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#atla/sc au
praetorqueenreyna · 2 years
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So rude that you cut off the Maiko kiss scene before Mai's reaction!!!!! Jk tysm I love them <3
well LUCKY FOR YOU I HAVE MORE
When he pulled away from her, he could really take in her shock and horror at him making his move.
“Oh my god, I’m so sorry,” Zuko stuttered, shame coiling low in his belly. “I thought...I was...and you were....anyway, I’m gonna go.” He moved to stand, intending to disappear into the wilderness, possibly forever. He was effectively immobilized by Mai climbing into his lap, cradling his face between her hands, and very enthusiastically kissing him back.
When Zuko’s brain stopped short-circuiting, he returned the kiss, unable to fully believe that he hadn’t just ruined everything. One of his hands went to the back of her neck, pulling her down into him. Her mouth opened, and he could taste the sweet wine she had been drinking. Her thumb brushed against the edge of his scar and he flinched. She paused, then snatched her hand away from his face.
“Oh, sorry,” she breathed. “Does it hurt?”
Zuko didn’t know how to say that nobody he was with ever touched his face. They skirted their hands around the scar, as though touching it would spread something dirty to them. He hadn’t realized how much he had missed that simple act of intimacy until Mai had carelessly, eagerly given it to him.
“No,” he said, and he took her hand in his and pressed it against his burned cheek. “It doesn’t hurt.” She smiled, and Zuko knew that he was smiling back. He also knew that he was a big dumb idiot that was going to get his heart broken because he was already halfway to being in love with her.
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toontrocities · 2 years
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jim tag drop !
★  ❛  m.  don’t think; become  ( jim. ), ★  ❛  hc.  destiny is a gift  ( jim. ), ★  ❛  ch.  young atlas; little gynt  ( jim. ), ★  ❛  sc.  a trollhunter must answer the call  ( jim. ), ★  ❛  ic.  daylight is mine to command  ( jim. ), ★  ❛  v. 001  fear is but a precursor to valor  ( jim. ), ★  ❛  v. 002  for the doom of gunmar  ( jim. ), ★  ❛  v au. 003  eternal night; eternal knight  ( jim. ), ★  ❛  v au. 004  sword of daylight in the kingdom of the sun  ( jim. )
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umbraastaff · 1 year
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stuff about the taz atla au:
Taako and Lup are the last surviving air nomads (and by extension, elves). Lup is the Avatar. I established Taako as an airbender but I think it could go either way; if he's a nonbender, he's still got the high-dex rogue-y vibes of an airbender for any fighting.
Barry is a waterbender from the Southern Water Tribe, and the one who finds the twins. He's extremely unnaturally gifted at bloodbending, but shit at most other waterbending until they find a master. (He can bloodbend when it's not the full moon, but usually only to shift someone's balance, shove a limb, etc. Can be very handy when used right, though!)
Lup's hardest element is water. She has the instinct to directly blast stuff, which pushes against the give-and-take nature of waterbending. Once she gets it she likes making huge, scary, ocean-like waves. She's progressively faster at learning earthbending and, of course, firebending comes easiest & becomes a favorite.
Lucretia is also water tribe, probably in the North, though I would love for her to be friends with Barry somehow. She may not be a bender, but she's for sure attuned to spirits, especially the moon. Possibly the whole North Pole spirit imbalance is because of some well-intentioned thing she does while they're trying to repel the fire nation.
Prince Kravitz is trying to capture the Avatar but the Avatar's brother keeps flirting with him and it's very confusing. I don't know if I want to make the Raven Queen be the Firelord but if she's anyone she might be Ursa.
Kravitz is accompanied by Davenport (tell me captain "haven't we earned a little wrath" davenport isn't a firebender), a family member or close advisor who has been secretly a traitor/spy for like a decade. He's mostly coming along to keep his own eye on the Avatar and make sure she doesn't get captured or killed. White Lotus member.
Merle is a swamp waterbender with plantbending and, to everyone's shock in a dire moment, healing powers. He was a good friend of Lup's 100 years ago. Also White Lotus.
Magnus is an earthbender, Julia is a Kyoshi warrior. "Why isn't Magnus the token nonbender" well you see this whole thing is an elaborate AU of that one stretch of SC where Taako learned fighting and Magnus learned wizarding (joke)
Magnus is desperate to interact with spirits but is not attuned to them at all. He's excited to meet Lup because she is obviously the bridge to him getting to pet spirit dogs. Might have a pet dog or bear fusion variant.
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becomestormaa · 5 years
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i still have post volume seven starters to write but here is a starter call for literally any other point in the timeline, or i might hit you up in a random au of yours if i can see the information available on your blog. this is directed at people i haven’t interacted with much before.
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didyoutrydynamite · 3 years
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can we hear more about JNRZ Patrols please
JNRZ Patrols is gonna be a a bit of a plot device in JNRZ AU, that's mostly just gonna give me a chance to write fun little one offs and a way to give team JNRZ more of their own agency as Huntsman in Training.
