#because I make the rules i don't follow them

[kick-a-long]

i find it so desperately sad that goyim generally would be so much less antisemitic if jews started physically fighting back with guns or sticks in every country. calling for the murder of muslims all over the world, if the jewish population was big enough to have large scary groups of crazy fringe fundamentalist synagogues all over the world, a billion strong, that preached murder and hate so goyim could look down on jews like some noble savage in need of assistance and western education and protection. so we could be reformed in obvious patronizing ways because there were so many of us that we had militant violent fringe extremists, like christians and muslims have, mixed in with the normal jews.

if jews didn't have such a reputation for success and intelligence maybe conspiracy theories would stop blaming us for controlling the world. if we felt less in danger maybe we wouldn't be so obsessed with long term survival.

is antisemitism some warped form of envy? maybe. what sucks is that jews are no better or worse than anyone else. some jews are brutes and some are the most wonderful people imaginable, just like any other group. what sucks is we don't all live up to the reputation of tactical geniuses and wizards with mind control magic. all of us jews are just tired and abused humans who have lived with 2000+ years of generational trauma and the endless fall out from a popular jewish book written 3000+ years ago describing the best practices of jewish culture. It has some great stories, histories, life advice, diet recommendations, hygiene, and rules about how to treat others.

is that such a crime?

trying to show a path forward? not demanding anyone else follow those rules but wanting to do our best to follow them anyway? how to live a good life that makes the world better and makes you proud to have been on earth for the time you were there? jews fail to do this all the time, just like everyone else. I fail all the time. why are people so obsessed with that? people say shylock is a stereotyped antisemitic character but,

"I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge! The villainy you teach me I will execute, and it shall go hard but I will better the instruction."

so why do jews always have to be the better man? why do we have to apologize for being angry and sad and hating the people that attack us? that was written by Shakespeare, a christian in the 1600s who often was in debt to jewish money lenders, the only profession left to jews at that time. even he saw the double standard. it makes a good point.

now, i don't want vengeance, i don't want violence, but i feel vengeful. i feel angry that i am unsafe because of play actors and terrorist supporters who want revenge for jews existing but scream bloody murder when jews refuse to dig their own graves, beg forgiveness for ever being born, and lay down in them to be mocked and pissed on and abused in the worst ways imaginable for the entertainment and conquest of it. i want peace with them. they are as human as i am, full of foibles and anger. i want nothing to do with them. i want them to never come near a jew again for the rest of time.

i am sad. all i want is to feel my feelings and advocate for what is the most ethical and practical work around to a world filled with unending suffering while i am still alive. i want them on thier side to live in the world they want and me on my side to live in the world i want. why don't these children of all ages, lost in delusions of fantastical battles and ultimate good and evil, see that? why can't I be a human first as well as a jew first? why do they ask me to pick? why am i not allowed to pick?

it's been almost a year. we're all so tired.

I'm going to a music festival. I'm trying to decide whether to wear a star. why is it dangerous to wear a star around my neck?

[frommybookbook]

Earlier today, some friends and I were discussing one of those Star Trek captains memes. You know the ones I’m talking about, the ones that pit the captains against each other with pithy descriptions that glorify and champion the men and shit on Janeway. The ones where Picard is describe as the wise teacher and scholarly diplomat; Kirk is the brave trailblazer and lovable rogue; Sisko is the take-no-shit commander and more-than-human uniter; Archer is the quick thinking explorer and the avenging do-gooder; Pike is the empathetic Boy Scout and the quippy everyman…and Janeway is an irrational murderer and erratic loose canon. And, as usual, I went on a bit of a rant. They (looking at you @redsesame, @epersonae, and @emi--rose) told me to share it here so, if you trudge through this whole thing, blame them.

Does Janeway make some questionable decisions throughout VOY (Prodigy!Janeway is a different conversation for another time)? Yes, absolutely. But here’s the thing: every captain does. What I still love about her though and will champion until I'm blue in the face is that Janeway owns her decisions more than I think any other captain does.

Picard and Kirk hide behind the Prime Directive a lot. That's the reasoning Picard gives for not interfering in the drug running in “Symbiosis” and leaving the Ornarans trapped in dependence on the abusive Brekkans. His line, “Beverly, the Prime Directive is not just a set of rules. It is a philosophy, and a very correct one. History has proved again and again that whenever mankind interferes with a less developed civilization, no matter how well-intentioned that interference may be, the results are invariably disastrous." is a cop-out we hear from him time and time again, especially to Dr. Crusher, as she is the one who most often calls him on his bullshit.

Kirk does the same thing. We still this when he leaves Shanna and the other thralls behind in "The Gamesters of Triskelion" and when he forces Elaan of Troyius into a marriage she clearly doesn't want because it's "for a greater good." And all the while, he's got Spock at his side giving him confirmation bias that he's following regulations.

And Sisko, Sisko makes some of the most horrific and destructive decisions of any captain and uses not only the Prime Directive to fall back on, but he's got the Dominion War to blame. He poisons an entire planet to get back at one man he feels betrayed him in "For the Uniform" and don't even get me started on his actions in "In the Pale Moonlight".

Enterprise is so unjustly shat on by the fandom that I almost hate to bring some of Archer's questionable choices into this conversation but I'm going to do it anyway. Similar to Sisko and the Dominion War, Archer has the threat of the Xindi in his back pocket to excuse some of his worst behavior. If Tuvix is the worst thing people can point to for Janeway, then we have to talk about Archer and Sim, the simbiont created solely to be a living tissue donor for an injured Trip, a procedure that will kill the living, breathing, sentient Sim. Archer orders Sim created against the arguments made by Dr. Phlox. He rationalizes his decision with the same argument for the greater good that we see from all the others. He says to T'Pol before Sim is created "…we've got to complete this mission. Earth needs Enterprise. Enterprise needs Trip. It's as simple as that." And it doesn't end there. When Sim is grown enough for the procedure and has figured out what's going to happen to him, he challenges Archer himself, arguing for his own right to live, and Archer sticks to his guns. This exchange directly between Archer and Sim is haunting.

Archer: I must complete this mission; and to do that, I need Trip. Trip! I'll take whatever steps necessary to save him. Sim: Even if it means killing me? Archer: Even if it means killing you. Sim: You're not a murderer. Archer: Don't make me one.

Not only do all of these captains (except Archer, who arguably writes the damn thing himself at the end of the series) have the Prime Directive to fall back on, they also have Starfleet/the Federation/Vulcan High Council right there on speed dial to validate their choices and hear their excuses and give them another commendation. They all know that ultimately, they can turn to someone higher in command to turn to for help.

Janeway is alone. She is alone with her crew 70,000 lightyears from home with only her training and her own moral compass to guide her. Yes, she claims the Prime Directive a lot but she also goes with what she feels is right and she is clear about that with her crew. When she makes the decision to split Tuvix, despite what everyone else says, she sticks to it and more importantly, does the procedure herself. Picard would have forced Beverly to do it, saying Doctor I gave you an order, your conscience be damned, and Archer does the same to Phlox with Sim, but Janeway takes the tool out of the Doctor's hand and says it's my call, I'll do it. When everyone is angry and mad about her destroying the Caretaker's array, she stands up for her decision and says yes, I did it, because it's what my Starfleet training said to do AND because I think it was the right thing and it's on me to make the hard choices.

