#because i need a way to not be in the canon character tag

[swordoffrivolousthings]

Rick Riordan has no scale for what it means to give characters positions of power or influence

I have seen a trend recently while thinking about the positions of power in PJO and HOO and who occupy them. A post that I can't find again also has breached this topic on a much smaller scale, so credit to them. (I'll try to find them and tag them.)

What I mean by positions of power and/or influence is this: positions from where a demigod has the ability to control organisations (i.e. the Hunters of Artemis and Camp Jupiter) or influence how and why things are done in a certain way (i.e. Annabeth's redesigning of Olympus and Jason's designing some of the other gods' cabins).

The first example is THALIA and how, upon becoming a hunter for Artemis, she is instantly catapulted to the top of the chain. Artemis bestows upon her the role of Lieutenant of Artemis. She is Artemis's second in command if the goddess herself isn't present.

But what does Thalia know of the inner workings of the Hunt? Next to nothing, because until a few days before, she hated them and what they stood for. She gets over her hate, which is part of her development, but it doesn't make her any less informed. One can't speculate that at some point she and Zoë have talked about the Hunt, because we have no hint of that happening in the books. One can headcanon that they'd had such a conversation, but we are speaking about canon. So she is blind. That would be fine, because she is a newbie, and has time to learn.

But no. Riordan gives her the most important place a hunter can occupy in the hierarchy. Why? The way I see it is Riordan decided that now that Thalia's completed her arc, she needs a physical reward. But going by book logic, I would also assume that Artemis was displaying some major nepotism. Because look, that is her sister, and she is in a meeting with daddy and she'd already crossed a line when interacting with her father. (I mean that she wants to reward the heroes while Zeus, most probably, just sees what they did as their duty and not something to be rewarded.) So Artemis boosts her sister up in the hierarchy so she wouldn't slight Zeus again.

Also, we've been ignoring the fact that there are far more experienced and reliable huntresses in the Hunt. Some of them have been with Artemis for many, many years bordering on millennia.

Next up is ANNABETH, about who I've already vented my frustrations, but let me say it again: Annabeth, while inspired by architecture and wanting to be an architect, is not trained and has no experience with it besides a few books and what I can assume is trying her hand at drawing potential projects. She isn't fit to redesign Olympus and certainly not able to think about all the facets of what it would entail, because she doesn't have the practical knowledge and the studies.

Yet Riordan writes it so that the gods offer her the opportunity to redesign their city state (is Olympus considered a city state??? Because it's what I've been thinking of it as). Why so? Because she has survived the war? (not like he was going to kill her, and I didn't think he would do it at any point in TLO.) And therefore she should get what she wanted besides all the PTSD and other disorders that most survivors get?

Because this is what I see.

We already know that the structure within Camp Jupiter is hinging on the child soldiers they train. The Senate is made out of centurions and ghosts and older citizens of New Rome, and we weren't shown that there had ever been adult Praetors. This is what Riordan intended, because this is what he wrote.

But it begs the question, why have REYNA and JASON specifically done to be awarded the position of Praetor that early in their lives? We are told that they went on at least a quest together, so they must have been pretty close before being made partners, and they seem to have worked well together.

We know that Reyna is a highly capable leader and managed to lead Camp Jupiter on her own for roughly 6 months. Jason was raised as a leader, so it is natural to assume that he knew how things worked. But that doesn't show why they were specifically chosen, especially after such a big conflict.

Just because Jason defeated a Titan single-handedly, it doesn't mean that there weren't any more capable hands for the duty to fall on. Also, has Reyna's POV ever revealed why she was chosen? Because I can't remember.

What I mean to say is that there were other, adult, people for the reasonability to fall back on. Because there had been said to be adults in the Senate. But Riordan, like before, has decided that the duty should fall on hormonal teenagers that have dumb ideas (not referring to Jason and Reyna, but more like stereotyping) instead of the adults. The excuse that demigods older than late teens and early twenties doesn't exist in New Rome. And don't tell me that not one of those people would take the duty, because there is shown to be influence and political power associated with being Praetor.

Alongside this, lets go to PERCY. Riordan decided that the Romans would raise Percy as Praetor because they'd seen him fight and the fact that he kind of saved their asses. Cool, I could understand this reasoning if the Romans had more time to get to know him. Because Percy's great! but he still is a child of Neptune, who they don't trust, and they don't trust him, because he was there for only a few hours a few days ago.

There is no basis on which to raise him straight from probation to praetorian-ship.