The set up for JNRZ Patrols is that the main characters realize that there's seems to be a discrepancy in variety of missions handed out between Huntsmen in Training and Specialist Cadets. While the SC get escort missions, liaisons with local law enforcements, participate weapons experiments etc. etc. The only real missions the HiT get are "Go outside and kill some stuff while keeping a tally." This leads to Jaune asking his team "Why don't we just go and ask people if they need help with anything?"
So then JNRZ Patrols is born, and it creates a whole bunch of fun opportunities for side stories and quick adventures that lets me explore the civilian side of Atlas.
Like what if some of the local kids requested Team JNRZ to go investigate that mysterious old house on the hill to prove that it isn't haunted.
Or a local Huntsman is looking for new sparring partners to keep his skills fresh, but it turns out the guy is ninety years old and way past prime, and his grandkids encourage JNRZ to take the L.
Or maybe a local high schooler told his bully that he was bringing a Huntress to prom and would be a laughing stock if he showed up stag.
Fun cute slice of life stuff like that that doesn't have to involve big villainous conspiracies. When it's actually introduced into the story, I plan on making JNRZ Patrols it's own collection of shorts on Fanfiction.net
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highladydawn · 3 years
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☀️🌷 🌻Masterlist 🦋🍃🌙
Completed:
Turn Your Ghosts Into Mine [9/9, Practical Magic AU, all canon pairings)
In Progress:
Elucien
Icarus in Armor, (ao3 | tumblr)  [7/?, High Lady Elain in the SC]
Feysand
No Shortage of Sordid (ao3 | tumblr) [2/3, Hades/Persephone AU]
Oneshots & Drabbles:
Elucien
I will weave the body flowers of spring for you, (ao3 | tumblr) [Fairy tale & Fake Dating]
Reason Comes on the Common Tongue, (ao3 | tumblr) [Elain feels the bond first]
For to Fight the Cold (ao3 | tumblr)  [The IC throws Lucien a birthday party and Elain gets him a damn good present]
Faerie Hunter Lucien and Spooky Fae Elain (oneshot)
Feyre tells Elain about the mating bond (oneshot)
Neighbor AU (drabble)
Target workers during a robbery AU (100 words)
Bakery AU (100 words)
Fluffy Elucien reuniting (100 words)
Nessian
Pumpkin patch Nessian (oneshot)
Haunted House Worker Nesta and Scaredy Cat Cassian (oneshot)
Feysand
Pregnancy fluff (drabble)
Gwynriel
Librarian and Tattoo Artist AU (oneshot)
Gwynriel 100 words drabble
Other
Eris and Arina’s Mating Bond {Drabble}
Headcanons:
Downton Abbey AU —  one , two
NSFW headcanons — one, two, three, four, five
What if Elain were with Lucien and Feyre in ACOWAR?
Elucien traveling the world together
Meta
Lucien’s behavior in ACOMAF
ACOTAR Characters as the ATLA Crew
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transandor · 3 years
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📓
the atla au 😭 its at the forefront of my mind bc i was drawing my dnd character and was using scs and gifs from korra for reference . and now im thinking about sonja and jordan early on and how jordan is so resistant to teaching her
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queennerd81793 · 3 years
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The Future of the LIS franchise
Now I know its way too early to think of the fourth (technically 3rd because TC was never stated to be LIS 3) installment of LIS but I just wanted to share where I would like the series to go. (I did make a similar post about this before, but that was ages ago so I’ll just make a new one!)
1. Elemental powers PLEASE. I’ve said this before and I’ll say it again, having a protagonist(s) that can control the four elements would make for a KILLER game. If done right, and considering how many people love ATLA/LOK, I think the game would do incredibly well! I also think its time to move away from powers of the mind to more physical powers (although I know mindfulness definitely plays a part in controlling the elements!)
2. There was a rumor over on Reddit about a story set in Vancouver involving skinwalkers. Yes. YES. All of my yesses. DO IT. PLEASE. Native American characters FTW. Have the villain be a Wendigo.
3. Max and Chloe. While I personally would be OK with not seeing them again (that doesn’t mean I don’t miss my girls!) I know how much they mean to other fans (although a lot are very entitled...) so just put them out of their misery and make another game with them in it. But this time, have Chloe be the one that has to save Max.
4. Father/daughter duo. I’m BEGGING you. For the love of GOD stop making all of the alive father figures/guy characters douchebags! It’s getting old! Give us more bitchy girl characters PLEASE! Equality people! (I realize that there are good male characters in LIS, but not a lot compared to how many are jerks! I just want to see a loving and very much alive father...)
5. A canon divergent/AU  story involving Chloe that takes place after BTS but before LIS. I’ve always been interested in the idea of seeing Chloe find a way out of Arcadia without Max’s help. I don’t how or who would be involved but I would definitely like to see it.
6. An AU where its Max and Rachel looking for Chloe.
7. Remember the postcard from California that Rachel sends to Chloe? Let’s see a story where Chloe actually went with her on that vacation!
8. Story that takes place after SC and how Max manages without Chloe. Meeting another girl with blue hair is a must!
9. I still think a story where the protag has the power to talk to animals would be cool. The gift of gab!
10. Thwarting another natural disaster PLEASE! Either that or someone’s death! I LOVE race against the clock stories! Basically take the first game but turn it up a notch!