She also can admit when she made the wrong decision, which isn't something we see from the other captains. In the season 5 opener, "Night", we see her in a depressive state because she's questioning her decision to effectively strand her crew in the Delta quadrant but she comes out of it when she's reminded by her senior staff that the crew believes in her and trusts her, she should do the same for herself. When the Doctor has a mental crisis in "Latent Image" after questioning his own choice to save the life of Harry Kim over that of another crew member, Janeway admits she did the wrong thing by first deleting his memories of it so he could get back to work and then sits with him for days while he works through it because that's what captains do.

And she does all of this without the backup and support of Starfleet. She doesn't have anyone higher on the chain of command. She's 70,000 miles away from the admiralty and her support system. There's no one higher than her to give her a break from making every decision.

To quote my fellow Missourian Harry Truman, for Janeway the buck stops with her in a way it doesn't for any other captain and she is painfully aware of that and owns that and that is why I love her and she's my captain.

[lena-in-a-red-dress]

Musician Age Gap AU Pt 11

As soon as Alex and her family are safely in a car on the way to a hotel, Kara and Lena board Lena's jet back to the states. During the flight, Lena curls in on herself, picking nervously at her cuticles with a worried, guilty expression.

"Hey," Kara says, pulling Lena's gaze towards her. Her features remain heavy. "I'm not mad."

At that, Lena's face softens, but only enough to grimace with a soft huff. "You're not the one I'm worried about."

Kara must look confused, because Lena soon continues.

"As a rule, my mother knows who I spend my time with, and when." The guilt returns. "Except for you."

"So she didn't know I was in Capri with you..."

Lena confirms it with a shake of her head. "Nor why I went back to National City."

Well... this wouldn't be easy then. Dealing with a rabid press is one thing-- being at odds with one of the key players in keeping her family safe is another.

"I'm sorry," Lena murmurs. "I just... wanted to keep you mine. Just for a little while."

Kara shoots her a look. "I'm still not mad."

"You can be. If you want."

"I don't." She moves seats, switching to the bench Lena's on. She makes no attempt to still Lena's nervous picking, but simply spreads her legs enough for the outsides of their thighs to touch. Kara intends the physical contact to serve as reassurance, but she doesn't know if it works.

"I'm a big girl, Lena. I know I can back out whenever I want to. But I don't. Not yet."

A little bit of warmth cuts through Lena's anxious fog. "Yeah?"

"Yeah." Kara's heart beats a little faster, when a small smile answers her. Impulsively, she leans over to kiss Lena's cheek. She feels... giddy? Far more exhilirated she has any right to feel at her age. "Bring it."

----

Lillian Luthor is a slender, austere woman. Kara clocks her the moment the plane lands on the tarmac, tall and styled in her designer clothes and looks that only money and astronomically good genes could provide.

Only Kara witnesses the short beat Lena takes before stepping out of the plane, bracing herself for whatever follows. Kara keeps pace with her once they descend the ladder in single file. She may not be driving this bus, but she is no shrinking flower. In this, she is Lena's equal.

Not that the look Lillian gives her would have anyone believe.

"In the car," the woman orders. "Now."

Lena obeys without a word. Kara is a little slower to fall in line, but ultimately follows Lena's lead. Lillian climbs in behind them, leaving Jess and a woman Kara doesn't recognize to scramble on board last.

"The family is checked into the Lariat. So far no indication that they've been identified, but its still early."

"What about Kara?"

"What about you??" Lillian demands, tone scathing in its heat. "What were you thinking?"

Kara sees Lena wilt, and anger bubbles up in her throat. "Don't talk to her like that--"

"You have zero business here," Lillian fires back with steel in her voice.

"Mom!" Lena exclaims in Kara's defense. "It's not that big a deal--"

Ice blue eyes turn on Lena, freezing her to the spot. "It's a big enough deal that you saw fit to sneak behind my back, with a woman twice your age no less--"

"Mom!"

"Timeline, now."

Lena's shoulders sag, but says nothing. Looking to divert some of Lillian's ire, Kara moves to speak up. "We--"

"She already knows," Lena rolls her eyes.

"I do," her mother confirms. "But I'll hear it from you nonetheless."

Lena huffs. "Night two of the National City stop. Her niece left her phone backstage, and we exhanged numbers."

"Then?"

"Texting."

The exhange sounds like a repeat of one they've had many times before. Neither Jess nor the other woman-- who Kara assumes is Lillian's own assistant-- look at all nervous at the rapidfire crossing of words.

"Texting?" Lillian demands. "Or sexting?"

Kara bristles. "I don't see how that's any of your--"

"*Texting*, Mom, god!" Lena seethes. Her cheeks are bright red, from anger or embarassment or both. "Will you just--"

"Just *what* Lena?"

Lillian's voice is so sharp Kara can see the moment it cuts Lena down. Her jaw tightens, and when Kara sublty shifts to take her hand, Lena shifts away.

Satisfied that her daughter is suitably in line, Lillian turns to her assistant. "Mercy, have PR prepare a statement. The photos were misconstrued, they simply capture a couple of friends taking in the sights."

"Mom, no," Lena croaks. "I don't want-- who cares if people know that I'm gay--?"

"You are not gay!"

Lena flinches, features blanching as though Lillian had landed a physical blow. Only then does Lillian seem to realize that she's talking to an actual person. Her tone doesn't soften, exactly, but it doesn't sharpen any further.

"Your *brand* isn't," she amends, likely the closest thing to thing to an apology Lena would get.

"I thought Lena is the brand," Kara interjects.

Lillian's frigid gaze snaps to her. "She is."

"Her fans are more open-minded than you think--"

"Her fans don't buy tickets," Lillian informs her coolly. "Their parents do. And *they* are far less forgiving."

Kara looks towards Lena, who meets her gaze with a helpless one of her own. It's not untrue-- Esme hadn't bought her tickets, after all.

"Then what do we do?" Kara allows finally.

"Cut ties. Immediately." Lillian looks down her nose at Kara, her regard as condescending as though she were speaking to a teenager, not a women merely ten years her junior.

"No."

To Kara's surprise, Lena's response is faster than her own, and carries only the barest of trembles.

"Don't be foolish..."

"I'm not--"

"Do you love her?"

Lena freezes. Her gaze flicks to Kara. "It's only been a few weeks..."

"Precisely. Cut ties now, before--"

"But I want to," Lena finishes. This time, her gaze lingers on Kara's, a small smile warming her eyes. "I want to love her."

Lillian scoffs low in her throat. "You're too old to be play the love sick teenager. Or have you forgotten what happened last time?"

Kara watches Lena hold her mother's gaze, something heavy passing between them, inscrutable to anyone else. But Lena holds her ground, and surprisingly, Lillian is the one to back down.

"Then what would you suggest?"

"Like you said-- we give them something else to talk about." Lena swallows, but forges ahead. "I have some new material, I can perform it live in Paris."

Lillian purses her lips, but doesn't smack down the idea. She considers it, her gaze calculating. "And you two?"

"We do what we want," Lena delivers firmly. "No statement, no confirmation or denial. Let people see interpret it however they want. However they need."

Kara thinks of the young fans, isolated in their orientations or identities, seeing themselves reflected in their favorite artist. The gift that would be, the vote of confidence needed to dream of a future where what Lena and Kara share might be theirs.

Lillian shoots Kara a hard glare. "And you? It's your family in the crossfire if this idea goes to shit."

"Then it goes to shit, and we deal with it."

It might be selfish of her, but in all of their conversations, neither Alex or Kelly have suggested backing off. They spoke only of adapting, of overcoming, and Kara knows she has their unspoken support. And even now, being talked down to and chided, she feels happier sitting next to Lena in this moment than she has in years.

Lillian barely contains her snort of derision.

