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#at least with the screencaps especially
angelhummel · 1 year
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Just wanted to tell you real quick that I appreciate how thoroughly you tag everything here very much! Your blog is almost always my go to for references. 💕
Thank you so much!! I appreciate it, you have no idea <3 <3
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exdeputysonso · 7 days
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Brad Dourif in Studs Lonigan (1979)
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jazzandpizazz · 2 years
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daily dose of granada holmes: sherlock is running towards you. what do you do?
november 20, 2022
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bonus thing i cherish in this shot is that it's the one time it's immediately noticeable that her hair length is uneven....let's go Cutting One's Own Hair (With Or Without A Mirror) look havers irl (b/c of cutting one's own hair with or without a mirror, maybe) & even when it's recreated on purpose like so
#haven't yet rewatched fury road as i've been anticipating doing for weeks now. we're on the verge of it though i can sense it#thank god ms charlize (juking diacritics) decided on Furiosa Will Have Short Hair#the No Diegetic Makeup. the constant (smudged with dirt or grease or blood perhaps) looks#only additional thing that we're demanding from anything. armpit hair please. for furiosa at least#meanwhile siiigh i guess like three days (? i will go through the number of Nights in my head. one. two.) closer to two days#isn't long enough to grow that much leg hair siiigh fine. more difficult to match up leg hair shots chronology too but if only....#reminds me how a while ago i was like half watching smthing & after a fair number of scenes was like oh hang on that's charlize furiosa....#b/c i basically know her From This. i'd seen smthing else she was in years before w/o remembering much details of Anything#(also had technically seen tom hardy in smthing more recently at the time Also w/o recognizing as much. also thanks at least in part to#not especially enjoying the movie) & i'm not great with faces; that most roles are gonna have Longer Hair / Makeup happening#and a lack of constant dirt grease blood etc even like okay this would be quite difficult#so i Didn't recognize the actor for a hot minute until the reason i Did was just this instance of [subtle quiet shift Acting Moment]#where she got this particular Silent Restrained Intensity going and i was like oh hang on. Could Be Her lmao. it was#anyways even capturing this screencap it was like Aughhh that she Walks. Stops. Walks. the Soundtrack doing what it's doing here....#and if there's Anything in this film to illustrate [max: main character] [furiosa: protagonist] boy is it this scene. wah#the end of this shot as capable like starts looking away like ah yeah emotion moment. well i'll give you this privacy#just like the fast & furious crossroads chat about cam fr lol like i'll respectfully turn so i'm not looking right at you for this Real Shi#responding to your reeling deepest devastation by moving forward still as far as you can? a quarter mile at a time of you#fury road
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thelastunison · 2 years
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(click for better quality)
Hi I made a screencap redraw of the patho classic day 8/night 7 theater cutscene
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niuxita21 · 1 year
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(✿ ♥‿♥)
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pansear-doodles · 4 months
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Let me get things out of the way first: I've seen a lot of misinformation being passed around, on twitter especially where a lot of folks jump into conclusions more so they can find a reason to be angry. This thread will clear things up.
Yes. Ludeo is very much a company with zi*nist views. This is a screencap of a post made AFTER Is*ael made an attack on Palestine. For those who think initially: "they're just run by folks from Is*ael" then here's proof that they're actively agreeing with genocide.
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Videocult and Akupara DID NOT KNOW Ludeo had zi*nist views at the time they started collaborating, which dates from last year. It's only NOW that it's brought to attention by the RW community. They are working on arrangements in private as we speak.
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The collab has caused a lot of complications, as it is pretty much one of the reasons why the game's price is upped. Our voices have already reached them- they're very well aware that we are NOT happy with this.
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The feedback has of course reached the RW official server mods as well, and guess what: They didn't know until they were told. This is the first time they heard of this and they are very much making is very obvious that they do not agree with zi*nist views.
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Unfortunately a lot of people thought them shutting down the server and any discussions of this whole event is "silencing" Let's be real here. NOBODY in the community wanted this, and it is very stressful to deal with all of this. Mods are 1% of the server population and-
-they are human too. People have called them spineless which is pretty pathetic. They have to babysit 50K+ MEMBERS everyday and they don't need to deal with anymore upsets. And sending your concerns to them is pointless- give your feedback to videocult and akupara instead!
As someone with modding experience elsewhere, I cannot imagine handling a server as big as that. People were sent FUCKING DEATH THREATS and they think this will solve anything??? At this point, it's just people trying to find the closest proximities to be mad at.
It is pointless and I am so tired of mods being called weak when they're just doing their job and hate Ludeo as much as everyone else. I doubt these people don't know what its like to be a mod. Creating a strike in a server where its supposed to be chill isn't the way.
The mods even directed the people more useful and more impactful ways to send the feedback across. This isn't silencing. People are just too angry to think straight and just wanted chaos as the option- when in reality its going to do more damage than good.
The server is a getaway place- it is not a server about politics- it is about a fucking video game. It is not the way to get the feedback in the way that actually matters. The staff openly announced the situation and showed their views so they're not trying to hide it.
Anyway, if it isn't clear. I hate zi*nists too. I hate colonialism. I hate using religion as an excuse to hurt and belittle people. I want people of Palestine to be free and I am hopeful that their freedom will come.
Yet people are ripping out those who are on the same team as them, spreading vitriol and misinformation. Please, twitter, think and cite your sources. To think only in anger will fog your senses and do more harm than good.
The mods are passionate folks and they do their job for free, just to make a safe environment. You may disagree with them sometimes, but I think it is stupid to outright call them ignorant or zi*nists themselves.
It *is* unfortunate that the devs and publishers didn't do enough background check, but at least they took our feedback into incredible consideration. We are not stopping our disagreement of integrating Ludeo, until something is done about it. Let's wait for more updates.
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brotherconstant · 2 months
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GIFMAKING TUTORIAL: PHOTOPEA (for Windows)
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Screencapping
Gif Width/Size Limit/Ezgif
Loading Frames
Cropping and Resizing
Rasterize/Make Frames
Sharpening
Coloring (not detailed. Links to other tutorials included)
Exporting
Obligatory Mentions: @photopeablr ; @miwtual ; @benoitblanc ; @ashleysolsen Definitely check out these blogs for tips, tutorials and resources, they're a gold mine. Finally I recommend browsing the PHOTOPEA TUTORIAL / PHOTOPEA TUTORIAL GIF tags. DISCLAIMER: English is not my first language and I'm not an expert on what I'm going to discuss, so if anything's unclear feel free to drop another ask.
1. SCREENCAPPING -> PotPlayer (the one I use) or MVP or KMPlayer
INSTALL PotPlayer (tutorial)
Play your movie/episode and press Ctrl + G. The Consecutive Image Capturer window will pop up. Click Start to capture consecutive frames, Stop when you got what you needed.
Where it says "Image Type -> Format" I recommend picking PNG, for higher quality screencaps.