11. Neil Newbon. We need to get him into an LIS game. I would lose my collective shit.
12. Solipsism. The concept/theory that you are only real thing that exists and everything else is just a figment of your imagination. Exploring this in a game would be terrifying.
13. The Stone Tape Theory. Solving a mystery based on traumatic events/memories recorded on certain objects. It would definitely make for an interesting story.
14. Last but certainly not least (also inspired by a Reddit post that I agree with wholeheartedly) a full-blown horror story set in the LIS universe! Now I’m not talking about just your run-of-the mill serial killer I’m talking like monsters and shit! Take the supernatural that’s already a part of this universe and use it to scare the shit out of us.
Alright this post is really fun to write but I need to go eat! Maybe I’ll update later!
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justice53robert · 3 years
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praetorqueenreyna · 2 years
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Schitt's Creek anon! No worries at all, I have really enjoyed the parts of the series we were able to get :) If you have any snippets of future Maiko moments from that AU would love to read them!!
Thank you so much!! I'm glad you enjoyed the series, I had so much fun writing it! bc I am a slut for Maiko, I have written out the scene where they finally kiss for the first time!
Zuko had no idea what was making him so brave, but he was willing to let it carry him to the bitter end. He set his drink down on the table. 
“Mai.”
“Mhmm?” She didn’t look away from the TV, where Paul Hollywood was telling a poor baker that she had overworked her bread dough.
“Mai.”
No response this time, and now the metal straw sticking out of her wine glass was between her lips.
“Mai.”
“Zuko, for the love of God, I’m right here, what—” She finally turned towards him and, before he lost his nerve, he surged forward to kiss her. He allowed himself to savor her warmth against him, his eyes fluttering shut.
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solraneth-archive · 4 years
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Tagged by @zutaralesbian thank you!! rules: pick 5 shows, then answer the following questions. don’t cheat. tag 10 (or however many) people.
1.Black Sails 2.Avatar: The Last Airbender 3. Schitt’s Creek 4.Sex Education 5. Fleabag
what’s your favourite character from 1?  Well I recently did that quiz which determines who’s really your fave from Black Sails and according to that it’s Miranda. I’m gonna say James and Miranda though because picking one is impossible, sorry
who’s your least favourite character in 2?  That’s easy, Ozai. With Zhao a close second
what’s your favourite episode of 4? I don’t know, I binged Sex Education almost as soon as it came out so all episodes are blurred together for me lmao. Probably 2x08
what is your favourite season of 5? The second season. I’ve read that PWB wanted to end Fleabag after S1 and I’m so glad she didn’t because S2 is much better in my opinion. Also I would’ve hated it to end without Claire leaving her husband
what’s your favourite couple of 3? David and Patrick for sure. I really don’t know what else to say except that I love them
what’s your favourite couple in 2? Sokka and Suki
what’s your favourite episode in 1? I know that as a fandom we collectively love to yell about 2x05 but I also really love 3x10 and 4x10 so it’s between these three. 
what’s your favourite episode in 5? I.. don’t know skdjsfd probably 2x05 or 2x01
what’s your favourite season in 2? Probably S3 even though I’m not a fan of the first few episodes
how long have you been watching 1? I first watched BS in September 2018 and rewatched three times after that
how did you get into 3? I’ve seen people post about Schitt’s Creek on tumblr and one day I just decided to give it a go
favourite actor in 4?. Gillian Anderson my love!!! The entire cast is great though
which do you prefer? 1, 2 or 5? Since Black Sails is my favourite show of all time, it’s 1
which show have you seen more of, 1 or 3? I’ve watched Black Sails three times and Schitt’s Creek only once so 1
if you could be anyone from 4, who would you be? Nobody from Sex Ed because I don’t want to have teenage problems again, I’ve had my fill, thank you
would a crossover of 3 and 4 work? Maybe?? If Sex Ed took place in Schitt’s Creek the town or if it was a high school AU and SC characters went to whatever school Sex Ed characters go to? idk
pair two characters in 1 who would make an unlikely but strangely okay couple? Get Miranda a girlfriend!! Miranda/Idelle and Miranda/Eleanor are my favourite rare ships
overall, which show has the better storyline, 3 or 5? between Schitt’s Creek and Fleabag I’m gonna go with Fleabag
which has better theme music, 2 or 4? 2!!! I love ATLA soundtrack
Not tagging anyone because I think everyone’s done this already but hey if you want to, consider yourself tagged!
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youcantkillamutant · 6 years
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A Map Made in Heaven (Epilogue)
Prologue…Chapter 1…Chapter 2…Chapter 3…Chapter 4…Chapter 5...Chapter 6
Author: youcantkillamutant
Fandom: Marvel (Black Panther)
Pairing: Erik Stevens/Killmonger x Black!OC
Summary: Erik ‘Killmonger’ Stevens is the biggest bootlegger in South Carolina, but he wants to be more than the middle man. After he receives a letter from an ‘old friend’ of his father, he embarks on a quest to find his homeland. Enter Audrey Cade, the finest mapmaker in the County.
Warnings: None!  😊😊😊Okay maybe a lil angst but other than that....
