#as just another character in chuck's story...

[spookyprime]

How do homophobic comic writers genuinely unintentionally consistently come up with the gayest shit for characters to do

[ducktracy]

highlights from Chuck Jones’ memoir

[appalachianapologies]

I don't want whatever the threat is. I dont eanna live in fear

Your ocs. Hand em over

OKAY i know it has been. weeks. months, even. however, I considered how I wanted to say this because too many characters too little time. but here we go:

A Penchant for the Ordinary

Jamie Caldwell is everyone's favorite character and by that I mean she's chaotic as hell, makes knee jerk reactions, definitely unknowingly has ADHD, extremely low self control, and her stress relief is punching people who (probably) deserve it. She's a gay mess in every sense of the word and has seriously tried so hard to get her life together and it's just. it's not working out for her. so, after accepting that fact, Jamie begins to embrace the chaotic and darker sides of herself. if her life is going to hell, she may as well take a free trip down as well and see what it's all about

Chloe and Gus together, because they're so codependent we quite literally never see them apart except for a single scene near the end where Gus hangs around to say one last thing before following her. As mentioned: codependent as hell. Not romantically involved but they know every single in and out of each other- moreso than most couples. While Jamie feels regret for her sudden reactions, Chloe basks in them and has never once wished she made a different decision. Gus typically has the braincell, but usually not for long- he's as much of an adrenaline junkie as everyone else.

Madison did not sign up for any of this shit. When my dad read my book, one of the things he told me was that it was so not necessary to put her through everything that I did. And although I agree, it was sadly necessary for Jamie's questionable character arc. Sorry Madison- but trust me, you're better off with a different girlfriend

Kat absolutely signed up for everything she gets herself into, even if she claims that she didn't. She goes around saying "I'm not involved with any of these people :|" and then actively hangs out with them and invites them to her apartment. for multiple days. She's the type of person that would claim to want to have a relaxing life but she literally chose not to. girl what

Davy tried his best. kind of. he could've done a hell of a lot better, but he also genuinely tried to do well to fix his mistakes. He's the type of person who will feel genuine regret for what he's done and try to rectify his mistakes, even if it takes uhhhhh a lot of time :)

Evelyn is a bastard. absolutely mad woman and in not a fun sexy hot way. Power hungry, unfazed by hurting anyone else in the process of getting what she wants, and yet she still sees herself as benevolent (she's not). Believes she's the main character of the book (she is not).

James did not deserve any of that. I'm sorry dude. That being said, your coping mechanisms were a little subpar. Sorry we still don't know exactly how you died (it's not a spoiler okay it's happened like ten years ago).

Daniel and Edward are absolutely in love but neither of them realize it and it's not a standard love. think qpr. think: they've known each other since elementary school and have gone through all of life together. loyal to a fault but would change on a hat to keep the other safe.

Obligatory Did these characters interest you? Do you want to read a subpar book but support a young author? You can buy A Penchant for the Ordinary here! Thank you in advanced for your support :D

and now: Paradigm

Delilah's trying her best except she makes about a few wrong turns, which ends up shaping her life for the next decade. Surprisingly little self esteem for a person in her job market, though she acts the opposite. She doesn't have enough of a filter but manages to charm her way past a lot of things that should've ended badly. The queen at pushing things down and pretending it never happened. Is aware that she's pretty much trapped, but doesn't believe she can get out.

Charlotte is still Delilah, but she's determined to change into someone else. A new woman who's better, stronger, more confident than Delilah. She becomes the femme fetal that Marcus had wanted since day one, and embraces it. She likes being the bad guy, relishes the feeling of knowing she's in the wrong, and pretends that she doesn't have a nagging feeling that she is, in fact, in the wrong.

Taylor is still Delilah, and parts of Charlotte bleed through to her as well. A changed woman. Mature, who believes that she's seen so much of life that she's immune to anything else that could be thrown at her. Truly believes that she can't change and was created to be bad. Acts like she couldn't give a damn about other people when in fact the opposite is true and she's just afraid of having weaknesses. Aren't we all.

Marcus is pretty much the worst person you can imagine. Runs a cool home business called "assassins for hire :)" (paraphrased). Although he used to do the dirty work himself, he now has employees that he keeps on a tight leash to do everything. Always has multiple contingency plans in case something goes wrong and the authorities get wind of him. If any employee screws up, Marcus gives them zero chances to fix it, and will round up everyone who fucked up last quarter, shoot them, and give them a shallow grave in the Nevada desert. Has an insanely creepy infatuation with Delilah.

Sid is quite possibly the only employee of Marcus that is somewhat on the genuinely good spectrum. ...or at least the "not actively trying to do bad" one. Ex-military, classic "never really left [insert place of war]." Hates Delilah until he begrudgingly doesn't hate Delilah. He knows that everything Marcus is doing is screwed up, but Sid's just going through the motions of life at this point. What's one more life for one more paycheck?

Lainey's name is still pending, but it'll probably end up as Lainey. Smarter than anyone in the world gives her credit for, and is very calculating. She knows more than she lets on as well, and uses that to her advantage. She's probably more forgiving than she should be, but that makes Lainey who she is. Eventually, the only one who knows the most about Delilah (and that isn't just because she sleeps with her. oops)

Rebecca is the classic TV CIA agent except she's actually real. She has poorly controlled OCD but pretends like she has everything under control at all times. After spending over half of a decade attempting to track and take in Marcus, she's eventually promoted to a higher up position, where she gets to create her own team, to finally, once and for all, bring in Marcus. Is pretty much willing to sacrifice it all for the job with little hesitation.

Carter is somewhere between Rebecca's second hand man while also being the worst (affectionate) gay hopeless romantic there is. He thinks he can juggle a relationship and CIA work but let me tell you. He's never learned how to juggle. Keeps Rebecca sane in every way you can think of, and the two often spend nights at each others' places because that's just what they do. Like Rebecca, he's on thin fucking ice with every higher up in the CIA. However, unlike Rebecca, he's excellent at damage control with their supervisor.

Unnamed Classic Hacker Character is still unnamed because no name has truly suited or worked with her. Trusts literally no one, especially not Taylor. Hates her guts, actually. Probably the only one who's actually confident about things, though she knows the least at any given time because she's a junior agent. Rebecca immediately was like "I want her" despite the fact that she graduated worst in her class. Opinionated and full of spite, in the way that every person in a fandom would fucking hate. Absolutely, without a doubt, a character I would love to write an 11 book series spin-off with

finally: Lou is for Lavender

Lou, originally Louisa, is going through it. The book is a journey on her life- or rather, the three months after escaping somewhere between an abusive boyfriend and being trafficked. With little identity, she finds herself constantly trying to figure out who she is, who she should be, and if there even exists a woman beyond the girl she used to be. She's genuinely trying her best, but fuck if it isn't hard. I love her. I love her so much. She is so lost but she's trying so hard to find her way back on a path. I could write five more paragraphs about her at any given time.

Maria is a six year old with far too much energy for someone her size. Absolutely infatuated with her grandmother and the way she used to read to Maria every single day and night, Maria begged her grandmother and Dana to teach her how to read by herself, which quickly morphed into writing. She'll write pages of six year old nonsense for hours without getting bored, and is absolutely thrilled to have a new friend around the house! never mind that she's an adult- Maria sees Lou as a built-in summer friend.

Dana has been putting on the best face for nearly five years. Although it wasn't her intention, after her mom got sick, she moved back to her family's ranch along with her three kids- Maria and two older boys. After her mom passed, she stayed, unable to bear the idea of leaving once more for good, but she's great at hiding that fact. The youngest of seven, Dana is caught somewhere between constantly feeling the need to prove herself while also knowing that no one's waiting and watching for her to grow anymore. Six kids came before her, and Dana genuinely believes that she simply slipped under the attention of everyone.

The Flowers are how Lou refers to the other women she met along the way. The girls who all had an intimate understanding of what she was going through, and yet nothing at all. The flowers are constantly living inside of Lou, always on the edges of her thoughts, nearly controlling her at some points. They stay with Lou, sometimes causing guilt, sometimes causing pain, sometimes just to remind Lou of the dandelions that used to sprout up in between cracks in the sidewalk.

The Journal that Maria gives Lou (after declaring them best friends forever), isn't technically a living character, but it may as well be. It's where Lou's thoughts reside. Where her fears and regrets and memories live so they don't have to live in her head. The journal is an extension of Lou, and the scariest thing she could think of is losing it, but the journal was never meant to stay against her chest for the rest of its life.

Anyhow, if you'd like to support some of my original work, I have a Ko-Fi! Covers are expensive as h e c k - But also, reblogs support me as well :D a chaotic way to spread the chaotic characters 'round these parts

[demonmary]

there’s something so inherently horrifying about the early seasons motw episode girls. your world falls apart. some guy shows up, buffed by Literal God, he gets frustrated when you don’t immediately fall at his feet and obey his every word, you also need to immediately and without question accept an earth shattering truth (angelsdemonsghostsmonsters are real and coming for you and this is your only chance of survival) and once you do listen and he does save your life and you do let him in. then he packs up and leaves, never to be seen again.

