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#aurora colombia
historyforfuture · 5 months
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Signs of torture in occupation prisons on the body of prisoner Adib Alsamodi
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aurora-daily · 2 years
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AURORA’s festival run on March 2023!
AURORA is announced to perform between 17-19 and 24-26 of March at Lollapalooza Chile [tickets], Argentina [tickets], and Brasil [tickets] as well as during one of the several days of Estéreo Picnic in Colombia [tickets]! (info via u/Gandalvr)
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darkmaga-retard · 17 days
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A video went viral earlier this week depicting the Venezuelan gang Tren De Aragua allegedly assaulting a man in a North Dallas neighborhood.
Several multiple local outlets have covered the video, connecting  it to assertions that a Venezuelan gang is taking over a neighborhood in North Dallas.
It should be noted that this video is a year old according to Dallas police sources that were in contact with WFAA. Law enforcement sources also claimed that this was an isolated incident and not related to organized gang activity 
However, in a separate instance, law enforcement officials announced that the Dallas police department is investigating gang activity in the North Dallas area connected to Tren de Aragua.
“Our department is collaborating with other agencies to address possible crimes linked to this and other gangs in our city,” Dallas police announced in a statement. 
The aforementioned video was recorded in October 2023 and the case is apparently close. The video footage shows a group of Spanish-speaking males brutally pummeling a man. Gang unit officers launched an investigation of the incident and swept through the apartments in the Haverwood Lane area of North Dallas. Law enforcement initially believed that the assault was not connected to gang activity. 
Libs of TikTok reposted this video on X on September 3. This same account also disseminated information about the Tren de Aragua gang moving into several apartment complexes in Aurora, Colorado. This incident has sparked uproar as allegations of the Venezuelan gang taking over these complexes have begun to proliferate across the web.  These claims gained steam after the release of a video showing armed individuals inside one of the apartment buildings. 
Tren de Aragua is Venezuela’s most powerful homegrown gang and is the only Venezuelan gang that has expanded its influence abroad. It went from a prison gang confined to the Venezuelan state of Aragua to a transnational outfit that has terrorized the populations of countries such as Bolivia, Chile, Colombia, Peru, and the United States. 
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fun-littlescribbles · 2 months
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More g/t in real life??
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La muñeca Camila
Around the 2000’s this giant woman was built as a way to teach kids about anatomy. There were several build in Peru, Colombia and Venezuela (and prob other places too) Some also knew her as Aurora.
Some versions measured more than 60 meters (around 197 feet!!)
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The experience was interactive and included movement like breathing, heart beating and peristalsis movements in the intestines.
Overall it was kind of creepy. As in it was very dark and cold. Plus the “doll” was supposed to be a drinker AND smoker while also pregnant (I think in some of the dolls she even “gave birth” but I’m not so sure how that worked)
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Fun fact~
Camila is thought to be cursed. As (at least those in Colombia) mysteriously burned.
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meatriarch · 7 months
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MEATRIARCH OVERVIEW.
m'kay so -- mostly putting this together as both a quick look for new faces & a lil' refresher for those who've been following for a while but also as a general overview on not just how i run things but also on my muses, their portrayals, some blog updates, and so on! ♡ meant for clarity & hopefully ensure there's no confusion about certain things i may mention on the dash but always feel free to shoot me a message / ask for anything further! ♡
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MARIA AURORA FLORES.
starting off with my main girl, my pride & joy, my sunshine incarnate. i write maria as someone very warm & with a whole mess of love to shower on those she cares about. she is achingly sweet, doting, affectionate; she adores her friends, adores her mama & sister, has a complicated relationship with her father. i've done quite a bit to flesh her out beyond what gun's put out for her in the slightest & i love where she's grown over the months since adding her onto the roster. she is my main / primary muse -- so know i constantly yap and ramble about her, i have headcanons and lore posts sprinkled all over the blog & the archived blog. i love & adore her as a muse and she's become both incredibly special to me & easily one of my absolute favorite characters to write as. that being said, with how much i've added to her, i view my portrayal of her as more oc at this point than a character of gun -- unfridged my girl, yanked her away from them and took off with her lmao alot of what i've built with her was both greatly helped by the dynamics weaved together with my affiliates / mains' portrayals which i'll get to later on ♡ but know some things may not carry over into interactions between my maria & any duplicates of my affiliates' muses!
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ANA FLORES.
i haven't gone through much writing for ana yet -- but know when i do speak of ana in a general sense on here? i am specifically referring to my own ana & my personal flores' family lore! if i refer to other ana's in future posts i'll most likely note so either by, for example, ' renee's ana ' or if its to that point in plotting, then with a dynamics tag on the post! otherwise assume when i'm yapping about ana in general i'm referring to my own portrayal of her by default! c: ( note that all you cute ana mutuals are still more than welcome to interact with posts about her / her & maria / the flores' ♡ just something to keep in mind if i refer to her in a general sense in posts! )
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DANNY ALEJO - OSORIO.
ya'll may know our just some guy danny by gun's canon of him -- danny gaines. the danny here however is technically my own portrayal of danny gaines that i developed before he was officially dropped & we got his last name. should i interact with others writing danny gaines? i'm completely gucci with considering my danny & gaines as entirely separate characters!
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* correction : i now consider danny to be entirely severed from guns danny gaines and is, now, an oc fully. he is entirely his own character. otherwise, the speedrun of danny is as follows : danilo alejo-osorio is mexican-colombian, befriended maria in their early teens. he comes from a broken family with a very fractured & a.busive father, his mother returned to colombia and started another family there believing he'd have a better life staying in the states. he went through a very rough period hanging with a real shitty crowd of so-called friends, got into a shitton of fights, broke into homes and businesses with them, stole shit, broke shit, just in general not great influences. a break-in went wrong, his "friends" scattered, and he was arrested when the police showed up, and spent time in juvie for it. none of those friends ever came by. his father didn't, none of his family did. maria, her mother and ana, instead, were his constant visitors. and it was her coming to see him, her encouragement and push for him to do better is what finally made him realize he needed to turn his shit around. at the point of maria going missing & the house, danny's going to trade school by the southern coast for ship & underwater welding courses & training. he & maria are best friends. he is her ride, die, kill. gun noted once upon a time how strong dannys' devotion to her is -- my danny is very much devoted to her. he would kill for her without hesitation -- and not in his dire au's, even, but just in general. danny would do anything for those he cares about. any of the friendgroup.
