#basically just gojo

[sanatomis]

cw. none, except for satoru being disgustingly cute.

to outsiders, your relationship with satoru is as much a blessing as it is a curse. it’s a blessing, because even your mere presence causes satoru’s talking to drop by a hefty 80% at the very least. it’s a curse, because satoru only stops his chattering to cling to you.

he wraps his arms around your waist, and nuzzles into the crook of your neck. he holds your hands, and cups his own face with them. he tucks your hair behind your ear and squeezes your cheeks together. he’s so utterly enamoured with you, that words suddenly feel unnecessary. and you let him be.

it’s his way of recharging, of finding little bits of peace in a stressful day. so, you allow him to do as he wishes, and simply continue whatever conversation you are having—as if satoru wasn’t currently biting your finger. you dismiss the looks of disgust people throw at him, finding the way he clings to you like a baby koala oddly endearing.

it’s a custom, by now. a custom that’s loved by the both of you, and only the both of you. so, yes—a blessing and a curse. satoru is quieter when you’re around, but in exchange for a (not so) healthy dose of pda.

pick your poison, as one would say.

[twentyfivemiceinatrenchcoat]

YOU’RE AN ANGEL, I’M A DOG ; SATORU GOJO

synopsis; an upcoming exam has been stressing you out, and satoru’s pleas for you to take care of yourself fall on deaf ears. he takes matters into his own hands.

word count; 4.3k

contents; satoru gojo/reader, gn!reader, yan!gojo, as far as yanderes go he’s very mild i think (im sensitive u can trust me!!), mentions of blood, implied murder (not depicted!!), he threatens your professor w a knife lol, surprisingly fluffy??, gojo is soooo lovesick & smitten, he just wants his baby to live a happy life :( is that so wrong :((, also your parents love him <33 and he calls you honey <333 ideal man.

a/n; i blacked out & when i woke up this was in my drafts… mysterious. @kissxcore here u go alexis <33 one very smitten morally gray yan!gojo just for u!! i completely lost the plot halfway through but i had a lot of fun writing this!! :33 i don’t dabble in yan content at all so it was a fun lil challenge hehe, i hope it ended up . Somewhat .. decent…

satoru thinks you deserve everything good.

”haah…”

— the sigh spills into the air, like a dot of ink on paper, dripping with exhaustion; a palpable fatigue that has his heart clenching beneath his ribs.

just as he feared, you’re here. again. seated on the couch, in the living room, legs crossed and framed by flimsy strings of moonlight; illuminated only by the dim light of the laptop in front of you. carding through your hair, blinking sluggishly.

another sigh. deep, exasperated, from satoru this time. he keeps a single hand on his hip, brows furrowed in soft disappointment. 

”honey… what do you think you’re doing?”

you jolt, the sudden sound breaking you out of whatever trance you were previously in. when your gaze flits to his, craning your head to see him rest against the wall leading up to your bedroom, he thinks you look a little like a kid caught with their hand in the cookie jar.

it makes him smile. despite his disapproval.

”ah — satoru! it’s… um.” a moment passes. he can practically see the gears of your mind turning, searching for a good excuse. ”… not what it looks like?”

he clicks his tongue. ”nice try.”

then he’s walking towards you, in long strides, gliding across the room like a butterfly in search of nectar. from the sweetest flower there ever was.

even when said flower is still awake, past midnight, pulling an all-nighter despite his frequent advice not to. his very frequent, very thoughtful advice not to strain yourself until you just about pass out.

but you just won’t listen.

”’m disappointed in you, baby,” he huffs, just playful enough to ward off any genuine feelings of distress. he could never truly be disappointed in his baby. ”what did we say about studying this late, hm?”

a sheepish chuckle slips past your lips. satoru is standing in front of you, hands on his hips, raising a questioning eyebrow as you squirm. lighthearted, yes, but genuine. it makes you feel a little guilty.

”… sorry,” you breathe, closing the lid of your laptop. knowing he won’t let you stay up any longer. with the loss of light, your face becomes shrouded in darkness. ”just can’t sleep when i’m so stressed.”

at that, satoru makes a tiny noise — something worried, a little sad, from the base of his throat. a soft frown finds its way onto his lips, and he blinks the sleep away from his senses. plopping down beside you.

”i know. i’m not trying to lecture you,” he croons, reaching out to cradle the apple of your cheek. you melt into him like molten honey, easy and sweet. ”just worried. know you’re stressed.”

and he does. he does know — it’s all he’s been able to think about, these past few weeks. to his dismay, he’s even begun to grow used to this sight, used to finding you in the midst of working yourself to exhaustion. fighting the urge to sleep, slumped over your desk, or cooped up on the couch. staring into your laptop like it holds the secrets of the universe.

time and time again, he’s told you to take care of yourself. tried to coax you into relaxing, rubbing your sore shoulders and kissing the puffy skin beneath your eyes. but this exam is important — you’ve told him as much, more times than he can count. he doesn’t doubt that you’re right. 

of course you’d be stressed. he gets it.

still, though.