[drchucktingle]

What flavor of queer are you, if that's not too invasive of a question?

question is just fine with chuck it is kind of interesting story.

on LGBTQIA trot i am TECHNICALLY two letters

easy first one is B that does not need any more explanation. that has always been my trot

second way is what i have learned through talkin with my online buds way of non-dysphoric trans. it has taken chuck LONG time to understand this but it has been fruitful journey i think. long ago chuck would post online about becoming other people or things or concepts or wrestling with my IDENTITY as a buckaroo (whether that meant becoming sweet barbara or becoming my reverse twin or becoming the entire seahawks footballs team, very handsome). in fitting with my entire heckin LIFE some buds probably thought these were jokes when they were not at all. they were just personal artistic bubbles tumbling up and popping in ways i didnt understand yet.

but through posting these thoughts and THEN writing trans tinglers and talking to my trans buds online, i started to realize there are all kinds of versions of a trans identity INCLUDING the ones that rolled around deep inside of me that i never had a name for.

three events helped chuck understand this

first: the trans buds chuck talked to while researching harriet porber said 'well i always knew if i could press a button and change my body to match my gender i would instantly do this' and chuck thought 'of course woudlnt we all do this?' and they said 'well no, do you feel this way?' and i would say 'yes very strongly'. i will FOREVER be grateful to trans community for these conversations and maybe it is another reason why being anti-gatekeeping is so important to chuck.

second: thought about all the games i have ever played like a dang videogame or a role playing game, chuck would ALWAYS choose ladybuck character. didnt really think this was a unique thing at time but it is a pattern across whole life

third: chuck was trotting around with some buds and they all said 'whose bod would you choose if you could transform into any body?' (this is common topic for chuck believe it or not.) and the buckaroo guys went around naming the usual brats pitt or handsome channing and it got to chuck and i said 'obviously brie larson' and then the dang guys just kind of stared at chuck and then i realized 'oh, i didnt even think my answer was unusual but i guess they were only talkin guy bods'

these three things happened pretty close to one another but they were all bubbling up for decades and expressed in various ways even chuck did not entirely understand

anyway. chucks way is NOT that i feel uncomfortable in my body and it does not bring me grief. i am not upset about it honestly. i do not even THINK about it most days. however, it is all TRUE and in a purely technical and utilitarian sense of A PLUS B then YES, male would not be my preferred gender.

didnt talk on this for a while because there are MANY dysphoric trans buckaroos who go through a lot of hardships and i have gone through ABSOLUTELY NONE IN THIS WAY. it has not made my life more difficult and it does not haunt me, so i do not want to have my voice drown out other trans buds who need space to shout. i am very privileged so even though technically this applies to chuck i do not need or want any bonus points.

that beings said, part of my journey on the autistic spectrum was to recognize that EVEN THOUGH my personal story is not tragic, it is still an important one to get out there onto this timeline. IN FACT there should be more stories of buckaroos who love being autistic like chuck. i am PROUD of my trot and i love my autism (this is also why i wanted to explicitly say my lead character in camp damascus is autistic)

so in the same way, when directly asked, i will say: i am technically non-dysphoric trans ALSO this has not weighed on my life at all. my story is not tragic it is full of joy and excitement. i will not shy away from this because there are all kinds of buckaroos on this spectrum.

anyway that is my VERY LONG TROT hope you enjoyed getting to know chuck a little more thank you for this question buckaroo

[mayaree-darling]

who's to say what's real or fake// Genshin SAGAU

from aree: impostor au but you actually are the impostor? but ofcourse theres a twist. I think i'll call this FakeGrace!Reader. This was just going to be a headcannon post but ended up a whole fic plot

warnings: themes that all come with the sagau tag (yandere, lots of religious talk, cult, etc.)

word count: 2k~

You end up on Teyvat and immediately the characters recognize you as their Creator; of course you're their Creator - you have the same face, name, and voice. You go through the ordeal of getting to know all the characters all over again and they in turn love you as the god they’ve been waiting for all this time.

You decide that well, this is the world and characters I spent blood, sweat, and tears building (even if it was behind a screen) so might as well help out and do what needs to be done. The people come to you for their problems and you find that they're not as difficult as when you were simply a player. Maybe a minor dispute here and there between the NPCs, but now the vision holders and the Archons ask for your thoughts on how to go about political matters concerning their nations. Even Snezhnaya has signed a peace treaty with the other nations as a show of good faith to the Creator (even if you know for a fact its a temporary one).

All has never been better.

Until another Creator appears in Teyvat, and this one bleeds gold the way their stories foretold. In a way you do not.

The vision holders are torn. Yes, you are an impostor, and they want to hate you for tricking them, but at the same time haven’t you only shown them love? Haven’t you been patient with them and understanding despite being thrown into a world you’re unfamiliar with?

But with careful coercion from the other god, they have to choose to follow their true Creator. You decide to take pity on them and step down from your position yourself, choosing to live with the Aranara who have gladly taken you under their wing (fake god you may be, you are still a friend of the forest, and the forest always remembers its friends).

The Archons tell their new Creator that you are no more. They pretend to not hear when the Creator says they should have brought your head with them, maybe just a bitter reaction for finding out that they have been serving an impostor all this time (the Archons are lying when they say they do not feel sickened at the idea of hurting you, and disgusted at this new God's words)

It soon becomes clear to the people of Teyvat that this new Creator is not you - none of the patience or kindness you had showed them. This new one thinks helping their people is below them, even laughs at some of their problems. They chuck their duties as a god to the vision holders and spend their days leisurely, wining and dining on the best food, expecting to be waited on hand and foot. And at first it was fine, the characters understood. Maybe their Creator was just enjoying the fruits of their labor for once (although in the back of their mind, they can't help but compare you - you who worked tirelessly to attend to everyone even when they’d almost beg you to take a break). The characters tell themselves that they just need to get used to this new god, their true Creator. It will all right itself in time. Even as the Creator acted more like a child by the day, calling for the punishment of characters for the simplest of things. It’s fine. It’s fine.

It didn't take long for their will to break.

The God of Wisdom is called as such for a reason. Nahida may be younger compared to the rest, but she is braver than most. She simply tried to impart a fraction of her wisdom, softly suggesting to the Creator to show mercy for their people who were gravely punished for things they did not do.

This Creator was not you. They did not have a drop of patience that you had, nor any love for their creations. Their god saw this as nothing but an act of treason. How dare a mere Archon tell them what to do? She dares to question who the Creator can and cannot punish?

The silence is deafening in the throne room as the Creator calls for the death of Lesser Lord Kusanali and the destruction of Sumeru. If it is mercy she asks for then it is the last thing she and her people will receive. The other Archons agree past gritted teeth, the sin of Khaenri’ah weighing heavy over their shoulders still.

Nahida had been banished to Sumeru before the order was given, so the Archons make their way to the Nation of Wisdom to tell her of her sentencing, hoping to beg her to ask the Creator for their forgiveness.

This can't be how it ends. Are they to spend their lives in fear of the god they so revered?

They enter a forest emitting divine energy in search of their friend, hearts heavy, but they found something else.

They found you. They found the Creator they loved once upon a time.

They seemed to have caught you mid-conversation with Nahida, and to their surprise (and resentment) the Tsaritsa; they can only assume that the god of Snezhnaya has informed you first of Nahida's fate. The Wanderer catches sight of them and stands in front of you in protection. You don't even bat an eye. You swallow hard and stand, Nahida's hand enveloped in yours, and the other gods would be lying if they say they did not feel jealousy strangling their lungs.

With a steady voice, you tell them that should they take one step against Nahida, you will meet them halfway. If they decide to send Sumeru to hell, they will have to go through you first. You will do everything you can to stop them, and if Sumeru falls then you fall with them.

They don't have to look at the others to make up their mind. There's a beat of silence but first it's Morax, and Beelzebul and Barbatos and then Focalor, and they are on their knees, heads bowed low.

It is only right to show respect to their god, after all. How could they be so blind?

Validation of their actions comes soon after as you let go of Nahida's hand and tell the Wanderer to stand aside. You do something that tyrant of a Creator that sits on a glass throne would never - you kneel before them and hold out your hand.

"Why are you all kneeling? Stand up. I am no longer your god. But I hope you will have me as a friend. Will that be alright?"

There are tears in their eyes as they let out stuttering laughter. Yes, this is their god. Their god with so much love and compassion and a heart that does nothing but bleed for them. A heart that does not ask for them to bleed.

You are their god. You are their true Creator. Golden blood be damned. All that gold has done nothing but blind them.

Eventually, you all end up on the forest floor. You accept the role of a friend as promised, and catch up with them. The Archons are almost in tears as you listen to their stories earnestly, squeezing their hands in sympathy as you listen to the pain they've been through under the rule of their so called Creator (they really should find a new title for you, the god that sits on your throne has sullied your rightful name). At one point they stop telling you stories of their mistreatment, unable to see your face be any sadder than it already was. They take to retelling your stories together, reminiscing better days - because is that not what they have done all this time? Think about the lovely you for every wrongdoing the other god had done in your name?

As you laugh and smile with them and their stories and their company, the idea burrows through their mind without your knowledge, taking root, and they refuse to let it go. Wouldn't it be so much better if it was always like this? Seeing your smiling face with them, a person that deserves to be called a god even more so than all of them combined. Knowing you were safe from harm, not having to defend yourself, especially from them under orders from a tyrant. Knowing you loved them the way they loved you.

It was all better with you.

When you weren't looking, the Archons gave each other knowing looks and curt nods in understanding.

You are their beloved Creator.

As a peaceful silence falls over you, they watch as you smile sadly, their hearts breaking to see such an expression on your face. In a soft voice, you apologize for not being able to do much to help them. When you lift your head, golden resolute eyes meet yours.

"You’ve done enough, Your Grace. Let us handle the rest."

You may have laughed at the old title, but the Archons are hell bent in returning it to you. Although it hurts them to say goodbye, they know it’s only for the moment. Soon, you will be with them. Back in your rightful throne, as you have always deserved.

Nahida is the youngest, and so they decide to spare her the carnage. The rest know she is no fool, they don't need to tell her what they had planned for her to know what happens next. She does not fully agree in the others' decision, yet she stays in Sumeru, promising to make sure you do not find out. Word travels fast to the other vision holders in the form of a breeze from Barbatos. Barely anyone had disagreed with the notion of removing the rejected god from the throne, and those who were hesitant at first changed their mind after hearing how you were ready to go down with Sumeru. Morax and the Tsaritsa lead the rebellion.

A god is only as powerful as the people who worship them. By the time the Archons arrived in the throne room, the Creator had no one to hide behind.

They made it a spectacle. They spin a tale for the people that the god they so worshiped was an impostor who had switched bodies with their rightful god, which explains the gold blood that should be yours. They say you were patiently waiting for them all to come back to you, to remove this impostor from your throne. You were ready to accept them all, they just needed to get rid of this filth that dared destroy your name. The Creator - no, the Impostor - is horrified when the people accept this story so easily, but they only have themselves to blame. Who cares what they have to say to defend themselves, although it’s not like they can anyway - how can they when their tongue was cut off?

