Several years after losing her parents she lost the will to keep on living. Desperately in search for a reason to live a prince appeared before her and gave her one, showing her something eternal, and leaving with her a ring to lead her to him one day. That was all very well and good, but so impressed was she by the prince, that the princess made up her mind to become a prince herself!

Or so the story goes.

Utena is blindly striding forward (and right off a cliff) like the fool card, and also like the fool she's on a journey to fill her emptiness and become whole. At the start of the story she's not a complete person. She's 14 to begin with, but also look at how she reacts when Anthy is stripped away from her at the end of the first arc and the "purpose" given to her is gone. She becomes depressed and barely responsive, and only stands up again to get that purpose back but she's still clinging onto someone else for purpose. Utena is like the fool, on a journey to become a complete person by gaining knowledge of the world.

That is what I would say separates the Hero's Journey from the Fool's Journey, the Fool's Journey is a Jungian narrative in nature. It's not about battling obstacles like in the Hero's Journey, but about the process of individuation. Individuation is the process by which an immature and fragmented psyche, and the experiences of a person's life, become integrated into a well-functioning whole. You can integrate your past memories, your shadow in a jungian sense, your subconscious, into a well-functioning whole.

Utena is not whole however by the time the Black Rose arc comes around, and her lack of awareness of this fact and of her own shadow is exactly what allows it to overtake her.

So we're following Jung here. Jung, Jung, Jung.

Jung and Tarot go hand in hand because Jung believed in archetypes, sets of symbols that were universal across all cultures, that appeared in both dreams and mythologies and were deeply meaningful to us on a subconscious level. The idea of prince and princesses in Utena are a Jungian Archetype. The Moon card Tarot also has major associations with Jung's idea of the subconscious.

PIctured is the full moon int he ngiht sky, positioned between two large towers. The moon is the symbol of dreams and the unconscious,it's light is dim comapred to the sun and only slightly illuminates the path to higher consciousness leading between the two towers.

In the foreground is a small pool, representing the watery, subconscious mind. A small crayfish crawls out of the pool, symbolizing the early stages of unconsciousness unfolding. A dog and wolf stand in a grassy field both howling at the moon, representing both the tamed and wild aspects of our mind.

The moon is a card heavily tied to Jung's idea of the subconscious, or the shadow. If the persona is our outer face to the world, what “what oneself as well as others thinks one is” [CW9 para 221], the “shadow is that hidden, repressed, for the most part inferior and guilt-laden personality whose ultimate ramifications reach back into the realm of our animal ancestors…If it has been believed hitherto that the human shadow was the source of evil, it can now be ascertained on closer investigation that the unconscious man, that is his shadow does not consist only of morally reprehensible tendencies, but also displays a number of good qualities, such as normal instincts, appropriate reactions, realistic insights, creative impulses etc “ [CW9 paras 422 & 423].

Jung believed in a separated consciousness, the conscious mind is the persona the light we can see and the shadow is the subconscious mind which consists of all that we are unaware of and/or is hiding in the dark, quite literally the shadow of our conscious minds.

In Fool's Journey the Moon Card is the stage at which the light is so dim that our shadows become the longest. When I say a Moon Arc in any kind of story, I mean a story arc where characters are essentially caught in the Moon Phase of the fool's journey, which is a special time of confusion and illusion.

Essentially, the Star which is the card preceeding it is the card of temporary inspiration. The star's light is what makes the fool vulnerable to the moon's illusions.

The light that illuminates this for him is The Star (17) which provides hope and a sense of renewal; this is the light at the end of the tunnel. The Fool feels inspired to start shining as his true self. However, its opposite – The Moon (18) – represents any fears and subconscious programming that may prevent him from enjoying this new state of bliss. Light casts a shadow and the shadow, in this case, is the old anxiety and fears which may rise to the surface when attempting to shine brightly as The Star.

The light of the star makes the fool vulnerable to the illusions of the moon. His positive emotions aren't subject to mental clarity. In his dreamy condition, the Fool is susceptible to fantasy, distortion and a false picture of truth.

So that is the moon arc in a nut-shell, an arc where a character gets too close to the light only to be trapped in shadows. How else can you describe the confusing Black Rose Arc but the characters themselves being trapped within a mage of illusions? Much like a dream the characters are trapped in, there's no sense of direction, time flows strangely, and the events of the entire arc are forgotten by the time the characters wake up.