But Percy saved them! So Riordan decided, against all common sense, that he should get a position of power somewhere he knows next to nothing about, because of plot reasons and drama. Why couldn't Percy have just been seen as a great help and on that the Romans would build their trust upon him? To start to value his opinion?

But the plot of HOO moves so fast is was no room to take a breath and let things unfold naturally. So Riordan gives political and military powers to characters willy-nilly because it will help the story along.

Again to JASON, the cabin design things is the same as Annabeth's, so there is nothing to really say again. Other then the fact that they parallel each other in this way, and not in the good way when talking about writing.

Riordan has no scale of what it means when he gives his characters power and authority where they hadn't achieved it. He gives them upgrades in authority as a way to pay them for their good behaviour and character development, or simply because he hadn't thought all the way through what their positions would entail, and their ramifications.

I hope that I made a great job at explaining what I wanted. If you didn't understand what I said at some point, please do reach out. I can talk about this for a while.

[steddieunderdogfics]

This week’s writer spotlight feature is:  dartlekey! @dartlekey has 11 fics in the Stranger Things Fandom and 9 of them are in the Steddie tag!.

Our anonymous nominator recommends the following works by @dartlekey:

If you were church (I'd get on my knees)

RUSH! (T4T REMIX)

At a medium pace

With great power

"I read the "with great power" series not long after I got into the Steddie fandom and was instantly like "I need to raid this author's other fics" and subscribed to them. No regrets for that choice!!" -- Anonymous

Below the cut, @dartlekey answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

For me, Steddie hits that sweet spot of strong characterization but woefully underexplored details, both for the individual characters but also their dynamic with each other in canon. That makes their relationship the ideal writer's sandbox - since they're both so fluid, you can explore the characters through each other, showcasing many different and even conflicting facets of each other while still retaining their original characters and behaviors. Either of them can be rich or poor, famous or an everyguy, Gay or Bisexual, Dom or Sub, Top or Bottom, Trans in any direction - the details are up to you! 

What’s your favorite trope to READ?

I love a good slowburn friends-to-lovers fic. It needs to be a specific kind for me though - I'm not much one for prolonged pining, but I love it when the friendship is explored in such depth that the next step feels like an inevitability. Watching that deep platonic affection turn not-so-platonic, that's the good shit. 

What’s your favorite trope to WRITE?

My specialty as a writer, I think, is crack treated seriously, or crack with a twist. Usually the first question that sparks one of my fics is “If X happened, would that be hilarious or what?” and then the second is “But if it was because of Y, would that be fucked up or what?” I think you can see it best in If you were church I'd get on my knees (what if Steve was a stripper at Eddie's stag party BUT it was actually a social commentary on queerness and sexuality in the face of religious oppression), but it's in At a medium pace too (what if Eddie couldn't move his arms because of injury so Steve “has” to jerk him off, but it's actually about how growing up queer can warp your perspective on healthy sexuality) , or even in Don't look back (What if Eddie had to dom Steve for plot reasons, but it's all body horror and trauma and spiraling codependency). 

What’s your favorite Steddie fic?

I don’t think I could name one all-time favorite, because what I enjoy most about fanfic is that different writers bring different character interpretations, storytelling styles and plot ideas to the table, which I find incomparable. I have enjoyed many of the well-known classics, of course (pukner I owe you my life--), but let me use this chance to give a shout-out to some less well-known masterpieces! My top three underrated fics are Three Days on the Red Planet by CaptainHoney/@grandmastattoo on tumblr (retro scifi, gritty but humorous hopepunk, every single fic of theirs is a certified banger but I love this one the most for some reason!!), Love dirty men alike by wrenowich (chef au, an ode to kitchen culture in all its griminess, I love a detailed backstory plus Steddie being wonderfully weird about each other), and That’s just wasteland, baby! by fastcardotmp3 (post-s4 apocalypse survival, sweet and aching and tired and yet hopeful, made me cry in the best way). 

Is there a trope you’re excited to explore in a future work but haven’t yet?

One that's pretty unique to the steddie fandom, or perhaps general stranger things fandom, is “if canon event x had happened differently/hadn't happened at all/had happened to a different person, how would the rest of canon change?” I still need to work out a lot of details in my head, so that's all I'll say for now, but it's something I'm very interested in exploring.

What is your writing process like?

