#bc that's the least she deserves

[nomohmoss]

navia🤝furina

having the worst time ever in the aq

[izzystizzys]

When the 212th collaborates with the 501st, chaos is sure to follow in their footsteps. This has been largely true of every engagement since the start of the war, in Cody’s experience. Had he even an ounce more of a rebellious streak, he might question why and whether the success rate is worth the feral instinct for mayhem his battalion and Rex’ awaken in each other - as it is, he simply fills out the after action reports and then screams into his pillow, which is hard as durasteel and doesn’t warrant the name.

Or, on some days, he steps into the training rooms to work off some nervous jitters only for his foot to catch on someone’s armoured shoulder and faceplant straight into what looks like the entirety of both battalions piled together in a massive cuddle pile.

“What”, he manages between gritted teeth, heaving himself up with one hand supported on Crys’ arm and the other planted in places that make Boil jackknife up with a strangled yelp, “the kriff is this?!”

“We’re watching the Corrie Reality Special, sir”, his own voice calls from somewhere across the room. “The 91st is passing by, so we have satellite access to the Coruscant Broadcast network for a few hours, and we couldn’t settle on a specific show -“

“- so we decided to watch them all”, Rex finishes, sheepishly, where he’s fought his way through wiggling piles, hoots and badly imitated monkey lizard noises. The thought that he shares DNA with these degenerates is enough to drive Cody to the brink of a nervous breakdown some days. “Spopcorn?”

Ah. The Corrie Reality Circuit. When Cody first heard of it, he’d thought it was a prank. Then, they were deployed to the middle of bumkriff nowhere on the edges of Midrim space edging on Outer Rim, with a connection so spotty even classified military intel only got through about half the time, and the whole idea got shelved in favour of clankers and keeping his General’s lightsaber in his General’s hand where it belonged.

Now, a gaudy, glittery monstrosity of a logo announcing a Coruscant Rotational special appears on a rigged up screen, which means one of two things: either Fox is pulling the Galaxy’s greatest long con on all of them, or he’s been murdered and replaced with an evil clone (ha!), because there are no circumstances in which he would agree to star on Coruscant Reality TV.

Cody tilts his head consideringly. Rex smiles at him sheepishly. Tilts the spopcorn bowl at him, invitingly.

“Oh, dank farrik, sit your shebs down!”, someone (Fives, probably) yells out, fed-up…ly.

Cody sits his shebs down.

“Good morning and welcome all of Coruscant to the Great Coruscant Rotational Special: Our Boys in Red Edition!”, a bright red Twi’leki man announces on the screen amidst cheerful jizz music and loud hooting from the training room. “My name is Braham Horton, and I will be your exalted host for this fine, fine late night cycle!”

“And now, gentlebeings of the metropolis, I present to you the images that have driven us all to laughter, joy, and even tears at times over these past few weeks - whodathunkit, that the CSF media project would enthrall a whole Galaxy of viewers and cause the largest recorded peaceful civil protest of all time?!”

“The sorry what now”, says Cody, suddenly thinking back to the urgent meeting General Kenobi was currently in with Generals Windu and Yoda - passing by on the Venator in orbit. “Uhm”, says Rex. Braham Horton, unfazed by the commotion he’s causing lightyears away, chatters on.

“- many hours, so we’ve compiled an introductory little best-of for you, exalted viewers! And what better best of to start off on than the hottest entry of the most explosive bombshell into the villa - please give it up for Commander Thorn and how he stole all of our hearts on Love Island!”

A garish, club-tech jingle Cody has so far only heard buzz through the walls of establishments that generally didn’t allow clones thrums through the training room, followed by what can only be described as the sort of noises spiced up banthas might make. Thorn appears on screen, more oiled up and half-naked than Cody remembers, though just as bleach-blond, hair slightly longer than regulation and smile blindingly perfect.

“I’m Commander Thorn, baseline twenty-four years humanoid - during daytime I might be the scourge of Coruscant’s criminal underworld, but at night I don’t mind playing good cop for you!” He punctuates it woth a sleazy wink and fingerblasters that have Rex honest-to-god gagging, and Cody seeing his life flash before his eyes. If Alpha-17 finds out about this…

Suddenly, Thorn’s smile drops in favour of what might almost be called a scowl on even his handsome face, and the music cuts out. “There, got your soundbyte. Can I go back now? I’m supposed to be on shift.” Indistinct, off-screen chatter and a captioned oopsie… appear in a shower of glitter. Thorn’s face does something complicated. “For HOW MANY MONTHS?!”

