#best audio interface

[yamahamusicstore]

Presenting the R-Series Professional Audio Interfaces From Yamaha

An audio interface is your studio's central nervous system. It's necessary to connect your microphones via XLR or TRS, studio monitors, and a host of other devices when producing music in the studio. In brief, a powerful audio interface is a must if you intend to record or monitor audio in sound engineering or music production. Here are the flagship Audio interface from Yamaha to suit your music-making needs. 

R Series (AD/DA): 2nd-generation R Series (AD/DA) is known as the second-generation Dante-ready I/O racks with improved sound, dependability, and displays.

Yamaha's high-performance I/O rack units, the Rio3224-D2 and Rio1608-D2, have integrated Dante audio networking. With their exceptional sonic transparency achieved through design and manufacturing in line with Yamaha's "natural sound" philosophy, they allow for high reliability through redundancy and greatly enhance the performance capabilities of the corresponding console.

In addition to being standard parts of the RIVAGE PM7 Digital Mixing System, the Rio3224-D2 and Rio1608-D2 offer superior audio and operational performance that fully utilizes Dante networking capabilities. These Studio Interfaces are also highly compatible with digital mixing consoles from the CL and QL series. 

R Series (AD/DA) R Series (AD/DA)  has the Dante network audio protocol used by their I/O racks to provide natural, musical sound that maximizes the sonic potential of mixing consoles and other system components. This protocol allows for extraordinary configuration and placement flexibility. Moreover, they enable redundancy for the highest level of dependability in any application. Four models can handle different I/O requirements.

R Series (MADI)

Ideally, the audio interface will be nearly invisible. This idea aligns with Yamaha's mission to provide the highest possible integrity to the original sound. In the digital realm, no additional noise may be allowed, and the sound cannot be altered while the format is being converted. 

Furthermore, user competence or experience shouldn't have too much of an impact on performance.  Recording Interface’s connections should be simple overall feasible distances, and issues should be resolved with flexibility. Here it is: the RMio64-D Dante/MADI converter I/O rack. It provides incredibly flexible support for a broad variety of broadcast and live sound applications without causing any hindrance.

R-Series (SLOT)

The newest model in the R series, the RSio64-D, is a Digital Audio Interface with up to 64 inputs and 64 outputs that can convert between Dante and Mini-YGDAI formats. It also offers flexible routing capabilities. Cards with a wide range of input/output formats and processing capabilities can be connected to a Dante network for live sound, broadcast, recording, post-production, and other applications thanks to four Mini-YGDAI card ports. Remote setup from consoles in the CL and QL series is also supported by the RSio64-D.

R Series (USB)

The ground-breaking RUio16-D audio interface bridges the gap between Dante, analog, and USB signals with its small form factor and durability, making it suitable for frequent touring. When used in conjunction with the included VST Rack Pro plug-in host software, this device creates a plug-in environment that offers users a great deal of flexibility and facilitates the seamless integration of their preferred VST plug-ins into their system. This is the best audio interface that has multiple input/output ports and can be used for a multitude of tasks, including acoustic measurement and the Dante protocol for sending computer-processed audio to a mixer.

In case there is an issue with your computer, this unit also provides a high degree of stability because it avoids the trouble that might stop the sound on the entire system. Yamaha has brought a new kind of plug-in solution to their users through the USB Audio Interface that lets them freely use the VST plug-ins they like flexibly and securely.

To learn more about Yamaha’s professional audio range, read our blog and visit the Yamaha Music India Store website to buy Audio Interfaces for your studio online.

[kalyanimusicals]

Buy Behringer U-PHORIA UM2 2 x 2 Audio Interface Online

If you're looking to enhance your music production setup, look no further than Kalyani Musicals, the best music accessories online shop. We are proud to offer the Behringer U-PHORIA UM2 2 x 2 Audio Interface, a reliable and affordable option for both budding and experienced musicians.

Why Choose the Behringer U-PHORIA UM2?

The Behringer U-PHORIA UM2 2 x 2 Audio Interface is a high-quality recording interface that provides exceptional sound performance. It features a 48 kHz resolution for professional audio quality, and its compact design makes it easy to integrate into any home studio. This audio interface is perfect for recording vocals, instruments, and podcasts, offering versatility for various applications.

Key Features:

2 x 2 USB Audio Interface with 48 kHz resolution for professional audio quality.

XENYX Mic Preamp: Ensures pristine sound quality with ultra-low noise.

48V Phantom Power: Supports studio-grade condenser microphones.

Direct Monitoring: Provides zero-latency monitoring for real-time recording.

Easy Integration: Compatible with popular DAWs (Digital Audio Workstations) for seamless setup.

Why Buy from Kalyani Musicals?

At Kalyani Musicals, we strive to provide the best music accessories online. Our commitment to quality and customer satisfaction makes us the go-to destination for musicians and producers. When you buy the Behringer U-PHORIA UM2 2 x 2 Audio Interface online from us, you can be confident in receiving a genuine product with excellent after-sales support.

Enhance Your Studio Setup

Whether you're a beginner looking to start your recording journey or a seasoned producer needing a reliable audio interface, the Behringer U-PHORIA UM2 is an excellent choice. Its compact size, combined with powerful features, ensures you get the best value for your investment.

Conclusion

Upgrade your music production experience with the Behringer U-PHORIA UM2 2 x 2 Audio Interface, available at Kalyani Musicals. Don't miss out on the opportunity to buy the Behringer Audio Interface online and take your recordings to the next level. Visit our website today and discover why we are the best music accessories online shop.

[naveed-512]

Music is being loved for centuries. No doubt every era of every nation has its own affiliation and interpretation of music and songs. Now that we think of it, almost decades ago, recording and composing a song or music number is a well-established studio and with the best musical instruments and experts was very rare and uncommon.

Thus, the technology has brought us so far with its wonders that that studio and experts have shrunk into Audio interfaces. And believe us when we say, they are very very cheap and affordable than renting a studio.We all know modern music is just one only away from developing and listening. You can create music and song on your or desktops to make this talent accessible for everyone. Here a best value audio interface can help you achieve a lot of expectations.

[officenahas]

Best audio interface for macbook

#Best audio interface for macbook upgrade#

#Best audio interface for macbook pro#

#Best audio interface for macbook software#

#Best audio interface for macbook professional#

#Best audio interface for macbook free#

#Best audio interface for macbook upgrade#

This next-gen Focusrite Scarlett 2i2 audio interface is an upgrade that offers a better preamp design. READ MORE: A Complete Review of the Focusrite Scarlett 2i2

#Best audio interface for macbook software#

Console 2.0 software is easy to learn and allows drag and drop functions, easy to resize windows, and channel strip presets.

#Best audio interface for macbook free#

LUNA recording system comes free with the audio interface and includes LUNA Application, LUNA Instruments, and LUNA extension, which will turn your audio interface into a full-fledged music production device.

Features two premium mic and line preamps, two-line outputs, and front panel instrument and headphone output, 2 digital-analog monitor outputs.

Plus has a good analog design and excellent build quality

2×6 Thunderbolt audio interface works on Mac and Windows.

If you can spare the coin, this is the tool to achieve professional-quality sound you’ve been looking for. On the back and front, you will see two combi Mic/Line ins, a ¼ in hi-Z guitar input, and four ¼ inch output jacks.Īdd eight analog inputs can via ADAT thanks to the TOSLINK port. You can power it from the wall or hook it in using Thunderbolt connectivity only.

#Best audio interface for macbook professional#

The Apollo Twin MKII Duo gives everyday beatmakers and producers access to the professional quality i/o, UAD plug-ins, and Unison preamps. This is a scaled-down, but still top-quality performance audio interface. There are three choices for mic presets: you may choose between 1, 2i2, or 4i4.

#Best audio interface for macbook pro#

Pro Tools beginners will enjoy learning are also included software included is Focusrite Creative Pack, Ableton Live Lite, Softube Time and Tone, Focusrite Red Plug-In Suite, and the choice of an XLN Addictive Keys Virtual Instrument.

The quick start tool will help beginners in their musical journey with little fuss.

The converters allow you to mix and record up to 24 bits or 192 kHz.

There are two balanced outputs that offer clean playback. These inputs are optimal for bass and guitar sound.

It features Air Mode, which allows you to record a bright sound and high headroom instruments.

In summary, the Solo is a perfect fit for the producers on the move and home studios on a budget. Near-zero latency levels and sample rates get up to 24 bits or 192 kHz easily. It’s a matter of finding the right gain using the gain knob. The built-in preamp is clean for those of you that are recording and mixing vocals in your music. The mic preamp is of high quality, and the instrument line pickup generates an amazing sound quality. This plug-and-play audio interface is compatible with all the big DAWs on the market. With sleek designs and aluminum chassis, this device is heavy-duty and easy on the eye. The appearance and build of the Solo are both durable and sexy. For such a compact device you still get all the necessary audio I/O on the front and rear panels The Focusrite Solo is one of the best audio interfaces on this list for portability. Buyers can also pick from one of the free XLN Addictive Keys Virtual Instruments.

Software included is Softube Time and Tone Bundle, Ableton Live Lite, Focusrite’s Red Plug-In Suite, and 2 GB worth of Loopmasters samples.

It also offers high headroom instrument input.

It offers 24-bit A/D and D/A Conversion.

You can also choose a model with up to 8 extra line inputs.

Features four total balanced outputs dedicated stereo pair, MIDI input and output, ADAT input, headphone output.

You can look forward to high speeds and low latency with the Thunderbolt interface. The gain knob will light up in green when it detects an input signal and flashes red if it’s going to start clipping. The plugins included from Focusrite are all you need to get started making to add to Logic Pro X, but not break the bank.įront panel outputs are combi XLR/Jack sockets, and each has a switch for gain and phantom power. This audio interface offers 8 Channel ADAT optical in, four lines out on the back, and 5-pin MIDI input and output ports. The Focusrite Clarett 2Pre is the clear winner in this buying guide of the best audio interface for logic pro x.