THE FLORES FAMILY.
my personal take / lore is as follows basically : papa flores ( ramón ignacio ) & mama flores ( carmen ainara ) were long-term sweethearts whose marriage and little family seemed perfectly ideal. however, the closer that their eldest daughter, maria, got to her teen years, the sicker carmen started to become. she attempted to keep it under wraps, hush-hush from the girls' to not worry or scare them. but she was diagnosed with a lung disease ( p.ulmonary f.ibrosis fingerguns @ silver for same braincell lmao ) that is considered ( esp in the 70s likely ) to be terminal. while the girls' weren't aware of her being ill to that degree, ramon fully was. and the stress of coming to terms with his wife being sick and finding out that she may eventually pass due to it, so he claims, "caused" him to start an affair. carmen does find out, and ramon removes himself from the flores' family home to move in with his affair partner. maria, being forgiving and more gentle-hearted compared to ana, attempted to still paint him in a positive light so that ana wouldn't resent him. tried to give him the benefit of the doubt -- that he at least still did love them all. that he'd keep the promises to still be active in their lives, still show up when he said he would -- however, there's only so many excuses, so many promises broken, so many calls never ringing through, before that hope crumbles. ana would witness both her mother & maria deal with their fathers' heartbreak through closed bedroom doors, and it'd only make her despise him more for it. when maria later goes missing, ramon returns to try and help in whatever ways he can -- and ana is very unreceptive to him being there. he lost his chance in her eyes to play "dad" to them. and she makes it known clearly to him how much she resents him and reminds him he's got no place in their family, anymore. that he's there ONLY to help find maria and not to expect shit from any of them.
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THE HEWITTS & THE SAWYERS.
by default, i say a giant fuck you to the difference in continuity's when it comes to the family! i write the hewitt's as an extension of the sawyer ( or, slaughter ) family tree. the hewitts & sawyers connected when luda mae married charlton hewitt sr. luda, in my personal canon, was born into the family through one of grandpa sawyers' many kids' he's taken in over his long-fuckin'-ass lifespan lmao alot of the family dynamics that are my canon here stem from lamb & i's back & forths. i find blending the various iterations of the family -- from originals to remakes etc -- as all just extended families to each other alot easier to work around and opens the door to more interactions with canons' from other versions of tcsm! c: i'm currently slow-piecing together a family tree of the hewitt-sawyers based on that blended concept. to the sawyers, luda is referred to by aunt or grandma ( sometimes ma luda, even ) and thomas is referred to as cousin tommy.
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THOMAS & THE TITLE OF "L.EATHERFACE".
i was going to make this its own post but i'll add to this one instead. but with the idea of the hewitts & sawyers being just on massive family unit? of course there's the question of how the fuck do both thomas & bubba ( or other iterations of LF ) work then? i'd argue its primarily due to the fact that those who don't personally know them both don't know their actual names, and simply refer to them by the most notable feature -- the masks. with my thomas, yes, he does take faces of victims and he does wear them. however. thomas' skin condition -- flesh-eating disease / tumor growths on his face -- is why he wears his animal-leather half-mask. that half mask is his primary mask. he is almost always wearing that or varying versions of it. when thomas DOES skin someones' face to wear? it is almost always out of rage. hatred. it's done to intimidate. to unsettle. its from back in september but, one of my thomas' replies to kels notes this about thomas! the masks of both animal & human leather are still very much a part of thomas as i write him -- but, when it comes to the hewitt-sawyers being one family unit & thomas & bubba co-existing? "l.eatherface" becomes a title in a sense -- two giant motherfuckers who wear masks?? they get confused for one another. despite thomas being arguably much larger both being beefy & being 6'9 compared to bubba. they both don't really stray far from home. how often do outsiders get a chance to see them both separately let alone close to one another? likely not a common sight. it'd be very easy to spot one of them and then assume they are one in the same, honestly. that's how i go about things here, at least! it ties into more, again, of the back-&-forths lamb & i have minecrafted especially but, i'm all for altering that for specific interactions for those who don't want to meddle with all of that! (:
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NANCY.
spooky momther will retain what her abilities have grown into by my personal headcanons across the board! however there are certain points to how i portray her that, from any posts about her i've made, are tied into lamb's johnny and so know that there will be differences in how she may be with other johnnys! i'm all ears to how different nancy & johnny's relationship can turn out! if theres anything i feel overlaps with other dynamics of theirs, i will let you know and we can work something else out c:
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GENERAL PORTRAYAL NOTE.
mentioned it already but : all muses here are very heavily canon-divergent & built out from their canon lore by my own brainrot going wild with them all. with that in mind, i do just about consider each of my portrayals of these muses as my own oc's at this point with how much i've added onto them / built them up from literal nothing like in maria's case. i'm more than happy to either adapt how i write any of them to better fit into anyone elses' takes! and i'm more than happy to welcome more into the brainrot that i've minecrafted with the flores' or the hewitt-sawyers etc! that's something to come from plotting however! if we haven't really spoken ooc / etc then i default to a more general vision of the characters for the time being. i'm all up for taking different routes with new writing partners so please don't be shy about reaching out! c: if theres anything that conflicts with pre-existing personal lore of mine or is too similar to plots or dynamics i have already, i'll let you know and try to offer alternatives!