”but you know it’s not good, yeah? that it’ll just burn you out?” his thumb goes to smooth over the dark crescents beneath your eyes, gentle as a feather. ”we don’t want that, do we?”

you bite your lip. trapping it between your teeth. he knows you know. ”… yeah,” you admit, a flimsy little sigh on your tongue. ”it just feels easier to do this at night. don’t know why.”

”my little night owl.”

that makes you smile, a little, but it’s not enough to satisfy him. he curls an arm around your waist, and drags you into his lap; gentle, always gentle, like all that exists under your skin is made of porcelain. like the lines of your face form a string of words, a label of fragile: handle with care. he always does.

with his heartbeat by your ear, his warmth melting into yours, it’s easier to speak. a pressure on your chest that fades away. ”i’ll try not to do it again,” you murmur, biting back a soft yawn. nuzzling into his neck. ”promise. don’t wanna worry you…”

satoru softens. 

(always so good to him.)

”it’s fine, honey. i understand.” he smiles, smoothing down your spine, counting the bumps of vertebra that slide along his palm. ”don’t worry that pretty little head of yours over me, alright?”

in return for his comfort, you wriggle away, lifting your head to give him a smile. one of your many smiles, each one fervently cherished by him; the one you’re wearing now is tired, a soft curl of your lips, the kind that makes him want to lull you to sleep. just the sight alone makes the anxiety in his veins feel like a worthy investment.

he doesn’t tell you anything that could cause that joy to diminish. doesn’t tell you that he can’t sleep without you, that he can barely breathe knowing you’re this stressed all time. doesn’t tell you that he jolted awake with a sinking feeling of dread, a gaping pit in his stomach when he didn’t immediately feel the warmth of your skin against his. doesn’t tell you that he always, always assumes the worst.

satoru doesn’t tell you these things. it’s a safety measure, an act of love. a bundle of unvoiced syllables, woven into white lies, silky and sweet. tailor-made to put your aching mind at ease. 

satoru thinks you deserve everything good.

it’s a theory, of sorts, a train of thought. a hypothesis made manifest. after many years of pondering, he’s arrived at the following conclusion; you are all that’s good. therefore, it only follows that you deserve everything that’s good, all of it and more. satoru believes you deserve every single thing your little heart desires — and he’s determined to give it to you.

so he’s been worried.

it’s not that he doesn’t trust you. he knows you’ll ace the exam, knows you’ll do your very best, knows you’ll make him proud. you always do. you aren’t the problem, no, never.

he just doesn’t trust your professor. 

that unfair, stuck-up, incompetent professor who’d fail his students just for being a couple minutes late, who curates his exams to be as convoluted as humanly possible. you and your friends are starting to suspect he just likes berating people for a living. satoru knows it all, he’s heard it all, of course he has. satoru pays attention to everything, when it comes to you. he knows all about your professor, the man who’s been making your studies pure hell for the past semester.

it makes his blood boil. steady, ruminating, hot and heavy in his veins. a rivulet of lava.

(it was only a matter of time.)

satoru is a teacher too; he knows that type. one that has no business being a teacher, in the first place, one no student deserves to be subjected to. he’s met more of them in his career than he could even begin to count. the thought of one of his own students being at the mercy of someone so incompetent makes his skin itch.

and the thought of you, seated on the couch, crying and sniffling when he comes home because none of the exam questions made enough sense for you to even try —

it makes satoru want to claw his skin off.

it makes that tiny, tiny cavern in his heart extend, widen, like a maw, swallowing up his liver and lungs and sense of morality. an emptiness begging to be filled. 

there’s only one way to satiate it.

so he plants a wet kiss on your forehead, ruffles your hair, tucks you into bed and waits until you fall asleep. deep and heavy, a slumber you won’t wake up from anytime soon. he presses his lips to your forehead one more time — for good measure.

then he grabs his coat and slips outside.

the moon is visible through the window.

a thin crescent, nailed next to the dim stars, leaking a dream-like fluorescent shine; illuminating the office, so quiet he can hear those erratic breaths spill out, one by one. a heavy, heavy silence, thick enough to spread like butter over toast. 

(ah, that’s right — he forgot to buy the butter you asked for this morning. no wonder he feels so out of sorts. he’ll have to grab it on his way back.)

”who… w — what are — ?”

satoru stays silent. lips pursed, eyes keen, burning into the back of the man in front of him. close, almost chest to back, enough to have him scowling in displeasure. 

just being in his presence makes satoru feel a little sick. 

he keeps the blade pressed right beneath his adam’s apple, a silver glimmer in an office painted blue and gray. not enough to sink into his skin, but enough to have his heartbeat hammering, enough that satoru can practically feel those rapid flutters of life. brushing against his gloved hand.

he gets straight to the point. voice muffled by the fabric covering his mouth, low enough that it’s barely even audible. he’s careful, about this kind of thing. there’s a delicacy to the ill intent, something he’d be a little enamored with if it weren’t for the compass stuffed into his ribs — the compass that tells him this is wrong.

he just can’t bring himself to care.