[mmorggay]

Best usb audio interface 2019

#Best usb audio interface 2019 plus

The major innovation about the Synergy Core is the two added DSP chips to support the FPGA module, which was already in the original Discrete 4. Last thing to know is that the Discrete 4 does not have a power switch, which can be inconvenient for some people. The external power supply can be plugged using its connector including a screw-on fitting feature, to avoid any untimely unplugging.

#Best usb audio interface 2019 plus

On the rear, no big surprise too, with the two analog inputs we talked about earlier, plus three pairs of Jack stereo outputs (four line out and one monitor out), the BNC format Word Clock input/output, USB 2 and Thunderbolt 2 connectors, and ADAT and S/PDIF digital input/output. But we’ll stay honest and point out that this is one of the reasons why the interface remains so compact. All of those will enable you to adjust levels for inputs (preamps) and outputs (headphones, analog monitor out and line out), and also to have a visual general overview of gain levels for the inputs, as well as to get a quick look at the clock sync and sample rate.Įven though it can be a bit more time consuming to scroll through the menus to configure this input or that output instead of having dedicated knobs, the machine is pretty fulsome at this point. In the center, there is the screen with a rather high level of definition, the three buttons and the big pushable notched knob. On the right side of the front panel, we can take notice of four headphones output it is rare enough that we should mention that all of those outputs are independent in terms of both volume and origin of the signal. The other two analog inputs are located on the rear panel and can only be switched to line and mic level. On the front panel, we can find the first two XLR-Jack (6,35mm) combo inputs with switchable line/mic/instrument preamps. Eventually, the “Synergy Core” logo on the front panel was added. It has the same physical traits, same dimensions (261 x 44 x 208 mm for 1,7kg), same screen, same knobs (who changed from black to grey) and same connectors. The first thing to observe is that the Discrete 4 Synergy Core IS a Discrete 4.

[sirfrogsworth]

Whenever I see an up-and-coming Youtuber I notice they often make the same mistake. When the time comes to increase production quality, the absolute first thing you should do is invest in improving your sound. Not the camera or the lens or lighting or set design. Audio quality trumps all of that. People being able to understand what you are communicating should always be the highest priority.

And the cool part is you can do this with a cheap lav mic. There are some that can just plug right into your phone. The next priority is learning how to set levels and make sure your voice isn't distorting from being too loud. You can even record a little quiet and bump up the levels later on. But if you record too loud to begin with, you can't fix that.

After that you can "treat" your room. Which just involves controlling echo and reverb. Foam acoustic panels are expensive and not necessary. You can do the same thing by just filling your room with stuff. Furniture, books, blankets, pillows. You want to eliminate large flat surfaces. If the sound has to bounce around on 20 different surfaces before it comes back to your microphone, it will have much less energy.

You can also figure out which wall is the biggest echo offender and hang a couple of heavy blankets in front of it. If you can score those moving blankets on the cheap, those work great. And if you can put a gap in between the blankets that will further reduce echo/reverb. You don't have to cover the entire wall, just the main area in front of where you are speaking. If you can reduce that very first reflection, the sound will have much less energy to bounce off other surfaces.

All that said, sometimes people will go overboard with sound and buy that giant phallic SM7B dynamic microphone. I see those things everywhere. Yes, Michael Jackson used it and it does sound great. But with so many quality USB mics that plug straight into your computer, it is a huge hassle and really overkill unless you just enjoy audio tech and want a cool toy. The SM7B requires extra equipment to make it sound good. It's XLR so you need a special interface. And most people add a "cloudlifter" because it isn't very sensitive and can be really quiet without it. Plus, dynamic mics need to be super close to your mouth and I think covering half your face with a giant mic isn't the best visual. There are lav mics in a wide spectrum of price ranges that can be hidden and sound great. Or you can do a shotgun mic like they use in movies. It can be hidden offscreen and pick up your voice from a distance.

Big dynamic mics are great for people with baritone voices. If you are James Earl Jones and you want to show off your voice, the SM7B or something similar makes more sense. Beyond that, most of your viewers just want clarity. Good room treatment and a $30 lav mic can achieve that pretty well. And if you watch a few tutorials on how to EQ and process audio, you can do a lot to make a cheaper microphone sound great. Reaper is a wonderful audio program with professional features and a reasonable price.

TLDR... fix your sound first!

[jennyfromthebes]

Hey! I wanna talk for a sec about the Live Music Archive. If you're a tMG fan who's on here you probably already at least know about it, but for anyone unfamiliar I want to do a quick post talking about what it is and how you can listen!

The Live Music Archive is a collection hosted by the Internet Archive for audio recordings of concerts. Specifically, the LMA hosts, with permission from the band, user-contributed recordings of concerts. Some fans will go to concerts with recording gear to take a full audio recording of the show and then upload it to the archive under the band's collection. As of writing this post there are almost 450 live tapes uploaded to the tMG LMA collection!

There's a few ways that you can listen to recordings on the Live Music Archive. The webpage works pretty well both on desktop and mobile browsers, and that's what I typically use. You can also listen on web without having to make an account on the Internet Archive, which is convenient for browsing. I also use the webpage to download mp3s of favorite tapes to my phone, so that I can listen to them in my local music player.

However, if you don't mind making a free account and prefer the convenience of something more like Spotify, you can also listen to anything on the LMA via the Taper's Section app for Android or the Live Music Archive app for iOS! (Obligatory disclaimer that I use an Android and can't personally vouch for the iOS app, but afaik they have similar features.) The apps have the same functionality as the webpage in a more streamlined mobile-friendly interface, plus things like notifications when there's a new tape added to a collection you follow and downloading in-app for offline listening. The Android app also has a tab for tapes from today's date, there's often at least one (there are FOUR for today!) and that's a really fun way to find tapes to listen to.

If you're looking at this going, wow, that sounds really cool but there's so many tapes that it's a little overwhelming to get into this, don't worry! I'll leave you with a couple recommendations. As mentioned above, I like to listen to shows from the current date. Another fun way to find shows is looking for a specific song - you can go on the wiki and it'll list every show at which the song has been played live, and then just search until you find one of them that has a tape on the archive. Lastly, a few specific favorite tapes of mine:

- 2014-06-15 has the entirety of Taboo VI: The Homecoming played live + one of my absolute favorite performances of both Woke Up New and The Best Ever Death Metal Band In Denton.

- 2015-06-01 is the only time Straight Six has ever been played live and it's interestingly pretty different from the EP version, plus a phenomenal back to back Spent Gladiator 1 & 2.

- 2021-08-06 was the first show after the band started playing concerts again post 2020, and it has a really incredible energy and a phenomenal setlist.

- 2024-03-01 is from the recent run of solo shows, this one was at Grace Cathedral and the ambience is truly truly incredible, it feels so ethereal.

Please feel free to add any additional notes or some of your own favorite tapes to the post as well! Happy listening!!

[pukicho]

So puki you make music, whats your setup like? Audio interface, software, etc etc. Askin cuz I wanna get into the scene

Well I wanna preface this with a few things!! I have spent 90% of my money on music stuff! I love it and have spent like 13 years acquiring this shit, but here is my studio from like 6 months ago

A FEW THINGS HAVE CHANGED SINCE THIS! I no longer have the Pro 3 and swapped it for… nothing! I just sold it, also I cleaned up those cables.

To keep it simple, I have an Apollo x8 audio interface, its the best sounding interface I’ve ever owned, all my synths go into the Apollo, I don’t have a mixer but I 100% need one, I have so many little synths not in use as a result of my lack of inputs!! I have an 8 channel midi host hidden behind some shit, and that really fucking helps. For the love of god don’t use USB midi for big synth setups like mine, it sucks. It pays to learn MIDI shit.

My current synth tower includes the Moog Matriarch, Udo Super 6 and the prophet 6 - under the desk is my OB6! I also own a few doodads like the elektron octatrak mk2, the eowave quadrantid swarm and the 0-coast - I use Adam A77x speakers and some nice headphones!

This is all stupid overkill and not necessary to make good music, I am just a whore, and I have lofty plans and projects! All u need is a focusrite (or a UA volt preferably, sounds better) a good vst like serum or vital (free serum but less presets and worse effects) and some samples u can get from splice or some shit - and maybe a nice MIDI controller - as for daws I suggest FL since its great for learning, or ableton if you plan on going ham with beat making, logic is also a beast for apple users. Most importantly, have fun and don’t be a dick. Also if u think ur music is good 2 years in, it probably isn’t, always something to learn. Byebye

[felassan]

Dragon Age: The Veilguard settings details - Display and Graphics

This post is under a cut due to length.

This information comes directly from the game.

DA:TV menu 'pages': Display, Graphics, Audio, Controls, Gameplay, Interface, Accessibility, Other.

For some of the settings, additional detail on a specific one (the one that was selected at that particular point during the video, e.g. "Window Mode" was set to "Full Screen") is given after the general explanation/definition of the setting itself. These are in italics at the end of an entry.

DISPLAY

Display Mode

Active Monitor: Select the monitor for game display. Window Mode: Switches between full screen, windowed, and borderless windowed modes. You can press ALT+ENTER at any time to switch between full screen and windowed modes. In full screen mode, the game will play on the entire screen. Screen Resolution: Changes the game's display resolution. The game's level of on-screen detail is determined by the number of pixels it contains. Higher resolution increases the number of pixels displayed, which will result in a clearer image. This comes with a potential cost to performance. Refresh Rate: Sets how often your display will refresh game visuals. A higher refresh rate means a smoother picture, depending on your computer's hardware. Frame Rate Limit: Sets the maximum framerate for the game. VSync: Synchronizes the game's framerate with the display's refresh rate to prevent screen tearing.

