#bc the book shows you so much!!!

[poisonpercy]

Ok, now that I had time to think about the show, here’s my issue:

It’s not hitting. This is something that I have been waiting for. I’ve been looking for an adaptation for years, and I was so excited we were finally getting one. The thing is, though, the show that we’re getting is not something that is going to occupy my every thought. IT SHOULD BE!! I SHOULD BE THINKING ABOUT THIS SHOW 24/7!! But I’m not. I finished the first 2 episodes. My life should have been forever changed, but instead it’s just a regular Wednesday in December. I really feel like they’re missing the heart and soul that made me fall in love with the book series. It’s just another Hollywood cash grab to me, and not a love letter to its creation :(

[knightingale]

The "Sansa reminds Sandor of his sister" motive that some people try to hitch to his character really just flies in the face of his actual attachments to her, doesn't it? Sansa reminds Sandor of himself. He sees the little boy who used to love knights in this girl who's been swept up by the same romanticism. He sees his abuser in her abusers, the much larger knight(s) beating on the helpless child. He sees how she is betrayed by every level of authority that should have saved her and remembers his father's neglect and Tywin and Robert's apathy for Gregor's crimes. He's protective of Sansa because he was Sansa.

And GRRM's design, that one of the strongest warriors in the series, a fearsome and cynical 6'8" guy who's "muscled like a bull" and has the face of death itself, sees himself in this soft and effeminate teen girl, and empathizes with her because he was an abuse victim too, is INFINITELY more compelling than "Oh yeah I bet she just reminds him of his sister," who he's never mentioned and who we know literally nothing about. Way to unnecessarily water down a character, you couldn't have ignored the black and white text more efficiently if you tried.

[dont-offend-the-bees]

That bit in the comics where Rose is only wearing a bed sheet in her dream so Morpheus shows up in an emo bed sheet and shows some skin. Solidarity, equality, 10/10 no notes

[mango-sideburns]

My fav thing about TAZ is that any aspect out of context sounds fucking bonkers.

Like, in the balance finale there's a scene in which Garfield (who is very specifically never described visually bc most people imagine him as like. The Lasagna Cat. Who in this universe is the most powerful warlock in the realm and also has a hobby of cloning people, which is great for the one character that got forced into haunting a mannequin) is summoned by an alien spaceship that runs on the power of friendship so he could beat up some flashing balls. In D&D.

And that was just. Such a normal scene in the narrative. No one blinked an eye. I would like to bow down to Griffins clear unmatched talent for making me feel such big emotions over ridiculous shit like a goddamned umbrella or a regular ass pair of jeans or the idea of a taco recipe.

[markantonys]

reddit:

literally every other WOT viewer in the world:

[idliketobeatree]

rereading the book omens again and I must admit, Aziraphale really is That Bitch most of the time. that being said, I really enjoy the special kind of uwu and sluttiness Michael brings to the table

[rearranging-deck-chairs]

the doctor isnt neurodivergent or autistic or adhd or nonbinary or genderqueer or asexual. what the doctor is, is Not From Here

[thelaurenshippen]

this is a genuine question not at all meant as a rude gotcha, but I feel like I've seen lots of people cite the relatively low barrier of entry as a huge advantage of podcasts as a medium, "if you have access to decent audio tech you can make a podcast" etc etc. So where does the need to sell a script come in? Is it a financial thing, and IP thing, something else?

this doesn't read like a rude gotcha at all, it's a really good question! there is a much lower barrier to entry when it comes to podcasts compared to tv, film, theater, etc. (though not as low as writing a book if we're talking about hard resources - you can technically write a book with just a laptop and a dream and then self publish! though as a writer who has written a lot of scripts and four books (3 published) writing a book is a much bigger psychological burden imo lol).

the need to sell a script, for me, is entirely a financial thing. if I had the money to produce podcasts at the level I want to entirely independently, I would! I know how to do it! but, unfortunately, I really only have the funds to produce something like @breakerwhiskey - a single narrator daily podcast that I make entirely on my own.

and that show is actually a great example of just how low the barrier is: I actually record the whole thing on a CB radio I got off of ebay for 30 bucks, my editing software is $50/month (I do a lot of editing, so this is an expense that isn't just for that show) and there are no hosting costs for it. the only thing it truly costs me is time and effort.

not every show I want to make is single narrator. a lot of the shows I've made involve large casts, full sound design, other writers, studio recording, scoring, and sometimes full cast albums (my first show, The Bright Sessions had all of those). I've worked on shows that have had budgets of 100 dollars and worked on shows that cost nearly half a million dollars. if anyone is curious about the nitty gritty of budgets, I made a huge amount of public, free resources about making audio drama earlier this year that has example budgets in these ranges!

back in the beginning of my career, I asked actors to work for free or sound designers to work for a tiny fee, because I was doing it all for free and we were all starting out. I don't like doing that anymore. so even if I'm making a show with only a few actors and a single sound designer...well, if you want an experienced sound designer and to pay everyone fairly (which I do!), it's going to cost you at least a few thousand dollars. when you're already writing something for free, it can be hard to justify spending that kind of money. I've sound designed in the past - and will be doing so again in the near future for another indie show of mine - but I'm not very good at it. that's usually the biggest expense that I want to have covered by an outside budget.

but if I'm being really honest, I want to be paid to write! while I do a lot of things - direct, produce, act, consult, etc. - writing is my main love and I want it to be the majority of my income. I'm really fortunate to be a full-time creative and I still do a lot of work independently for no money, but when I have a show that would be too expensive to produce on my own, ideally I want someone else footing the bill and paying me to write the scripts.