Cut to a montage of what Cody can only describe as beaches, oil and abs galore, Braham Horton narrates and extremely close-up shot of what Cody tries very hard not to identify as Thorn’s crotch. His own crotch, in a way. Oh no, that’s weird, stop that train of thought immediately-

“Although our favourite bombshell’s entry into the villa wasn’t without its hitches and hurdles-“, emphasized by a zoom-in on Thorn’s form in a speedo huddled away from a partying crowd of softcore-kriffing contestants on a yacht, “- as well as all know, he would soon find his place in the villa - or places, rather!”

Two crying humanoid women appear on screen, with eyeliner smudges down to their knees. A hoot goes through the room. Cody watches with a sense of impeding doom. “You slept with her after I chose to match up with you instead of Chad?! How could you!”

Thorn, still oiled up with both blasters out for the world to see, winces. “I didn’t me-“

A hysterical gasp, a camera swerve. Three more people stand by the doorway, all clutching their chests with wide eyes. A broad, green Twi’leki man raises a finger to point accusingly. “You were sleeping with them too?! I thought I was the only one!”

“Dear Force”, Cody murmurs, unable to look away from the building speeder wreck on screen. Braham Horton laughs good-naturedly at his misery. “Ah, good times! And who could forget the all-out brawl of the following matching night, where a record number of every single other contestant attempted to physically fight the others for the right to match up with Commander Thorn! Including a somehow returned Chad, who nearly won thanks to the element of surprise. I wish we could show the footage, but then we’d have to slap several warnings on it and probably still get taken off the air.”

“I didn’t know Corries kriffed like that!”, someone (Fives, let’s be honest, it was definitely Fives) calls out into the room, receiving snickers and a well-aimed pillow to the throat for his trouble. He goes down with a choking scream.

“Someone who was less impressed by the hot’n bothered beach weather was Commander Thire, who found himself Less than Impressed by his co-contestants inability to keep it in their pants on Too Hot To Handle!”

Thire’s face, identical to Thorn’s in every way except the ones that matter, appears on screen. His black hair is cut in a cropped mohawk, arms folded over a button-up he’s carefully pieced together with… safety pins? Where are the buttons on it?

“These people are pathological and pathetic and I will spend not a second longer on this farce of an attempt at ‘entertainment show’”, says Thire, air-quotes so sharp they could cut stone. His scowl might be permanently etched into his face, Cody can’t tell. “Unlike literally everyone else, I have an actual job to do. Now move.”

A brief pause, in which cheerful jizz music plays over what is obviously a producer begging off-camera, followed by an eyeroll so hard it hurts Cody’s brain to watch. Thire throws his hands into the air in defeat, marching off into the sea behind him still fully clothed.

“When they didn’t find him until the last episode, I’ll admit, I thought he’d died too!”, Braham Horton cuts in cheerfully. “But would you look at his little lonely island lair - now that’s a fulfilled man, and too many coconuts for my taste! We’ve had to blur his hands out as he discovered the cameras just moments before these holos were taken, unfortunately. And, dear viewer, who could forget this exit-interview for the ages!”

A considerably more clothed Thire appears on screen, eyeing a microphone like he’s about to use it to stab out his own eyes. The reporter clears their throat in audible anxiety. “C-commander, how would you describe your reality experience in one word?”

“Demeaning”, says Thire, blandly.

Silence.

“Um, o-okay”, squeaks the reporter.

“Would you like some more words?”, asks a dead-eyed Thire.

“No, um, I think - I think we’re alright.”

“Because I have many words. Mostly for whoever the *bleep* thought this was a *bleep* good idea, and *bleeeeeeee-*”

“We’ve had to censor most of the Commander’s on-screen appearance, dear viewer, for your sensibilities”, says Braham Horton, eternally and painfully cheerful. “And speaking of sensibilities, who could forget Commander Stone honouring his name in several challenges on ‘I’m A Holostar - Get Me Out Of Here!’”

Soulful violin music fills the gym, overlaid with images of a bald vod Cody surmises must be Stone. Stone stares stonily into the void, glass of bright green something raised to his lips and already half-empty.