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AFFILIATE PORTRAYALS & RELATED AU'S.
i have a few writing partners who i am affiliated with & with their respective tcsm canon muses. kels' leland, rae's connie, & lamb's johnny -- when i refer to leland/lee or connie or johnny in general on my posts, do know i am specifically referring to their portrayals as my general lore across my blog takes their muses & the dynamics built between them into account ♡ like i mentioned in ana's lil section, i'll start to make note in posts when i am referring to duplicate johnnys / lelands / connie's / etc for when im mentioning others' portrayals specifically! by default though i am always referring to my affiliates' portrayals when i post c: just wanted to clarify that though in case it was at all confusing or unclear ♡ affiliate verses here are as follows so far : - cold case ( cc / maria's dire au ; with lamb's johnny ) - no one saved you / we saved us ( nosy / wsu / maria & leland's joint dire au ; with kels' leland & lamb's johnny ) - oath binded ( maria & johnny's red string & reincarnation au / with lamb's johnny ) and then the still babiest dire au for my danny, - choke chained ( with lamb's johnny ). these verses, for me, are strictly worked with lamb ( & with kels for nosy/wsu ) -- meaning i'm not writing in them or doing similar au's with other portrayals of johnnys or lelands! again in case i haven't been clear on it before and it causes any confusion or anything! ♡
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MARIA & JOHNNY.
i am not going to be shipping maria in any romantic / intimate sense nor am i open to any prolonged captive plots & interactions with other portrayals of johnny sawyer. those types of dynamics & interactions i've decided from this point on to close that for my maria to lamb's johnny ( @johnnysslaughter ) ♡ there has been a lot of plotting & build up between my portrayal of maria & lamb's portrayal of johnny and their varying dynamics across verses / au's and their different trajectories. and because of how many different iterations of their dynamic has been pieced together, i personally am not going to be taking other plots / dynamics with other johnny's that fall under the same umbrella as the dynamic between our maria & johnny do -- again meaning, i personally won't be shipping romantically / intimately nor will I take on plots that run parallel to cold case / no one saved you re: maria being taken captive for a prolonged period of time with other johnnys. alot of this decision on my part is very much due to how much we have developed them together -- another big part of it is my trust & comfort level with lamb to explore those dynamics between maria & johnny. this doesn't mean we are exclusive to one anothers' portrayals -- i am happy to write with other johnny's! and lamb is welcome to interact with other maria's! but from this point onward, i will only ship maria & johnny with lamb. ♡
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Please (with your finger)
Written for day 2 of the Narcos fandom smut alphabet over on @narcosfandomdiscord
Fandom: Narcos
Rating: Explicit, 18+
Words: 1 163
Pairing: Javier x OFC Aurora
Prompt: bound and begging
Warnings: smut, bondage, sub!Javier, implied trauma
Tag list: it's been forever since I wrote for this fandom, so I don't know who to tag anymore
Kultsi = gold (a Finnish term of endearment)
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He’d been quiet all day. Aurora first noticed it when they got ready in the morning. He gave her the usual forehead kiss as he rolled out of bed, said ‘morning’ in that low voice still raspy from sleep. But there was no question about how she slept, nor any verbal answer to her question about whether or not he’d seen her purple plaid shirt. He’s not a talkative one, she knows that, but this is the most extreme it's been since Colombia.
“Javi,” she said as they got a moment to themselves while Chucho went to show the vet one of the heifers, “kultsi, what’s wrong?”
“It’s nothing,” he attempted to dismiss her concerns. Even turned his back to her, as if he hasn’t learned by now that she’ll circle around him to keep him from hiding his emotions.
“Nightmares are back?” The shock on his face was brief, but it was there. She was right. Then his features smoothed over, settled into well-practiced neutrality that Aurora is just as experienced at seeing through. Javier sighed, knowing the look in her eyes that told him she wasn’t letting this go.
“I’ll deal with it,” he said, again attempting to turn away when her hand landed at his forearm.
“Let me help you,” she urged. “For once in your life.”
“How?” He set both hands on his hips. “What, are you going to hop into my dreams and save everyone dying in there?” She paid no mind to the sharp words, well aware that the upset was directed more at himself than at her.
“I could try and help you relax.” She rubbed gently at his forearm. “Put you at ease so sleep comes easier and maybe with less terrors.” His face pinched together as he studied her in the afternoon sun out on the patio.
“How?” Javier asked again. That led to a long and hushed conversation, which then led to…this. 
She goes over the restraints again. Normally, they’ve been used on her when she’s in the mood to have Javi take care of her in such a way that it overrides her anxiety. She watches him now, his brow furrowed but from confusion rather than distress she thinks.
“Javier.” He turns to her as she speaks. “We can stop whenever you want.” He shifts beneath her, the seam of his jeans rubbing against the inside of her thigh and setting off a flash of heat.
“Not used to this,” he murmurs.
“I know.” She brushes curls away from his forehead. “So you have to promise to tell me if something doesn’t feel good.” Javier peers up at her, big brown eyes studying his fiancée. He nods.
“Promise,” he says. Aurora bends down, meeting him as he raises his head from the pillow, and they meet in a kiss. Just a peck, really, then she sits back up. They’ve already done away with his shirt, making sure that it was off before restraining his arms, and now she reaches for his zipper. Pulling at the tab, she reveals his bulge where it lies beneath black boxer briefs. Half-hard just from the anticipation. She pauses to squeeze him and hears a breath catch in his throat.
“You’re so fucking handsome, Javi,” she croons. “Can’t believe you trust me enough to do this.” She catches a smile playing over his features before it disappears again.
“You trust me enough.” She does. Trusts him enough to let him tie her to the headboard and settle between her legs even though others have put cuffs on her for cruelty’s sake. Aurora passes her hands along his thighs, feels the plump meat of them. He’s gotten better at eating ever since she moved in, not because she cooks for him but because there’s a routine now. It’s no longer work and/or drink until one of the two has him passing out in his childhood bedroom. His underwear lands on the floor, joining the rest of the clothes. Aurora bends down over him, presses her lips to his heated salty skin in a trail of open mouthed kisses along his collarbones, his neck, his cheeks. He’s trembling beneath her, breaths coming quick and shallow. When she pulls away, he goes to grab her. Or rather he tries to because the restraints keep his arms solidly low and to the sides. In plain view of him, Aurora spits into her upturned palm before reaching between his legs. As soon as she makes contact, his cock twitches in her hand and Javier begins to curse in a way that’s usually reserved for when the truck breaks down. She swipes the tips of her index and middle finger across his head where a bead of precum is glistening. He gaps as though he’s been punched in the gut, his stomach muscles contracting so violently that she has to clamp her thighs on either side of him.