Much to the horror of fic writers everywhere, I don't do first drafts, I just write out everything in detail, scene by scene in chronological order. I edit as I go, and consider the many-numbered, often unplanned writing breaks an important part of my process - when I let the written portion sit for a while and the unwritten ideas percolate in my brain for a bit, I often end up with new plot points or solutions for problems I've been having! And when that inspiration strikes, I can write anywhere - on the train, during lunch break at work, in the vegetable aisle of the grocery store… I have gdocs on my phone and I use it liberally; I'd say I write at least 80% of any given fic on my phone. 

Do you have any writing quirks?

Apart from the hot mess I just described, I'd say it's that I never use Beta readers. I'll occasionally ask friends to help with specific details if I need an expert on certain subject matter, but I've found I get very grumpy and fussy if someone pokes at my plot (even if or rather especially if they’re right lol), and I don't want to subject anyone to that. 

Do you prefer posting when you’ve finished writing or on a schedule?

For oneshots or series comprised of single-chapter fics I like posting as soon as I'm done, but for multi-chapter works I've recently found that starting to post only after I've finished most (if not all) chapters beforehand improves the quality of the story! Since I tend to integrate new ideas or shift around plot points a lot while writing, I often end up in completely different places than my original concept, so if an early chapter isn't posted yet I can retroactively edit it to add foreshadowing or tone-match the end of the work, remove loose threads and suchlike. Don't look back is a good example of how this has worked out for me; comparatively It don't bite (Yes it do) - which I wrote and posted chapter by chapter - is tonally all over the place. 

Which fic are you most proud of?

Naturally I love all my babies, but I consider Don't look back my magnum opus - both because it is the longest fic I've ever written (13 chapters and 90.000 words in total, that's practically a novel!) and because it's the most plot-rich, labor-intensive, and overall serious in tone. I even worked in subplots about the rest of the cast, so it almost reads like its own season. I wrote it for last year's Steddie Bigbang, which means there's also a gorgeous accompanying artwork by @the-chilly-kat. 

How did you get the idea for With great power?

At the time I'd seen a few marvel AUs floating past me on the tumblr timeline, usually with Steve as Spiderman and Eddie as the human component of Venom, and having just recently seen the Venom movie depicting the rich relationship between Eddie Brock and the symbiote, it surprised me that most left the symbiote as its own character, and not substituted one of the ST main cast. The symbiotic relationship of Stobin immediately came to mind, though I also still loved the idea of Steve as Spidey - then I remembered that in the Toby McGuire movies, the two are not mutually exclusive, and it all spiraled from there. Eddie as Deadpool just made sense - immortal wild-card with a dubious moral code but a heart of gold? Obviously! Plus Spideypool is, of course, a classic ship. 

When writing With great power, what was something you didn’t expect?

I actually got several curious comments about the sex toy Steve uses in Because the night - a grindable or grinder, which is a flat-ish silicone structure, usually ribbed in an interesting way, that one can grind against to get off (as the name suggests). I thought it was pretty common, but apparently it's not very well known!

What inspired  RUSH! (T4T REMIX)?

Oh, it's my time to gush! Because the idea for the first work actually came about from a late night conversation I had with the beautiful, amazing, wonderful @maikaartwork, back when we were, how should I say, in the courting stage? Seeing as we met through the Steddie fandom, I decided to write Baby Said basically to seduce them - and I am happy to say it worked, as we've been dating for over eight months now and are planning to move in together next year! Both works from RUSH! - T4T REMIX (and the secret new WIP, shh) are thus somewhat inspired by our conversations and our t4t relationship, but also by the many interesting and different trans people I've met over the years, and trans solidarity and relationships in general.

What was your favorite part to write from At a medium pace?

The small-talk in between position changes - no, really! I love a mindless marathon-fuck story as much as the next person, but there's something very sweet and intimate about those little breaks in sex, the pass the lube, move your leg a bit, what's for dinner later of it all. That's where you see that emotional connection - there's no admission of crushes or big love confessions in this fic because it's right there in the details.

How do/did you feel writing RUSH! (T4T REMIX)?

Honestly, it's just really really fun and self-indulgent. The Steddie dynamic in it is so bitchy, all the bickering makes me laugh even as I'm writing it. It's also just really fun to write about the trans experience in a way that is curious and loving, and reflects all the very different and yet similar ways people experience living in a body that defies expectation. I've loved all my fellow trans people sounding off in the comments about their own transition experiences, it's wonderful to have such a fantastic community!

What was the most difficult part of writing If you were church (I'd get on my knees)?