”the upcoming exam.” his voice sends a shiver down the man’s spine. satoru can feel it. ”don’t fail a single student.”

silence. pure silence, suffocating them, tangling itself into the air. satoru can practically taste it — fear, familiar, that pang of panic. a ticking time-bomb. the knife stays pressed against warm skin, pushing, sinking, just a little, a drop of red against his pale throat. 

it’s enough to get your professor to make a little noise, one that vaguely resembles a whine. like that of a small animal, rolling over on its belly, eager to play dead. no word is spoken in reply, but he nods, just barely, a nervous tremble of his head.

satoru hums, approving. ”good.” he doesn’t loosen his grip. ”there’s a particular student i’m worried about. marked them down in the catalogue... i’m counting on you.”

another noise. a grunt of affirmation, a silent plea — satoru allows that fear to seep into his own bones, just a little, just to get a taste of it. cold on his tongue. he wonders if this is what helplessness feels like.

then he takes a step back. slow, tentative, dragging the knife with him. not before parting his lips once more. ”don’t turn around,” he warns. ”i’ll be back if there are any complications. this’ll be our little secret, hm?”

the man in front of him doesn’t say a thing. frozen in fear, paralyzed, not moving an inch. a fly trapped in his web. it’s a relief.

before he exits the room, satoru puts the final nail in the coffin. just in case. ”i happen to know what school your daughter goes to.” he waits for a flinch, and it comes almost instantly. like clockwork. “remember that.”

it’s an empty threat. your professor doesn’t know that, though. he doesn’t know that satoru knows his daughter, that he walks past her preschool almost every morning on his way to work. that she waves to him whenever he passes by, and that he makes it a point to always wave back. a little troublemaker; the rowdiest of utahime’s preschoolers. she has a bubbly laugh, and just lost one of her milk teeth. she was giddy when she showed him, a bout of giggles spilling from her lips as he cooed and ruffled her hair. 

he wouldn’t lay a finger on her. 

but your professor doesn’t know that, hasn’t got a single clue, and satoru delights in the fear that must be running through his veins. down his spine, crawling into every narrow of his skeleton, making a home for itself that he’ll never quite be able to root out.

a gulp. satoru hears it, in the quiet of nightfall, just before he shuts the door behind him. good.

the rest of the evening is a blur. satoru gets home, relieved to find you still asleep, and tucks you into his chest. makes a mental reminder to order your favorite take out tomorrow; a little reward for your hard work.

finally, he can sleep easy. knowing you’ll get what you deserve. 

three weeks later, satoru places his hand on the familiar doorknob in front of him, dragging his weight behind him. blinking sluggishly. 

there’s a sinking feeling in his chest, weighing him down — like an anchor tied to his liver. a compass, tucked between his fourth and fifth rib, one that’ll always stay lodged right there. he’s learned to grow used to it, a natural consequence, a sign that his humanity is still intact. 

that doesn’t make it any less bothersome, though.

(ridding the world of a pest shouldn’t make him feel dirty. especially when he felt nothing but contempt for the pest in question, for the way he whistled as you walked by, the words he spewed before satoru met his eye. vile. putrid. why should he feel guilty for wiping a stain off the pavement?

it does make him feel dirty, though. a sinking feeling in his chest.)

there’s nothing to be done about it. satoru swallows the unpleasant taste on his tongue, and drags the door open, closing it behind him with a softness he reserves for you alone.

and there you are.

on the couch, farther away, already looking his way — lips instantly curling up into what he knows will be a smile. this time, it’s laced with excitement. one of his personal favorites. his gaze devours the joy in your features, the glimpse he gets of your teeth, that familiar crinkle of your eyes. 

you’re smiling. at him. you smile and his world wakes up, it’s dyed in different shades of blue, it’s brimming with life and love and something too good not to kill for. you smile and everything is right, good, worth it. you smile and it's as if the blood has been washed off his hands.

suddenly, all is well again. satoru exhales a blissful little breath.

“‘m home, honey,” he grins, a light pink dusting his cheeks, hanging his coat up before turning to face you. arms wide open. “did you miss me?”

his heartbeat stutters when you practically engulf him, all giddy giggles and that perfect smile, nuzzling into the crook of his neck. “mhm,” is what you chirp, pressing kisses down his collarbone, and he has to bite down on his lip to stop the shivers trailing down his spine. he tastes iron, but laps it up with a coo. sickly-sweet.