“There,” he pants.
“What was that, kultsi?” she asks, smugly.
“There,” he repeats in a whine, “like that. Feels so fucking good.”
“Uh-huh?” She raises her eyebrows at him. “And what do we say when we want someone to do something for us?” Javier’s lips purse together, a scathing glare sent her way, but then she passes her thumb over his weeping head again and his throat bobs.
“Please,” he says between gritted teeth. “Please, querida, do that again. With your finger on my- Fuck!” The rest of his sentence becomes a drawn out groan as she presses the pad of her thumb to his tip and rubs circles into it. His whole body tenses, hips rising from the bed and feet scrambling to find purchase in the bed linen as he tries to push himself further into her touch. She holds him there, making herself as heavy as she can on top of him as her thumb keeps at the motion until she hears the change in his breathing, his telltale sign that he’s close, and she stops as abruptly as she started.
“Aurora…” he whines while she shifts on top of him. She pauses - raised on her knees and cock in her hand - to see if he’ll say stop but when he remains silent she angles him to her opening and sinks down. Javier sobs as she takes him into herself, his arms making a jerking motion as if to try and grab her again.
“Please…” He’s sweating, the curls she previously pushed away now sticking to his forehead and his eyes as wide as saucers. Aurora begins a cantering motion, rocking back and forth with a pleasant heaviness building in the pit of her stomach. It happens quicker than she thought it would. Something within her snaps, the climax surprising her with its intensity as it courses through her, and she squeezes Javi tightly between her thighs. He gasps again, closes his eyes and bites his lip. His hips stutter into motion, getting one, two thrusts in before he cums.
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notverywise · 1 year
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Planing a trip to Colombia with a friend, she asked what kind of historical places I'd like to visit and my first response was Beatriz Aurora Pinzón Solano's house.
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mearpsdyke · 1 year
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Ironically the coach is a woman who's been coach since 2017. During the last worldcup Italy did well, but there hasn't been real progress since. They came dead last in their group at the euro's and so far they only barely won against Colombia in a friendly. The coach dislikes players who play abroad and doesn't call them up. Big recent examples are Aurora Galli who plays at Everton and Martina Piemonte who is also gonna play at Everton.
oh damn i didn't know that. what is up with the dislike for foreign clubs? usually that's valuable experience in a squad 🤨 and yeah we all felt bad about italy's performance at the euros 😬 poor girls got slaughtered left and right...
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cofradiastv · 1 month
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Rosario de la Aurora de Nuestra Señora de la Estrella de Córdoba desde la Parroquia de San Fernando
Este próximo domingo 08 de Septiembre del 2024 se celebrará el Rosario de la Aurora de Nuestra Señora de la Estrella, que partirá desde la Parroquia de San Fernando a las 08:00 horas. El recorrido será el siguiente: Joaquín Sama Naharro, Colombia, Músico Juan Encina, Músico Francisco de Salinas, con una parada en la Parroquia de las Santas Margaritas para la celebración de la Sagrada Eucaristía…
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saadkhan2917 · 1 month
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MRI Coils Market 2024 | Share, Size, Trends, Demand, Growth and Business Opportunities by 2034
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Key Market Players mentioned in this report: Aurora Imaging ESAOTE HITACHI Medical Systems Europe IMRIS Medspira Monteris Medical Noras MRI Philips Healthcare GE Healthcare Dried Roots The report details an overall study of the market prospects and also accounts for notable business dynamics that could be play an important role in securing a good growth curve in the MRI Coils Market. Thorough evaluation of market trends, risks, demand and opportunities has been detailed in a very descriptive yet very short and on point assessment. Get Sample PDF Brochure @ https://www.reportsintellect.com/sample-request/2902254 NOTE: The MRI Coils report has been formulated while considering the COVID-19 Pandemic and its impact on the market. Description: The report focuses on market analysis considering key MRI Coils market dynamics such as analysis, growth factors, key challenges, major drivers & restraints, opportunities and forecast. The MRI Coils Market report examines and analyzes opportunities, market risk, market driving power, and evaluation of market size, industry chain construction, and defines major solutions needed to overcome the obstacles of the market. The report contains a detailed historical account of the MRI Coils market and also predicts an evaluated forecast for the same. MRI Coils Market by types: Phased-array Quadrature MRI Coils Market by Applications: Adult Pediatric Geographical Regions covered by MRI Coils Market are: • Asia Pacific[China,Southeast Asia, India,Japan,Korea, West Asia] •Europe[Germany,UK,France,Italy,Russia,Spain,Netherlands,Turkey,Switzerland] • North America[USA, Canada, Mexico] • Middle East and Africa[Gcc, North Africa, South Africa] • South America [Brazil, Argentina,Colombia, Chile Peru] • Southeast Discount PDF Brochure @ https://www.reportsintellect.com/discount-request/2902254
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giresearch · 2 months
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Laboratory Robotics and Automation Market Size, Share & Forecast 2024-2030
On 2024-7-19 Global Info Research released【Global Laboratory Robotics and Automation Market 2024 by Manufacturers, Regions, Type and Application, Forecast to 2030】. This report includes an overview of the development of the Laboratory Robotics and Automation industry chain, the market status of Consumer Electronics (Nickel-Zinc Ferrite Core, Mn-Zn Ferrite Core), Household Appliances (Nickel-Zinc Ferrite Core, Mn-Zn Ferrite Core), and key enterprises in developed and developing market, and analysed the cutting-edge technology, patent, hot applications and market trends of Laboratory Robotics and Automation. According to our (Global Info Research) latest study, the global Laboratory Robotics and Automation market size was valued at USD million in 2023 and is forecast to a readjusted size of USD million by 2030 with a CAGR of % during review period. Laboratory processes are suited for robotic automation as the processes are composed of repetitive movements (e.g. pick/place, liquid & solid additions, heating/cooling, mixing, shaking, testing). Many laboratory robots are commonly referred as autosamplers, as their main task is to provide continuous samples for analytical devices The Global Info Research report includes an overview of the development of the Laboratory Robotics and Automation industry chain, the market status of Clinical Laboratories (Low-Cost Laboratory Robotics, Biological Laboratory Robotics), Research Laboratories (Low-Cost Laboratory Robotics, Biological Laboratory Robotics), and key enterprises in developed and developing market, and analysed the cutting-edge technology, patent, hot applications and market trends of Laboratory Robotics and Automation. Regionally, the report analyzes the Laboratory Robotics and Automation markets in key regions. North America and Europe are experiencing steady growth, driven by government initiatives and increasing consumer awareness. Asia-Pacific, particularly China, leads the global Laboratory Robotics and Automation market, with robust domestic demand, supportive policies, and a strong manufacturing base. Market segment by Type: Low-Cost Laboratory Robotics、Biological Laboratory Robotics、Pharmaceutical Laboratory Robotics Market segment by Application:Clinical Laboratories、Research Laboratories Major players covered: Tecan Group、Yaskawa Electric、Universal Robots、Protedyne (LabCorp)、Thermo Fisher Scientific、Anton Paar、HighRes Biosolutions、Hamilton Robotics、Aurora Biomed、Aerotech、Cleveland Automation Engineering
