#because comedy episode

[turtleblogatlast]

Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)

Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)

Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)

The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.

[rosalie-starfall]

The Not Ready For Prime Time Players

Saturday Night / Saturday Night Live October 11th 1975

[seefasters]

like!!!!!!

[thefrogdalorian]

I rewatched Guns For Hire tonight and I forgot how funny the droid chase on Plazir-15 is.

These poor people are just enjoying their meals in a fancy restaurant and suddenly a Mandalorian in the middle of an intense chase sprints in...

(I love the way Din holds out his hand apologetically to them... in a world of boys he's a gentleman.)

Then said Mandalorian launches himself through a window to catch the droid...

No hesitation, just straight away launches himself through a window.

(And slides along on the floor in a thrilling sequel to #weeeeeeee)

I love knowing that throughout the galaxy there are probably so many people with anecdotes about this one shiny Mandalorian who arrives on planets, causes a ruckus and then leaves without elaborating. Din is truly insane and a nuisance [affectionate] and his hatred for droids is probably infamous at this point.

[mac33cheese]

"Tdlosk doesn't have any meaningfulness to it? It's all gags-" YOU MISSED IT!! YOU WERE SO CLOSE!! UR EYES WE'RE CLOSED DURING THE PLAY!! THE QUESTION WAS 2+2 AND YOU ANSWERED 5!! YOU HAD 3 SEASONS AND A REAWAKENED TO STUDY YET YOU STILL FAILED THE CLASS!! THE BED WAS MADE FOR YOU AND YOU STILL SLEPT ON THE FLOOR!! YOU DON'T EVEN NEED GLASSES YET YOU STILL CAN'T SEE THE MENU!!

[eraserheadadult]

thinking a lot about nanami's motif being animals. you know what i mean. her fear of being an inhuman freak or lesser or disposable... it's equally fucked up in her mind to be a girl who lays eggs as it is to be the only girl in the world who doesnt lay eggs. she thinks the best way to make anthy seem fucked up and weird is to make everyone associate her with "vermin" like snails and snakes. she talks about other girls "swarming around touga like insects" and then at her lowest point calls herself an insect

the pivotal event that made her the way she is was killing an animal. touga, who is her only family, seems to care so little for her that she felt like she had to be in competition with a cat for scraps of attention from him.. she has nightmares about being a calf whos taken to be slaughtered and eaten by the person shes most desperate to please. boxing kangaroo and surfing elephants are there cause anthy was having a little fun with it or something

[bruhstation]

special thanks to these pez dispensers for accompanying me during my stay at the hospital. glory to canada

[jajanvm-imbi]

Hey remember when I said that this was the most frustrating thing about being a Helluva Boss enjoyer?

Yeah I was wrong.

The most frustrating thing about being a Helluva Boss enjoyer is explicitly stating multiple times that I like show and then get called an anti and homophobic and media illiterate when I complain about the direction it has taken.

I LIKE the comedy

I LIKE the animation and artstyle

I LIKE the more serious plotlines like the government agents plot and the Cherubs plot

I LIKE the themes of friendship and found family

I even like most of the songs!

And ofc the voice cast slays every time

But just because your show has angst and tears and drama and sad music doesn't automatically make it "good".

Just because your characters are queer doesn't automatically make them good or well written characters

This fandom is so frustrating to deal with when you want to express your more nuanced takes of it

This is probably gonna be the last post I make about this subject and about Helluva Boss in general, this shit is too stupid to deal with

[samglyph]

Episode 7 you will always be famous.

[sapphorror]

Short Moderate Length List of Small(ish) Things I Appreciate About The Wettening

Dib being conspicuously absent from the opening pan of the classroom, only to cartoon-teleport into existence at Zim’s desk the second Zim starts expressing mild apprehension at the sight of unfamiliar weather. This kid spends his time just hanging around staring at Zim, waiting for him to show the slightest sign of discomfort, confusion, or unease in order to immediately taunt him about it—and the surrounding chaos, if anything, is just an opportunity to come watch even more closely. We all already knew this, but it still kills me to see it in action.