Calibration

Brightness: Adjusts the intensity of the game's visuals. Makes all visuals lighter or darker. Contrast: Adjusting the contrast will change the difference in color and light between the brightest and darkest parts of the screen. Enable HDR: HDR (High Dynamic Range) mode provides enhanced color and contrast ranges. This option can only be enabled on supported displays. HDR must also be enabled in your operating system. Use the HDR Calibration option below to adjust. HDR Calibration: Launches the HDR calibration tool which adjusts the HDR settings to best match your display. The maximum brightness level should generally be adjusted to match what your HDR display will support. Measured in nits. This is only available when Enable HDR is turned on.

Upscaling

Unsample Method: Improve performance and visuals by rendering the game at a smaller resolution, then "upsampling" to a larger resolution for display. The pixels that make up the difference between the two resolutions are generated using advanced algorithms. Unsample Quality: Select the desired quality level for the upsampling method selected. DLSS Frame Generation: DLSS Frame Generation can generate additional frames that boost your overall frame rate. In order to use Frame Generation, you must have an NVIDIA RTX 40-series graphics card. NVIDIA Reflex: NVIDIA Reflex is a technology that helps reduce input latency while playing the game. In order to take advantage of NVIDIA Reflex's feature, you must have a supported NVIDIA graphics card. Anti-Aliasing: Anti-Aliasing smooths out pixels along the edge of objects that can look sharp or jagged in certain situations. Temporal Anti-Aliasing (TAA) uses information from current and past frames to address aliasing issues. The high setting uses a large range of frames and will result in a higher quality anti-aliasing effect, but with a higher performance cost.

Resolution Scaling

Render Scale: Controls the resolution the game is rendered at relative to your display resolution. Settings below 100% may decrease visual fidelity, but can improve performance. Settings above 100% may increase visual fidelity, but can negatively impact performance. Dynamic Resolution Scaling: Automatically lowers the game's resolution in real-time to maintain the target frame rate. Target Frames Per Second: Determines the target frame rate for dynamic resolution scaling. Minimum Resolution Scale: Determines how low the resolution can be scaled when Dynamic Resolution Scaling is active.

GRAPHICS

Graphics Preset

Graphics Preset: Graphics presets are predefined configurations that simultaneously adjust multiple graphics settings to achieve a balance between visuals and performance. Restart required for setting change. Maximizes visual fidelity by setting most graphics options to their highest values. Recommended for the Ultra hardware specification tier.

Textures

Texture Quality: Selects the level of detail and resolution for textures applied to objects in the game. Higher settings will result in more detailed textures, potentially at the cost of performance. Restart required for setting change. CPU - Moderate. GPU - Moderate. VRAM - Major. Texture Filtering: Adjusts the appearance of textures at varied angles and distances. Higher settings will increase texture quality, though potentially at the cost of performance. CPU - Minor. GPU - Moderate. VRAM - Minor.

Light and Shadow

Lighting Quality: Adjusts the appearance of shadows, reflections, and light-scattering. Higher settings increase the visual fidelity of light effects. CPU - Minor. GPU - Moderate. VRAM - Major. Contact Shadow: Contact Shadows improves the appearance of shadows when objects are close to one another. It fills gaps between objects and shadows that can occur with static lighting. CPU - Minor. GPU - Moderate. VRAM - Minor. Ambient Occlusion: Ambient Occlusion is a technique to simulate soft shadows where objects are close together or where surfaces meet. This makes the scene look more realistic. Disabled when Ray-traced Ambient Occlusion is enabled. CPU - Minor. GPU - Major. VRAM - Minor. Disables Ambient Occlusion. This potentially increases performance at the cost of visual fidelity. Screen Space Reflections: Screen Space Reflections simulate reflections of objects and light on visible surfaces. Enabling this will result in high-quality reflections. Disabled when Ray-traced Reflections are enabled. CPU - Minor. GPU - Moderate. VRAM - Moderate. Volumetric Lighting: Adjusts the appearance of volumetric lighting effects. This simulates how light interacts with atmospheric elements like fog, smoke, dust, and clouds. Higher settings increase the quality of these types of elements. CPU - Minor. GPU - Moderate. VRAM - Minor. Sky Quality: Adjusts the appearance of the sky, clouds, and celestial bodies like the sun and moon. CPU - Minor. GPU - Moderate. VRAM - Minor.

Ray Tracing

Ray-traced Reflections: Enables the use of Ray-Tracing to simulate realistic reflections of objects and light on reflective surfaces. This is a more advanced technique and requires specialized Ray Tracing compatible hardware. CPU - Major. GPU - Major. VRAM - Moderate. In selective mode, the game will only enable Ray-traced Reflections in specific areas that can best take advantage of the feature. Ray-traced Ambient Occlusion: Enables the use of Ray Tracing to simulate soft shadows where objects are close together or where surfaces meet. This makes the scene look more realistic. This is a more advanced technique and requires specialized Ray Tracing compatible hardware. CPU - Major. GPU - Major. VRAM - Moderate. Ray-Traced Ambient Occlusion is always on. Ultra Ray Tracing: Enables the highest level of ray tracing effects, which provide better quality visuals at the cost of performance. This setting is available on the Ultra and Custom graphics presets and is only recommended for high-end graphics cards.

Geometry

Level Of Detail: Adjusts the distance at which objects are visible and the level of detail as they get father away from the camera. Higher settings increase the visual quality of objects at distance. Restart required for setting change. CPU - Major. GPU - Major. VRAM - Moderate. Strand Hair: Strand hair simulates the appearance and movement of individual strands of hair. Enabling this will result in more realistic and natural-looking hair. CPU - Major. GPU - Major. VRAM - Moderate. Terrain Quality: Terrain is the natural landscape and ground surfaces. Higher settings will increase the detail and overall quality. CPU - Moderate. GPU - Major. VRAM - Moderate. Terrain Decoration Quality: Adjusts the appearance and detail of terrain elements like rocks, vegetation, and other environmental objects. Higher settings will increase the quality and density of the terrain elements. CPU - Moderate. GPU - Major. VRAM - Moderate. Visual Effects Quality: Adjusts the quality and detail of visual effects throughout the game. This includes particle effects, decals, and screen effects. Higher settings will result in higher quality effects. CPU - Minor. GPU - Moderate. VRAM - Moderate.

Camera Effects

Depth of Field: The Depth of Field effect causes some elements of the scene to be in focus, and others to be out of focus. This effect is generally only used in cutscenes and conversations. CPU - Minor. GPU - Minor. VRAM - Minor. Depth of Field is only enabled in cinematic sequences. Vignette: The vignette creates a subtle darkening of the image towards the edges of the screen during cinematics and gameplay. This is generally used to enhance the atmosphere of scenes. CPU - Minor. GPU - Minor. VRAM - Minor. Motion Blur: Motion Blur slightly blurs fast-moving objects. This helps make motion appear smoother and more natural. CPU - Minor. GPU - Minor. VRAM - Minor. Post Processing Quality: Adjusts the overall quality of the post process effects above like depth of field, bloom and motion blur. Higher settings will result in higher quality effects. CPU - Minor. GPU - Moderate. VRAM - Minor. Field of View: Adjusts the field of view, which changes how much of the game world is visible during gameplay. A higher field of view allows you to see more of the game world. CPU - Major. GPU - Major. VRAM - Moderate.

[source]

[mlm-writer]

Test Ride Pt. 2 (Peter Parker x Android!Reader)

Pairing: Peter Parker (TH ver.) x Android Reader (with a robovagina) Rating: Explicit Words: 1189 POV: Second Summary: The Big Tober Day 10 - Robotfucking Note: A sequel to a piece I did for kinktober 2020. Reader is a robot and has no gender. Last time reader got a robopenis and I thought it only fair to give reader a robovagina this time. Reader's chest is unmentioned. Tags: robotfucking, unnecessary use of fancy words to make it more sci-fi, at least I don't put 'quantum' in front of everything to make it science, dom/sub dynamics, overstimulation, safeword ignored(?), robot tentacles as restraints, vibrating pussy, nipple play and software/hardware updates gone ' wrong'

A new HUD interface greeted you as you booted up after your last upgrade. Your physical statistics and environmental parameters were found in new places, but that mattered little. Your optics activated after a short delay, visual input now also available to you. Your creator stood before you, his lips moving, but you received no audio input. “Audio module connection failed,” you replied to whatever he said. You saw him curse, or at least that was your best prediction of what his expression conveyed. He motioned your head down. You bent at the hips, allowed him to unplug and reconnect your audio modules. 

Once the cables reconnected, you could hear Peter clearly. “Please, don’t be ruined, please don’t be ruined,” he muttered to himself. 

“All modules operational,” you informed him. He jumped at your voice, but let out a sigh of relief right after. “Awaiting command,” you added. As per usual after an update, Peter started poking and prodding your frame, confirming your sensory input was still operational. When he was done testing your basic functions, he dragged you to his bed. 

“Program D.O.M. version V, please,” he spoke nervously. You detected an increase in heart rate and blood flow to the genitals. You confirmed the break command, as it was standard protocol, before you could execute the D.O.M. program. Once the safety protocols were satisfied, you had your digits on Peter’s clothes. You unbuttoned his flannel, revealing his pale chest underneath. There was minor bruising, but a quick scan revealed no serious injuries that were contraindications to the program. You pushed him onto the bed and started running your tongue over his chest, paying extra attention to his nipples. 