“missed you too, precious,” he purrs. “sorry i was gone for so long — had to take care of something.” 

he cups the back of your skull with his palm, large and crafted just to hold you, and marvels at how much you trust him. how you’re melting into his chest, fitting into every crevice of his heart. he wants to keep you there forever. forever and ever, always within reach, always close enough to touch. 

but he also wants you to be happy. he wants to see you run away, wherever the wind takes you, if only so he’ll get to feel you jump into his arms again, when you’ve had your fill of the world. when you come home to him, where you both belong.

satoru would never cage you. never, never, never. he wants you to enjoy your life — confining you wouldn’t do any good, would only stifle that pretty smile he loves so dearly. he wants your world to be large, brimming with life, blooming with fervor, wants the air to be clear enough for your beautiful lungs. he couldn’t build a world for you, here, in this apartment. no matter how big or luxurious. 

so his only option is to bend the world into a kinder shape — twist and mold until it forms a path good enough for you to follow.

(it’s worth it, he knows, he’ll always know. it’s worth it to see that smile.)

“is that a new coat?” you ask, naive and innocent, and it breaks him out of his thoughts, attention wired to the lilt of your voice.

“yeah.” it’s stylish, expensive, a nice shade of black. he had to throw the last one away. “looks nice, right? i’ll get you the same one, pretty.”

“you don’t have to, toru!” you hurriedly exclaim, knowing he’ll jump at the opportunity to spoil you. “i like the one i have now!”

satoru pouts. a soft huff, right by your ear. “you don’t wanna wear matching coats?” he feigns sadness, scratching softly at your scalp, drinking up the little purrs that bubble up in your throat. 

and you giggle. you giggle and all he can think is worth it, worth it, worth it. a stained coat or two means nothing. the blood on his hands is just insurance. 

“well, when you put it like that…” you shift a little, curling your arms around his neck, breathing him in. he wonders if you can smell the cleaning detergent. “i guess i wouldn’t mind a new coat.”

and he grins. “right? want me to buy you new shoes while i’m at it? some jewelry?” he peppers kisses down your neck, amusement laced in his voice. “the whole store?”

again, those giggles. again and again. he laps them up like fine wine. “okay, that’s too much.”

“but you deserve it!” he whines, sickeningly sweet. sick to his stomach with love. “been working so hard, my angel.”

and, suddenly — you light up. his little firefly. brightening, inhaling a giddy breath. pulling away, a little, and he does his best to bite back the frown on his face. you’re practically beaming, sunshine personified, eyes glittering with giddy joy.

“right! i almost forgot!” 

then you’re skipping away, happily, to retrieve your phone. and he knows what you’re going to show him, but still feigns surprise when he sees the score on your exam, that perfect 100 on the screen. still makes an expression of shock that he knows will get you to laugh, still picks you up and spins you around and tells you how proud he is.

he almost, almost feels bad, seeing you smile so wide; at what you assume to be the fruits of your own labour. almost feels ashamed, knowing that perfect 100 wouldn’t exist without the knife at your professor’s throat.

but, then again, this is how it should be. those numbers are the fruits of your own labour, because satoru is a part of you. and you deserve it, deserve it more than anyone — he knows you would have gotten it, even without his help, if your professor was competent enough to see your brilliance. 

satoru smiles. he is proud of you. and this is exactly how it should be. he’s just bending the world into its rightful shape, cutting strings from a wrongly woven web, righting the wrongs of the people around you.

you, you, you. the only thing that exists.

all of him is for you.

”i knew you could do it. never doubted you for a second, baby,” he smiles, so wide his cheeks hurt, and you return it with a kiss to his jaw. 

”thank you. i’m just so relieved,” you exhale a breath, heavy, and it’s like he can practically see the stress melting from your shoulders and eyes. worth it, worth it, worth it. ”gosh. i’m gonna sleep like the dead tonight.”

”as you should,” satoru chirps, pinching your side. softly, brimming with fondness. ”but before that, we’re gonna celebrate. all day. and tomorrow too!”

another smile coaxed from your lips; this time, it’s a little bit shy. bashful, at the praise, his endless excitement. so precious he wants to kiss you breathless. give you all the air in his lungs.

so precious that he forgets about everything else. 

this is what you always do to him; wrap him up in a blanket of your love, cloud his veins with a nectar so sweet he takes the leap into your arms without a second thought. a foolish, lovesick butterfly, sticking to a single rose; dripping with honey, overflowing. the butterfly is too drunk on love to care. 

you’re his flower, his joy, the most useful form of anesthesia. with you in his veins, on his mind, your lips on his jaw — satoru can pretend that his hands are clean. that they always have been.

it all slips from his mind. your professor, the creep who catcalled you yesterday, that one classmate you’ve been complaining about recently. he forgets that they even exists, and satoru thinks that must be what love is: something that narrows your world down until you can make a home out of it. 