"Very well," she concedes, with a sharp note of criticism. Then she turns from them entirely to speak with Mercy in low tones.

Kara takes advantage of the moment to lean closer to Lena, murmuring in her ear.

"I want to go to Paris with you."

Lena blinks at her. "You don't have to--"

"Would you feel better if I were there?" Kara asks bluntly. Lena deflates a little, but this time in relief rather than shame.

"Yeah."

"Then let me come." Kara gives Lena's hand a squeeze, and is rewarded with a tired smile. "You're not alone in this."

"Okay," Lena says, her smile deepening into a challenge. "Let's bring it."

[808airsoftbros]

Protective Scale of Vampire IVE

Author: Some Vampire concepts I came up with and if you want to check out more of my Vampire content check out my Masterlist

Rating on scale of 100...

An Yujin (Alpha)

Score: 100/100

Why?: Yujin, the Alpha of the IVE sister clan, oversees everything that goes on, protects you with her life, and will sacrifice herself if necessary. She wouldn't even allow you to go outside the world as she knows well how fucked society has become over the years and doesn't trust anyone but her Vampire sisters. She'd kill and threaten anyone that dare gets too close or even make eye contact and have strict rules you must follow without question because well... Yujin knows best.

Kim Gaeul (Enforcer)

Score: 100/100

Why?: Gaeul is just about the same as Yujin though a bit older by a shy 100 years, her parenting style is quite controlling than your typical human parenting, Gaeul always wants to know where you are at all times otherwise she will get worried, she is quite the mother of the clan and you are her most prized possession and doesn't want anyone snatching you away from her and she'd never forgive herself for losing you.

Jang Wonyoung

Score: 60/100

Why?: Wonyoung is quite laid back compared to the rest of her sisters, though that doesn't mean you can just go out and party with random strangers at night. Nope, Wonyoung does have her limits on your free time, she'd prefer going out with you more and loves to spend quality time with you, Wonyoung always tends to crave your attention and love as she'd given you ever since you were an infant. Wonyoung always wants to keep you company no matter where you go to ensure your protection and no evil human tries to kidnap you.

Naoi Rei

Score: 90/100

Why?: Being a Japanese Vampire, in her own culture of origin, she takes pride in her parenting duties, and keeping you safe is one of them... Even if she is seen as overprotective and overbearing but she doesn't care one bit about what others think. Who are they to talk about how she raises you as she sees fit? They don't know the sacrifices and hardships she had to go through to ensure your happiness and well-being.

Kim Jiwon (Liz)

Score: 85/100

Why?: Liz though is quite protective of you, she wants you to learn to solve problems on your own though she will step in if she sees that it's too much for you to handle alone. However, she'd never allow clubbing, drinking, or anything that can get you seriously hurt, not to mention that people will take advantage of you as she was a victim of it once and she doesn't want the same happening to you. Liz would follow you around wherever you go and would be cautious of whoever you interact with making sure they don't have sinister intentions.

Lee Hyunseo (Leeseo)

Score: 95/100

Why?: Leeseo may be the youngest of the clan but that doesn't mean she's naive and inexperienced enough not to take her duties seriously, Leeseo always puts your safety and well-being first before her own. Leeseo always checks on you often making sure you are safe and not doing anything foolish that can get you hurt as she cannot bear the thought of you getting injured. She wouldn't hesitate to discipline you as she sees fit to ensure you don't do break her rules again.

[things-arent-what-they-seem66]

Hiya! I have another au for you! I'm loving our vampire rp, it's so good! I'm really enjoying it!

This one is a little different, with a darker Lucifer, which I'm really starting to love.

The idea is that after Adam and Eve were cast out, Lucifer and Lilith became extremely powerful, Lucifer could rival in power to the strongest archangels and maybe even god himself.

The idea in this is that after falling, Lucifer and Lilith blamed each other for the fall and separated. Lilith was queen of the lower rings, while Lucifer ruled the upper rings. He's more powerful than her because of his angel status, but he let's her do her own thing, as long as she's not causing trouble.

Lucifer eventually taps into the raw power of Hell, which slowly starts tainting his mind, he's still him but he can lose control sometimes. Heaven eventually starts to learn how powerful Hell is and what can happen to Lucifer and Liltih- power wise. So they start making an army, creating angels specifically for war.

Lucifer has a few angels in Heaven that speak to him in secret, angels that don't agree with Heavans rules and secretly. They keep him up to date on what Heavens up to, so he starts forging a plan after learning of the angelic army.

Once Adam and Eve die, and they arrive in Heaven. Eve starts to live her afterlife in peace, waiting for her children.

Lucifer learned of a new weapon Heaven was making, something that could control a part of Heavens power. Once he learns that new weapon will be Adam, Lucifer decides to take Adam for himself.

Luicfer manages to get himself back into heaven, without them knowing, he's shocked to see that he was completely remade, hopefully his memories were in tacked.

---

Lucifer materialized in a cage-like room, he had no idea something this dark and unkempt could belong in Heaven. It made him almost uneasy.

Lucifer: why would they keep their precious first man here?

The darkness was almost suffocating, like it was affecting the air itself. The angelic steel bars still managed to shine bright, using that light, Lucifer squinted inside the cage, his eyes widened as he saw the vague outline of a body, kneeling on the floor, a chain connecting to the back wall to a silver collar around their neck.

Lucifer: Adam? Buddy, is that you? Long time no see-!

The body moved, head tilting up, and looking ahead. The scrapping of heavy chains against the stone floor made Lucifer wince a tad. Why are they using such thick chains on him? He's a human, nothing special.

Lucifer: I know we left off on a bad note! But I'd like to make it up to you~ let me help you with whatever the HELL Heaven is doing to you, huh?

Lucifer stuck his arm through the bars, smiling as the metal started to bed and melt away. His smile stopped as a giant hand reached out, and grabbed his hand. The amount of strength was impressive, Lucifer was so confused- he followed the outline of the person as they stood.

Lucifer: you're a big fuck aren't you-?

Adam: w-will you help me? I-it hurts-

Lucifer: I can see that buddy, I'll help you! But you have to do something for me~

Lucifer pulled his hand away, and straightened his outfit. It's taking a lot of his power to stay in Heaven, hidden.

Adam: y-yes sir, what do you need?

Lucifer: stop with the formalities Adam! We've been friends- well, acquaintances for years now!

Adam: I-I'm sorry sir- I don't know you, Heavens never introduced u-us-. P-please forgive me f-for not knowing you

Adam starts to collapse, but manages to catch himself against the wall. Never heard of him? Lucifer is definitely confused now. Fucking Heaven, they really think there's a good enough reason to mess with a humans memories? Why Adam? Why did the angels pick him? It doesn't matter at the moment, Lucifer needs to make his deal, let Adam fall to Hell, and set his plan into motion.

Lucifer: i- uh... never mind that right now buddy, I'll explain everything later. If you make a deal with me, I can help you!

Adam: w-what do you need from me-?

Lucifer: oh, nothing much~ just your soul~ aand your loyalty, company, body amd whatever power you have~! All for your freedom. You will cone with me, stay with me, at my home~ you'll be free Adam, free to speak your mind, do whatever you want, within reason of course- and most importantly, think for yourself.

Lucifer smiled as Adam made his way over to the edge of the cage, he was unsteady but doing a good job at staying up right. Although that chain wasn't helping. Lucifer couldn't help but gasp, as Adam's face came into what little light the bars had. His eyes were gold. Brighter than any other angels, shone like Hell fire.

Lucifer whispered: you're perfect...

