#best way to post a job

[bixels]

Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.

TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.

If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.

URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag show club full of trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.

[spnintheyearofourlord]

Thinking about Sam and how central autonomy and violation is to his character. How many times and ways he had his choice taken away throughout the series. All the things we don’t know about his time with Lucifer, but are also so heavily implied that we do.

Imagining he eventually gets out of The Life and becomes a victim’s advocate. He ultimately decides not to try and pursue law school at this stage in his life—it’s been so long and so much has changed—but finishes his bachelor’s and pursues a master’s in social work. He never expected to end up here: the boy with the demon blood, no longer living out some doomed and twisted fate, helping people. He’s passionate about representing those made most vulnerable and unsafe in their own skin, supporting others as they come out the other side survivors, lending the compassion he’s always struggled to have for himself. Every time he listens to someone else’s story, helps connect them to resources, advocates for their case, he heals a little bit too.

[writeouswriter]

Reading a fic that's so well written I wish I could close my eyes and just let the descriptions and atmosphere wash over me, but the dilemma with closing my eyes is, well, I then would not be able to continue reading this fic, now would I.

[hallowclave]

What a whimsical looking young man I wonder if he has received any job offers recently

Original photo

[samarecharm]

A lack of a Hold-Up mechanic in strikers means that Zenkichi has never witnessed these kids corner and mug shadows for every little penny theyre worth. I think he would lose his mind. Hes trotting around the metaverse w teenagers that have too much experience holding shadows at gunpoint to get what they want. When did this become his life. Neko shogun throws out a snuff soul as an offering and Akira doesnt remove the gun from its face. ‘You can do better than that.’ What the hell do u mean??? Its a fucking cat! It throws another snuff soul on the ground in fear before Akira decides to finally lower the gun and let the cat run off. At least they arent killing the damn things w their backs turned.

[miraluking-respectfully]

felix being referred to more or less exclusively as "your soldier" in-game speaks to how little the writers put into his character beyond his noggin full of sith secrets & his relationship with the consular; still, i do find it kind of sweet and funny, in a way. he's not a republic soldier, not even your personal bodyguard; he's your soldier. the consular is a small nation-state in and of herself

[welcometogrouchland]

[ID: a coloured and shaded digital sketch of Luz and Lilith from the owl house. They're depicted with their designs from For the Future. Luz is tackle-hugging Lilith, ugly crying and exclaiming "I missed you so much". Lilith braces for the hug and smiles with tears also in her eyes. The background is a pale yellow colour and previous versions of the sketch can be seen at low opacity behind the full drawing. End ID]

When you see your cool aunt (actually a loser but you love her) for the first time in months and she has a badass apocalypse makeover but still somehow looks like a librarian

[1doesnotsimplyhavejust1fandam]

It’s the way that Nathan Ford is BY FAR the least interesting character of the original Leverage five, and yet he’s the one who gets SO much backstory and context to himself. I’m literally watching the season 4 finale and I just don’t care that his father was murdered because Nate’s being incredibly annoying. Trying to be empathetic about a character grieving doesn’t even work for me here because his entire team is trying to make sure he doesn’t MURDER the man/men responsible for his father’s death and he’s not letting them in at all. It’s part of the reason I dislike his character so much. There’s hardly ever moments when he is genuinely vulnerable, not even with Sophie, who he is supposed to be in love with (yeah yeah, I know, they’re “friends with benefits” right now, but that’s not fooling anyone with eyes even without the knowledge that they end up together at the end). Nate is this mastermind of a character and it’s cool and intriguing for all of half of season before you’re scratching your head like, where’s the care for his team? He was kind to Hardison in the evaluation form and he didn’t want to make Eliot kill again, for any reason, but it’s so hard to appreciate his humanity when he’s spent the past three(ish) seasons on the verge of drinking himself to death, verbally bashing Sophie, and only being about the work. Sophie having a notebook full of moments when Nate put her or her ideas down isn’t funny or a moment of character growth. Nate doesn’t fully understands how that’s so shitty of him, as team leader, but also as her sexual (romantic?) partner. Every moment of Sophie and Nate’s relationship has to be fought for BY SOPHIE, and at this point, I don’t even know why she even wants him. He may be acting as Robin Hood and helping people, but he’s barely even a person while he’s doing it. I’ve never liked Nate, but making my way through season 4 has definitely given me the hardest time with remembering his redeeming qualities. Every time he’s vaguely misogynistic or acts like an immature man child when it comes to processing his emotions without alcohol (which happens: never), I question why he’s the main character, why my screen isn’t filled up with Hardison being the sassiest mf of them all or OT3 moments or Sophie conning the hell out of men who are led by their dicks and not their minds. When I’m watching the Nate centric scenes/episodes, I’m never wishing for more, I’m wishing the rest of the team was in the spotlight instead

[kimbapisnotsushi]

you seem to have a good read on HQ and your takes are great, so i have a question...and if you'd rather not go there, please ignore this! but i see oikawa get called "arrogant" quite often and i'm curious, would you say he is? what is it that makes people think that? imo he has a plenty of flaws, but i truly don't think arrogance is one of them. self-centered, sure, but not arrogant i think. i'm open to being wrong, i'm just legit so confused by that particular criticism, it makes me doubting my reading comprehension. i feel like that one post that's like "free my man, he didn't do that. he did a lot of other stuff tho" LOL. if you do answer this, then thanks for your time!

oh, dear anon. this is a very very big question and i'm honored you think i am capable of providing an answer that does it justice!! i don't consider myself an oikawa expert by far, but i'll do my best because he's still very beloved to me, and i hope whatever i say helps!