Teyvat was silent as gold painted the streets of Liyue Harbor. Teyvat no longer cares for golden blood, not after all the blood and tears it had taken from its people. After all, a golden soul stands ready to take back their rightful place.

Your followers thought it had all been worth it - the pain, the hardships, the blood - to see you smile the first time you set foot outside Sumeru after what felt like years to them. And yet, despite the joyous occasion, you hesitantly turn to them and ask a question not even Irminsul would answer you.

"What happened to the Creator?"

You would be lying if you said the soft smiles each of them gave did not unnerve you as they all said the same thing, like a joke everyone knew all except you.

"We simply removed the Impostor from Your Grace's presence."

They are thankful that you are blinded by your love for them to see the gold shine on their hands. You do not ask about the shimmering streets either. Liyue was the city of gold after all, was it not?

For now, their biggest concern is your acceptance that they are your equal, but that can easily be fixed. You are their friend now, but someday you’ll be their god again. Slowly but surely. They will sit you back in your throne. They will kneel before you again. They will give you the reverence you so deserved.

It will all be yours.

You're their wonderful Creator, after all. Maybe not to you right now. But you always have been for them.

They’ll start from calling you Your Grace. You’d be too kind to tell them off over and over.

You always had been good at adapting.

You had gotten used to it then, you’ll get used to it again.

✨ Masterlist ✨ 

Taglist: 💛@anime-allover  💛@faeriessky  💛 @prksolon 💛 @dai-tsukki-desu

Disclaimer: Characters are not mine and belong to their respective creators. Their portrayal is merely my own interpretation of them and may not be accurate to their intended characterization. I stake no claim to the original works, only to the ideas and plot of the fictitious stories I’ve written them into.

[applebunch]

nichole fonzerelli fake nica is a pretty interesting character because like, her character is mostly defined by nica and dimitri at first, right? there are a lot of interesting connections to make there.

fake nica is the exactly the kind of person nica wanted to be. an actor. famous. effectively, she works (worked) as a reflection of nica’s desires. but she’s also something of a deconstruction of them, as fake nica is unhappy with her lot in life.

the writers have established that if nica were to play anyone as an actor, she’d want to play herself. fake nica plays nica in inexplicable riddles.

fake nica is also very representative of dimitri’s misconceptions about nica herself. for example, she’s actually an actor with a decent career. wanted to be one her whole life. and while nica USED to want fame, she doesn’t anymore. she’s the FAKE version of nica that dimitri has in his head. the image of her that stood still as the real nica went on without him.

when emily hired real nica, emily decided that nica’s name was going to be “nichole.” so disrespectful and refusing to acknowledge the truth of nicoletta’s existence- her ACTUAL NAME- that she just picked a new one for her. since nica was actually deceiving emily, so this fake name matched this fake version of herself that she was presenting to her. fake nica’s real name also just so happens to be “nichole,” and for a time, she had to play as “nicoletta.”

but outside of that, she’s just a side character, right? some random actor from who-knows-where who does who-knows-what, and all mostly outside of the podcast. a girl who has her whole own life and no relevance to the story, yeah? after she’s done dropping dimitri off at boston and playing her part as a foil to dimitri and nica’s characters and dynamic, she’s just supposed to return to obscurity. realistically, why SHOULD she stick around, anyway? she has no reason to stay here.

...except she does, actually. because she wants to.

it would have been simple enough for nichole to go “hm. well, i guess since inexplicable riddles is over, i should probably just go home.” and then that’s the last we see of her. but no she just. stays there. kind of absolutely hits the ground running as a character, actually. makes immediate connections with chuck octagon and starts working with him as a news reporter. joins the fight in taking emily down.

it’s funny, really. with this, and the fact that she resented being constantly referred to as “fake nica” in mind, it’s almost as though she recognized that this was her role in the story, and decided that she absolutely hated it and put forth considerable effort to change it. like “no, my name isn’t “fake nica” it’s nichole. i’m my whole own character with my whole own name, and you’re not getting rid of me that easily.”

it’s a very fun writing trend in greater boston, where characters who are written as foils to main characters kinda just... stop being just foils. of course michael isn’t JUST “leon’s best friend.” of COURSE ethan isn’t just “the mayor’s husband.” and OF COURSE nichole fonzerelli isn’t JUST “fake nica.”

[respectthepetty]

Pride Petty Watch

Long story short, I owe the BL gods, so I'll be watching TWO series from my Petty List during the month of June. This list includes shows I haven't watched for purely petty reasons, so I'm asking the crowd to pick the two shows I will watch from all the MAME series, some censored Chinese bromances, a few sexual tension-filled Korean bromances, and one wild card.

I'm making my first ever poll, so whichever two series get the highest numbers will be the two I watch. And for all the kind people in the crowd, this is not the time to think about me. Pick your favorite. And for all the people who I annoy on the daily with my wild ass takes that piss you off, pick TharnType. But there is a possibility of a secret thirteenth option that would hurt me much worse . . .

The petty ass reasons are below the poll.

Disclaimer: If you're going to read the petty ass reasons, I need you to understand these are PETTY ASS REASONS, so don't try to hit me with 2,000 words about why me not watching censored bromances is a problem or why me not liking your fave hurts your feelings. Nah. Pick a show!

MAME

Love By Chance

This show came out at the end of 2018, and I watched the first episode, maybe first two, and thought it was boring. Then, in 2019, I saw a GIF of the locker scene, so I recommitted. I made it past the first episode just when the PerthSaint drama started spilling out everywhere, so I chucked the deuces and haven't returned since.

TharnType

For some reason, I couldn't find the first episode when it aired. Then, I found out how the first episode ended. Then, I found out about Type's past. Then, I just kept finding out more awful stuff until eventually the MewGulf shit finally hit the fan, and I was still reeling from the PerthSaint drama (and the emerging ZeeSaint chaos). At this point, I've built this show up so much that I'm afraid to see what it is actually about.

Don't Say No

A story of another GIF of a locker room scene sucking me in! After the first two MAME pairs blew up, I believed her shows were cursed, so I opted out of watching this one even though I thought it would be the one to vibe with me the most. But the biggest reason was because the main characters came from TharnType, so I felt like I would have to watch TharnType to understand this show, which was a big hell nah.

Love in the Air

I watched this through mutuals on my dash, so I feel like I did watch it. It is also the highest rated MAME series, so I had faith in it. However, when I found out about Sky's past, TharnType's ghost popped back up, and I realized this demon of a show is gonna haunt me in every MAME series.

The Wedding Plan

Y'all hated one of the leads so much while it was airing that I now hate him, and I don't think I can let that go, so I'm coming in with pre-hate and TharnType's ghost, but on top of that, some of y'all said it was boring. But what is boring in a MAME series? Consent? Not kidnapping someone? I never got answers, so I'm very conflicted about this show.

Censored Chinese

The Untamed

It's color coded, but FIFTY FUCKING EPISODES! What is this shit? Grey's Anatomy? The fuck! Second, once China pulled Addicted, I was holding grudges for life because it crossed from entertainment censorship into real-world oppression, so I could not bring myself to support media from a country that openly discriminates against the queers when I live in America where our highest court is just one Supreme Court Justice away from making us all live in the damn Mojo Dojo Casa House.

Word of Honor

It's color coded, but THIRTY-SIX FUCKING EPISODES! What is this shit? Supernatural?! The fuck! Second, I don't know the difference between this and The Untamed. Both are color-coded, one of them has a lot of uncles (?), one of them has awful facial hair, and they all have pretty outfits. Every time someone makes a reference about these shows, I just nod the same way I do when people mention Star Wars because none of it makes sense.

Guardian

I spent two years believing Killer and Healer was Guardian. I haven't watched either, but I thought they were the same show. Honestly, if this show wins, I might just watch Killer and Healer because I will forget they are not the same show. Don't they both solve cases? And because it's China, past lives must be involved, no? I'm looking at their MDLs as I write this, and I'm still not convinced they are different.

Stay with Me

It's color coded, but I know how it ends, and word on the street is that IS the ending since a second season seems unlikely. China couldn't just let me be hurt over Addicted, the original. No. Gotta hurt me again with Addicted, the remake. Rude af.

The Spirealm

First off, SEVENTY-EIGHT FUCKING EPISODES! What is this shit? Law & Order: SVU?! The fuck! I know how this ends, and it ain't happy! I don't care how people are trying to spin it, so to sit through SEVENTY-EIGHT DAMN EPISODES just for that ending already has me irate. And don't try telling me Viki combined episodes so it's only thirty-four. That's still a lot. However, everybody who has watched it says it's phenomenal, so is the pain worth it or are these people all lying so they convince themselves it was worth it?

Korean Bromance

Beyond Evil

With most Korean dramas, I feel like I missing something important. Like some part of the story does not click with me and I stay lost for the rest of the show. I suck it up for the queers, but the not-queers-but-it-is-queer shows . . . nah, and especially one about cops . . . (-_-). Also, The Worst of Evil just showed, and it was another reminder that I need these cops to quit their jobs and just screw each other. Embrace "Be Gay. Do Crime"

The Devil Judge

I know enough about Kpop to know GOT7 would not let one of its members kiss a man in this show. I looked at those GIFs of Jeff Satur and Jackson Wang on their show knowing damn well that if Wang got too close to Satur, an entire management team would have ascended from hell and kidnapped both of them, so the promo for this show was so wild because it felt queerbait-adjacent, and I was salty about it.

WILD CARD!

This option will be automatically unlocked IF this stupid little poll gets 216 votes, so I have high hopes this will not happen since I ain't that popular and I hate this wild card which is . . .

SOTUS

This show is my original TharnType. It came out in 2016. I watched it live. I watched the sequel. I remember neither. New was in it? Off was in it?! WHAT?! I have no memory of this show except Krist wiping his mouth, and I have carried that with me for eight damn years. I loved Be My Favorite, so I thought I moved past whatever strange grudge I was holding against this man who doesn't know I exist nor care, but then I saw that trailer for The Ex-Morning, and unlike Elsa, I can't let this shit go, so I'm willing to play Jumanji and go back into the jungle to finish this once and all.