I'm not making up this Tarot symbolism either, in the first episode of the Black Rose Arc we are introduced to Akio, Anthy's older brother who likes to gaze up at stars in an indoor planetarium. A figure who gives advice to Utena all throughout the arc, but who is also clearly hiding another agenda and misleading her on purpose. The light of the stars leads to the illusions of the moon. He even discusses the moon with Utena in Episode 15.

Utena:  Akio-san, you really think about your sister a lot, don't you? Akio:  Do I? Utena:  I probably wouldn't understand since I don't have any siblings myself, Utena:  ...but what does it mean for a girl to have an older brother? Utena:  What's this? Utena:  The moon? Akio:  Normally, it's something useless and of little concern. Akio:  But, every now and then, you look up at it and feel a certain degree of comfort

In this context he uses the moon as a metaphor for a sibling, someone who's always there but you don't usually notice them, but those words could describe the subconscious mind as well. Also, one final instance of star / moon symbolism within this arc the stars made by Akio's projector are fakes. The stars themselves are illusions.

The Back Rose Arc follows a formula to a T. Every episode a duelist comes to the Mikage Seminar for help (which is specifically a therapy seminar more Jung symbolism right there), they begin talking about their problems as an elevator descends down an elevator shaft and the voice listening urges them to go deeper.

Utena later rides an elevator up to the dueling arena too, because the elevators are symbols for traveling to different areas of consciousness. The three levels, the dueling arena at the highest, the academy on the ground floor and the bottom of the elevator shaft era a metaphor for Freud's iceberg theory of consciusness which similarly divides the human mind into three levels.

Not only are the characters physically descending down an elevator shaft, they are also plumbing the depths of their own unconscious minds and revealing to themselves what they have intenionally kept hidden and repressed by trying to bury it that deep.

On the wall there's a specimen of a butterfly that slowly reverses its metamorphosis, from a butterfly, to chrysallis, to caterpillar, and then to a leaf with eggs on it. This too is a symbol of the unconscious, but this time of Jung, because Jung believed the unconscious mind was made up of our most primal instincts. The butterfly regresses to its infantile state while the characters in the elevator regress with it.

These characters become shadow possessed. In the story quite literally possessed as Mikage uses a black rose to turn them into duelist. However, Jung theorized that traits in our lives we repress or refuse to acknowledge are still there, they just come out in other ways.

“That which we do not bring to consciousness appears in our lives as fate.” (Carl Jung)

In the Curios Case of Dr. Jekyll and Mr. Hyde the good doctor Jekyll is a philantrophist who has lived a good life, but makes a potion to bring out his worst traits and transform himself into a hideous monster, so he can commit barbarous acts and get away with it. He just needs to drink the potion again and return to being Jekyll and all of his cruel acts will be blamed on Mr. Hyde. Over the course of the story the potion stops working and Jekyll can no longer drink a poition to neatly divide between his philanthropic good side, and his ugly bad side which robs and murders. He becomes Mr. Hyde all the time, his shadow gains dominance over him making him shadow possessed.

"With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two.” - Robert Louis Stevenson

Not only are the Black Rose Duelists possessed by their own shadows, the repressed qualities that are brought out in the Mikage Seminar's evil therapy session but they themselves also serve as shadows figuratively in story to the duelists they steal the sword from.

Kozue is the fixation of her brother the chaste and knightly Miki's madonna-whore complex, while Miki appears to be the most harmless of the boys he has an obsession with purity especially in his childhood days that he projects onto his sister and also any woman resembling his sister like Kozue.

Juri is the calm, cool, and collected female of the student council. Immediately seems like the most decent student council member. Just as looked up to by all the female students as Utena is. Until you find out she's a lovesick puppy reduced to a total emotional wreck over her unrequited love, unable to do little more than pine over her in secret. Then you meet the person she's in love with and her fixation on her friend Shiori just makes her look even more desperate.

Nanami is desperately attempting to stand in for her brother as the student council president, yet another one of the many ways she tries to earn his affection as his little sister. Nanami's desperately trying to recreate the closeness her and Toga had as children, but Toga's already left her behind for the world of adults, so now she's stuck trying to prove she can join him there when she's not even close as an incredibly high strung and spazzy thirteen year old who's more naive then even the younger student council members. She also has a kid tagalong who is three years younger than her, the same age gap between Nanami and her brother, who's also desperate to enter the same age group as her and be her equal but for the most part just gets treated like a pet or toy.