Peter whimpered as you played with his chest, artificial tongue and teeth taking turns with your digits pinching his sensitive nubs. You kept track of his arousal, only stopping your onslaught once his involuntary noises got a little louder. You sat up, retracting your pelvic panel and rubbing your wet hole over Peter’s crotch. He whined as you slowly soaked through his jeans and underwear, until he could feel your wetness on his cock through his clothes. “Please, I need to be inside you,” Peter eventually moaned, his mind tethering on the edge of madness. 

He was hard underneath you, so you deemed him ready for the next stage. With superhuman deftness, you removed his clothes until he was naked on the bed. His cock protruded from his body, the tip red and leaking. You wrapped a servo around his rod, stroking slowly as to tease him. When he started thrusting into the tightness, you placed your other servo on his hip, your mechanical strength counteracting his. He was forced to only take what you gave, which was exactly what he programmed you to give. It was not enough to get him even remotely close to orgasm, but the build-up was perfect to make him start begging. Once the begging got frequent enough, you proceeded on to the next stage; you mounted him, letting his cock slide into your wet and soft hole. Peter moaned, his eyes rolling back as you rode him at a decent pace. “Please, give me more, I’ve been good. I will be even better, I swear.” 

His moans filled the room. You took his dick all the way inside and paused on top of him. “I will grant you more. However, unpermitted orgasms will be reciprocated with punishment.” He nodded, promising he would not cum. You decreased the elasticity of your inner walls, giving him a tighter squeeze as you proceeded to ride him. Your movements were quicker than before, fully intending to make him cum without permission. Peter was moaning to the ceiling, eyes squeezed closed sometimes and other times wide open. His mouth stayed wide open, tongue peeking over his lower lip. 

Just as predicted, your inner sensors detected his cum painting your inner workings. You rode him until the spurts seized. Then you planted yourself firmly on him. Tendrils extended from your body and wrapped around his appendages. “You have disobeyed my orders,” you stated as you held him down and turned on the vibrations of your inner walls. Peter wailed as his sensitive cock was forced to endure the intense vibrations. He writhed against your restraints, but not even his super strength could remove you. Just like he had begged you before to fuck him, he was now begging for your mercy. You bent your upper body, putting a servo around his throat. You put a little pressure on the blood vessels below his jaw. Tears poured down Peter’s eyes as you forced a second orgasm out of him. You detected more cum inside you as he cried out. 

After his second orgasm, you ran a scan on him, the analysis showing that he had enough. You removed your servo from his throat and turned off the stimulation or at least… attempted to. “Error: deprecated code, V-module unresponsive.” You stated, your tendrils no longer retracting and your hole vibrating on and on. 

“What?” Peter exclaimed, clearly in panic. You ran a diagnostic check, your hole trying to reboot by first ramping the vibrations all the way up, so it could be brought down again. Peter screamed during the process, his brain unable to process the stimulation. 

The tactic worked fine, but the module got stuck again at the same level of vibrations you started at. “Tendril module interfering with V-module. Attempting tendril reboot.” Peter did not perceive a word you said. As the tendrils rebooted, they lifted up a little, Peter’s body now hanging in the air except for his pelvis, where you still sat, vibrating his cock. 

Peter cried, feeling like his brain had melted away from the intense pleasure. “Stark! Stark!” He screamed the break command. You tried to terminate the program immediately, but the backlog of reboots and diagnostic checks made it impossible. Your creator, against your predictions, came again, barely a drop of cum leaving him. He kept screaming, trying to get through to you. Just after his third orgasm, you regained control of the tendrils. In a flash, they were retracted and you uncoupled the module for now. 

Peter’s cock was gradually turning limp inside of you. The poor boy was hoarse from screaming. Without the tendrils, you regained full control, the vibrations stopping instantly. “Thank you, thank you,” Peter whispered over and over as you lifted your frame off him. 

“Program D.O.M. paused,” you stated, “do you wish to continue after a delay or shall I proceed with aftercare protocols?” 

Peter laid starfish-style on the bed. His chest was heaving. He could use some aftercare, but it was hard to trust you right now. “Terminate the program all together,” he groaned, “initiate shutdown.” A second later, he was met with the sound of your vents shutting down and your pelvic plate closing to protect what was behind it. He was left in silence. As far as updates went, it still wasn’t as bad as that time Windows went from XP to Vista. He counted it as a win.  

—————

REBLOG TO SUPPORT YOUR FANFIC WRITERS

Likes do not help exposure!A comment in tags or replies can sustain a writer for months!

[modmad]

sending u copy-pasted voice recording stuff from a VA friend

"FL Studio is a good one if your willing to spend 200 or more But Reaper Studio is a decent fill in for somthing cheaper than that

A better program than audacity will help with more advanced features during recording, as well as tons of options for post processing. In audacity you have to do EVERYTHING manually, especially EQing With programs like this, you can have live EQing, tracking for that, better UI for the tools that audacity has, plus just additional features that will make editing a breeze

fixing the quality of ones recording situation is never as easy as getting a new program

Unfortunatley tools that a better Audio interface would give you would be a patch for the issues of low quality recording

Theres a cheap method i learned in a voice acting class using PVC and blankets to make a makeshift studio, but without the space blanket over the head really is the best choice

Saving up for a better mic and recording interface for that mic would be the best way to improve quality. A better audio interface would be best if your spending too much time in post editing, when it could all be done swiftly"

hot damn that's a comprehensive response! thank your firend for me, and thanks everyone who got back to me on this issue: I have an upgraded mic, and I am going to get Reaper, or at least trial it, as it's the one with the most recs (and I do Not have the beans to learn how to wrangle Audacity into shape rn)

hugely appreciate this, thank you!

[do-it-jakey-baby]

An Unlikely Encounter

Jake Kiszka x f!reader

Warnings: implied physical assault, alcohol consumption, allusions to smoking weed, explicit sexual content, jealousy, praise kink, dominant Jake

18+, MINORS DNI

TAGLIST: @torniturntomyarrow @ignite-my-fire

A/N: I’m so sorry, I wrote this in my drafts and can’t seem to figure out the word count now… but I hope you all enjoy!

Chapter 4

You woke up screaming from the horrendous dream you’d just had, but the panic subdued quickly as you felt Kat’s arms around you.

“Hey, hey. Shhh… it’s ok. I’m here. I’m here.” She whispers softly, smoothing your hair gently with her fingertips. You begin to sob and she squeezes you tightly.

“Do you think you can tell me what happened last night now?”

You prop yourself up onto your elbows and lean against the headboard, cheeks puffy and tear-stained. Kat passes you a tissue and you loudly blow your nose into it.

“I guess…” you trail off. Kat places her hand on your thigh and looks at you, her face a picture of pure empathy. You honestly don’t know what you’d do without her.

“I thought you’d forgotten your key, like you always do. So I opened the door not even bothering to check through the peep hole. Connor was there.”

“That son of a bitch!! I’m gunna kill him!” She spits, eyes filled with fury.

“He was wasted Kat, fucking stank. He started saying some really vile things about me and Jake. When I tried to shut the door he lunged at me. If those men hadn’t been walking past I dread to think what would have happened.” Fresh tears spill from your eyes at the recollection.

Kat whips her phone from the bedside table and begins searching for Connor’s number, but you put your hand up in protest. “Please, no. I want to forget he exists.”

She frowns, but ultimately respects your wishes. “Ok, but if I see that waste of space, good for nothing mother fucker EVER again, I’ll rip his fucking head from his torso.”

Her brutality elicits a small giggle from your lips and she immediately softens her scowl, laughing along with you.

“What was your dream about?”

You sigh. “I dreamt that Connor got hold of me, and he hurt me really bad. Jake came back, but he saw me lying there beaten black and blue and just walked away. I screamed for him, but he kept walking.” Tears welled in your eyes again, threatening to escape and roll down onto your cheeks.

“Y/N, he would never. If he saw what happened, I don’t think Connor would be able to walk again… Jake cares about you.”

“I just don’t understand why, I’m a nobody. He could have any girl he wanted. I’m so damaged, I find it hard to let people in.” You grimace, picking at the skin around your nails.

“Because you’re a fucking worldie, babe.” Kat grabs your shoulders and looks you straight in the eye. “I wouldn’t be best friends with you if you weren’t special, you twat.”

~

The weeks went by quickly as you busied yourself helping Kat with her work, you’d even found time to record a few covers that you’d been meaning to do for a while. You loved to sing, but your ex couldn’t stand it. He always complained about the noise disturbing him. Slowly over the course of your relationship, your confidence dwindled to almost zero. You no longer found comfort in performing, only singing along to songs in the shower or as you worked. You had promised yourself that you’d get back into it when your relationship ended, so you sat there in Kat’s flat, fiddling with your mic and connecting it to the interface. It had been a while since you’d done this, so you played around with the settings on your software and took the time to familiarise. Once you were happy, you adjusted your headphones began to sing into the mic, a rush of euphoria hitting you as you perfected each vocal run. You’d settled on ‘Dreams’ by Fleetwood Mac, something you could easily grasp for your first song back. You made sure to record yourself with your phone whilst you were singing, so that you could add the audio to the clip. When you’d finished and were satisfied with how it sounded, you saved the clip and sent it to Kat.

Guess who’s finally back?

A few moments later, your phone pinged. OMFG, Y/N! You’re insane!! Post this, now.

You chuckled, shaking your head. Not just yet…

You packed your equipment away and wandered into the kitchen to make a snack. You swung the doors of the fridge open, spotting a rosy, red apple. You sliced it into segments and put them into a bowl, then cut up some mature cheddar cheese into cubes and popped them alongside. As you settled down onto the sofa and flipped the TV on, your phone pinged again. This time, it was Jake.

How is my gorgeous girl today? I am so excited to see you this weekend.