(something worth holding onto, no matter the cost.)

as always, it’s your voice that snaps him out of the trance he’s in. turning around at the sound of your call, the orpheus to your eurydice, too in love to save you from himself. you’re both getting ready to head out, dressing up for a well-deserved date. 

satoru feels himself smile. he does the dirty work, and you get to reap the rewards. heaven on earth.

“oh, by the way! would you want to have dinner with my parents tomorrow?” you meet his absent gaze with a tilt of your head. “they’ve been asking about you again. it’s such a headache, seriously.”

satoru giggles, barely containing how delighted he is. raising a playful brow. “oh? grumpy that you aren’t the favorite child anymore, hm?”

“okay, first of all —“ you stifle a giggle, pulling a drawer open, rummaging through it. freshly washed clothes. he washes most of your things. “you aren’t their child. and second of all —“

“— yet.”

a pause. 

satoru watches your gaze flick over to him, then back to the drawer, collecting yourself. a cute flush to your cheeks. “… whatever.” you clear your throat. “second of all — i don’t like how much they like you. what kinda spell did you put them under? it’s always satoru this, satoru that!”

a huff fills the air, and you mutter something that sounds a little like mocking, an obnoxiously imitated where’s satoru? that makes him chuckle into his fist. 

he shrugs. “i’m just a natural charmer, y’know? and, for the record; i would love to have dinner with them.” he sends you a wink, playful, and you roll your eyes. “are you joining us?”

a bout of laughter pushes past your lips, and satoru thinks he could die happy — just soaking up the joy that spills from out your throat. he wishes he could live in it, paint your house in it, wear it. he wants your joy to be all he ever feels. he feels sick at the idea of ever being out of earshot for it.

“yes, i’m joining you.” your scoff is dripping with humour. ”i’d hate to be the fourth wheel, but it is what it is.”

satoru stifles a grin. ”lucky me. three beauties all to myself,” he drawls, a seductive lilt to his voice, just to hear that little noise you always make with the back of your throat. vaguely disgusted.

”you’re so gross.”

a coo. like the buzzing of a bee. ”don’t be jealous, honey. know you’re my favorite, don’t you?” satoru smiles — more sincere than you’ll ever know. ”could never love anyone else.”

”so my parents are in second place?” you quirk a brow, amusement lacing your words, and he clicks his tongue. 

”well, they made you. i’d have to be a fool not to worship artists of such caliber.” 

”charmer.”

”yours.” the word is a knife at his throat, a stain on his coat, a love so heavy it’ll burn him alive. ”only yours.”

and again, you smile. all he can think is that you deserve everything, everything he could ever give you. it’s all he can think as you go about your day, as he leads you outside, as he watches that flicker of joy dance inside your iris. as he watches you walk wherever your heart takes you.

the thought remains when you return home, when you wrap yourselves up in blankets and he throws a leg over your waist and you curl an arm around his ribcage. it’s all he can think. 

satoru was born to be of service — to someone, to the world, to something or another. he was born to carry a weight on his back, so why not bear the weight of your burdens?

all he wants is to protect you. all he’ll ever need is that smile on your face. he was always bound to be just this: a dog at your heels, a halo around your head, the watchful eye keeping you safe from everything rotten in this world. he’s the butterfly, the spider, the web itself. and he’ll never let you be tangled up in it.

he was born to be of service to you. so service you he will, until it all comes back to bite him.

“satoruuu — stop stealing the blanket!”

he prays it never will.

[hellomayu]

kiss kiss fall in love 💕

[tariah23]

Sigh…

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[ipostmysimpingstuffanonymously]

My entry for the SatoSho Discord Weekly Prompt: Just Friends

[sukunasdirtylaugh]

tags: gojo x f!reader, bridgerton au. (unedited) word count: 1.29k

it seems as though lady whistledown had taken a liking to you. born out of a prestigious lineage, your name was untainted, holding no negative connotation other than the envy your perfectness shone over anything.

like a porcelain doll, as the queen has once referred to you as on your first visit.

your mother and grandmother before you married as 'pure' with little to no scandals involved, yet it was your mother in her time who caused the biggest uproar in suitors to pursue her. even today, you had grown up with maids, nannies, and people well acquainted with your mother, and your mother at times who would share details over her diamond years. 3, to be exact.

now you felt an obligation to live up to the family name, to honor the work your mother has preserved before you so that you could comfortably live a life with no shame, and you swore that you would do the same for your own children.

if, you decided to bear them.

tonight, you stand in a glorious dress, embedded with the stones your mother and trusted modist claimed to make you look radiant. yet that seemed to be the opposite for you. 4 dances have occurred in your presence and only one man approached to talk to you. the worst thing was that he was unsuitable, and your mother had to intervene, breaking apart the association and taking you to another.

"he was boring," you whisper shouted at your mother who eyed you, aware to not make a scene as you stopped by a secluded balcony. "it seemed everything I told him, he would restate it or make it obvious. it was like talking to myself! if I wanted to, I would have sought company from my mirror."