Adam: I'll take your deal- please, get m-me out o-of here- please

Lucifer: of course, Adam! All you have to do, is shake my hand~

Adam watched as a clawed, black ashen hand slipped through the bars. He felt uneasy about this man- angel? He looks familiar but then he was sure he'd remember someone that looked like that.

He reaches out weakly, grabbing Lucifers hand. He jumps and is amazed by the golden light the swirls around them, he can feel it running through his veins like blood. He couldn't help but follow the golden light. His angelic chain drops off his neck, only to be replaced by a golden one. Lucifer couldn't help but think how beautiful Adam looked, covered in gold. It was really his colour.

Lucifer looked on with awe as he saw Adam fully. His golden wings rested weakly against the floor, his eyes wide with that curiosity that Lucifer loved so much. He couldn't help but glare as he saw the cuts and bruises that littered his body and how thin he looked. He was definitely taller, but surely Heaven would feed the man.

Lucifer: great! Now, the fun part~

Adam stood back as Lucifer began to melt the steel cage.

Lucifer: there~. Now, we must be quick, we do t want any extra company, do we~?

Adam: n-no sir-

As Adam began to limp out of the cage, he stopped as Lucifer put his hand on his chest, forceful enough to push him back slightly.

Lucifer: now, none of that 'sir' thing Addie~. Even though I am now your king, I was your friend first. Do you know my name?

Adam tried to think of a name, his head started to pound, like he was reaching into some void.

Adam: n-no- I- Agh! It hurts to t-think- to remember

Lucifer glared at the flood, fucking Heaven. He smiled up at Adam, it wasn't his fault.

Lucifer: my name is Lucifer, the king of Hell~! But that last bit isn't important right now, let's go Adam.

Adam grabbed Lucifer's hand, and they walked to the middle of the room, he felt so safe with Lucifer. His hand felt perfect in his, like they were made to be together. Adam couldn't stop looking at him, he was beautiful. He's never seen eyes so red, or skin so smooth. He couldn't help but be fascinated by his clothes-

Lucifer: hold on tight Addie~ I won't drop you, but I need you to hold on

The floor underneath the. Burned to life, a burning circle with strange lettering appeared. Just as Adam was taking it in, he felt a gust of wind made him cover his eyes. When he opened, he was amazed to see Lucifers white and red wings, three sets of them! He's only seen a few angels with multiple sets of wings, but none were as beautiful as Lucifers. Adam couldn't help but reach out and graze a feather with his finger.

Lucifer: you'll get a good touch when we get home Addie~ now, say goodbye to the angels~

Fire from the circle surrounded them, the heat was almost unbearable.

The next thing Adam knew; they were falling.

---

The whole idea is a battle between Heaven and Hell. Lucifer is super possessive of Adam, originally using him as a weapon to help him bring down and take control of Heaven. But Lucifer can't help but start having feelings from Eden resurface, it's either a blessing or a curse that Adam doesn't remember anything. Maybe he can make the first man fall for him again, and they can rule over Hell and Heaven together.

Hopefully this is interesting in someway 💀

Okay- bye!

Oh this is SUPER INTERESTING!!! How do you come up with this stuff it's amazing. Also, I love possessive Lucifer lol

-

Adam saw a world bathed mainly in different hues of red, even the sky was red with a giant star.

What was this place?

Lucifer was torn between watching where he was flying and looking at Adams face that was filled with curiosity trying to figure out where the Hell he was.

Literally Hell.

Lucifer dipped down and made a way towards Morningstar Manor and he touched down lightly at the front of the house as he held Adam close.

Lucifer: Let's get you settled in okay? You know, before the physical changes catch up with you and wipe you out.

Adam didn't know what he was talking about but he didn't really care. He was finally out of that cage to never be chained up like an animal ever again.

Lucifer took him inside, first to the kitchen so the poor man could get something to fucking eat. It looked like he hadn't eaten since he died.

He got his chef to cook a lavish meal for Adam to make sure the first man was full.

Adam: Thank you...

Lucifer ran his fingers through Adams hair, loving how soft the brown strands were.

Lucifer: You'll need your strength.~

[smoozie]

Grian and Scar are both loyal to an extent. They don't let their loyalty consume them nor overstay it's welcome. But they have different ideas of when loyalty ends

Grian is not a traitor. It's odd to see him depicted as one when the only precedent in canon is his rendezvous with Bigb. In 3rd Life, Grian explicitly declares his loyalty as to Scar and Scar alone. His alliances with others are tenous. He goes all in one and lets other arrangements fall to the wayside. He wasn't ever loyal to them though, they were a means to an end.

Scar has a bad case of "friend to all is a friend to none" which we will see again and again. Scar is by no means a friend to all in 3rd Life, but he still puts his brief friendship with Bdubs above his weeks long dedication to Grian. And this choice is so interesting because he clearly betrays Grian because he is on yellow not red. (I mean yes the no kill pass, but that likely would have never come into play had Grian been red). However, he expects Grian's anger when he returns. Or it seems that way because he immediately surrenders himself. So what was the point? He gets Grian down to red, only to kill Bdubs and hand him the victory. Not to mention he waits for Grian to return before he moves against Bdubs. His loyalty to Grian most definitely surpasses his brief alliances in 3rd Life (he literally tells Grian he can kill him for "keeping [him] alive this long"). But Scar is not so loyal as to consider himself above killing an ally. Scar plays a very dangerous game of balance with his alliances, he wants everyone to be allied with him despite the improbability of such an arrangement.

In last life, people seem to have a different interpretation of Grian's actions (particularly pertaining to his loyalty), than I do. I don't think Grian is betraying anyone when he kills Jimmy and Mumbo. Last Life requires all non-red alliances be severed once a party reaches red. Grian takes this very seriously, only "faltering" once when he tries to preserve his allyship with Mumbo. But even then he's trying to kill him, so I'd hardly count it. Grian removes himself from the southlands when he goes red, and on red he remains loyal to Joel. He rejoins the southlands when he returns to yellow and is back again to Joel when they're both reds. He is consistent in his loyalty and as I've said, doesn't let loyalty overstay its welcome. He knows when to let go, and he does so.

Keeping in mind I haven't watched Scar's Last Life in a hot minute, this is from memory and a recent rewatch of Joel's. Scar makes an unfortunate alliance with Joel at the beginning of the season, unfortunate because of the fleeting nature of their alliance. Scar proves again he is more than willing to set loyalty aside to do what needs to be done when he attempts to murder Joel as the boogeyman. Upon finding out Joel is also a boogeyman, he instead later tries to help Joel as he embarrassingly fails to kill anyone over and over. Even avenging Joel by killing Mumbo for his boogey-kill. When Joel is on red continously placing traps around their mountain for Scar, Scar chooses to take little offense to it. He knows he would have done the same. Scar does what needs to be done. He is a survivor first and foremost

Double life is interesting because it shows a break in Grian's loyalty habits. He doesn't stay loyal to a faction he declares at the beginning nor does his loyalty follow the games rules. Grian "cheating" on Scar feels out of character. It almost seems like an act of revenge for Scar's betrayal in 3rd Life. An overdue comeuppance. Which is a fun interpretation I like. You could also see it as an act of defiance against the watchers, to say "no I am not playing by ur rules anymore. You cannot choose my allies for me". Whatever floats ur boat. I get people who downplay the "affair" as not the serious because they just call each other secret soulmates and send presents, but I think that interpretation misses the most important part: how it is presented to us. Grian and Scar both portray the secret soulmate bit as akin to cheating, so it makes the most sense the audience interprets it as such.