To access the folder where the screencaps are stored, type %appdata% in windows search, open the PotPlayerMini64 folder (or 32, depending on your system) and then the Capture folder. That's where you'll find your screencaps.
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Admittedly MVP is a lot faster but I prefer Potplayer because it generates (at least in my case) higher quality screencaps. MVP kind of alters the hue and it made it harder for me to color my gifs. Still, if you're interested in how to use it, I recommend this tutorial.
As for KMPlayer, every tutorial out there is outdated and I couldn't figure out the new version of the software.
2. GIF WIDTH/HEIGHT, SIZE LIMIT, EZGIF OPTMIZER
At this point you should already know how big your gifs are going to be. Remember the ideal gif width(s) on tumblr are 540 px / 268 px / 177 px. These specific numbers take into account the 4 px space between the gifs. No restrictions on height. Here are some examples:
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You can play around with the height (177x400, 177x540, 268x200, 268x268, 268x350, 268x400, 540x440, 540x500, 540x540 etc) but if you go over the 10 MB limit you'll either have to make your gifs smaller/delete some frames.
OR you can go on ezgif and optimize your gif, which is usually what I do. The quality might suffer a little, but I'm not really (that) obsessed with how crispy my gifs look, or I'd download photoshop.
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Depending on the gif size, you can decrease the compression level. I've never had to go over 35. It's better to start at 5 (minimum) and then go from there until you reach your desired ( <10mb) gif size. Now that I think about it I should have included this passage at the end of the tutorial, I guess I'll just mention it again.
3. LOAD YOUR FRAMES
File -> Open... -> Pick one of your screencaps. The first one, the last one, a random one. Doesn't matter. That's your Background.
File -> Open & Place -> Select all the frames (including the one you already loaded in the previous passage) you need for your gif and load them.
(I recommend creating a specific folder for the screencaps of each gif you're going to make.)
WARNING: When you Place your screencaps make sure the Crop tool is NOT selected, especially if you've already used it and the width/height values have been entered. It will mess things up - I don't know why, could be a bug.
You can either select them all with Ctrl+A or with the method I explained in the ask: "when you want to select more than one frame or all frames at once select the first one, then scroll to the bottom and, while pressing Shift, select the last one. this way ALL your frames will be selected".
WARNING: Depending on how fast your computer is / on your RAM, this process may take a while. My old computer was old and slow af, while my new one can load even a 100 frames relatively fast, all things considered. Even so, I recommend ALWAYS saving your work before loading new frames for a new gif, because photopea might crash unexpectedly. Just save your work as often as you can, even while coloring or before exporting. Trust me, I speak from experience.
Now you can go ahead and delete the Background at the bottom, you won't need it anymore.
4. CROPPING AND RESIZING
Right now your screencaps are still smart objects. Before rasterizing and converting to frames, you need to crop your gif.
Technically you can rasterize/convert to frames and then crop, BUT if you do it in that order photopea will automatically delete the cropped pixels, even if you don't select the "Delete Cropped Pixels" Option. Might be another bug, unclear. Basically, if you crop your gif and then realize you cropped a little too much to the left or the right, you can go ahead, select the Move Tool (shortcut: V) and, after selecting ALL YOUR FRAMES, move them around on your canvas until you are satisfied. You won't be able to do this if you rasterize first and then crop, the excess pixels will be deleted. I don't know why, I found out by accident lol.
CROPPING
(Cropped pixels: the gray/opaque area outside of the selected area. That area disappears once you press enter and crop, but the pixels are retained, so you can move the frames around and reposition them as you like. In this case I could move the frames to the left and include Silver's figure [curly guy in the foreground] in the crop)
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After deleting the Background, you will need to select all your frames (using the Shift key), use the C shortcut on your keyboard to choose the Crop tool. Or you can click on it, whatever's more convenient. Once you do that, a dropdown menu is going to appear. You need to select the "FIXED SIZE" option, as shown in the following screencap.
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Once you do that, you can type in your desired width and height. Do not immediately press enter.
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Your work area should now look like this. Now you can click on one of the white squares and enlarge the selected area until the edges are lined up. You can then move it around until it covers the area you wish to gif.
WARNING: to move the big rectangle around, you're gonna have to click on a random point of the work area, PREFERABLY not to close to the rectangle itself, or you might accidentally rotate it.
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See? When your cursor is close to the selected area it turns into this rotating tool. Move it away until it reverts to your usual cursor, then you can start moving the rectangle. Press Enter when you're satisfied with the area you selected.
RESIZE
This isn't always necessary (pretty much never in my case) - and it's a passage I often forget myself - but it's mentioned in most of the tutorials I came across over the years, so I'd be remiss if I didn't include it in mine. After cropping, you'll want to resize your image.
IMAGE -> Image Size...
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This window will pop up. Now, should the values in the Width and Height space be anything other than 540 and 400 (or the values you entered yourself, whatever they might be) you need to correct that. They've always been correct in my case, but again. Had to mention it.
5. RASTERIZE & MAKE FRAMES
Now that your screencaps are cropped, you can go ahead and convert them.
LAYER -> Rasterize (if you skip this passage you won't be able to Sharpen (or use any filter) on your frames at once. You'll have to Sharpen your frames one by one.
Photopea doesn't feature a timeline and it's not a video editor, which makes this passage crucial. When you select all your smart objects and try to apply a filter, the filter will only by applied to ONE frame. Once you rasterize your smart objects and make them into frames, you can select them all and sharpen them at once. Unfortunately this also means that you won't be able to - I don't know how to explain this properly so bear with me - use all smart filters/use them in the same way a photoshop user can. For example, you can sharpen / remove noise / add noise / unsharp mask... but you can't act on those filters in the same way a photoshop user can. When you work on smart objects you can change the blend mode - which is critical if you decide to use a filter like High Pass. If you simply apply a high pass filter on photopea you won't be able to change the blend mode and your gif will look like this (following screencaps). Or rather, you will be able to change the blend mode by clicking on the little wheel next to "High pass" (circled in green in the 2nd screencap), but you'll have to apply the filter to each frame manually, one by one.
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Then you can rasterize/make into frames, but it's extremely time consuming. I did it once or twice when I first started making gifs and it got old pretty soon haha.
Layer -> Animation -> Make frames. This passage will add "_a_" at the beginning of all your frames and it's what allows you to make a (moving) gif. As I said in the ask, if you skip this passage your gif will not move.
6. SHARPENING
Some people prefer to color first and sharpen later, but I found that sharpening filters (more or less) dramatically alter the aspect of your gif and already brighten it a bit (depending on your settings) and you may end up with an excessively bright gif.
Now, sharpening settings are not necessarily set in stone. The most popular ones are 500/0.4 + 10/10, which I use sometimes. But you may also need to take into account the quality of the files you're working with + the specific tv show you're giffing. I've been using different settings for pretty much every tv show I gif, especially in the last couple months. Some examples:
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followed by
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OR
AMOUNT: 500% RADIUS 0.3px followed by AMOUNT: 20% (or 10%) RADIUS 10px
You'll just need to experiment and see what works best for your gifs.