Kozue takes the sword from Miki, because Miki's issues revolve around his relationship with his sister which is a constant problem that plagues him in his life but something he chooses to ignore rather than address and fix.

Shiori takes the sword from Juri because she too is a shadow archetype, the object of Juri's affection but someone she doesn't talk to, or attempt to mend their relationship, and she especially doesn't seem to understand the real Shiori to the point where you wonder why Juri is so hung up on this person in particular. Is she even hung up on the real Shiori or is it just a fantasy because the real one falls far short of the romantic ideal that has Juri wandering the gardens at night and composing poetry like she's Lord Byron.

Mitsuru takes the sword from Nanami, because Nanami can't see the fact that the way she's treated by her brother, is ultiamtely the way she treats Mitsuru. No matter what Nanami does or how hard she tries to earn it, nothings going to close the gap between her and her brother and she can't force it the same way Mitsuru can't magically become thirteen.

Toga's is the hardest to fit into this category because he's not really around this arc and Keiko isn't much of a character, but it's interesting nonetheless one of Toga's many groupies is convinced of this cinderella like fantasy that Toga's evil sister is getting in the way of her true love with Toga and only if Nanami were out of the way Toga would be hers and hers alone. Just completely unaware of the way Toga treats women and just who Toga is in general. .

It could be a shadow archetype in two senses, one just the bright image of the prince has caused everyone even Toga himself to not notice who Toga really is as a person. They're too caught up in the romantic fantasy of Toga. Or maybe since Keiko taking the sword from Toga practically looks like she's assaulting him in a hospital bed, it could be showing the darker side of the way Toga views sexuality, that it's not necessary something he even likes or wants and has harmful connotations with him. Two it could just be another shadow archetpye for Nanami, there's really no becoming Toga's special girl. Toga's not really going to treat you any differently from everyone else, because he is for reasons completely emotionally unavailable.

Oh, while editing this post I realized I skipped Wakaba and Saionji. Very quickly Wakaba's relationship with Utena mirrors Saionji's with Toga, and Saionji similiarly wants to be someone important / a main character / special like Toga is because he believes it's the only way they can be equals. Wakaba's inferiority complex similiarly drives a wedge in the friendship between her and Utena. Wakaba also kind of uses Saionji as a rose bride of source to validate her feelings and make her feel special when he's relying on her for a place to sleep, whereas Saionji really only seems to want possession of Anthy and the Rose Bride to get one over on Toga so he won't have it.

Not only are the black rose duelists shadow possessed people, but the student council duelists have their swords stolen (symbols of agnecy, power, etc) by their shadow archetypes within the story. Other characters in the story who embody their repressed issues.

They confront their Mr. Hydes and then lose to them. They are temporarily made aware of the moons in their lives, which as Akio describes is someone normally useless of little concern but is always there nonetheless. He was using that to describe himself and Anthy, and by association Miki and Kozue but it applies to almost every duelist / black rose duelist pair, someone who is usually there but they take for granted, or ignore, or in Juri's case just don't want to confront. The Black Rose Arc forces a confrontation for each character with both their shadow, and their shadow archetype.

I could go list the similarities and differences with each set of character but I don't want to go on forever, so maybe in a post for another time. Instead I'm going to focus on the main one at the end of the arc and precisely why this arc is so important Nemuro Mikage, the shadow archetype to Utena.

In all mythologies there appears a trickster, a character which challenges the current ruling authority.

From mythology it is the character of the Trickster “…a collective shadow figure, a summation of all the inferior traits of character in individuals” [CW9 para 484], whom Jung thought could save us from ‘hubris’ and free the conscious mind from its fascination with evil. The trickster is usually thought of as atrocious, unconscious and unrelated, but someone who can nonetheless transform the meaningless into the meaningful. Often encountered at cross-roads, s/he is always moving, duplicitous, sexually rampant and a joker. The trickster is best portrayed, perhaps, by the figure of Hermes, who gave Pandora (‘the all-gifted one’) audacity and cunning.