“Memorably, he downed a pint of acklay urine within seconds-“

Horrified screams are followed by an image of Stone chewing, yet another thousand-klick stare.

“- or when he ate Tauntaun anus -“

Rex doubles over gagging, and Cody slowly puts his handful of Spopcorn back down.

“- of course the ten minute worm-bath challenge cannot go unmentioned -“

“FORCE PLEASE NO!”, screams someone (Echo) tearfully. Commander Stone, buried to the chin in wiggling orange worms, looks less impressed.

“ - and who could forget his encounter with a horde of ginntho spiders and nests of vexis snakes!”

A remote goes sailing past the screen, missing by a mile, as images of Stone with his whole arm stuck in various boxes fly past. Someone is retching. It might be Cody.

“We would show the infamous butchery challenge wherein the Commander found himself drenched in nexu guts and sandworm brains, but once again, this is family friendly programming and we are not allowed. Nevertheless, a win well-deserved. And now, please welcome the one, the only, the awe-inspiring, the unbelievable: Marshall Commander Fox!”

Another Force-awful jingle, big, blocky letters, and Cody chokes on his own spit when Fox’s scowling face appears on screen. He’s thinner, greyer and angrier than the last time they saw eachother in person. Only the last one is really a surprise.

“I am neither naked nor afraid”, says Fox, arms crossed firmly, foot tapping impatiently on the ground. “I am, however, quickly losing my patience. Explain to me again the point of spending my valuable time undressing in the middle of bum-*bleep* nowhere on the Midrim instead of doing my job as the head of planetary security in the middle of a Galaxy-wide war?”

Several beats of silence follow. Fox grows less impressed with each. Cody knows that look well. Usually, it precedes handcuffs and a cold sonic blast to the face.

“Um… you signed a contract?”, says a producer’s voice uncertainly off-screen. Fox barks out a harsh laugh. “I’m legally classified as military property, my signature holds less weight than if I’d had one of the Guard’s massiffs shit on that contract for me.”

“Ouch!”, calls Crys.

“Gettim!”, adds Longshot.

“But… don’t you sign off military documents all the time for the Senate?”, sputters the producer.

Fox smiles with far to many teeth. It’s also a look Cody knows far too well, and even lightyears away it has a shudder going down his spine.

“Really makes you think about the technicalities of that definitely-not-slave-army, doesn’t it?”, he says, dryly.

“Although considerably less naked and afraid than all other contestants, Commander Fox left us with many memorable moments - such as when he saved the entire crew from an angry Acklay!”

Most of the next holovid is blurred out, though Cody can (unfortunately) guess at the why and how. So can most everyone else, judging by the collective groan.

“Down, boy”, says Fox, flatly, to a hissing Acklay twice his size. It rears its fanged head, and a shudder goes through the room. Fox simply crosses his arms and nails the beast with an unimpressed look. “You are making a fool of both of us. Cut it out.”

Chastised, the Acklay blinks at him, slowly lowering itself back down with a confused hiss.

“No kriffing wonder all the Corrie shinies are such hardasses”, mutters Rex, whom Cody is hard pressed to agree with. “I came from a tube and that look gave me daddy issues.”

“Yes, dear viewer, who could forget these heart-warming moments of good, quality television!”, sighs Braham Horton, dreamily. “Not Coruscant anytime soon, that’s for sure! We are now entering the twentieth rotation of the sit-in protest of a petition to allow the Commanders of the Coruscant Guard to compete on Dancing With The Planets, Coruscant Rotational’s epic dance competition!”

“Dear bum-kriffing Force”, whispers Rex, wide-eyed and awe-struck. “Does Fox know about this?!”

Cody, who’s already dialing the kriffer’s comm-code, wipes a singular tear from his eye. “Not a clue, but kriff, am I going to enjoy telling him.”

[hauntingsofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[carnivalcarriondiscarded]

alright ill admit it. popstar is pretty cute

[pocketscribbs]

Tangle’s Birthday part 1: Special Messages

a song from the Diamond Cutters and a radio shoutout from the Chaotix!