Some gifmakers use the UNSHARP MASK filter as well (I think it's pretty popular among photopea users?) but it makes my gifs look extra grainy, makes the borders look super bright and it clashes with my coloring method(s), so I use it rarely and with very moderate settings. Something like this:
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Again, depends on the gif and on what you like. I've seen it used with great results by other gifmakers!
REDUCE NOISE
Sometimes - and this is especially the case for dark scenes - your gif may look excessively grainy, depending on how bright you want to make it. Reducing noise can help. Keep it mind, it can also make it worse and mess up the quality. BUT it also reduces the size of your gif. Obviously, the higher the settings, the more quality will suffer.
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These are my standard settings (either 2/70% or 2/80%). It's almost imperceptible, but it helps with some of the trickier scenes.
ADDING NOISE
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Adding noise (1% or 2% max) can sometimes help with quality (or make it worse, just like reduce noise) but it will make your gif so so so much bigger, and occasionally damage the frames, which means you won't be able to load your gif on tumblr, so I rarely use it.
You'll also want to create ACTIONS which will allow you to sharpen your gifs much faster.
HOW TO CREATE AN ACTION ON PHOTOPEA
The Action Button (shaped like a Play button as you can see in the following screencaps) may not be there if you're using photopea for the first time. If that's the case click on the magnifiying glass next to "Account" (in red) and type "actions". Press Enter and the button should immediately show up.
Once you do that, click on the Folder (circled in yellow)
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and rename it however you like.
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now click on New Action (circled in red). now you can press the Recording button (circled in green)
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Now
FILTERS -> Smart Sharpen
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and you can enter your values. Then you repeat this passage (WITHOUT pressing rec, WITHOUT pressing new action or anything else, you just open the smart shapen window again) and, if you want, you can sharpen your gif some more (10%, 10px, or anything you want.)
Maybe, before creating an action, experiment with the settings first and see what works best.
When you're satisfied, you can PRESS STOP (it's the rec button, which is now a square) and you can DOWNLOAD your action (downwards facing arrow, the last button next to the bin. Sorry, forgot to circle it) .
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You need to download your action and then upload it on your photopea. When you do, a window will pop up and photopea will ask you whether you wish to load the action every time you open the program. You choose "Okay" and the action will be loaded in the storage.
When you want to sharpen your gif, you select all your frames, then you click on the Play button, and select the Action, NOT the folder, or it won't work.
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Actions can also be created to more rapidly crop and convert your frames, but it doesn't always work on photopea (for me at least). The process is exactly the same, except once you start recording you 1) crop your gif as explained in step 4, 2) convert into frames. Then you stop the recording and download the action and upload it. This won't work for the Rasterize step by the way. Just the Animation -> Make Frame step.
7. COLORING
Now you can color your gif. I won't include a coloring tutorial simply because I use a different method for every tv show I gif for. You normally want to begin with a brightness or a curve layer, but sometimes I start with a Channel Mixer layer to immediately get rid of yellow/green filters (there's a tutorial for this particular tool which you will find in the list I mention in the link below)
[Plus I'm not really an authority on this matter as my method is generally... fuck around and find out. Two years of coloring and I still have no idea what I'm doing. 70% of the time.]
Simple Gif Coloring for Beginners -> very detailed + it includes a pretty handy list of tutorials at the bottom.
8. EXPORTING
Now you can export your gif. Some gifmakers export their (sharpened) gifs BEFORE coloring and then load the gifs on photopea to color them. I'm not sure it makes any difference.
FILE -> EXPORT AS -> GIF
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(not colored, just sharpened)
As you can see, unlike photoshop the exporting settings are pretty thread bare. The only option available is dither - it sometimes help with color banding - which, and I'm quoting from google for maximum clarity:
"refers to the method of simulating colors not available in the color display system of your computer. A higher dithering percentage creates the appearance of more colors and more detail in an image, but can also increase the file size."
SPEED
When you export your gif, it will play at a very decreased speed (100%). I usually set it at 180/190%, but as for every other tool, you might want to play around a little bit.
GIF SIZE/EZGIF OPTIMIZER (See Step 2)
And that's it.
P.S.: worth repeating
Save your work as often as you can, even while coloring or before exporting.
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actual-changeling · 10 months
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when gabriel/jim (jabriel?? gim?????) talks about his "one particular person", aziraphale's smile is such a blink and you will miss it moment but so incredibly precious and we don't pay enough attention to it.
so, welcome to another round of alex's unhinged meta corner where i over-analyse micro expressions while losing some more braincells.
firstly, here's a clip of that scene just so we are all on the same page since i don't know how much time everyone else spends watching that show. don't ask me it's probably at least 6 hours a day at this point
what i want to focus on is aziraphale's reaction to jabriel's words right after "person". did i slow the clip down and then go through it frame by frame to get the following screencaps? yes. yes i did.
there are two parts to this, the spaced-out smile and then his shock/fear. also before we start can i just say how fucking insane whoever made the trailer was for putting the 1941 dinner scene RIGHT THERE??? with THAT expression??????? yeah. no. i need therapy for that alone.
anyway.
while he is talking, aziraphale is looking at jabriel the entire time, but honestly, i don't think he is actually seeing him, he's neck-deep in his memories of crowley. he as that sparkle in his eyes he tends to get around crowley/looking at crowley and that smile appears rather slowly (or as slow as something can be while lasting less than a second).
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personally, i'd call that expression "completely and utterly in love" or besotted if you wanna keep it simple. a content little smile meant for no one except himself, the kinda look he probably wears in private while calling crowley to ask him to come hang out. aziraphale loves him and in this short moment, he knows it - and so do we.
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when jabriel (preferable over gim, in my opinion) trails off, aziraphale remembers that hey, wait a minute. that's my boss. that's the archangel fucking gabriel. he can't know about me and crowley.
at this point, neither we nor he know what exactly is up with jabriel, so there is a very real danger that everything aziraphale says or shows will be reported back to heaven. the shock sets in, the smile disappear and aziraphale falls from cloud 9 (pun intended) and lands face first back on earth.
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while aziraphale does not have crowley's memory of what exactly went down in heaven when they tried to burn him to a crisp, he has always been incredibly anxious around gabriel and the other archangel. he is fidgeting, unable to stand still or even keep his gaze from flicking around. the only moment he calms is, you guessed it, when he is zoned out and thinking of crowley.
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the very real fear that settles on his face is not just about himself, it is mostly about crowley. if heaven knows, hell will, too. everyone knows about the back channels, most just try and keep up plausible deniability. the fact that it is michael who seems to be directly in contact with hell for the most part and not gabriel is worthy of its own post at some point.
another thing worth mentioning is that aziraphale is so afraid, in fact, that he physically backs away from jabriel and gets as much distance between them as possible. jabriel looks like a lost toddler, very non-threatening, but the trauma runs so deep that it does not matter how much of a danger he really is right now. he has been a constant threat for over six thousand years, you cannot deconstruct your view of a person, especially your boss, that quickly. not even if they turn up with total amnesia on your doorstep. naked.
this was less unhinged than some of my other posts but i think this is a moment that gets overlooked a lot. at least i haven't seen anyone talking about it yet since we are all understandably focused on the ending of episode 6.