"how frustrating." you nod in agreement with your mother.

"have all good men gone to waste mama?" you ask, stress and tears welling in your eyes. "If this is the first man I encounter, I cannot bear to think what the rest of them might be like. Or is it I am just ugly?"

"hush, child." your mother holds your shoulders, then cups your cheeks. "you're not acting like yourself tonight. don't let one bad apple ruin your basket. you are young, gifted, and come from a name. you are something because you came from me. have I not taught you well?" she caresses your arm in comfort. "come, wipe those tears that are threatening to fall. you will cause a scandal on your own if you are seen crying tonight. let's find you an honorary man."

that night you only danced with two men. they remained respectful, yet not enough to provoke intrigue in you. though you would never outwardly admit that to your mother, at the end of your second dance, you went for a beverage. opting for some time for yourself.

"I couldn't help but wonder if you were running from that man after that dance, or if the conversation was that good you needed to excuse yourself for a beverage." the voice snickers, standing beside you, "he was terrible, right?"

"I wasn't, I was just dehydrated." you remark, careful with your tone as you defend your doings. as you stand beside him, you cannot see his face as he is taller than you. lifting your head up would raise even more spectacle as you saw one woman and what appeared to be her sister point at you with the mysterious man at your side.

"so do they just dehydrate fair maidens now? seems like a trick to get you to marry the first man you see,"

you don't answer him quick enough.

"lord higurama is a good choice. he has a fair name and a inheritance to obtain, however, be wary of his drinking problem. heard he leaves bars at ungodly hours of the morning with holes in his pockets."

you can't help but gasp softly, almost in disbelief as the man beside you spoke so poorly of the men you danced with. it might have been a given that you needed to get out of here after those girls pointed at you with shock on their faces. have you just ruined your reputation?

"I respectfully fail to see how that is any of your concern, sir." you state, imposing a formal limit, "I have no desire to engage in talk if it pertains to stain the reputation of others."

"please," you hear him snort beside you and you freeze, feeling yourself slightly become smaller. "his reputation is done for. I'd be doing you a favor

"and your reputation, good sir?" you counter, but when you hear silence from him, you fear you have crossed the line. it isn't until you are pulled by mother you see this man. white hair adorns his features while stunning blue eyes decorate his face. the hold your mother has on you let's you know to stand well, and be presentable.

"Lord Gojo," your mother bows, slightly forcing you to bow with her, "what a pleasnt encounter to find you here. my condolences to you and your family after your father's passing."

"lady levington, you are too kind." he man before you bows, offering your mother a charming smile you can't help but hold back a jaw drop at his sudden charming behavior. "I assume you are enjoying your time at the final winter's ball?"

"indeed," your mother smiles charmed, "we were just enjoying our time at the ball. this is my daughter, lady levington. she is of the age to begin looking for a suitor," your mother states, "wouldn't you agree?"

"well I find it difficult to believe that your daughter will struggle to find a suitable partner given her agreeable nature," your jaw slightly clenches, "I suppose you have a large list of eligible bachelor's for your daughter?"

"oh yes," your mother smiles, "but I tell my daughter we must select carefully. it is growing rather difficult to choose an honorable man for marriage, yet modern problems always continue to arise with the passing of time. wouldn't you agree?"

"I couldn't have said it better myself," he smiles, "finding a husband has been growing to be tedious by the years, yet that is why we must be careful in selecting. london is unfortunately filled with lots of ineligible bachelors starting off with lawyers with questionable drinking and spending habits. a poor reflection on our society, wouldn't you agree?"

"it is unfortunate indeed," you mother sighs softly, "but we shall look carefully to ensure a positive outlook for the future."

"that is always a pleasure to hear," smiles gojo, offering a bow. "if you'll excuse me, I must be on my way. it has been a pleasure to find you in good health, madam. and the best of my wishes to your lovely daughter as well."

after some concluding exchanges, your mother stands proudly with a smile on her face. "you will not believe who we just spoke to." she says, moving you away from the drinking station. "we must bid our farewells and leave as soon as possible."

"why?" you frown, "the dance doesn't end until-"

"-we've already met an eligible bachelor," your mother smiles, "you should've seen the look on everyone's faces. you will surely draw attention now, my dear."

the following day, you wake up to the following news from lady whistledown, having written an article about you.

"at the winter's ball, lady levington's beauty could be seen from a mile away, drawing the attention of lords. standing with such poise and grace, lady levington has proved herself to start off as an indestructible force with honor as her first name. will she perhaps be named diamond of the season? or indestructible diamond?"