Words: 1K+
A/N: So...This happened! This is the last bit of my 1920’s AU! Thank you to everyone for reading liking and reblogging and recommending (!?!??!) this story. I love that y’all read and review. That stuff always makes my day! 😘😘😘
I only own my original characters of course. As usual Marvel don’t sue me I’m broke.
Listening to: Bitter End by the Dixie Chicks, Shine by Leon Bridges, and Redemption Song by Bob Marley
EPILOGUE
July 10, 1922: Charleston, SC
Two years, four days, and…5 hours, since Audrey Cade left Erik in Wakanda. She never heard from him again, and after that first year she stopped waiting. Well as much as she could. That first year was…a bit of a frenzy. She convinced the US government to commission her to remap that Francis Marion National Forest in Awendaw, and she spent half a year searching for that tree.
Audrey mapped over 200,000 acres of vast expansive green searching for a baobab that shouldn’t have been there. It took her six long months to find it within the maze of slender trunked trees, and when she did Audrey lost her breath. Where there was once a strong wide tree, stood only a stump. It was withered and wilted, rotting from the inside and curled in on itself.
Audrey had held out hope for a while that Erik didn’t do it, that he didn’t destroy Wakanda. But she hadn’t heard from him, or Shuri, or even Ti for that matter and seeing the entrance to Wakanda shriveled and dying… She cried for hours that day, gut wrenching sobs pulled from her aching heart. Audrey felt as though an entire part of her had been scooped out and left bare and raw.
To be fair, Junie let Audrey wallow for a while. Too long if you asked Junie, but she could hardly get Audrey to talk about it. In all honesty Junie had never been one for feelings, her husband took over when the kids were crying but this is Audrey. Her little sister, her partner in crime, the smartest person she’d ever met.
Junie will never forget what Audrey said at Oakies, that first night back.
“I found it Junie. I found home.”
Audrey did her best to tell Junie all she could stomach.
“Erik is—was a prince. Lost royalty.”
Junie lost it of course, couldn’t understand why Audrey left Erik in the first place. Audrey tried to explain, she really did, but it seemed that the difficulty of the situation was between her and Erik.
“They hurt him and I couldn’t—he wouldn’t listen Junie. I’m afraid I’ve—”
All Junie could do in the end was hold her friend. She took her home and fed her sweets, and when that didn’t work she forced her back on a schedule. The shop reopened two months after Audrey returned, and she would go running with Junie every morning before the shop doors creaked open to the public.
Mrs. Floyd from the County Clerk’s office was the first to click her heels through the door, on the third day she opened. A few of her grandchildren tumbling in alongside her. Audrey softened at the babbling children, setting them up with paper and crayons at a smaller desk she reserved for these occasions.
“You let Mr. Stevens know I am keeping his place nice and clean sweetheart. And when you get a chance, come on down to the library and read to the kids, they’ve been missing you while you were away.” Audrey jolted at the mention of Erik. Junie hadn’t said his name since she had spilled everything, and to hear about him when he wasn’t there…hurt.
“Oh—okay Mrs. Floyd.” A deep inhale. “Is there anything I can get for you now?” Mrs. Floyd went on to describe the commission she needed and Audrey did her best to focus. That’s how it’s been since she reopened.  
Audrey used some of the money she had gotten from Shuri to make some upgrades to the shop as well. She’d found the best mechanic around to rig her a lightbox like the one in Wakanda, and a carpenter to get her the smoothest table money could buy. It still didn’t compare to vibranium, but her commissions shot through the roof after.
She had three sketchbooks full of Wakanda and Jabariland. The ornate palace halls, shining solar paneled automobiles, and the vast fields of Wakanda colored the pages. When she flicked through them now…It all seemed like a dream. She still reads the letter she got from Ti all those years ago. Ran her fingers over the splotchy ink of the map and uneven pulp of the paper.
Some days, bad days, she thought about what life would have been like if she had stayed. We he have burned her with all of Wakanda. Would he have reconsidered? Would she have ever returned home if he did? Erik was so set on his ambitions, Audrey was never truly sure if he had enough time for her. Sometimes she wasn’t sure she would have time for him. After she found Wakanda, her thoughts opened up to finding other lost lands. Discovering worlds people hadn’t seen in centuries somehow seemed possible after finding Wakanda.
The door to Cade’s Atlas swung open interrupting her musings, and all Audrey heard were the pitter patter of little feet.
“Bincinke!”
“Ti?” Audrey could barely speak. Before her was a girl, skinny and sprouting and covered in furs from the mountains, hopping from foot to foot.
“You remember! I knew you would! Baba wasn’t sure but I knew it!” Audrey’s heart was full to bursting when Ti released a triumphant smile. Babbling on and on.
“Uncle said I could run ahead if I bring you this!” She waved a wooden box around, nearly dropping it before she set it down and leapt into Audrey’s arms.
“I missed you bincinke.” Audrey squeezed Ti tight. Please don’t let this be a dream.
“I missed you too princess.” Another squeeze and Ti jumped out of her arms, shoving the box into Audrey’s shaking hands.