You instantly smile to yourself. Hey, Jakey. Really good thanks, had a productive day. How are you? I’m so excited to see you too.

A few seconds after you press send your phone screen lights up with a FaceTime call.

“I never get tired of seeing that face.” He beams. “What have you been up to that’s so productive?”

“Oh, you know, just helping Kat out with her admin and stuff.” You didn’t want to tell Jake that you sang, not wanting to draw attention to that part of your life.

“Nice, well we’re heading to the arena soon.”

“You’re in Denmark now, right?”

“Yeah, it’s beautiful here in Copenhagen. I’d love to take you sometime.”

You and Jake speak for the best part of an hour, about the tour so far, and where he’d take you when he had the chance. He learnt about the places of the world you’d been to and where you aspired to go.

“I’d love to visit the States. I’ve never been.”

“I’m sure I could show you one day.” He spoke with such a genuine smile, which made you feel like he really enjoyed your conversations. His eyes sparkled as you bared your soul to him, his heart growing fonder with each revelation.

“Come on man, we’re late!” You hear Josh’s voice boom from the screen. “Hello, Songbird.” Josh directs to you. “How is my favourite girl?”

Jake’s face visibly changes, his brows knitting together. You and Josh had formed quite a solid friendship over the last week, you almost spoke to him as much as Jake. He even called you a few times, once whilst your favourite Fleetwood Mac song was playing. You softly hummed along to “Songbird” whilst you listened to Josh talk, and ever since that’s been his pet name for you.

“Hi bestie, I’m good thanks.” You giggle.

“Fantastic! We miss you” He looks away and points at Jake “Dude, we’re leaving! Now! Bye, Songbird, I’ll call you later after the show?”

“Sure thing, Josh. Break a leg!” You respond. Jake looks back at the camera, his face still crumpled.

“I’ll talk to you later, bye beautiful.”

~

A few days later you were rushing around Kat’s flat, throwing clothes and toiletries between you.

“You have to wear this to the show, you’ll look so hot!” Kat winks, chucking a garment at you.

You pick up the white leather mini dress and hold it up to your chest. It’s strapless and skin tight, adorned with small, silver sequins and tassels hanging delicately across the hemline.

“Kat, this is STUNNING! I can’t wear this, I’d be too scared that I’d ruin it!”

“Well, tough shit. I made it for you.”

Your mouth falls open. “Katrina Chiara Romano, is that why you’ve been spending so much time in your workshop?!”

“What? I had to make sure my bestie looked fire when she watches her boyfriend play live.”

“He’s not my boyfriend!” You smack her arm playfully. “Thank you so much, you sly dog!”

Once you’ve both packed, you haul your suitcases outside and into the taxi. As you settle into the car and the driver moves off, Kat grabs onto your hand and squeezes it. You both squeal in unison, both incredibly excited for what lies ahead. You make it to the airport and the whole process goes smoothly, which is never usually the case with you and airports. You hate flying, but the excitement bubbling in your chest takes your mind completely off the journey. You both board the plane and you run down the aisle to nab the window seat. Kat sits down next to you and you immediately pull your phone out to snap a selfie.

“Say, Greta Van Fleet!” You cheer, throwing up a peace sign and pouting.

When you land in Portugal, the temperature is a far cry from the frigid London air you’ve been used to. Even though it was Winter, the climate was balmy and you’re glad you didn’t pack all woolly jumpers and scarves. You and Kat retrieve your bags and walk through to collections, both of you scanning the open space for any sign of the boys. A wolf whistle pierces through the silence which makes you both jump, you follow the sound and your eyes land on a huge cardboard sign that reads “Greta’s Groupies”. You both run over to the boys with open arms, Sam swiftly enveloping Kat in a tight embrace. Josh darts out ahead of Jake and scoops you up in his arms, twirling you around as you shriek with laughter.

“Songbird!” He trills.

“Joshua! I’ve missed you so much.” You smile, then look over his shoulder and yell “I’ve missed you all! Yes, even you Sammy!”

Josh puts you down and Jake is at your side instantly, taking you in his arms and pressing a kiss to your lips.

“Hello, beautiful.” He smiles.

“Hi, Jakey.” You breathe, your head spinning with emotion.

The reunion continues with the boys handing out warm hugs to both you and Kat, rejoicing in your company. Sam takes Kat’s suitcase from her and begins to wheel it towards the door, signalling that it’s time to get going to the hotel. You turn to grab the handle of your suitcase and notice that it’s no longer behind you.

“Hey, where’s my suitcase?”

“I’ve got it, Songbird.” Josh smiles. Jake walks to his brother and reaches his hand out, which causes Josh to raise his eyebrow.

“Dude, I’ve got it. It’s fine.” Josh mutters.

“No. I’ll take it.” Jake pushes Josh’s hand, snatching the suitcase from his grip. You frown, confused at the situation. Josh mirrors your confusion, but shakes it off with a laugh and extends his arm out for you to take.

“Shall we?”

You all pile into the back of a limousine, which is far fancier than you expected.

“Guys, was this necessary? A limo? Come on.” You giggle.

“Only the best for our girls.” Josh winks, playfully elbowing you. Jake audibly huffs.

“Hey, man. What’s up with you?” Danny probes.

Jake shakes his head “Just tired, I guess.” You extend your arm out and squeeze his knee, provoking a small smile.

~

Once you’ve unpacked in your hotel room and have freshened up from your journey, you make your way along the hall to find the others. You’re not sure why you’ve been given your own room, you assumed that you’d be staying with Jake for the duration of the trip. As you reach Jake’s door and go to knock you hear raised voices from inside.

“What the fuck is your problem, Jake?”

“My problem is that you’re getting really fucking cosy with her, Josh. What are you doing? You know I like her and you know she likes me!”

“Will you get your head out of your ass!”

“You always do this! Why can’t you just let me have the limelight for once?”

“I’m sick of your attitude, she’s a friend, Jake! A friend of mine, a friend of yours, a friend of Danny’s, a friend of Sam’s. Stop it with the jealousy!”

“She’s not just a friend to me and you know that!”

You bolt out of the way quickly as you hear footsteps approaching and hide around the corner, not wanting them to know you’d heard their conversation. Jake slams the door shut and storms down the hall, thankfully not noticing you. You gingerly approach the door and knock. Within a few seconds, Josh answers.

“Hey, sorry, Jake isn’t here.” He rubs his hand across his face, smoothing his facial hair downwards.

“Are you ok?”

“Yeah, do you want to come in?”

You follow him inside and sit down on the sofa. The room is big, with a sizeable bar section. Josh walks over and points at the plethora of liquor.

“You want? I’m having one, so it’s only fair that you join me.”

“Sure, whatever’s best.” You smile. Josh busies himself making your drink and you look around the room. You spot several crumpled up pieces of paper on the desk, but your eyes are averted away by Josh placing a glass in front of you. He sits down beside you and takes a long sip from his glass.

“How was your flight, Songbird?”

“It was fine actually. I’m not the best flier, but I was so excited that I completely forgot I was in the air.”

“I used to hate flying, but when you’re on tour as often as we are you get accustomed to it pretty quickly.”

You smile at him, your gaze falling to your hands as you pick at your fingernails. “Where’s Jake?”

Josh looks like he isn’t sure what to say, he bites his lip and begins to speak but he’s cut off by the door swinging open.

“Hey, man. Look, I’ve had a breather and I think I-” Jake pauses as he spots you both sitting there. “What the fuck is this?” His eyes dart between you and the glasses on the table.

“She came looking for you and I invited her in to wait.” Josh stands, brushing his hands across his slacks. “I’ll leave you to it, need to get ready anyway.” He pushes past Jake and disappears through the door. You look up at Jake, titling your head. He immediately softens and comes to sit next to you, as he brushes past your legs you’re hit with the overwhelming scent of weed.

“Have you been smoking?”

“Yeah, needed something to take the edge off.” He stifles a laugh, then clears his throat.

“What is up with you two today?”

“Nothing. Why, what did he say?” Jake straightens, clearly uncomfortable.

“He didn’t say anything, it’s just obvious there’s some kind of… tension.”

Jake sighs and runs his hands through his hair “There’s nothing wrong, beautiful. Just pre-show nerves, gets to us sometimes is all.” He pats your knee. You know he’s lying, but you can’t let on that you heard their argument earlier, so you place your hand on top of his.

“You don’t have anything to be nervous about, I’ve seen you all play countless times and you fucking own that stage.”

His eyes turn dark, as if your praise has washed away any memory of his current feelings. He brings his hands to your face and pulls you to meet his lips. You accept his advances hungrily, allowing his tongue to lap against yours. He moves his hands to your waist and pulls you on top of him so you’re straddling his hips. As he manoeuvres you, you make slight contact with his belt and can’t stop the moan that escapes your lips at the friction.

“Don’t you praise me and then make those noises, I’ll have to cancel the show so I can fuck you into my mattress.” He breathes against the shell of your ear.

You inhale deeply, suddenly extremely turned on. It’s been weeks since you last had any contact with Jake, and you’re already wet just thinking about the dirty, awful things that you’ll both do together later.

“You can’t cancel the show, as much as I want you inside of me right now.”

Jake groans, pulling you into him harder. You gasp, your fingers digging into his shoulders.

“Jake, don’t start something you can’t finish.” You whine, your chest heaving with arousal.

“Oh, I’ll fucking finish you later, sweetheart. I’ll show you just how much I missed you.”

~

The boys were ushered off for soundcheck and that left you and Kat to get ready. You both did your hair and makeup, sharing a bottle of pinot noir between you.

“You look fucking hot, Y/N.”

“Says you, Sam’s eyes will pop out of his head!” You giggle. Kat was wearing a black lacy corset that cinched her tiny waist, enhancing her curves. She paired the corset with a pair of silky high waisted electric blue trousers which contrasted her auburn hair perfectly. She zipped up your dress and handed you a deep burgundy lipstick.