From the shadows, and quite literally from nowhere appears Nemuro Mikage, a character who believes he can take the power of miracles for himself and also replace the Rose Bride by killing the original and making his partner Mamiya into the new Rose Bride. Can he even do that? How does that work? Who knows, this is Utena we don't explain anything.

The important part is Mikage is the manipulator who challenges the rules at Ohtori, and the established order attempting to subvert things. That's what Utena hates him the most for, being a person who willingly manipulated people who came to him with their issues, twisting them into thorny black roses to lash out at Anthy, and therefore Utena as well. Not only is Mikage made up of inferior character traits he's also an evil therapist who makes you act out on your worst impulses by bringing your worst insecurities to light.

Mikage's not just serving as the temporary trickster archetype however, he's also a shadow archetype of Utena made up of all of her inferior character traits. His name literally means "One's true nature"

根/Ne: lit. 3. “root (of all evil, etc), source, origin, cause, basis” or lit. 4. “one’s true nature” 室/Muro: lit. 1. “greenhouse, icehouse, cellar”.

Nemuro, like Utena is a duelist attempting to seize the rose bride and the power of miracles / eternity / the shining thing for the sake of someone else rather than themselves. They do so because saving Anthy / saving Mamiya gives them purpose.

Nemuro, like Utena is someone who doesn't have friends or family or any connection to the world but suddenly becomes involved in another family consisting of a brother and a sister. He becomes obsessed with the idea of them as a family of three because it fixes the lack of love or connection to other people that is missing in their lives.

Utena becomes obsessed with the idea of playing house with Anthy and Akio, to the point where she completely ignores the true nature of Akio and Anthy's relationship and misses very obvious warning signs. She sees them as a trio especially after moving in with them the next arc. Utena even urges Akio to get in the picture he's taking to commemorate her and Anthy's friendship.

Nemuro also believes he is in love with the older sister, an adult (Nemuro is a child, a child genius but a child nonetheless) but also experiences queer subtext with the younger brother. Nemuro fawns over Tokiko like she is some lost love and makes her the central figure of her motivations, but it's Mamiya he hallucinates actively as being his companion and flirts with when it's Anthy pretending to be him.

Utena is obsessed with a prince from her past driving her actions who is actually Akio, but who she's memorialized in her mind the same way that Nemuro memorialized Tokiko. She also believes there's a relationship between her and the older brother Akio, but that relationship isn't real because she is a child and Akio is an adult. Meanwhile she also experiences the same queer relationship between herself and Anthy who like Mamiya and Nemuro are actuall the same age.

Utena and Anthy's relationship also mirrors Mamiya and Nemuro in that Nemuro's main motivation is to give Mamiya eternity to cure his sickness, something Mamiya has said he doesn't want.

Nothing in this world is eternal, although a heart that longs for eternity could be considered beautiful.

Utena is also attempting to use the duels to protect Anthy, something Anthy never asked for her to do, and something that is actually just Utena selfishly using Anthy to give her some sense of purpose in life.

Nemuro and Utena both imagine themselves as main characters in a narrative, fighting for the sake of their loved ones, and at the end of their hero's journey they will be rewarded with everything they've fought so hard to earn. They're creating stories of their lives and making a narrative to give themselves a reason to keep going after death. For Utena it's a symbolic death, the feeling she should have died alongside her parents. For Nemuro it's his likely literal death, as apparently the Nemuro Memorial Hall and everyone inside died fifty years ago and Mikage has been stagnating for fifty years as a ghost in Ohtori unable to remember the fact that the Mikage hall burning is the long past and he hasn't changed in all this time. They are figuratively and literally dead, and in need of a reason to keep living create a story where they are the main characters.

They also imagine themselves as noble, selfless heroes sacrificing for the sake of their loved ones. Yes, even Mikage when he's playing the villain role of evil therapist and messing with people's minds he's still talking about it as some great heroic sacrifice on his part. It's a bit extreme yes but it's to point out how ridiculous Utena's own hero complex about her duels over Anthy is, especially in Anthy's mind. Nemuro burns down a hall and declares himself a hero for doing so. Utena gets in swordfights behind the school gym class and declares herself a hero. Neither Mamiya nor Anthy ever asked for them to do this, in fact when Anthy starts to genuinely like Utena she asks for the opposite for Utena to run and save herself it's just they decide to do these things on their own while imaining it as some great sacrifice on their parts.