Double Life Scar is often misinterpreted to be happier with Grian than he actually is. In the beginning, Scar doesn't care to find his soulmate. He doesn't even realize it's Grian until the end of the episode. First thing Scar does the next episode, is try to introduce Grian to his Jellie-pandas. Which are immediately rejected by Grian. Scar then decides he will torture Grian with pain as payback, which he also teaches to Pearl. (A really great parallel imo because had Scar been tied to Scott I think he would have also been rejected). Interestingly, both Grian and Scar understand loyalty as a necessity to survival, especially in this particular game, as such they stay together despite BOTH being displeased with each other.

Grian stays firm with the bad boys until their early deaths. Despite his button pressing habits and that one fight they had over falling off ladders, he doesn't betray them. But he doesn't let grief consume him. That's the way of the game. His allies die, he needs safety. He moves on. And he once again proves his secondary allies (not nosey neighbors as they are now his primaries) mean little to him when he kills Scar. Again. And calls it the ultimate betrayal Grian when I fucking catch you

The clockers actually seem to be the perfect alliance for Scar. Bdubs who he can betray a million times over and always be forgiven, and Cleo who has still not forgiven Bigb for his choice to kill her two seasons ago. Scar has no reason to betray these two and never does, but he does believe Bdubs will betray them.

Grian in Secret Life is interesting because it is the first time we see him struggle to get an alliance. He kinda just shows up on Cletho's doorstep one day and asks to be let inside. Scott implies he lacks loyalty because of his quick departure from the bad boys last season, but I have emphasized I disagree with this interpretation of Grian. Grian remains loyal all season. When he dies he doesn't know both Cleo and Etho were taken out just moments before him, and celebrates the amount of damage his final stand caused Gem and the Scotts. He will sacrifice himself for loyalty.

Secret Life is by far the most telling for Scar's stance on loyalty. He goes where the wind takes him. He tries to blend in for as long as he can and hopes no one notices he shouldn't be there. He only chooses the mounders over Gem and the Scotts because he is currently standing with them when the question needs answered. Friend to all friend to none. He could have easily picked either side. He refuses to take Pearl's offer for hearts, tho this is most definitely out of respect. He wants a fair fight with Pearl, and he gets it. He very quickly turns his blade on Pearl after Gem is gone. Because he was never too tied to one.

So uh tl;dr: Grian and Scar are quick to kill loyalties when necessary, but Scar will always prioritize his survival over being loyal

[rockybloo]

You joked yesterday about the Bitterbat/Sweetheart romance having "chaotically problematic" aspects, and I was curious if you could expand on that. TBH so far, they don't really seem especially unhealthy towards one another and as far as I can tell, it's not like Amara is letting Bitterbat kill/hurt innocents.

The chaotically problematic aspects come from how they are just a romanticization of stalking and obsession.

Bitterbat is a yandere. He'd never hurt Sweetheart - that is the biggest rule of writing him. Even when they do their mock battles, he may scratch her up some but that's only because she explicitly told him to beforehand.

Bitterbat is madly in love with Sweetheart. He thinks about her every hour of the day. He wears her clothes, occasionally swipes her underwear, watches her sleep, follows her damn near everywhere she goes, and knows whenever she is thinking of him. And god forbid he ever discovers someone has done her wrong. He'd show them there are worse fates than death.

And Sweetheart finds this behavior absolutely adorable. She gets butterflies in her stomach knowing Bitterbat does this typa stuff. She absolutely fangirls and squeals.

Her reaction isn't the result of delusion, just like Bitterbat's obsession with her isn't the result of him not being in his right mind.

BOTH are self aware and know their behavior goes against the norm. BOTH do not care. They used to, but then they realized that life isn't as fun when they hold back. So they just dropped the restraints. This is their love language - if the world doesn't like it - it can fuck off. One of them is keeping it safe, and one of them is showing it mercy.

Sweetheart sees some clothes go missing, she immediately knows Bitterbat swiped them and asks him if he could return some specific ones by (insert date) because she has an event she has to go to and she had an outfit she was planning on wearing.

She notices him following her while she is on her college campus and she orders two frozen yogurt cups so he can sneak on over while he is his itty bitty self and enjoy a treat with her before she goes to class. HELL, sometimes she just notices him following her and beckons him over so she can scoop him up while he is itty bitty and slip him right into her bra so he can ride along with her throughout the day.

And whenever she feels his eyes on her whenever she's resting, she sleeps a little more soundly since she knows he won't let anything bad happen to her both in the outside world and her dreams (since Bitterbat can enter dreams - he only does such with Sweetheart's tho)

There's more examples but basically, I have absolutely no interest in writing a "yandere creeps out their crush" story. We have so many of those and, while it makes sense a lot of people enjoy that type of story, I find more fun in flipping it on its head.

The concept of a female character who is decked out in the most lovecore fit, designated as a defender of love, deemed to be a role model and the ideal heroine, being down bad and matching the freak of her obsessive villainous boyfriend who causes deaths so gruesome, it'd make a slasher flinch, just scrubs my brain right.

It fills in the gaps I always feel when I see any series and spot a villain crushing on a heroine who ain't into them.

Glitter and Guilt is basically just a "What if the heroine WAS into it tho?" story.

[epically-ace-attorney]

*Intro Post ~ Welcome to the chaos!*

Hallo! This blog is an Ace Attorney AU using the musical EPIC! Canon is our bitch and we do as we please :)

The blog is joint run by @weltato (hi) and @burtrice1. Feel free to ask us anything about this AU in the inbox and not DMs - PLEASE NOTE THAT THIS IS A WIP AU AND IS CONSTANTLY BEING THOUGHT OUT!!

The "backstory" I suppose would be that Wel was watching a great guy on YouTube by the name of Mortius (you should check him out, he's cool) react to "We'll Be Fine" and "Love in Paradise" from the most recent saga released from EPIC as of writing this (20/09/2024) - The Wisdom Saga. Wel had also been binging through some Ace Attorney streams by The NyanCave (also really cool, you should check them out too) and had that on the brain at the same time. Then she noticed something interesting - Odysseus had been on Calypso's Island for seven years.

You wanna know who else had a seven year gap? Phoenix Wright.

So obviously, I go to burtrice1 and say:

And then this happens:

And everything came from there. Just imagine it: Phoenix on that cliff calling for Mia T^T

Anyway, we had some planning to do: there is currently a list of characters from The Ace Attorney Trilogy, Ace Attorney: Investigations 1 & 2 (we're using the fan translation names in this house), and Ace Attorney: Apollo Justice (because Wel hasn't finished Dual Destinies and hasn't seen Spirit of Justice yet) and what people from EPIC they're going in as.

*RULES OF THE BLOG!*

No spoilers for the games please! There will be people that see this blog with no idea about the Ace Attorney series and they'll want to find out themselves (also one mod hasn't finished the series yet).

No spoilers for EPIC! There will be people that see this blog with no idea what the craic is with EPIC and letting them experience the joy that is this musical is all the sweeter with no spoilers <3

As previously mentioned: game canon is our bitch and we do what we want with it, which means that if you see an inconsistency with ages or anything, no you don't ;p

Please keep questions PG, there are minors that enjoy both Ace Attorney and EPIC and we'd like to keep this blog a safe space for everyone.

In the words of Ricky Potts: don't be a dick. We don't tolerate harassment of either the mods or anyone sending an ask into our inbox. Respect isn't hard, friend :)

If you've asked us a question and we haven't responded yet, please don't go into our personal inboxes or DMs to ask us about it - see the rule above. Both mods are busy people and do this purely for fun, so we'll get to your question when we see it. The timezone of this blog is GMT/BST depending on the time of year, so both mods could very well be asleep.