“This will finish the look.”

You swipe it on and look at yourself in the mirror. You do look good…

“Time to go!” You grab her hand and squeal. The two of you make your way over to the arena, your VIP passes swinging around your necks as you canter along. The security guard at the door checks your passes and gives you the all clear, and another member of the security crew escorts you backstage. Sam is the first to notice you both, bobbing his head with his mouth agape.

“Well, aren’t you two a sight for sore eyes! Two fallen angels!” He hollers, wrapping an arm around you both.

“You don’t look too bad yourself, Kiszka.” Kat winks.

Josh rounds the corner and theatrically falls to his knees, placing the back of his hand on his forehead.

“Be still my beating heart. You are exquisite, my darlings.”

He’s wearing one of his famous jumpsuits, with his chest exposed. Rhinestones adorn his cheeks, sparkling in the light with every movement. He’s so beautiful that it takes your breath away.

“Joshua Kiszka, look at you. Prettier than a picture.” You giggle, opening your arms out to him. Just then, Jake and Danny appear.

“Lauren, Kat, you both look stunning!” Danny beams.

“You look fucking hot, Danny.” Kat raises her eyebrows, smirking.

“Well, thank you. I’m blushing.” Danny playfully covers his face with his hands.

You meet Jake’s eyes, he’s looking you up and down like he would devour you right now in front of everyone if he could. He’s wearing his signature black suit, the jacket open and showing his tanned chest and silver chains. He beckons you over with a curl of his finger. You excuse yourself and walk over, and his hands find your hips instantly. He pulls you close and whispers into your ear “You look fucking beautiful, that dress… I can’t wait to take it off you later.”

“Sorry to cut this short, but we need to head backstage. Brian will take you to your seats.” Josh points across to the crew member. “See you on the other side!”

You and Kat wish them good luck and follow Brian out into the arena to your seats. They are by far the closest you’ve ever been to the stage, right opposite the walkway that you know Josh and Jake will both use during the show. It was so odd being here on this side, with a view of the space that would be filled with thousands of screaming fans. You were once one of them, and you’d been swept up so quickly on this journey that you hadn’t had time to process it yet. You sat, expressionless, staring into the void whilst your mind whirred with endless thoughts. Kat notices and snaps her fingers in front of your face.

“You good?”

“Yeah, just thinking about how crazy this all is. A few weeks ago they had no idea who I was, now we’re like… besties.” You laugh.

“I honestly have no idea how you pulled this off, but I’m glad you did. You’ve been happier than I’ve seen you in years, and that’s all I care about. It’s been shit watching the life be sucked out of you, you have your glow back now.” She smiles, wrapping her arms around you.

“What would I do without you?”

“Fucked if I know!” She giggles.

The arena begins to fill up and you watch the fans sprinting towards the barricade. It feels like just yesterday that was you. After around 30 minutes, the opening act appears on stage and starts their set. You sway along, enjoying their vibe. It’s the same band that opened in London, but this time you were able to remain focused and listen to how talented they were. A part of you felt a spark of envy, this was something you’d always wanted to do yourself but never had the confidence to pursue. A few songs in you feel a tap on your shoulder. It’s Brian.

“Miss Y/N, I’ve been requested to bring you back stage for a moment.”

You look to Kat. “Will you be ok for a minute?”.

She nods and ushers you towards Brian. You follow him down the steps and backstage. He leads you down the corridor and into a dressing room, where Jake is sitting. He stands as you enter.

“And what exactly do you want with me then, sir?” You smirk.

“I wanted to see you one more time before we go on.” He grabs hold of your hands and pulls you into him, his hands snaking around your waist. “You’re my good luck charm.”

“Is that so? I don’t think you need a good luck charm.”

His hands find their way to your face and he cradles it, then sweeps his fingers into your hair as he kisses you softly. You mirror his actions and entangle your hands into his chestnut locks, kissing him deeper. He gasps into your mouth and you feel his cock harden against your hips.

“Someone’s gagging for it.” You tease. He whips you around so your back is to him. With one hand on your throat, the other slips in between your legs. Your breath hitches in your throat as his fingers dance over your clothed clit.

“Keep teasing, sweetheart. You’ll be sorry later.”

The door swings open and you swiftly part, both looking sheepishly at Josh who has burst into the room. His face glows red and he averts his eyes.

“Uhhh, sorry… Thought you were alone. We need to head to the stage.”

Your hands fly up to your mouth as you attempt to muffle the laughter spilling from you. “Sorry, Josh. I’ll get back to my seat. You guys are gunna do great! See you after, my rockstars!”

~

The show is absolutely phenomenal. Just like you predicted, both Jake and Josh make full use of the walkway in front of you, strutting down it like they own the place. They steal the spotlight in their own special ways. Josh is flamboyant and eccentric in his movements and seems to glide across the stage, oozing charisma and charm. Jake, on the other hand, is just animalistic. The way he throws his head back and grinds into his guitar is quite frankly obscene, but you and every other girl in the room are completely mesmerised by it. If his mission was to arouse his fans, he was certainly fulfilling it. The way he locked eyes with some of the fans had you feeling a pang of jealousy, which you tried to keep buried deep down. It wasn’t until you saw him lean over the barricade to whisper into a fan’s ear that the jealously abruptly bubbled over. You saw red, balling your fists beside you until your knuckles were white.

“Hey, you ok?” Kat reaches down and puts her hand over your fist, and you immediately relax them.

“I don’t know what came over me, sorry.”

“Is it seeing Jake with those girls?”

“Yeah, but I’m being stupid. I’m not his girlfriend…”

“He’s sure treating you like you are.”

The night plays on and you witness a few more of these encounters between Jake and his female fans. Each time you feel your temper boil over, until you’ve finally had enough when you see him hand a pick to a pretty blonde. Luckily for you, the show is ending and they are finishing up their encore. You propel yourself from your seat and don’t even think about Kat as you storm down the steps. The band is making their way off stage as you round the corner. Jake calls out your name but you ignore him and keep walking down the corridor. You find the dressing room with Josh’s name on it and let yourself in, collapsing onto the sofa with a thud. A few moments later Josh appears.

“There you are, Jake was going out of his mind. I’ll go and-”

“No. I came in here on purpose. I don’t want to see him.”

Josh frowns and sits down next to you. “What’s happened, Songbird?”

“He’s been practically throwing himself at the girls in the crowd all night.” You huff, crossing your arms over your chest. Josh places his hand on your thigh.

“I really don’t think that changes how he feels about you, it’s just for show.”

“It might not, but it’s still pissed me off. The worst part is, I don’t even have the right to be upset with him. I’m not his girlfriend, I don’t even know what this thing is between us. But he brought me here, and I thought…” you trail off, tears glistening in your eyes.

“Hey, he’d be a fucking fool to lose you, Songbird. Please don’t let it ruin your time here, and anyway, you have me.” He tilts your chin up to look at him and flashes you his signature toothy grin. You throw your arms around him and squeeze him tight. “God, I love you, Josh.”

“And I love you, Songbird. Come on, pick yourself up, we’re going out to celebrate.”

The whole ride to the bar you avoid eye contact with Jake, though he doesn’t stop trying to get your attention. As you’re mid conversation with Sam, Danny and Kat, you spot Jake and Josh having a hushed but heated conversation out of the corner of your eye. You just about make out Josh tell Jake to “not fuck it up, because Y/N is an angel walking the earth”. Your heart melts at the way he is standing up for you.

You’re the first to exit the cab and enter the bustling bar. There’s a live band playing and there are many people up dancing along to the rhythm. You walk over to the bar and immediately order a tequila soda, but as you go to pay Jake’s hand appears in front of you and hands the bartender a note.

“I said everything would be taken care of.”

You remain cold, not acknowledging his existence. You bring the straw of you drink to your lips and take a long sip, feeling the burn of the tequila slip down your throat.

“You gunna give me the cold-shoulder all evening?”

“I haven’t decided yet.” You respond, still not meeting his eye.

“Y/N. Look at me.” You ignore his request, taking another sip from your drink. His hand shoots out and grabs your chin, manoeuvring it so that you’re facing him.

“Talk to me.”

You shake your head. “I think I’m gunna go and dance.”

You remove the straw from your drink and down the rest, slamming the glass onto the bar and push past Jake to make your way to the dance floor. You find the rest of the guys there already, dancing along with Kat. You join in, shaking your hips to the rhythm and eliciting a wolf whistle from Sam.

“Damn, girl. You’ve got moves!”

With the tequila now in your system, your inhibitions are significantly lower. Your hand finds Josh’s and you tug on it until he’s face to face with you.

“Dance with me, pretty boy.”

He laughs and spins you around, then dips you down low. Your hands loop around his neck and his find your waist as your bodies move together to the music. You both shriek with laughter as you grind up against each other. You throw your hands up and slowly sway your hips side to side as you sink down onto your knees and back up again. Josh watches you, licking his lips. It’s clear he’s also under the influence, as usually it’s a lot more PG between the two of you. His hands find your waist again and he pulls you closer this time, his eyes darting between your eyes and lips. Suddenly, as if you both simultaneously realise what’s happening, you part. Josh rubs the back of his neck sheepishly.

“I’m- I’m gunna go to the bathroom.” You mutter before exiting the dance floor. You hastily locate the single unisex stall and shut the door behind you. You lean against the sink and inhale deeply. What the fuck are you doing?

As you’re gathering yourself, the door swings open. Shit, you forgot to lock it. You spin around to find Jake standing there, nostrils flared.

“You wanna tell me what the fuck that was?”

“Jake, I’m-”

“My brother, Y/N?! I knew something was going on between you two!”