[lordzuuko]

Gojou Satoru taking a photo with his kouhai he so totally do not have a crush on, he swears! Print | Ko-fi

[yuwuta]

PLS PLS PLSSSSS keep talking about kids with olympic athletes! gojo and nanami pls pls pls i have to Know. everything u wrote about yuuta was already so so cute

(prev olympics au here)

the gojo twins are hilarious because your baby boy looks exactly like satoru, but has very little of his personality—it seems like the only things he inherited was satoru’s love for sweets and love for you. still, even though he’s a strong swimmer, he much prefers to relax in his floaties alongside you if you’re also in the pool, or chill by your side on a lounge chair, glasses too big for his face keeping the sun out of his eyes as he shares his smoothie with you, and asks to borrow your phone to take pictures of his sister and daddy in the pool. 

your baby girl on the other hand… she might have your face but she’s got satoru’s everything else—his competitive streak, his confidence, and definitely his mischievous nature. she’s the one who tiptoes into your bedroom at five in the morning, tapping at her daddy’s shoulders, and putting her little finger over his lip to shush him before he can wake you up; she’s always the one to convince satoru to take her swimming the backyard at the crack of dawn, and why by the time you and your baby boy wake up, she and satoru are already past warm up laps and swimming lessons and onto who can make the splashiest canonball competitions (she always wins because while her tiny body can endure a belly flop, satoru’s years of training physically doesn’t allow him to do it… and maybe because he’s not so competitive when it comes to his baby girl, he’ll always let her win). 

kento’s professional judo career honestly doesn’t last very long. after his first olympic games, you two start dating and he proposes just after he wins gold the second time he’s in the olympics; he does maybe two more years of national competitions while you’re pregnant, and decides that the intense training for the next two years in preparation of a third olympic competition isn’t worth missing time he could spend with you or your baby girl—plus, with all the money he’s made from competitions, winning gold medals, brand ambassadorships, commercials, and collaborations, he had enough money to provide for all of your for the rest of your lives. so, that’s what he does (his dream has always been to be a househusband, anyway...) his previous salaryman career comes in handy when deciding how to invest his money, how to buy a house, how to take care of his friends, how to set up a fund for your daughter, and an extra account or two… just incase more babies come along… 

by the time your baby girl is four, she’s already kento’s biggest fan. she loudly and proudly proclaims to everybody that her daddy was basically superman and won all the shiny trophies and medals in the house from when he was being a superhero. if anyone recognizes kento when they’re out together, she always confirms their suspicions, proudly boasting, “yeah kento is my daddy! he’s a winner!” it always makes kento’s heart swell to hear her praise. he doesn’t compete professionally anymore, but he does train from time to time, and has taken on a few mentees, and your daughter LOVES to watch him coach/train. she’s got her own uniform that she always puts on whenever they go to the gym together, and gets so excited when kento or ino or yuuji pretend to spar with her. 

she’s honestly kento’s mini figure. she’s respectful and reserved, but strong and knows when to fight and how to use her voice. there’s a time when he gets a call from her school saying that she got in a fight, the principal frames it as your daughter needlessly pushing around an older kid, but your daughter is certain in her words when she tells her dad that it was because the kid was being mean to the younger kids, and to her. kento doesn’t say a word to the teachers—doesn’t even fight them sending her home early for the day, because he’s happy to scoop her up and take her out for ice cream and tell her that he’s proud of her.

[anaer]

Geto: missing an arm, ass kicked by Yuta Gojo: hm maybe if I kill Suguru he'll finally learn RCT!!! Geto: just fucking dies Gojo: Gojo: Gojo: Gojo: oops.

One year later, Shibuya

Gojo: oh shit it did work--FUCK

[wycross]

i cant stop thinking about yuuta now. like sure i liked him well enough but after this chapter he has my entire heart. and he is so so so tragic. (of course he is everyone here is)

its this that i keep going back to in my head. it encapsulates what i think is yuuta's grief.

right before this, of course, we've seen him screaming about how nobody ever cared about demanding gojo to be a monster. he cares for gojo so deeply, of course, because gojo saved him, gojo is practically his dad, and he actually sees gojo.

hes a special grade, one of few, and out of the special grades, i think hes the only one with realistic potential to surpass gojo. he has the potential to be gojos peer, so gojo doesnt have to be alone. hes the only one strong enough to save gojo, in a way, to actually take up his burden and allow gojo to be human in a way he hasnt been since geto.

but yuuta is simply too late. hes too young, too unpolished, too late. gojo's already been a monster for a decade, with no other choice and with nobody to stand by his side. yuuta cant save him now.

thats what i think really crystallized for me in this panel. yuuta is telling gojo about his plan, the plan that was so controversial with everyone else because of yuuta's humanity being on the line, the plan that only he could ever pull off. and gojo shrugs it off, not shocked in the least, and just tells yuuta that he's got to keep working because he's not good enough yet.

the talk about yuuta's heritage is so important to this too. "you might've been born even more blessed than me". does that ring any bells, maybe? "i alone am the honored one?"

gojo is acknowledging that yuuta could've been at his side, could've been strong enough to save satoru, for him to not be alone in this curse of a blessing of strength anymore. but hes just. too. late.