The canon of this AU follows with EPIC canon, which is NOT the actual Odyssey or Iliad. If you want to read those in your own time, feel free to.

Have fun! We want to share this with people to see your reactions and interact with other fans of the Ace Attorney games and EPIC: The Musical.

If you're excited about this blog, REBLOG OUR POSTS!! Reblogging is the lifeblood of Tumblr and can make or break a post. We want to reach as many people as possible with this silly little idea of ours.

If you want to write fics about our AU, please ask us first! Wel is a regular fic writer and she has some ideas floating around, so maybe let her finish those first before jumping in - but we love the enthusiasm! Thank you!

Fanart is awesome!! Please credit the idea to this blog and @ us in the post with the tag #epicallyaa, we'd love to see what you've done :D

This post will update with extra rules as and when needed, if we need to <3

*TAGS!*

#wel writes - this is for whenever Wel writes a fanfic about something. This is a personal tag from Wel, so if you want to see more of her work feel free to peruse that tag on her main Tumblr account. All the fics posted here will be specifically for this AU.

#bart or #burt art - we haven't decided which to use, might just use both, but this is for whenever burtrice1 posts art to this blog. Again, any art posted here will be specifically for this AU.

#epicallyaa - this is a tag for us and others to use about our AU! If you post any fanart or fanfic about our AU, use this tag and @ this account too so that we can see your awesomeness :D

#wel answers - whenever Wel answers an ask

#burtrice answers - whenever burtrice1 answers an ask

Like the rules, more tags will be added as and when we feel we need some more.

Thanks for reading all of this!! This post is very important to read, so if you come in asking questions blind, we might just refer you to this post and ask you to try again :)

~ Wel & burtrice1

[cityzenshark]

Firsts to Grow Up - One's own feelings

With Robby hospitalised, the Maltos got rocky with each other. The three humans went back and forth to Philadelphia hospital for days. Dorothy forbids the Terrans and Bumblebee from the leaving the farm. Alex puts his foot down when the Terrans insist that the magic cave water might help, reminding them of increasing GHOST activities due to the wrecked Bot Brawl in the city and Grimlock's PTSD attack near Witwicky town. Mo distances herself from the Terrans, fearing she might say the wrong thing in front of them again.

Assuming her adopted family no longer wants them, Twitch disobeys Dot and Alex and brings her younger siblings to the cave where she and Thrash starved at in the middle of the night. Thrash calls out Twitch's lack of empathy, leading to a fight between them.

Meanwhile Hashtag, who proposed the cave water idea in the first place, feels she wanted to drown.

-.-.-.-.-.-.-.-.-

"I thought I'm the rule breaker out of us." Thrash said loudly, surprising his siblings to a stop on their not-so sneaky trek up the hill. Twitch recovered from her shock first and turned to her twin angrily.

"Thrash! Are you trying to make GHOST hear us?"

Thrash crossed his arms in disbelief. "Look who's talking. Us being out here is enough for GHOST to see us."

Twitch scoffed, "Why are you following us then, Thrash?"

"To bring you back, duh. Now let's go home before Bee notices we're missing."

"No." Twitch said firmly. "We're going to the cave with the mural in it. It's nearby."

"And then you'll come home?"

Twitch looked away. Realisation dawned on the rest of the Terrans.

Jawbreaker said in disbelief. "Are we not going home after this?"

"No, JB." Twitch replied, avoiding eye contact. "We're going to stay in the cave."

"What!" the triplets cried out in unison.

Nightshade spoke up, "Mother and father will be worried sick--"

"They don't care about us anymore, Nightshade!" Twitch yelled, floating at the owl Terran's face. "You saw how angry they are at us. You heard what Mo said. 'I wish we never found the Emberstone.'"

"Mo didn't mean that," Jawbreaker retorted. "She's super upset about Robby."

"Oh yeah? Why won't she see us anymore? Care to answer that, JB?"

"People say things they didn't mean to when their upset."

Jawbreaker felt his spark twinge when Twitch scoffed at him, "Sounds like she means it to me!"

Thrash approached his twin angrily. "You think everything is about you, Twitch? What Mo said hurts me, too. But like Jawbreaker said, she didn't mean it! Mo will come around again when Robby gets better."

"And what if he won't?" Twitch asked, challenging. "What if the hospital can't cure him? What if they take him and Mo away to experiment the sleeves?"

"If they don't…" Hashtag began. She stopped under Twitch's glare.

"If they don't what?" The drone Terran probed.

"Twitch." Thrash warned.

"I want to hear it. If they don't what, Hashtag?"

Hashtag stammered. "If-- If they don't examine the sleeves, we'll never know what got Robby sick in the first place."

Twitch groaned exasperatedly. "You've got to be kidding me! We know exactly what got Robby sick -- our lost link! The moment we can't feel each other, Robby almost died. It's so obvious."

The Terrans stared at their small sister in disbelief.

Nightshade broke the silence with a calm tone, "Twitch, sister, Robby didn't almost die because of the lost link. Our emotional link was lost because Robby almost died."

"Same difference. I thought you're the smart one, 'Shade."

Nightshade felt a hurtful pang. And then they were angry. "Is our link more important than our brother's life? Is that why you don't want to return to the farm?" Nightshade didn't wait for Twitch to respond. "I understand how important the emotional link is. Without it, we won't know how we're doing when we're not together. We literally used it so Hashtag can fight the mind control device off of her."

Hashtag slowly coiled as her triplet continued.

"Do you want to know what I really feel about the link?"

"What--"

"I'm disturbed by it."

Nightshade's triplets and Thrash were aghast.

Twitch had a look of betrayal.

"How could you?"

"How could I?" The owl Terran echoed. "How could I not! I keep feeling what you feel about things I love. I know how annoyed you all feel every time I didn't join your playtime. I understand that you want me to spend time with you, but none of you bothered to spend time with me while I tinker. I'd rather only acknowledge how annoyed you feel about my hobby, not feeling it directly."

"You could've asked us to stop feeling annoyed." Twitch said.

"'Stop feeling'? I can't ask you to not feel something, Twitch. I just don't want to feel emotions that's not my own."

"So you never wanted to be part of our family, is that it?" Twitch asked accusingly.

"Twitch!" Thrash and Hashtag cry out.

"All I want is privacy on my own thoughts and emotions. That's how it should be!" Nightshade clenched their claws into fists as they reply as calm as they could muster. "Does it ever occur to you how much the link burdens Mo and Robby?"

"They never say anything wrong--"

"They never said anything for OUR sakes!" Now Nightshade was screaming, tears prickled their eyes. "Every morning, Robby and Mo get headaches because they feel every emotion we felt the whole night before. Even our parents didn't say this to us because they love us! They don't want us to know how much we've been hurting them. Now I know I sound awful and I want to clarify I wish we never lost it like this, but perhaps losing this link is a blessing for all of us. Especially for Robby and Morgan."

.

.

.

Continuation here

[spaceorphan18]

The Lady Whistledown Papers : 1x07 Ocean's Apart (Part 3)

Welcome back, Gentle Readers, to The Lady Whistledown Papers, where I’m taking an in-depth look at Penelope Featherington and Colin Bridgerton’s character arcs and romance within the show Bridgerton!

For previous issues, follow tag : The Lady Whistledown Papers

The Queen's Luncheon

The family is back together again (except, you know, for Francesca, but who's really paying attention....) Violet seems genuinely happy to be out in society with 7/8ths of her children.