Curiously enough, not the many religious trauma bits! Much like Eddie in the fic, I'm only church-freak adjacent - I grew up in a non-religious household but with extended family that were extremely catholic, so the odd juxtaposition of being occasionally close to but definitely not involved in what is pretty much cult behavior inspired much of this fic. The most functionally difficult part to write was actually the wedding - as an aro-spec & trans relationship anarchist, church weddings have never been relevant to me, so I had very little idea what actually goes into one! Very little of the research I conducted on the topic actually made it into the fic, but hey, the more you know. 

Do you have a favorite scene and/or line from any of your fics?

People keep asking me that, and I never know what to answer! If I had to pick one, though, maybe the last few paragraphs of Don't look back - where you can see the tragedy coming, but there's no way of stopping it, because it was always going to end this way. And then Eddie's last words before the end of the fic call back to the title as well as the general theme of the fic - it just all comes together for such a crescendo of an ending. 

Do you have any upcoming projects or fics you’d like to share/promote?

Yes, actually! Coming soon in the SteddieBang'24, me and my lovely artist @hawkinsleather have been working hard on a 20k post-s4 fic called A glimpse of your canvas, which is about closeted transfemme!Eddie, women's solidarity, and Steve's very confusing no-good trip to the gay bar. Both With great power and RUSH! (T4T REMIX) have another WIP pending which I'll eventually finish (I promise, I'm just easily distracted!!), and for those who are still mad about Don't look back’s open ending, I'm almost done with the sequel, which features a lot of bad decisions by all characters involved, the healing power of community, and a bit of accidental child acquisition. 

Outside of these questions, Is there anything YOU would like to add?

Given the chance of this platform, I would like to notify my readers that I'm a terrible procrastinator when it comes to replying to comments, but I read and cherish every one of them - and repeat commenters, I see you, I love you, I am chewing on your arm like a dog with a bone!! I would also like to thank the steddie fandom in general for giving me the hottest partner known to man or God, and for the many friendships I've been so fortunate to build here. Talk about transformative works, am I right? <3 

Thank you to our author, @dartlekey, and our anonymous nominator! See more of dartlekey's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[randomthefox]

IT’S OVER!

Surge and Kit are confirmed to be redeemed after the Phantom Rider arc. Even Ian Flynn has given up on them because even he’s treating them like jokes now. 

Do you know what that means? I CAN FINALLY LEAVE! The ONLY thing stringing me along in this stupid comic was that I loved the concept of Surge and Kit and even enjoyed the execution up until issue 56. They were the only thing about the comic I liked after Starline died. But now that the original concept has been officially thrown into the trash, as signalled by Ian Flynn giving up on his original characters now that his idea for them has been completely destroyed by Evan Stanley, I can finally leave. I can finally cut all remaining emotional investment from this comic. It feels like a weight has been lifted off of my shoulders. I no longer feel obligated to participate in the discussion of this comic. I know it’s ass; you know it’s ass. But know, I feel like I can finally accept that and just move on…

Or at least as much as I can while tumblr just censors posts with blocked tags rather than just removing them entirely.

I’ll still get pissed off whenever I see anything to do with IDW Sonic, but I know longer feel the need to read every issue. So I still count this as a win. Hooray for me!!! 🎉🎉🎉

(Unless it’s just a fake out. Where Surge and Kit decide that being heroes isn’t for them by the end of the story and go back to being villains so that Ian can course correct. I wouldn’t even be mad if that happened because it would be hilarious. It would mean Evan’s entire idiotic Phantom Rider arc would be fucking pointless, and that would be hysterical to me).

Oh it's from the new annual lol. Wow that's really asinine. Why are they releasing those pages now of all times? It's pretty much a spoiler for the current storyline. It's like how they released a trailer for the new spider man movie after infinity war.

>"unless it's just a fake out"

Can't tell if this is wishful thinking or addict mentality =P

Can't help but notice they appear to be in Central City. Aka San Fransisco. Aka the level from City Escape. And yet it appears to be populated by animal people instead of humans. Even though that doesn't make any sense and is actively acanonical to the way the world of Sonic was presented as per the Tailstube videos.

It's almost like these comics aren't canon or something.

[chocobothis]

Jila Fic Excerpt

Notes: My brain’s been itching with writing Jila and combining it with where season three of The Mandalorian ended this happened. The longer fic gets into more with how Jila’s feeling after being pushed further into the spotlight while navigating fraught politic relations between different factions. It also gets into her feelings about her dead father and how she hopes he would view her.