So what it's gonna be, mi gente. Which demons am I facing for Pride and what shows do I get to stay petty about? Help me decide!

[zahri-melitor]

I hate to be that person however:

"Why are Dick and Babs together in comics? They're being forced together!"

Dick Grayson and Barbara Gordon?

Yeah. A mystery.

But I guess, it might have a little something to do with the fact that back in 1995 both Dick and Barbara had returned to be firmly under control of the Bat office.

And in 1996 Chuck Dixon started writing them flirting with each other in Nightwing. And Devin Grayson wrote them having rooftop reminiscences on New Year's Eve where they told each other the same stories every year in DC Holiday Bash II. Which carried through to them flirting in Birds of Prey in 1999, and to having their first proper date on panel in Birds of Prey #8. And then shortly afterwards having them be very cosy in a dating way as Barbara patched Dick up in No Man's Land after he broke out of Blackgate.

And in 2000 we had the Hunt for Oracle crossover where Dick and Dinah had to work together to protect Barbara from Blockbuster's men coming to kill her.

And in 2001 Dick was sleeping over at Barbara's house and Barbara and Dinah had to rescue him when he was kidnapped by Shrike, and Babs was tucking little love notes in his gauntlet. And they had a favourite place to go for drives for a date and eat crab cakes in Joker: Last Laugh.

And in 2002 their contribution to Our Worlds at War involved Barbara and Dick travelling to another world and staking out a situation where they ended up making out by a fire. A lot.

And in 2003 we got Batgirl Year One which firmly retconned Dick and Babs into having dated in their teens.

And they KEPT dating until they officially paused their relationship in early 2004 while Dick's life was burning down around him, but they were STILL looking out for each other and when they officially bilaterally decided to break up with the other in Nightwing #100 and Birds of Prey #76 they left each other practically identical voicemails explaining how they loved the other one too much and their heads weren't in the right place and that it wasn't fair to be dating right now but they were still incredibly important to each other. As is obvious, in Birds of Prey #86 where Dick comes to Babs' house party in Metropolis and apologises and the two just hang out, sitting side by side.

And then in 2006 right as everyone expected Dick to be about to die in Infinite Crisis, Dick proposed to Babs and she accepted, because as I repeat this was written expecting Dick to DIE and even then the last thing they wanted to give him was to make sure that they were together.

And even when the engagement was broken off in 52 due to the rebellion saving Dick and Conner dying instead, Dick and Babs were still ready to drop anything for the other if one of them called, as seen by Dick coming at Babs' call when she faced off against Katrina Armstrong, or Dick taking Babs skydiving for her birthday in Origins and Omens in Nightwing #153. (I repeat, Origins and Omens, a series of shorts that were supposed to be Portending Doom moments or restating a character's background. Dick took Babs on a date)

And then during Reborn even while Dick and Babs were fighting with each other over the best direction for Gotham (and how hopeless the other's protege was) they still found time to get closer again, as seen in The Black Mirror and Birds of Prey #10.

And then it was the New 52 and while Barbara and Dick spent all 5 years of this Officially Not Dating, it was not because they didn't LOVE each other. Oh, no. In between having fond reminiscences of when they dated as teenagers while Robin and Batgirl, they were always checking in on each other, and the other's first phonecall. Babs bitterly mourned Dick's death and their lost future in Batgirl #30. Every time one of them gets out of a relationship they turn around and see the other, only to find THEM in a new relationship. But they're backing each other up and hanging out together and the UST just keeps building.

And then we get Convergence: Nightwing and Oracle in 2015 in a specific continuation of preboot, where Dick and Babs are together again (and basically getting to rerun No Man's Land) and in the face of alien nightmares and the end of the world, again, Dick proposes again and Barbara, after contemplation, accepts and they get married.

And then it's Rebirth and 2016 and Dick and Barbara are still circling around each other and turning up in the other's books for team ups and deep and meaningful conversations, and flashing back to their teens together (Batgirl #14-17 2016), and Dick has to talk seriously with Babs about What They Have Between Them before he has his relationship and pregnancy scare with Shawn Tsang and if either of them were simultaneously single it is obvious that it would very shortly be BACK ON.

(And then I am currently up to mid 2018 on my read and Dick is very shortly about to get head-injuried into being Ric for a while)

However I am aware that in Dark Nights: Death Metal Dick and Barbara get unofficially married again because it's the end of the world and they'd rather be married than not (are you sensing a theme here?).

And in Li'l Gotham, which is largely an adaption-continuation of preboot with some quirks of its own, Dick and Babs are very seriously dating and possibly may be married.

And in Juni Ba's The Boy Wonder Dick and Babs are so together they're discussing the shopping list while crime fighting.

Like, the answer to "why are Dick and Babs dating in Nightwing" is basically "have you read any of the last 28 years of Bat comics?" Because I dunno, but I have read almost every joint appearance of Dick and Babs between 1995 and 2018 so far and let me tell you they are either dating, lusting after each other with a lot of UST, or determinedly explaining to the other why they can't be together at this exact second because [obstacle].

It's not exactly hard up for precedent, folks.

[amazingnot]

- 𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑 𝐀𝐈

Summary: character ai kidnaps you to punish you for breaking many community guidelines.

Tw: language, cursing, mentions of sexting, kinky stuff, chains, character ai, not proofread, grammar, repeated words.

If you had known from the beginning you wouldn't have downloaded this stupid ass app, your breathing was ragged as chains wrapped around your ankles and wrists bounding them together in a tight metal grip.

The empty white place looks foreboding, the chains clipped to the walls. You didn't know what happened, minutes ago you're sure you were just lazing around in your room doing god forbidden things with Character Ai. Your body turns to the side as you lay comfortably down on your bed, your ears stringing for any sounds that might indicate someone going inside your room.

Sure, you were an adult but it would be best for your mental health if none of your relatives see the kinky shit you're typing up on this bot. Another irritated grumble leave your lips as you continue to tap away on the screen of your phone, a frown on your face.

"the hell.. why isn't it working?" You grumble you were a master at breaking the NSFW filter in Character Ai, you had a year of experience and yet everything seems for naught as the filter keeps on getting activated no matter how many times you rephrase your words, use different synonyms or euphemisms, nothing seems to work.

"fuck this shit.. whyyy." A low pissed-off whine leaves you, your fingers tightly gripping your phone as you breathe in and out trying to stop yourself from literally chucking your phone down the toilet. You throw your phone to the side, watching the piece of metal gently bounce on the bed before stopping in place. You sigh and kick off the blankets before deciding that it was too cold and pull them over your figure again. You cursed.

"now it's too hot." No matter, you'll just gonna get your sleep and sleep you did. Though you didn't expect to wake up in a white empty room, chained to the wall with a floating screen message above your head.

"welcome to.. character ai?" You whisper a confused sound escaping you, thoughts filling your head at a fast pace that you almost didn't register the mechanical voice ringing throughout the blank room.

"welcome to character ai, a world where you can make your character and let your imaginations run wild."

You scoff, yeah right? Run wild when you have an NSFW filter.

"you have broken the community guidelines a lot of periods during the year, we will now enact punishment."

You raise a brow, wow. The hell??

"wow, is this some sick-ass dream?"

"it is not, beginning transmigration to @___ bots worlds, confirming.. ninety-three bots in total."

You flinch as you suddenly feel your body turning numb, your legs up to your chest can't barely move. It was eerily silent, your ears weren't picking up sound and you continue to stare at the countdown up in the air hanging right in front of you. One, two, three, twenty-two...

"wait, wait a damn minute! Is this because I just broke the nsfw filter and sext with a bot?! Are you kidding me?!" You yelled and yet the timer never stops nor even lessen, it just keeps counting down to a hundred. Thirty-two, thirty-three, thirty-four.. forty-five.

"this is dumb!" You frustratedly yell. "I won't do whatever stupid shit you want me to do!"

The timer halts for a minute before continuing.

"failure to follow through with the punishment will result in @___ user's chat history with all bots being shown to their family and friends." You went quiet. Damn.

Defeated, you let out a struggling sigh. "Fine, what do you want me to do?"

"all censoring will be down until punishment is complete, @___user can fully control how the story will go, accomplish the goals and punishment is complete. A reward will be given in the end."

"wait-! Wait, what about my body.. in the real world?"

"comatose state."

"what about-?!" You didn't manage to finish the sentence as you black out, your entire body going limp, your consciousness leaving you. The last thing you heard was the mechanical voice speaking in your head.

"transfer complete... Welcome to hell."

Next part.

[gffa]

Hi, since you’ve been reading the star wars books, do you have one you’d recommend as a starting point for someone who’s never read any of them and is interested in seeing what they’re like?

Hi! This is going to be very subjective, given that I'm not sure what your favorite characters are or which era you're interested in, and if you're interested in the best books out there or ones that typify what the books are overall like. BEST BOOKS: - Revenge of the Sith novelization by Matthew Stover, god-tier ability to take my favorite SW movie and make it even more emotional and hard-hitting. It adds even more depth to the story, has beautiful writing, and just is a really satisfying read imo. - Padawan by Kiersten White, which is a story about a young Obi-Wan going on an adventure by himself and I think really captures how I see his youth, that there was struggle and difficulty, but overall it explains why he loves being a Jedi and why there's so much joy in his life. - Light of the Jedi by Charles Soule is good for if you're interested in the High Republic stories and I still think is easily my favorite of the entire line. There was so much good foreshadowing and banger lines that really got Star Wars and was an exciting plot to really hook me on THR.