Market segment by region, regional analysis covers: North America (United States, Canada and Mexico), Europe (Germany, France, United Kingdom, Russia, Italy, and Rest of Europe), Asia-Pacific (China, Japan, Korea, India, Southeast Asia, and Australia),South America (Brazil, Argentina, Colombia, and Rest of South America),Middle East & Africa (Saudi Arabia, UAE, Egypt, South Africa, and Rest of Middle East & Africa). The content of the study subjects, includes a total of 15 chapters: Chapter 1, to describe Laboratory Robotics and Automation product scope, market overview, market estimation caveats and base year. Chapter 2, to profile the top manufacturers of Laboratory Robotics and Automation, with price, sales, revenue and global market share of Laboratory Robotics and Automation from 2019 to 2024. Chapter 3, the Laboratory Robotics and Automation competitive situation, sales quantity, revenue and global market share of top manufacturers are analyzed emphatically by landscape contrast. Chapter 4, the Laboratory Robotics and Automation breakdown data are shown at the regional level, to show the sales quantity, consumption value and growth by regions, from 2019 to 2030. Chapter 5 and 6, to segment the sales by Type and application, with sales market share and growth rate by type, application, from 2019 to 2030. Chapter 7, 8, 9, 10 and 11, to break the sales data at the country level, with sales quantity, consumption value and market share for key countries in the world, from 2017 to 2023.and Laboratory Robotics and Automation market forecast, by regions, type and application, with sales and revenue, from 2025 to 2030. Chapter 12, market dynamics, drivers, restraints, trends and Porters Five Forces analysis. Chapter 13, the key raw materials and key suppliers, and industry chain of Laboratory Robotics and Automation. Chapter 14 and 15, to describe Laboratory Robotics and Automation sales channel, distributors, customers, research findings and conclusion.
Data Sources:
Via authorized organizations:customs statistics, industrial associations, relevant international societies, and academic publications etc.
Via trusted Internet sources.Such as industry news, publications on this industry, annual reports of public companies, Bloomberg Business, Wind Info, Hoovers, Factiva (Dow Jones & Company), Trading Economics, News Network, Statista, Federal Reserve Economic Data, BIS Statistics, ICIS, Companies House Documentsm, investor presentations, SEC filings of companies, etc.
Via interviews. Our interviewees includes manufacturers, related companies, industry experts, distributors, business (sales) staff, directors, CEO, marketing executives, executives from related industries/organizations, customers and raw material suppliers to obtain the latest information on the primary market;
Via data exchange. We have been consulting in this industry for 16 years and have collaborations with the players in this field. Thus, we get access to (part of) their unpublished data, by exchanging with them the data we have.
From our partners.We have information agencies as partners and they are located worldwide, thus we get (or purchase) the latest data from them.
Via our long-term tracking and gathering of data from this industry.We have a database that contains history data regarding the market.
Global Info Research is a company that digs deep into global industry information to support enterprises with market strategies and in-depth market development analysis reports. We provides market information consulting services in the global region to support enterprise strategic planning and official information reporting, and focuses on customized research, management consulting, IPO consulting, industry chain research, database and top industry services. At the same time, Global Info Research is also a report publisher, a customer and an interest-based suppliers, and is trusted by more than 30,000 companies around the world. We will always carry out all aspects of our business with excellent expertise and experience.
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aurora-daily · 6 months
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AURORA in an interview for Ticketmaster via Amroth | April 6th, 2024
In April 2022, AURORA read a letter that changed her life. It was co-written by indigenous activists, titled ‘We Are the Earth’, and called for a revolution: a collective response to global warming – to “heal the land”. They described being connected to the land “through our hearts”, and the earth as “the heart that pulsates within us.”
The letter led AURORA to consider a question: what happened to the heart? “Everything we do is about greed, about money, about mass consumption, about capitalism,” she says, blue wide-eyed and flooded with feeling. “There’s war everywhere, countries under water, flowers in Antarctica. We are ruining our land, mistreating our animals, our clothing, and each other. We have stopped leading from the heart.”
And so 27-year-old Norwegian art-pop superstar AURORA began studying books on human anatomy. She wanted to understand when and why Western culture lost touch with the deeper purpose of our most vital organ.
“The ancient Greeks thought the heart was the portal to spiritual divinity, that it represented the interconnectedness of the world,” she says. “But then Aristotle comes along and says, ‘the heart is a pump’. Then Plato says, ‘the heart makes blood’. Then another guy says, ‘the heart filters the blood’. And so bit by bit, it became purely functional. We had misinterpreted its whole meaning.”
The letter also resonated with AURORA on a more personal level. In 2022, she released her chart-topping last album, The Gods We Can Touch, which saw her complete a sold out UK headline tour, including at BST Hyde Park alongside Adele. With over a million album sales and 2.6 billion streams, and her inaugural The Gods We Can Touch book selling 14,000 copies (while signed copies sold out in less than an hour), AURORA was at her professional peak. Yet at the same time she experienced something painful that split her in two. She sensed a disconnect between her mind and heart. “It made me understand women in a way I hadn’t before. It made me understand how evil hides behind the nicest of faces.”