(but also - maybe take what i say with a grain of salt LMAO)

anyways, to get the main point out of the way: i completely agree that oikawa isn't arrogant! i actually haven't seen any commentary about that myself (bless!!!), so i can't say for sure why some people might think that, but my guess is that they think his pridefulness = arrogance — they think that the confidence he has in himself and seijoh contributes nothing to their actual power and is utterly meaningless if they don't win, especially in the face of ushijima. which, like, come on. what kind of captain would he be if he wasn't confident in himself and his teammates? is he supposed to tell them that they're going to lose??? is he supposed to discourage their hard work and effort???

or maybe it's because oikawa acts like he's all that, but doesn't have anything to show for it. who does he think he is? what does he think his pride is worth? what right does he have to go around making grand declarations when he has nothing to his name?

(which isn't entirely true, either, but we'll get into that, promise.)

now, do i think that he can, occasionally, be flippant, shallow, and/or petty? yeah, sure. he's got one hell of a personality about it. even iwaizumi says as much. oikawa is great at being a little shit. it's one of my favorite things about him!

but is oikawa genuinely arrogant, or self-centered? well . . . i don't think so.

see, here's the thing about oikawa: he knows he's good, but he doesn't think he's good enough. i think it'd be easiest to really explain what that meant if we broke this down into two separate parts, so let's give it a go, shall we?

(buckle up, friends, because it's about to get LONG. also: TIMESKIP SPOILERS!! and there's a tldr at the start of the tags because. WOW.)

so, first things first: if people are calling oikawa arrogant, then i'm like 99% sure that they don't actually know what the word "arrogant" means.

"arrogant" is used to describe someone full of themselves. it's used to describe someone conceited and pompous. it's used to describe someone so assured of and invested in their self-importance that they don't care for other people, and if it seems like they do, then it's usually wildly off the mark and still serves to inflate their own egos.

oikawa has never once been like that. he's been pretty much the exact opposite, in fact.

and yeah, sure, by his third year of high school, he knows he's good at volleyball, and that's fine! it's perfectly all right to claim you're good at something if you have the skills/experience to back it up. confidence is healthy as long as it isn't in overabundance, and we actually see a lot of this throughout the series!

(not to mention that this was where ushijima fell short. he was overflowing with confidence. he did not believe, for even a single second, that hinata shouyou and his meager, scrappy little flock of crows could beat him.

but oikawa? he knew. he knew what it looked like to make something bloom.)

the key to oikawa's confidence that made him better was that he could pinpoint others' strengths and weaknesses just as well as he could with his own. and (bear with me, please, i might get kind of boring here bc it's nothing that hasn't been said in the manga before) i don't mean it in the way we see the coaches or more analytical players do, as observations to be taken advantage of by everyone else; i mean that in the sense of how vital it is to his position as a setter. that was always the biggest difference between oikawa and kageyama: no matter how much more raw talent kageyama had, no matter how much better oikawa believed him to be, kageyama, especially in the beginning, struggled to do what oikawa could with a team. kageyama struggled to bring out the best in each player. and it wasn't because he didn't know how -- oikawa freely admitted that kageyama had the skill for it, that kageyama, once he got his shit together, could win against him -- it was because kageyama didn't have that same confidence in himself.

(not until much later, anyways. but that's another story, for another time.)

so, oikawa's confident. he knows he's good. he can bring out the best in each player. he's got a killer serve (and a killer smile!), a mind for tactics that borders on machievallianism, and cherishes the trust he is given like it's something precious. his coaches let him lead without leaning on them. his team has the utmost respect and admiration for him. he has a reputation. from karasuno to shiratorizawa to the whole of miyagi -- there is not a single character who knows oikawa tooru and would believe that he is, in any way, bad at volleyball.

but it's not enough. despite all of that, oikawa still doesn't think he's good enough. and that, friends, brings us to the second point.

oikawa tooru is nothing if not passionate.

so were the others, of course. kageyama kept going after his grandfather's death. hinata kept going while being a nobody from nowhere with no one to back him up. atsumu kept going while osamu didn't. it's not even about just those who went pro -- kenma, kuroo, noya, and everyone else found things that they were passionate about and kept going with it. the entire story revolves around loving what you do and trying to keep that love alive, and, sometimes, that can be really, really difficult when it seems like it doesn't love you back.