Ti gestured for Audrey to open it, so she did. It took her a moment to find the silk pull tab on the sleek box and the tab pulled the lid off slowly. The inside of the box was laced with soft, shining fabric. Silver, like vibranium. Inside was a beer bottle. Long necked and clear, filled with glittering blue liquid, the label read: Wakandan Brews, Est. 1921. There were a few Wakandan words at the bottom, Audrey only catching the words ‘home’ and ‘family’ before it fell from her hands back into the box.
She was so busy staring at the bold lettering that she barely heard the door clink open. Soft boots squeaked on the wooden floorboards, and long denim pants covered the man up to his waist. A soft cotton shirt hugged his shoulders and Audrey stopped breathing when she got to his handsome, brown face.
“Hey babydoll.”
“E—Erik?” Audrey’s breath left her in a rush. Wakanda lives.
—o—
Translations
Bincinke: Explorer (Hausa)
A/N: So here we are! The finale! This is the scene I imagined at the end, no crazy touching reunion, just Audrey seeing that Erik is alive. That’s all I wanted, I nice soft ending 😊
I know I say this in every chapter, but I want to thank everyone for reading this little AU. This is my first fic ever, and going into it I wasn’t confident that anyone would even read it let alone like it. I am forever grateful that I started writing fic for this wonderful fandom. I know that there are sometimes petty squabbles and shit, but everyone of y’all is amazing and I’m so happy to write amongst my amazing peers 😘😘😘
Taglist: @muse-of-mbaku​ @k-michaelis​ @princessstevens​ @nemesispawn​ @queenamaniii​ @dreadedphilosphy​ @killmongurl​ @thelovelyliterary​ @elaindeereads​ @thedom223​ @bidibidibombaclaat @thatrandomfangirl98​ @panthergoddessbast​
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eric2026scarwin · 3 years
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Football Fixtures, Schedule of Football Matches -
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ChatBot: Développement d'un chatbot Facebook avec AWS Lambda et MongoDB Atlas
ChatBot: Développement d’un chatbot Facebook avec AWS Lambda et MongoDB Atlas
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Ce message fait partie de notre Road to re: série Invent. Dans les semaines précédant AWS re: Invent à Las Vegas en novembre, nous publierons un certain nombre de sujets liés à l’exécution de MongoDB dans le cloud public.
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Alors que les microservices ont été la tendance à la mode au cours des deux dernières années, les…
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laurent-bigot · 6 years
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En 1956, les critiques de cinéma ne parlaient pas encore du concept d'”anti-héros”. C’est pourtant le terme qui conviendrait le mieux aux protagonistes de Bus Stop (Arrêt d’autobus) – à commencer par l’émouvante Cherie, chanteuse à la petite semaine dans un cabaret peu reluisant. Est-ce donc pour tenir ce genre de rôle que Marilyn fait son grand come-back à Hollywood, après le long bras de fer qui l’a opposée à la puissante 20th Century Fox ? C’est peu de dire que la star prend tout le monde au dépourvu en choisissant d’interpréter un personnage qui n’est ni plus ni moins qu’une Marilyn de superette. Quel besoin d’introspection l’a ainsi poussée à livrer avec ce film une critique, aussi sévère que mal déguisée, de ses propres rêves de gloire ? Toute sa vie, Marilyn sera partagée entre son désir de devenir la plus grande actrice du cinéma américain, et celui de se consacrer au contraire à une paisible vie de famille, auprès de Joe Di Maggio, puis d’Arthur Miller. Ces rêves incompatibles seront la source d’une souffrance terrible pour Marilyn. Ils sont le sujet même d’Arrêt d’autobus… [Légendes d’Hollywood / Marilyn Monroe – Eric Quéméré (2004)]
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BUS STOP (Arrêt d’autobus) – Joshua Logan (1956) avec Marilyn Monroe, Don Murray, Arthur O’Connell, Betty Field
S’il ne lui valut pas même une nomination aux Oscars, le rôle de Cherie reste aujourd’hui encore considéré comme l’une des meilleures prestations de Marilyn, dans un film qui marquait en outre la prise d’indépendance de la star vis-à-vis des pontes d’Hollywood. Le 25 février 1956, c’est une Marilyn vêtue d’une sage robe noire qui descend de l’avion à Los Angeles. À un journaliste qui lui demande si sa tenue témoigne d’une nouvelle personnalité, elle répond avec un sourire espiègle : « Je suis toujours la même, c’est la robe qui a changé ». Pourtant, il s’agit bien pour Marilyn d’un nouveau départ. L’énorme succès artistique et commercial de The Seven year itch (Sept ans de réflexion) a fait, l’année précédente, l’effet d’un déclic. Reprochant à la Fox d’engranger grâce à elle des sommes folles sans pour autant la rémunérer davantage, la star refuse de tourner à nouveau pour le studio, malgré ce que prévoit son contrat. Revenue à New-York, Marilyn en profite pour suivre les cours de Lee Strasberg au sein du prestigieux Actors Studio, et décide parallèlement de créer, avec son ami le photographe Milton Greene, sa propre société, la Marilyn Monroe Productions.  Soucieuse de récupérer sa vedette la plus rentable, la Fox finit par céder, et propose à Marilyn un contrat qui, outre une confortable rémunération, lui permettra de travailler aussi pour des studios concurrents et d’avoir un droit de regard sur les scénarios et les réalisateurs de ses films. [Légendes d’Hollywood / Marilyn Monroe – Eric Quéméré (2004)]