AURORA’s fourth album, What Happened to the Heart?, is a journey from weakness to strength, from self-destruction to self-healing. Of reuniting a fractured self. “It’s actually the most personal and cathartic album I have ever written,” she says quietly, as if the realisation had only just come to her.
‘Some Type of Skin’, a dark slice of electro-pop, reveals the conflict at the album’s core. “When you’re vulnerable, anything that brushes up against you makes you bleed,” she says. “But you need to go into battle, you need to build some type of skin.” In the song, AURORA cries: “Hit me hard where I am soft… should my heart reveal itself to be more than a muscle? Or a fist covered in blood?”
To build her armour, AURORA decided to throw herself into chaos. “Usually I am very careful, very reasonable” she says. “But for once I wanted to experience what it felt to be unreasonable. I needed to be destructive.” So she gave herself a year, while she was touring ‘The Gods We Can Touch’, to throw herself into life hard and fast. “A lot of alcohol, very little sleep, a lot of fun,” she smiles, a little wistfully. She went ice swimming and hurled things in rage rooms. “It was painful, but I was building skin.”
The chaos extended to the writing process. “I had a rule: I could only write in unsafe spaces, I needed to be rootless.” That meant no forests, where AURORA had spent much of her childhood in Bergen, Norway – a solitary safe haven away from those who made her “feel alien”. These “unsafe spaces” were loud, full of people, “strange smells, noises…anywhere where I could feel observed”.
AURORA travelled all over the word, meeting with women she describes as modern day philosophers, “women with true knowledge”. In particular, three female tribe leaders in Colombia, Brazil and Argentina. “There is wisdom in their indigenous values. These women live in the modern world just like us, but they still choose to live with kindness.”
She was inspired by their feminine power. “Men have been leading us for thousands of years and look where that has got us. We need change, and women have had everything figured out from the very beginning of time. We were the first timekeepers, we could track the seasons inside our own bodies.” She grins cheekily. “I would be scared of us too, if I were a man.”
Feminine strength inspired 'The Gods We Can Touch' – fighting against internal shame and societal judgement of the female body – and it is no less present here. Above the throbbing techno of 'Starvation', produced by German Nicolas Rebscher, who also worked on her debut EP 'Running With the Wolves', AURORA mourns the depletion of the human spirit as a result of technological invasion that is particularly threatening to women. “Our souls are starving, because AI is taking over; art is being replaced by computers,” she says, gravely. “And women, our consent, is being exploited, as it always has been, from porn to deep fakes.”
The act of mourning is integral to What Happened to the Heart? As AURORA says, “I’ve been thinking a lot about funerals, and in the music people used to deal with death”. She drew on buried grief for loved ones, as well mourning her former self.
“In Norway there is a culture of repression. I suppressed something for so long, and became infected by it,” she says, with a deep sigh. “So once I began to properly address my past, I realised that a lot of things I remembered were very different from how I imagined. And I had to accept that I have to change to move on. I am not the same as I was". She adds, firmly: "I have to learn how to work with this body, in this mind, as they are now.”
This mourning led to a kind of holy communion between AURORA's heart and mind for the first time. “I spent a lot of time drinking wine alone, speaking out loud, my heart and mind finally in conversation.” She would record these conversations and later transcribe them as fodder for her songs, such as ‘The Dark Dresses Lightly’, a haunting folkloric melody over an urgent drum pattern, which imagines the heart and the mind as two characters sitting at a table, drinking together – you can even hear the glasses clinking in the production.
AURORA leans forward conspiratorially. “So the heart says, ‘Okay, now, we've gone too long without communicating. Tonight, we're going to get drunk, go deep into this shit, and explode on each other’.” The song is the album’s turning point, AURORA adds, “when all the ugly has come out, and you can kind of hear me having an orgasm because getting everything out is so delicious, and the healing can truly begin.”
These imaginary exchanges felt so visceral to AURORA that she would sometimes paint them; the heart and mind in a sword duel, “splattering all over each other”, she says, her face lighting up with mischievous delight.
It’s a viscerality mirrored by the album’s production: a thrumming, primal force that confronts the almost ecclesiastical purity of AURORA’s own vocals. “It reflects this idea of the body falling apart, and being glued back together by something inhuman.” This discord is brought to life by “beautiful old synthesisers” that AURORA found all over the world, including with previous collaborator Tom Rowlands of The Chemical Brothers. “I got him to puke all over the song ‘My Body is Not Mine’ with his old modular synths” she says, which, fittingly, “had a mind of their own.”  
Despite the thematic and sonic darkness of the album, AURORA wanted to maintain a certain playfulness. “A very random, very intuitive,” way of producing. She collaborated with some of her favourite Norwegian artists and producers, from Ane Brun on ‘My Name’, to Matias Tellez on ‘Invisible Wounds’. On some tracks she plays the drums, a fiddle player and a traditional Chinese Pipa player were brought in, and some songs contain a “beautiful mandolin from the 60s”, she says, smiling, picking up an imaginary bow as she loses herself in the memory. There is even a disco song, ‘Do You Feel?’, produced by longtime collaborator Magnus Skylstad and sure to be a club-banger and chart hit. “It makes no sense, I have no idea why it’s on the album,” AURORA laughs, like a tinkling bell. “But my sister was born in the 80s and I was kind of thinking about her. And I liked the idea of having a song that made no sense.”
Not all these songs are a product of chaos, however. The first and the last songs of the album, ‘The Echo of My Shadow’ and ‘Invisible Wounds’, were written in the quiet. “In my living room, where it was safe. They came directly from my solitude.” And with this quiet comes hope: “We both need to/Tend to the invisible wounds,” AURORA sings, a call to action for herself, to the listener, and to the world, to rupture with this malignant state of inertia, to fight back, to heal. “We need to stop this sense of global denial. We need to blow up, because it’s important, sometimes, to explode. Explosion is vital for change, to put the heart back into politics.” She smiles, and says, in the softest tone: “I think what we need... is a small riot.”