Suddenly you see red. “I beg your fucking pardon, Jake? There’s nothing between me and Josh! He’s my friend! And anyway, what about you and your fucking bimbo in the crowd?!” You spit.

He looks taken aback, not expecting that response from you, but quickly reverts back to anger.

“Is that what this is about? That’s nothing! I was being nice to my fans, Y/N. That’s all that was. God you sound just like her.” Before he’s finished speaking he already regrets the words that have fallen from his mouth. His eyes widen and he rubs his temples viciously.

“I sound like who?” You glare.

“Forget it. I’m sorry.”

“I’m not letting that go, fucking speak up.”

He sighs “My ex-girlfriend. I swore off dating when we ended things. She got so jealous of the life I lead, even though she knew what she was signing up for. I loved her, and she broke my heart. When I saw you with Josh, I thought history was repeating itself.”

“Her… and Josh?”

“No, it’s not like that. She tried it. Tried it with each of the guys. They didn’t do anything, so she just fucked the first person she could find instead. She did it all to get back at me, she thought I was sleeping with my fans. That’s not something I do, and not something I ever intended to do… until you. There’s something different about you, and although it scared me because of how badly my heart was broken, I couldn’t let you walk away.”

Your face falls. You’d been so stupid, thinking he’d drop you for the next girl that looked his way.

“Jake, I’m so sorry. I would never do that, I’m sorry that I got too close with Josh. That was never my intention. Maybe I wanted you to feel a bit jealous, but I would never ever cross that line. It was just harmless fun, or so I thought.”

“I really like you, Y/N. I wouldn’t have brought you here if I didn’t. I think… I think I’m falling for you and I can’t stop.” He closes the gap between you and caresses your cheek, his lips ghosting over yours.

“I think I am too.” You latch onto his shirt and pull him into you, your mouth melting into his. It feels like time slows to a stop, your lips on his and the way he’s holding you is all that matters. He’s like a shining beacon of light in a pitch black room. You break away at the sound of a knock at the bathroom door. A voice from the other side is speaking in Portuguese, a customer clearly needing to use the room for its intended purposes. As you exit the bathroom, the customer mutters under their breath. You don’t speak a lick of Portuguese but you’re certain they are complaining about the two of you being in there together. Jake walks ahead of you and re-joins the group who are now situated in a booth.

“Y/N and I are going to head back to the hotel, she’s not feeling too good.”

You begin to protest, but Jake flashes you a look. “Yeah, sorry guys. I hope you have fun.”

Josh shoots you an apologetic half-smile and you mouth don’t worry at him, then you bid your goodbyes and follow Jake out the door.

When you arrive at the hotel you expect Jake to split from you and go towards his room, but he walks behind you as you enter your room.

“I guess you’re coming in here then?”

His demeanour shifts as soon as the door is shut.

“Get on the fucking bed.”

You freeze, unsure of the change in atmosphere.

“I said, get on the fucking bed. Don’t make me ask again”

Your body goes into autopilot at the low boom of his voice, dripping in authority. You position yourself at the head of the bed.

“You’ve been a fucking brat tonight. Do you know what happens to brats?”

You shake your head, suddenly feeling like a deer in headlights.

“They get punished.”

Your breath hitches in your throat, his dominance causing a gush of arousal to pool inside of you.

“Turn around.” He barks.

You obey his command and he begins unzipping your dress, exposing your bare chest and thong. He twirls his index finger, signalling you to turn back around, then uses the palm of his hand pressed between your breasts to guide you back. He pinches your nipple between his finger and thumb, then rolls it slowly. You hiss at the sensation. He takes your nipple into his mouth and swirls his tongue around the hardened bud. Your back arches off the bed, it’s been weeks since you’ve felt him touch you like this and you need him like your lungs need air. With your nipple still in his mouth, he slinks his hand between your legs and begins to rub agonisingly slow circles over your pussy.

“So wet already, and I’ve only just begun.”

He releases your nipple with a pop and removes your thong. He pushes your legs apart so that you’re spread wide for him, then runs his fingers through your folds. Your hips buck up, so he uses his free hand to anchor your hips down. He dips his finger into your entrance and curls it up into your g-spot. You whine needily.

“More, Jake, please.”

“Uh uh, only good girls get to beg for more. You haven’t been a good girl, have you Songbird?” The use of Josh’s pet name for you in such a filthy way makes your eyes roll back into your head. He stops and withdraws his fingers from you, and you let out another whine.

“Answer me.”

“No, I haven’t been a good girl. I’m sorry Jakey.”

“Apologies won’t work on me tonight.”

He pushes his fingers back into you and begins to circle his tongue around your clit, picking up the speed until all you can hear is the sound of his fingers driving into your dripping cunt.

“Jake, I’m gunna cum.”

As you reach your peak and begin to pulse around him, he stops and sits up to watch the mess he’s created with the biggest, shit-eating grin on his face.

“Jakeeeeee!” You squeal. “Please, please. Let me cum!” Tears are forming in your eyes and you feel ridiculous.

“Cry all you want, princess. This is your punishment.”

“Please, I’ll be so good for you. Jakey, please.”

“You wanna be a good girl for me now then, hm?”

“Yes, I promise. I’ll be good.”

He stands and unbuckles his belt, letting it drop to the floor. He unzips his pants and removes them, along with his boxers. “Better put that smart mouth to good use then.”

You immediately drop to your knees in front of him and he sighs.

“Aren’t you a pretty picture, down there on your knees for me?”

You open up your mouth and swallow him whole, eliciting a moan from his lips.

“Fuck, baby girl.” He whispers through gritted teeth as you bob your head back and forth, taking his entire length into your throat. You want to give him your best, to prove to him that you’re willing to be good. His hand finds the back of your head and he grips onto your hair as you take him into your mouth. You can feel your eyes watering but you keep going, pushing through. Seeing his face contort with pleasure has you dripping down your thighs. You can feel he’s close when his cock begins to twitch in your mouth, so you quicken your pace, flattening your tongue and letting it slip along his length.

“Baby, I’m gunna cum.”

You rake your nails down the back of his thighs and he groans, his hips sputtering as he paints the back of your throat with ropes of his cum. You swallow it down and lick your lips, then rise to your knees and pull him into you. You kiss him and lap your tongue against his.

“You taste so good, don’t you baby?”

He grunts and guides you over to the bed, motioning for you to get on all fours. He pulls his shirt off and moves behind you, slipping his fingers inside of you.

“So fucking wet.”

He uses your slick to lube himself up and then pushes his cock inside you until he’s bottomed out. He thrusts into you at a delicious pace, his hand snaking around your hip to play with your clit.

“I wanna try something, just let me know if you are uncomfortable at any point.”

“Ok, I will.”

He brings his hand back around and sucks on his fingers, collecting his spit and then begins to rub circles around your back entrance. You jolt slightly, not expecting the sensation.

“Is that ok?” He asks.

“Yeah, I’ve just never done this before. But I’m willing to try.”

He massages into you and then leans in and lets his saliva drip from his tongue onto you, then pushes a finger gently inside. It stings at first, but once you get used to the feeling you enter a new realm of arousal.

“Holy fuck” you breathe. “More.”

“Are you sure baby?”

“Yes, more. Fuck me harder too, please.”

He gently inserts another finger into you and picks up his pace, thrusting deeper. You let out a string of moans and curses, rocking backwards to meet his thrusts. He curls his fingers up inside you and you feel the white hot coil in your stomach tighten, threatening to unravel.

“Fuck, fuck. Jake that feels so fucking good.”

He drives into you faster, flicking his fingers up with every snap of his hips. Your whole body is trembling with pleasure, you didn’t think it was even possible to feel this level of ecstasy after your initial experiences with Jake. It felt so dirty and wrong, yet so right at the same time.

“Jake, I’m gunna cum!” You barely make out the words before you’re plunging into the most intense orgasm you’ve ever had. The dam inside you bursts and you gush around his cock, soaking everything in sight. As he pulls out of you, you hear him moan and he cums for the second time. You collapse onto your chest, still riding out your high. You lay there, chest heaving as you catch your breath. Jake sits on the bed next to you and brushes your hair from your face.

“That was… fucking amazing. I didn’t think you could make me cum any harder but, fuck.” You giggle hazily.

“You drive me crazy, Songbird.” Jake chuckles back. He tilts his head to the side and smiles softly.

“Shower?”

You prop yourself up and grin back at him.

“You know me so well.”

[pliablehead]

Heyo, what do you consider the top 5 must-watch EE interviews???