Even your brother's crime! Souji... Come and see now? Back then, in that place who was there. Who wasn't there? Who was it that really set that fire?

Mikage makes it like he's a hero who took the heat for Mamiya's crime of burning down the hall when really he's the one who burned down the hall, and he simply blamed Mamiya for it in his memories.

Everything Mikage is fighting for is based upon unreliable memories, lies, and illusions because you know moon arc.

Anthy openly mocks him for his misguided notion and his hero complex that he's doing this to save someone, by unraveling the memories he thought was guiding him right in front of his eyes, sabotaging him in his fight against Utena.

Souji, you're going to lose. Mamiya! She will scatter the rose you wear. What? Where are you? Mamiya! Mamiya! What the? Who's? You can't beat her. You will never beat my sister who dwells in your memories.

We see this exact same thing happening when it's time for Utena to fight Akio, just when she's about to win Anthy sabotages the fight, mocks her for playing hero and says it's impossible for her to have ever won against her older brother Akio. The way Nemuro cries out Mamiya's name in pain and confusion before realizing Mamiya has been dead for years and the person he's been talking to all this time wasn't the real one, even mirrors Utena calling out Anthy's name in desperation as she realizes she never once understood the true Anthy.

Akio calls Nemuro to tell him shortly afterwards that he was using his unreliable memory of the past in order to further his agenda at this school.

Akio:  I exploited the illusion you cherished in your memory so much that you even halted your own time. Akio:  The period where you hid the possibility in your heart, not growing up, was useful.

Akio similiarly takes advantage of Utena's vague memory of the prince within her heart, in order to manipulate her into the dueling games even perfectly playing her prince later on to both lead her on by the nose and try to poison her relationship with Anthy.

Which is the greatest connecting thread between Utena and Nemuro. They both are creating fiction in their heads by imagining themselves as heroes in a storybook, and they have both built their entire motivations out of unreliable memories. The foundation they are standing on is a misremembered past. A past they've made into beautiful stories in their own minds.

Mikage:  You sound like you're yelling out, "Don't touch my precious memory!" Utena:  What did you say?! Utena:  Don't even talk like you understand me! Utena:  My memory is... Mikage:  I see. It's that memory that's been supporting you up until now. Mikage:  No need to be ashamed. Mikage:  Because the memory you possess is a worthy one. Mikage:  Only those with beautiful memories are allowed to wish, Mikage:  "If only those days could last forever, if only I could still be what I was back then." Mikage:  I know that you're the same as myself. Mikage:  Your eyes are like those people who can't help wanting to make memories last forever.

What is a story but a lie? A fiction? The lies they are told by tohers and the lies they tell themselves are what manipulate them into going forward, straight off of that cliff. After all is there any character with less agency over themselves than the main character of a story? A character in a story doesn't have any free will after all they just go where the author tells them to go, and do what the author writes for them. However, to Mikage and Utena that doesn't even seem to matter because they're both so desperate they need something, even something they subsconciously know is a lie or doubt themselves to keep moving forward. If they don't even have that, then they're dead.

Mikage:  I knew since the first time I saw you. Mikage:  You met the person important to you long ago, right? Mikage:  And so, that person changed your life forever, right? Mikage:  You're standing here on the strength of that illusion. Mikage:  That's why you were able to enter the Duel Arena. Mikage:  Am I wrong? Mikage:  After all, you're just like me.

The fools who are the heroes of their own stories, and characters in Akio's stageplay just keep moving forward until they walk off that cliff. They try to be storybook heroes from beginning to end, unable to see the problem in that until it's too late. Mikage represents Utena's own journey through the labyrinth of illusions that is the moon and what's waiting for her at the end.

The Black Rose arc foreshadows exactly what happens to Utena at the end of the story. Nemuro graduates from the academy, disappears, and all trace of him is gone and people quickly forget about him.

Akio:  However, that's all over. Akio:  From now on, the path before you is not prepared. Akio:  You, graduate now. Utena:  Oh, darn it. Utena:  What a weird place we ended up in while searching for Himemiya. Miki:  There was a really big fire here a long time ago. Utena:  Really? So there really was that kind of trouble. Miki:  It seems there weren't any casualties, but since it was before the time of the Student Council, no records remain. Miki:  Let's see... What was the building called? Kushiro Memorial Hall... Miki:  Sounds wrong. Noboribetsu Memorial Hall? Argh! I hate it when I can't remember!