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ulkaralakbarova · 2 months
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In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow – she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader. Credits: TheMovieDb. Film Cast: Florentino Ariza: Javier Bardem junger Florentino: Unax Ugalde Juvenal Urbino: Benjamin Bratt Hildebranda Sanchez: Catalina Sandino Moreno Don Leo: Hector Elizondo Lotario Thurgot: Liev Schreiber Transito Ariza: Fernanda Montenegro Sara Noriega: Laura Harring Lorenzo Daza: John Leguizamo Olympia Zuleta: Ana Claudia Talancón Escolastica: Alicia Borrachero America Vicuna: Marcela Mar Junge Witwe: Angie Cepeda Fermina Daza: Giovanna Mezzogiorno Rosalba: Rubria Negrao capitán samaritano: Andrés Parra Diego: Horacio Tavera Alcalde de la ciudad: Salvatore Basile Institutriz: Margalida Castro Gran dama hija: Carolina Cuervo gran dama: Patricia Castañeda Doña Blanca: Alejandra Borrero Mujer Atractiva: Paola Turbay Mujer Atractiva: Noëlle Schonwald Ricardo Faro: Jhon Álex Toro dulce vendedor: Julián Díaz Doliente: Carlos Duplat Sanjuan Ofelia Urbino – 40’s: catalina botero puta lotario: Denis Mercado Moreno Madre superior: Dora Cadavid …: Indhira Serrano Film Crew: Director of Photography: Affonso Beato Screenplay: Ronald Harwood Editor: Mick Audsley Executive Producer: Michael Nozik Executive Producer: Robin Greenspun Costume Design: Marit Allen Executive Producer: Chris Law Director: Mike Newell Executive Producer: Scott LaStaiti Original Music Composer: Antonio Pinto Novel: Gabriel García Márquez Executive Producer: Andrew Molasky Executive Producer: Danny Greenspun Executive Producer: Dylan Russell Producer: Scott Steindorff Executive Producer: Michael Roban Production Design: Wolf Kroeger Art Direction: Roberto Bonelli Art Direction: John King Art Direction: Paul Kirby Art Direction: Jonathan McKinstry Set Decoration: Elli Griff Supervising Sound Editor: Mark Auguste Sound Re-Recording Mixer: Simon H. Jones Sound Re-Recording Mixer: Mark Paterson Sound Re-Recording Mixer: Mike Prestwood Smith Sound Effects Editor: Jack Whittaker Dialogue Editor: Paul Apted Foley Artist: Peter Burgis Foley Artist: Andie Derrick Foley Mixer: Ed Colyer ADR Mixer: Mark DeSimone ADR Editor: Howard Halsall Foley Editor: Derek Trigg Dialogue Editor: Sam Auguste Casting: Susie Figgis Hairstylist: Diana Isabel Agudelo Hairstylist: Edith I. Amezcua Hairstylist: Isabel Amezcua Makeup Artist: Ann Buchanan Hairstylist: Aurora Gambelli Makeup Department Head: John E. Jackson Hairstylist: Maribel Romo Makeup Artist: Henry Vargas Wigmaker: Victoria Wood Wigmaker: Lynne Watson Co-Producer: Brantley Dunaway Movie Reviews:
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adityarana1687-blog · 3 months
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Legal Marijuana Market Size To Reach $102.2 Billion By 2030
The global legal marijuana market size is expected to reach USD 102.24 billion by 2030, according to a new study by Grand View Research, Inc. The market is expected to expand at a CAGR of 25.7% from 2024 to 2030. Increase in rate of legalization of marijuana for medicinal and adult-use/recreational marijuana, growing adoption of these products for the treatment of chronic ailments and rise in a number of new product launches are the primary factors responsible for the growth of the market. For instance, in March 2023, Irwin Naturals Inc., a herbal supplement formulator, introduced company's’ new CBD 25mg Softgels in Canada. It is available through the Starseed Medicinal Medical Group platform across the nation.
In April 2022, New Jersey legalized recreational and medical marijuana, and it is being sold at 13 facilities. This move has made New Jersey one of the 18 states in the United States where recreational marijuana is legal. The market is experiencing growth due to the widespread acceptance of cannabis and its high demand. Since its legalization, the use of marijuana in medical treatments has increased, leading to a decrease in the illegal trade of cannabis. According to a study conducted by New York University, the usage of cannabis among individuals aged 50-64 has doubled in the last decade and has now reached 9.0%.
Moreover, price of legal marijuana is lower than medical marijuana, and taxes would be levied on marijuana products after its legalization. Therefore, cultivators are focusing on cultivating marijuana in areas that are exempt from taxes. For instance, in New York, marijuana cultivators are focusing on tribal regions to get exempted from the taxes levied by the government. This is expected to lower the overall cost of cultivation of marijuana in the state, and cultivators can sell marijuana at lower prices. Lower prices of marijuana are further anticipated to boost the adoption of marijuana in the market.
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Request a free sample copy or view report summary: Legal Marijuana Market Report
Legal Marijuana Market Report Highlights
By application, medical segment accounted for the largest revenue share of 79.1% in 2023 owing to the high demand among healthcare practitioners and patients for medicinal marijuana.
By product type, oil and tinctures held the largest market share in 2023 owing to low price and ease of accessibility of flowers compared to other products.
In 2023, North America dominated the overall market with a revenue share of 76.0% owing to its large consumer base, North America was among the first regions to legalize the use of medical and recreational cannabis. 
Legal Marijuana Market Report Segmentation
Grand View Research has segmented the global legal marijuana market on the basis of application, product type, and region:
Legal Marijuana Application Outlook (Revenue, USD Billion, 2018 - 2030)
Medical
Chronic Pain
Cancer
Depression and Anxiety
Arthritis
Diabetes
Glaucoma
Migraines
Epilepsy
Multiple Sclerosis
AIDS
Amyotrophic Lateral Sclerosis
Alzheimer’s
Post-traumatic Stress Disorder (PTSD)
Parkinson's
Tourette’s
Others
Adult Use
Legal Marijuana Product Type Outlook (Revenue, USD Billion, 2018 - 2030)
Flower
Oil & Tinctures
Legal Marijuana Regional Outlook (Revenue, USD Billion, 2018 - 2030)
North America
U.S.