Mando’a Dictionary:

cyar’ika: Darling, Sweetheart

buire: Parents (lit. plural of mother & father; in this case it’s Bo-Katan Kryze & Solus Ve’tra)

jang’eyayah: Clones (lit. Jango Echo)

---

Tarre dropped onto the makeshift bench in a sprawl of too long limbs. Through their helmet, and even without the Force, Jila knew they were brimming with annoyance. “Moving to a forest and cutting all contact with the Galaxy. Wanna come?”

“We staying in system or what?”

The indignant scoff barely sent her into a fit of laughter. “We’re staying. Didn’t take the fucking thing back to just leave.”

Her twin was one of the few people she was truthful with about why she hung out atop the left wing of the former royal palace. Within the city proper it was one of the highest places that offered near complete solitude. Everywhere else was too low, had too many people, or was a mixture of both. Up high, alone, and in view of the stars was where her center was found. Maybe in the coming years she would be able to see the stars from here too. But, it did the job well enough.

The others were fed lies in the most sincere of tones. She picked the best vantage points to help document the city’s progress. Between her rangefinder, macrobinoculars, and her advanced HUD it took nothing to record data. Her scans were transmitted to their current headquarters where they were assembled into updates and passed on. It saved on both jetpack and ship fuel. 

Air hissed from a depressurizing helmet before the clank of beskar to beskar. A glance to her right had her eyes rolling. Of course their shorter, white hair still looked perfect. Over eight hours in a helmet meant nothing. Her own hair was frizzed to Concordia and back even with her cyar’ika’s careful braids. 

“Where did they have you today?” She hadn’t seen their name around the in-city crews.

“More underground scouting. Main objective was to check stability but to the shock of no one we had to exterminate some nests.” Their battered canteen came to their purple lips for a deep drink before passing it over. “The work itself was fine. But the group? I wanted to cave myself in by the four hour mark.”

The water bore a hint of metallic and purification tablet. They definitely refilled while under ground. “That was you? I thought the urge to collapse a building on myself came from my wiring crew.”

No effort was made to suppress an undignified snort of laughter. “You’re too dramatic to just hang yourself with cables.”

“Damn right.” Her smile was all fangs, “I wanna go out with a memorable bang.”

Beyond the busted railing they spied clusters of Mandalorians moving on about their lives. Their Buire’s Nite Owls traveled in clumps of blue beskar’gam, the color of their childhood. A stray Wren with gold trimmed black darted between clusters in a rush. Spotting the little clump of Skirata was easy even if they didn’t have a clan theme. Helmets off showed many of them as jang’eyayah children or adoptions. One of the only other clans with jang’eyayah was Ve’tra. Just behind them was the heavy, blue beskar’gam of Journeyman Protectors intermingled with some yellow Rooks. They looked happy.

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[buckleydiazmp4]

no but the thing is. they KISSED. on screen. it was a real scene, not deleted, not removed from a script, it HAPPENED in front of the world's eyes. and AND the actors are normal about it and the whole cast and crew is normal about it and it's not vague and it's IMPORTANT. no matter the rest of it and what came after it, it happened!!

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[sockdooe]

I don’t know if maybe it’s just me, but is anyone else seeing a rise of people claiming that they could do a better rewrite of Voltron and then immediately say they’d make K/L cannon or Adash/ canon?

I don’t know about anyone else but I genuinely don’t think making ships canon would make the show better.

In fact I think It’d make it worse.

And considering shiro isn’t even mentioned in these and if he is it’s just to be Keith dad…. Is telling.

[oh-meow-swirls]

i think this was funnier in my head.

[swiftfootedachilles]

im just gonna be honest gang obviously its gonna be easy for you to say youre in love with a character and theyre an angel when anytime they do something you don't like you brush it off as out of character

[raifuujin]

It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo

Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j

Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.

Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)

-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.

We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.

[the-lark-ascending69]

If Robin were a boy she'd be everyone's favorite character but since she's a girl she only gets to be Steve's gay best friend.