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mikelogan · 5 months
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gif tutorial
i was asked to make a tutorial for this set i made, so let's get right into it!
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first things first, i downloaded the music videos from youtube in 1080p using 4k video downloader. unfortunately, the quality of youtube videos always seems... not great, to put it simply. plus these music videos are from the 90s, so they've been upscaled to 1080p after the fact. all of this works against us, but i've definitely worked with videos of lesser quality than these, so at least there's that!
when i gif, i import video frames to layers rather than screencapping. this comes down to personal preference. after everything has loaded, i group all my layers together and set the frame delay to 0.05. i then cropped my gif to 540x500.
the next step in my process is sharpening. i did play around with my settings a bit given the quality of the footage and the dimensions of the gif. i compared both @hellboys low-quality video gif tutorial to my regular sharpening action and my vivid sharpening action and in this case, i preferred my normal vivid sharpening action. i used this tutorial to create the action for myself, and you can find other sharpening tutorials here. this action converts my frames to video timeline and applies sharpening.
once my gif is sharpened and i'm in timeline, i begin coloring. i wanted to simplify the amount of colors used in these gifs, again because of the video quality -- i knew it wasn't going to have the crispness i would normally like for my gifs. here are my coloring adjustment layers and their settings (not pictured: my first layer is a brightness/contrast layer set to screen) (explanation in alt text):
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all of these layers and their settings will vary depending on your footage and its coloring (and obviously, feel free to make the gradient map whatever colors you like if you aren't going for this exact look).
pretty basic coloring, especially with just slapping a gradient map on top (my beloved), but at this point, i still didn't like the quality of the gif, so i added a couple textures/overlays.
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i put the left one down first and set the blending mode to soft light and the opacity to 8%. depending on what look you're going for, you could increase or decrease the opacity or play around with different blending modes. i like using this texture with lower quality footage because even when it's sized up a bit, it adds some crispness and makes things feel more defined. for the second texture, i set it to overlay and 75% opacity. we love and respect film grain in this house.
now for the typography! sometimes i really enjoy typography and other times it's the bane of my existence for the sole reason of just how many fonts i have installed. anyway, here are the settings i used for this set:
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make sure the color of your font is white and then set the blending mode to either difference or exclusion. i can almost never see a difference between the two, but for this set, i used exclusion. below are the blending options (double click on your text layer to bring up this menu or right click and select blending options).
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now we have to add the warp effect. with your text tool still selected, click this icon at the top of your screen:
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from the dropdown menu, select twist. these were my settings, but feel free to play around with different warp options and their settings. the ones i use most often are flag, fish, and twist.
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this last step is completely optional, but it's an effect i use in most of my sets with typography. duplicate your text layer (select the layer and ctrl+j), turn off the layer effects (click the eye icon next to effects), and set the blending mode to normal. right click on the layer and select rasterize type. right click on the layer icon itself and choose select pixels.
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at this point, you should see the moving black and white dotted line showing that only your text is selected. then go to edit > stroke. here are the settings i almost exclusively use.
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this is what your text should look like now:
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using ctrl+T, move the layer off the canvas so you can't see any of the text anymore. you should be left with only your outline. click anywhere on your canvas to de-select the text we just moved. use ctrl+T again as well as your arrow keys to nudge the outline over to the left 2px and up 2px. this is personal preference as far as the positioning, but i almost never move it any other way. you can leave it like this, which i sometimes do, or you can set the blending mode to soft light like i did for a more subtle effect.
and that's it! rinse and repeat for each gif in your set or use a different warp effect on each gif to switch it up! if you have any questions about this tutorial or would like me to make one for anything else, please feel free to ask any time!
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littlesparklight · 9 months
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Okay, actually, let me do a quick, basic primer for Mycenaean fashion, if anyone would want to try this aesthetic for their Greek myth art since Mycenaean era Greece (1400-1200 is when the majority of the myths happen, and especially the Trojan war). Not claiming to be an expert at all, here, as I've mostly googled shit and screencapped images to use as ref and then read some articles, but, I figure, it might be somewhere to start!
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Here's one of the panels from the Hagia triada sarcophagus, from Crete during Mycenaean control/hegemony of the island. The women are painted white, the men dark; artistic aesthetic you see in other cultures for their visual arts of the time, like Ancient Egypt.
I think the fur(?) skirts might be religious wear, but aside from that, you have one woman and one man (specifically, the lyre player, which is probably indicative of some cultural attitudes; the lyre player in the fresco from Pylos is definitely wearing a fringed skirt of some sort, similar to what women wear) wearing a long robe/tunic, and the women are wearing some short jackets on top of that. The jackets might be Cretan or merely "early" style, because here's a fresco fragment from the Greek mainland where the woman appears to wear something similar:
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It's probable (but basically impossible to know) that the thing underneath is a long robe/tunic like the women above are wearing, short or sleeve-less.
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Another Mycenaean/mainland Greek fresco. In this one you'd have to decide if the top halves of the women's dress is a short (but not cut-away) jacket, plus wrap-around, tiered/fringed skirt, or a long robe/tunic with really deep neckline and, again, a wrap-around tiered/fringed skirt.
Now, you don't need to make things harder for yourself than you have to! Women can wear a simpler style of dress (like what the man in the first fresco panel is wearing), basically the same as the men's, probably just longer:
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It's possible these two women are wearing wrap around skirts below the edge of the chariot, but I doubt it. As you can see, their style of dress is the same as the man's above, with a plain, straight collar.
The various lines you see plunging down the sides of both the longer robes/tunics and the shorter ones are down the sides (under the arms and down) and might also/either be down the front, at least on the long dresses with elaborate bottom rim; the woman in saffron above clearly has a decorated line going down her front.
I'll put the rest of this under the cut!
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Some nice art with Mycenaean-era dress and armour for some of our Trojan war characters. (Aeneas and Hektor notably wearing Mycenaean wear even if they probably wouldn't be.)
I like this site http://www.salimbeti.com/micenei/index.htm for both art and a lot of pictures of artifacts when it comes to armour and weapons from the Mycenaean era.
The men don't just wear those tunics, though; you can get some (short) kilts or skirts;
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(In my opinion, I'd say it's basically a given the one/two dudes painted in basically black are meant to be from further south compared to the Greek dude here. Probably not sub-Saharan Africa, however. North Africa/Egyptian might be more reasonable, despite the impossibly dark skin.)
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Some examples of the clothes recreated!
This article https://www.jstor.org/stable/20627591 talks about a fresco and its possible reconstructions, and, more importantly, includes photos of some women's clothes, especially the fringed/tiered wrap-around skirts recreated, and some drawing diagrams of said skirts that might be helpful!