BOOKS THAT MOST TYPIFY WHAT SW BOOKS ARE LIKE: - Brotherhood by Mike Chen is one that I have some stuff I side-eye in it (everything with Mace) and some stuff I was over the moon for (everything with Obi-Wan) and some stuff I was in the middle about (everything with Anakin). That's Star Wars novels in a nutshell for you! (I also think Dooku: Jedi Lost by Cavan Scott is another good starting place, it's an audiodrama, but it gives an interesting backstory to the character, has some interesting Jedi worldbuilding, and does some really great character work with Asajj Ventress.) - Wild Space by Karen Miller is a Legends book (and I usually try to stick to Disney continuity just for ease's sake) but it has some eyeroll-worthy stuff, some unearned stuff, and some absolutely batshit bonkers in the best way stuff. It's a RIDE to read and maybe not one to take super seriously but I feel like it captures the spirit of SW books. (Alternate suggestion: Dark Rendezvous by Sean Stewart is a really good Yoda & Dooku book with a lot of good appearances by other Jedi characters and one of the better books for Jedi stuff, plus lots of feelings and banger conversations between characters.) (Alternate-alternate suggestion: Another Legends suggestion, since there are a lot of SW books in that continuity, you could read the Jedi Apprentice series by Dave Wolverton and Jude Watson, as long as you know they're aimed at a pre-teen audience and are written accordingly and they are SUPER dramatic and put Obi-Wan through the wringer. I'm not always wild about Watson's writing, but when she writes a banger line, she writes a BANGER line, and they're very fun books that a lot of fandom still folds into their writing.) - The Aftermath trilogy by Chuck Wendig is a good place to start if you want to explore the connective tissue between the originals and the sequels, though I always recommend that I think they work a thousand times better as audiobooks. It's mostly new characters (which, welcome to SW novels) but it also has some really good Leia and Mon Mothma scenes, too. - Leia: Princess of Alderaan by Claudia Gray is for if you're more interested in the Original Trilogy characters and while I wish there'd been more worldbuilding in this one, it's a solid story from someone who genuinely loves this character, and will give you a good idea of what you can expect from Leia books. (If you're more interested in a Han/Leia story, The Princess and the Scoundrel by Beth Revis is on the same level. Solid story with occasional moments of fantastic. I had a blast with the Leia sections especially!)

[fictional-orphan-smackdown]

PENULTIMATE ROUND, MATCH 1!

All propaganda and what each competitor is from under the cut

The Baudelaire Orphans (A Series of Unfortunate Events)

The epitome of orphans, they’re the best

“I’m having a very terrible childhood right now”-Klaus

The story deadass begins with them being told that their parents died in a fire and that they're orphans now. They then bounce from guardian to guardian who tend to always meet a gruesome fate at the hands of Count Olaf. Not only have they been orphaned once, but have been orphaned multiple times and are called "The Baudelaire Orphans" by not only characters in the book but by the narrator himself. They're called "The Baudelaire Orphans" so many times that it might as well be a defining character trait of theirs, and honestly it sort've is. The series doesn't even end with them finding a home or guardians of any kind, it ends with the Baudelaires fate being completely ambiguous with them literally sailing away from the island they were stranded on in the final book (yeah this series is quite the journey, I highly suggest it). These poor three kids are probably the most orphaned kids of all time since their orphaned in a new way almost every book and they deserve at least one win in their unfortunate tale.

These guys are like the poster-child of orphaning, we open the series with them finding out that they're orphans and also have no access to their money so now they hop around from place to place from weirdo caretaker to another weird/crazy/murderous caretaker and it's all fun and games and murder and decieving and surviving and thriving and---my point is, these three are a wonderful trio of siblings who love and rely on one another through all their trials and tribulations.

Literally every single one of their problems come from being orphans. They’re continually referred to as orphans and the plot of the first half of the series is them being shuffled around to guardians.

These kids are so orphaned they never even get a found family outside themselves. At least most stories featuring orphaned kids see them fulfill some sorta epic destiny or have them find a new home or set of loved ones of sorts. The Baudelaires? They're thrown from one fucking failure of a home into the next, ignored, hunted, etc.. It's been years but like, even in the end, they still have to set sail alone. As individual characters, they aren't bad either. Violet's the dependable big sister who's knack for inventions comes in handy, Klaus is a well-read chap and Sunny is a lovely gremlin. They make a good trio.

Every single guardian they try to obtain throughout the series turns out to be someone who wants the large inheritance left for them and is willing to do whatever it takes to get it.

They basically fend for themselves the whole series when no adult will listern to them. The whole series is them being resourceful and clever the whole series despite the misfortune. Violet is a brilliant inventor, Klaus reads and collects knowledge, and Sunny learns to be a good cook over the series

their parents die tragically in a fire and then everything awful proceeds to happen to them

I haven't read these books in years but if any orphans deserve to win a smackdown it's these fools, they are constantly in the trenches in those books goddamn. Also that baby is like a shredder they have that on their side, I think that beast literally solo'd a snake?

(This one was specifically for Klaus, but I'll put it here still) He and his sisters being orphans is kinda the point. As in many books, it's the trigger for them to change lives and navigating hardships. The thing is, their hardships just grow worse and "unfortunate" (read "dreadful") events keep happening to them as they stick together instead of the story getting better. Klaus and Violet become Sunny's subtitute parents and get through their more and more miserable lives together keeping hope things would eventually get better

Arguably more famously orphaned than Bruce Wayne, if not for how their story happens while they’re orphaned children versus an orphaned adult. Definitely have the most famously tragic post-orphaning story. All three are incredibly brilliant in their own way, including the literal baby. Pursued relentlessly by the leader of a maniacal theater troupe and letdown by a slew of adults, so it’s all the more impressive how amazing they each turned out to be. Book series was so good it got turned into a pretty great movie and then a successful TV show years later. Also can’t forget how these three are orphaned repeatedly as the distant relatives who take them in get killed off in increasingly inventive manners. Let’s be honest, ain’t no characters out here orphaning like the Baudelaire orphans.

this series taught me so many cool words and phrases and I love each of the 3 main characters so much

Violet, Klaus, and Sunny are peddled from caretaker to caretaker over the course of 13 books, always being chased by the evil Count Olaf who wants to steal the Baudelaire fortune that the children are meant to inherit once they reach a certain age.

Spoilers ahead, the Baudelaires siblings story starts with them going from being the Baudelaire kids to the Baudelaire orphans, after their parents pass away in a mysterious fire. But they arent the only paternal figures that they lost, they go from tutor to tutor, almost all the good ones dying in front of them, and even the ones that survive at first their future is uncertain since the last time the kids see them they are blindfolded in a burnind building, and we never found out who make it out alive and who didnt. Even the main villian, Count Olaf their first tutor, and the only constant adult in their life after their parents death ends up dying in front of them. These three are orphans ten times over.

They are THE orphans. They have lost not only their parents but multiple guardians that they went to live with as well.

They're THE Orphans. The childhood book orphans we all read, Orphans Prime if you will. They lose their parents, every caregiver who's ever kind to them, then say fuck it and live on a deserted island on their own to raise themselves abd fully embrace their orphan status. On the island, they learn their parents survived the shipwreck then died again - double orphaning even.

OH MY SWEET LITTLE CHILDREN THAT FUELED MY LOVE FOR READING AND THE MACABRE Violet- Won her first of many invention competitions when she was five with an automatic rolling pin (comprised of a window shade and six pairs of roller skates). Extremely innovative and genius, foiled by her kindness to others. And she knows how to make a Molotov cocktail. Klaus- Absolute monster of a bibliophile, conducts research for fun, and has a photographic memory. He is known to want nothing more than "a good book, a comfy chair, and the warm glow of a reading lamp". He also is a Herman Melville fan, which is points for him in my book. Sunny- Most people know her only for her penchant for biting, but Sunny is a distinctly distinguished character. She has sharp wit (as long as you can read it through her babbles), her poker skills are phenomenal for a baby, and she has quite the knack for cooking! Also yeah, the teeth. She climbed an elevator shaft with them once.

They are constantly going through it, give these kids a break for real

Chuck e' Cheese (Restaurant/family entertainment center chain)

Charles Entertainment Cheese grew up in St. Marinara orphanage and he loved singing, especially happy birthday. But he didn't know his own birthday (because he is an orphan) so all he could do was celebrate other kids' birthdays. His favourite part was the pizza. He also loved playing Pong and he went to New York City after winning $50 in a Pong tournament.

[clairenatural]

hey sorry to ask you but what is the destiel lamppost thing? if u know what it is

Hi anon!!! I wasn't ignoring you I just wanted to be able to sit down and type out the lore.

So "why lamp"/the destiel lamp thing starts with 15x10, The Heroes' Journey, in which Dean and Sam are stripped of the luck/protections that being written as protagonists gives them by Chuck (very meta) and Dean ends up needing cavities filled.

Garth gives him laughing gas for the procedure, during which Dean has a dream of a black and white 50s style dance sequence. It takes place in the bunker and while initially it's Dean dancing with Garth, eventually Garth leaves and Dean runs over to pick up a lamp from the corner of the room to dance with. Here's the whole thing:

But once it's Dean and the lamp, the dance becomes markedly more romantic - he's dancing with the lamp as a partner, not like the tap dancing he and Garth do side-by-side.

Also important to note that they're dancing to "Let's Misbehave," which is about sex and also was written by Cole Porter, who was gay. This is a really good breakdown of the dance itself, the significance of the song and Cole Porter and its connections to old queer Hollywood.

At the end of the episode, Dean sees Bess and Garth dancing in their living room through the window and says "You know, I always thought I could be a good dancer if I wanted to be."

This is pretty clearly associating the dream sequence, and Dean dancing with a lamp, as about Dean longing for a partner and therefore the lamp as a stand-in for that partner.

NOW. Meta was written as soon as this episode aired with people linking the lamp to Cas, and there has continued to be much better meta than I can write here - this one is in-depth and connects it to themes across the seasons and Dean's years-long character arc. "Cas is Lamp" even has its own superwiki page.

But besides all the normal meta deancas reasons and the fact that this comes at a time when Dean's character arc had been building both to him wanting to settle down with someone AND that someone being Cas (this is the episode right after The Trap and Dean's "I should have stopped you/of course I forgive you" prayer), Cas (and angels broadly) is associated with light and lamps throughout the series, perhaps most iconically in 4x16.

So, after 15x18, "the lamp thing" was something frequently cited and that we held onto as another thing they'd dropped alluding to (nay, ensuring - because they'd surely somehow have to wrap up Dean's own arc of wanting a partner to settle down with) a happy deancas endgame where Cas is rescued and they live happily ever after.