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BUS STOP (Arrêt d’autobus) – Joshua Logan (1956) avec Marilyn Monroe, Don Murray, Arthur O’Connell, Betty Field
Bus stop est un film qui témoigne du regain d’intérêt de Hollywood pour Broadway au cours des années 50. La comédie originale avait été montée sur scène en 1955, assurant la célébrité à son auteur, William Inge ; elle constituait le dernier volet d’une trilogie dont les deux premiers avaient été adaptés à l’écran sous les titres Come Back, Little Sheba (Reviens, petite Sheba, 1952) et Picnic (1955). Bus stop, comme Picnic, fut tourné sous la direction d’un metteur en scène de théâtre connu, Joshua Logan, et adapté par George Axelrod, écrivain de Broadway qui s’était fait un nom à Hollywood en 1955 avec l’adaptation cinématographique de sa propre pièce, The Seven Year Itch. [La grande histoire illustrée du 7ème art – Editions Atlas (1983)]
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BUS STOP (Arrêt d’autobus) – Joshua Logan (1956) avec Marilyn Monroe, Don Murray, Arthur O’Connell, Betty Field
Excepté Marilyn Monroe, Logan fit appel à des acteurs de Broadway. Don Murray avait fait ses débuts sur les planches dans « The Skin of our teeth » de Thorton Wilder. C’est avec Bus stop qu’il entama sa carrière cinématographique, carrière qui ne tint pas les promesses qu’on attendait d’elle après ce film. Arthur O’Connell, acteur de théâtre, et épisodiquement de cinéma, devint bientôt un des meilleurs acteurs de composition, très recherché par Hollywood. Betty Field et Eileen Heckart se partageaient entre les scènes de Broadway et les studios californiens. Hope Lange, qui devait épouser Don Murray au cours du tournage, y fit ses débuts dans un rôle d’ingénue. Elle deviendra rapidement célèbre et, avec la maturité, une excellente comédienne dans le registre comique tant au cinéma qu’à la télévision. [La grande histoire illustrée du 7ème art – Editions Atlas (1983)]
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BUS STOP (Arrêt d’autobus) – Joshua Logan (1956) avec Marilyn Monroe, Don Murray, Arthur O’Connell, Betty Field
Quand on le revoit aujourd’hui, on perçoit d’emblée tout ce que le film doit au théâtre, en bien comme en mal. Si le film bénéficie en effet de la présence et du métier des plus remarquables professionnels de la scène, sa mise en scène ne parvient pas cependant à échapper aux conventions du théâtre malgré les efforts méritoires du scénariste, Axelrod, pour “aérer” l’intrigue originale dont le cadre se limitait pour les scènes les plus animée après l’épisode du rodéo, au restaurant de Grace. Dans le film, par contre, les séquences d’action se situent à Phoenix dans le bar sordide du Dragon bleu et, bien Sûr au cours du rodéo. Pour cette partie du film, la Fox n’eut guère de mérite puisqu’elle profita de l’organisation d’un véritable rodéo auquel assistaient près de 10 000 personnes. Quant au snack de Grace, il fut “copié” d’un restoroute de Sun Valley qui deviendra après le succès du film, l’attraction touristique de cette petite ville de l’Idaho. En dépit de cette volonté de réalisme, toutes les scènes qui se déroulent en intérieurs semblent relever d’une esthétique théâtrale et comme rétrécies par les limites du décor. Malgré cet aspect daté et trop scénique, le film est sauvé par la présence lumineuse et vivante de Marilyn Monroe. [La grande histoire illustrée du 7ème art – Editions Atlas (1983)]
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BUS STOP (Arrêt d’autobus) – Joshua Logan (1956) avec Marilyn Monroe, Don Murray, Arthur O’Connell, Betty Field
Après la fin du tournage de The Seven year itch, l’actrice avait quitté Hollywood pour un séjour de quatorze mois à New York où elle étudia à l’Actors Studio. Après cette bouderie qui fit beaucoup jaser, elle revint à Hollywood accompagnée de Paula Strasberg, la femme du directeur de l’Actors Studio, Lee Strasberg, qui la conseilla tout au long du tournage de Bus stop. Si l’on ne sait ce que Logan put penser d’une telle présence, d’autres metteurs en scène avec lesquels Marilyn Monroe travailla ne firent pas mystère de leur aversion pour les maîtres et conseillers dont s’entourait l’actrice.