[cuteniaarts]

@katkastrofa, circa 40-ish hours ago: Hey, what if our newest bunch of OCs adopted a baby from one of the other brothel girls who knew she couldn’t afford to raise one? That would make for some fun shenanigans :D

Me, with a notoriously non existent sleep schedule, instinct of self preservation or concern for my poor wrist: Alright, bet. Watch how fast I can make you fall in love with this hypothetical baby >:)

Daneli as a gentle and loving caretaker-turned-adoptive-mother is something that can be So Personal, actually, and originally I was going to leave it at this quick sketch, but then I got carried away thinking about what this child will grow up to be like raised by this little gang of misfits, so…

Here she is!! A little older and so, so beautiful, I need more of her in my life immediately, she’s way too precious

And, because I wouldn’t be me if I didn’t also add a sapphic element to this absolute cinnamon roll, a small crack ship that I’m only half serious about for when she’s a little older still:

All in all, we may be getting impossibly far from canon, but I for one already cannot get enough of sweet darling Kumisai <3

(I fully drew three pieces from scratch in 9 hours I cannot feel my brain or my hands anymore send help)

[krysmcscience]

Saw this prompt for incorrect OC quotes and couldn't resist with a bunch of my Breach goobers. Some of them would absolutely say these things word for word in canon if I gave them half the chance to, though. XD

They're in order of when they showed up in person - Qīng, Ghost, Red, Marisol, Shio, Cam, Daruk, Tawoos, and Alondra - as well as some important honorable mentions who have only been mentioned or gotten dialogue - Star, Blake, and Creation.

Star's design is a slight spoiler, I suppose, but it doesn't reveal if they're human or impostor, so it's all good. Creation's "design" also isn't a spoiler at all, because They can look however They want, LOL. As for Shio...some of you who have seen the body horror I've done of them may be wondering why they look so normal here, but I promise there are Reasons. :3c

In other news, will I be making a liar out of Shio in an upcoming Breach canon divergence? ..........Maybe~ >:3c

[steakout-05]

i was ranting to myself in a really disorganised fashion just now about how Barry has ADHD and like. dude. he absolutely has it. there's no way he doesn't. i myself am an undiagnosed ADHDer and i see so many traits in Barry. like.

in the rock opera 'The Very Last Minute', Barry spends the entirety of it procrastinating on training for the monster apocalypse and literally having almost every trait of ADHD ever. like when i watch this video and see Barry legitimately trying to do what he needs to but repeatedly getting stuck in a loop of jumping from task to task and struggling at actually get started on The Big Task™, i see me. like. that is me.

Barry tries to train. he really does. he really does try to take a crack at it, but he just can't focus on it. he just keeps getting distracted by it over and over and avoiding what he needs to do with other little tasks to keep him occupied at every single moment. and like he knows he really needs to do it. he knows that it's super important that he gets started on it as soon as he can. in fact, there are several lyrics to this effect: "Gotta keep focused, gotta keep training, but I just can't seem to stop procrastinating" and "I should probably stop working on this rocking theme song" are a couple that come to mind. but for whatever reason, he just can't focus on it properly and it ends up with him looking like he's "lazy" or "not putting in the effort". like, you see him get exhausted by doing a single skiprope jump, and that is how i feel whenever i try to do a big task when i'm not ready for it or focused at all. it's really really heard to focus on something that seems so big and overwhelming when you have ADHD, so you often kind of try to avoid it and ignore it because it's super daunting by doing smaller tasks. the difference between executive dysfunction and perceived laziness is that if you were being lazy, you wouldn't care and would likely be having a great time slacking off, even when you are reminded of the task at hand. but with executive dysfunction, you can forget about it for a while, but deep inside you likely still care and know you NEED to get the task done soon, and when you're eventually reminded or suddenly remember, you feel a crushing sense of dread. at least, that's how it is for me. and all the excessive task switching and getting everything else done except The Big Task™ you need to get done the most? i do that! i do that!!!

Barry literally does the ADHD thing where he sets an alarm that tells him to do what he needs to do, but the thing is that he was already doing something else on his phone beforehand and presumably forgot about the alarm, so when the alarm goes off, he just feels like he suddenly can't and that it's way too daunting to actually start because it feels like an intrusion. like. that's the ADHD thing!!! he's doing it!!!! he's doing the ADHD thing!!!!! his executives are NOT functioning!!!!!!

Barry also shows a lot of ADHD traits in 'Rainbow Barry' as well, as they're the most prominent in that specific short. in fact, he shows literally every single inattentive trait in all of the shorts together. impulsiveness, distractibility, impatience, forgetfulness, commitment issues, not following instructions properly, he's even got the emotional problems that come with it like being easily angered and frustrated. he EVEN shows the same traits in the JJ2 event dialogues!!! like!!!! look at the dialogues on the JJ wiki and tell me he isn't having ADHD traits!!!!! bro is clearly showing each individual ADHD symptom in everything he's in and either no one is noticing it or no one is talking about it and i'm just SO obsessed with this headcanon/theory of mine. Barry Steakfries is an undiagnosed ADHDer and nobody can convince me otherwise