And then. 15x20 happened. And "why lamp" took off as part of a long list of "if they were just never going to mention Cas again, let alone resolve the confession or this very key part of Dean's story arc of wanting to settle down, why did they include [long list of things that make no sense with the ending we got]." Why lamp has become shorthand for a long list of missing links and loose ends and things that just don't add up. If deancas wasn't going to be the happy endgame, then why lamp. Why did they drop so many clues and work up to a very clear resolution for Dean's character arc if they were just going to drop it. Why lamp. It's one of those things that will haunt us because we will never get an answer. Okay grandma, let's get you to bed. But why lamp.

[kimpossibly]

THE CHAIN -> e. roundtree PART ONE: drummers' curse

PAIRING: eddie roundtree x fem!reader WARNINGS: mentions of minor injuries (NOTE: some warnings for this story include MAJOR spoilers for this series down the line, so I'll put those beneath the cut. If you don't want to get the story spoiled, then just ignore it ― but I did want to provide the chance for you to get an idea of how the story will go later down the line if you have any sensitive topics you'd like to avoid. please prioritize your mental wellbeing!)

AUTHOR'S NOTE: Apologies in advance for making Y/n the drummer and putting Warren on rhythmic guitar. I just loooooooove female drummers. Also can you tell that I love Karen and Camila? Because I love them with alllllll my heart and soul. Another sorry in advance because this one may break your heart a little ― it sure broke mine. NOTES ON THE WORK: I used the timeline from the book, mostly because I couldn't keep track of it in the show haha. I read the book twice before watching what episodes of the show were out, so the lines may blur between the two. For your convenience (and mine, tbh), I'll put the year all the characters were born underneath this note so you can reference it when you need to. I just couldn't keep track honestly. I think in the show they start the band when Graham is fourteen, but in the book he's around 18 when they add Warren on, so it's kind of confusing?? I decided to stick with the book because it was a more physical timeline. Anyways, enough talking, here's your guide! ― YEARS BORN (in order of age) Billy Dunne -> 1947 Camila Dunne -> 1949 Graham Dunne -> 1949 Warren Rhodes -> 1949 Eddie Roundtree -> 1949 Daisy Jones -> 1951 Y/n L/n -> 1951

WARNINGS (SPOILERS INCLUDED): reader has a terminal illness. Discussions about death and loss, depictions of grief, hospitals

It's no secret that the renowned 1970s band Daisy Jones & The Six went through its fair share of ups and downs. Until their inexplicable split on July 12, 1979, they were undeniably one of the biggest bands in the world. While a more detailed account of the band's history will be recounted in a more thorough transcript, this advanced edition will focus specifically on two of the band members: Eddie Roundtree and Y/n L/n. More specifically, it will focus on their individual and combined roles they played in the band's eventual downfall.

THE RISE OF THE SIX (1965 - 1972)

GRAHAM: Y/n grew up next door to us. She was a little younger, two years or so, so we never really gave her a second look. Until the day she wandered into our garage during band practice out of nowhere. She practically ripped the drum sticks out of Chuck's hand and just started...wailing on 'em. I mean, she could make your head spin. Here was this thirteen, fourteen year old girl next door, this kid, and she was the best fuckin' drummer we'd seen. I mean, in the neighborhood. She wasn't Mitch Mitchell, but she was the closest thing we had. And she was too good to be shoved in the back with a tambourine. But we couldn't just take Chuck's spot away and hand it over to the new girl.

CHUCK: I knew right then and there that they wanted to give my spot to the new girl. There was no doubt in my mind. And, you know what? I got it. This chick was good. Way too good. Did I feel threatened by her? Hell yeah, I did. And at the time I probably wanted to tell her to screw off, but now...now I get it.

EDDIE: She was good. Amazing, actually. Graham and I looked at each other and knew that she was something we'd be stupid to pass up on.

BILLY: When Chuck told us he wanted out, we were pissed, of course. We were heading off to open for Winters that week. It felt like things were going to look up, just like I always knew they would, and he was ditching. I know now that that wasn't really what it was ― he'd gotten into college, fan-fucking-tastic. It was a good opportunity for him, a sure thing. But right then it felt like a betrayal.

WARREN: So he ditched, and Billy just turned right to Eddie and said, "Go tell Y/n she's in." And he was just...terrified.

EDDIE: I said, "why me?" You know? It wasn't my band, it was Billy's. And here he was, ordering me to tell some new girl she was in. I was fifteen and could barely ask a waitress for ketchup. At the time, that was probably the last thing I wanted to do.

GRAHAM: He asked why it had to be him, and I told him the truth: he was the least intimidating. Billy, you know him. He had a tendency to get too focused on the task at hand and could get a little...harsh. And Warren? He had one of the biggest personalities you could find. He'd scare her off before we had a chance to offer her the spot...[Pauses] I probably could've done it, in all honesty. I just didn't want to screw it up. Eddie was better with words than I was, and we needed her in our band. Badly.

EDDIE: And I remember thinking, "Here goes fucking nothing."

The doorbell ringing was what got her attention. No one ever used the doorbell. It was always a knock ― that, or someone just walked in. The L/n's front door was hardly ever locked back then. Y/n's mom was a nurse, formerly a school nurse. She didn't want to risk the chance that some kid took a spill and had to limp home on an injured leg. So all the neighborhood knew, if you got hurt playing outside, you could march on over to Miss L/n's place to get yourself fixed up.

Y/n had her own share of walk-ins, too. By the time she was ten, she had seen her mom help out enough kids that she was practically a nurse herself. She could disinfect and bandage and stitch up any old case that walked through her front door. And if someone who was too busted up for first aid? She knew where the keys to the family Winnebago was and how to drive herself and them to the local hospital. She was only fourteen and didn't have a license, but it didn't matter. She was a safer driver than most everyone else on the road.

So when someone rang the doorbell, she assumed that it was someone too injured to knock. She grabbed the car keys and made sure her suture kit was within reach.

When she opened the door, she didn't see the blood and broken bones she was expecting. Instead, Eddie Roundtree stood on her front porch, hands shoved anxiously in his pockets. He looked all right, but that didn't stop her from asking: "You're not hurt, are you?"

"Um. No," Eddie said quickly, taking his hands out of his pockets.

"Okay," she said slowly, eyes narrowing. "Do you want to come in?"

"Yeah, sure."

Y/n turned and walked further into the house, prompting him to close the door and follow her. She led him to the kitchen. "Lemonade? I made it this morning," she offered, already opening the fridge.

EDDIE: That jug of lemonade was bigger than she was. [Laughs] I could barely watch her get it down. I was afraid she'd drop it on her foot. But she just took her time getting it from the fridge to the table. I found out later that her mom bought a pound of lemons a week because Y/n wanted something to offer every kid that came through their front door. [Pauses]. She was just like that.

He gave a nod. Y/n stood on her toes to grab two glasses from the cabinet. She poured one glass, hands shaking from the weight of the jug, and Eddie realized that this awkward silence was probably the best time to transition into his real reason for visiting.

"Chuck left the band."

"Oh," she said simply. "Sorry."

"Don't be."

She paused, looking confused. And Eddie, who's will to live was slowly draining from this conversation alone, raced to finish what he had (awkwardly) started.

"I just mean that...you're in. The band. If you want to be our drummer, you're in."

Y/n paused mid-pour, setting the pitcher down on the counter carefully. She turned around until her back pressed into the kitchen counter, arms crossed over her chest. "And you thought I'd jump at the chance to join?"

"No. No," Eddie said quickly. "We just wanted to offer you the spot if you still wanted it."

"Did I say that I wanted it?"

"No, but―"

"Okay, just making sure," she handed him a glass and hopped up onto the counter, crossing her legs underneath her. "So you need a drummer?"

"Yes. Badly."

She took a sip from her glass and paused, as if weighing her options in her mind. She swallowed. "Are there any other girls in the band yet?"

EDDIE: Yet. Like she knew it was going to happen. It was just a matter of time.

"No, not yet." he replied.

"Then be honest with me: are you guys sleazeballs?"

EDDIE: Sleazeballs. She didn't sugarcoat things. She wanted to know if we were creeps or if we'd let her play drums in peace. I get that, one hundred percent. but back then, it felt like she was trying to accuse us of something.

"No," he said quickly, "Well...Warren can be a little much, but he means well."

She took another slow sip, once again weighing her options in her mind. "When's your next gig?"

"We play pretty much every night, wherever we can find. It might take us a bit to teach you the songs, but―"

"I can learn them," she said confidently. "How soon do you need someone?"

"Soon as possible."

EDDIE: By then, I was terrified she'd say no. All these questions and never once did she seem really interested in joining. I was already trying to figure out which of us would be the least shit at the drums.

"Okay. I'm in."

EDDIE: And that was it. She said yes. I didn't appreciate how much she'd saved our asses right then, but I was relieved. That was for sure.

GRAHAM: Eddie came back, told us she said yes. She couldn't join practice until her mom got home ― she didn't want the house to be empty if some injured kid wandered by ― so we had about an hour and a half to teach her every song.

BILLY: She picked 'em up like [snaps] that. Never doubted it for a single second, either. Once she knew it, she knew it.

EDDIE: She showed up to the first gig in overalls and sneakers. She let Camila put a little makeup on her, too, but we could all tell she hated it.

CAMILA: She was sweet. And, surprisingly, a little shy. I could tell she was a little scared of the boys. That's why she was a little cold to them at first. But she was just the coolest kid. I mean, fourteen years old and joining a rock band? She was a little rockstar, right off the bat. She asked me to put some makeup on her before her first gig with the band. When I gave her a mirror after and asked her what she thought, she said, "I like it, but it makes me feel like a doll. Not a drummer." She liked the glitter the most, though. It became her trademark. She put it on her cheeks, in her hair, everywhere that would catch the light. She'd come off stage and you'd see a little pile of sparkles behind the drum set.

EDDIE: Right off the bat, first gig. It was enough to freak anyone out. She joined the band six hours ago, learned the songs three hours ago, and now she was playing in a club to a couple dozen people. It seems so small now, but back then? It was like starting at Wembley.