Canada
Europe
Germany
U.K.
Italy
Netherlands
Croatia
Poland
Czech Republic
Switzerland
Spain
Asia Pacific
China
Japan
India
New Zealand
Australia
Thailand
Latin America
Brazil
Mexico
Uruguay
Colombia
Middle East and Africa (MEA)
South Africa
Israel
List of Key Players of Legal Marijuana Market
Canopy Growth Corporation
AURORA CANNABIS INC.
Tilray Brands Inc. (Aphria, Inc.)
ABcann Medicinals, Inc. (VIVO Cannabis Inc.)
The Cronos Group
MARICANN INC.
Organigram Holdings Inc.
Lexaria Bioscience
GW Pharmaceuticals (Jazz Pharmaceuticals, Inc.)
Tikun Olam
United Cannabis Corporation
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If he closes his eyes
Written for day 25 of the Narcos fandom smut alphabet over on @narcosfandomdiscord
Fandom: Narcos
Rating: Explicit, 18+
Words: 442
Pairing: Javier x OFC Aurora
Prompt: yearning
Warnings: masturbation, sexy daydreaming (I guess?)
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He did it. He handed in his resignation. Two weeks from now he’ll land back in Florida and meet up with Aurora. Javier pours himself a whiskey, loosens the top two shirt buttons, before slumping onto the couch. He just got off the phone with her. It’s been difficult, separating so soon after they started their relationship. Relationship. He can’t help but chuckle to himself at the thought.
Ever since he left Lorraine, Helena’s been the closest thing to a relationship in his life. God, I’ve got a bad track record, Javier thinks to himself. A couple of weeks ago that one stray thought might’ve been enough to make him turn tail and run. Now, he hangs onto the memory of Aurora. Uses it to ground himself. She’s told him about her apartment in Weston. It’s just 1,5 rooms, a decent kitchen and a newly renovated bathroom. He’s mostly intrigued by the sleeping nook she’s set up for herself. She described it to him during a late night call last week. The bed’s expensive, Aurora spent what Javier considers an obscene amount on it, and he can’t wait to lie down next to her in it. There’s a pleasant warmth building in his crotch. She splurged on new pillows too, having had enough of the shitty government standard ones in Colombia. If he closes his eyes, he can see it. Smell it. Aurora spread out on the bed, him climbing on top of her. Nosing along her honey-and-milk scented neck. Javier reaches down to palm his bulge. The feeling of denim beneath his fingers triggers a memory of peeling her jeans off, fucking her on the couch. Javier gulps down what little is left of the whiskey, unzips his pants and breathes a sigh of relief when his fingers disappear below the waistband of his underwear. If he concentrates he can imagine that it’s her hand forming a fist around his length. Hear her murmur assurances in his ear. He tugs a little faster at his cock, groans into the empty living room. He’d kiss her, steer her hand away from his crotch and guide her onto his lap instead. Javier blindly reaches for a heavy couch pillow, presses it against his legs as if it was Aurora sitting there. His hips begin to buck up from seat, grinding into the pillow as his breathing grows more and more shallow. What does it for him is the memory of her face scrunching together as she cums with him inside her. Javier doubles over, groaning from deep within his chest as the tip of his cock erupts - staining fist, pillow and shirt.
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goalhofer · 6 months
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2024 New York Mets Roster
Pitchers
#0 Adam Ottavino (Brooklyn, New York)
#23 David Peterson (Aurora, Colorado)
#25 Brooks Raley (Uvalde, Texas)
#30 Jake Diekman (Wymore, Nebraska)*
#32 Max Kranick (Archbald, Pennsylvania)*
#33 Drew Smith (Crowley, Texas)
#34 Senga Kōdai (Gamagōri, Japan)
#35 Adrian Houser (Locust Grove, Oklahoma)*
#38 Tylor Megill (Long Beach, California)
#39 Edwin Díaz (Ciudad Naguabo, Puerto Rico)
#40 Luis Severino (Sabana De La Mar, Dominican Republic)*
#52 Jorge López (Cayey De Muesas, Puerto Rico)
#54 Cole Sulser (San Diego County, California)*
#59 Sean Manaea (Wanatah, Indiana)
#62 José Quintana (Arjona, Colombia)
#71 Sean Reid-Foley (Jacksonville, Florida)
#74 Tyler Jay (Lemont Township, Illinois)**
#75 Reed Garrett (Richmond, Virginia)
Catchers
#2 Omar Narváez (Maracay, Venezuela)
#4 Francisco Álvarez (Guatire, Venezuela)
Infielders
#1 Jeff McNeil (San Luis Obispo County, California)
#12 Francisco Lindor (Ciudad Caguas, Puerto Rico)
#13 Joey Wendle (West Grove, Pennsylvania)*
#20 Pete Alonso; Jr. (Tampa, Florida)
#21 Zach Short (Kingston, New York)*
#22 Brett Baty (Austin, Texas)
Outfielders
#6 Starling Marte (Santo Domingo, Dominican Republic)
#9 Brandon Nimmo (Cheyenne, Wyoming)
#15 Tyrone Taylor (Torrance, California)
#29 D.J. Stewart (Jacksonville, Florida)
#44 Harrison Bader (Eastchester, New York)*
Coaches
Manager Carlos Mendoza (Barquisimeto, Venezuela)
Bench coach John Gibbons (San Antonio, Texas)
Hitting coach Jeremy Barnes (Garland, Texas)
Assistant hitting coach Eric Chavez (San Diego, California)
Pitching coach Jeremy Hefner (Perkins, Oklahoma)
Bullpen coach José Rosado (Jersey City, New Jersey)
Catching coach Glenn Sherlock (Nahant, Massachusetts)
1B coach Antoan Richardson (Nassau, The Bahamas)
3B coach Mike Sarbaugh (Lancaster, Pennsylvania)
Assistant coach Danny Barnes (North Hempstead, New York)
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