Also, he’s animated popping up from below, and like… were we meant to interpret this as him just chilling underneath Zim’s desk? No, absolutely not—but is it funny (and, to add to the hilarity, miraculously somehow not completely unbelievable within the context of the show) to imagine that he was? Yes. Yes it is.

Zim confidently walking out into a downpour he has already confirmed to be acidic just because Dib implicitly dared him to—no one’s looking, Dib hasn’t even said anything or made a claim against his humanity, Zim just can’t stand to give Dib the satisfaction of seeing him vulnerable or afraid of something (which backfires pretty spectacularly, since I’m pretty sure ‘writhing on the ground shrieking in indescribable agony’ is a significantly worse look in terms of appearing vulnerable, but all’s well that ends in Victory For Zim, I guess).

Also Zim's little baffled gesture right beforehand like he's silently asking Dib to confirm he's not hallucinating the rain dance (he does not receive an answer)

Gaz presumably seeing Zim sneaking up behind her brother, saying nothing and making no reaction that’ll tip Dib off… only to immediately be made to regret her choices when she gets caught in another splash. Shows her for trusting Zim to be at least a little bit cool about tormenting Dib (honestly, we see her exact fitting justice on Dib at the end of the episode, but I cannot imagine she wasn't still planning to do something equally petty to Zim).

The faucet drip scene and the underlying awareness that this is just what Zim and Dib do to each other during class. Every day. It is, in fact, probably one of the least disruptive forms their constant warfare takes on a routine basis. Suddenly I understand a little bit of why their entire class hates them.

Also Dib’s happy face while he's terrorizing Zim into a shell-shocked stupor is absurdly cute and heartwarming. If I cropped that picture no one would ever guess what he's smiling about. This kid? A sadist? Impossible.

“I don’t even feel good about winning this one,” and it's said with his hands clasped together, practically vibrating with glee, his expression vaguely reminiscent of a teenager in the throes of hormonal infatuation (the hypothetical object in this case not so much being Zim himself as a personified abstraction of Zim’s suffering). If someone hit him with the Return of Keef happy goo in this exact moment, I am completely certain it would kill him. His statement is only true insofar that a more accurate term for his current state of being would probably be euphoric.  I take back everything I’ve ever said about Zim being unreasonable in this episode—he was merciful.

Also this face the moment Zim gets up and starts threatening him. Zim still isn't even all that intimidating at the moment, but Dib knows he just fucked up. Maybe he's getting flashbacks to Dark Harvest.

Dib’s ridiculous water balloon device. Seriously. I feel like it gets (reasonably) overshadowed by the sheer absurdity of Zim’s entire operation, but it really is so amazingly stupid and pointless in a way that is… not dissimilar to the ultimate Irken water balloon. Not only is it really not necessary for the task it's meant to accomplish, it's actively detrimental in that it slows Dib down, blatantly telegraphs his attacks, and reduces accuracy by a significant degree. The only actual benefits I can think of would be the exponential increase in force and range and the instant accessibility of a water supply—the former of which is totally unnecessary in this scenario and the latter being possible to accomplish with a much simpler device (or even just… a water tank). To summarize, it is an incredibly impressive feat of both skill and creativity in design that is also completely and utterly useless! Which is just the perfect demonstration of what I mean when I say Dib really does share nearly all of Zim’s flaws, just to a less obviously ridiculous degree—he comes off just calm and clever enough to pass as moderately reasonable  at a glance, and in some ways, that makes him more of a potential flight risk than Zim. At least that's a lunatic you see coming. 

Irkens are collapsible, apparently

[highfiveheroes]

the only thought on the episode i will say tonight is this: i’m really disappointed that i’m supposed to be rooting for a set of bullies.

say what you will about the bad kids, they’ve been nasty this season, with a few standouts here and there—notably fabian, who has gone out of his way to make amends and friendships with people outside of the bad kids. but hearing the way they talk about other characters? the way adaine and kristen and gorgug were straight up bullying the rat grinders in a lot of situations? not saying the rat grinders weren’t being antagonistic in their own right, and i fully understand this is a comedy show of people sitting around a table making jokes and rolling dice. but compared to how much connection i had with the bad kids in say, season one or two, when they were going out of their way to be nice to people more often than they were being straight up rude and egging people on…

idk man. something about the bad kids this season isn’t sitting right with me anymore. and i’m sad.