Hair-wise, the majority of the men have hair anywhere from around the ears down to the shoulders in mainland Greece. (The exception being, again, the Pylian lyre player.) Minoans, even mycenaean-era Minoans, might have longer hair; one of the panels on the Hagia triada fresco has a flute-player with hair down to his waist in braids (or something like that), for example.
All the women, no matter Cretan/Minoan or Mycenaean/Greek have very long hair, gathered in variously more or less elaborate hairstyles; make your best guess from looking at the frescos is my suggestion!
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scoobydoodean · 3 months
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Do you think John ever used to hit Sam and Dean? If so do you think he hit one of specifically or do you think he hit the both of them?
I don't think there's any solid evidence that John hit Sam and Dean. Some people do believe he did at least a few times (maybe when he was drinking—see: 7.03). I can't think of anything that I believe would 100% confirm John hit either of them.
I can think of three episodes that might imply Dean was occasionally physically abused by John:
1.14 "Nightmare": Dean's "All things considered". Haunting little set of screencaps.
5.16 "Dark Side of the Moon": This one is mainly down to jacting joices. When the brothers enter Sam's memory of running away to Flagstaff, Dean gets upset as Sam's lack of memory of the ramifications. Dean says "Well, you don’t remember, do you? You ran away on my watch. I looked everywhere for you. I thought you were dead. And when Dad came home…" The look Dean gives on that last line tends to stick with people.
9.07 "Bad Boys": In the scene where Dean and Sonny first meet, Dean has finger-shaped bruises all over his wrists. Sonny first asks if the deputy harmed Dean, then asks if it was John. Dean says it was a werewolf, but that story doesn't necessarily make sense either.
Another suggestive hint comes from young Sam in 7.03 "Girl Next Door":
YOUNG AMY Yeah, well, she [my mom] has a temper. Sometimes. It's... no big deal. YOUNG SAM My dad does, too. You don't want to see him when he's drinking.
Sam doesn't necessarily understand the implication of physical abuse in this scene, but he later finds out that Amy's mother is physically abusive toward Amy. We also knew that John had a drinking problem long prior to 7.03. Sam in particular resents this to the point of making several references to John's excessive drinking in 1.01 inside his apartment building. He says John's probably just "Working overtime on a Miller Time shift", then tells Jess that John's probably somewhere with "Jim, Jack, and Jose” (these are all brands of alcohol for anyone unfamiliar).
While 7.03 seems potentially damning, Sam explicitly denies that John physically abused him in 1.14 "Nightmare". When confronted with Max's extensive physical abuse, he ends the episode being thankful that they had John instead of some other dad who might not have coped as well:
Well, it coulda gone a whole other way after Mom. A little more tequila and a little less demon hunting and we woulda had Max's childhood. All things considered, we turned out ok. Thanks to him.
One might also consider how Sam responds to hearing about abusive relationships in 1.14 and 2.17 with Max and Madison respectively. He asks Max why he didn't just leave when the abuse continued into his adulthood, and suggests that he doesn't see Madison as the type to be caught up in an abusive relationship (questions that do make one wince, yeah...)
My own thinking is the following: I don't think there's anything wrong with exploring the idea that physical abuse did occur. I think John's well-documented neglect is enough child abuse for me personally. I think 1.14 probably rules out John hitting Sam (but one could argue otherwise). I think some incidents can be used to suit the narrative that John hit Dean, but I don't find any of the hints we're given are concrete proof of physical abuse.
1.14's "All things considered" line might be interpreted as a convincing suggestion that Dean suffered physical abuse, but it also might just represent Dean slowly trading places with Sam over the season as the John Defender, as he becomes more and more angry with their father (especially considering 1.14 comes after both of Dean's pleas for help went unanswered in 1.09 and 1.12, and 1.11 where he says he wishes he could stand up to John).
5.16 comes down to a look that, at the end of the day, could be interpreted a multitude of ways (and if I think about it... it seems to me that words would haunt Dean more at that point in his life than fists).
It seems to me that 9.07 might actually rule out John being responsible for Dean's injuries. John had been gone on a hunt when Dean got caught for stealing, leaving Sam and Dean behind at a motel. John had been gone long enough for Dean to risk gambling to try and get more cash. This suggests John had been gone for a while, meaning Dean and John probably hadn't been in the same room for a while. This also means I'm not sure if I buy Dean's story about a werewolf though (John was on a Rugaru hunt. Dean wasn't with him).
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chimkenlover-19 · 2 years
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Been re-obsessed with Danny Phantom, which happens at least once a year, but recently I started actually making fanart for it. I'd been posting on instagram and more recently on TikTok where I was told I should post on here lol. I am really happy with my interpretation of Danny, especially since when I’ve tried to make fanart in the past for anything I feel like I have a hard time getting things right.
So here are some of my sketchy DP screencap redraws! More to come shortly haha. If you're on TikTok. I have some shorts over there as well (not too much yet). Also, please bear with me while I learn the ins and outs of ye ol' tumbly bumbly
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rudeflower · 6 months
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JESS ANGST SCHOOL ANGST COMPLEX TRAUMA ANGST
In Keg Max! Principal Merton tells Jess he has missed 31 days of school. Now that makes him a chronic truant for sure, it means he's missed more than 10% of the school year, the standard school year is 180 days. Let's say there's 10 days left in the school year.
That's a LOT of school to miss. Young people improbably here, do not miss that much school
But relative to what we're being told about Jess, it's a weirdly low number? Jess never goes to school!!!! He's working 10000 hours at Walmart instead of going to school no school never heard of him!
That means that Jess attended school 139 days. Most schools I've worked with define that as a certain number of hours attended, more than half the day. So even if he was skipping that's 139 days he went to more than half the day NOT GOOD AT ALL BUT
Even after he was eighteen (early in the school year) he still laced up his boots and showed up somewhere he hated at saw no point in going to WHY!!????
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First of all this is actually a ridiculously overcommitted young person let's at least acknowledge that.
He works before school at Luke's, and he works in the evenings too, closing up at 11:30 in one episode. Not just filling coffee mugs anymore. By season 3 he's closing alone, keeping tabs on the delivery schedule and capable of (furiously) running the morning rush alone.
AND he's working 45 hours a week at Walmart doing physical work, AND (poorly) maintaining a romantic relationship, AND reading obsessively, AND YES GOING TO SCHOOL! Jess starts working at Walmart in November (if you treat the air date as the canon date with the show roughly does), combined with Luke's it's probably 60-65 hours a week and still went to school 139 days!