Colin snarks that they should tempt scandal more often -- and I mean, he might be in a pissy mood, but I appreciate he hasn't lost his sense of humor.

I don't really ever get to talk about Lady Danbury, but she has a moment where she talks to Daphne about how her plan of showing up and, idk, being there? is helping no one talk about Colin and Marina. Sure. Okay. I still don't really get these society rules. But if Daphne is now the A-List celebrity kicking the c-tier out of the tabloids, then okay. Lol but mostly, I just like Lady Danbury and wanted to say that.

It is twenty minutes into the episode and this is our first bit of Penelope. And look how gorgeous this girl is, my god. She's got such a beautiful smile.

Anyway... not a long scene, but there are some key elements going on.

For one, the Featheringtons have caused quite a stir showing up. Ooff, the ton is not happy about them trying to foist a pregnant girl onto a Bridgerton. The nerve.

Secondly, Eloise whisks Penelope away -- it's nice that they're friends again. I love that Eloise is so concerned for her, and wants to make sure Penelope is okay, and there's this real moment of care and affection from Eloise to Pen. Eloise is so caught up in Eloise-land half the time that she doesn't always notice what's going on with Penelope, but she does still very much care.

Pen is good about it -- and (unsurprisingly) only concerned about Colin and how he's doing. (It's like she cares about him or something, idk...;) ) And it's fascinating at how dismissive Eloise is of it -- saying his ego's bruised, but the men are usually fine in this. And, I mean, she's not wrong. Look - I'm not downplaying Colin or his right to have feelings, because I think he should have feelings, and it's good that -- unlike so many other men in this universe, he expresses those feelings.

But I can also see it from Eloise's POV, too -- Colin is the one who, from a society perspective, gets off the easiest here. He will be fine, he's protected by his gender and by his family name. Whereas the Featheringtons, who are already somewhat outcasts to begin with, are bearing some truly awful treatment from society.

And then we get into Lady Whistledown, and I always love these conversations, because there's always another layer once you know that Penelope is LW. Eloise reports that people think she's gone too far this time -- and Pen looks away, because she knows it was a risky thing doing what she did. But interestingly, she reminds Eloise that Eloise was once LW's biggest admirer.

And Eloise really steps into her friendship, saying that LW has gone too far when she smears the name of her greatest friend. And Pen is genuinely moved by this. And Eloise also promises that when they find out LW's identity - a retraction will be made, and they'll restore the Featherington name. And Pen is just - she's so happy that Eloise is so dear to her. It's really heartwarming when these two can have such beautiful moments together.

Meanwhile, The Featheringtons are going to get kicked out of the luncheon. Ooff.

Cressida is going to be snarky about it - but Daphne puts her in her place, and really she should learn not to fuck with the Featheringtons (or the Bridgertons) because it will not end well for her.

[I should also point out - the Marina storyline takes a detour with Daphne getting involved to find George Crane. It's nice that the two storylines converge at this point, but neither Colin or Pen are involved at this particular point, so I'm skipping over it.]

Searching for Lady Whistledown

One storyline that I've mostly been neglecting to talk about (and is probably my favorite Season 1 storyline) is Eloise searching for Lady Whistledown. She's gotten in so deep that she's been asked by the Queen to track her down, and the Queen is now threatening Eloise if she doesn't start giving results, so Eloise is pushing all in on it.

Of course, now that she and Pen are doing alright again (interesting their little tiff in episode 5? goes unspoken about -- but I mean, they're such great friends that sometimes you get into fights and let it go because the friendship means more, you know?)

Anyway, Eloise has enlisted Pen's help in going over all the data... (which is kind of funny - as Pen is just enjoying herself watching Eloise spin in circles while the culprit is sitting right there!)

It's clever, really, the Penelope can give so much and so little away at the same time. She managed to not have the whole Marina thing tracked back to her -- shifting the focus onto the servants who (as we saw early on in the series) all gossip. Eloise has ruled out servants, but who isn't ruled out? Tradespeople! So there are new leads and new possibilities!

Also, the end of this scene is... odd, in that all it's really doing is setting up Eloise going to an opera, even though she's not out. I mean, the only reason Pen says what she says is to get Eloise to go be in the next scene so that Eloise can have a scene with the Queen. It's... a tiny bit awkward. But eh, I guess I'll just throw it to - Penelope wanting Eloise to enjoy being in society, since she's already stuck there.

And then the ending of the scene, where Penelope is meh about restoring the family name (I mean, the girl knows her family is a mess even without scandal) and laments having to sneak out the back way so not to be scene. (The amount of times this girl sneaks in and out of this house, I mean really...ten bucks says she sneaks past Colin's room on her way out.)

But anyway, on her way out, she does thank Eloise. She really is grateful to have such a great friend. And even if she knows that LW really can't be revealed, at least she has satisfaction in knowing there is at least one person in the world who truly cares about her and her well being.

[Also, as an aside, towards the end of the episode - Eloise is going to reflect on this conversation, and in kind of a brilliant misdirection, she's going to come up with the idea that Madame Delacroix could be LW.]

An Apology

Another Colin and Anthony scene! And you know what, I know. I know I know I know that this show is supposed to be about the romances, and I mean, I cannot wait to get to season 3 and really dig into Pen and Colin, we'll get there.

But I adore the sibling scenes. I really do. It's a big draw for me. And I just don't think there are enough ABC brother scenes in general. (God, I hope there are more in Season 4...anyway...) This little scene is a just a really nice mirror to the scene where Anthony reprimanded Colin a couple episodes earlier.

What is Colin up to at the beginning of this scene? It looks like a map? Colin is going to spend his evening bunkering down and really getting his travel plans in order, because now that he has no reason to stay, there's nothing holding him back from going...

Here's the thing about Colin and traveling. I do genuinely think, as a part of his personality, that he does enjoy the idea behind traveling - of seeing the world and seeing what's out there. But I think a big component to Colin's travels is that he is looking for something. What is that thing? His purpose? His place in this world? His reason for being? The answers to life's greatest mysteries? All of the above?

He is the third son -- Anthony has role as leader of the family and his duties to the Bridgerton estate. Benedict is the 'spare' but also is finding himself through artistic pursuits. Colin doesn't have the weight of responsibility on his shoulders. But so he is looking elsewhere to give his life some meaning.

The somewhat funny thing about Colin traveling, though, is what he's searching for is right where he left it. He just doesn't know it yet.

But! I do think traveling (both times) is really good for him. Seeing the world does open it up, and gives you new experiences, and lets you see the world in ways you've never seen it before. And (in both cases) it's going to help him grow up a bit. (It's also going to give him the opportunity to really fall in love again -- but he also doesn't know that yet...)

Here's the other thing about this moment... Colin isn't going to the concert because he isn't feeling up to it. He's still very much in his feelings, and when Colin is in his feelings, he retreats. Big time. (It is another reason he's traveling, too, to make an escape.) Not that he shouldn't be, his heart has been very much shattered and things like that do need time to get over.

But it's just another character trait that has been firmly set up in this season that's going to end up magnified in Season 3.

And, omg, I've barely gotten into the scene, lol...

Anthony hands over an apology drink (lol) and Colin starts getting snarky again - locusts in the street? is it the endtimes? what is happening?? Again - I love that Colin retains a sense of humor and a bit of sass. The boy may be wallowing, but he hasn't lost his cheekiness that gives him his charm.