I love that audio fiction has the low barrier to entry it does, because I think hobbyists are incredible - it is a beautiful and generous thing to provide your labor freely to something creative and then share it with the world - but the barrier to being a professional audio drama writer is certainly higher. I'm very lucky to already be there, but, as every creative will tell you, even after you've had several successes and established yourself in the field, it can still be hard to make a living!

anyway, I hope this answers your question! I love talking about this stuff, so if anyone else is curious about this kind of thing, please ask away.

[percyjacksonfan3]

Okay I said I'd wait until the season was done before forming final opinions and I WILL but-

- what the fuck was that

[coquelicoq]

crashes ur board meeting n drags u out by the collar but its fine bc youre the one always saying shit like "im looking for people i can use" ok lol. get used idiot

[rotisseries]

chapters 51 and 58 of bloodmarked are absolutely CARRYING bree/nick/selwyn polyamory truthers

[sukibenders]

Being a woc fan of Bridgerton can be a struggle, especially when it comes to liking the poc characters on the show, especially the woc. Like I remember when s1 came out and the blatant microaggressions and just plain racism coming from this fandom was atrocious. You had people spewing very hateful things about Charlotte, Marina, and Simon and undermining the latter two's pain and trauma at the hands of the white characters---Marina was treated terribly by the Featheringtons and, whether you like Penelope or not, you cannot deny that she also played a part by releasing that letter to the Ton and Simon was violated Daphne no matter how people try to spin the story to offer her some form of sympathy (it still blows my mind that people would want to though).

S2 is just as bad (not even including how they changed the Sharma family's storyline than how it was in the books when that wasn't necessary) and the racist undertones many of the fans have towards Mary and Edwina (as well as Kate but for her it's carries more brown woman needing to be saved by a white man when Anthony is involved because a lot of you all in the fandom are quick to use this trope such as "oh, he's the only one who truly knows her"). The lack of screen time for this family really ends up hurting them to but even with that, whether you like Mary and Edwina or not, it would be a lie to deny the racism a lot in the fandom hold towards them (and how that falls onto the actresses because it was very apparent how many in the fandom couldn't let two Desi women shine without having to bring down the other and Netflix played into that too for drama) and paints every small thing they do as being terrible crimes but in the same breath will not have the same smoke for the Bridgertons, who have their own set of problems (but because they are also the main family, among other things, they are provided more grace without consequences).

[carnivalcarriondiscarded]

i only just found your au and i need everyone to have a happy ending so badly im gonna cry ;-; sally is gonna be so freakin upset when she wakes up for real and sees she decimated barnaby.

oh, Barnaby already has his arm stitched back on when she wakes up! and really, even if he didn't, that'd be the Least of her worries. she wakes up into a Real nightmare - partially of her (unintentional) making

[snorlaxlovesme]

y'know i was just thinking that in literally ep/chapter 1 it's established that Blair is a magical cat that has nine lives. and then after being "defeated" Blair continues to live with Maka and Soul and even accompanies them on several important mission, growing to truly love them. and she has all these extra lives to spare. hmm. why wasn't anything done with that

[blacknidstang]

No fandom has ever given me an evergrowing reading list and new poems to discover the way wincest fandom did. Like legit these insane web weaving and edits people make, pheww. I think personally this hasn't been as prevalent in other spaces I've been?? I think this is also why wincest on tumblr is so amazing while i preferred twitter for other series. Like web weaving is so unique to tumblr and wincesters thrive here more and more every day. God bless you all.

[markantonys]

day 71 of asking why reddit has suddenly become convinced that the 'finn and mat's rhuidean trip are a waste of time and easily cut, and that season 3 will obviously feature him splitting off from the friends he just reunited with in order to spend the entire season dicking around with thom and getting into shenanigans, as that is much more important to his overall character arc than his 2-book waste arc

like there have been SO MANY posts like this lately and all of them are filled with comments of universal agreement! am i having a stroke? what the hell is going on???? i'll admit mat doesn't have a huge amount of specific stuff to do in the waste aside from rhuidean, but rhuidean is crucial to his character and s2 had Mat-Finn Connection Foreshadowing out the wazoo, plus the waste plotline is MUCH more fertile ground for creating additional Specific Mat Stuff and enhancing his character development & relationships with other main characters than his TDR plotline of dicking around with thom is.