He's making ridiculous choices because he is a tiny little fool but also has a trauma soaked brain
Jess chooses to be maxed out every minute of his life because he cannot tolerate being unoccupied, like a lot of people with complex trauma (and ADHD and Autism and more all of which could apply to Jess but rn I am talking about complex trauma)
When someone is used to chaos in their environment they actually feel less safe when things are quiet and still. It leads to someone who needs to have their RAM at 100% every waking AND sleeping moment
So they work 65+ hours, go to school most days, and they
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cannot relax without extreme stimulation AKA needing the music on to sleep
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Walk while reading because walking and looking ahead isn't enough is not occupied enough need more occupied
and starts reading the second he's stops talking to someone or using his hands to do something else. Reading as default in any given second.
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He reads compulsively, no matter how chaotic the environment.
Reading ALSO isn't enough must be annotating and analyzing too passive reading is NOT ENOUGH
So Jess would rather show up at school for 139 days where other people are moving around, where there are fights to get into and classes to move to and from, even after he's an adult and Luke wouldn't find out that he isn't showing up. He'll show up to a test just to be in the classroom, not to take it.
This is not mentioning what I'm too lazy to screencap, that he's always doing something. that especially when he's talking to Luke Jess is constantly and doing things with his hands constantly.
There's really only one time we see Jess sitting still doing almost nothing
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But not really nothing because smoking really is something.
My dude needs to be as occupied as possible from the time he wakes up all the way up to and including when he falls asleep to stay occupied and all that he's got on hand is going to a school that says the pledge of allegiance in six different languages then he will go! It's 100%%% occupation or the horror of possibly relaxing and WHAT WOULD HAPPEN THEN
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theharrowing · 7 months
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White Lies 🤍 1: Do not, under any circumstances, become emotionally attached to either of these men
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Yoongi is everything you could ask for. He is attractive, confident, and smart. And his partner Taehyung is as possessive as he is beautiful. Too bad a relationship would be a major conflict of interest.
You need to have them, at all costs.
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🤍 Yoongi x Female Reader x Taehyung
🤍 word count: 2.9k + screencaps of conversations
🤍 college au, cop au, partial social media au with a lot of written story, strangers to lovers & established relationship, yandere, hurt/comfort, smut, fluff, angst, slash, poly, minor character injury & death, graphic violence, nsfw, 21+.
🤍 warnings: no real warnings. we get some pretty forward flirting out of the gate. it might seem like things are already moving very fast, but...we'll see.
🤍 note: ughhhhhhhhhhhh i was going to hold off on actually starting this fic, but the brainrot was real yesterday, and i spent hours on my couch nursing a hangover and making screencaps. i forgot how tedious this is, but i also had a lot of fun. the character Josie is a real person who i adore very much! everyone say hi to Josie!!! this chapter is exposition heavy but i hope you find it fun!
🤍 this is a sequel to Boy Blue! i highly recommend that you start at the beginning
🤍 written parts beta read by @neoneunnajimin
🤍 posted nov. 2023 | read on ao3
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Reading through the file that Detective Kim left on your desk, two interesting things pop out at you, the first being that some of the photos of the man called Vante look different than the others. You didn't notice it at first, but upon closer inspection, you realize that photos of him that seem older – ones where he has natural dark brown hair and ones where he has bright red hair – seem personal. 
Vante is smiling directly into the camera in these old photos, with an expression that you would describe as being soft – almost loving. His posture is relaxed in each photo, whether sitting at a table at a café or leaning against the side of a car. You wonder if Seokjin took these photos, and if not, how he managed to get his hands on them, because the photos of Vante with blue and blond hair are all surveillance images or those taken from social media profiles that have since been deleted. 
The second detail you notice is that in two of the shots where Vante has blue hair, there is a woman with him who shares striking similarities with you. Although you are unable to clearly see her face in the photos, her hair, build, and height all seem to resemble you, and your side profiles are similar to the extent that you wonder if you could convince someone that you are the one pictured with him. 
In one of the images containing your doppelgänger, Vante's arm is slung over her shoulder and he is speaking with Min. The three of them are in a crowded bar with what looks like colorful makeup all over their faces, and although you can only see Vante's expression clearly, it seems he is flirting with Min, or at least openly showing an attraction to him. 
This detail, paired with Seokjin's not-so-subtle suggestion that you may consider becoming closer than just friends with Min makes you wonder if the two men are an open couple. Especially considering your resemblance to the woman in the photos, you wonder if you were chosen for this mission based on credentials alone, or if your resemblance to someone from their past was partly to blame for your sudden promotion into the Special Investigations Division. 
Perhaps it should bother you that you may have advanced partly based on your looks, but this mission is so intriguing that it fills you with excitement to learn more. You wonder if the two of them got married out of love or convenience – a ploy to allow Min to get a work visa and any other benefits that could allow them to more easily escape from whatever they seem to be running from. 
Both men are absolutely stunning, and you wonder if that woman pictured ever got to enjoy both of them – together or separately. You wonder what it must have been like for her and where she might be right now. Despite Seokjin's warning not to get close to these two, the urge to know more grows.
How could these two men be so dangerous? What have they done to cause Seokjin to form a super secret, super tight task force to hunt them down? And why is he unwilling to just tail Min and confront Vante, himself?
Quickly, you fire off an email to Min, asking about his tutoring services, posing as a student named Sandra. Then you return to rereading their files and memorizing their faces. Min with his somewhat sleepy, somewhat grumpy expressions that brighten into something soft and inviting when he smiles. Vante with his rectangular smile and piercing eyes that either hide all emotion or express so much that he appears positively captivating. 
You read and reread the bullet point list describing these men in an attempt to piece together what kind of people they must present themselves as. You wonder who assisted with creating their profiles, and whether it may have been old friends or even the woman who resembles you. 
Both men are dishonest and extremely disloyal; both exhibit an unshakable poker face that even those close to them cannot read.
[Redacted][Code name Min] is soft-spoken and an interesting mix of contemplative and impulsive; does not take no for an answer. [Redacted][Code name Vante] exhibits similar traits but is much more forward and promiscuous, willing to use sex as a weapon.
Both men get what they want with little to no concern for the outcome, even if it means the death or displacement of others.
Both men only seem loyal to one another, but that may also be a façade. [Redacted][Code name Vante] may be the more volatile of the two, should one turn on the other, but it is likely that [Redacted][Code name Min] has a mean streak that few have witnessed firsthand.
[Redacted][Code name Vante] is cold and calculating; always ten steps ahead.
[Redacted][Code name Vante]'s family is well-connected and seem willing to cover up anything he does.
Is it likely that [Redacted][Code name Vante] is the mastermind of all of their schemes and that [Redacted][Code name Min] tags along for one reason or another.
It is possible that [Redacted][Code name Min] has insecurities that [Redacted][Code name Vante] easily controls and manipulates.
Your phone lights up with a notification, pulling you from the paperwork and surprising you with how quickly Min has gotten back to you about tutoring services. And as you open the notification, you realize your seemingly easy mission might just be a little more complicated than you hoped. 
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Undeterred, you begin to improvise. If Vante uses sex as a weapon, perhaps you can create several Tinder and Hinge accounts and attempt to find him online. One benefit to going undercover is having access to a seemingly endless supply of burner phones. 