Utena similiarly leaves the academy and Akio comments that just like Nemuro she'll fade quikcly from people's minds.

Akio:  It hasn't been that long since then, but everybody's forgotten about her completely. Akio:  She didn't cause a Revolution after all. Akio:  Now that she's gone, she was just a dropout to this world.

They also reach their tragic end for similiar reasons, they couldn't stop playing the role of the hero until the very end.

It's pretty much spelling out to us how the series is going to end in the second arc. Utena / Nemuro are brought into the dueling games on a false memory that's manipulated by Akio to give them a reason to participate. In their final duel, they're betrayed by Anthy and sabotaged in the middle of their fight causing them to lose. Afterwards they struggle against the truth. The result of them learning the truth is them being exiled from Ohtori Academy forever, and they are unable to save the person they want to save by playing prince, Mamiya was never alive, and Utena never got to know the true Anthy. All because they decided to play storybook prince in the first place rather than look at the reality.

Utena's however, ends on a much more hopeful note. As she's at least escaped the fiction of Ohtori Academy and Anthy insists that she is still there somewhere out in the real world. Just like the world in Tarot is the last card of the Fool's Journey, where as a whole person the Fool is now ready to join the rest of the world.

However, the Black Rose arc doesn't just foreshadow the ending of the story perfectly with Mikage's ending, it also is just the nature of the moon tarot card itself. People call it fillerly because there doesn't seem to be any real substantive change to the story, but illusions are illusions they're not supposed to be substantive. The characters don't change after the confrontation with their shadow selves.

You think so? Huh but she's. She hasn't changed. Not a bit.

Number one there's no real end in the conflict between the shadow and the conscious mind and number two that's what happens with dreams they fade in the daytime and are forgotten when you wake up.

That's the moon in general too. Always there for you. You don't usually think about it and it doesn't serve any real purpose, but from time to time you look up at it... and it makes you feel better.

[bowenoke]

I'm microwaving the mechanics of stress tokens rn. because as per Siobhan's comment about animal handling and nature checks... they get to pick which skills they'll take disadvantage on.

The solution everyone here on tumblr is talking about for ALL their other problems, to just rely on each other, would genuinely work here. All they have to do is pick one person to maintain a given skill, and everyone else can not bother with it. forget arcana checks; Adaine can do arcana checks. Everyone else stops giving a singular shit about magic. Sneaking?? Who cares about being stealthy! Everyone else rocks comfy pajamas at school, and lets Riz take care of that. (Not even in a meta-gaming way, but in the genuine sense that they cam rely on their friends in-world to handle specific types of problems.)

More than forcing them to exhaustion, the stress mechanic seems like a really great opportunity to let individual party members shine at Their Thing, their Expertise, in a party where skill bleed is huge, and everyone has taken feats and multiclasses to become a jack of all trades bc of the modern setting often splitting the party

[kronosveritas]

✨HELLO RVB FANDOM I AM ASKING FOR YOUR GUIDANCE✨

I don’t know if any of you know much about Tarot, but I am in the process of drawing an rvb tarot deck and these are my thoughts for which character should be assigned to each of the major arcana cards.

Included in parentheses after the character are some trailers generally associated with that arcana (to my understanding)

Please feel free to let me know in comments/tags if YOU think these fit/what fits better so I can potentially make the deck!

_____________ {arcana below fold} _____________

💙 Fool- Caboose (new beginning, fresh start, risk, a chance, new cycle, originality, fearlessness, travel, innocence, being green, trickster, acting foolish)

❤️ Magician- Tex (talent, skill, power, magic, control, manifest, tools, mastery, willpower, focus)

💙 High priestess- CT (intuition, feminine wisdom, hidden knowledge, secrecy, initiation, receptivity, spirituality, the inner world)

❤️ Empress- Allison (feminine power, abundance, fertility, pregnancy, marriage, creativity, receptivity, pleasure, mothering, nurturing, giving birth)

💙 Emperor- The Director (Order, structure, authority, power, boss, masculine, father, ownership, autonomy)

❤️ Heirophant- Sarge (tradition, structure, teacher, mentor, counselor, religion, dogma, advice, status quo, organization, conformity, rules, church, obedience)