[mydearchoso]

Haunted Hearts

-gojo satoru

//angsty. devoted reader. depressed! gojo because i can fix him </3

A/N: haunted hearts, we melt over the fabric of your floorrrr (couch, but ptv reference ehehe). i wrote this in like an hour?? i don't really write for fun like this often, so idk how this turned out 😫 it's been like 4 years since i've written anything like this. ALSO, i didn't proofread it 🤭. dunno why its so angsty but i was just churning it out... sorry? divider by cafekitsune

wc- 550ish

coming home after a long day. walking down the seemingly endless hallway to your apartment as your chest heaves and your heels drag. your day isn't over yet though, as you're greeted by a cluster of white hair and a long, lanky body that shrivels against your door. who know's how long he had been there, how long he would have waited. with one final sigh, you exhume as much of your fatigue — physical as well as mental, before pushing your key in the door, unlocking it.

before twisting the knob, you shove the bag hanging off your shoulder behind you, and squat down in front of the grown man at your door. a soft smile graces you lips as you push a tuft of his messy, unkempt hair back and whisper, "what am i to do with you, huh?"

the same heavy silence that usually permeated your hallway became more dense as the man greets your question with silence. as your smile turns weary and your voice softens, you implore him, "come on, satoru. i can't pick you up all by myself. help me get you on your feet."

as you wrap your arms around his torso, you bring one to the handle in preparation. under your breath and into his ear, you count, "one... two... three." he comes up surprisingly easy for as dead as he had first appeared. shuffling inside the dimly lit apartment, you first slide off your own shoes, before leaning gojo against the wall to help him take off his own.

once all shoes were properly discarded in the entryway, and coats were dismissed, you lead him to the couch (what could also be recognized as the the lounging area closest to the door). you let him situate himself, before joining him on the opposite side of the couch.

almost as soon as you settle, gojo is leaning towards you. twisting his body to allow his face to rest between your hips and waist, while his arms snaked themselves around you. he held you tight, the pressure catching you off guard. despite his unusual behavior, your hands naturally assumed their position, the left carding through his hair and the right rubbing his back. a shuddering breath racked his body as you did so, his face pushing deeper into your belly.

a new, but familiar silence hung itself in the air as everything fell into place. the damp, sticky one that clings to every fiber of your being. the one you can't manage to wash off no matter how hard you scrub, that stains your skin and maims the soul. the one that gojo would never be rid of.

over time, this same silence started clinging to you, much like a scent or habit does. you didn't mind it. you never would. if sharing even an ounce of it would take any of the weight off his shoulders, you would take it on gladly.

for as long as he was the strongest, as long as death continued to follow him, he would never be able to rid himself of this silence. soap and water could do wonders for the blood he's had on his hands, but only time (and perhaps some love) can work to chip away at the guilt harbored deep in his heart.

[hellomayu]

actor geto visiting gojo after photoshoot 🎬✨

[polysyndetonaddictsupportgroup]

it’s hilarious to me that fushiguro went back to his old middle school and everyone talked about how his sister, who went to middle school with him, was the one taking care of him because I’m convinced that seventeen year old gojo had his ass in a chair every pta meeting starting shit with the other moms and the entire administration collectively said “that man cannot even take care of himself” and decided twelve year old tsumiki was the only possible caretaker

[itseghost]

target audience for this is me but quick sashisu ponies :]

[teddybeartoji]

Is bf gojo into roleplaying (doesn't have to sexual) ?? If yes, what could be his favorites?

OHHHHHHHHHHH GOOD QUESTIONNN i think bf!gojo would be into smth very basic - a little nurse outfit would make him pop one immediately (what a surprise!); he's laying on the bed whining about how everything hurts and he needs you to make him feel better. he'll ask you to kiss him better (more like he's gonna literally point to his dick and ask you to kiss him better).

but i think he'd like playing the doctor himself even more!!!!! he's making you sit down on a chair and then he'll examine you. oral and physical. he's gonna stick two fingers down your throat to you know... to make sure that everything feels right; if you have tits he's gonna wanna grope them, kneading them in his big hands in order to check for any lumps. if you have a prostate... well, bend over bc he's checking that too. he's very thorough.

another roleplay i think he'd be into is some sort of a power play dynamic. smth like boss/employee - you're the boss and he's the errand boy. i genuinely think he loooooves to be bossed around by his beloved. he wants to dress up with you, put on your best little fake office outfits and he wants you to demand him to make you a coffee? he's a real freak i know i know. idk if any of us can keep up with him...

+ mwah mwah mwah nonnie thank u for this question!!! satoru is a freak in the streets and a freak in the sheets!! these are like really basic ones but i do think he'd be super into them ngl.....