Next Part

[elviraaxen]

I'm probably not the first to admit this but goddamn was I a narcissistic prick when I wasn't on stimulants

[whydotheycallmechimney]

the vampire diaries universe really has a difficult time letting their female characters be simultaneously kind and nurturing while also showing them to be strong and capable women, which is why hayley is so refreshing to see. yes, she’s a mother and a voice of reason within the chaotic mikaelson family but she’s also ruthless and petty at times. she’s headstrong and able to speak and fight for herself, but she’s also vulnerable and longs for someone to take care of her (which I think comes from her being forced to grow up with herself as her only form of protection)

[swordmaid]

i am wide awake thinking about that post canon jb au again when I should be sleeping …!!! such is the nature of the jbrainrot…

[captainpangolin]

AND WHAT IF KITTY STARTS REFERRING TO CAPTAIN AS HER FATHER? DAD? PAPA? DADDY (IN AN UPPER-CLASS, NON-SEXUAL WAY)? "THIS IS MY FATHER, JAMES"!? WHAT THEN? HUH??????

WHAT THEN, I IMPLORE YOU--

[eskawrites]

sometimes i still think about the fact that nancy is one of the most powerful, plot-critical characters in stranger things, and how she has led her own arc every single season--from driving the search for barb to taking down the lab to figuring out the flayed to being a fucking general by the end of season 4. and about how she was taking care of the kids during the last half of s3 and how she was the leader of the hawkins group in s4. like, i really cannot emphasize that enough. once the main character with superpowers and the actual war veteran chief of police are out of town, nancy is the unquestionable leader. the person everyone turns to without thinking twice. i’m serious. nancy is a teenage girl who has her every move questioned and doubted and still the only people more powerful than her in the show are a girl with superpowers and a war vet.

and when danger--physical danger--shows up, she doesn’t fucking hesitate. she’s diving straight into the upside down. she’s leading the older group to safety again. she’s shoving aside the 5 different traumatic experiences she just witnessed to put together a multi-step military operation and she’s taking point to go shove a shotgun in vecna’s face. and yeah, they end up not being alone when they face vecna because el is there, but nancy doesn’t know that. she’s fully intending on going to kill an adult man who has control over an entire dimension and has been murdering people with his mind, even though she has no backup, no superpowered el, no hopper and his government contacts, nothing.

and yet.

AND YET

the vast majority of natalia dyer’s press for s4 was about a love triangle. and i get it, a lot of interviewers can’t get away with not asking those questions, but you know what else you could ask about? nancy’s growth over the last 4 seasons. how it felt being the leader of the hawkins gang. how she thinks nancy feels after losing another friend. what was running through her head when vecna had her. what her thoughts are regarding nancy’s plan, or what’s going through her head during that final scene when she’s *checks notes* standing behind the show’s protagonist and looking at The Plot as it rises from the ground.

or, i don’t know, ask her what it’s like being the person handling guns on set. what those upside down night shoots were like. what her thoughts are on nancy’s choice of college! what she thinks about the perm! for fuck’s sake there are only a thousand different questions that would’ve been far more interesting or at least personal to her character. but no. every interview boils down to team steve or team jonathan, as if a tired, already resolved love triangle is anywhere near as interesting as literally any other part of her character

[smolandweirdwriter]

FUCK

aelwyn abernant i??? don't hate you???

[ophanim-vesper]

My (personal) Problem With TOTK's Zelda

I think nothing infuriates me more about TOTK's writing than the fact that Zelda is literally a recycled, WORSE version of herself in BOTW.

What was Zelda's arc in BOTW? - struggling to unlock an important power that will help save the world. - is dreading an impending doom that will be caused by a formidable evil. - by losing/nearly losing those who love and support her, she finds her strength and sacrifices herself to help Link, spending hundreds to thousands of years in an intangible, unreachable form.

Very, VERY well-written and thematically consistent. Zelda had her struggles, her faults and her flaws and grew to be an incredible savior worthy of the prophecy that preceded her. She literally went from 'zero to hero', believing she was the weakest out of her companions (the Champions) to becoming one of the most important. Without her, the story of BOTW wouldn't have happened, and it's thanks to her that the kingdom is saved.

So what's Zelda's arc here in TOTK? uhhh.... - struggling to unlock an important power that will help save the world. - is dreading an impending doom that will be caused by a formidable evil. - by losing/nearly losing those who love and support her, she finds her strength and sacrifices herself to help Link, spending hundreds to thousands of years in an intangible, unreachable form.