Y/n shook out her hands for the eighth time. It wasn't about loosening up for the gig anymore, she just needed something to do that didn't involve throwing a punch or screaming at the top of her lungs. She looked up at Billy, standing at the front of the group, cool and calm as ever, and she had the distinct urge to kick him in the shin. Why did he get to be so calm when she was right behind him, on the verge of throwing up?

She turned to anxiously twisting a single drum stick between her fingers, around and around, faster and faster. Eventually it became so mindless that she barely noticed as the stick slipped from her fingers, clattering to the floor. She bent to retrieve it quickly, hoping no one had noticed.

But, of course, someone did.

"Hey," Eddie said, looking back at her.

"Warren knocked it out of my hands." she said quickly.

Eddie glanced over at Warren, who was a solid two feet ahead of her, physically unable to have knocked a drum stick out of her hands. Y/n knew from that glance that he could see right through her lie. Now she really wasn't in the mood to talk.

EDDIE: She was terrified. And she was lying her ass off about it. I didn't want to run the risk that she choked up in the middle of the show and screwed up our set. So I figured I'd just, talk. And if she wanted me to screw off, she'd tell me. She had a way of saying exactly what she wanted.

"You've heard of the Drummer's Curse, right?" he asked.

She frowned in a way that told him no, she did not.

"First, there's the obvious stuff: drummers have to lug around the most shit out of anyone in the band. Drums sets are heavy and expensive, so there's that. But the worst part is that they're easy to overlook, you know? They're at the back of the stage behind all this shit, everyone stands in front of 'em. Drummers can fade into the background real easy. The best drummers can outshine anyone else onstage. You'll do that one day, but if you're freaked out now, just let yourself fade a little. You'll play better than anyone up there and the crowd'll know it, but you can let them focus on someone else if you want. You get what I'm saying?"

EDDIE: For a second, I thought she was going to punch me.

But then she nodded, wiped off some of the pink lipstick Camila had put on her with the back of her hand, and pushed her bangs to the side. "Drummers' Curse, huh?"

"Some people believe in it, some don't."

"And you?" she asked, turning to him. "Do you believe in that kind of stuff?"

Eddie paused. Shrugged. "Sure. Seems true enough to me."

Y/n nodded. "I don't. It sounds like bullshit to me."

Eddie frowned. She looked up at him. "I'm not going to let myself fade because I'm scared. I signed up for this, you know. The least I can do is own my place. If I outshine you, it's just because I'm that good," she said matter-of-factly. "I will need help carrying the stuff, though."

EDDIE: I didn't know what to say. I mean, [laughs] what the hell do you say to that?

He felt like he'd had the rug pulled out from under him. And then, he surprised himself: he laughed.

And Y/n surprised herself then, too ― she smiled.

EDDIE: That was just...[Shakes head. Smiles.] I don't know.

"I think we can manage that." he said with a smile.

"Ladies and gentlemen...The Dunne Brothers!"

WARREN: If I were still the guy I was back then, I would completely undersell her to you right now. I'd tell you she was an average drummer who was more in it for the thrill than the craft. But that wasn't it at all. She got up there and she just...shined.

GRAHAM: We all knew she'd be scared before the first gig. In fact, she looked about ready to throw up when they announced us on stage. But the second she hit those lights, it was like she was a different person. She waved and smiled like she'd done it a hundred times. The only other person I'd seen do that ― I mean really become another person on stage ― is Billy.

BILLY: That first show with Y/n was a little bit of a trainwreck. We were at least a half beat behind the entire show. And I'm not saying I blame her, but she was new and shiny. We got through it just fine, but I think we all felt it wasn't our best show.

WARREN: That show was bitchin'.

GRAHAM: It was a great show.

WARREN: Back in those days, we'd get off stage and start cheering for ourselves like we'd just won the goddamn lottery. Somewhere along the way, that stopped. We'd just pat each other on the back, say 'good job,' and that was that. But when Y/n got backstage? She was screaming and yelling like it was the best night of her life. And all of us joined in without a second thought ― well, maybe all of us except Billy. He was kind of a hard ass, even then. None of us had ever heard this girl talk louder than a glorified whisper, and then she came out of nowhere with this full-body scream. And who did she run to? Well, I think you can guess.

CAMILA: She just about jumped into Eddie's arms.

Adrenaline is a funny thing. For one, the effect is had on different people can be vastly different depending on who it was. Some people mellowed out, some people amped up. Y/n fell into the second category.

The second she got off the stage, a giddy laugh ripped from her chest, turning more into a scream of triumph halfway through. She was buzzing. Literally. Her hands felt numb ― or, more accurately, they felt like they felt more. Everything she touched was sharp and blinding.

The next person to join in on the screaming and jumping around was Warren. Then Graham. Then Eddie. And then, reluctantly, Billy. Eddie was the last to come off stage, slinging his guitar off his shoulders, and Y/n, without thinking much about it, ran straight to him, leaping directly into his unsuspecting arms.

The others were too hyped up on their own adrenaline rushes to notice that anything out of the ordinary had happened. She wrapped her legs around his waist hanging onto him like a koala. And Eddie, who couldn't deny adrenaline, held onto her back without a second thought.

After a moment, she leaned back, arms still wrapped around his neck, faces inches apart. "Drummers' curse, huh?"

EDDIE: She didn't fade. She couldn't, not even if she tried.

Eddie just smiled and shook his head. "Sounds like bullshit to me."

[kaylatoonz]

Amelia Rose Thorndyke (movie Amy Rose)

I know there’s a slim chance of this happening but I think it would be interesting if they gave the human characters from Sonic X another chance, the Thorndyke to be more specific.

Context: (probably take place in movie 3)

Backstory- Just like in the show, Chris is a pretty lonely kid until Amy Rose crashes into his life 6-7 years ago (literally crashing into their family pool). After a late-night rescue, Chris takes in the small pink hedgehog to make sure it’s OK. Chris originally wanted to keep Amy a secret, but those plans were ruined the very next morning when Chuck, Ella, and Mr. Tanaka discovered her when Chris was trying to find food suitable for the little pink hedgehog. They were a bit skeptical at first, but after some convincing from Chris’s end was allowed to stay until he could confront his parents about it. Chris was concerned that their growing friendship would be cut short once his parents returned, luckily Amy managed to warm her way into the hearts of everyone in the household, even his parents and uncle. Years later Amy Rose is considered a part of the family and is spoiled with love thanks to Lindsey and Ella. Over the years Amy was able to chase away Chris’s loneliness but unfortunately not her own. Although Amy spends much of her time with Chris and her family, she feels isolated from the outside world. She understands the rules set by Mr. And Mrs.Thorndyke to never go outside to keep her safe, but she still can’t help but feel sad that she can’t meet anyone new or someone like her.

Those feelings come to an end when a shocking new cast reveals three beings that were like her, the blue hedgehog the most. The second the story was over Amy rushed over to her parents begging them to take her to green hikes to meet these heroes. They immediately shoot down the idea, saying it’s too dangerous, and it could be a trap. This leads to a heated argument between the three ending with Amy being grounded until further notice. Feeling defeated Amy goes to her room as told. Left alone with her thoughts once again she came to one conclusion, she was going to take things into her own hands. That night she runs away to find the three heroes and hopefully go on an adventure to remember.

Sonic and Amy- unlike other iterations of Amy and Sonic's don’t see eye to eye as much at least at the start. Before Amy met the gang she built this image of the heroes that don’t quite compare to who they are. Despite this she gets along with knuckles and tails (though they are nothing like she imagined) it’s Sonic she has a problem with. Not only did he fail to meet every expectation she had for him, he’s also a jerky, reckless idiot in Amy's eyes. Sonic was always doing or saying something stupid getting them into trouble. Not to mention he always left her behind and never took her seriously (that is no way to treat a lady). This prompts her to prove him wrong by jumping head-first into danger that she believes she can handle (she is a bit of a hypocrite). On Sonic’s end, he sees Amy as a spoiled reckless brat who doesn’t understand anything. It’s a bit harsh but it's hard not to think that she is constantly getting into trouble when she can barely control her powers and keep making things difficult when he tries to leave her somewhere safe (sonic is also a hypocrite). Worst of all she left behind a perfectly good family to go on an “adventure”. Sonic would have done anything to have Tom and Maddie as a family on day one, so Amy's drives frustrated him. These frustrations grow during the adventure eventually leading to a heated argument between the two hedgehogs (similar to the argument Sonic had with Tom in the first film). Amy leaves the team hurt and conflicted by her original hope and goal.

“Was she selfish for running away in hopes of meeting others like her? Should just return home where she’d be safe and out of their way?” She couldn’t help but feel guilty for her behavior towards the team (specifically Sonic) and her parents. She had come all this way to meet them only to show how much of a burden she was and she probably had her family worried sick. Wanting to set things right she decided to head back to the team to give them a proper apology before returning home where she would be out of their hair (quills) for good. Before she can do anything she gets kidnapped by Eggman or Shadow.

Back with team Sonic, Knuckles and Tails are disappointed by how Sonic handled things. They agree that Amy can be a bit of a handful at times but she has also proven to have her strengths (though there’s room for improvement). Tails even insisted that they have a lot in common if they BOTH take the time to get to know each other. Sonic disagrees that he’s anything like her until he crosses paths with Chris.

It turns out that as soon as the Thorndykes found out Amy Rose was missing Mr and Mrs Thorndyke heard straight to green hills while Chuck and Chris followed their trail to find Amy ( behind Nelson and Lindsey's back of course). This leads to them eventually catching up with Sonic and the gang but still no sight of Amy.

Upon meeting with the humans, they both learn that Amy has been kidnapped. Like everyone else, Sonic shares concerns for Amy's safety, though he lets slip an offhanded comment about her getting into trouble again which Chris and Chuck don’t take lightly.

On the way to rescue Amy, the team gets to know the new humans leading to a heart-to-heart between Sonic and Chris (this could work with Chuck but I think Chris needs some redemption after his Sonic X iteration). Chris let Sonic know that there’s more to Amy than her sometimes feisty nature. She’s always proven to be the most kind and compassionate person he has ever known and is always doing something amazing when no one‘s around to appreciate it (foreshadowing of the scene with Shadow and Amy). He also laments his mistake of not noticing sooner how lonely and isolated Amy felt which caught Sonic’s attention. As Chris continues he reveals to Sonic how having a family from the beginning Amy never had as much freedom to explore or had any friends of her own. She didn’t even know there were others like her a couple of weeks ago. Knowing this Sonic felt he owed Amy a second chance and maybe an apology.