oikawa was so insecure over kageyama to the point where he nearly decked the poor kid. oikawa got crushed by ushijima-- who kept telling him that his team was not good enough, that his choices were not good enough, that there was nothing good enough to be proud of -- for years in a row. oikawa was taught that there would always be someone better than him no matter how skilled he was, but if he let that stop him then he didn't fucking belong on the court in the first place.

oikawa tooru is intimately acquainted with not being good enough, but he keeps trying to be. he keeps going. he tries to keep the love alive even if he's not loved back. he pushes and practices and takes a plane far from home to become even better. even if he doesn't have the skill, even if he doesn't have the talent, even if he doesn't have the love -- he still has his pride. and what does that mean, in the end? how far does that take him?

in the end, oikawa tooru walks across a world stage and sees people who believed in him on the other side and calls it a family reunion. in the end, he gets to play the volleyball that reminds him of why he loves it and how it gives him so much love back. in the end, his pride is unyielding and unbreakable, a product of the forge. he molded it with his own two hands. he will not let it falter so easily.

arrogance would not have taken oikawa tooru this far. i hope this has proven that he is anything but.

remember: instinct is something you polish. talent is something you make bloom. and never, ever let anyone else tell you what your pride is worth.

[archerofunspeakablelove]

Russian Roulette update: Yassen's conversation with John towards the end of Командир (The Commander) genuinely made me tear up a bit. Y'all if I hadn't started shipping them at the start of Eagle Strike the first time I saw them interact this scene would've 100% convinced me because the way Yassen was so hesitant about working for Scopia at the start and had considered his other options, but now that John is tutoring him he desperately wants to prove his loyalty and competency. In the jungle John tells him he could leave if he wanted to, Scorpia had taught him enough about disguise - all this he had considered before himself, yet when John brings it up Yassen immediately shoots it down, becomes agitated. Why? Because he feels like John is questioning his competency. Remember what he said? "I can do this." John wants Yassen to not have to walk down the same path that he did, but ironically he is the reason Yassen even cares so much about succeeding in Scorpia in the first place. His cover worked a bit too well and now Yassen has a very fixed idea of who John is, and he will do anything to prove himself to his version of John.

You get it, right? The way they want completely different things out for each other, completely incompatible things, because they do not understand each other. These types of dynamics really just eat me up from the inside

[pandora15]

life is cruel.

it's tragic, horrific, and unfair. it gives us the worst of things, causes us to feel and experience things that are so unspeakably painful that sometimes I can't even. I can't even.

and it seems even more cruel in those moments of pain and grief and loss when you see something beautiful, like fall colors, or the color of the sky at sunset, or how the holidays typically are meant to bring joy to people but all you can think about now is that every year when this time of year comes, you'll just think about how tragic it is.

and cruel.

and horrific.

and unfair.

and beautiful.

[hospitalyuris]

Everytime someone says I'm wasting what god gave me I grin and say good

[elliesgaymachete]

I’ve seen a lot of posts lately complaining about the decline of computer literacy and judging younger generations for not knowing how to use computers and like. All they do is complain and talk about the importance of knowing this stuff, but i’ve yet to see a post that would be helpful in actually TEACHING the younger generation the basics of computer literacy and i’m sure the heavy judgment in those posts is not making people more inclined to actually learn anything.

But also @ the younger generation following me, teaching yourself computer skills is INVALUABLE. Sure, maybe it’s clunkier and less user friendly, but it’s not meant to be carried around in your pocket and there’s A LOT more you can do with just basic computer skills. And honestly, a lot of it ARE things you can figure out with a quick google search (we can get into other search engines later, but google will suffice for this). I use excel at work a lot and I’ll look up “how to do X on excel” whenever I don’t know something and there will be a ton of results with handy step by step guides. You can even look things up on your phone and then use that to figure out how to use a computer! If you don’t have a computer to just play around on and figure things out yourself, your local library will always have computers for public use. And if you want one of your own so you can spend more time with it, a cheap laptop is a few hundred bucks (way cheaper than an iphone) and will be able to do all the basics

Anyway @ millenials be nicer and more supportive and helpful. We WANT them to know how to use computers. And @ gen z i believe in you, if you want to learn how to use a computer you absolutely can

[hylianane]

I really didnt love OPLA’s Marine storyline and the particular way it wanted me to sympathize with marines like Garp. With this in mind though. God I hope Live Action Tashigi gets her own expanded depth for the love of god I wanna know. I wanna feel her connection to the blades she wants to save and see her connection to Zoro from her eyes, I wanna see her and Smoker get a taste of rebellion as they lie to Garp’s face about the whereabouts of the pirate crew who saved Alabasta.

[phoenixyfriend]

Some of the comments I get on my posts about the NYT just have me going "you are throwing out the baby with the bathwater"

[dhmis-autism]

trying harder to pay attention to yellows dialogue so i can write him better and. literally. love that thing he does where he talks like hes in a sitcom

( “What do you think it means to have a job?” / ”Yeah, what an adventure. Yup,we really did have the laugh of our lives. But still, nice to be back at home,eh?”/ “Let’s go see this real family in action!” )