[sydcarmyfan]

The Look of Lust vs The Look of Love

Every day, I think about the look in Carmy’s eyes in the above GIF. At first, you may think that he is admiring Syd and he is, but the more you look at him in this scene, you see something else: lust.

Usually when Carmy looks at Sydney, his eyes are soft and full of love; his eyes tell us what he is not saying out loud. However in the scene at the end of s2e9 before they open the doors to the restaurant, Carmy’s eyes are serious. His gaze is fixated on Sydney’s body and after, he licks his lips and his eyes look up. This makes me wonder, if Nat and Richie were not there, would something have happened?

Carmy is a very unserious person because how does episode 9 start with him being intimate with his girlfriend but it ends with Carmy showing sexual desire for Sydney?!

[friendlysmiler]

i feel like ive never seen anyone talk about any of this why foes he have 3 burner phones, a chinese(?) passport, polaroid nudes, a poppet???? weapons are already onbrand but i need to know his lore ...

[fleshadept]

what we do in the shadows is widely considered one of those shows that’s a comedy but the way tumblr talks about it makes it seem like a high drama or tragedy but it’s really like. a comedy with layers of deep tragedy right below the surface. the story and presentation is comedy-focused but there are so many events that are and are recognized by the narrative as being deeply tragic.

laszlo and colin robinson’s arc last season is a good example—laszlo’s close friend died and was replaced by an identical baby, whom laszlo then chose to raise as best he could and had to work through his own parental issues to do it well. then, when he felt the worst about it, when colin was a teenager and angry at the world and he hated laszlo for not being able to help him, he grew up. and he was colin robinson again, with no memories of laszlo raising him anymore, as if none of it had ever happened. of all the season 4 arcs this one was the most consistently dramatic, and laszlo ended the season devastated. and that’s only one arc

while it is true that wwdits is a comedy and people on tumblr do talk about it like it’s a tragedy, it is also the case that the tragedy is Right There. we don’t have to dig very deep to get there, and in many cases it’s a central aspect of the story. in a way this is due to its predecessor, the 2014 film, which was intentionally made to be a comedy with tragic elements, not one or the other

[grimbeak]

i think there should be a nv bonus episode where cecil keeps getting killed every time he resurrects for some unknown reason and who has to solve the mystery? the two most cecil-obsessed people possible. earl and kevin.

[batsarebetterthanpeople]

And another thing! Literally any queer story that takes place during the colonial age would have a huge gaping hole in it if it didn't have anticolonialism as a theme. Especially one that centers indigenous people. Like the reason that every culture had their own concepts of gender until something happened and then suddenly the gender binary was ubiquitous is because western European colonial powers made their view of gender the only acceptable one as part of christianizing and colonizing the world. You're not gonna have a show set in 1717 in the Caribbean where the love interest is a gay Maori man and the main deuteragonist is a non-binary mestizo catholic and just skip over colonialism. Like these are exactly the people who western gender roles are being forced on at fucking gun point during this era. Jim and Ed are both mixed race characters who's gender and sexual identities are in active defiance of the colonial powers that be. And this is the fucking Stede Ed and Jim show.

And there's something to be said for the fact that Stede's toxic masculinity plot line is internalized and Ed's struggle with toxic masculinity is largely external in the form a white guy who rubs elbows with the British Navy when Ed doesn't behave to his standard of masculinity. That choice didn't come out of nowhere and it shows a deep understanding of where homophobia comes from. That's not to say that precolonial communities of color were paradise for people that we today would consider queer but the rich tapestry of sexual and gender expressions that existed in those communities were erased in the name of colonialism. That's going to affect literally any queer person at the time when OFMD is set. These two things are inextricably linked.

Like when David Jenkins says a lot of what we're taught about being men is wrong, motherfucker who taught us what a man was. Who taught Ed what a man was? Who taught Stede what a man was for that matter? It's the white dad with the English accent who is violent (derogatory) and overbearing.

Like you get what I'm saying right? Like it's a silly little rom com but also it must necessarily be that deep because of who these characters are and when and where they exist.