You have absolutely no doubt that someone like Vante is using hookup apps if his profile depicts him accurately. If he and Min are married for love over convenience, there is a strong chance that he is still willing to be unfaithful. Or, perhaps the two of them are not monogamous, and finding one of them on a hookup app will likely be due to one or both of them looking for a good time. 
The prospect of getting to know them this way is risky since they are both gorgeous and apparently too cunning to resist, but it may be faster than waiting a month or more for Min's private lessons to open.
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Swiping on dating apps is tedious work, and you almost feel guilty for spending your precious hours this way. Despite it being the weekend, you are paid for your time, and right now your time is spent scouring dating profiles looking for one man. 
You swipe with one hand and brush your teeth with the other, eyes barely open and still heavy with sleep. You swipe as soon as you step on line for your favorite macchiato at your favorite little café two blocks from your Chelsea apartment, and you swipe as you sit in your favorite window seat, sipping on the perfectly bittersweet warm drink while the morning sun warms your cheeks. 
As you reread the file on Min and Vante over lunch, you take breaks to swipe, and you even find yourself genuinely reading through some Tinder profiles before snapping out of it and ridding yourself of distraction. Sure, you may be single and somewhat curious to mingle, but something tells you that you are going to have your hands absolutely full once you manage to get ahold of one of these men, so adding another person to the equation feels too messy.
Later on, when your best friend Josie convinces you to leave the house because it is Saturday and you need to, as she says, "Unwind and find some cuties to dick you down," you swipe in the cab ride over and resist the urge to swipe while waiting on line for drinks at the bar.
Part of you wonders whether you could run into Min at a place like this. Bright neon lights filling the space with college students scantily clad and alcohol buzzing through them, turning them into horny little monsters. If he is professional – or upholding a façade of professionalism for the sake of his current persona – then it is likely he would not be caught dead in a place like this. You are somewhat certain that Vante likely scours these types of clubs, but alas, he is in Milan.
Some of the photos of Min from their file show him on stage with a band, playing keyboard with a guitar slung over his shoulder, with a face full of glitter and makeup. The vibe of that bar differs from this one, but the rambunctious energy is more similar to what you observe in recent surveillance footage photos. You wonder if any part of that man bleeds through now, or if he only indulges in classically accepted forms of music as a tutor. 
Min must be good with his hands – a thought that spirals the more your mind is allowed to wander back to the photos of him playing two very different instruments at once. You need to stop thinking about the beautiful, dangerous men – monsters, as Seokjin put it – and focus on being out with your best friend. 
Josie is a bubbly ray of sunlight with a matching warm smile. Purple braids cascade over her shoulders and down her back, she wears a cute little black dress that barely contains her curves, and she stomps and dances excitedly in knee-high black leather boots. Her round cheeks and button nose make Josie the cutest person in all of Manhattan, and pretty shimmery pink and purple makeup stands out against her tan skin, making her dark brown eyes shine.
You are outfitted similarly with a tight black tee tucked into a black denim skirt, cleavage on full display. You wear black combat boots with warm, fuzzy black socks, and enough makeup to make your eyes pop, including a light dusting of pink and purple courtesy of Josie. 
"I'm getting fucked!" Josie shouts over the reggaetón track, bouncing her hips to the beat while the two of you lean against the wooden bar top. Her voice is rich and somewhat nasally as she shouts, with a quick lilt to her accent. 
"Fucked up?" you shout back, unsure whether you misheard your friend, delighted when her smile widens and she says, "Yeah, that too!" 
Being that this is a college bar that happens to throw somewhat over the top ladies night events, you flash your student ID as well as the fake ID that identifies you as a woman named Sandra as soon as the bartender comes by. 
You need not do so, however, because the bartender, whose name is Daniel in some circles and Changkyun in others, recognizes you, giving you a slow, hungry once-over with his eyes that makes your heart pound. Then he flashes a pointed smile and leans against the bar top so that he can easily be heard when his soft, deep voice asks, "Ladies, to what do I owe the pleasure?"
Before you can open your mouth, Josie leans over the bar and shouts, "Two Long Islands!"
As soon as Daniel nods and turns away to get started on your drinks, Josie hip-checks you, causing you to stumble and turn to her with a wide, curious expression. You know what she is going to say before she even says it – "You need to hook up with him!" – and you are already shaking your head before the words come out. 
"He's just doing his job," you argue, because this is not the first time Josie has pointed out the way he looks at you, or how he seems more attentive to you than to literally any other patron. Yes, you are in denial, but now is not the time to get tangled up with the sexy bartender.
"You're full of shit!" Josie manages to shout before Daniel is back.
He sets your drinks down, nodding politely to Josie before fixing you with an intent gaze and giving a shy little smile. "This round is on the house," he says so softly that you don't really hear it, only knowing the words because you have memorized the shape of his lips when he says them.
Daniel has a bit of a baby face, with wide, dark almond eyes and pretty, soft lips. His nose and cheekbones are all hard angles, however, and his short dark hair, which is parted down the middle, falls around his eyes and down to the apples of his cheeks, only accentuating his features more. Much like your targets, he has dual citizenship between the US and Korea, hence having two names that he goes by – something some but not all dual citizens might do.
"Thanks, Danny," you say with a wink, making Daniel's eyes widen before he stands up straight. 
"My pleasure, ladies," he responds, looking to Josie and then back at you. The moment he is out of earshot, Josie groans. 
"Why don't you make a move on him?" you ask before she has a chance to hound you more. You lift your drink and take the thin black straw between your teeth, chewing lightly on it as you walk away from the bar, through the growing crowd, toward the dancefloor. 
"Don't be stupid!" Josie finally responds when you find a place on the outer edge of the dancing mass of bodies. "He looks at you like he wants to eat you. Just let him!"
You roll your eyes and shake your head, chuckling. Around you, college students dance and shout, clearly far too drunk already for how early it is. As you take your first sip of your drink, it rocks through you; even the smallest taste of the Long Island iced tea is strong as hell, making you wince despite its sweetness. 
"I don't miss being that young and irresponsible," Josie says, leaning over a tall round table that you have found to perch your elbows against, gazing out at the mass of students.
Josie works in the Forensic Investigation Division. Whenever a crime scene is processed and evidence is gathered, she is the one testing it to match it to information in the various systems in search for DNA, blood type, fingerprints, fibers, and so on. Her work is used in court to solve and defend cases. "It is absolutely bonkers being back in college," you respond, withholding the detail that you are not really a student because Josie is aware of the very basics of your assignment. "Their problems seem so silly compared to the shit we see at work."
Josie nods listlessly as she scans the throng of dancing bodies, more or less distracted from the conversation. And as you follow her gaze, you see who she has zeroed in on. 
There is a man on the dancefloor surrounded by a group of friends, and he looks a lot like your superior Seokjin. He is not your superior, of course, but the resemblance is certainly enough to catch your friend's attention, as her crush on your boss is nothing short of sickening. 