Except, in my opinion it's much WORSE and carries much less weight than in BOTW. Why? Because there's one horrible mistake the writers of TOTK made when writing our beloved princess, and it's that...

They made her too perfect.

Idk if this is just me, but I dislike how Zelda was portrayed as this 'perfect, flawless and talented princess' who can do everything as if it was as simple as breathing for her. I didn't like how she suddenly became good at cooking at this game (referring to that one side quest with the meat and rice bowl). I loved the hc that she was a terrible cook, but even if she somehow learned, I wish it was mentioned how Link taught her or how she works super hard to become good at something she previously wasn't. I wish it was touched upon how she was an isolated princess who only had books for access to the outside world. I didn't like how it seemed she was suddenly a proficient explorer who knew all plant species and animals just because she 'read' about them (reading doesn't count for crap if you have no field experience!). It almost seems like every skill Link was good at is suddenly also Zelda's skill, aside from fighting. I don't like that. It makes them feel less unique from each other, and makes Zelda feel like she's copying Link in a sense. I wish Zelda had more obviously 'book smarts' while Link was more of a 'streets smarts' person.

Also, they completely forgot to give her any flaws. No struggles, no real issues, no intrapersonal problems at all. But what infuriates me the most to the point I see red, is this:

"Oh? You're struggling to unlock a new power you've never used before but desperately need to in order to go home/save the world? Lemme give you a quick pep talk and you're suddenly a master at using it, no struggle to learn needed yippeee!!!!!!"

Yeah. I don't like this.

I get it. In BOTW, Zelda had no proper mentor with experience to teach her to use her Light power. She had to figure it out herself, with everyone putting pressure on her, thus stunting her development further. And here, Zelda had supporting loved ones with experience in magic who can actually teach her. But come on...

It feels like such a lazy cop-out, and stomps on the beautiful arc Zelda had in BOTW when unlocking her power. It also sucks that it happens off-screen too, as in the next memory Zelda is suddenly proficient at time magic.

Zelda doubted herself. She was carrying pounds of self-loathing and frustration because she couldn't do the one thing she was destined to do. She felt useless, a failure and felt as if the Goddess herself was ignoring her. THAT is a character with struggle. THAT is an interesting protagonist. It is almost never fun when a character instantly learns to use a new skill they've never used before, or even knew existed-- and even WORSE when it happens OFF-SCREEN.

Of course, these are just my opinions though, and I'm sure many other people have different views of Zelda in either game. Feel free to rebuff my statements or even just continue the discussion! That's what these rant posts are made for, lol.

[rookflower]

Potential Thunderclan deputy candidates!

[in-tua-deep]

when I was 12 I was sick and missed a science test. when I was back at school the teacher told me I could make it up after class but it completely slipped my mind and I went home on the bus

the next day I went to the teacher to apologize and tell her I could stay after that day if it was still okay and before I could she was like “You saw the zero in the grade book” in such a matter of fact way

I, in fact, had not looked at the grade book?? I had no idea that she’d put a zero in for my test. I was just a distractible kid with undiagnosed ADHD who… forgot to stay after school because my usual routine was to get on the bus

I didn’t say that of course. I just nodded in absolute befuddlement and then stayed to take my test that day

I’m much older than 12 now but I still remember my confusion and shame and the bolt of momentary panic before she told me she would let me do the test and I’m like. idk. it kind of stuck with me. I was 12. I was a pretty good student otherwise, yeah distractible but in a quiet “doodle on every paper near me” and “has two to three books on hand at any given time so I don’t get bored” kind of way.

I think even after all these years I still don’t understand why she felt like she had to scare me

[vaugarde]

oh so when moth flight has kittens as a medicine cat and gives them away to strangers, one of which let his own son die and considered killing babies, because she can’t deal and somehow cant ask her clanmates to help, shes noble and brave and wise and shaped things for generations to come and she gets to die peacefully with all her children being like “wow mom that was so cool of you, we’re so happy and you are so smart and epic”, but when leafpool has kittens as a medicine cat and gives them to her sister who she knows wont mistreat them, she’s treated like shit by most people around her and shes so unforgivable that her children can’t help but snark about this at her funeral and shes almost sent to cat hell. ok

[swordmaid]

have this very specific post canon au jb in mind and it’s essentially jaime trying to woo and court her but respectfully chastely and in a way that’s befitting a noble lady but brienne thinks they’re just hanging out