I AM SORRY I TOOK SO LONG TO ANSWER THIS and I think it's because I really don't have a proper answer!! So much of my deep dive into EE was done in one long hyperfixation spiral back when I was first getting fangirl-level into them, a good 6 or 7 years ago, and so I'm running into the problem of most of the interview content I've consumed all sort of homogenizing into one sort of blur of Lore that I've internalized and I am not doing a great job at separating out into its individual components! So, that said, the following list is probably not in line with what I'd actually ultimately believe to be the best, most crucial ones--it's just the ones my brain can call to mind at the moment. lol. BUT HERE ARE SOME:

serious/insightful: • Jon and Alex for Tape Notes podcast. (so not a must-watch so much as a much-listen, but there are a few individual clips from this on youtube in video form as well I believe.) RDF is my favorite EE album and I thought this was a hugely interesting look into their writing process and also had a bunch of cool personal stuff in it! Plus, I think it's a very good look at who the band are, like, "now" -- there's a lot of great content around from MA up through GTH, but by the time they were on album 4 and all like, 30+, and especially once covid hit and sort of changed the trajectory of like.. bands, in general, I feel like it's just been a different animal re: regular interviews etc. • this 2013 3-parter with Jonathan. It's been ages since I watched it but I remembered it almost immediately, and for some reason I'm remembering it as an oddly vulnerable Jon moment. just talking about things. (more good band lore! etc.)

funny/meme-y: • Mike and Jez at Isle of Wight. Unlike many others, I could not possibly count how many times I have rewatched this, and it is funny every time. The interviewer is a buffoon asking totally clueless questions and Jez is having absolutely none of it, he's just chomping his chewing gum the entire time, Mike's doing his best, it destroys me. • Mike and Jez look at memes. Less interview-y and more just #content but whoever edited this video did a TOP NOTCH JOB and it's one I often show to not-in-this-fanbase friends that can still be a fun look at the band and a good laff. • This very sweet one with Alex and Mike being interviewed by a literal child. Contains the infamous "Jeremy, and yes," which is one of my most quoted EE-related sentences ever • this Man Alive track-by-track, also audio only.. the BITS that Jon and Alex are doing. truly incredible stuff

just lads having a nice time :) : • the CAPSLOCK ON talkback - lots of pleasant band and lyric insight, and a great Jez cheese moment at the end • this livestream dot com session is some performing but some Q&Aing, so not really an interview proper, but the energy in the room is delightful alskdghj

other noteworthy bodies of work: • anything with Andy Backhouse. I'll be the first to admit that Andy can grate my nerves sometimes, he often feels annoyingly a little too simp-y or something, but the other side of that coin is that as a huge fan of the band he actually does always ask them questions that are like, Real, he Gets them, so it's guaranteed to be a notch up from just random music journos who are engaging with them on a more surface industry level. Nothing is more frustrating than watching an EE interview where the interviewer just so blatantly doesn't "get" EE's whole deal and doesn't know how to interface. Andy never has that problem ! • any episode of Chips of Chorlton that features them (I think Jon's been on twice and Jeremy once). Dutch Uncles are their friends and hearing them all shoot the shit in an extremely comfortable environment is suuuuch a pleasant and wholly different experience than when the lads are being Professional Music Band guys, even when the latter still consists of them doing fairly goofy things

A VERY LONGWINDED AND NOT ESPECIALLY COMPREHENSIVE ANSWER ?? !!!!! Ultimately I think I was the wrong man for the job. @hellkitepriest has way more of an archivist's nature sort of just intrinsically than I do, he can probably do a better and less ridiculous job akjdshglak

[librarians-of-babel]

what's the library of babel?

The Library of Babel is an archive of all arrangements of information, recorded in all encoding schema that can be used to represent that information. Examples of resources catalogued within the Library include:

the source code for the Apollo 11 guidance computer

the objectively best chocolate chip cookie recipe

a beam of photons whose frequencies recreate the audio of two humans having a conversation in a Minoan language

a complete history of this universe, presented as a fully accurate H0 scale replica

a list of all lists which do not list themselves as entries

Pounded In The Butt By My Handsome Sentient Library Card Who Seems Otherworldly But In Reality Is Just A Natural Part Of The Priceless Resources Our Library System Provides, by Chuck Tingle

The Library of Babel.

In common usage, "the Library of Babel" refers not to the entire library but to the particular Public Access Catalogue of the Library that has been assigned to this locale; this Public Access Catalogue is an archive of all possible arrangements of information that can be encoded as a book consisting of 410 pages of each consisting of 3200 characters selected from the 26 lowercase characters of the Latin alphabet, the space, the comma, and the period.

"The Library of Babel" may also refer to the short story written by Jorge Luis Borges which has this phrase as its English title. Borges' story portrays the previously mentioned Public Access Catalogue as a physical library consisting of tangible rooms, shelves, and texts. It is remarkably factual in its depiction of the Catalogue's contents, though it does contain a number of key inaccuracies. (Namely, the librarians do not engage in the destruction of library resources or other such superstitions and, due to local standards limiting the compression of information, all indices of the Public Access Catalogue's contents are not considered to be part of the Catalogue itself, and are instead classified as Semi-Limited Special Resources.)

Alternatively, "the Library of Babel" may denote the front-end user interface for the Library's Public Access Catalogue, which was created independently by Jonathan Basile and draws inspiration from the short story written by Borges.

[pico-digital-studios]

KinitoPET console port ideas

In the wake of KinitoPET's growing success, I thought about how a console port of the game would work if troy_en ever decides to do something like that.

WARNING!: Spoilers are prominent for the game ahead, so don't read on unless you've played or watched all of KinitoPET, including the game's secret ending.

To start, let's talk about the...

Interface

Since the game takes place on a simulated PC, changes will obviously have to be made for the game to function there.

To begin with, the control scheme. The general idea I had was for the mouse cursor to be moved with the left analogue stick, and for interactions to be made with one of the different buttons on the controller. Pressing the console's respective start/pause button will quickly bring up the pause menu for you to change settings or return to a regular desktop.

As most of the consoles lack their own wallpaper settings built in (Nintendo Switch, I'm especially looking at you for your lack of themes), the My Pictures folder instead links to some pre-prepared images that you can set as the in-game desktop background. For 3D Pinball's controls, it works similarly to games like Pinball FX, using the trigger buttons to move the flippers, and one of the normal buttons to control the plunger.

Now, about the game's achievements/trophies. Steam was the main way of unlocking KinitoPET's various achievements, so I felt the system could also be applied for the Xbox and PlayStation systems. However, a new workaround is needed for Switch, since that lacks an achievement system outright. As such, like with the Portal and Stanley Parable ports, I thought about a separate Achievements menu/application where the unlocked and yet-to-be-unlocked achievements can be viewed from.

KinitoPET in general

Since the game needs keyboard input at various points, the ports would have ways to overcome this, using the console's respective on-screen keyboard for these inputs. If it supports touch-screen, then all the better, too. Kinito's instructions are also tweaked to make up for the consoles not actually having keyboards by default.

As the game also reads from your Steam friend list and what Steam games you have in your library, I thought about the game also having its own way of reading this; namely, pulling the options from your console's friend list, and if your highlighted favourite game is in the respective console's store, along with various others you have save data for.

For the 3D sections in the game, the left analogue stick helps with movement, while the right analogue stick (for controllers that support it; otherwise, the D-Pad works) moves the camera view.

Fourth-wall scares

Now, this is something that definitely needs tweaking due to it being on consoles.

First off, a lot of fans will know that when Kinito is told that he's NOT your best friend, he turns up your system volume to reiterate that question. Obviously, this isn't going to work for consoles that have their audio come from a TV, but if the console has built-in volume controls on its own (like Switch), Kinito will raise the console's volume from there.

Next, the Paint jumpscare. This one opens up your PC's actual MS Paint briefly to facilitate the scare, but in this case, a fullscreen in-game Paint window would appear to create the "ARE YOU REALLY (NAME)?" taunt.

Now, next up is the infamous Camera scare Kinito pulls on you. Now, we all know that unless your TV or console actually HAS camera support, it's outright ineffective, so I thought of another workaround. Kinito, instead, asks to "see your avatar", pulling a direct model of your Avatar/Mii on full show. If you don't have one, he'll instead nab one of the generic defaults.

Also, about the recording secret, another twist is thrown in; if you have captured screenshots or recorded snippets of gameplay, Kinito questions this, actually pulling said screenshots/recordings from your console's gallery to question you with.

Now, onto the darker questions of the Analysis Hub. Remember what I said above about the friends toggle? Well, two of the questions, those being "Can you trust everything that (NAME) says?" and "Who would you rather kill?" actually read that friend list data for you to look through.

For the address-hunting/doxxing scare, the dialogue obviously changes unless your console has a proper built-in web browser:

"Hey. It seems like you made a mistake when filling out your address. I would find out your address for you, but your system doesn't have the capacity to let me do so. But just so you know, I could."

And last, and most importantly, the Command Prompt sequence. Kinito will instead point your attention to the My Computer icon, which is toggled in the console ports to house other sub-applications, a built-in console included, for you to type either Kinito's system access command, or the commands and codes needed to outright get rid of him.

Oh, right! Let's not forget about the game-closing sequences. At the end of each act of the game, pop-up windows appear to inform you that that part of the game is over, though for the consoles, this isn't possible, so on-screen text would appear before the game crashes deliberately, necessitating you to actually restart the game.

Your World

When Kinito is preparing to show off your house, since he can't exactly turn off your monitor, he simply resorts to asking you to close your eyes. In the house itself, he recycles the data he found in your console to utilise here. For instance, in the special office, the cover art of your favourite game on that console is on the computer, with other games that have save data on the shelves. Your console friends are each gathered around the dining table and sofas, and the TV, which originally showed nothing, plays random recordings from your console gallery to give you something to watch.

I personally also had the thought about Your World being accessible without an off-screen timer if you wished to explore either the funfair or your island/forest/field's house without any pressure on your shoulders. In the idea, the rollercoaster would instead park up by the entrance to another chute, and taking this one will let you go back to your funfair if you wish.

Secret Ending tweaks

As the Secret Ending requires even more interaction on your part, new tweaks are needed to help this fully work.

The "Lense.exe" program creates a magnifying glass that you can use to gather the files and email logs. Since they likely can't be stored on your console's system memory, they are instead stored in a bar accessible once you get inside the Dark Land. The respective passwords are saved by the game for you, and will be entered for you in order for each one you find before opening the console in Act 3.

If you don't have all of the passwords, the game will stop entering them should a crucial one be missing, and deny you that access. If you have all of them, though, and get to the confirmatory code, the game will ask you to confirm this final decision, and if you go through with it, you've achieved the secret ending!

Well, that's all I can really think about for a potential future console port for KinitoPET. I do know it's going to be a lot harder work to work with, though I'm sure it can work out, since the Godot engine (which KinitoPET runs on) is cross-platform.