💙 Lovers- Grif and Simmons (romance, partnership, love, choices, duality, opposites, union)

❤️ Chariot- Shiela (triumph, directed willpower, control, direction, movement, progress, vehicle)

💙 Strength- Carolina (strength, inner power, self control, calm, endure, willpower)

❤️ Hermit- Epsilon (inner wisdom, solitude, withdrawal, quiet, teacher or guru, research, seeker)

💙 Wheel of fortune- The Triplets, or the Chorus Rebels??? I can’t decide (luck, change, a turn of events, karma, movement, shift, improvement, fate)

❤️Justice- Doc & O’Malley (fairness, court, justice, balance, weighing options, seeing both sides, consequences, integrity, honesty, truth, law, middle path)

💙 Hanged man- Temple (sacrifice, letting go, faith, suspension, waiting, hang-ups, martyr, illusion, surrender)

❤️ Death- Felix (ending, transition, transformation, release, change, severance)

💙 Temperance- Lopez (moderation, balance, healing, alchemy, middle ground, patience, blending, harmony, guardian angel)

❤️ Devil- Meta/Sigma (bondage, materialism, negativity, slavery, addiction, stuck, jealousy, deviance, excess)

💙 Tower- Kimball (chaos, disruption, tearing down, rebuilding, uncertainty, blow, enlightenment, unexpected change, overthrow, revolution)

❤️ Star- Donut (hope, optimism, healing, balance, spirituality, health, well being, peace, wishes, vulnerability, success, balance)

💙 Moon- Wash (intuition, illusion, deception, darkness, reflection, fear, subconscious, dreams, difficulty, fear, imagination)

❤️ Sun- Tucker (optimism, success, joy, birth, happiness, health, inner child, energy, enthusiasm)

💙 World- Rooster Teeth Founders? Or Blood Gulch? Or RVB kill switch? (completion, ending, success, travel, closure, graduation, Universe, freedom, environment, rebirth)

https://www.thetarotlady.com/tarot-card-meanings/

^^possible link for meaning reference

<<I have individual assignments for nearly all the minor arcana too, but that would be far too long to post here>>

[mryador]

"Victory... is my destiny."

When The Chariot appears in your reading, it's a sign that you should do one thing; raise your sword and take action! The most determined and self-serious character in the series, Meta Knight was the perfect choice to represent this card, when he's so self-motivated and disciplined to achieve his never-ending goal of growing stronger.

I really had a lot of fun drawing this one. As I mentioned, Meta Knight is a very self-serious character, so it wouldn't be right if I didn't try to a little extra harder to make him look cool.

Part of the Kirby of the Starcana Project.

[ikkaku-of-heart]

Anonymous asked: Hawkins x Killer? Send me a ship and I'll fill out this bingo card (Still Accepting!)

I've seen some hot fanart of them especially in a twisted hateship kind of vibe but overall they're a nope from me. Killer absolutely deserved to kill Hawkins in their awesome fight and he did so with style. So while it's a pretty ship it doesn't work for me beyond aesthetics. I'll gladly explore a toxic repressed crush on Killer version of Hawkins but it's definitely nowhere close to actually shippable for me.

[fuckyeahaudiodrama]

✨APRIL/MAY LISTENS✨

hi i’m back, i’ve just finished my degree and do not have enough of a brain to write an in-depth of anything. but! here’s some of what i’ve been shoving in my earholes for the past month, in no particular order.

The Magnus Protocol — (season 1 ongoing) continues to blow my fucking mind. the sound design/music combo for this series is of particular note, it really just… mwah. elevates the text so much for me. i also continue to be impressed by how well this works as both a standalone series and as a delicious trail of candy for those of us who loved Archives. we’re halfway through s1 now and all i can think about is alice dyer.

Beef and Dairy Network — (ongoing @ 109 eps) a partially improvised absurdist comedy pod set in a world that is bizarrely obsessed with beef. my qpp listened to one episode and called it “distilled british humor” which feels… correct. i’ll be real, i’m actually mad at myself for not getting into this one sooner, but on the other hand having a long binge of it has been divine. i would kill to go to one of their live shows.