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BUS STOP (Arrêt d’autobus) – Joshua Logan (1956) avec Marilyn Monroe, Don Murray, Arthur O’Connell, Betty Field
Que son jeu soit le résultat de la direction de Joshua Logan, des conseils de Paula Strasberg ou tout simplement de l’instinct de Marilyn, peu importe : ce qui compte c’est le résultat. Son talent était-il inné ou fruit d’une longue préparation ? Le débat reste ouvert. Quoi qu’il en soit, on peut difficilement douter des dons comiques de l’actrice. Son interprétation est à la fois spontanée et d’une précision infaillible dans tous les effets, gestes et intonations, et dans la façon dont elle réussit à passer de la comédie au drame.  [La grande histoire illustrée du 7ème art – Editions Atlas (1983)]
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BUS STOP (Arrêt d’autobus) – Joshua Logan (1956) avec Marilyn Monroe, Don Murray, Arthur O’Connell, Betty Field
Dans « That Old Black Magic », le numéro qu’elle chante au bar du Dragon bleu, elle est d’un comique irrésistible. Impavide, Cherie débite sa chanson d’une voix fluette sans tenir compte de l’indifférence du public. L’infortunée chanteuse donne le meilleur d’elle-même, tout en cherchant du pied le bouton du projecteur qui l’inondera de lumière rouge. Le courage solitaire de la tendre Cherie rappelle, de façon implicite, les espoirs et les désillusions des propres débuts de Marilyn. C’est d’ailleurs en s’inspirant de son expérience personnelle (méthode qui rejoint tout à fait les enseignements de l’Actors Studio) que Marilyn réussit à exprimer sa touchante fragilité à travers le personnage de Cherie, plein de drôlerie et de candeur. [La grande histoire illustrée du 7ème art – Editions Atlas (1983)]
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BUS STOP (Arrêt d’autobus) – Joshua Logan (1956) avec Marilyn Monroe, Don Murray, Arthur O’Connell, Betty Field
Pour Marilyn, le projet Bus stop constitue un véritable challenge. Certes, son pouvoir est désormais tel qu’elle peut faire plier un studio aussi puissant que la Fox. Mais la star veut plus : lassée de n’être considérée que comme une belle blonde bourrée de sex-appeal, elle veut à présent être reconnue comme une véritable comédienne. C’est la raison pour laquelle elle se lance avec passion dans la préparation du personnage de Chérie, la chanteuse de cabaret aux rêves mille fois plus grands que son pauvre talent. Oublié, le glamour de ses films précédents: dans Arrêt d’autobus, Marilyn parle avec l’accent de l’Oklahoma, ses cheveux n’ont plus l’éclat du platine, et son visage est pâle à faire peur. C’est Milton Greene qui a mis au point cet étonnant maquillage, que les représentants de la Fox ne cesseront de déplorer tout au long du tournage ! Quant aux tenues de son personnage, Marilyn décide de se les procurer parmi les vieux costumes du studio : elle y déniche entre autres une vieille guêpière, et troue elle-même une paire de résilles. Engagée comme coach, Paula Strasberg, l’épouse de Lee, fait répéter Marilyn d’arrache-pied. Même sur le plan du scénario, Axelrod tiendra compte durant le tournage des suggestions de l’actrice, qu’il juge fort pertinentes. [Légendes d’Hollywood / Marilyn Monroe – Eric Quéméré (2004)]
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BUS STOP (Arrêt d’autobus) – Joshua Logan (1956) avec Marilyn Monroe, Don Murray, Arthur O’Connell, Betty Field
Nul doute que cette volonté de prouver son talent a fortement contribué à l’angoisse connue par Marilyn au cours du tournage, qui a lieu successivement en extérieurs à Reno; puis en studio à Los Angeles. L’actrice connaît souvent des problèmes de textes, et disparaît parfois du plateau. Déstabilisée en outre par sa liaison secrète avec Arthur Miller, qui n’est pas encore divorcé, elle abuse de somnifères, qui l’empêchent d’arriver à l’heure sur le plateau, au point que Logan décidera de filmer le matin les scènes dans lesquelles elle n’apparaît pas. Marilyn, qui a attrapé une mauvaise bronchite lors du tournage des scènes dans la neige, sera même hospitalisée pendant une semaine. Elle tombera aussi d’une passerelle de deux mètres de hauteur… Quant à ses relations avec l’équipe, elles ne sont guère chaleureuses, et sont même franchement tendues avec Don Murray. Alors qu’elle le blesse réellement lors de la scène où elle le frappe avec sa traîne à sequins, Marilyn refuse catégoriquement de s’excuser.  Même son amitié avec Milton se détériore au cours du tournage, les deux associés rivalisant d’arrogance… C’est donc avec un énorme soulagement que Marilyn voit arriver, en mai, la fin des prises de vues. Mais lorsque le film sort, le 31 août 1956, son rêve le plus cher se réalise: quasiment unanime, la presse salue sa magnifique performance d’actrice. Pour un temps, Marilyn prend enfin confiance en elle…  [Légendes d’Hollywood / Marilyn Monroe – Eric Quéméré (2004)]
ON SET – BUS STOP (Arrêt d’autobus) – Joshua Logan (1956)
ON SET – BUS STOP (Arrêt d’autobus) – Joshua Logan (1956)
ON SET – BUS STOP (Arrêt d’autobus) – Joshua Logan (1956)