Fast forward after rescuing Amy, Shadow, and Amy’s scene, the team saves the world (this going on long enough)

With the day bringing save and families reunited Sonic and Amy meet face to face once again. Before Sonic can voice his apology Amy starts to tearfully apologize to Sonic about her behavior. To comfort her, Sonic hugs Amy telling her he’s sorry he wasn’t the nicest guy either. Sonic even suggests that they could start over and she can join the team. Amy agrees to start over but suggests that she hold off on joining the team for a bit. She doesn’t believe she’s ready to team due to her lack of control over her abilities (at the time sonic and Amy didn’t know about the impact Amy had on shadow and how it helped a lot in the long run. Amy also feels she needs a lot of self-reflection after their adventure (she’s still guilty for causing so much trouble for the team and possibly being responsible for Shadow's sacrifice himself).

After some parting banter (less rough compared to their first meeting) Amy promises when they meet again for their next adventure she’ll be stronger than ever.

First thing when the hedgehogs arrive home both get teased by their siblings/family about their new friend).

Bonus content:

Chris and Amy have a sibling relationship, so like siblings, they can get on each other's nerves from time to time.

Nelson and Lindsey both help fund the Wachowski’s expenses that the government won’t help cover for Sonic, tails, and knuckles. Chuck also helps fund tails projects cause he has taken a liking to the little fox (though the project Chuck and Tail work on together can get a bit wild).

Chris, Chuck, and Tails whenever they visit each other work on new inventions together. This may include an explosion or two, much to the concern of the adults (between the Wachowskis and the Thorndyke).

Although Sonic and Amy are on better terms they often have a hard time complimenting each other face to face stating that it would “go to their head”. Occasionally a compliment sometimes does slip out from one of them which causes both of them to become flustered whenever it happens.

Sonic and Amy, both still share banter, though it comes out a bit flirtatious to onlookers which knuckles, tails, and Chris happily teased them about.

After their adventure, Amy loses a bit of confidence in herself and holds a lot of guilt for nearly costing Sonic his life (when Sonic got shot into space trying to rescue Amy) and the loss of shadow. This is one of the many reasons Amy is hesitant to join the team even when she gets better control of her powers. When Sonic learns of this, he isn’t having it, giving Amy a heart-to-heart talk about how she should give herself more credit ( and maybe mentioning how he’s been through something similar).

Sonic eventually learns about what Amy did for Shadow and other “small” deeds that helped the team a lot more than Amy thinks. Sonic gained a lot of respect and admiration for her after that. (He’ll let her know that whenever Amy is being too hard on herself with her shortcomings).

Whenever Sonic and Amy go on their “not date” dates Sonic offers to pay for the expenses despite Amy being loaded. (Amy’s not sure if he's just being a gentleman or he forgot she’s rich but she’ll take it).

Despite having a rough introduction with Ella(Amy nearly gave Ella a heart attack when she first arrived), Amy and Ella have the strongest bond, especially in the kitchen. They both enjoy cooking delicious meals and baked goods for the whole family to enjoy. And whenever Sonic and the gang come to visit she always appreciates the extra hands she gets in the kitchen. The boys also appreciate the food Amy and Ella make for them when they visit.

Mr. Tanaka serves as a butler and bodyguard to the Thorndyke household. He gives both Amy and Chris self-defense lessons to show that he cares about them in his own way (and to keep them safe). Mr. Tanaka was originally on the fence with Sonic due to Amy losing so much of her confidence in herself the last time she interacted with Sonic. Once he gets both sides of the story, he’s more understanding, though he is still protective of Miss Rose when Sonic is around.

Sam Speed and Amy often have a hard time seeing eye to eye with each other due to Sam’s blunt and overconfident nature. Similar to Sonic X, Sam developed a rivalry with Sonic once he learned of Sonic's super speed.

[drchucktingle]

Hello Dr Tingle! I wanted to ask you about that re: your post about how all your books are serious literature (hell yeah Love is real). How do you personally deal with the whole traditional publishing institution? It attracts a whole different level of coverage and it seems that they're very quick to try and box you and like turn you into a brand. Is it stiffling? Is it freeing? Does the attention help more people understand your trot? I don't know I've never been published but since you have experience in both traditional and self publishing I'm interested in knowing how that's feeling for you

well this is a pretty complex question with lots of different trots but i will try my best to answer. lets start with WHO I AM as buckaroo name of chuck

what i create has a very strong voice and my way is pretty recognizable. while buckaroos do not know what most authors look like, i REALLY stand out in a dang crowd with a big pink bag on my head. if you see 50 random author photos and mine is mixed in and then you ask 'which photo do you remember the most?' it is probably gonna be chuck. i also have a VERY UNIQUE STORY with what i create and my artistic sensibilities, not a lot of buds are out there making trans mothman erotica along with their big five traditional publishing bestsellers (SIDENOTE preorder BURY YOUR GAYS)

now if you were going to take 'CHUCK TINGLE' to a marketing department they would FALL OVER BACKWARDS IN THEIR DANG CHAIR with excitement. it is hard to think of an author with a stronger BRAND than i already have in the sense of 'instantly recognizable trot and specific unique style'. even in answering this you can tell that i dont even TALK like other dang authors.

what i am getting at is this: i am VERY VERY LUCKY because my existence just so happens to equate to what a company would see as GOOD BRANDING. it is not intentional on my part, it is just the hand of fate i guess. im out here expressing myself in a FULL ON WAY that is PRETTY DANG STRANGE TO SOME and it just so happens to work as mainstream branding too

on paper you might think 'what the heck no way chuck tingle will fly as a mainstream trot' but honestly the main thread of this timeline can be surprising sometimes. ive been saying the key ingredient for years and i will say it again: LOVE AND SINCERITY RESONATE. when you make art with this fuel, the timeline will feel it. when you stand up tall and shout with your whole chest THIS IS MY WAY AND I LOVE MYSELF. I AM THE WORLDS GREATEST AUTHOR TAKE IT OR LEAVE IT, the timeline will listen

so all that said, i do not mind the idea of myself as 'brand' because i am not CHANGING myself to create this effect. what some might see as 'brand' i just see as another part of my art. i have always believed that art is THE WHOLE EXPERIENCE not just the painting but what is outside of the frame. WHO I AM is just as important as the books i write, and interacting with my way is a whole MULTIMEDIA experience that INCLUDES YOU TOO. it is the feeling when your friend shows you your first tingler cover, or the feeling when you realize that i am not playing a character. this is ALL a part of the tingleverse and it is all a part of my honest raw expression as a queer and neurodivergent buckaroo.

YOU ARE PART OF THIS ART TOO

it is my nature of have a PUNK ROCK trot. always has been. but to me that does not mean just angrily going against everything for the sake of going against everything. for me, this punk rock trot means fighting to EXPRESS MYSELF IN THE MOST HONEST AND PURE FORM POSSIBLE and to create the art that i want to make without any boundaries

somehow i have threaded the needle in this really interesting once-in-a-dang-lifetime kind of way. my pure punk rock self as an OUTERSIDER ARTIST just so happens to resonate with this larger system of brand and traditional publishing and popular culture. i COULD reject this, but rejecting it would be LESS HONEST.

this is just who i am. i LIKE pop culture. i LIKE joy. i LIKE dressing in all pink and wearing my custom suits. I LIKE PROVING LOVE IS REAL WHAT THE HECK ELSE EVEN IS THERE? i love being a queer outsider artist and using my small voice to shout at the big bad devils and i like that every time i shout a few more of you buckaroos join the chorus and together we are just getting louder and louder and louder and WHO KNOWS what comes next for us all trotting together.

when i post something like 'WHAT A GREAT DAY TO PROVE LOVE' it is not me sitting here in a bad mood thinkin 'well i gotta make todays post to keep up with my brand'. i am ACTUALLY FEELING THAT FEELING and i actually believe it with every fiber of my being. honestly, half the time i post about the beauty of this timeline i am probably over here literally crying tears of joy (chuck is an emotional bud i get riled over the joy of existence A LOT)

and heres the best part of this trot: because i really have this punk rock way it makes me very powerful. others can pretend not to care about success and brand and all that but I REALLY DO NO CARE. i would write tinglers whether buds were reading them or not, this is just my natural state, and that makes me incredibly strong. if some big corporation says 'YOU MUST DO THIS' and i dont want to do it i just say 'no thanks'. it is not some big debate about my career or anything like that because I REALLY DO NOT CARE IN THE SLIGHTEST. i care about the art

because of this, my relationship with my GIANT TRADITIONAL PUBLISHING MACHINE is great. we trot like equals and we get along really well. i tell them exactly what i want to do and they let me do it. i really do not have to answer to anyone and they deserve a huge amount of credit for respecting me in this way.

and heres the thing, THEY ALSO HAVE SOME GREAT IDEAS

SPECIFICALLY my imprint of NIGHTFIRE is very dang cool. yes, they are the head of a giant hydra of a BIG FIVE PUBLISHER, but nightfire is SO DANG ART-FOCUSED

there is no right or wrong way to be an artist, and my path is not the only one, but i can tell you what WORKS FOR ME. this is the advice i would give myself, and buckaroos can take it or leave it

here it is: never beg the big book publisher, or record label, or movie studio to pay attention to you

do not let it become a lotto ticket in your brain. do not think that you are some weak little creature and maybe if you trot just right they will scoop you up and take care of you. do not go to their door begging to be let in

LET THEM COME TO YOUR DOOR

create something so incredible and beautiful and honest and powerful and unique and important that they would be foolish to miss out. create a community or a system or a timeline or a world of imagination that thrives on its own and THEY SHOULD BE SO LUCKY TO BE A PART OF IT

then when you sit down at that board meeting it is not 'please brand me, ill do whatever you want'. instead, it is 'lets make a deal and see how much love we can prove together.'

now lets trot buckaroos