Anthony, to his credit, doubles down on a sincere apology. And Colin becomes self deprecating again -- acknowledging that Anthony was trying to 'protect' him from his foolishness. (And Colin does seem to recognize that jumping so quickly into an engagement was somewhat foolish, even if it's going to take him a while to really get over Marina.)

And I love Anthony's banter back -- ribbing Colin about being foolish. Because it's such a sibling response. And there little banter back and forth -- again such siblingness! And I love it. Love that this show doesn't back away from balancing sincerity with levity and the push and pull that comes with real sibling dynamics.

And then Anthony becomes somewhat prophetic. He's speaking to Colin as if he was speaking to himself, saying that a broken heart will indeed mend, and at some point in the future, you'll barely remember her name. Because Anthony is in the same place Colin is -- nursing his hurt over Siena, and it occupies all of his thoughts. But pretty soon, we'll be in Season 2, and Anthony will discover Kate. And Colin will travel and (somewhat unknowingly) start a correspondence with his future wife. And the names Siena and Marina will be flickering memories of things that seem odd were once a big deal.

The other thing that Anthony does is such a sweet, big brother thing -- he reaffirms that, in the wake of it all, reassure Colin that his family loves him. Which is a big deal - because not everyone (as we'll see) will have families to rely on, but the Bridgertons are a unit, one that unconditionally supports each other, and that's a huge thing.

He also minds Colin that he has the honor of his actions. Which is an important thing to Colin. He has Anthony's respect and that means something.

The scene ends with Colin's empathetic side (as shown through brotherly teasing) coming out -- as Colin asks Anthony how is own advice is working. They may have not directly discussed it, but Colin must know about Siena, and must know that Anthony is also in pain. Anthony doesn't know how it'll play out... but we do, as we know what's coming :D

As we're nearing the end of the season this scene is most definitely setting up the future for our characters, a laying the ground work that even if these story lines are coming to a close, better things are most definitely on the horizon.

[Also - I kind of enjoy the fact that these two are going to spend the evening drinking and being miserable together. Kinda wished we got to see these shenanigans more so than the Simon/Daphne drama, but ah, I suppose that's what fanfic is for]

A Special Cocktail

The episode is going to end with Marina making herself a special potion -- of what? We won't know until the next episode. And Penelope is going to find her! Oh no, the drama! I do like how much Penelope cares, though. Even though they've done nothing between Penelope and Marina since their last exchange where Marina was a bit cruel to her, Penelope doesn't want her dead. And does want her to be okay.

Anyway, it's so weird not to have Penelope featured that much in the episode -- she was barely in it, and her story line didn't really progress at all.

But - with this (and Daphne's dramatic reveal of not being pregnant), we're crashing into the finale!

[Also, huh, it is fascinating that they're paralleling Daphne and Marina's storylines here -- both women wish for the opposite - Daphne wishing she was pregnant, Marina wishing she wasn't, and neither are getting their wish. It's some good storytelling technique here. Shame I don't necessarily care about either of these stories that much. But I can appreciate good storytelling when it's happening. Bravo show, bravo.]

On to episode 8! Whooo! (I'm happy - I'm so ready to move beyond season 1)

[unfinished-dream]

i think i finally got it! angels of the dawn and dusk. names yet unknown. I got possessed by the spirit of the UFO artwork and music of the title screen and vibed my way into something i really like actually

older sister has a morning glory on her head and probably smells like clean linen. really likes coffee. very gentle and merciful. memories of waking up early as a child and the country air being so pure and clean, and the woods being slightly fogged over as I sit on the porch swing in my pajamas, listening to the birds. She has thick fabric covering most of her wings because they emit so much holy light that any onlooker would be blinded and any yokai would be driven away.

The younger sister is associated with nettles and branches (particularly inspired by the appearance of them in the MLP au by missgendered, how they're silhouetted and creepy). she probably smells like the embers of a campfire. memories of watching the gradient of the sun set with the silhouette overlay of the bare trees at the cusp of winter. It's chilly, but the warmth family makes it worthwhile. She has a thin veil of fabric over the shining part of her wings because they don't shine with that much holy light, but what's there could still harm an onlooker.

they both live in a large mansion estate in the clouds to mirror the other two sisters. The Shining Silence Manor is always pristine and just being there makes you feel refreshed and warm inside. The air inside the estate is a bit cold and humid because of being so high up in the clouds, but being there for an extended time is said to clear toxins from your system and your mind, making it incredibly sought after for meditation and those seeking a therapeutic refresh. Since hermits have access to their own spacial gap and follow strict rules, the sisters' help is largely unneeded, but respected. The interior of the estate reflects the time of day well, and the energy inside changes accordingly.

It is surrounded in a haze that is choking and poisonous to dark youkai and those with bad intentions. It requires a great deal of magic to reach for humans and ghosts. it might remind one of the difficulty of passing through makai, just with a light and pure energy instead of a dark, oppressive one. It's easy to reach for hermits, celestials, and kami, depending on their domain. Shinigami are allowed through by default. Fairies often do not have enough magical energy to come through on their own, and the sisters consider many of them to be "outside noise." The haze surrounding the mansion hides and protects it.

The mansion's main attendant besides the sisters creates a kind of drink mix imbued with heavenly energy to leave its consumer feeling clean and good, the "shining silence brew." It tastes something between coffee and tea. (She may or may not have a massive crush on sakuya.)

[dadjoke-ness]

No one wants to talk about how if James and the Giant Peach was a more recent movie, you all would be thirsting over Mr. Centipede and Miss Spider for VERY different reasons.

Mr. Centipede: Ideal gross tumblr man. Smokes a cigar. Is pathetic. Probably smells like a corpse constantly.

Miss Spider: Will kill you. Is hot. Is woman. Sexy. Also her aesthetic is absolutely on point.

But Ness! All the bugs are attractive in their own right!

You are correct.

I want Earthworm fanblogs.

I want Grasshopper faceclaims.

I want to see someone posting absolutely wild Glowworm love at 3 am because she is a delightful old lady.

I want someone appreciating how pure Ladybug is.

(And this isn't even covering how there's cannon marriages between all the bugs in the original book, and other than Centipede and Spider, the other two marriages come out of absolutely nowhere, but since they all live together it is safe to assume they're poly and putting on heteronormative masks. Especially since the homoerotic tension between Grasshopper and Centipede was absolutely palpable.)

[maeamian]

Part of the reason that Republicans are so desperately acting like they will never lose again is because they are deeply terrified that this is their last real chance to win. The big orange dipshit came in and gutted the party of everyone who wasn't a loyalist, which left it full of nasty little gremlins who have gaping voids where charisma and human decency is supposed to go.

They still hold a lot of power, but if we stop them this year the next presidential election may not be the Most Important One Of Your Life™, that's not a guarantee or anything, but if they don't win here and now their future looks grim, this dipshit is the only guy they have left and he's extremely diminished and has his brains leaking out of his ears at this point. We can beat him into the ground.

So that's what we're gonna fucking do. We're gonna break these fucking fash. They will crash upon us and we're gonna break their fucking necks. When they come for us they will lose because they're fucking losers and we have each other's backs which is something they fundamentally are incapable of comprehending.

[fictionadventurer]

"If the structure of your world ever evaporates, I will still be here."

I think The Q might contain one of the greatest declarations of friendship/love ever.

[novella-november]

Is this fanfic friendly? I feel like an outlier.

I guess this is my sign it's time to throw together a FAQ post to link to lol.

Yes, every event for this blog is fanfic friendly :D

Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!

It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!

As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!

Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),

but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--

you may find yourself pleasantly surprised by what you find down that rabbit hole!

[t-l000]

Finally getting back into art :33