"Shit," you shout over the raucous music, leaning toward Josie. "I forgot to feed the anaconda before I left."
Josie nods her head in slow, lackadaisical movements, and you shake your head; even complete nonsense won't get her attention when she is this focused, but you continue for fun, anyway.
"There goes all the neighborhood pets! His appetite is insatiable."
A pause follows before Josie, who turns her face toward you but keeps her eyes on the Seokjin lookalike, mutters, "Totally," drawing the word out nice and slow.
Ordinarily, you would lay into your friend a little harder, making your story a little more fantastical, but you take the opportunity to pull out your phone and continue on your mission. Vante is not going to swipe on himself, and now that you have paid for Tinder gold and can see everyone who has swiped right on you, you are certain that your search is only going to get easier.  
* * *
It takes around thirty-two hours of frequent swiping with three burner phones all showcasing similar profiles with a similar name to find a man who looks like Vante. And, as Seokjin predicted, he goes by the name V.
It takes four more hours for him to message you. The entire time your hand itches toward your phone, eager to make the first move, but you want to see the way he operates, and you want him to think he has full control.
Just as Seokjin predicted, he is 4,000 miles away – which tracks because he is in Milan until the end of the week – and he is using photos that only show part of his face. Luckily, his mouth is distinguishable.
For your part, on one of the profiles you created, you chose photos that you think resemble the girl in the photos in Vante and Min's case file, also only showing parts of your face. And you are not at all surprised when that particular profile is the one he seems drawn to. It makes you wonder if he saw any of the other profiles that you created or not. 
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You stare at the screen uncertain whether your flirting is all just part of the plan or if you really would like to find out just how well Vante lives up to his promises of not squandering an opportunity for pleasure. He is extremely forward and, to your surprise, it gives you butterflies. 
Ordinarily, men speaking this way moments after you first meet would be a red flag, but for some reason, the assignment of getting close to Vante adds to the intrigue – daresay it excites you a little. 
All of this feels dangerous. But you have never been one to turn down the chance to play with fire.
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i fake my life like i've lived too much i take whatever you're giving - not enough overground, watch this space i'm open to falling from grace
🎵 visit the playlist!
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note: i added this to the master list, but in case it has been missed i just want to add the disclaimer that all detective work and cop jargon in this fic is either made up on the spot or comes from years of watching/listening to true crime media. i have no credentials in this field and i do not claim to know what i am talking about!!! alsoooo lol if your name is Sandra, no it's not. (jkjk hello Sandra! i hope you're having a lovely day!!!)
also!!! some folks seemed confused by Seokjin, so just to clear his involvement up: yes, he was thought to be dead in Boy Blue.
i am thinking about doing little "drabble" chapters where you get to see conversations only between taegi that mc will not be aware of. we'll see how i end up doing it. (is this something you're into or would you prefer 100% of mc's pov like in Boy Blue?)
💙 me sprinkling in the Boy Blue callbacks:
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White Lies is copyright 2023 theharrowing, all rights reserved. No translations or reposts allowed!
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fallloverfic · 2 months
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Me: I read/watch Delicious in Dungeon for The Plot The Plot (spoilers for S01E16: Cleaners/Dried with Sweet Sake and the manga, Chapter 31: Sea Serpent, Part 1):
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Never escaping from the crotch indeed lakjdladj
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I also really love this fond look Marcille has for Laios and his excitement/him appreciating her genius/making use of the dungeon/whatever. It's really sweet. Chilchuck is tired and doesn't like being nearly drowned in a wall by a handsy elf.
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Laios is so adorable when he's happy like this. Poor Senshi lol
Finally we get the first true Labru episode, my beloved.
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Just shocked to see this mess of an adventurer. Kabru thoughts: Oh no he's hot. (yes I know he's not the one talking here, it just looks funny)
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Kabru is so good-looking this episode, I took so many screencaps of him. He just looks so amazing in the anime. I love it.
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Putting on smooth talker mode. Love him. Gotta flirt with the blonde tall-man for intel. I blame this whole arc for making me think Kabru is short; he's not short, Laios is just taller lol (Laios is 6'1"/185 cm tall, Kabru is 5'7"/170 cm tall). Or at least Kabru is still fitting the tall-man name and a lot taller than most other races, like the elves, just not as much as Laios is. (And for the curious: Toshiro is 5'11"/180 cm tall, so even he's shorter than Laios). I think between Toshiro, Laios, and Inutade (a 6'5"/195 cm ogre), I just had a weird impression of Kabru's height. (All heights from Delicious in Dungeon World Guide: The Adventurer's Bible)
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Kabru being dangerous and also cute still. I just... I have too many screencaps of him alkdjalj Beautiful man.
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Toshiro is a saint for tolerating this man. But they are cute together.
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Kabru and Laios kill me T-T I wanted to fic for them ever since Kabru first showed up in the manga cause he was really cute and I wanted more of him and he seemed fucky enough that he would be fun to fic for, especially with the sort of enemies to lovers vibes of his party chasing Laios' party for revenge.
And then there's this chapter cover lol (this is actually two episodes ago story-wise, but it feels more relevant here):
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And I was screaming in joy XD Particularly after we got to Kabru's obsession/curiosity about Laios in particular. I was putting off ficcing for them in case they actually met and yup, they did lol I still have a lot of ideas for fics for them. Maybe someday.
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This man is having the time of his life with this nonsense and I love it roflmao He was like "they're either evil masterminds or stupid" and it's kind of the latter and mostly just "they're weird and it's funny" lol
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I know he's faking so hard but it's still cute lol (Especially cause Laios offered to treat him to a meal, like hello, Labru date????) One thing I love about them as a pairing is their weirdness interacts in fun ways and it is hilarious.
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This man is here for this absolute train wreck and I could not be happier for him. And them. Look at that little blush. Bless him.
Truly a phenomenal episode. It's also interesting seeing how... disrespectful, shall we say, to be polite, just about every character is to each other. You've got Chilchuck insulting Marcille for getting incapacitated, Marcille shoving Chilchuck into a wall to nearly drown without explanation, Toshiro's retainers - particularly Maizuru - being patronizing to all the non-tall-men (and any outsiders, really, considering at least what Maizuru thinks of Falin), Laios being... disrespectful to Toshiro with his name, and Kabru lying his ass off to get the deets on what the heck is going on and essentially being the human embodiment of -grabs popcorn-. It's a lot of really interesting character, social, and political dynamics. Everyone's a mess and I love it. I'm late cause of various nonsense with me misreading something and thinking they skipped a week and being busy but ahhhh such delicious food to catch up on. So good.
Other delicious Plot:
The Plot in Episode 3
The Plot in Episode 7
The Plot in Episode 9
The Plot in Episode 11
The Plot in Episode 13
The Plot in Episode 14
The Plot in Episode 15
The Plot in Episode 16 (you are here)
The Plot in Episode 17
The Plot in Episode 18
The Plot in Episode 20
The Plot in Episode 21
The Plot in Episode 24
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