ON SET – BUS STOP (Arrêt d’autobus) – Joshua Logan (1956)
ON SET – BUS STOP (Arrêt d’autobus) – Joshua Logan (1956)
L’histoire
Bo Decker (Don Murray), cow-boy du Montana doté d’une belle prestance mais d’un caractère impulsif et fruste, a pris l’autobus pour se rendre au rodéo de Phoenix, en compagnie de Virgil (Arthur O’Connell), son ami et son conseiller. Virgil a décidé que l’initiation de Bo aux mystères du sexe aurait lieu à Phoenix. Au bar du Dragon bleu, Bo est fasciné par Cherie (Marilyn Monroe), une jolie, mais bien maladroite chanteuse, qui vient d’ailleurs d’essayer de séduire Virgil. Bo oblige le turbulent public de cowboys à faire silence pour permettre à la jeune femme d’exécuter son pitoyable numéro. Touchée d’un tel intérêt, Cherie est aussi frappée par l’origine française – comme c’est son cas – du nom de Bo (Beauregard), mais elle est atterrée quand le jeune homme décide de l’épouser. Le lendemain, Bo persiste dans ses projets. Cherie s’affole quand il la jette à bas du lit pour l’obliger à assister au rodéo avant d’annoncer publiquement leurs fiançailles.  Le soir même, elle quitte le bar et, avec la complicité de Virgil, se rend à la gare des cars. Bo l’y retrouve et la prend au lasso et l’oblige à monter avec lui dans le car pour le Montana. En chemin, bloqués par la neige, les passagers trouvent refuge dans le snack de Grace (Betty Field) où ils se rendent compte de l’étrange situation de Bo et de Cherie. Carl (Robert Bray), le robuste chauffeur du car, s’interpose et finit par battre Bo. Humilié, ce dernier renonce à Cherie mais ce nouveau comportement soumis et plein de douceur suscite un revirement chez la jeune femme. Elle accepte de l’épouser et tous deux remontent dans le car qui les emmènera vers le ranch de Bo. C’est alors que Virgil leur annonce qu’il ne les suivra pas. Son rôle de tuteur a pris fin : il préfère rester auprès de Grace, pour goûter aux plaisirs de sa cuisine… et de l’amour.
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Marilyn Monroe – BUS STOP (Arrêt d’autobus) – Joshua Logan (1956)
Les extraits
A voir également :
MARILYN MONROE : A LA RECHERCHE DU PÈRE Par une cruelle ironie du sort, celle qui immortalisa à l’écran les chansons « Every baby needs a Da-Da-Daddy » et « My heart belongs to Daddy » ne connut jamais son véritable père. Une douloureuse absence qui marqua profondément la vie sentimentale de la star…
MARILYN : GLAMOUR GIRL Reine de beauté et sex-symbol, Marilyn a aussi incarné pour toute une génération la quintessence du chic “made in Hollywood”. Entre luxe, mode et falbalas, petite revue de détail de la panoplie d’une superstar…
MARILYN MONROE : L’ENFANCE VOLÉE Tout le monde connaît les récits d’une enfance si malheureuse que la star en portera les stigmates jusqu’à sa mort. Ballottée d’un foyer à l’autre sans jamais connaître la sécurité, Marilyn a grandi tant bien que mal, mais toujours sans amour.
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En 1956, les critiques de cinéma ne parlaient pas encore du concept d'"anti-héros". C'est pourtant le terme qui conviendrait le mieux aux protagonistes de Bus Stop (Arrêt d'autobus) - à commencer par l'émouvante Cherie, chanteuse à la petite semaine dans un cabaret peu reluisant. Est-ce donc pour tenir ce genre de rôle que Marilyn fait son grand come-back à Hollywood, après le long bras de fer qui l'a opposée à la puissante 20th Century Fox ? C'est peu de dire que la star prend tout le monde au dépourvu en choisissant d'interpréter un personnage qui n'est ni plus ni moins qu'une Marilyn de superette. Quel besoin d'introspection l'a ainsi poussée à livrer avec ce film une critique, aussi sévère que mal déguisée, de ses propres rêves de gloire ? Toute sa vie, Marilyn sera partagée entre son désir de devenir la plus grande actrice du cinéma américain, et celui de se consacrer au contraire à une paisible vie de famille, auprès de Joe Di Maggio, puis d'Arthur Miller. Ces rêves incompatibles seront la source d'une souffrance terrible pour Marilyn. Ils sont le sujet même d'Arrêt d'autobus... [Légendes d'Hollywood / Marilyn Monroe - Eric Quéméré (2004)] En 1956, les critiques de cinéma ne parlaient pas encore du concept d'"anti-héros". C'est pourtant le terme qui conviendrait le mieux aux protagonistes de…
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praetorqueenreyna · 11 months
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hi! i just wanted to say that i stumbled across your atla/schitt's creek au on ao3 and it was so much fun/really made me laugh! you're a great writer and i'm about to snoop through the rest of your fics <3
AHHH OMG THANK YOU that is so sweet of you, this made my day!! I'm glad that AU made you laugh, it was so much fun to write!!! it's so validating to hear that people are still finding my older fics and enjoying them <3
If you want more silly crossover-type ATLA fics in a similar vein, I have just play along (zukaang aladdin AU), dudes being guys (sokkaang college AU) and born lost (maikos 'palm springs' AU).
HUGS AND KISSIES ILY!!!!
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