The White Vault — (5 seasons, 10 eps apiece) not including goshawk because i’ve barely started on that. but the main series… woah! god, i totally didn’t think this was going to be my thing but i could not put it down? the first season is definitely slower than i usually prefer but the characters kept me hooked and by season 3 the narrative completely took over my brain. i also love how well they sold the found audio format, it WORKS. gold fucking star, highly recommend.

Jackie the Ripper — (3 seasons, 5 eps apiece) put this one aside for a rainy day and binged it all at once. deeply wish there was more of it. it’s a raunchy crime drama with a downtrodden detective at the helm who i SWORE i wouldn’t root for but ended up doing so anyway. do recommend! if it sweetens the pot, the protag has the same VA as watson in the currently popular Sherlock & Co.

The Mistholme Museum — (6 seasons, soon to be complete) people have been recommending this to me for years and i just never got around to it, but on the bright side — it was an incredible binge. anthologies aren’t my strong suit but i found the framing device really strong and, crucially, it develops a meta plot that balances really well. biggest strength for me was the narrator, but i can’t explain why without spoiling some key plot developments. just trust me.

Wake of Corrosion — (4 seasons, final ongoing) very cool apocalyptic suspense/horror. i initially loved this show for the dynamic between the two leads, who are brothers trying to reconnect on a solitary camping trip when the world decides to go wonky. i ended up loving the worldbuilding as well. final episode drops very soon.

Neon Inkwell: The Pit Below Paradise — (miniseries, ongoing) this one has a bit of a western vibe and heavy religious/culty overtones, which isn’t my favorite genre. but i think each of the main characters has been developed really well thus far. + many fun cameos from members of the production team, those are really fun to try and spot :)

Twits: A Steampunk Distraction — (2 seasons, 5 eps apiece) very silly comedy of errors from the pov of a bumbling aristocrat. can’t say too much without giving the end of s1 twist away. i highly recommend it if you’re looking for some lighthearted listening. the ending credits are also very cute.

Planet Arcana — (ongoing @ 71 eps) i’m so bad at TTRPGs but this one has such a unique setting, i’m just captivated. tarot-flavored sci-fi adventure for anyone interested. i’ve made it through the first arc and the party has already experienced a crazy amount of development; stoked to see what happens next.

Selene — (ongoing) anthology about a spooky little town with a vintage vibe. single narrator, quite talented. i’m not always easily invested in anthologies but the narrator here really sells it for me, and (!) i think he writes children — both their thought processes and dialogue — very realistically. which is my grandest compliment.

Camp Here & There — (s1 complete @ 33 eps, hiatus?) i put off listening to this for a rainy day because i’d heard nothing but rave reviews and they weren’t lying. this is quite literally the ONLY pod i’ve come across that completely captures the same magic that WTNV did for me on first listen. the creator is kinda going thru it so idk if s2 is going to happen but i really hope so. even if not, s1 is very worth listening to. it’s wacky and sinister and i just love the narrator, it’s hard not to.

We’re Alive: Scout’s Honor — (8 ep miniseries, complete) imagine WA from the perspective of some awkward tweenagers. what’s not to love? the gore is really heightened by each characters’ stage of emotional development. i especially loved the conclusion but i won’t spoil it here ;)

Among the Stars and Bones — (2nd season ongoing) sci-fi drama with a solid first season, really nice narrative tie-up, but the second season was SUCH a glow-up nonetheless! + the most memorable karim kronfli performance of all time IMHO.

[iliveforyouilongforyouvesuvia]

Mini-HC: M6 reacting to their official plushies

The Arcana Mini-HCs: M6 seeing their plushies

Julian: torn. it's small and cute, therefore it must be protected. but also, it's him, and he functions on self-deprecating jokes. bluescreens

Asra: tickled pink about how sparkly their eyes are. gets increasingly weirded out by how meta the situation is, gives it to Faust to squeeze

Nadia: initially intrigued, gets sidetracked critiquing the style of the plushie's clothes. printed instead of embroidered patterns? really?

Muriel: refuses to look at it at first because it's embarrassing. finally develops a fondness for it because Inanna keeps putting it on his bed

Portia: OMG. someone made a plush of her?! it's adorable!! it's hers now. it will be covered in Pepi hair and sleep with MC when she's out

Lucio: well yeah, who wouldn't want to carry a mini him around? wait - what did they do to his hair? his muscles? his smile? send it back!!